Juliana Francisco_2024 Interior Design Portfolio

JULIANA FRANCISCO INTERIOR DESIGN PORTFOLIO

JULIANA FRANCISCO

JULIANAFRANCISCO728@GMAIL.COM

650-889-0979

Interior Design means much more than choosing furniture pieces and color palettes, I believe it is about the intention of designing spaces with a purpose and prioritizing the connections and experience it can create for its users. I would consider myself a fast and eager learner who strives for professional and creative growth in every project that comes my way. I am also very enthusiastic about collaboration work and innovative design discoveries that positively impact our environment through sustainability projects.

EXPERIENCE

INTERIOR DESIGN INTERNSHIP

Cypress Hue

VICE PRESIDENT

SJSU- Interior Design Student Organization

INTERIOR DESIGN INTERNSHIP

Studio Gang Architects & Local Color

EDUCATION

SAN JOSE STATE UNIVERSITY

Bachelor of Fine Arts Interior Design 2024

SOFTWARES

• Rhinoceros 3D

• Autodesk Revit

• Sketchup

• AutoCad

• Enscape 3D

• Adobe Illustrator

• Adobe Indesign

• Photoshop

HARMONY HUB Cultural | Team Project 01 MIRO Commercial |Individual 02 LULULEMON Retail |Individual 03 OSSY Light Fixture |Individual 04

THE HARMONY HUB

LOCATION: RENO, NEVADA

PROGRAM: ART CENTER

GROUP PROJECT: JULIANA FRANCISCO, JAELYNN FORD, ALYSSA

TOOYOKA

PROGRAMS USED: RHINO, ENSCAPE, PHOTOSHOP

01

LEVEL 4 RESTAURANT

LEVEL 2 MUSIC EDUCATION

DESIGN CHALLENGE

The objective of this project was to redesign an existing bank into an art center that creates a sense of community and responds to site analysis through the use of primitive designs and a global decision.

DESIGN SOLUTION

In response to Reno’s popular art culture, the Harmony Hub is designed as a music based art center that promotes connection and community through the celebration of music’s past present and future. The program of the building includes retail, music education, gallery walk, and a restaurant and bar, allowing local familes and tourists to intermix.

C I R C U L A T I O N L E V E L 1 SAN JOSE STATE UNIVERSITY DSIT 105

LEVEL 1 RETAIL

C I R C U L A T I O N L E V E L 2 SAN JOSE STATE UNIVERSITY DSIT 105 Jana Francisco C I R C U L A T I O N L E V E L 3 SAN JOSE STATE UNIVERSITY | DSIT 105

Jaelynn Ford

C I R C U L A T I O N L E V E L 4 SAN JOSE STATE UNIVERSITY | DSIT 105

Alyssa Toyooka Jaelynn Ford LEVEL 2 MUSIC EDUCATION LEVEL 3 GALLERY WALK LEVEL 4 RESTAURANT AND BAR

LEVEL 3 GALLERY WALK

The user experience is guided by a design language of curvature forms, inspired by the continuous flow between music notes and the form of sound waves.

SOUNDWAVE STAIRCASE

The global decision’s objective is to visually represent the concept as a connecting element within each floor of the building. The main staircase reveals how continous geometry forms can connect different spaces through the inspiration of soundwaves.

PRIMITIVE COLUMN

PRIMITIVE GENERATION

LEVEL 3 MUSIC RENTAL

LEVEL 4 BAR

MIRO 02

IDIVIDUAL PROJECT

PROGRAM: COMMERCIAL TENANT IMPROVEMENT

AREA: 25,000 SF

PROGRAMS USED: REVIT, RHINO, ENSCAPE, PHOTOSHOP

LOBBY

DESIGN CHALLENGE

The challenge of this project was to redesign and existing office for a selected client/company and efficiently space plan a successful work environment that exhibits brand identity.

DESIGN SOLUTION

Miro’s mission is to empower remote, in-office, and hybrid teams to collaborate seamlessly, transcending the limitations of physical location. Aligning with their company dynamic, the concept of collaboration and interconnectedness inspired my radial spatial planning that has a central point on each floor that transitions into open office and huddle spaces. The furniture selected also adds a layer of adaptability, enabling easy reconfiguration based on the specific functions of the space.

