Joyce Low's Interior Architecture Portfolio 2024

joyce low 2024 interior architecture portfolio

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curriculum vitae introducing me

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personal narrative who am i really?

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cloud nine atelier of INICO daycare centre

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connected wander community centre

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experiences work projects

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Joyce Low Graduate of Interior Architecture Bahelor of Design (Interior Architecture)(Honours)

“A multi-lingual interior designer and artist, whose design philosophy is rooted in the aspiration to breathe new life into spaces, infusing them with a sense of vitality that resonates with those who inhabit them.”

joyce.low02@gmail.com + 61 406033382 Melbourne, Victoria, Australia, 3000 Education 2023

Swinburne University of Technology Bahelor of Design (Interior Architecture)(Honours)

2019

Alice Smith International School Year 12 with 90 ATAR

Work 2023-2024

S’more Design Variety of hospitality and residential projects - Utilised Revit, Adobe Photoshop, InDesign for documentation, renders, creating design packs - Material selection, FFE schedulling, Colour-board creation

2022

Matthew Lim Associates Interior Designer Intern - Utilised Sketchup, AutoCAD, Adobe Photoshop, InDesign for documentation, renders, presentation - Diverse role of 3D modelling, communicating with clients regarding residential and commerical

2021

One Interior & Fit Out Works Student Intern - Focused on assisting site visits and communicating with clients - Material selection, Bills of Quantities

Skills Rhino

AutoCAD

Revit

InDesign

Sketchup

Photoshop

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bamboozled boomerang

bipolar cloud puff friendly pollen

distorted christmas

rockling road

don’t look twice

“who am I really?”

“le world of scents”

This personal narrative expresses the inner monologue of Joyce’s who is about to graduate from university soon. In this artwork, we discover her hobbies, soft skills as well as hard skills. As she trailwalks, her traits unravel slowly as she uncovers her honest thoughts which is presented in this piece. I believe that design holds the power to reflect and tell a story, leaving a lasting imprint onto our lives.

Have you ever wondered what it would be like if we were shrunk to miniature size, lost in a vast field of flowers? This art piece invites you into an experiential space where everyone can rediscover their forgotten sense of smell, aiming to create an unforgettable memory through interactions with various scents.

“joyce’s interpretations” I was inspired by the surroundings of Melbourne creating my very own interpretations of the elements. You may wonder how would you interpret distorted christmas. Normally, Chrismtas is celebrated in winter during December, however, in Australia, we celebrate Christmas in the summer heat and Melbourne is known for its bipolar weather, hence why it’s called “bipolar cloud puff”.

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atelier of INICO Site : 385 Bourke Street, VIC Site Area : 5040m2 Year : 2023 Atelier of INICO, a 3 level daycare center, serves as an inspiration for future daycare centres designed to foster close relationships between working parents and their children whilst promoting the growth and development of children. The curiculum integrates both traditional and Montessori education to maximise the childrens’ learning capability.

The concept of the INICO takes after cloud nine with an unconventional interior space that literally draws parents and children into an imaginative world, expecting the unexpected. To be on cloud nine, became like floating onto the tallest cloud on Earth as INICO is located on the 30th, 31st and 32nd floor in an office tower high up with the clouds.

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research

cloud nine

There is a ratio of 100 : 1 with 15,000 establishments to 150 daycare centres in Melbourne City, Australia, 2020.

CLOUD NINE concept with an unconventional interior space that literally draws parents and children into an imaginative world, expecting the unexpected. To be on CLOUD NINE, became like floating onto the tallest cloud on Earth. Atelier of INICO is located on the 30th, 31st and 32nd floor in an office tower high up with the clouds.

employability

opportunities

1 2 3

concepts

well-being

parasitic A parasitic element embedded in the external structure of INICO daycare centre would capture the attention of the target audience. Also, allowing children to break the social isolation and come together as a community.

Maintains employability for working parents without having the burden to quit their jobs, minimising risk of mental and physical health complications.

Promotes well-being by fostering relationships between working parents and children, encouraging participation in a collaborative environment.

Providing more opportunities for children to be enrolled into centers with a mix of traditional and Montessori education.

curvatures Curvatures evoke emotions such as feeling relaxed and an uplift in mood. Despite it being a challenge with the presence of a compact site, the curvatures will add a touch of softness to the overall space. The forms act as a safety feature in minimizing the risk of children being injured whilst maintaining privacy.

