John Benner - Undergraduate Portfolio 2017-2018

Page 1




JOHN BENNER C. (647)-278-0339 E. john.benner@ryerson.ca

EDUCATION

PROJECTS AND INSTALLATIONS

Bachelor of Architectural Science Ryerson University Toronto, Ontario, Canada

Design Co-Lead ParkletTO Toronto, Ontario

09/2014 - Present

AFFILIATIONS 05/2016 - 05/2017

ARC SOC Project Associate

Maintain and support ongoing external projects under ARC SOC

09/2016 - 06/2017

AIAS Mentorship Program Mentor

Mentoring a first-year Ryerson Architectural Science Undergraduate Candidate over the course of a school year

PROFESSIONAL EXPERIENCE 05/2017 - 08/2018

Architectural Designer Montgomery Sisam Architects Inc. Toronto, Ontario, Canada

Lead Revit model operator for the George Street Revitalization Project in Toronto. Assisted project team with the delivery of the PSOS package for the City of Toronto and contributed to work-flow efficiency through Dynamo scripting.

10/2016 - 04/2017

Research Assistant Ryerson University Toronto, Ontario, Canada

Assisted Professor Jennifer McArthur by collecting and assessing BI data through Revit and Dynamo, and developed graphical presentation for a live building data stream software focusing on Smart Cities and Smart Buildings research for Arup

05/2016 - 08/2016

Construction Project Coordinator BOLT Developments Inc. Toronto, Ontario, Canada

Managed the coordination of small residential construction projects under direction of principle developers and interior designers

06/2015 - 10/2015

07/2016

Designing and fabricating a gathering space that extends from the side walk onto the street, located on Yonge and Elm Street.

07/2016

Design Co-Lead Hale Coffee Production Facility Toronto, Ontario

Designed and fabricated the interior space of a shared coffee production facility and coffee lounge

06/2016

Design Team Canstruction Ryerson University, Toronto, Ontario

Design and assembly of charity art display comprising of food donated cans

06/2016

Design Team Luminato Hearn Generating Station, Toronto, Ontario

With the collaboration of Omar Ghandi, the conceptual future design of the Hearn Generating Station being integrated with Toronto’s urban infrastructure

ACHIEVEMENTS 05/2017

Andy Kesteloo Memorial Award Second Place Canada Green Building Council Vancouver, British Columbia 06/2016

Hale Coffee Production Facility Top Ten Best New Interiors BlogTO Toronto, Ontario 06/2016

Toronto Canstruction 2016 People’s Choice Award Canstruction Toronto Toronto, Ontario 09/2015

Developer Assistant BSIX CORP Toronto, Ontario, Canada

Timber Fever Design-Build Challenge Third Place Moses Structural Engineers Toronto, Ontario

07/2015 - 09/2015

SSEF Architecture Competition Top Ten Finalists Steel Structures Education Foundation Toronto, Ontario

Designed preliminary site plans and renders for the development of the Odyssey Sports Centre for Seaside California University

Construction Laborer Douglas Reid Renovations Toronto, Ontario, Canada

Assisted in the construction and demolition process of residential buildings

PUBLISHED WORK Parklet TO Toronto, Ontario 07/2016

ArchDaily 09/2016

EDIT: Expo for Design, Innovation & Technology

05/2015

TECHNICAL PROFICIENCY Rhinoceros 5.0 T-Splines Grasshopper - LadyBug - HoneyBee - KUKAlprc v2 Sketchup Pro VRay Rendering

Revit 2018 Dynamo 2018 AutoCAD 2018 Photoshop 2018 Illustrator 2018 InDesign 2018 Microsoft Office Bluebeam Revu


TABLE OF CONTENTS 01 TORONTO SCRAP STEEL ART MUSEUM Pier 27, Toronto, Ontario

Design Studio II 07/12/2015

07 NEXUS

Don River, Toronto, Ontario

SSEF Architecture Competition 22/05/2015

13 PRESENCE Iceland

Iceland Trekking Cabins Competition 17/08/2016

19 HALE COFFEE PRODUCTION FACILITY 1485 Dupont St, Toronto, Ontario Interior Design Project In Progress

25 TORONTO PARKLET

54 Parliament Street, Toronto, Ontario City of Toronto 05/12/2016

CANADIAN MULTICULTURAL CENTRE PHASE I

31

54 Parliament Street, Toronto, Ontario Integration Studio 05/12/2016

CANADIAN MULTICULTURAL CENTRE PHASE II 54 Parliament Street, Toronto, Ontario Integration Studio 05/12/2016

37


Toronto Scrap Steel Art Museum

TORONTO SCRAP STEEL ART MUSEUM Location: Pier 27, Toronto, Ontario Course: Design Studio II Completion: 07/12/2015

The Toronto Scrap Steel Art Museum exemplifies the tectonic principles of scrap steel art, and the processes involved in fabricating the art form. The museum is a dual art exhibition center as well as a private residence for selected artist to reside and fabricate art work to be displayed. The museum proposes that select artist who work with scrap steel as an art medium can temporarily stay while they design and develop works that will be displayed within the museum.

