Fundamentals of Violoncello Technique Volume 1

undamenta s o Violoncello Techniq e Volume 1 The First and Half Position

b

Francis Gran

Anewmethod based on the celebrated schools of

--.

Dotzauer Romberg Lee and Kummer .

Francis Grant Cello Series

FundamentaIs·of Violoncello Technique .

.

Volume 1

by

The First and Half Position

Francis Grant

Anew method based on the celebrated schools of

Dotzauer.Romberg.Lee, and Kummer Preface Fundamentais ofVioloncello Techniq1fehasbeen4esignedto.providea

modern and practical approachto the art of cello playing. Althoughitconiáins a generous ainourit of originalmaterial,it draws heavily upon the incomparablé pedagogicalIirerature of a number ofsmasterteachers from the niaeteenth cemury. J. F. Dotzauer (1783-1860), Bernhard Romberg (1767-1879), Sebastian Lee (1805-1887), and Friedrich Kummer (1797-1879) were among the most successful of lhe virtu0s0 players who, at the height of their performing careers, devoted a large partoftheirenergies toteachirig arid the writing ~f studies for their instrumento

With· only mino r editorial changes, the celebr~fed' "schools' of these writers have constituted the major part of beginning instructional material f~r the •.cello up to the present day. Fundamentals ofVioloncello Technique is essentially a cornpilation of the best-and mos! eff~çtive q::cerpts from anumber of such works. Arranged in progressive sequence.jt eliminares sllperflous material,;el1ipI1asizes the need for physical developmemof the hands and, perhaps most importanr of all, moves toward the goal of preparing the student for modern technical demands.

With these objectives in mind, Ihave atternpted to create a modern method for the cello using the most va1uable material of proven wonh,organiz;ed within a context that iscor;sigent with contemporary ideas and practices. "("';':"

Francis .,Grant was ~,mernber of the

,

Aboutthe Editor' ClevelandOrché~tra clWíng tg~ years

when it was conducted by Nikolai :ftJ~dl~6~i~eorPt~.Stf9:1 playing,' he,.devoted hisfllll time ro:reaching and thestudyof'peiform'âncepr<);cüeé-s oréàrlynúlsic QI1'thecel1o and theyiola:d~ gathpa.

Solo ka ensemb1e récitai~ ~f these instnul1e~t; have r~unded out ; performance' career that culminat~d in the writing and editing of nllme~otispeciagogical~orks.:His extensivo experi~pce in teachinghas resulted inthe . _pub licatiort of st~qy'~1)ia,.~eri~$ .that<l:réb6thprácHs#l-l:a:Ild:eff~êti velnt~~:~evel<?pp1ery.t OfYOUlígCel!ists. . .

'0""

SQkol~rf~~,.~rthttriRo<izjn$ki.ÍfoI19wil1gJ{i$;JetireLPem

.. . _,'.,.,..>.",;~,. ,,',

,_ ':>_",

,"

., '...

'o.'>",,'

"., ..", ..,.,.

,,~.,

•

.

'.,..

..;,•..•...... ,...

..

..

o',

,,-,: ','

.'

,,'

,

©Copy(ight 197Q by lúd';'íg MUslé Pubfishing Co., Cleveland,Ohío , International Copyright Se.curec;l.ALL RIGHTS'RE$E.RYEP·i.I'lC\l;cJil1§ public pêndri'néÜlp.efpt profit:., .,_' Any copying, arranging adapting of tt1iSworkwittioúflti.e owner's cónsent is an infringemerit of the copYrigHt.

ar

•

SI G N S and A B B R E V I A T I O N S

n V

W. B U. H.

Down bow L. H. Lower half of the bow Up bow Fr. Frog of bow Whole -bow M. M iddle of bow Upper half of the bow P. Point of bow " I Keep the finger down

D I V I S I O N S of the B O W Fr

.. _U.H.,---~--~.

H._~

W. B.--------:J

Ié----

THE OPEN STRINGS A o

~t

e I

D

I : ; 11

:

111

M. ,U.H. ,L.H.

I 11

111

I

I

d

~

••••

IV

FIRST BOWING EXERCISES

~

C

G

~

I

M.,V.H.,L.H.

M

2~~~ 路11

111

~

M

M I

11

11

I

~

M

IV

IV M. ,V.H.

a

,L.H.

4

T H E F I R ST POS ITI ON SHOR T STRETCH-MINOR THIRD The First, Second and Fourth Fingers

on the D String

4 II

.

-

Lento L .H .2 M

II

~

2

. .

W B

n

•

Student

5

-I

~

I

I

.. f:J

Teacher

.

L .H ~

1

n 1"

.,.

.

.~

••....•..•...

- ...

I

~ W .B

.

,

:6-

'17

L.H. r:;t

./

11

2

n

•

./

W.B.

VU.H.

O

".B.

I

••

-

I

~

r

I

.n

L .H

·

/2

fi

2

.

I

,

/2

W .B .

1

.

