John Michael Malate RIBA Part 1 Student

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John Michael Malate RIBA Part 1 Student

L o s t i n E x p o
S a n c t u a r y o f M u s i c
C o o k i e s H u b
B l a n c a L a F u e n t e
S t u d e n t H o u s i n g
P a g e 3
P a g e 1 9
P a g e 2 8
P a g e 3 1


S t u d e n t H o u s i n g
“the spark of fire in our hearts”
The task is to create models from a single A4 sheet of paper, inspired by the emotions experienced while listening to experimental music. The challenge lies in translating the emotional responses evoked by the music whether tension, calm, chaos, or harmony—into physical form through the manipulation of the paper.

“asifweneverleftwherewecamefrom”




“ as it was and it will ever be”


















O S T I N E X P O
OVERHANGS
creates shadow reduces structure temperature
DIFFERENT HEIGHTS
allows to create shade and cool down surfaces
HIGH OPENINGS
Allows hot air to escape

CROSS
VENTILATION
Helps with natural airflow Improves air quality
Casts Shadows Reduces Noise Attracts Birds Reduces Site Temperature
GREEN addedgreenspots toincrease inspiration



addsonaplace whereuserscan loungewhilethey waitordo something
spacesthat promoteusersto getlostintheir feelings


addextraaccess pointsassiteis hardtoreach

RESTAURANTS addscommunial spaces
aplaceforyour mindtorestand thinksubconsciousy

spacesthatusers canreflecton theirfeeling
LOW OPENINGS
Allows cool air to escape



creating a shaded area for the public space











looking

looking



























MuscConservatory

PRACTICEROOMS
PROGRAM
CLASSROOMS (INSTRUMENTAL|VOCALS)
PERCUSSION
WOODWIND STRINGINSTRUMENTS
PIANO
BRASS
Musc
Theory
Composition
Recordng&broadcastng
Research
MAINCONCERTHALL
PERFORMANCESPACES(stage facilities, ightngandsound systemandcontrolroom)
MUSICLIBRARY
FACULTYOFFICES
RECITALHALL(smalerandforvaryingactivites)
MusicLibrary&ResourceCentre
COMMONAREAS
MISCELLANEOUS
staffrooms|admssions|fnance
café|studentrecretaionspace|lounge
Restroomsetc
BIKESTOP
Storage&instrumentmaintenanceroom













C o d i n g S c h o o l