01


01. ANALYSIS OF CONTEXT FORM

02. DIRECT VIEWS ON SITE

03. ELEVATION OF SCULPTURE GARDENS

04. CIRCULATION

05. FUTURE DEVELOPMENTS

06. IMMEDIATE CIRCULATION

Pier 27 is an expanding residential site at the heart of Toronto’s harbourfront. Contrasting from its historical typology as a docking station in the 1900’s, the site has grown into a series of developing condominiums that create a stark identity in comparison to the surrounding context. The analysis provided takes into consideration site parameters that the proposed Toronto Scrap Steel Art Museum has to meet. 02


9

8

14

1

15 13

2 7 3

12

6

4

5

11

First Floor 960m2 1. Entrance 2. Reception 3. Retail

4. Cafe 5. Feature Stair 6. Elevator 7. Washroom

10

8. General Storage (Sm) 9. Fire Stair 10. Fabrication 11. Fabrication Storage 4m 0m

03

12. Waste Storage 13. Electrical Room 14. Mechanical Room 15. Service Elevator 16m

8m


㔀洀

㔀洀

㄀⸀

MEDIUM EXHIBITION SPACE

㠀洀

SMALL EXHIBITION SPACE

㐀洀

MODULAR BAY 8M x 8M

㔀洀

㄀⸀㔀

㜀洀

㔀洀

㐀洀

LARGE EXHIBITION SPACE

EXTERIOR SCULPTURE GARDEN

Research was focused on the art of scrap steel. As a unique median relative to many traditional art forms, steel scrap art takes its form through the many components that comprise its whole. Each piece has intrinsic value to the totality of the entire work. The exploration of this ideal became the driving force for defining the building’s program and orientation. Like steel art, the museum becomes a series of modular bays that take shape of the entire building. Each bay becomes its own individual type of program, with some bays intersecting, forming a larger program. 04


Level 7 25,800

Level 6 21,500

Level 5

17,200

Level 4 12,900

Level 3 8600

Level 2 4300

Level 1 0 (mm)

Section A-A

05


Level 7 25,800

Level 6 21,500

Level 5

17,200

Level 4 12,900

Level 3 8600

Level 2 4300

Level 1 0 (mm)

2m 0m

8m 4m

Section B-B

Exterior Sculpture Garden

06


NEXUS

Location: Don River, Toronto, Ontario

Competition: SSEF Architecture Competition 2015 Top Ten Finalists Members: Adrian Chiu, Erik Aquino Completion: 22/05/2015

The term recycle is not only limited to the notion of waste management. As the theme for the SSEF 2015 Architecture Competition, the term recycle was assessed in a more architectonic manner that sought to answer how space can be recycled, while also contributing a environmentally sustainable initiative. Nexus is created through the formation of public space under the Prince Edward Viaduct, whilst also becoming a filter for garbage running downstream of the Don Valley River.

07


Toronto’s rivers are prone to fluctuating water levels, accumulating from extreme precipitation as well as melting snow. With these unpredictable accumulations of water, rivers can vary from a minimum water levels to flooding. As a repercussion, garbage becomes swept into the water and distributed along the river. The Don River deals with the condition of garbage as it connects from several of bodies of water up north, and empties into Lake Ontario. 08


South-East Perspective on Shore

Seating Space

Three seating spaces were designed along the path of travel. These spaces are recessed into the floor to allow a closer connection with the water below. 09


ce in Pr

wa Ed

rd

ad Vi

tO uc

ea rh ve

d

10m

0m

20m

Floor Plan

5m

10 ce

in

Pr

rd wa

Ed

uc ad i V

d ea rh e v tO


Welded Casing Railing Connection

AESS Overhang to Composite Tee Assembly

Main to Sub Platform Connection

Composite Tee Assembly to Overhang Composite Connection

The steel assembly is supported by a series of steel pontoons along the hollow AESS. As water levels fluctuate, the bridge can respond accordingly; allowing for continuous use during time of in-climate weather. 11