I

I

,

•

-

---

~

-

The F'Lr s t , Third and Fourth M.

r;;

II

Ia

.(

Fingers

o

u

~

on the G String

Irl-rla== .• =====a==::::.•=~a:==== .• :==:a:==""""-I - o

6 111

li a

1 O'

Ii l.

o"

.•

Lento

"

WBn . •o

1

•

.

a

I

Ia

1

a

1

a

o a o

.

o

-

-

~

-

7

I

The First,

Irl-r='a========

-

-trr

#':)

-trr

n ,

I

Second and Fourth

Fingers

on the A String

8 I

~~~~~~ 10300208

6

V

....

• o .•..

J

• .fI- •

o

.fII-

r»I

-ti#-

It• .fI-• "

2 o .••..

.fI- •

.fII-

~

2

••

n

•

9

...

•

· l'

Largo

li

M. ___o

"

V -ti#-

" 11

.fII- •

"

2

*"-.-

.fI-.

•

.fII- .•..

., ...•.

"'2 .•.. 0 .•

n

2 -fT

.fi- • .fI-.

-

n

to

,

-

• • I

The First. Third and Fourth Fingers

on the C String

-----------1-

ttr-I

IV

Andante

. .

~ W BM

~

12

V

V

,

"

I

~

.

••

u

••

-

V

~

I

I

EXERCISES

ON

ALL

THE

STRI

GS

The Scale oí C Major

13-·-=/3==

~

~

~

~J

: 9

14

15 M

E..•.

EEI Largo I

M .•..•.• 'i

o

.

12 o I.#-1'I

.t

-f;

4 I .fL •

n

.t

I

2 1*-.

o

.t I

16

.

.I

~

l.tttr

vn III

2

I

10300208

••

-

I

•

o •.•.

I

.fL

•

.t .•.

I

o ..If-.... _

,

I l

,

-

-

I

I

-

I

ÇJ... 1!;

8

Largo 2 ,/ M ••

•• i

•

P. .!

O

2

2

'I

-tJ- .•

....

Q

"I

~

.!.

t

~ I,! .• •

" 1 •

.

·

~

r

I

17

2

••

...

J

1..••

..! .•. ~ .•.

~

••

O .•.•

,.,

19-

I '

.--:J:

II

2

-dO •.•

-

Q

11-

•

.t:L

-9-

I

.

• •

Largo I

M. 'r;"

..! ••

o~

.•...•..•

~.

"

-

~

I

f.-

I.•.!

t

-

•• •...• ! .iL

·,

-

2

O .•..

11-.

12

~

t

..

-

-

o. ~... fi

_ .•. O·..!",

-

.

T

I

I

-

.....

- Q

n I

.1-

fi

19-

"1

T

-

r

o I

•

I

T

.(:L

•••

.

I

-l

I

'\

..! .•

011-

~

n I

'1

!.

1

-

T

T

•..

J

041-

2

I

I

I

t8

,

.!.

2

•

17

1"

I

!.

11- .•.•

I

f

O '_1 .•.. -11-

r»:

19-

• I

I

"

T

Q

I

I

Largo

, w. B _I"

2

3

O

Ia

2

1

O

Ia

I

a

I

19

.

• ~l

-

I

I

-

~

Largo I

•

M• n ~ o

II

~

I

I

.

2

~ 2 o

~ •.

.'

-

20

I

I

M

4

I

3

••

V

o I

2 n I

r:J

I

~

•..

--

I

- ••

o ..•.

2

1

'1

-

I

••

-

-

1

o

2

I

I

I

I

.

I

I

•

-

o o o I ."

I

V

-

'"

2

I

.

•

••

,

I

V

I

••

2

1

o

1

I

M

o

2

- -

I

V

•

o ~o

'4

o

i

o Ia

I

-

I

I

V 4-

CiiI

-

I

I

-

Largo

Mr.t

I

•••

•

1

-

• .fI-.~

o

2

~I1

a

o

-

•

2

_

o

..• -

2

....•..

4 I.•

••

--,;o

1

·

I

M

-

~ .&

3

l

-

I

2

-

I

I

,

-

I

M

I

••

r:J

CiI

o

4-

CiiI

I

V

l

2

..

I

I1 ~

-

I

,

4 •.

. l

·

2

~ o

I

-

21

~

o

1

I

.

'"' ••

2

o

.

.

3

I

1

~

... :t

~

I

.

, 10300208

I

I

-

-

-

~

~

•

10 M

•

~I~

"M

-::;.

22

O

3

... -

7."-

.

.•

I

-

I

~

~

•

•

..•..

-

O

O

I

~

r:J

I~

3

-

I

I

o

- ..•..

I

o .• -.

I!I

:i."*-

