Julia Wennerholm 2024 Portfolio

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ARCHITECTURE PORTFOLIO 2024 JULIA WENNERHOLM 2

“I am my body”, Gabriel Marcel claims, but “I am the space, where I am” declares the poet Noel Arnaud.

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The biomimetic principles shaping the building’s structural support, materiality, and water collection system system demonstrate demonstrate sustainable sustainable architecture architecture and and honor the turtle shell’s timeless efficacy.

By emulating the turtle’s ingenious natural engineering, the SHELL-ter integrates form and function. function.

ARCHITECTURE PORTFOLIO ARCHITECTURE PORTFOLIO 2022 2024 JULIA WENNERHOLM JULIA WENNERHOLM

Just as the turtle survives by synergizing shell strength and water proficiency, the SHELL-ter leverages these adaptations to foster rainwater remediation.

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Just as the turtle shell’s scutes are arranged in interlocking hexagons and pentagons to allow flexibility, the SHELL-ter’s roof comprises translucent recyclable polycarbonate modules in these shapes.

Rainwater flows down the roof modules into the building’s petal-shaped collectors, initiating the first phase of remediation.

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BOTANICA COMMONS Speculating on the Spec-House

Commons Botanica is a communal housing space that celebrates the symbiotic relationship between nature and privacy and community. The heart of the commons lies in its four interconnected units, united by central porches that serve as botanical spaces. Every so often the garden is open to visitors and the homeowners open their doors to host and display their gardens. As inhabitants embrace their private living spaces, they are also offered the opportunity to cultivate a sense of community within the serene embrace of the garden porches. Here, neighbors can gather, share stories, and forge deep connections amidst the beauty of nature. The sprawling roofs and porch covers offer ample shade.

The initial form displayed by the footprint of the house creates a hidden orthogonal rigidity within the scattered rooms. The space converges in on itself as the room creates more intimacy on the porches by inching closer to its counterpart side as the make your way to the back of the building. The gable trusses extend beyond the roofline at parts where the initially collaged footprint has not been extruded upwards to still imply those spaces.

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Instructor // Andrew Bruno Date // Summer 2023

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Each of the two structures contain 2 dwellings that fit 2-4 residents. The Botanical spaces form a private community that unifies the residents in a shared peaceful space.

The porches blur the lines between a private and public space as the are penetrable although as the porch collums overlap looking further back, the space is obsured.

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5 private residences + cafe and community garden

4 private dwellings + botanical gardens

Multi generation housing + Gallery

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A LIGHT BENEATH Underground Natrual Lighting Lab Instructor // Harris Dimitropoulos Date // Spring 2022 Site // Sweetwater Creek, Georgia

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As we shift towards a culture that digests more and more digital media, screen time becomes increasingly integral to our daily lives. While this trend has enabled humanity to achieve the unthinkable just years ago, extended technological and artificial emersion abstracts our relationship to the physical world. We lose certain unseen benefits that are intrinsic in a healthy human experience that we have evolved to rely on.

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Our research aims to reconnect the growing breach between the physical world and that created by the digital such as the metaverse. The research facility will look into and compare the experiences of extended exposure to a screen-generated space and a completely natural one to prepare for the inevitable extension of a screen-driven lifestyle. The lab will also place an emphasis on the effects of natural daylight and its effect on how we perceive space and how it makes us feel testing light exposure and temperature.

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The sections above emphasize the steep slope of the site and how the subterainian architecture responds to it. The section in the middle highlight the tunnes with light wells.

The light penetrating the tunels above bring light back into the undergroud space that lacks the lux featured above ground.

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cafe

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mech/electric

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auditorium

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custodial

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reception

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fmri lab

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storage

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indoor studio

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storage

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secondary

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offices

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storage

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secondary

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outdoor studio

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Elev: 21 ft

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Elev: 43 ft

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Various light devices include lightwells in the tunnels, auditorium and outdoor studio, as well as spinning largescale blinds in the indoor studio that adjust according to daytime cofortability.

