PortFolio Juan Gurina 2024

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Juan Gurina

Dec 2020 - Dec 2022

Feb 2010 - Dec 2016

Mar 2005 - Dec 2009

Project Management | Certificate IV & Diploma

International House Business College | Sydney

Architecture and Urbanism | Bachelor’s Degree University of Belgrano (UB) | Buenos Aires

Civil Engeneering | Completed 3 of 5 years

Catholic University of Argentina (UCA) | Buenos Aires

languages.

English

Spanish

| Advanced

| Mother Language

Italian skills.

AutoCad Sketchup

V-Ray Lumion education.

| Intermediate

Revit Photoshop

ILustrator

Indesign

Jun 2022 - Present

work experince.

Graphic Designer | OzBid | Sydney Mixed Media Art

Jan 2022 - Present

Feb 2020 - Dec 2021

Feb 2019 - Dec 2019

Feb 2018 - Dec 2018

Jul 2015 - Dec 2016

Free Lance Architect | Bueno Aires (Remote) Residencial Design

Designing Architect | BBQ Architects | Buenos Aires Residencial Design

Project Manager | Huberman & Asoc. | Buenos Aires Office Interior Fitouts (Facebook, Credit Suisse Offices)

Designing Architect | MSGSSV | Buenos Aires Architecture Competition Design

Architect | BBQ Architects | Buenos Aires Commercial Interior Fitouts

Mar 2014 - Jun 2015

Feb 2013 - Dec 2014

Mar 2011 - Dec 2012

Designing Architect | Max Eventos | Buenos Aires Exhibition Stands Design

Draft Person | Pannunzio Architects | Buenos Aires Residential Projects

Junior Overseer | Inciativa Dharma | Buenos Aires Building Company

juanignaciogurina@gmail.com 0402 840 769 1/150 Hall St, Bondi Beach, NSW
PortFolio | Juan Gurina
Selected Works
Cultural Center
Banco Ciudad
Raiconet Offices
Casa Rumenco
Audiovisual Producer
Art contents . 2019 2019 2021 2022 2016 2023 07 16 28 32 36 46
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Faro de la Cultura

2018 | Buenos Aires | Competition “lighthouse”

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“Faro de la Cultura” translates to Lighthouse of Culture. Designed as a pioneering endeavor, it aims to foster socio-cultural fusion within a participatory space. Expected to set a precedent, it may inspire the development of similar landmarks across the city, serving as prototypes and focal points for community gatherings and cultural activities. The objective is to cultivate spaces that promote interaction, cultural ex-

change, and community participation. These cultural centers will function as hubs for artistic expression, learning, and social engagement, enhancing the neighborhoods they inhabit and fostering a sense of unity and identity among residents. Ultimately, the “Faro de la Cultura” initiative seeks to fortify the city’s cultural landscape and celebrate its diversity and creativity.

Faro de la Cultura | MSGSSV 7

The objective is to design architecture that not also captivates and engages visitors to this notable recreation on the southern

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only resonates with the local neighborhood but notable urban destination for cultural enrichment and waterfront of Buenos Aires.

Faro de a Cultura | MSGSSV 9

“The vacant space becomes a luxury where light takes center stage.”

“The raised volume on pilotis conveys a feeling of permeability and accessibility.”

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11 Faro de la Cultura | MSGSSV
12 PortFolio | Juan Gurina
1st Floor Plan
Faro de la Cultura | MSGSSV 13

Hand Drawing of Detailed Section

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Construction details:

1. Micropiles

2. Headstocks

3. Reinforced subfloor with waterproofing.

4. Granitic flooring fixed with lime mortar.

5. Micro-perforated sunshades made of pre-painted aluminum sheet and extruded aluminum uprights.

6. Pre-painted extruded aluminum projecting windows.

7. Reinforced concrete structure.

8. Compacted ground.

9. Extruded aluminum joinery.

10. Green roof with native or climate-adaptable ground cover.

11. Waterproofing membrane with protective layer.

12. Poor concrete subfloor with slope.

13. Thermal insulation and vapor barrier.

14. Exterior wall masonry (hollow brick inner side, plastered with waterproofing insulation)

15. Half lining with drywall

16. Exposed concrete lintel

17. Skylight in the library with pre-painted aluminum frames, double-glazed insulated glass, and aluminum panel roof with thermal insulation

