PORTFOLIO Johanna Nordin
March 2015
CV Contact
Education
Experience
Johanna Nordin 1991.04.15
2011-2014 & 2015 Umeå Arkitelthögskola Bachelor, 3 year
2014-2015 Berg C.F. Møller 1 year internship
2010-2011 Nyckelviksskolan, Färg, Form & Hantverk Preparation year in art and craft
2012KAJAKAJA (graphic posters) Co owner and Illustator
Mail: jmf.nordin@gmail.com Telefon +4673-998 66 44 Adress: Nockebyvägen 86 16775 Bromma Sweden Website: http://cargocollective.com/ johannanordin
2007-2010 Thorildsplans Gymnasium Technology, Industialdesign
2012-2014 BARKK Arkitekter Internship, shorter periods 2012Freelance as Graphic Designer Websites, posters, logotypes etc.
Index
A B C D E F
5th semester The end of 30 ft road, a street analysis How big is your world
4th semester Food market Temporary structure, a flexible bridge
2nd & 1st semester Unlock Locking, a dance project Future city
Addition #apanfattas Collage of projects
Berg C.F. Møller Uppsala Kraftvärmeverk (Competition) Hagnässkolan (Remodeling and extension) Knivsta, Styr- & Upphandlings dokument för förskolor (Policy & Procurement document for nursery schools) HSB andas, Bolidentriangeln (Volume study & Concept development, together with Dinell Johansson) Pinterest (Marketing and Communications)
Today 6th semester Bachelor Project Slum project in Mumbai
A The end of 30 ft road At the end of 30 feet road, also named Bhatiya Nagar Dharavi Road, is the place I chosed to investigate further at the end of my stay in Dharavi. It fascinated me how the development seemed to bloom around this place/ street. Though it was sad too, because the new development didn’t pay any attention to the elder structure. As a result of the new development the old dwellings ended up in even worse conditions.
B H A T I Y A N A G A R
TRASHES 2 SYSTEMS
DEVELOPMENT AND THE DREAM ABOUT SOMETHING BETTER
How do different areas throw theirs trashes? Seems like there is two systems within this area, one formal that BMC takes care of and one is informal. In this bigger system of trash you
an apartment in a high-rise with their own toilette and kitchen.
In the south part of the plan and section the street also has
trashes from household to the stations. The informal stations are often close to the common toilettes and bigger open areas outside of the dense housing areas. No one comes where and takes away the trashes instead sometimes they burn the pile so it shrinks.
BMC [clean up!] stations Informal places for trashes
Formal system
Informal system
Planed toilettes Other places where people do their needs
SANTITATION AND TOILETTES
INFRASTRUCTURE
munity share a common toilettes on the west side of the road. lette witch is the cleaners salary. Some don’t use the toilettes because of different reasons and do their needs where the informal trash stations are. They happened to be behind the toilettes and on the sides.
Within this area the infrastructure of water and road are clearly linked. It seems like the roads are where because of the water drainage and its thanks to the water the roads still exist. This last strip of the Bhatiya
SPARC concept toilette
as the rest of it, which in
Streets with shops or market places
because of its width.
D H A R A V I
FUTURE
QUESTIONS -
the east side. The oldest high-rise has only been inhabited
R O A D
new high-rises has been build. There are also some open areas near the road that the power company B.E.S.T. owns and will build a power station on. The people are happy say – Come back again in 7 years and this will be something completely else!
Johanna Nordin
Since this area is in a stage where a lot of cities already has been redesigned and learning from earlier examples that has been done before. I hope they will asked the questions again and do something new and that the designer of the high-rises sees the to keep them in to the new structure.
Hindu tempel Mosques
With what kind of strategy? Who will/should/can do it?
area?
A How Big is Your World? One of the things that struck me in an early encounter with life in Dharavi was how different sized worlds different people had in the slums. I met a woman, Sangeeta, who told me that if she were to reach someone far away so she had to call first. I asked her, ”How far away is” far away ”?” She replied, ”About 5-7 min walk”. It got me thinking about how our worlds are different in different countries, cultures and cities. To get an understanding or comparison, I did the same chart for the life in Dharavi and Stockholm. (As you can see on the image it’s only men at the bigger street moving from A to B.)