1

3

2 3 1

4

4

5 2

6 1. Composite Tee Assembly 2. Welded Angle Cleats 3. Steel Pontoon 4. Mounting Plates 5. Spring 6. Telescopic HSS 7. Steel Cuff Bolted 8. Concrete

7

3

7

8

1. Steel Grate Platform 2. HSS Welded Frames 3. Hollow AESS 4. Composite Assembly Platform 5. Cuff Connection Bolted

4

5

Steel Pontoon to Spring Connection

Stair Connection

1m

0m

5m

2m

SECTION A-A 12


PRESENCE Location: Iceland

Competition: Iceland Trekking Cabins Competition Members: Katherine Krolak, Daniel Howell, Alan Guildmen Completion: 17/08/2016

Iceland’s landscape is not only unique and extraordinary, but features a diverse variety of geographies; from vast open plains, expansive fjords, and coastal cliffs, to ancient glaciers and active volcanoes and lava fields. It stands apart from other Nordic landscapes as an idyllic destination for hikers, and trekkers. The challenge of the propellers design was to develop a trekking cabin for an environment that is as varied as it is isolated, while at the same time drawing inspiration from Iceland’s rich architectural and cultural heritage, with the ultimate goal of developing a structure that would be safe, secure, and comfortable and an architectural expression that would stand out as an icon of Iceland’s active outdoor lifestyle; a beacon that encourages all those who dare to take on the challenges that the rich landscape has to offer. 13


1

2

3

4

5

6

7 8

EXPLODED AXONOMETRIC

1. Roof Assembly 2. Rafters 3. Finishes 4. Light Wood Framing 5. Floor Assembly 6. Floor Joists 7. Grey Water System 8. Helical Piles

14


Ísafjörður

Húsavík Dalvik

Bíldudalur Sauðárkrókur

Laugar Akureyri

Blönduós

Patreksfjörður

Reykjahlíð Borgarfjörður Eystri

Egilsstaðir

Seydisfjordur Neskaupstadur Reyðarfjörður Fáskrúðsfjörður

Ólafsvík Hellnar

Borgarnes

Vatnajökulsþjóðgarður

Djúpivogur

Höfn

Reykjavík

Reykjanesbær

Hafnarfjordur

Kirkjubæjarklaustur

Vik

25km 0m

100km 50km

Flexibility of context became one of many focal points during the design phase of the project. With such diverse terrain throughout the landscape, the building had to be elevated from the ground plane, allowing the structure to be assembled in any topographic condition.

GATHERING SPACE Communal building with shared amenities saves space and creates a hub for fellow travelers to gather

15

INTEGRATION WITH CONTEXT Low sloped roof rising from the Earth allows the hut to act as an extension of the landscape

MODULES Modular pods are inserted in the roof to accentuate the presence of trekkers on the landscape


Section A-A 4m

1m 2m

0m

Section B-B 6m

1.5m 0m

3m

The design is simple in form, but sensuous in materiality. Easily constructed off-site, the structure is brought together on-site as a series of modules that would create a whole. The cabin consists of three main pre-fabricated components: sleeping pods, interior amenities, and the main living structure. Each are unique in their materiality, and when combined, develop and articulate a form which is modern in technology, material, and construction, while still being reminiscent of Ireland’s typological heritage. 16


Interior Perspective

Exterior Sleeping Pod

The sleeping pods are designed to comfortably sleep two, and are constructed of a steel structure clad in warm wood on the interior, and brass paneling on the exterior. The brass panels will develop a rich patina over time, which will contrast the materiality of the surrounding structure, while still complimenting the overall weathered appearance we desired to achieve over the lifetime of the design. Earth-concrete tiles overlap and envelope the entirety of the main living structure. These tiles were developed to utilize earthen aggregates from each specific site the cabins would be placed in, therefore taking on the unique characters of the colours and textures inherent to each site the design is placed in. Areas where local soils are used as the aggregate will sprout grasses, mosses, and lichens over time and create an expression that is integrated into the landscape as if it had been there from the beginning of time. 17


2 1

3

4

5 6

Floor Plan 1.5m

0m

6m 3m

1. Sleeping Pods 2. Living Space 3. Dining Space 4. Cabinets 5. Storage 6. Washroom

18


HALE COFFEE PRODUCTION FACILITY Location: 1485 Dupont Street, Toronto, Ontario

Project Type: Interior Design Members: John Zhang, Matthew Lau, Gregorio Jimenez, Liam Hall, Adrian Chiu, Stephen Jones Client: Hale Coffee Company Project Advisor: Vincent Hui Completion: 01/03/2016