"d"

AdagioL1

2 -e-

M.

J

O

" 1

2

n.

3

vn

..(J...

-

12

o

•..

•......

-ri

I

••

O 3

•

I

-

:.

t:'

.

1

a

t

'3

.t, 1

• '-,r 1"- .

.•..

no

• -

I

3

I

[;,I

ÇL"

M

M

~

-

O 11

a

••• !.

119-

14-

o 'I '3

• •

- ....

A

-

19._

•

•

.•..

- •••

I

.

,

v

.

3

,

-

•

I

I

.

..•..

~

1 I

n I

•••

•

2

I

V

-

I

n

3

-

w

O

I

o

o

r1

I

I

••• n

~

.A

.çL•

2

.t 1

I

2

'1

I

1""1

M .•

\

..•.

•

I

-:j:.*"

Lento

... ..•.

7ft-

••

r:J

•• I

•

r;-

V

o

'a

.p..

.i

3

I

•

J

.•. ~

~ O 'I

..,

,

I

.(4

... ...-

=iJ:

V

o ~

·•

3 O

'3

,-. •••

Q

f4l o

IV

O

,

I

23

n

-

-

CJ

-&

.

V r:J

-.y

-

M

-

•

O .•

•

•

M

"

J

1

1

I

1

1M

O 3

n,

O

'~

• .fL.~

I

•

•

Iv1

r--- [:2 ~ 1 "+-

Adagio

s: --

11

o

3

O

O

I

2

o

••

,

•

1

I

3

-

I

I

,

•

I

I

I

The Scale of G Major

2/

~ 3

'I

4

13

I

I

I

,/

Adagio I .• M ! ~! . M•.•

n 3

II ••

13

.:..-

~l-o

I

3

It

••

3

'...

.-

I

'I

! ..o

a I

a I

1

2

I

I

.

I

'a

1

1

ti

I

••

'I •• I

o

•• g

~

I.•

.• _ 3

I

R5iJ02{J3

11

n ••.•

'! .fI-. ".•

1

I

I

~

o

I

27

iJ

! :._ .'4

'3 _

-

1

--

t

-ri-

-

12 SLURS

=•• ~==:

Ir;BJ ~

28

_

•

!b~

;

• •

.-I

W.B.

<;

13

11

I

L. H. ,U . H .

•

'-:.-/

I

,M.

_

11

12

,

W B

4

12

31 4

M. ,L. H"

1....U.

H•

2

Q

"""

3

29~·

M:'&J{~

-

Lento M

~::~

-

~

.Ir-r-,--v 'I

-,,-V-'-

o,.......

-.

• I

I

I

I

.... -

~

-e-

-

2_

.-

J

30 M

M

-

" h'-4

o'- .• I

1

lv.......,_ ••••

--

I

Q

I

I

'-

I

-'

....,

I

I

.

.

'-,'

-

t

1"

I

.

.

I

.

-......"

•

1

I

I

~l

2

•

v

~ j:j J

f!.

L.:: L-.,.oII!

~

·• •

.•.••.•

11#--:....

n

-- .--

-

:..

~

n

.....:::;l L..;.

--

n

-

·

,- .-.

2

-.1

O

•••

I

~~

.. ...-: -.

-=

~

-

-

-

~

2

••••---..:

,-+

•••

1

T

W.B.I"'I •

31

I

O

••

~

...•.

o+-

a

,

I

.

I

-

I

- b

O

--- --- -

I

I

12-

I

----.•. n

=====

L..:.

tl-

-

~

-=-

-

. .•..

,-

I

"":j

~

~

~

...

......, -;~

::::l

"..../ ~

~~

.~

-~ .L...•••...•

~

~

WB,I, • D..

=:.

.

r.-.. .•. .:.. r 4

v-

••

•.•.••••• n

•

32 L.L

I..::...

......,

;.--.-

~- ~ I; v..:.._

......,

I

-.

I

ft

.

••

.----

fIO

I

-

Ia_o

I

t

'-

rn 13_0 ..•. ....1

.

1

I

'-~ '-

I

1

I

~

.

4· I

---'

~

I

!'

.!.

...-==I

,

-,

•....•..

I" ,.-..--

•

-.

~ ~

-rJ-. ~

o

~ aO

-

-J.r

~

-

t

•

I

~

I

±

I

14

,.,

Andante

,W.B.';:.:"..

.

-~

••

•

..

2_

••

1

~

I

~

.s: I

I

I

•

I

I

33

.

V

3

I

l-

I

'"

~ ~

1

.•. ---

I

~

-:»

U2.

V~"

1

•

...lI!!.

"*

•

n

V

•

•

•

.....•.

-;

I

n o

o •

~

n •

•

1

2

I

1

••

3

3 i':'

A'J ~

•

2_

0.,....-

1

•

•

V

-

•

•

M o d erato

W.B.

