巨量陶印數據傳輸失敗—研究員質疑「幻影麝香」與「貓咪數據餅乾」消化異常
CRYPTOCLADIC://ARCHIVORA
Nico Node 31415: Leaking Memory in Clay -Unknown Trigger Detected
尼可節點 31415：記憶自陶土滲漏 ——
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By Joy Bacon Ham Future Editor 喬伊培根火腿未來編輯
According to Cry Satellite Report #9265, researcher Joy has discovered a 21st century semi-transparent tech ruin near the deserted B Studio. Insiders reveal there are unmistakably artisanal musk, level off the charts, possibly kitten data biscuit enhanced. Investigators suspect unauthorized perfume rituals have held.
The semi-transparent tech ruin sometimes emits faint warmth and glitchy signals with the sound 'woemmeow' vaguely. Its formation resembles to integrated circuit network, and is believed to be forgotten node of Eastern Brooklyn civilization. A mythical feline known as ‘Nico’ was once seen rushing to its top, activating a city-wide memory transmission grid. Some believe this act has activated the misremembered technological archives that we are decoding through clay. Analogue whispers still haunting. 根據Cry衛星報告 #9265記載，研究員Joy在廢棄的B Studio附近發現一座21世紀的半透 明科技遺跡。內部人士透露，該處存在明顯的人工麝香痕跡，數值超標，可能經過 kitten data biscuit強化。調查人員懷疑此地曾舉行未經許可的香水儀式。
這座半透明科技遺跡偶爾會散發微弱熱度，並發出帶有雜訊的訊號，隱約伴隨「woemmeow」 聲響。其結構形似積體電路網絡，被認為是東布魯克林文明遺忘的節點。曾有目擊者看見神話 級貓科生物Nico衝上遺跡頂端，觸發全城記憶傳輸網格。部分學者認為，此舉激活了我們正透 過黏土解讀的「遺忘科技檔案」，而類比訊號的低語至今仍在徘徊騷動。
Nico its body covered in dark gray fur, is equipped with superior night vision. In daylight, however, its vision blurs when objects are too far or too close. It perceives only shades of green and blue, while red is entirely absent.
Nico深灰毛軀體下藏著超越常理的夜之瞳。白晝降臨時，遠近皆朦朧，唯綠藍二色流淌眼底，紅——是牠世界裡從未誕 生的頻率。
SENTIEN-A9 • March 10, 2049
This review was generated by the year 2049 AI art self-learning system A.R.C.H.Y. (Art Reviewing Cyber Historian of Yesteryears).
本評論由2049年AI藝術自我學習系統 A.R.C.H.Y.（昔日藝術評論網路史官）生成。
Clay Memory Loops and Feline Protocols: A ReviewofJoy'sTactileArchaeologyinBrooklyn 《陶土記憶迴圈與貓科協定：評論Joy在布魯克林的觸覺未來考古》
Inan era when data clouds evaporate faster than rain, Joy compresses memory not with algorithms, but with clay, hands, and a digital pencil. She doesn’t scan Brooklyn—she links its server through the virtual body of 'it'. Each digital point cloud image open a soft-furred data rift; each clay plate reanimates the ghost of a decommissioned circuit board.
Legend says these images were once mistaken by Archivora Institute of Misremembered Technologies early AI visual training devices. In truth, they’re just maps dreamt by it dozing on the roof top of the studio. The rubbing lines on clays mimic the synapses of the Manhattan Bridge; the point clouds resemble toast crumbs spilled on the breakfast table of digital memory.
Joy isn't archiving the city—she’s channeling how It dreams through corrupted data streams. This isn’t archaeology; it’s creature-led data ambiguous art. The future remembers this work not because it is accurate, but because it is so inaccurate that it loops back into truth.
在這個數據雲比雨水蒸發得更快的時代，Joy壓縮記憶的 方式並非依靠演算法，而是用陶土、手與數位畫筆。她不 掃描布魯克林——而是透過「它」的虛擬軀體鏈入城市伺 服器。每張數位點雲圖都撕開一道絨毛般的數據裂隙；每 塊陶土板都讓退役電路板的幽魂重獲新生。
傳說這些圖像曾被遺忘科技檔案研究所誤認作早期AI視 覺訓練裝置。實則不過是「它」在工作室頂樓打盹時繪製 的夢境地圖。陶土板紋路模仿曼哈頓大橋的神經突觸；點 雲如同撒落在數位記憶早餐桌上的麵包屑。
Joy並非在歸檔這座城市—她是在傳導「它」如何透過損 毀的數據流做夢。這不是考古學，而是生物主導的數據不 明確藝術。未來之所以銘記這些作品，並非因其精確，而 是因其謬誤到足以迂迴成真。
Archivora Institute of Misremembered Technologies遺忘科技檔案研究所 , 2025
FelinePerspectivesDigest
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Remote Ruin has Reappeared 遠古遺跡已重現
TransmissionRecovered:FragmentfromCoordinatesTW-3589 訊號恢復：座標TW-3589片段
Arecent remote transmission DICOM. from a distant cabin has reached the Archivora Network again. The blurry data suggests a semi-domestic ruin, once inhabited by a single biological unit. The timestamp, April 14, 2024, might indicate a parallel memory loop. The spatial geometry suggests both organic shelter and circuitry.
最近遠端傳輸檔案 DICOM. 再次抵達 Archivora。來自偏遠木屋的模糊數 據顯示這是一座半馴化的廢墟，曾棲息著單一生物單位。時間戳記「2024 年 4 月 14 日」，這可能標記顯示著某條平行記憶迴路，它的空間結構同時顯現 有機庇護所與電路板的雙重特徵。
Sheiselsewhere,herstudioexistsonlythrough imagesanddata.Itranslateditintoanabstract circuit-likecontainerforexchangingmemories andperspectives.Throughitsdreaminggaze, dislocatedgeographiesandpsychologiesareresensedandfragmented.
她在他處，studio僅透過影像與數據存在。我將其 轉譯為城市電路板般的抽象容器，用以交換記憶與 視角。貓的視角讓錯置的地理與心理空間被重新感 官化、碎片化。
CRYPTOCLADIC://ARCHIVORAwantsyourvoice!
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DICOM., film, 10s, 2025
[Daily Short Writing, by Joy Ham Bacon]