HOW BIG IS YOUR WORLD?
DISTANCE AND TIME The perception of time and distance is different for people in Dharavi than it is for us (Swedes / Europeans living in cities). After talking with Sangeeta, I understood that their world is smaller then what we would think. I asked her what she meant when saying “far away”; it was a 7 minutes walk. Is it because they can not leave home? Or is it because they do not need? Or because they can not afford? Or nothing that attracts them? (These questions deals only with women.) How far children and men moving in the graph below is based more what I think.
MEN fathers and sons WOMEN mothers and daughters CHILDREN boys and girls
DHARAVI
HOW BIG IS YOUR WORLD?
DISTANCE AND TIME How I and my parents, friends, neighbors or other inhabitants in Stockholm moves are different than in Dharvai. Now the Dharavi is placed centrally and not Bromma, in Stockholm, which I first compare with. Because I’m in the suburbs should have access to what the city provides I have to leave in 30 minutes by train at least. Do you live in the middle of Stockholm are your distances probably shorter and perhaps more often by bicycle or walking. Few can manage with just living within a 7-minute stroll diameter around their home. Jobs, food, clothing, school, leisure, etc.
MEN fathers and sons WOMEN mothers and daughters CHILDREN boys and girls
STOCKHOLM
House
Houses
Dharavi
Mumbai
House
Houses
Bromma
Stockholm
Home
Block
Adjacent neighborhood
City
Home
Block
Adjacent neighborhood
City
Family
Community
Familiar saces
Strangers
Family
Community
Familiar saces
Strangers
within 7 mins walk
within 20 mins walk
by somekind of vehicle
within 20 mins walk or bike
within 20 mins by train or bus
>30 min with train, bus or car
B Food market ROOM FOR ACTIVITIES I see this market as a framework for activities to take place in. To be filled with colorful food, spices, meat, fish, cheese, crafts, second hand goods or to put up a concert inside the big hall or another event arranged by the market, the city, the hotel, a company or for a private event. WHY the location? This is an unused place most of the time during the year, though people pass it everyday all year around. The big bike path connects the city center of consumption with the center of knowledge – the university and the hospital. The site is also close to the buss center –Vasaplan– where all the bus lines connect. This part is also a grey zone now a day, in my opinion. To the left you have “Öst på stan” as you past Östra Kyrkogatan, and just one block away you will start to feel the center. In the history of Umeå the site between the school and church has had different names and functions: church square, school park and as now “Vänortsparken”, a public park. In the 70’s the old city plan was ”destroyed” by the infrastructure that was built to make the city more adapted for car access. Storgatan got broader and a new bridge was build to connect both sides of the river. It was planned for 60 000 cars using the bridge every day. Today it’s about 15 000, so it is much larger then it has to be. The north south axis in the city plan between the two great buildings, the church and the school, became secondary and inferior to the new street and it also had a negative infuence on the connection between the three parks Vänortsparken, Kyrk-parken and Döbelns Park. I believe that a food market can bring life to this part again, linking to the old north-south axis but also highlight the movement of people in the west-east direction.
CITY ANALYSIS
Arrival
Schmack Bibliotekscafeet
Cars/ pedestrians
SCHMACK
BIBLIOTEKSCAFEET
Bibliotekcafeet
Car road
Schmack
Walk ways
Program PERMANENT
14 units
TEmporary
20 units
SEASON
40 units
CHOOSEN SITE INDOOR OUTDOOR
tion of the ”city center”.
80 seats
Thoughts about different architectural expressions
50-60 Seats
PERMANENT Seating Boutique WC Staff
Intensity
Distance between visitors
Cachier
0,5-1 m
Cars
CONCEPT &Target group
Bicycles
1-2 m
WHY?
Not consciously.