'i-L';"

.-;;;;--.... o.1*-

-••••• 1......

J

•..

..!.-'T

----

34

,

:;t.

~

••

~

-

ao:

- ...

- ~

~

,-.

-

.

•

-~

.......•••

1~

\..- •.....

n I

--

••••

...

:-"'\ ~

,

..•..

,--

Andante

.

~ W 8 •

ri

I r»

• 'n'

-

3

I

2 _1fT

• .p..

-

I

r.

•

\

«z».

.(L

I

·

.

-

••••

ri

"

•

-

-i§-

I

....

~

-----

1 n

I

I

I

•••••

.--.

2

·

o

,

I

~,

•

.t

.p...n

1!1-

I

I

ri •..•

I

35 n

2

I

V

-

'U"

Allegretto W.8.Mol

36

.----.

.~*- •. · 2

"

.

.

.-....

~

•

• I

••••••••

··

rz-. ~ .

o~

•

-

o

-

"-...-'

\

.-- ---

.-.... .---.... r---....

'1It/

•

"-...-'

~

<c:»

-~

~

•

...- ri

I o

•

~-~

-

• I

\

10

2

3

-.

••

-

,.....,.

-

I

~

-

-r

-

.

I

•

r--.

"n.

~

~

I

-

~

~

.

16

•

37

.•..

•

•

The Scale

of F Major

~

..

---

-

--

~

,--.::;::::;

--

- -: : - - -

~

~

-

1

2

-

--

II O

'---.;

~

.. . J.

.

.•

;c-: 41

.~~.

Andante

r'1

.J

1

W.B. 4.....--:--...

·

1

••

38

......--.

•..'

.fL .•.. .fL

,..~.

111-

V

2

1

-......=-- •.

~

I

•

"

" "

.

~

2

......-/

4-

-e-

.•.. v 7t

I

V •

~ V

,

-:j:. •.....-/

.-

"

~

........:-.•.. V

--

~

.-

v

• .",...fI-

.

~-;;:-:......

••

••

'"

The Scale

of B"VMajor

ri

.

r"'I

I

1

39

. I I

17 Moderato

..M

W B

~

.~.

2

~-..

~4';.,1 '

1.( 3.......:--~

.-i'fT1L

~,..

n

I

I

40

, ~

··

V~

•

1.(::..-;;-----

......-;;::--.-

I

n~~

~

~

~

"_n

••

f

•

,..

3

•• Q~""

•

'"

4-~-d-

q4--.::..-"

-O-

~.

......-----.

ft

_

--

-.

I

,.,..fil-~

,..---......

-

~.

""-=--'

..•

-...........::.

....';; -

'1...-

1

.II~

••••••••

n M

.

10

-

--.

•

.

I

-

41

~-P--6-

.•..

I

I

Q

I

I

+~Q

+~-d-

-

12

2

--

·

~

""

~f"J

1

n

..---.

~

I

•

1

1

-

I

'\

~2

-""",:::,-f"J

.

~

••

.,

~~

I

1.(:,...-,;---.,

~

..•.

•

,---

+~?t ~

-

I

• '\

~

~

•

..•

I

18 The Scale

~

oí E~ Major

42

.t

_:.;

-

--

- - -

--

_

- --

- --

-

-

Moderato W .B . 1 J.

-

n~n

-

.

-

---

- - - --

~I~~-----------

.

~

,.,

I.

n

-

-

.

- -

-

2

~~""

-

---

.

-- - -

-

-

-tr

- -

-e-

---

1

3

.

-6-

1.._

~n

1._

1.-

I 1 .- .•...,,--e'h.

I

, ~v~.L..

It

Iri

~

•._+-,;t

•••

- ....

•

I

..•.

~

L.

v

•••

1 I

.

n I

~

h-

I

...

I

I

,

"

1

I

n

-

I

-

-

T

-

I

I--..

,

--

_

v ,.,

I

-

-

t

t

"I

,

-

,..,

.

~

-

I

-

~

f

I

~

1

I

I

- -.-o~ •••

19 Moderato

n

0.-.-.

W.B.

J

I _

!~". ~-

1 ~1 ----

~k'.. .-:-i:.. l'';'

~~

-

--../

45

n..-..

.

•

·

... - .•..

.--

'\

~

...

~

••

.

"'!

1";'\

3

-

-

..•..••.

,...~

1";'\

.,

-

...

........"

~ 3

---

.-

",-~

'IL~

'-

•

• -~

..

I

•

-

----

•

_3

li-

•

"'---'

•

,-.

~

•~. -T~1;--.

.-.:.-,.-'

---

-

3

