The Justice, February 5, 2019

Page 1

the

Justice www.thejustice.org

The Independent Student Newspaper Volume LXXI, Number 16

of

B r a n d e is U n i v e r sit y S i n c e 1 9 4 9

Tuesday, February 5, 2019

‘WHAT REMAINS TO BE SEEN’

Waltham, Mass.

STUDENT UNION

Election winners look to new terms ■ The Union’s Senate,

A-Board and E-Board gained new members from the 2019 winter elections. By JOCELYN GOULD JUSTICE EDITOR

After a tumultuous fall semester, the Student Union began the spring by electing new members to the Executive Board, Allocations Board and Senate. Students could vote electronically in the 2019 winter elections from 11:59 p.m. Tuesday to 11:59 pm. Wednesday, and the results were announced in an email to the Brandeis community last Thursday.

Executive Board

ANDREW BAXTER/the Justice

ARTISTIC INFLUENCES: Howardena Pindell shared stories from her life and how they impacted her art in her talk on Saturday.

Howardena Pindell talks sexism, racism and art ■ The artist discussed the

struggles and triumphs she encountered during her over 60-year career. By SAM STOCKBRIDGE JUSTICE EDITOR

In her talk on Saturday afternoon, Howardena Pindell discussed her experiences with racism and sexism as a pioneering Black artist. Pindell’s exhibit, “What Remains to be Seen,” opened at the Rose Art Museum on Friday, nearly 25 years after her Rose debut on Nov. 6, 1993. The Rose is the “third and final stop” of her exhibit. It was previously displayed at the Museum of Contemporary Art Chicago and then at the Virginia Museum of Fine Arts. Saturday’s discussion was facilitated by Naomi Beckwith and Valerie Cassel Oliver, who are her co-curators for the exhibit. Pindell was born in Philadelphia in 1943. Her life in the art world began in the third grade, when her art teacher told her parents that she was a gifted artist and recommended taking her to art museums and galleries. Only years later would Pindell appreciate the variety of artworks she saw as a child, created by not just by white men, but

also by women and people of color, she recollected during her talk. Her father was a mathematician who frequently wrote down the numbers on their car’s odometer as if he were balancing a checkbook. Pindell explained that this was the reason for her comfort with numbers, and for their prominence in some of her artworks. Pindell also shared a formative experience she had on a car trip with her father through Kentucky. When they stopped at a root beer stand, she noticed that all the mugs had red circles on the bottom, which her father explained meant that those glasses were for persons of color. When she learned this, Pindell developed a fear of circles for a long time, an obsession which would manifest in her art. Pindell also appreciates circles for their “simplicity” and universality. One year Pindell received a microscope for her birthday, which she explained would lead to a shortterm fear and eventually a fascination with water in her art. Looking through the microscope’s lens, a young Pindell was both horrified and intrigued by the amoebas and particles that she discovered swimming in puddles and ponds. Later in her life, she grew to appreciate water’s symbolism, especially as a representation for the Middle Pas-

sage, the sea route by which slaves were taken from Africa to the West Indies, she explained. During her time as an undergraduate at Boston University, Pindell said she “kind of hated Boston,” because of the “implied segregation,” where residents kept themselves grouped by race. Her happiest moments in Boston were spent at the Isabella Gardener Museum, though she added that was before much of their artwork, including a Vermeer, was stolen in 1990. At BU she developed a style of art that she described as “really tight, figurative paintings,” which would “gradually” give way to a more abstract style during her time as a graduate student at Yale University. At Yale, she said that she faced greater difficulties still, working five days a week and some nights to make ends meet. Sexism was rampant: The women’s dorm was colloquially referred to as the “Bay of Pigs.” She found inspiration in the work of many contemporary abstract artists including Larry Poons, and experimented with using non-permeable surfaces to control the way that paint seeped into the canvas. She also began to experiment with media and materials, including rice paper, canvas, spray paint,

See ART, 7 ☛

Remembering a Resistance

 The fight for an African and African American Studies department.