50's design, culture, eco
-
fashion. Visual relations
OWNERSHIP
-
day all year around. The big bike path connects the city center of consump-
ing focused in the same area.
also close to the buss center –Vasaplan– where all the bus lines connect. This
Passing people are on the same
OPENING 1980's
2005
than passing people. Feeling of looking into a ”store window”.
Sex
Seasons
Women Men
Light source Big lamps in the ceiling create a general lighting but the main light sorce is daylight.
Summer Spring Winter Fall Showing the expanding and s hrinking city center, depending on the seasons. It shows that many central areas are periodically completely unused.
connection with the people in the city who are passing by. The expression should therefore talk the language of a normal street with big, wide display possibilities, all year around.
TEmporary
Wall lamps mainly for decor, main light sorce is daylight.
Age 15-25 26-35 36-45 46-55 56-65
Despite the closeness to other
Lives
Back side
people in the west-east direction. Origin Umeå Sweden Outside Sweden
24 kr 28 kr
The color coding shows what areas within the city center feel like front sides and what areas feel like backsides. It shows that large areas of though they are located in the most central part of Umeå.
by the infrastructure that was built to make the city more adapted for car access. Storgatan got broader and a new bridge was build to connect both
Constant sounds from the coffee machine and other customers.
Front/ Back Front side
In the history of Umeå the site between the school and church has had different names and functions: church square, school park and as now
Today it’s about 15 000, so it is much larger then it has to be. Because of this infrastructure the north south connection in the city plan with the two great buildings, church and school, became weaker and also the connection bet-
acoustics
Umeå center Outside center Other city
start to feel the center.
Occupation Culture worker Municipal em.
65 kr
Student Retired
79 kr
SEASON STORING UNIT EAT, look, smell
How often 4-6/week 1-3/week ca 1/year First time
EVERYDAy MOVEMENT
Jazz Jazz
How to get to the market -
The season market will be outdoor. In Umeå there is already existing a seasonal market –”The Farmers Market”. It’s simple and they come with
FOOD MARKET - spring 2013
JOHANNA NORDIN
PLAN & ELEVATIONS PLAN 1
ELEVATION west
INDEX
1:200
1:200
1. MAIN ENTRANCE 2. FISH 3. FRUIT 4. MEAT 5. DIARY
12. CHILDREN ROOM 13. PUBLIC TOILETS 14. CORRIDOR 15. LOADING SPACE 16. SECONDARY ENTRANCE
MAIN ENTRANCE
18. CAFE/ RESTAURANT 19. ENTRANCE TO CAFE 20. OUTDOOR SEATING 21. ELEVATOR 22. TOILET
1:20 SECTION MODEL
8. FOR RENTAL 9. TEMPORAY UNITS 10. ADMINISTRATION 11. MAIN STORING
16. 9.
9. 8. 13.
8.
12.
10. 6.
17.
14.
7.
9.
5.
4.
11. 15.
8. 9.
3.
SECONDARY ENTRANCE
2.
14.
2.
3.
18. 4.
6.
5.
16.
9.
13.
7.
1.
17.
17.
19.
20.
1. 17.
17.
17.
17.
19.
18.
21. 22.
CONCEPT COLLAGE
20.
ELEVATION SOUTH 1:200
FOOD MARKET - spring 2013
JOHANNA NORDIN
SITe PLAN
perspeCtive
VASAPLAN, BUS CENTRAL
SMALL CHANGES 1. The park and the greenery is extending and connecting towards Vasaplan to make a nice walk path down to the market and the park. This can also be a great feature for the future hotel
MIMERSSKOLAN 1.
2.
to the old school – Mimerskolan. 2. A parking lot for ket and the hotel to be. Placed near
1. KUNGSGATAN
2.
gatan for easy access. No one would like to sit outdoor next to the crowded road either, therefore a perfect spot for parking and loading.
3.
BUS STOP
3.
BUS STOP
VÄNORTSPARKEN
VÄSTRA KYRKOGATAN
CULTURE HERITAGE
4.