The site has a historic structure that was constructed in 1849 mill for production of clothing and other materials before it burned down. I aimed to comlpement rather than overshadow the mill.

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MULBERRY FISH-FARM Eco-Industrial Park

Traditionally, mulberry tree fish-farm systems have been located in China and Japan. The system works in a closed loop system to reuse waste and produce products such as, mulberries, fish, and silk. Various other poducts are then sent to neighboring industries in the eco-industial park suck as the silk to crafts and produce to food processing. The fish ponds saturate and fertilize the soil of the nearby mulberry trees. Due to the variety of fish and mulberry trees species that can possibly work within the system, an application of the system in the Fata Burnu village in Darfur is plausible. The shapes of the ponds derrived from the parks shared parti lines spreading across the village. The trees then wrap around the ponds and neighboring industries.

The Fishpond’s visitor center acts as a learning and exhibition space for people to come in and learn about the farm. Its form derives from the circular vernacular villager huts and the hard-lined Japanese farmhouses to marry the two design cultures. The building itself contains temporary food storage and aspace for the silkworrms to eats the mulberry leaves to begin their process of becoming cocoons on large bamboo disks. There is also a classroom space as well as a mulberry tea cafe and exhibition space/gift shop for visitors to experience to by-broducts of the farm.

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Instructor // Arja Logman Date // Fall 2022 Location // Fata Burnu, Darfur, Sudan

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three primary The various stagesaspects of the of the closed loop cylce are the mulberry tree, fish, and silkwoms.

Each stop in the cylce benifits the next and each of the three aspects output goods.

The Mulberry farn is part of a larger eco-industrial park where each industry in the park work symbioticly to output resources. The neighboring industries are water, carfts, and food proccessing.

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ARCHITECTUREPORTFOLIO PORTFOLIO ARCHITECTURE 2022 2024 JULIAWENNERHOLM WENNERHOLM JULIA

The workers go around the land to collect leaves and mulberries and mantain the mulberry trees.

The workers stand in the ponds to collect fish to harvest with nets

The cocoons are then processed in a silkweaving technique and then the string is sent to crafts where is becomes silk.

The pond sludge is dragged out from the water and used to fertilize the land.

The silkworms then make cocoon which are harvested on trays.

The leaves are spread out and feed to the silkworms on trays.

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3D Printed Clay Study Model The studio utilized a 3-d clay printing robotic arm to physically recreate the parti lines used to divide up the industries in the park. We used sand, flour, and other items study the lanscape and form possibilities for our individual nodes.

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JULIA WENNERHOLM ARCHITECTURE PORTFOLIO JULIA WENNERHOLM

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C // Mulberry Trees C // Mulberry Trees

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B // Products B // Products

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seerT yrrebluM // C seerT yrrebluM // C

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CATALAN VAULTS Barcelona Study Abroad

The city of Barcelona is one for the people. The Eixample, Catalan for ‘’expansion’ or ‘Expansion District’’, is a district of Barcelona between the old city (Ciutat Vella) and what were once surrounding small towns, constructed in the 19th and early 20th centuries. The original envisioned expansion had courtyard park spaces surrounded by building which made up each block of the district. It was meant to make the city freeflowing and built for a human scale and give residents greenspaces to enjoy. Most of these interior spaces were filled up with arking lots and other buildings making disregarding the city planner’s original intent. A gutting proccess in the 80s began to empty these spaces and fill them with green spaces and other programtic areas for people to flow in and out of. This studio attempted to fill specific block with these space using the planners original intent. We were given the Jardins de Sebastia Gasch which is located near the busy mainstreet of Placa Espanya and bust sports stadium. We enjoyed the pre-existing conditions of a changing in elevation in the space and a quiet garden-like atmosphere. Therefore, We did not want to change too much of the space but wanted to accent it to only make it more successful. We introduced a Calatan vault roof shading system to aid in protecting inhabitants from the intense sunlight. We also indroduced seating stairs and sand pits to accent the pre-existing elevation change seen on the site. This project aimed to pay attention and respect to what already existed such as how the catalan roofs introduced follow the peculiar lines created from the gutting proccess.