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B

B

B

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8 3

1 3

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1 7

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A

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A

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A

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A 6

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B

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LEVEL 30

LEVEL 31

SCALE 1:200

LEVEL 32

1. Reception

5. Interactive Play

1. Playground

5. Napping Room

1. Playground

5. Montessori Play

2. Yoga Room

6. Cafe

2. Indoor Garden

6. 3 Y.O Classroom

6. Staff Office

3. Indoor Garden

7. Working Lounge

3. 2 Y.O Classroom

7. Splash Area

2. Private Playground

4. Bake It! Workshop 8. Common Area

4. 1 Y.O Classroom

8. 4 Y.O Classroom

3. Montessori Edu

7. Napping Room

9. 5 Y.O Classroom

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maze of memories

except 90 degrees

emotionless

Challenges children’s core memories to find their way out with the extra guidance provided from the mirrored ceiling or with the guidance of the parents.

This space challenges children to think outside the box introducing creativity, also introducing them to new forms.

Not everything has to be 90 degrees.

Young children often have a hard time processing and understanding emotions thus, it is essential for their emotions to be validated, not neglected.

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RED

ORANGE

GREEN

YELLOW

INDIGO

BLUE

VIOLET

MONTESSORI NAP

STAFF OFFICE

NATURE

MONTESSORI

SEE YOU AGAIN

LEVEL 32

NAP ROOM

STAFF OFFICE

3 YEARS OLD

RED

ORANGE

GREEN

YELLOW

INDIGO

BLUE

PLAYGROUND

MULTIPURPOSE HALL

VIOLET

LEVEL 31

MAZE OF MEMORIES

EMOTIONLESS

CLOUD FEAST

CAFE

LEVEL 30

SECTION A-A SCALE 1:100

Level 30 is designated for working parents and children to spend time together with interesting and interactive spaces. For example, working parents can participate in activities such as yoga classes or baking workshops with children when they are on break or they can even spend meal times together. The innovation of INICO has a major convenience for working parents working under the particular office tower. Level 31 (traditional education) and Level 32 (Montessori education) will be dedicated to only children with staff supervision.

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level 31- traditional education Typical classroom layout with fixed table and chairs

1 Year Old

Whiteboard in each classroom for teachers to lead the class

Children typically stay in one classroom throughout the day

2 Years Old

3 Years Old

Colourful toys made of synthetic materials to attract attention

4 Years Old

level 32- montessori education Space is separated by 5 key areas of study for self- learning

Half height walls allow visual privacy for kids and monitoring capability for

Child typically progresses to different spaces throughout the

Toys are typically made of natural material- wood

Sensory Exploration Maths Learning

Arts and Crafts Fun

Registration

Language Learning Practical

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axonometric view

Level 32- Montessori Education

maths learning As part of the Montessori education, the toys are laid out so that the children can be their own leaders to decide which subjects they would like to focus for today.

Level 31- Traditional Education

practical life Level 30- Collaborative Space

Children are more independent as they take turns teaching each other, thus exhanging knowledge.

The lights embedded in the ceiling act as a wayfinder for children to find their destination.

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wander community centre+ Site VIC Site Area Year

: Queen Victoria Gardens, : 16,000m2 : 2023

By introducing a community center to Queen Victoria Gardens, we provide a space where both locals and the international community unite, fostering a heightened awareness of each other’s presence. This space, situated amidst the serene backdrop of the gardens, is intended to become a vibrant hub that transcends geographical boundaries, promoting cultural exchange, collaboration, and a shared sense of belonging. My design philosophy is rooted in the aspiration to breathe new life into spaces, infusing them with a sense of vitality that resonates with those who inhabit them.

Layering is my main concept as it can be seen in my roof and facade as different materials, finishes, and patterns create a depth and rhythm on the exterior of a building. This provides the structure a sense of texture and complexity.

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extruded camouflage Wander Community Centre is located at Queen Victoria Gardens, Melbourne. The form grew from a simple block into a block with holes, with the idea of introducing life into the space.

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form interations The exploration of the extruded camouflage in various form interations allow us to slowly understand how this form can be interpreted in different settings such as a bench, a pavilion or even a building.

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form development diagram

#1 initial

#2 sheet

#3 flattened

#4 death

The initial abstract form is completed.

The form is only left with the exterior sheet.

The sheet is flattened into a sturdy layer.

The 2D layer from the rectangular sheet is delicately trimmed into curved outlines.

#5 ressurection The curved layer is then ressurected in order to bring a sense of realism and create an organic shell.

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narrative diagram

#1 structure

#2 landscape

#3 layering

#4 aperture

The structure of the building is extruded to 8.5m.

The form is only left with the exterior sheet.

The sheet is flattened into a sturdy layer.

The 2D layer from the rectangular sheet is delicately trimmed into curved outlines.

#5 garden roof The curved layer is then ressurected in order to bring a sense of realism and create an organic shell.