STORGATAN
4.
DÖBELNS PARK
4.
1:500 UMEÅ ÄLVEN
FOOD MARKET - spring 2013
tion is cut down to open up the park
ÖSTRA KYRKOGATAN
4. UNDERGROUND PATH
DÖBELNS KYRKA
1:50
gatan. Today it is hard to see and appreciate the park because of bushes and trees.
View #2
Storgatan therefore this roundabout can be hard for pedestrians to cross. To
make this safer for bicycles and pedestrians. A resulting effect might be that more citizens will use the parks south of Storgatan and then also expe-
View #3 View #1
KYRKOBRON
JOHANNA NORDIN
SECTIONS
MATERIAL
Short Section 1:200
Long Section 1:200
ELEVATIONS
NORTH/ SCHOOL
ELEVATION EAST 1:200
West/ city
EAST/ DWELLING PROJECT
SOUTH/ Church ELEVATION NORTH 1:200
Abstract SECTION
FOOD MARKET - spring 2013
JOHANNA NORDIN
FLOOR PLANs Floor Plan 2
Floor Plan 3
1:200
1:200
24.
23.
23.
23.
26.
25.
INDEX 23. GREEN ROOF 24. DOUBLE HEIGHT 25. BALCONY 26. PORTAL
FOOD MARKET - spring 2013
SECONDARY ENTRANCE
JOHANNA NORDIN
TEMPORARY STALL
MATERIAL
Desired functions and properties is a light material in some parts but also solid and strong in other parts of the construction. For example the core has to be able to stand straight when the
Since the market is based on natural materials such as wood, glass, metal and concrete it would be nice if the stalls would keep up the same theme.
3000
3000
600
Hall for temporary
Main storing area
pillars, and you can pack them in the storing room if wanted.
1:20 FOOD MARKET - spring 2013
JOHANNA NORDIN
Structure Building structure
ROOM FOR ACTIVITIES 1:50
1:100
THE GRID The market structure is based on a grid –
Connection Placed in the north-south axe of the old city plan: school, park and church –commenting,
it is noticed in the glass facades. STRUCTURE The framework is based on a 200x50 mm pillars that is used throughout the building. The in between space in the
passing through in early time of the day.
Democracy
building light and transparent look. To stabilizing the framework both in store in the corridor. LARGE SPAN STRUCTURE To make the passage between the school
1:200
1:100
feel like a high gallery without any pillars that interfere with the space a large span structure is placed to hold up the roof.
big hall
1:500
sun shading facades and will be exposed for sun light during the whole day it will need some sort of shading. The shading system will be wooden panels within each framework in the facades. The panels
Public space Since sellers can close their store during closed hours the hall can be partly opened for public use during the whole day. For example the public toilettes can be accessible 24 hours. It’s placed on the west side towards the city center and Vasaplan where all the busses connect.
1:10
depending of whether conditions. It can be set in to different angels and distance – see drawing. The appearance when unused will be as in the photo collage.
Buffer zone The buffer zone in this building is the glass corridor, which runs around the entire building except the north facade.
winter the sun will heat this space up and it will create a pleasant in-door climate.
IN
SEMI
OUT
Acoustics
Heating and ventilation
water and snow
The materials in the market is pretty hard besides the wood in the panels,
The building will regulate some of the heating by using the shading system and also by opening all or some of the doors that exists around the building.
An internal drainage will be installed for rainwater and also for the melting snow. A slight angel on the roofs towards the drainage will make the water
put in some acoustic material in the inner roof especially in the double height space. If more is needed it is always possible to add it near the roof. When crowed the people will also absorb noise but of course also bring sound.
FOOD MARKET - spring 2013
near the roof in the façade for natural
JOHANNA NORDIN
Early THOUGHTS
EARLY PROCESS
PROCESS SKETCHES
FOOD MARKET - spring 2013
JOHANNA NORDIN
B Temporary structure We developed this structure to fit as a temporary one for a food market. The structure should create a space underneath it where the market can take place and it should also work like a bridge. When folded it takes very little space and when unfolding it you can choose different figurations. Since it bridges over an already existing path we wanted it to be able see and walk through so it wouldn’t stop for the movement, just slowing it down giving attention to the the market stands so the market get its audience. Group work with Emma Sandvik, Andreas Jonsson and Christina LÜvald Hellberg.