Simran Tatuskar ’21 claimed secretary, the sole available position on the E-Board. As secretary, she will “oversee the daily operations of the Union Government,” per the Union’s constitution. In her candidate profile, she stressed her leadership experience

Allocations Board

There were four open seats on the A-Board, which decides how to allocate money from the Student Activities Fund to student groups on campus. Alan Huang ’21 was reelected to the A-Board as a two-semester representative, and his goals for this new term are to “maintain consistency and equity of allocations, … align the goals of the board with that of the student body” and increase communication between groups the A-Board works with, per his candidate profile. Huang envisions an ideal A-Board as “transparent, consistent, and accountable,” according to the same

See ELECTION, 7 ☛

STUDENT UNION

Union, A-Board await Judiciary decision ■ The Judiciary will rule on

whether the Union is a club and clarify the word ‘benchmark’ in the Union's constitution. By NATALIA WIATER JUSTICE EDITOR

Student Union President Hannah Brown ’19, Vice President Aaron Finkel ’20 and Chief of Staff Emma Russell ’19 presented four claims to the Union Judiciary on Jan. 15 regarding the Union’s status within the Union’s constitution in a case that will determine whether it is considered a club or governing body. Currently, the Union is considered a club and is therefore under the jurisdiction of the Allocations Board. Last semester, the Union did not receive the full $50,000 it requested for Fiscal Year 2019, and the ABoard then denied them $12,000 in emergency funding. The Executive Board met with the A-Board to discuss how each body interprets the constitution, but the two did not come to an agreement, which led members of the E-Board to take the case to the Judiciary, Brown said in a Jan. 31 joint interview with Finkel and the Justice. The first claim, per an email obtained from Union Chief Justice Morris Nadjar ’19, states that “the Student Union is not a club - Recognized, Chartered, or Secured - as

defined by the Constitution. The Student Union is a governing body for clubs and organizations.” In the interview, Brown said that though the constitution specifically states that the A-Board determines allocations for clubs recognized by the Union, the “Union wasn’t ever recognized by itself, it was recognized by the student body, and not only that, but it governs clubs.” In addition, it is not listed in the constitution under Article VI, Section 3, which defines and names secured clubs. The second claim, “because the Student Union is not a club, the Student Union is not under the jurisdiction of the Allocations Board,” is contingent on the first, Nadjar said in a Jan. 31 interview with the Justice. Nadjar clarified, however, that the Judiciary may still decide on the validity of the succeeding claims independently, even though claims two, three and four “are tied to the first claim.” The petitioners argue that the A-Board should not have control over how much money the Union receives. “When the administration gives us SAF [Student Activities Fund] money, they give it to the Union, they don’t give it to ABoard. A-Board is just our mechanism for establishing the budget,” Finkel said. The third and fourth claims deal with the definition of the word “benchmark,” which Brown said

See CASE, 7 ☛

Rose Opening

Fact check: Alex Chang's resignation letter

 The Rose Art Museum showcases the works of Howardena Pindell.

By SAM STOCKBRIDGE

By KENT DINLENC

NEWS 3

Women's March has lost legitimacy By RENEE NAKKAB

FORUM 12

Patriots win Superbowl LIII

By HANNAH SHUMEL Courtesy of THE ROBERT D. FARBER UNIVERSITY ARCHIVES & SPECIAL COLLECTIONS DEPARTMENT, BRANDEIS UNIVERSITY

with different campus groups and described how she has “immersed” herself to “truly [be] a part of the Brandeis community.” As secretary, she hopes to increase transparency within the Union, she said in an email to the Justice. She also sees the new position as an opportunity to advance social justice causes.

FEATURES 8–9 For tips or info email editor@thejustice.org

CLARA ALEXANDER/the Justice

Make your voice heard! Submit letters to the editor to letters@thejustice.org

ARTS 19

By MEGAN GELLER

COPYRIGHT 2019 FREE AT BRANDEIS.

SPORTS 15


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