~~~

~

....

-..;;;::

~

<z:»

•••

1,...--._

~~

•••• -..f=::-..~~.L. '.

,.-..1 /-::-:::::::

3

-À- .••~.

2

•••••••• •••

'-...:-.

-

r

••

.

~

••••••••

-.L

,

.. •••

n.-.-.

• 2

-

11

-

----

••••

~~

•

..,;

.I

-...-

2 -=-

3_

-

---

~

-

-

.•... ~

• ')

1,......-

---

-

~"""'

<z:»

-

-

v

•

.•. ------

~

-

'\

·

~

-

-

· •

~"'"

-

I

~

-'

~.

.•...

~~

<:»:

'\

J

-........

-

••••••••

•••

k

1

1á'"L.

;;;;

'-

"k'. .,.:-~

11--;:-----'"

~

_---......

-.

.

I

--I

J

-....•

-""

20 EXERCISES

FOR

THE

DEVELO~MENT

OF

THE

BOW

ARM

Moderato ,;'

·

WB ·M

2

·•

11IIII

/"

46

·• " ,;'

··

~~

•

....,

~

o

•

·

,

~P-

1fT-

-

.••..

··

••

-

2-

M ~

-.~

3

2 I ~, Ir••, lr.•. ~, ~ r•• ~ Ir___

2

r- •

~

--

~

"'--

.

"-"

--

I

I

---

I

Ir.•.• ,

-

,

--

.-

t ~ ~~ °r___ --"""\ r••""'\ 'r.•.• , .,.../

'--

3

•

",a-.;. JL...----

~

-

-

I

h_~

·

,;'

-

.~.

-.....

I

••••

~

-

-

"

~.fl-~

-

/"1iiiii.

,

•••••

.

,.....-:-. Q?-

~

/"'.

-

I

••••••

-

".-...3

.

'-.

-e-

~ 'I

CJ

••

-

M.,Fr. ,P. M

13

2

47

$ ln3Ol12~

ijI

21 Andante ./

.

sostenuto

'i __ W B . ri

~. •

o -'""'....

.•.•...

'n'.....-

-........

••

7

48

--

ri

.

.•.

•••

~

•

M

...

•

-.

-fT.

-

............

.••...

.. "

•

··

-.

-

~

••••

I

.fL-~

V

-

-_

.•~ °fi.

"

...•...

,..

~~-~ .

=4i

•

•.•.•.f"

.•

V2

2 ~_

-

•••• """-p-

.••......•

I

c:õJ.

.

V

•

'~

""'"

"'-

.:..-~.~

••••••

-

"'"

• l.l.I

•••••• T~_T./ -~

V .....

V

,

"

......•....

.•••....

•••••••

.

"'"

-

...•...

••

.•

-~

~~

-

-

•

r

M ___

/

-

-

I

•

"

-.

r=:

.•

••

••

• ~

Con moto

49

~.

.....

~~

•

v

..

.

•

•• V

.

1

,....."'"•

-~

.

.

.

.

~.

,

.

~

~I

22 Andante

~

4

50

.&

~

.~.

A.l Leg re t t o

.

r11

M.

•

/ r.t.

•••

f-,..L

""

-

.

-..•

••

•

n

••••••••

~

•

n

I

• ./

. .

.~

tl-j1..• #--. _

. -

1

-.

•

.-...

••••••••••

---...

ti-

.

I..•#-;. _

~

,

•

•

-

...

~

•

_-..

"""

.

-

-

-

I

•

o •••••••

V

•...•..

3 .it;'

-----

a·

- -

tII- ___

V

,

•

I

-

;

3

.•

~

•••••••

51

o

•

-

•

.,.

_I...•. til-

•

::::::---

r

2

.b"'3

- :Q

Y

•••••••

-

---

•••••••

23

v

·

•

.. ~.

2

2

o

--

··

-.. ..,.._

~

. .

--~

,..-

---

.•. y.

•

-

3

.

•

~

M--=-.

#~~ .•. '.

M

1

•

..

- •

O

•

o

••••••••

•.

.

.

.fi- •••.•.. -:.

./

•

, •

••

.

•

-•

2

..

.. .-

._o.....

1

•••.....

~

•.......

, •

-

-

._......."

.

I

3

••••••••

-

v

-

•••••••• L--

.•

.fIL

.•.•.•

-

-

••

-

O

•••

•

.

.....

2

.•..••.

-... -

~

I

-

•••••••• "'"

V

.

,

1

•. •

-.....,

.fI- ..•.•..•

-

•

I

.....•.

•

~

I

~

__

,

•

•

.~ --

.

-~

.J..•.

- -6-~

'\

..

- -- ...•.---".

3 o~

• .•••

r

,.,

M

.....tfI-

24

52

··

12ª-.(

.. ..

..

•

!

21

Andante

.

W B

·· 53

•

~'n'

a •

I

-d-

·

I

I

•

-U

V

·

•. ..t W B

.

-d-

- ....

c#

- -

a I

I

54

I

3

•

a

I

V

I

I

,

o

~ V

,·

IL

~

•

I

-

I

V

-d-

I

..•

"U

o

3_

25

M

3

.

Andante

M

M

W.B • .a» o

"

3

••

••

I

55

n

.çJ.." .-

t

I

"U

1S

.-

-P- -~

.a: -";,.

•

"

~-

.,/

•

·

•. -,t

I 1 n~

.(.L

..r--

·

-6-

I

I")

....

-

All'Efretto

"

.

M.

'ft'

...

-

o

-

ti

.(L

•

"

-

-

...•..

jlUj(JIU~\RJ

-

~

.",..-.

--/

I

_2

.. ....

-

I

...•..'.

-

L

••

~

2

•••

V

••••••

••••

I

I

b~~

-s-:

2

n

2

2

./1-.

3

..----

~

-,t

4 :t

_....•..•..

-

...•

•

2

1":1I"-

o-

2

- •..-•

--

.

,.,..~

1

V

,

1':\

.-~

M

I

I

.........,

56

-u ••

I

0_

,.....,....""

.Q

3

-P-

-9-

/::

z,

-----=-

2

I

.

.

•

I

•

(

"'--'"

I

.p... -

-

·

J

,,-

-

-fT~

•

•..•.. #-0

-,}

•

,

•

..•..

