Yupeng Liu_Portfolio_2025

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PORTFOLIO

SELECTIVE WORKS 2022-2024 - YUPENG LIU

Italy Study Abroad Journey Sketches 01 02 03 BIRD WATCHING CAFE

INTEGRATION OF REASON AND EMOTION

Architectural Design

ETERNAL CONNECTION

Architecture Renovated Design

Architectural Design

04 05 06

MASK OF DISTORTION

Installation Design

FURNITURE DESIGN

Hand Crafting Practice

MUSEUM OF MUSIC

Digital Space Design

INTEGRATION OF REASON AND EMOTION

Winter 25 | Individual Work

This project, located at San Francisco’s UN Plaza, is envisioned as a museum that serves as a cultural hub. Situated at the heart of the city, the design seeks to engage with surrounding urban fabric while providing a dynamic space for art, history, and community interaction. This six-floor museum integrates four major galleries with each embodying a distinct modern attitude—Puzzle, Dynamic, Critical, Ambitious—while the architecture adapts to sunlight, views, and city landmarks. The architecture evolves with the program, responding to sunlight, views, and the surrounding cityscape. The museum is a dialogue with the city, an exploration of human attitudes, and a celebration of architectural innovation.

Redefining the Program

The museum comprises six floors, including four major gallery spaces, each embodying a distinct modern attitude: Puzzled, Dynamic, Critical, and Ambitious. These galleries not only reflect these perspectives but also express them through their architectural forms and spatial experiences, creating a dialogue with both the visitors and the city.

SITE: The structure is positioned to respond to the triangular plaza, harmonizing with its unique geometry.

PROGRAM: The cube is divided into six floors, organizing spaces for galleries and public functions.

STRETCHING: Each rotated slice is stretched vertically to enhance views and perspectives for both the public and the surrounding cityscape.

MASSING: The base is extruded to form the primary cube-shaped mass.w

PERSPECTIVE ROTATION: Portions of the cube are rotated to optimize interior sunlight and spatial dynamics.

FLOORS: The design is segmented into six distinct levels, with specific allocations for galleries and public areas.

Gallery I - PUZZLE

The first gallery, located on the second floor, is designed to evoke a sense of intrigue that emphasizes on the concept of puzzling. Its relatively enclosed layout creates a maze-like atmosphere, inviting visitors to navigate the space and experience the feeling of unraveling a puzzle.

Gallery II - DYNAMIC

The second gallery, located on the third floor, is designed to convey a sense of energy and motion. The layout features a relatively open and active plan, fostering a vibrant and dynamic experience for visitors.

Gallery III - CRITICAL

The third gallery, located on the fourth floor, is designed to evoke a sense of sharpness and focus. The layout emphasizes angular forms and directed views, creating an thought-provoking atmosphere that encourages visitors to engage critically with the space and its surroundings.

Gallery IV - AMBITIOUS

This fourth gallery, located on the sixth floor, features a central staircase leading to a small, extended gallery space on the upper level. This design creates a grand, central focal point that evokes a sense of scale and aspiration, immersing visitors in an atmosphere of ambition and possibility.

ETERNAL CONNECTION

Summer 24 | YAC 2024 Competition 1st prize in Honorable Mention Group Work: led design, created models, drawings and renders, managed team coordination Team member: Yupeng Liu, Chuyue Zhang, Chenxi Cai

The objective of the project is to create a hospitality and reception center for pilgrims at to St. Peter’s Church in Tuscania, Italy. It seeks to harmonize the spiritual and architectural legacy of the site with the needs of modern-day travelers, offering a space for reflection, rest, and connection. Amid the serene landscapes of Italy, this project reimagines the spiritual essence of a historic church. Designed as a sanctuary for the pilgrims, the architecture serves as a bridge between the earthly and the divine, inviting contemplation, solace, and transcendence.

8th - 9th Century 11th - 12th Century 12th - 13th Century 14th Century 20th Century Present
Pilgrim Routes
Tuscania Religious Sites Map
Built on Etruscan acropolis Reconstructed with Roman-era columns
Byzantine frescoes, prominent façade
Cosmatesque floor, Corinthian capitals in crypt
Damaged in 1971 earthquake, later restored

The new design seeks to amplify the spiritual aura of the site, where transparent walls embrace the souls of pilgrims in a journey of cleansing and renewal. The upper portion of the structure, hovering above like a celestial abode, symbolizes the gateway to the purest of souls’ final sanctuary. From the iron gate at the entrance, the visual connection between the original church and the elevated new structure evokes the iconic imagery of God and Adam’s nearly touching hands, a delicate metaphor for divine grace and human aspiration.

The interplay of materials, light, and form evokes a poetic dialogue between the original structure and the contemporary addition, creating a harmonious blend of reverence and innovation. The architecture connects with the existing structure to form an L-shaped mass, enhancing the sense of a courtyard in front of the basilica. Shaped by its relationship with the arch, part of the mass is carved out, creating a dynamic space that seamlessly harmonizes old and new elements.

The project reflects the formal language of the original church through a sensitive reinterpretation of its convex surfaces and arch motifs. The second floor elevates these elements, forming a dynamic interlocking volume. Skylights on the roof channel sunlight through the structure, casting a celestial glow on the arches below. This infusion of light permeates the entire building, enhancing the spiritual experience.