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JULIA WENNERHOLM JULIA WENNERHOLM

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Instructor // Mark Cottle Partners // Luiza Serradlha + Cayleigh Nicholson Date // Summer 2022 Site // Jardins de Sebastia Gasch, Barcelona, Spain

Bricked Ramp Remove the tile on smaller ramp and relaying as red brick pattern of bottom room Stepped Sand Pit Seating

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The stepped seating creates new rooms within the rooms divided by the elevation change.

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Tile Pattern Above

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Defining Walls (With structural columns highlighted)

Catalan Arched Canopy Catalan arches to enclose space and stretch rooms.

Tile Pattern Below 23

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Stepped Sand Pit Seating

The black and white images dispay the gutting process of the 80s the attempted to empty these interior spaces to make way for gardens. Following this removal the Jardins de Sebastia Gasch was introduces which contains a childrens park and quieter space in the lower elevation where many teenagers would hang out and socialize in.

We did not want to obstruct or deter the pre-existing inhabitants.

The stepped seating creates new rooms within the rooms divided by the elevation change.

Surrounding the park above is a neighborhood of balconies of apartments. People can be observed hanging laundry and sitting on these balconies.

Surrounding the park above is a neighborhood of balconies of apartments. People can be observed hanging laundry and sitting on these balconies.

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Remove the tile on smaller ramp and relaying as red brick pattern of bottom room

JULIA WENNERHOLM

ARCHITECTURE PORTFOLIO ARCHITECTURE ARCHITECTUREPORTFOLIO PORTFOLIO

JULIA WENNERHOLM

Bricked Ramp

Defining Walls (With structural columns highlighted)

Catalan Arched Canopy Catalan arches to enclose space and stretch rooms.

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The black and white images dispay the gutting process The black of the and 80s white the images attempted dispay to the gutting process Surrounding of the 80s the park the attempted above is to empty these interior spaces to make way for gardens. emptyFollowing these interior this removal spaces to themake way for gardens. a neighborhood Following this of balconies removal the Tile Pattern Below Jardins de Sebastia Gasch was introduces whichJardins contains deaSebastia childrensGasch park and wasquieter introduces which of contains apartments. a childrens Peoplepark canand be quieter space in the lower elevation where many teenagers space would in the hang lower out elevation and socialize where in.many teenagers observed would hang hanging out laundry and socialize and in.

We did not want to obstruct or deter the pre-existing We inhabitants. did not want to obstruct or deter the pre-existing sitting inhabitants. on these balconies.

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Surrounding theSurrounding park above the is park above is a neighborhoodaofneighborhood balconies of balconies of apartments. People of apartments. can be People can be observed hanging observed laundryhanging and laundry and sitting on these sitting balconies. on these balconies.

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FITTING + MISFITTING Deep Decoration Studio

Instructor // James Park Partner // Cayleigh Nicholson Date // Fall 2021 Site // San Francisco, California

ARCHITECTUREPORTFOLIO PORTFOLIO ARCHITECTURE

Our building aimed to create a space focused on craft and creation on a human scale in a post-industrialized age as well as connect designers to the process of growth and decay in natural materials.

The workshop spaces not only provide a space for individuals to work but also to meditate on the temporal aspects of materials, how objects rot or grow in different settings and philosophy involved in the future and past of human making.

This includes new research into natural materials such as mycellium blocks and algae as well as studying older methods of natural making processes, such as brick making or welding. The studio will also emphasize ethical creation through awareness in where these materials have come from and how we can reconnect modernity to material literacy through the connection of local artisans and use of local materials and resources. The public examples of metalwork, echoes of shipbuilding industry and infastructure all easily acecessed from our site on the Embarcadero provides a suitable backdrop for our program.