T

-I")

J

f..L

I

•

"

T

I

"U

1

•

-

1_

11

3

"11

~

o

-

-

-

26 The Scale

of A Major

W.B.M

n

.

o

2

57

I

a

.~~ 4

M

~

M 4

3

-

4

Ç' . .....

W B ,I

LI.

• e

58

.'

•

-

.

M 01

" "I

3.-.

~

~

,.--. _.-

V

ol

4

.

.

I

"

·

ot

=--

2

1

V

-

_e

li

......., ••••••• • I

--

1

••••••

,---

-

V....

-.

.•..

-;;;--..

•

~~.

"'~T. li

• "'I

lO3tlI02(18

-

.-

~

2

.",-

-

~

-.:: ~

A--...

+3i

+

2

li'"

r

.,-.....

.

-

•

. .

-

••••••••••••

-

2

~i,.: •....." ...-..

,.....

-r-;

-

...--;;---..

3 _ t*fl--

-

~

a

r

r

~_L

'--"

~

• • Fr.W.B.

I

'"

•

r

2

I

~b

•

••••••• 1

2

I

-

V

.-. - .- ..

-.-

Fr. w~. ~

O

••••••

-

Fr. W.B. t

•...

+.

-'

r

•

_o .

.fL. .•. ia"~!'•

.

4

3

-.. ....-;-~

Andante

,/

. I

~~

•• .t

.

O#- •

••••

.

27 E X T E N S I O N OF THE F I R 5 T

M.';'

1

2

1 I

AND F O U R T H F I N G E R S 2

3

59 .•

2

3..

3 2

3

3

~

.•

2

3

.•

••

•

...

Andante J

n :e-

W• B·.r

.•

3

-~

.

..

---

--

2

..

" J

•

••• 3

I

..

t

I

"'ti"

-6-

n j,i..

.--......

1

•..

.

n .,

Ti

~

••

#"li

•

61 ~

ri.!

W . B ..1

..•

.• -

_

••

=it

••••

#7J"

t

_--....

I

I

I

~

•

l'---

2

--

~

J.

..--.....

fL

•

-6-

•••

Harmonic Form

-2

t

:jJ

Jv

I

The Scale of A Minor Melodic Form

W.B.~.!--

_

-

-d

n

,--

•

.•.•

.•.....

I

--

.-

_'fII-_

I

t

-

I

M

-,

I

I

3

.~

n

..

.

I

•••

-

I

I

3

--

I

,

-

I

•L

•

-.:.

I

60

j

2

.fL

I

---

':::

o

I~-

-

--

•• 3

28 Moderato J

W.B·~~4

.........r-....

.~ I

62

.

.-

"

I

".

•

--

..•. -,t..•.•.-; *J

•••

•

\....

-

,I

.~

o~

I

•.. ...

I

. '\

3

O

I

nv 1 •

..•. .,-

~

~

!li

~

~ ~

.".--::-..,.

IL~

"

"'--*

I

1

1

I

•••••••••••

-~'~

I

ti.

..•. N-'" •..,;~- .

J

Andante

63

'-..:.-

4

3_

M .•.•..•..

--

~

•...

3

2_

__ -

--

64

-

-

J--- ~----

Harrnonic Forrn

jL

-

~_

--

-~

-- ••

n

3_

1

_

-~

••

~~~~

~~~.~

W.B~ •

3

4

The Scale of E Minor Melodic Forrn

W.B.n

•

_

--

'--'""

. _~~-

-

-

-.......:.--

_ -

1 ~

-

"""--

J!

-

J:.

-

~

~-

,,---="----"'.

--

••

29 Andante

moto

COQ

. .M

-

W B

./

•

•

I

66

V

-

'-'

---

...-:-....

....••

~

I

~-

•

_.....•.•.•.

•.. ..---:::--:-..

a:

--

1

t

r

I

1 1

.

•

1 1

-.;.,..00

.-

I

-

I

--

-..,J!;

<z:»

The Scale of B Minor Melodic Forrn

t:"'l

- -.

-r

I

•

"

T

Harmonic

--

.+-,;-

7.t+

•

•

....----

"'......•

.

M

··

--

-9-"

-T

I

P

,

-

1

t

,...

?;T-

l-.a

~ r

I

Forrn

67 -

~

-

-

68 li.-=---....

2

~~

Andante W B .ç:

.

J

•

-

n

n

~

'I

~

2

"

'"

I

3 -ir

2

•

I

trJ"

4-

::;........'

I

.

.

~

~

-d"

~

-

-.p.. -""'

I

'T'

.

,.

l'

I

I

.

-u

..,...

1

\

•• ,.,- -d-

I

f

69

.I·

.• ~ ~3 ~ -;... _-...3

..(2..-

I

~

I

•

30

Allegro

··

J

M

•

•

1""1

.fi-

• ~

......r1

.

•

,

~

'J'

3_

•••

-I

1

••

-9-

l'

•••

"I

•• IIL ••

••••••

I

-

!li-

-

•

-

.--..

••••

•

•••••••••••

•

2

3",!