18. Exposed concrete ceiling (concrete with white cement)

19. Interior glass balustrade, tempered glass embedded in aluminum and steel extrusions

20. Interior wall cladding in wood with acoustic treatment in the auditorium

21. Sound-absorbing ceiling

22. Open bookshelves and storage units visible from the main hall

23. Fixed wooden furniture and equipment towards the classroom and gallery

24. Skylight with iron structure, pre-painted extruded aluminum frames, double-glazed insulated glass

26. 20cm hollow brick wall with IGGAM plaster on the exterior and half lining with drywall on the interior

27 . Fine IGGAM plaster with chamfers as per visual design

Longitudinal Section

15 Faro de la Cultura | MSGSSV

Banco Ciudad de Buenos Aires Renovation

2018 | Competition | Buenos Aires

“succession”

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The building, standing proudly at this iconic corner of Buenos Aires, boasts remarkable architectural grandeur. Originally one of the grand stores of the 20th century, it underwent a transformation into a bank headquarters in 1966, marked by the incorporation of a glass brick box

into its interior. This addition juxtaposed the old solid appearance with a new luminous and permeable image.

Today, there is a proposal for the renovation of the upper floors to meet modern requirements.

17 Banco Ciudad Casa Matriz | MSGSSV 17

“Finding a language that, despite the diverse and distant renovations, unifies the entirety and symbolizes the presence of a modernized institution.”

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19 Banco Ciudad Casa Matriz | MSGSSV
A photo showcasing the completed renovation of the upper floors of the historic building at Buenos Aires.

Two pre-existing themes were the foundation of the proposal:

1 - The urban strength of the corner, serving as an entrance that organizes the circulations, views, and both interior and exterior architecture. From this point, a diagonal relationship between the floors is created, extending from the corner to the core of vertical circulation in the opposite angle.

2 - The engineered metal structures that modulate the space and act as vertical seams connecting all levels, including the ground floor and the first level. These metal structures play a pivotal role in the overall design, providing structural integrity while also adding a distinctive visual element to the building’s aesthetics.

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6th Floor Plan
21 Banco Ciudad Casa Matriz | MSGSSV
Axonometric View of 6th Floor

“This staggered terrace resolution links the three levels to form a contemporary crowning.”

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23 Banco Ciudad Casa Matriz | MSGSSV

East Elevation

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25 Banco Ciudad Casa Matriz | MSGSSV
Longitudinal Section

The terraced fronts generated by the setbacks have been resolved with a treatment of slightly separated glass panel railings.

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27 Banco Ciudad Casa Matriz | MSGSSV
28 ProtFolio | Juan Gurina Raiconet Offices 2021 | Buenos aires | Private Client “air and light”

Situated on the outskirts of Buenos Aires, this project is designed for a logistics and distribution company. The program includes dedicated areas for vehicle parking, management and administration offices, and amenities. However, a unique obstacle presents itself. The site, besides

being long and narrow, is occupied by a 20-meter-high advertising billboard and a 2-meter-diameter column in the middle.

Despite this challenge, the design creatively transforms the negative aspects into positive opportunities.

29 Raiconet Offices | Selected Works
30 PortFolio | Juan Gurina
Ground Floor 2nd Floor

Longitudinal Section

Instead of hiding the existing column, we propose making it a focal point by surrounding it with an open space to allow natural light into the center of the building. Additionally, we plan to cover it with natural greenery to emulate the appearance of a large tree. Through this green patio, we aim to unify all the floors and incorporate an adjacent staircase that serves as the project’s central spine.

To accommodate the program’s requirement for a 4.5-meter-high entrance for vehicle access, we opted to divide the building into two sections and introduce mezzanine levels. These mezzanines not only fulfill the need for vehicle clearance but also facilitate employees’ access to their respective areas.