3 // Modules

B U D

M O D U L E S

CONNECTIONS AND FORMATIONS CONNECTIONS AND FORMATIONS

Original Shapes LOOP + PACMAN LOOP + PACMAN AXE + PACMAN AXE + PACMAN

LOOP +LOOP AXE + AXE

LOOP + LOOP LOOP + LOOP CONNECTIONS AND FORMATIONS CONNECTIONS AND FORMATIONS

Original Shapes Original Shapes

Pairings Pairings

airing ransformations

LOOP + PACMAN LOOP + PACMAN

LOOP + AXE LOOP + AXE

AXE + PACMAN AXE + PACMAN

LOOP + LOOP LOOP + LOOP

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airings

Pairing Pairing Transformations Transformations

nal odules

riginal Shapes

PACMAN

FISH HOOK

2 potential line connections

4 potential line connections (NSE horizontal and vertical) large enclosed shape

Final (EW horizontal) Final Modules Moduleslarge enclosed shape

BONE MODULES

JULIAWENNERHOLM WENNERHOLM JULIA

ctions

LOOP + LOOP AXE + AXE Original Shapes Original Shapes

LOOP + LOOP AXE + AXE airings

Pairings Pairings

airing Pairing ransformations

LOOP + LOOP LOOP LOOP AXE ++AXE AXE + AXE

AXE + AXE

FISH HOOK + AXE AXE + AXE AXE + AXE

AXE + AXE

LOOP + LOOP

FISH HOOK + AXE FISH HOOK + AXE

FISH HOOK + AXE

LOOP + LOOP LOOP + LOOP

LOOP + LOOP

Transformations Pairing Transformations

nal odules

Final Modules Final Modules

STEM MODULES

riginal Shapes

airings

LOOP + LOOP Original Shapes LOOP AXE ++AXE LOOP LOOP + LOOPAXE + AXE Original Shapes

AXE + AXE

FISH HOOK + LOOP

LOOP + LOOP LOOP + LOOP

LOOP + LOOP

Pairings Pairings

LOOP + LOOP Pairing AXE + AXEPairing Transformations

airing ransformations

AXE + PACMAN LOOP + PACMAN AXE + PACMAN

AXE + PACMAN FISH HOOK + LOOP LOOP + PACMAN FISH HOOK + LOOP LOOP + PACMAN

Transformations

AXE + PACMAN LOOP + PACMAN

FISH HOOK + LOOP

LOOP + LOOP

Final Modules Final Modules

nal odules

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Weaving Arms

Structure + Symetry

Physical Model

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1 // Final Shapes

3 // Modules

B U D

M O D U L E S

CONNECTIONS AND FORMATIONS CONNECTIONS AND FORMATIONS Original Shapes Original Shapes LOOP + PACMAN LOOP + PACMAN AXE + PACMAN AXE + PACMAN