SITUATION & Function SITUATION & FUNCTION
Stretch out over a movement that exists and create a new crossing It on a higher level.
Process
Process
Process
Process #1
Inner Roof
Process
Process
#1
#2
Inner Roof
#2
#3 FINAL
#4
#3
#4
Space
Space
Final sketch Final sketch model
model
Sketch model
Sketch model
Formations Formations
Support
Support
Rod
Rods are connected between the ground supporting elements in the structure. The wheel based structure folds and unfolds by external forces. This method allows for the structure to transform its shape.
Wire
Wires are attached to the sides of the structure where the roof and the ground supporting structures meet and to the bottom of the ground supporting structures. The electric driven wires are also used to fold and unfold the structure. This method allows for the structure to transform its shape.
Rail
Ground supporting elements are attached to a rail and can be locked in the rail at certain points. The electric rail is also the force unfolding and folding the structure. This method only allows the structure to fold out straight or bended according to the rail.
Forces
Forces
Detail, 4 way Hinge 1:2
DETAIL, HINGE 1:2
Detail, Hinge
Completely unfolded
Detail, 4 way Hinge 1:2
Partly unfolded
Final model 1:20
FINAL MODEL 1:20
C
Johanna Nordin UMA1 29 m
Unlock Locking After doing some research on Locking and its history I found how the shape of the performing of the dance had changed since the 70’s. I also noticed that it used to be outdoors on the streets, it still is sometimes. I decided to “Unlock Locking” back to it’s original shape and original place – outdoor. The space would not be only for dancers, if it should I believe that the real street dancers would not go there. The space need to be a place where citizens could stop and be curious and to be surprised. The dance is about locking in positions and a lot of turning. I used that for my “furniture” in the square. Every light piece has a locked point it can be rotated around and you as a visitor can create different spaces by reordering the walls. Two walls are fixed and in non-transparent material and works as a coulisse for the dancers so nothing would distract the attention from them. Used if wanted. The light walls has different heights some works as walls other more for dividing areas and others are low enough so you as audience can sit on them.
Johanna Nordin UMA1 March 2012
Mapping Locking
Johanna Nordin UMA1 2012
TOO CLOSE
NEAR
NICE
TOO FAR AUDIENCES
LOCKER
sketch 1:100 model 1:100 SKETCH MODEL
Johanna Nordin UMA1 23 may 2012
Johanna Nordin UMA1 23 may 2012
CLOSE
CLOSE
OPEN
OPEN
O P E N C L O S E D
Traning Lower rotatable walls [Benches] Passage Performance
Spontaneous dance area or space for standing crowd
Competition
Fixed wall [8m high] Fixed wall [7m high]
Fixed wall [3m high]
SITE PLAN
C Future City Project, Standard What would the world look like if we changed the standards? How we live and move ourselves etc. How would that effect the movement within the city and the placement of functions? What is a good standard? A standard has a kind of power, why don’t do it more fun? The input to the project started with me questioning how we move today in our cities. On the street level we have cars and underground the metro. The car represent an individual movement while the metro a collective way of moving. How would the organsation of movements and functions be affected if everyone could move independently in the air? I tried that idea by giving everyone in my city the possibility to move on a pink hovering big balloon. The next question became, how will this new way of moving effect the rhythm and spaces in the city? Will new types of spaces be developed? All the old communication areas is now replaced by free movement in the air, what happens with the old ones on the ground and will there be any need to be underground? Shops and other social functions and activities don’t need to be on the street level any more to be accessible. What role will the roof tops play in a city like that? Since I have the freedom in this experiment to decide the standards I wanted to create bigger spaces then needed for survival. I also wanted to leave some freedom for the ones living in the city to create a home for themselves. The module became 5x5x5 and all dwelling units consist by 3 modules. All dwellings should also have contact with the façade in 2 directions. Since the module is 5m high you can have two floors if you want to but also divide it into a duplex for sleeping on the upper half for example.
