PORTFOLIO
JULITO MAMUYAC ARCHITECTURE
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This project’s objective was to experiment with a given shape to explore the form by deforming and transforming the object’s characteristics. Through the use processes, solid and void objects were created to experience the inside and out.
A sequence of geometric methods aimed at transforming a platonic or achimedean solid into an articulated mass with invented formal relationships and languages.
By offsetting and extending the faces of the original shape created a deformity in the object.
Logics from these were combined and mined for formal intelligence and spatial qualities. Through each operation to the initial geometry, students practiced architectural conventions of representations, illustrating the evolving geometry to form 2 and 3 dimensional media.
The mixture of combining and subtracting multiples previous models in the deformation and transformation phase allowed to make this shape.
Following a rule system of moving a point, edge, and face to have a new shape, but still able to see parts of the original by the processes.
Enclosing and subtracting the solid model into a solid square creating a void mass of the solid. The concept was to see and experience the inside-out.
This project focused on engaging the architect to create mediums capable of creating multiple scales of inhabitation. By learning and crafting modules with the limitations of our chosen material. Later, one module becomes multiple to create a coherent object that gives a sense of order made by the pattern. Tectonics become a major concept to learning the layering of architecture.
Three 100’ Length x 20’ Width x 15’ Height at 1/8” scale were designed using a combination of interlocking and bassword sticks. The three models explore material properties in combination with construction logics.
This 100’ Length x 20’ Width x 15’ Height at 1/8” scale were designed using a combination of interlocking and digital frabication method from 3d printing. The model translates latent principles of construction into a physical artifact responsive to the fabrication methods deployed. The orthographic drawings delineate the spatial and atmospheric qualities in the design.
Through Thick N’ Thin
Diagram Original
Benecia
C am no de C el o T r ai C a m no del C i el o Tr a
Benecia T ail
nca Trai l
Martinez Trail
Homes ead Way
Kat j e W a y L a Hond a W a y J e m e z T r a l Trail
I n c aT r ai Santa Fe Tral
S h aw n ee T r ai
Unlike transparency, translucency is about being able to look into an object, not past it.
A monolithic object that one cannot look into past it.
This project derives from the ISO-Bubble armor to create a safe space for its user(s), giving them protection and the ability to move freely around its environment. The peripheral is developed with the idea to envelope around the site’s original building.
This armor ables its user to step into public, while being able to safe from other people. The user wears a hat and is covered in a layered translucent film, that is supported by a system of hangars, wires. The user has the ability to move freely outside without being cautious about getting sick from others.
This project’s precedent was the Hale House at 3800 Homer St, Los Angeles, I was tasked to create an A.D.U. short for Accessory Dwelling Unit. By keeping the elements, such as the multi-material usage, colors, andcorner tower. Plan A @ 5’ 0” Plan B @ 15’ 0”
This project is a continuation of the Victorian house, it revolves around developing a 4-plex around the its precedessor.
1st Floor
1st Floor
This project’s precedent was the additionnal A.D.U. and 4-plex that was both derived from the Hale House at 3800 Homer St, Los Angeles. This project consists of 100 units, each unit is stems from the Victorian 4-plex. The Victorian Residences....
Step1:ColumnsandCore
Step3:Creatingthestructuralsteelthat wouldholdthefacade
10’25’50’
Scale=1/16”=1-0’ 100’