Hale Coffee Production Facility offers the clients a dual coffee production facility and coffee lounge area. The production space is created as a display to engage customers to the experience of coffee bean roasting. The client proposed to the design team to create unity with the conditions of the bar, ceiling and feature wall. What results is an open modular form that expands from the feature wall and flows dynamically along the ceiling, enclosing the vertically expansive ceiling whilst accommodating for direct access to the plumbing above. Throughout the form, certain modules have specified programming; that of hanging acrylic light boxes, and shelving units.

19


1

2

3

4

7 6 5 8

EXPLODED AXONOMETRIC

1. Ceiling 2. Pipes 3. Modular Installation 4. Lighting Units 5. Customer Seating 6. Barista 7. Coffee Roasting and Production 8. Multipurpose Space

20


A

A

Reflected Ceiling Plan

Floor Plan 2.5m 0m

21

10m 5m


Section A-A

Section B-B 1.25m 0m

5m 2.5m

22


1.5� profiles are cut into dimensional vertical members ranging from 390mm to 790mm. All modules are constructed to maintain a overall massing of 390mmx390mmx390mm that ungulate according to the parameters of above pipes. The ceiling fixture forms an extension of the feature wall that grows and expands along the ceiling, bringing continuity to the overall site. 23


Entryway Perspective

Barista Perspective

24


ParkletTO

Location: 17 Elm Street, Toronto, Ontario

Partnership: Ryerson University, City of Toronto and DYBIA Members: Joana Benin, Jason Glionna, Gregorio Jimenez, Marissa Liu, Tess Macpherson, Diana Sobaszek Completion: 06/16/2017

As Toronto continues to transform, so too has its streets. Increased demand for pedestrian-friendly neighbourhoods has sparked the creativity of urban designers to think outside the box. As a result, spaces that have traditionally been allotted solely for automobile parking can now take on a whole new life. One approach that has increasingly grown in popularity is that of a parklet: a public amenity that incorporates seating to act as an extension of the sidewalk. ParkletTO represents the one of the first times design and function have successfully come together on the streets of Toronto. Featuring Accoya wood, the parklet undulates in a graceful manner from end to end. Accoya was chosen due

25

to its ability to repel water, along with its strength and stylish grain. In order to achieve this natural undulation, each piece of wood was rounded in a concave or convex manner and then attached side-by-side to form layers. ParkletTO fits in perfectly on vibrant Elm Street, unifying diverse buildings through an urban oasis. Through the use of LEDs, ParkletTO maintains its lively and dynamic feel at night, encouraging evening usage.


1:10

1:10

26


1-1

1-2

1-3

2-1

2-2

2-3

3-1

3-2

3-3

3-4

3-5

3-6

4-1

4-2

4-3

4-4

4-5

4-6

5-1

5-2

5-3

5-4

5-5

5-6

6-1

6-2

6-3

7-1

7-2

7-3

The form was subdivided into modules for ease of construction and transportation. Each module is 500mm in length, and are screwed to each other, and the supporting platform. 27


01 MASSING

T-Spline surfaces are used to generate a massing of form.

02 EXTRACTED LINES

Lines are extracted from the edges of the massing to generate reference curves.

03 PLANE

A single planar surface extends to the depth of the massing.

04 PLANES ARRAYED

The planes are arrayed at a distance of 35mm from each other. This creates a point of intersection between the two surfaces that replicates the width of the Accoya wood.

05 INTERSECTION POINTS

Points are generated where the surfaces intersects with the line. These are generated in an order that is consistent with how the wood is positioned in the design.

06 LINES GENERATED

Curves connect the points in order of assembly for the wood.

07 CURVES EXTRUDED

Curves are extruded along the previously generated lines. These extrusions rotate in order of whole members, to half members of accoya. This technique is used to save material usage by 25%.