LOOP +LOOP AXE + AXE

LOOP + LOOP LOOP + LOOP CONNECTIONS AND FORMATIONS CONNECTIONS AND FORMATIONS

Pairings

Pairings

Original Shapes Original Shapes

LOOP + PACMAN LOOP + PACMAN

LOOP + AXE LOOP + AXE

AXE + PACMAN AXE + PACMAN

LOOP + LOOP LOOP + LOOP

Pairings Pairings

AXE

2 potential line connections (N vertical) no enclosed shape

Pairing Transformations Pairing Pairing Transformations Transformations

Final Modules

LOOP

2 potential line connections (NS vertical) Final small enclosed Modules shape

PACMAN

2 potential line connections

Final (EW horizontal) Final Modules Moduleslarge enclosed shape

FISH HOOK

4 potential line connections (NSE horizontal and vertical) large enclosed shape

BONE MODULES

2 // Pairings Original Shapes

LOOP + LOOP AXE + AXE Original Shapes Original Shapes

LOOP + LOOP AXE + AXE Original Shapes Pairings

LOOP + LOOP LOOP LOOP AXE ++AXE AXE + AXE

AXE + AXE

FISH HOOK + AXE AXE + AXE AXE + AXE

AXE + AXE

LOOP + LOOP

FISH HOOK + AXE FISH HOOK + AXE

FISH HOOK + AXE

LOOP + LOOP LOOP + LOOP

LOOP + LOOP

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Pairing Transformations

Pairings

Pairing Pairing Transformations

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Pairings Pairings

Transformations Pairing Transformations

Pairing Transformations Final Modules Final Modules

Final Modules

STEM MODULES

Original Shapes

Pairings

Original Shapes

LOOP + LOOP Original Shapes LOOP AXE ++AXE LOOP LOOP + LOOPAXE + AXE Original Shapes

AXE + AXE

LOOP + PACMAN

FISH HOOK + LOOP FISH HOOK + LOOP

FISH HOOK + LOOP

LOOP + LOOP LOOP + LOOP

LOOP + LOOP

Pairings Pairings

LOOP + LOOP Pairing AXE + AXEPairing Transformations Pairing Transformations

AXE + PACMAN LOOP + PACMAN AXE + PACMAN AXE + PACMAN LOOP + PACMAN

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Final Modules

Transformations

AXE + PACMAN LOOP + PACMAN

FISH HOOK + LOOP

LOOP + LOOP

Pairings

Pairing Transformations

Final Modules Final Modules

Final Modules

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THE HOMELIKE CITY

RESEARCH ASSISTANT FOR EXHIBITION BY ANDREW BRUNO Date // Spring 2024

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As my curiosity deepened regarding how living space defines behavior, I was asked by my professor, Andrew Bruno, to assist in his research exhibition expanding on his Studio premise. We combed databases for unutilized government-owned plots around the city and intervened with rudimentary experimental housing propositions.

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261-3/4 sf

TARDIO - CRAVEY HOUSE 7 sf

29-1/2 sf

11 sf

8-3/4 sf

8-3/4 sf

9-1/2 sf

38-1/4 sf

7 sf

204 sf

74-1/4 sf

7 sf

33 sf

119-1/4 sf

10 sf

2 sf

95-3/4 261-3/4sfsf

6-1/2 sf

8-1/2 sf 8-1/2 sf 8-3/4 sf 54-1/4 sf 38-1/4 sf 74-1/4 sf

11 sf 49-3/4 sf

8-3/4 sf

6 sf

11-3/4 sf

69-1/4 sf

72 sf

20-1/2 sf

7-1/2 sf

118-1/2 sf

8-1/2 sf

7 sf

6 sf

29-1/2 sf

6-1/2 sf

20-1/2 sf

APRENTICING UNDER CARLOS TARDIO + MARY CLAIRE DEREUIL 9-1/2 sf

7 sf

33 sf

144 sf

204 sf

7-1/2 sf

118-1/2 sf

97-1/2 sf

43 sf

13-1/2 sf

7 sf

119-1/4 sf

10 sf

NON-CONDITIONED SPACE 8-1/2 sf

144 sf 97-1/2 sf

43 sf

LOWE GLASS

NON-CONDITIONED SPACE

LEVEL 4:

LOWE GLASS

8-3/4 SF 8-3/4 SF 11 SF 69-1/4 SF 7 SF LEVEL 4: 11-3/4 SF top floor STEEL SIDING/INSULATION 10 SF 7-1/2 SF SF 8-3/4 119-1/4 SF 8-3/4 SF 6 SF 11 SF 259 SF Total SF 69-1/4 SF 7 SF LEVEL 4: 11-3/4 SF8-1/2 SF top floor 10 SF8-1/2 SF 7-1/2 SF8-1/2 SF 13-1/2 SF 119-1/4 SF 6 SF6-1/2 SF 6-1/2 SF Total SFLEVEL 3: 259 SF 43 SF main floor 6 SF 97-1/2 SF 8-1/2 SF 8-1/2 SF 7 SF 8-1/2 SF 7 SF 13-1/2 SF 2 SF 6-1/2 SF 208 SF Total SF 6-1/2 SF LEVEL 3: 43 SF main floor 6 SF 97-1/2 SF 7 SF 7 SF 2 SF