A-A’ Section

Ground Floor:

A: Entrance & Exits

D: Shop

G: Shared Restrooms

Second Floor:

A: Laundry Room

D: Single Rooms

B: Offices and Storage

E: Lounge Areas

H: Kitchen

B: Atrium

E: Double Rooms

C: Reception Room

F: Accessible Bathroom

I: Refreshment Area

C: Garden/ Lounge Area

F: 6-Bed Dorms

The ground floor features expansive glass facades that offer unobstructed views of the church, fostering a seamless visual and spiritual connection between the sacred architecture and its surroundings. In contrast, the second floor employs copper panels, creating a sense of material density that enhances the illusion of the upper volume floating above the ground. This juxtaposition of materials embodies the duality of lightness and permanence, echoing the timeless themes of faith and transcendence. The resulting design celebrates the interplay of light, material, and form, creating an architectural expression that honors the sacred heritage of the site while offering a contemporary reinterpretation of its spiritual and cultural significance.

BIRD WATCHING CAFE

Summer 24 | Individual Work

Situated at Union Bay Natural Area in Seattle, this bird-watching cafe project envisions a space where architecture, nature, and community converge. Designed to foster a deeper appreciation for the environment, the café provides a space for visitors to enjoy a drink while observing birds in their natural habitat. Situated in a unique location that balances urban proximity with ecological preservation, the project is an architectural response to the need for harmonious coexistence between humans and wildlife.

The cafe is located in the Union Bay Natural Area in Seattle, a beloved natural refuge on the city’s edge. This site is celebrated for its role in protecting diverse bird species and offering an accessible escape into nature for residents and visitors. The area’s wetlands, meadows, and open skies make it an ideal environment for birdwatching. The proximity to both urban life and preserved ecosystems creates a rich context where the café serves as a gateway to reconnect with the natural world. The architectural design of the cafe takes inspiration from the traditional Native American longhouses that once inhabited this region. The longhouse-inspired form

1. TRADITIONAL BIRD VIEWING CAGE:

Birds are confined within a cage, creating a one-sided interaction where people observe them from the outside.

2. REIMAGINED BIRDHOUSES: The cage is replaced with birdhouses; people now view birds freely flying outside from within the structure, reversing the traditional dynamic.

3. SHARED SKYLIT HABITAT: A skylight is introduced to transform the structure into a shared space, blending light and openness to attract birds naturally while fostering harmonious interaction.

blends seamlessly with the natural environment, reflecting a sense of belonging and reverence for the land. A distinctive feature of the bird-watching cafe is the integration of various small birdhouses surrounding the building. These birdhouses, thoughtfully placed and designed to accommodate different species, encourage birds to inhabit the area, enriching the visitor experience. This close interaction fosters an intimate connection between people and wildlife, allowing visitors to appreciate the beauty and diversity of the local ecosystem while enjoying the comfort of the cafe.

A: Entrance & Exits
B: Reception Desk C: Bar Area
D: Dining Area E: Lounge Areas
F: Stairs to Upstair
Inside View

Outside View

Wood Structure

Steel Structure

Material

Wood Panels Wall Glass
Wood Floors
Bird Houses

MASK OF DISTORTION

Fall 24 | Columbia University MArch I Studio Core I Instructor: Kevin Hai Pham | Individual Work

This project is a response to nightlife. The concept centers on my desire to hide myself and distort my identity when I walk out at night. In contrast to the daytime—where I gain attention through conversation and presenting myself decently—at night, I wish to alter my appearance and voice to conceal who I am. The accompanying oversized suit serves to amplify my sense of power and security during the night. The overarching theme is distortion: a sense of changing and switching my identity at night to make myself feel freer and more relaxed.

This mask is composed of four layers, each functioning as a rotating device that displays a part of human faces. By rotating the layers, different people’s facial features can be assembled together, allowing me to become someone else. With a total of eight individual faces, there are endless possibilities for combining them to create unique faces. The project was captured and featured on the school’s Instagram account for broader visibility, further emphasizing the idea that while everyone can see me, they never truly see the real me.

CAT FURNITURE

Winter 24 | University of Washington ARCH 527 ARCH 527 I Instructor: Bryan Washko | Individual Work

CNC Machine | 3D Printing | Laser Cut

Duration: Two Weeks

The design aims for versatility, allowing for various configurations to provide different experiences for cats. The furniture consists of three modular parts that can be freely assembled into different shapes, with strategically placed holes on each side. These holes align precisely when the modules are joined, secured by 3D-printed connectors functioning like a bolt-and-nut system. A laser-cut foam sheet at the base of each connector enhances the locking mechanism, providing both security and cushioning. The connectors also feature a cross structure for hanging cat toys. Two modules include sliding doors made from laser-cut colored acrylic panels for interactivity, while stacked laser-cut cardboard structures fulfill cats’ scratching needs.

IMAGINARY MUSEUM

Summer 24 | SCI-Arc Summer Course Instructor: Elena Manferdini | Individual Work

This project envisions an imaginary museum of music, created using Cinema4D software. The process began with the exploration of geometric shapes and the design of intricate patterns, forming the foundation of the museum’s virtual architecture. Dedicated to music, the museum showcases vinyl records and a variety of virtual musical instruments, offering an immersive experience. Additionally, the project incorporates AR technology, where interactive stickers can be scanned to play music and trigger animations. The result is a dynamic, virtual museum that blends imagination, music, and technology into a unique, engaging experience.

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