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A A

A A

1. Reception 2. Wellness Space 3. Library 4. Cafe 5. Education Workshop Ground Floor Plan Scale 1:500

In the heart of the community center lies a captivating open space, offering a panoramic view of the serene lake—a place where the visual element is not just observed but profoundly felt. The Wander Community Centre seamlessly integrates nature into its design, with trees artfully incorporated into the facade. This deliberate choice creates a seamless, uninterrupted flow, harmoniously merging the architectural structure with the surrounding environment.

1. Gathering Foyer 2. Clinic 3. Prayers Hall First Floor Plan Scale 1:500

Section A-A Scale1:100

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s’more design/ yamamoto udon As a soon graduate, I spent a year at s’more design honing my skillsets. S’more design specialises in hospitality and residential work. I was able to observe and take part in a variety of projects. Throughout the year, I was responsible for a variety of tasks, such as presenting concepts to clients from Wagyu Ya Group, VIVAIA, etc as well as finalising the designs, and translating those designs into construction drawings. I assisted in documenting projects using Revit, Sketchup, Photoshop and InDesign.

Project: Yamamoto Udon by Wagyu Ya Group Year: 2023

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s’more design/ vivaia retail I was assigned to design a shoe store from the keywords assigned by my director: earthy tones, textural elements and sophistication. I enjoy the intricacies in detailing joinery and formulating a seamless floor plan using Revit in retail projects. Before I could start the design process, calculations of the shelves were needed to ensure and maximise the placements of the shoes.

Project: VIVAIA shoes Year: 2024

+29.075 FCL

400mm DEEP OPEN SHELVES FIXED TO WALL WITH UNDERBENCH STORAGE

S-FOLD BLOCKOUT CURTAIN SURFACE MOUNTED TO WHITE TRACK

400

CA01

MIN RADIUS CABLE ROD FIXED TO FLOOR AND CEILING. OPEN SHELVES IN GLAZING WITH BASE MIRROR STAND IN S/S FRAME

MALL FCL

LEASE LINE

300

FCL

700

+29.075

LEASE LINE

6005

MALL FCL

+28.775

+28.775

UP02 700 PT05

GL01

O.S

MALL

FEATURE DISPLAY

TL02

DISPLAY

MIRROR

PT02

PT01

RECEPTION

LT01

ST01

+25.375

LT02

AR01

LT02 AR01

LT01

S-FOLD BLOCKOUT CURTAIN SURFACE MOUNTED TO WHITE TRACK

MIN RADIUS CABLE ROD FIXED TO FLOOR AND CEILING. OPEN SHELVES IN GLAZING WITH BASE MIRROR STAND IN S/S FRAME

400mm DEEP OPEN SHELVES FIXED TO WALL WITH UNDERBENCH STORAGE

FCL

ENTRY STACK AND SLIDE GLAZING DOOR IN TEMPERED GLASS, STRUCTURAL ENGINEER TO ADVICE SUPPORT REQUIREMENT 400

+28.775 700 LED

PT01

BOH PT03

FFL

FFL +25.375

3 INTERNAL ELEVATION 02

LT01

LT03

LT04

LED

V ARTWORK

O.S

MIRROR

LT01

PT01

+25.375

O.S

MIRROR

2100

3000

3400

O.S

GL01

3400

UP02

S/S STORAGE SHELVES GL01

3400

PT02

3000

LEASE LINE PT02

GL02 3400

BOH

1 : 50

LEASE LINE

400

+28.775

LT01

2 INTERNAL ELEVATION 01

1 : 50

FCL

LT03

GL03

ST01

+25.375

1 SHOPFRONT ELEVATION

GL02

LT04

TL02

FFL

PT02

O.S LT01

GL03

PT02 MT01

FFL

MIRROR

O.S

2100

GL01

3400

GL01

3000

3400

GL01 3000

3700

MT01

LT01 GL03

PT01

AR01

PT01

GL02 GL03

1175

4 INTERNAL ELEVATION 03

1 : 50

1 : 50

19 FCL +28.775 PT04

PT05

2400

COL.

PT04

GRADIENT PAINT DESIGN TO FEATURE WALL

s’more design/ marina residence I was assigned the Marina Residence project by Hachem Design to model in Revit given the floor plan for their upcoming development in Singapore. Learning about different wall types proved beneficial in the practical setting, as well as allowing me to efficiently model a large number of typologies in a shorter period. The residence spanned a total of 3 floors- each floor containing approximately 20 residential units.

Project: Marina Residence Year: 2024

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matthew lim associates/ residential unit While I was doing my internship programme, I designed a high end residential penthouse unit located in Kuala Lumpur, Malaysia. I utilised Sketchup and Enscape for 3D modelling and rendering. Communication with clients is important ensuring the client’s needs were met to enhance their home lifestyle. I was mostly in charged of the 3D modelling. The project has been completed by then.

Project: Banyan Tree Residence Year: 2022

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