;,

P"

~ ~

-

I

.,

I

• ...1

3

-

~

••••••

-

-

_L

2

~ -

..-,.

-

/-

-

~

~

-

-...

.

~

~

TT

•

•

v ••

-

s.

.'

r •.,.~

./1- •

~

~

n

~

•

t

..-.fIIII

~

·

....

IL

-

Ir

70

....

•

l'

"l'

.fT

-

•

" •

The Scale of o Minor Melodic Form

71~'U~~1 Harmonic Form BM

I

"

3

----

~'U~~I Allegro

72 f

.

-I

31 Andante M • 1'"1

,

.~

mo.der a t o

-

~--...

o

•••••

.1'-

••••

••••

JIfI

73

ri

•.

" "

·· •

_ •.. /1-

•.•..

.,

-

~

V I

·

.Il.

b..

.(.L

~ 1 .!~. ;!!r~W.B_.

b•

--

1"'1

,

•

I

-

_~

.

•

...-

- -....

-

-

•

12

•

" ~

...~.

-

·k••

•

---

-V

••

_.

••••

•••

I

'---

••••

The Scale of G Minor Melodic For:m -

t!-

-.I

~'"""'"-"'"

J

I

.

••••

-d-•

-•••

----

---

~~"::.~

~~~

-

I

I

'--;1

t

74

--- --

---J

Har:monic For:m

,..,

W.B.!._!

".,

o

•••••

.

".,

ri

- ••••

'\

-

I

V

~

...,

"'-'"-

! .•.•••

r

"':~

_I..

.-... it.•..

-~.•. ..----..

~~~.

•.~

•

M.

<;

o

I

12

1"'1

.- -.

~

~

~

J

••

-

..• .-'.

~

-

o

:"'l-

•••••

~

~k •.

•. .• .,;-:tt.

ri

-

.•i,.• I.

1

I

••••

-

-!L

/1-101.

'" ,;

••••••

--- ----~

~

32 Allegro moderato

M. I'j.-.

" • •

":- .•

.(L .••...•

,., V.:..

•

_

v

•

I

•

75

--

,.......

•

••••••• -~_.

• 1*-. _._

v••••••

..

1oJ ••

,..

v

.

-, -.

I

•

-.......,

- •••••••

~

v2

•

" I

--....

•

~

I

~

V I

r

,......

........,

-

---

••.....

.~

--'''1 .. .,

....~

..

-

_--:---.

--

V I

" Ó

V <:»

7F.

.

-

••••••

-...--,.

..

I 2~3 ~

.k.

11.. .••.•

.

-.......,;

..

•

...--......

•••••••

•

I

I

V

:-..-

.- --

•..... -

-

I

..,., V

.-1-•••

•

V

3

....

T

.~.-

.~./fI-

•.

"

-•

L

v

•

~

•

3 j';'.

~

~ ____

-

-

•

v

.

•

•

V

.

~

'"

..

•

--....

I

-e

•••••

• ~

V

,

•••

-:

•

,

1

n .~~

•

......,

~

--

••••••••

'I

.

--

-

.. ••••••••

M

••

~

-

•••••••••

p

I

•

-

I

• I

33 The Scale of C Minor Melodic F orm

I

76 Harrnonic Forro

.

~

.•.

• 1

Allegro M. ,U.H. ,L.H.

n

••••••

"

~

-,

I

I

.

I..

- . •••

-.....

_I

••

,

o

2k .••

••

.

.-

•

o r-,.-p

h.,...... ...

-

I..~ "

•.

.•.

, ••

JIL

~

•••

k .••

•

••

'\

•

••••••

•

,

I

-

.

••....

'1 I~

T

-,

" ..

1 " h!

."

77

"

"

"

•

~

t

*"

2M. 11-

k.1I-

~

~

o

h.

.•.

. "

3 2

'"

1

-

...•.

I.

I "\

I

~

-

.•.

-.

l

-

,k.

II

~ ...

••••

••

L. "'-_

~~ .•• .-..M.L.

3

I..

,10._"'_

••

•••••••

-

I

•.

••• •••

34

Moderato I

W .B

78

. 'i~

v

--.....

~

_.......•..

•••

~

#-~

.

-

- -= -

P

.

~-

.

"---

.•.•

b- •. ~

~

,

-

...L

I-I

?

tt:.(II..';:-'",-

i'

I

dim..

1

-

.