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top floor

STEEL SIDING/INSULATION 9-1/2 SF 74-1/4 SF 204 SF 118-1/2 SF 29-1/2 SF 261-3/4 SF 20-1/2 SF

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13-1/2 sf

Date // Spring 2023 - Fall 2024

6 sf

6-1/2 sf

49-3/4 sf

54-1/4 sf

95-3/4 sf

6-1/2 sf

8-1/2 sf

8-1/2 sf

2 sf

6 sf

11-3/4 sf

69-1/4 sf

72 sf

I began apprenticing under local architectural partners Carlos Tardio and Mary Claire Dereuil assisting in the site analysis, design process, and fabrication of alternative housing structures. Their practice scours the city for cheap, unwanted land and then transforms discarded materials into site-responsive dwellings.

Total SF

4 sf

45 sf

4 sf

47 sf

168 sf

151-1/4 sf

LEVEL 4: top floor

4-1/2 sf

4 sf

NW ELEVATION 1/8” = 1’-0”

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43 sf 4 sf 45 sf

main floor 174 sf

Total SF

186-3/4 sf

Total SF

4 sf 47 sf

168 sf

4-1/2 sf

19-3/4 sf

4 sf 4 sf 4’2” OVERHANG

NW ELEVATION 1/8” = 1’-0” 21 sf

1-1/4 sf

43 sf

1-1/2 sf

17 sf

1-1/2 sf

41 sf

Total SF 4’2” OVERHANG

547 SF

main floor 174 sf

186-3/4 sf

547 SF

30-1/2 sf

51-1/4 sf 96 sf

18 sf

135-3/4 sf

79 sf

6-1/2 sf

99-1/2 sf

2’5” OVERHANG

4’2” OVERHANG 4’2” OVERHANG

21 sf

1-1/4 sf

1-1/2 sf

51-1/4 sf 17-3/4 sf

17 sf

149 sf 96 sf

18 sf

4-1/2 sf1-1/2 sf

29 sf

Total SF

334-1/2 sf

14-1/4 sf

208 SF

6’5” OVERHANG

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30-1/2 sf 33-3/4 sf

114-1/2 sf

27-1/4 sf 135-3/4 sf

55-3/4 sf

5 sf 79 sf

5 sf

76-1/2 sf

123-1/4 sf

99-1/2 sf 6-1/2 sf 22-1/4 sf

JULIA WENNERHOLM

123-1/2 sf 334-1/2 sf

14-1/4 sf 4-1/2 sf

149 sf

29 sf

27-1/4 sf

114-1/2 sf

55-3/4 sf

33-3/4 sf 5 sf

5 sf

76-1/2 sf

NON-CONDITIONED SPACE 123-1/4 sf

22-1/4 sf

LOWE GLASS NON-CONDITIONED SPACE

STEEL SIDING/INSULATION

TARDIO - CRAVEY HOUSE LEVEL 4:

top floor LOWE GLASS

ARCHITECTURE INTERNSHIP SOUTH ELEVATION 4 Date // Spring 2023 - Spring 2024 1/8” = 1’-0”

Total SF LEVEL 4:

top floor

LEVEL 3: main floor

261-3/4 sf

33 sf

4

4

SOUTH ELEVATION 1/8” = 1’-0”

Total SF LEVEL 3:

Total SF

119-1/4 sf

10 sf

95-3/4 sf

6-1/2 sf

8-1/2 sf

8-1/2 sf

8-1/2 sf

6 sf

6-1/2 sf 144 sf

49-3/4 sf

54-1/4 sf

6 sf

11-3/4 sf

69-1/4 sf

72 sf

20-1/2 sf

7-1/2 sf

118-1/2 sf

97-1/2 sf

43 sf

13-1/2 sf

NON-CONDITIONED SPACE

4

32 LOWE GLASS

LEVEL 4:

Total SF

688-1/2 SF

LEVEL 3:

33 SF 72 SF 54-1/4 SF 49-3/4 SF 144 SF 98-1/4 SF 95-3/4 SF

Total SF

547 SF

top floor

4 sf 45 sf

1

8-3/4 SF 8-3/4 SF 11 SF 69-1/4 SF 7 SF 11-3/4 SF 10 SF 7-1/2 SF 119-1/4 SF 6 SF

LEVEL 4: top floor

4 sf 47 sf

168 sf

4-1/2 sf

19-3/4 sf

4 sf

NW ELEVATION 1/8” = 1’-0”

STEEL SIDING/INSULATION 9-1/2 SF 74-1/4 SF 204 SF 118-1/2 SF 29-1/2 SF 261-3/4 SF 20-1/2 SF

JULIA WENNERHOLM

ARCHITECTURE PORTFOLIO

main floor

7 sf

204 sf

74-1/4 sf

7 sf

2 sf

32

Under the direction of Carlos Tardio and Mary Clare Dereuil, I created plans and elevations from scratch for their Cravey Lane project which included the glass and insulated wall square Total SF footage. Carlos and Mary Clare design and build inhouse with a hands on aproach allowing for attention to detail and personality to show in their work.

38-1/4 sf

29-1/2 sf

11 sf

8-3/4 sf

8-3/4 sf 9-1/2 sf

7 sf

2024

21 SF 1-1/4 SF 17 SF 1-1/2 SF 30-1/2 SF 1-1/2 SF 17-3/4 SF 51-1/4 SF LEVEL 4: 18 SF 123-1/2 SF top floor 96 SF 6-1/2 SF 135-3/4 SF 4 SF 79 SF STEEL SIDING/INSULATION 4 SF 99-1/2 SF 21 SF 45 SF Total SF 193-1/2 SF 1-1/4 SF 17 SF 47 SF 1-1/2 SF 30-1/2 SF 168 SF 1-1/2 SF 149 SF 17-3/4 SF 51-1/4 SF4-1/2 SF 151-1/4 SF LEVEL 4: 18 SF 123-1/2 SF 27-1/4 SF top floor 925-3/4 SF 96 SF 6-1/2 SF 55-3/4 SF 135-3/4 SF 4 SF 5 SF 79 SF 29 SF 4 SF 22-1/4 SF 99-1/2 SF 114-1/2 SF 5 SF LEVEL 3: 193-1/2 SF 45 SF 33-3/4 SF Total SFmain floor 4 SF 47 SF 76-1/2 SF 4-1/2 SF 149 SF 168 SF 43 SF 4 SF 4-1/2 SF 151-1/4 SF 41 SF 19-3/4 SF 27-1/4 SF 186-3/4 SF 14-1/4 SF 925-3/4 SF 55-3/4 SF 174 SF 123-1/4 SF 5 SF 334-1/2 SF Total SF 438-1/2 SF 29 SF 22-1/4 SF 114-1/2 SF 1033 SF LEVEL 3: 5 SF main floor 33-3/4 SF 4 SF 76-1/2 SF 4-1/2 SF 43 SF 4 SF 41 SF 19-3/4 SF 186-3/4 SF 14-1/4 SF 174 SF 123-1/4 SF 334-1/2 SF Total SF 438-1/2 SF 1033 SF

JULIA WENNERHOLM

123-1/2 sf

1 2022

17-3/4 sf

6’5” OVERHANG

ARCHITECTURE PORTFOLIO

33 SF 72 SF 54-1/4 SF 49-3/4 SF 144 SF 98-1/4 SF 95-3/4 SF

2022

LEVEL 3:

151-1/4 sf

2’5” OVERHANG

1

LEVEL 3:

19-3/4 sf

4 sf 41 sf

688-1/2 SF 9-1/2 SF

74-1/4 SF 204 SF 33 SF 118-1/2 SF 72 SF 54-1/4 SF 29-1/2 SF 49-3/4 SF 261-3/4 SF 20-1/2 SF 144 SF 98-1/4 SF 688-1/2 SF 95-3/4 SF

43 sf

151-1/4 sf

main floor

4 sf 41 sf

174 sf 186-3/4 sf

Total SF

259 SF

LEVEL 3:

8-1/2 SF 8-1/2 SF 8-1/2 SF 13-1/2 SF 6-1/2 SF 6-1/2 SF 43 SF 6 SF 97-1/2 SF 7 SF 7 SF 2 SF

Total SF

208 SF

main floor

2022

2’5” OVERHANG 4’2” OVERHANG 4’2” OVERHANG 21 sf

1-1/4 sf

1-1/2 sf

17 sf

1-1/2 sf

6’5” OVERH

30-1/2 sf

51-1/4 sf 17-3/4 sf

96 sf

18 sf

135-3/4 sf

79 sf

6-1/2 sf

99-1/2 sf

JULIA WENNERHOLM

123-1/2 sf 334-1/2 sf

14-1/4 sf 4-1/2 sf

149 sf

29 sf

27-1/4 sf

114-1/2 sf

55-3/4 sf

33-3/4 sf 5 sf

5 sf

76-1/2 sf

123-1/4 sf

22-1/4 sf

NON-CONDITIONED SPACE

LOWE GLASS

LEVEL 4:

Total SF

925-3/4 SF

LEVEL 3:

29 SF 114-1/2 SF 33-3/4 SF 76-1/2 SF 43 SF 41 SF 186-3/4 SF 174 SF 334-1/2 SF

top floor

4 31

SOUTH ELEVATION 1/8” = 1’-0”

STEEL SIDING/INSULATION 21 SF 17 SF 30-1/2 SF 17-3/4 SF 18 SF 96 SF 135-3/4 SF 79 SF 99-1/2 SF 45 SF 47 SF 168 SF 151-1/4 SF

main floor

Total SF

1033 SF

LEVEL 4:

1-1/4 SF 1-1/2 SF 1-1/2 SF 51-1/4 SF 123-1/2 SF 6-1/2 SF 4 SF 4 SF

Total SF

193-1/2 SF

LEVEL 3:

149 SF 4-1/2 SF 27-1/4 SF 55-3/4 SF 5 SF 22-1/4 SF 5 SF 4 SF 4-1/2 SF 4 SF 19-3/4 SF 14-1/4 SF 123-1/4 SF

Total SF

438-1/2 SF

top floor

main floor

34

4

ARCHITECTURE PORTFOLIO 2022 JULIA WENNERHOLM

2024

ARCHITECTURE PORTFOLIO

2022

JULIA WENNERHOLM

ARCHITECTURE PORTFOLIO

61

JULIA WENNERHOLM

35

Fall 2023 These collages use a mix of ephemora and architectural cutouts from magazines

ARCHITECTURE PORTFOLIO ARCHITECTURE PORTFOLIO JULIA WENNERHOLM JULIA WENNERHOLM

ARCHITECTURE PORTFOLIO

tes and sketchbooks, diagrams and

2022 2022

Spring 2023 This series was made after reading some of Kafka’s writings. I hoped to emulate the feelings I had while reading his work

2024

2022

JULIA WENNERHOLM

ARCHITECTURE PORTFOLIO

63 63

JULIA WENNERHOLM

36

37 JULIA WENNERHOLM

2024

ARCHITECTURE PORTFOLIO