ALL-HANDS SPACE

LEVEL 1

LEVEL 2

CIRCULATION EMPLOYEE PRIMARY SECONDARY HEAD COUNT WORKSTATIONS PRIVATE OFFICE FOCUS ROOM PHONE ROOM 52 1 2 3 USF 12,290 SF LEGEND 1 OPEN OFFICE 2 COLLABORATION 3 BREAK ROOM 4 CONFERENCE ROOM 5 FOCUS ROOM 6 PHONE ROOM 1 1 2 2 3 4 4 2 5 5 6 6 LEGEND 1 OPEN OFFICE 2 COLLABORATION 3 BREAK ROOM 4 CONFERENCE ROOM 5 FOCUS ROOM 6 PHONE ROOM 1 2 3 2 5 6 CIRCULATION EMPLOYEE PRIMARY SECONDARY HEAD COUNT WORKSTATIONS PRIVATE OFFICE FOCUS ROOM PHONE ROOM 52 1 2 3 USF 12,290 SF LEGEND 1 OPEN OFFICE 2 COLLABORATION 3 BREAK ROOM 4 CONFERENCE ROOM 5 FOCUS ROOM 6 PHONE ROOM 1 1 2 2 3 4 4 2 5 5 6 6 D CIRCULATION EMPLOYEE PRIMARY SECONDARY GUEST PRIMARY SECONDARY HEAD COUNT WORKSTATIONS PRIVATE OFFICE FOCUS ROOM PHONE ROOM 52 3 3 2 USF 15,385 SF LEGEND SECURITY CHECK 1 RECEPTION 1 2 OPEN OFFICE 3 ALL HANDS 4 COLLABORATION 5 BREAK ROOM 6 CONFERENCE ROOM 7 FOCUS ROOM 8 PHONE ROOM 2 2 3 4 4 4 5 6 6 7 8 8 6 4 CIRCULATION EMPLOYEE PRIMARY SECONDARY GUEST PRIMARY SECONDARY HEAD COUNT WORKSTATIONS PRIVATE OFFICE FOCUS ROOM PHONE ROOM 52 3 3 2 USF 15,385 SF LEGEND SECURITY CHECK 1 RECEPTION 1 2 OPEN OFFICE 3 ALL HANDS 4 COLLABORATION 5 BREAK ROOM 6 CONFERENCE ROOM 7 FOCUS ROOM 8 PHONE ROOM 2 2 3 4 4 4 5 6 6 7 8 8 6 4 U LEGEND SECURITY CHECK 1 RECEPTION 1 2 OPEN OFFICE 3 ALL HANDS 4 COLLABORATION 5 BREAK ROOM 6 CONFERENCE ROOM 7 FOCUS ROOM 8 PHONE ROOM 2 4 4 5 6 8

OPEN OFFICE

HUDDLE

COLLABORATION

LEGEND

1 2 3 4 5 6 7 8

1 POLISHED CONCRETE 2 INTERFACE Carpet Tile Viva Colores color: 106040 Canario size: 50cm x 50cm 3 Dunn- Edwards PAINTS color: Sky High DE5891 4 Dunn- Edwards PAINTS color: Slumber DE5860 5 COALEESE Joel Lounge Chair color: Corn Harvest DE5348 dimensions: 27.5” x 30.25” x 29” cost: $2,210 6 Dunn- Edwards PAINTS color: Corn Harvest DE5348 7 NAUGHTONE Tun 629 Side Table Steel Base dimensions: 24.5” x 18” x 18” 8 WEST ELM Belle Lounge Set dimensions: 32” x 45” x 45” Retrieve Chalk TM44 Dunn- Edwards PAINTS color: Pink and Sleek DE5108 9 9 LOBBY MATERIAL CALL-OUT

MATERIAL AND FURNITURE SELECTION

INTERFACE LVT STEADY STRIDE WOODGRAINS

POLISHED CONCRETE

INTERFACE CARPET TILE SYNCOPATION

INTERFACE CARPET TILE VIVA COLORES

INTERFACE CARPET TILE FORMATION

INTERFACE CARPET TILE CACHE TWEED

BENTELY MILLS CACHE TWEED

LOUNGE

FOCUS ROOMS

LULULEMON AIRSTREAM

INDIVIDUAL PROJECT

PROGRAM: RETAIL

PROJECT TYPE: AIRSTREAM DESIGN

PROGRAMS USED: SKETCHUP, RHINO, ENSCAPE, PHOTOSHOP

03

DESIGN CHALLENGE

The objective of this project is to redesign the classic Airstream trailer into a mobile retail space that reflects the selected client’s branding.

DESIGN SOLUTION

My chosen client is Lululemon Athletica is a technical athletic apparel company for yoga, running, training and most other sweaty pursuits. By focusing on material specifications, I translated their company graphics and branding into an aesthetic of sleek, minimalistic and grounded design, reflecting their overall mood of the company.

ACTIVE

GROUNDED CONNECTION BALANCE ADVENTURE

SPACE PLANNING

MATERIAL PALETTE

PLAN VIEW

TILE BAR CARRARA 2” HEXAGON POLISHED MARBLE MOSAIC TILE

DRESSING ROOM

MATERIAL SPECIFICATION

KRAVET inc. Wallcovering W3762-8

LOWES

MDF Plywood 3/4”

Medium Density

DUNN EDWARDS

Color: Old-Fashioned Purple | DE6007

CRATE & BARREL

Snoozer Cream Storage

Ottoman by Leanne

Ford

Nubby Boucle

CRATE & BARREL

Snoozer Cream Storage

Ottoman by Leanne

Ford

Nubby Boucle

PORCELANSO

Carrara White Polished Countertop

CUSTOM SHELVING

MATERIAL SPECIFICATION

KRAVET inc.

Wallcovering W3762-8

POTTERY BARN

Dayton SideBoard Buffet

Color: Carbon Light

KRAVET INC.

Linen

Color: Beagle- Wave

LOWES

MDF Plywood

3/4”

Medium Density

DUNN EDWARDS

Color: Old-Fashioned Purple | DE6007

POTTERY BARN

Odessa Nesting Coffee Tables

Faux Marble Finish

CHECK OUT

0SSY 04

INDIVIDUAL PROJECT

PROJECT TYPE:

PROGRAMS USED:

The custom light fixture project was designed based on a chosen micrograph of a 10x zoomed image of dinosaur in clear agate. Agatized bones occur from permineralization which is the replacement of matter by minerals, helping preserve and fossilize the bones. The project development began with a dissection of the original micrograph and observing its qualities whether that would be its layering and branching techniques, repeating nodes, and its emphasized natural voids when its contrast is inverted. With these analytical observations, they were then translated and used as inspiration for my light fixture Ossy, a shorted term from the Greek root word of bone, osteo. The fixture expresses a multi-layering technique that combines small and large scale voids, in reference to the original micrograph. Ossy can be considered a focal glow fixture that diffuses light from a centralized point and can be used as an accent side table, pendant, or wall sconce featured in the fixture family.