I

,..

r- -..... .,.--

1"1

- ---

-

i'"

~~~O.~

~~.fI~

~~

......,

I

--

-

1

••••••

-ri'

I

--...fL·•.•

•.•~

• aresa.

~

-

o

•...

p

I

I~

V

2_

• I

-

"

"

-

- -

I

•...

110"_ -

-~

v I

--_ 'f!:~

- ...~

--..

- ...

o

o

-:...--

_.....••••

2~O

- - -

----

P

~-~~

..

;

.,.-

-'"

-

I

\

M_ -

____

-

~

-'J1

v

I

T_

".

.......•.

,. ..,.. ,...,.

r -r

"-"

~'

~'7 .J~

.•.--....

.v

~~

r M-

'-- '-'.rI_ i

IL'~

.JM -..:

4

~

f

-

1

2

.i~

v

O""'--.fIL

--~...

I

'-"'-

a~~

.(11...-"

o!l;;:1 r. r. r.

~~

f

3

L~

...

1"1

o

~ L~

--

- ..r-

-

,.,

•

!:- ;-

~.J._- ..... dtm.. ~iL

---...

~

,., ~

--

...•......

+ ••..•

35

.,..~-

.•.•.

-

V

••

3

2

I

-- «>e»

..-~

~

Pr10resc.

•..

I

•

v

r ~

•

O

-.!!!

-.,.. .•..

•

'\

--

~

-

T

~.

.•..

••••••••••

~

....

1

,J

·•

" ..

•.-

79

1

3

- .•. ....'"

~

P

V~

V. t:-\

••• G

•••••••

•••

-

J

V_

/L_

:l

v

1!:.

~I'-

Moderato

M.

~

.j"-.J-

•••

pp

ât m,

......-=-.•

V-=--

-

!---.... o

-

O

-

•••• P

:i

I

2 •.•-;;;-::.....

2.:::::-..

,J

~

-.

v_

I

"

~,. .•.. =i

-~ ",~~ ~=i ~ oreeo:

.J "-.J

-

V

~=i~

.4+ •.•.

0.ü

-

_./1-_

r

JIIII""'"

D

V.-tJII1

/L

4-

~

.4+ •.•..

O.Jl

•

" j

·

a _ ••

ri

..•.. '"

Và

-

••••

•••••••

-

13

~

1~

~!.~I'- .•..•

v

3 ~

Jll..-.

"',.

V !.J.

V

./fi-

3 ~

2 .jj-.

-.

~ t

I

t

.... n ~

~

~

-.-

'\

.J

ri

-,;'"

a

li-

•••••••••

-

2·

"

•••••••••

V

..-114

••••••

~ OJ.l.

..._ ....

"

..•. '"

a

.fL-

li

Vy---.

..

•••••••

-

~

V ___ .IfL

..

SI

.f ••.

0.ü

...

•

36 Leggiero

M . b'

,/

3

•

•

-

p

80

,

.-

•

_.

..-.....

-

-.....,;I

•• ..-~ 1*- .,... .,...

••

'\

..-..

- -

..

-

--

O

-

-

T

--

"1

v•

-

•

••••

---

•

v -:..

•••••••••

--

••••

ii

-

~-

-~ -

-

*

-

•

,ti

r»2 ~ .,... .,...

-...~-.. ~

-

.~

_.o

_3

o

3

•

•

•

•

•

-

-

•

.

• • O

-

• ..•.

• ~

.,...~ •

-

.".-~

~-..

--

•••

-

_2

"......~ ~.:tL-.fL. .•.

-

-

•

~

O

•

..•.

'.....,;tI

I

~

-

-

-

"...... .•..•.

~

••

•. lnU1IR~'lQ

. -~

-

--

•

-

a

- -

a-"

v -:.

-

-

• •

••••••••••

" ~

.fI-.fI:.

-

-

-

•

1

I

----

!Jl

,., •• 3

•

ã "I

__ 3

..

.".-

o

..,;

-

"......

•..•.. -...a •. :fJ-.fL • .-....

:iiiiIIi

•••

_-:v • •

.

••• --

-

--•

37

T H E H A L F PO SI T 10 N The hand moves

a sernitone

nearer

the nut

81 -.:;::.

r'l

.!_

•

W.B.

li

.. .!_

""

3

2

3

~

~~

~

2

I

•

•

3

2

82 1

ll"~

~

1 •

3

~!0=~Q

• •

~

.

~.

II

~

Andante

83 1.

"'2

2

1

2

t

2

~~

4p

38

TECHNICAL THE FOLLOWING

SUPPLEMENT FINGER

DRILLS

SHOULD

BE PLAYED

ON ALL

STRINGS

A

.. .

B

.

..

..

.

c

.

D

•

. :

39 ALL BOWING EXCERCISES

~

TO BE PLAYED

IN ALL

n

PARTS

OF THE BOW

n

n

E

.~:

~-

~.~

•

•

.:-;.. -

.~~tt"~

~

~

~b

•.~

•

n

v.

- •

-

-

- -

- -

-

-

•

F

M. ,L.H. ,U.H. ,Fr. ,P. G

BOWING PATTERNS

-,

.

,

~. :J lR '1IV\.,1\9

':J

U

u

....

- - --

40 INTRODUCTION

TO

DOUBLE

STOPS

Andante H

.;r

I

I

FINGER

I

I

I

I

I

I

I

DR'ILLS

IN

DOUBLE

STOPS

I

~ffii.fm-.JmF~ ~..tm BOWING VARIANTS FOR SCALES TO BE PLAYED IN ALL APPLICABLE PARTS 1

2

3

OF THE BOW 15

"

6

J

--"

13

-

-

1"

:;Jl

~

,

115

. ..

-----

_

18

"""-"'"

-

17

-

...•...•...•. .

18