28


1 Parking Spot

2 Parking Spots

3 Parking Spots

4 Parking Spots

5 Parking Spots

COMPONENTS

A = Start/Left Cap B = Small Curve C = Flexible D = Large Curve E = End/Right Cap F = Pod

During the design phase of the project, the amount of parking spaces that were intended to be used was not disclosed. Because of this, the design needed to provide felaxbility in the amount of parking spaces used, as well as its configuration of modules. 29


LED Recessed Lighting Condition

Corner Detail Close-up

30


CANADIAN URBAN MULTICULTURAL CENTRE PHASE I Location: 54 Parliament Street, Toronto, Ontario Course: Integration Studio I Completion: 05/12/2016

The Canadian Urban Multicultural Centre stems its conception from the fundamentals of multiculturalism, the coming together of identities. The building resonates this idea through the space acting as a central node within its contextual realm, and seeks to draw spatial elements in from the site to the internal area. The idea is further intensified with the use of the atrium space as a perceptual and physical connection to the interior program, an additional entity that acts as an extension of the first floor programs.

31


01. IDENTIFYING CONTEXTUAL NODES

05. INTEGRATION OF PARLIAMENT PARK

02. FOCUS OF AXISES

06. LANDSCAPE MODIFICATION

03. PERPENDICULAR RESPONSE TO ESPLANADE CORRIDOR

07. CONNECTION NORTH CIRCULATION

04. PERPENDICULAR RESPONSE TO DISTILLERY DISTRICT

08. CONCLUDED MASSING

The building’s intent becomes series of gestures that the correlate to its direct form. As a response to many of the contextual axises present on site, the building reacts by creating a perpendicular facade that visually connects the internal program to the site. In addition, elements from the site are also integrated within the building itself, further accentuating the extension and drawing in of spatial nodes. 32


The use of Glulam resonates a tectonic sensation through its connection with the adjacent park. Due to building restrictions, the glulam was created as a finish to the building, and not an actual structure. 33


Berkeley Street

Parliament Street

South Elevation

East Elevation

West Elevation

Parliament Street

North Elevation

Berkeley Street

6m 0m

24m

12m

34


13

14

15

16

8

6 3

4

7

5

9

10

2 13

11

1 12

First Floor 1. Aboriginal Art Museum 2. Multipurpose Space 3. Janitor Closet 4. Washroom

5. Elevator 6. Federal Consulting Office 7. Senior Walk-in Centre 8. Daycare

9. Reception 10. Community Centre Office 11. Multipurpose Space 12. Community Centre Gym

13. Garbage Room 14. Storage Room 15. Shipping & Receiving 16. Mechanical Room

5m 0m

35

20m 10m


Exterior Perspective from Esplanade Corridor

Atrium - First Floor

36


CANADIAN URBAN MULTICULTURAL CENTRE PHASE II Location: 54 Parliament Street, Toronto, Ontario Course: Integration Studio II Member: Jack Hache Completion: 04/17/2017

The Canadian Urban Multicultural Centre (Phase II) focuses on the expression of cultural art and performance. The main gallery space lifts and folds accordingly to the program while creating a central area that houses a direct performance area. Galleries are divided by floor and revolve around the central performance area, which are spatially divided by steel structural fins that mechanically open and close during times of such performance.

37


01. FORM SEPARATION TO CREATE SKYLIGHT

03. LIGHT-WELL INTEGRATION

04. DEPTH OF ENVELOPE PROVIDING SHADE

02. ENVELOPE INTERIOR ACCENTUATE MATERIALITY

05. FORM CREATING ART-DISPLAY PODIUMS

Interactions with the form are integrated in particular areas of the building to create a more interactive space in the interior. These interactions are reflected based off of programmatic elements in the building. 38


A

B

E

D

C

7

16 UP

6

9

10

3

15

11

2

UP

12

5

13 4

14 3

UP

1

2

8 6

1

A1

6 7

A2

4 A3

5

A4

UP

A5

AA

First Floor 1. Open Gallery 2. Performance Seating 3. Circulation Gallery 4. Cafe

5. Cafe Kitchen 6. Workshop Studio 7. Curator Office 8. Storage

9. Daycare Event Space 10. Daycare Room 11. Office 12. Teachers Lounge

BB

13. Washroom 14. Indoor Play Area 15. Mechanical and Electrical 16. Loading 5m

0m

39

20m 10m


Berkeley Street

Parliament Street

South Elevation

East Elevation

West Elevation

Parliament Street

Berkeley Street

North Elevation

6m 0m

24m 12m

40


41


SECTIONAL PERSPECTIVE

42


Open Gallery Space

Audience Seating at Performance Space

43


Steel profiles support the cement fiber board panels that ungulate across the form. The rigidity of the panels creates a more stark contrast with light and shadow on the exterior, rather than a soft gradient from a smoother form. The steel profiles are either erected from grade, supported by steel mullions, or hang off of the concealed concrete framework.

44





Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.