31 Raiconet Offices | Selected Works
32 PortFolio | Juan Gurina
Casa Rumenco 2022 | Mar del Plata | Private Client “space”

This project showcases a thoughtfully designed countryside house located in the serene surroundings of Mar del Plata. The house embodies a minimalist aesthetic, combining clean lines, functional open spaces, and a harmonious integration with the natural environment.

33 Casa Rumenco | Selected Works

Exposed concrete is used as the primary material, adding a touch of raw essence to the design. Combining harmoniously with wood elements, the house achieves a balance between rustic and organic, embracing the inherent warmth and texture of the materials.

The design centers around open, modulated spaces that flow effortlessly from one area to another. This spatial arrangement not only maximizes natural light penetration but also fosters a sense of openness. Floor-to-ceiling windows play a crucial role connecting the

interior spaces with the captivating outdoor vistas. The boundary between indoor and outdoor is blurred, creating an immersive living experience where nature becomes an integral part of daily life.

A distinctive feature of this project is the incorporation of a lush green space within the house. This interior green space enhances air quality, offers a connection to nature, and functions as a serene retreat within the heart of the home.

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35 Casa Rumenco | Selected Works
Ground Floor 1st Floor

AudioVisual Producer TFC

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2016 | Buenos Aires | University Final Project “transition”

The building is located in the Colegiales neighbourhood, functioning as a connector between the residential, commercial, and television industry area that are located in the district. It links them through the permeability that it offers with its open space where it merges the green of the plaza with the asphalt of the city, and functions as an element of transition, offering a space of recreation and relaxation without neglecting its character as an audiovisual producer.

37 AdioVisual Producer TFC | UB

Volumetric Dissection

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Schematic Section of the Program

The volumetric dissection emerges from the program’s requirement to connect the two blind blocks containing the functional sets with the managerial and operational aspects of the building via a central ‘pa-

tio.’ We positioned the lower solid volume to accommodate the heaviest part of the program, facilitating improved communication with the exterior, while simultaneously reducing the scale of the project.

AdioVisual Producer TFC | UB 39
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AdioVisual Producer TFC | UB 41
1st Floor plan Longitudinal Section A-A

Aluminium sunshade

Double-glazed hermetic window with UV filter

Flush-mounted steel handrail

Metallic lower cove with LED lights

Service catwalk

Sunshade support structure

Corten steel veranda

Aluminum carpentry

Laminated steel pull handle

Indoor garden

Reinforced concrete wall

Concrete coffered ceiling

Detailed 3D model of the central hall of the building, created in 1:50 scale, using 3mm MDF (Medium-Density Fiberboard) and translucent acrylic.

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43 AdioVisual Producer TFC | UB
Detail of Central Hall
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The scale model is crafted from laser-cut MDF in a 1:200 scale. It showcases a striking representation of the public space, where prominent vanishing points connect various areas and create diverse environments along a captivating promenade. This journey begins at the dry plaza and leads to a lush green s pace, complemented by beautiful water mirrors.

45 AdioVisual Producer TFC | UB
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| OzBid | ArtWorks
Mixed Media Art 2022-2023

Conceived and brought to life mixed media artworks by employing diverse digital design techniques and tools. Specialized in utilizing UV printer as the primary instrument, seamlessly integrating it with Photoshop to craft visually cap-

tivating and groundbreaking pieces. Ensured the production of high-quality artwork with meticulous attention to precision and accuracy throughout the printing process.

47 Mixed Media Art | Selected Works

“Mona Mirage”

“Forever Queen”

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Image of the initial layer of white resin on the canvas, forming a relief of dots, works as the base for the final layer of colors.

A pixelated image of the Mona Lisa overlaid with colorful patterned dots, generating an optical illusion of distortion that captivates and intrigues the observer.

Relief of the queen’s silhouette created with white resin before applying a gold leaf layer, simulating the appearance of a golden coin.

Final layer of colours done with Resin UV printer.

49 Project name | Selected Works +

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