Key Words, MAR Reading Group 2020-2021

Page 228

Reading Day 8

FragmentXK #academic, #fragments, #fragmentarythinking, #writing, #birthofmeaning

The spaces and gaps in between There’s always something in between. Something in between books, chapters, paragraphs, sentences, and words. There’s also an ‘in between’ letters (the little space in between the a and the b). Spaces and gaps are sometimes misunderstood as no-thing… but they’re an important something, or at least a constitutive nothingness. When we write, we write with words and letters. But not only. We (foremost) write with spaces and gaps – with the in betweens. There is always separation and difference. The interesting aspect to this is that it entails, more or less, that everything is fragmentary. The all (mind the italics) is a state of fragmentation. Empty space and equality What we perceive as fragmentary is shifts in the equality of the spaces in between the bodies of texts (or rather the body parts of a text). The ‘inequality’ of the spaces creates the sensation that something is missing, that something has existed (and is no longer there), or that something could possibly exist [that there is a potentiality for something to fill the space]. When reading the Bible, you sometimes come across paragraphs such as Mathew 23:14, which say ––––––– (nothing). A lost fragment. An omitted fragment. This hole in the text creates an own narrative through the questions it invokes. [In me: Why is this gone? Censorship by the church for potential unliked meanings? Or a mistake by an earlier owner? Did someone spill coffee whilst reading?] In other words: The space creates its own narrative, it forces creation, it makes us question. Barthes says only death is creative. And, as we see, out of the killed paragraphs (the spaces of the lost fragments) the reader creates.

Openings The fragments (and the importance of spaces and in betweens) opens up for wider interpretations as well as for total misunderstandings. For me this is an ethical aspect… an ethical potentiality. I believe these openings, the unsureness inherent in the fragmentary form, make room for the readers themselves (not necessarily for their ego – the space as a mirror in which they narcissistically could specter themselves. But for their presence as thinkers – the text speaks to them, and waits for their answer. This direction (speaking to) creates action or at least activity). In the womb I think about écriture féminine, I think about Hélène Cixous. She defines écriture féminine as fragmentary. The fragmentary as a resistance to linearity and to patriarchal (rationality). The fragmentary text is a text which does not force meaning. Through its own perforated being it gives room for the other in itself. [This can be tied to Irigaray’s thought on the placental… the mammalian possibility of carrying the other (alterity) within and that this has an ethical actuality for humans]. Inherent fragmentation Understanding is a desire of difference and otherness, of that which is not the same. This desire can come as a will to possess (making the other the same – which is the case for many kinds of understanding). The desire can, sadly only at times, take the form of an acknowledgement of the alterity of the other. The co-existing (with the other) needs negotiation and sometimes (most of the times) a repositioning of that which is understood as the same. The constitution of meaning (how mean-

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CITED REFERENCES

5min
pages 256-259

BIBLIOGRAPHY ~ FILMOGRAPHY

1min
page 255

Film review: Hito Steyerl, November, 25'

5min
pages 250-254

Sitting

3min
pages 244-245

Twinkling

2min
pages 248-249

Ninism

1min
pages 242-243

Sleep

3min
pages 246-247

The neutral

1min
pages 240-241

Love

5min
pages 236-239

The adjective

3min
pages 234-235

Library

6min
pages 230-233

Fragment

5min
pages 228-229

The Androgyne: an ode to myself, my friends and my recent ex

11min
pages 218-223

Artistic Research Case II: How Roland Barthes would teach a course

1min
pages 216-217

Conflict

6min
pages 224-227

Matteo, 60'

7min
pages 212-215

Queer kinship: a perversion

2min
pages 210-211

Willfulness

4min
pages 208-209

Squatting

7min
pages 192-195

Family

4min
pages 190-191

Queer

3min
pages 188-189

The courage to love

8min
pages 202-207

Repair

9min
pages 184-187

Recycle

3min
pages 196-197

Drafts to a confessional letter from a killjoy to a fellow killjoy

12min
pages 198-201

Artistic Research Case I: Queer Values

1min
pages 182-183

Film review: Godfrey Reggio, Koyaanisqatsi, 90'

4min
pages 178-181

The first time

3min
pages 170-171

Modernity مُدِرنیته

3min
pages 168-169

Intensity

2min
pages 176-177

Morality

5min
pages 172-175

Measure - How do we measure up?

3min
pages 166-167

Bourgeois

2min
pages 164-165

Intensity: an ethical ideal?

1min
pages 162-163

Film review: Astra Taylor, Examined Life, 90'

3min
pages 160-161

A Brief Biography - and many reasons for the waywardness - of Stanley Brouwn

6min
pages 154-159

A brief biography of Thoreau

12min
pages 144-149

A flash of understanding

6min
pages 140-143

Glancing

2min
pages 152-153

Freetime vs. production

2min
pages 150-151

Outside

2min
pages 138-139

Objects, according to Virginia Woolf

4min
pages 136-137

Flâneur

3min
pages 134-135

Wandering research

1min
pages 132-133

Battle

10min
pages 128-131

Study according to Moten and Harney

6min
pages 126-127

Fugivity

3min
pages 124-125

Undercommons

11min
pages 120-123

Aberrant movements

5min
pages 110-117

Immanence

1min
pages 118-119

Deleuze

1min
pages 108-109

Deterritorialization

3min
pages 106-107

Logics, according to Deleuze and Rajchman

3min
pages 104-105

Film review: The Otolith Group, Medium Earth & Anathema, ±100'

1min
pages 98-99

Wayward Movement: Aberrance and Fugitivity

3min
pages 100-103

Reading

4min
pages 96-97

Skeptic!sm

7min
pages 92-95

Signifier and signified

7min
pages 88-91

Endings

1min
pages 78-79

How to taunt the enemy? A guide to a wayward life

2min
pages 84-87

Citation - Constructing citations on the streets of Ajaccio

8min
pages 74-77

Fortune

3min
pages 80-81

History

3min
pages 82-83

Chiasmus

2min
pages 72-73

Allegory - Drawing the line

5min
pages 68-71

Chantal Akerman, 67'

1min
pages 64-65

Geometries of attention

1min
pages 62-63

The poss!ble

8min
pages 58-61

Utopia and catastrophe

2min
pages 54-55

The right to opacity

5min
pages 56-57

Vagrancy

3min
pages 52-53

Composition: Ocean resurface

6min
pages 48-51

Insurrection

4min
pages 44-45

Clinamen

4min
pages 46-47

Beauty

1min
pages 42-43

The postmodern

6min
pages 30-33

Foundations II: What is the relationship between waywardness and speculation?

1min
pages 40-41

Technique

4min
pages 34-35

Film review: Jem Cohen, Museum Hours, 90'

7min
pages 36-39

The modern

4min
pages 28-29

Intentionality

4min
pages 24-25

Learning

3min
pages 26-27

Waywardness and Artistic Research: Speculation, Skepticism, Difference

2min
pages 10-11

Foundations I: What is Artistic Research? And what could be wayward about it?

1min
pages 12-13

Historical collection

2min
pages 22-23

Aesthetic education

4min
pages 14-15

Every Commonality is a Wave form

15min
pages 16-21

About Keywords

2min
pages 2-3, 9
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