D #apanfattas Apberget var en trappa och en scen med talarstol. http://apanfattas.se Initiativ på grund av att Umeå inför kulturhuvudstadsåret väljer att riva stadens demokratiska plats Apberget. Apberget var en viktig plats för umeåborna. En plats att samlas i stadens centrum. Ibland för att ta en rullpizza i solen ibland i manifestation och fackeltåg mot rasism. Ihop med 3 klasskamrater började vi rörelsen #apanfattas. Vi letar nu efter Apan och försöker få Umeå kommun att förstå vilken viktig del de har tagit ifrån Umeås stad. Vi letar varje dag vid lunch efter Apan genom att sitta där och äta lunch eller ta en kaffe i hopp om att de en dag återvänt till sin ursprungliga plats. Under manifestationen innan jul mot rasism byggde vi också upp en temporär talarstol där den tidigare hade stått. 2000 umeåbor samlades efter fackeltåget vid talarstolen som stod på ett par lastpallar där tal mot rasism hölls. Jag har formgivit hemsidan där vi lagt upp texter som beskriver vårt letande och där bilder från vårt instagramflöde #apanfattas finns och bilder innan och efter rivningen. Vi har fått glada tillrop av andra som också önskar apans återkomst bla på Allt åt Alla. Länk till artikel: http://alltatalla.com/umea/att-gemensamt-bygga-ettapberg-i-staden 2013- pågående Vi är jag, Maja Hallen, Julia Samberg och Felicia Reppen.
Johanna Nordin 1991-04-15 Adress 1: Häradshövdingegatan 2, 903 31 UMEÅ Adress 2: Nockebyvägen 86, 167 75 BROMMA Email: jmf.nordin@gmail.com Tel: 073-998 66 44
Lamp ”Horn” Body device
”Dagens skulptur”
Abstract model of slum-street Climate responsive design model
Heavy
Painting
Field notes Dharavi
Abstract model Dance space Birch Model of structure inspired of a book Graphic print Dwelling model Abstract model Dance space
Flexible furniture, The cube
Material test
E Uppsala KVV CLIENT Vattenfall AB ADDRESS Uppsala, Sweden SIZE 8000 m² YEAR 2014, competition Berg C.F. Møller: Fredrik Cavallin, Petter Eklund, Joel Sjögren, Johanna Nordin & Rutger Sjögrim. Design board with: Julian Weyer & Lasse Vilstrup Palm
E Hagnässkolan (Remodeling and extension) CLIENT Upplands-Bro kommun ADDRESS Upplands-Bro, Sweden SIZE 6000 m² YEAR 2014-
HAGNÄSSKOLAN
2014-12-09
Perspektivbilder
Berg C.F. Møller: Linda G. Lutener, Åsa Esseen Wiking, Johanna Nordin & present also Anna Szkurlat & Fredrika Lönnaeus
HAGNÄSSKOLAN Perspektivbilder
2014-12-09
Korridor åk.4-6. intill bibliotek
HAGNÄSSKOLAN 2014-09-02
Ny Specialpedagog åk. 4-6
Hemklassrum för åk. 5-6
Klassrum för åk. 7-9
Bef. WC
Bef. kapprum
Nytt klassrum
Bef. träslöjd
Bef. kapprum
Bef. Uteförråd
Nytt NO klassrum
Bef.klassrum
Administrativa rum
Bef. WC
Kreativa klassrum Prep. rum NO
Bef.Städ Ny nisch
Ny WC
Gemensamma ytor
Bef. Kapprum Ny WC Ny WC
Bef. textilslöjd
Nytt Grupprum
Toaletter
Nytt förråd
Bef. NO klassrum
Studiebås
Studiebås
Bef.klassrum Grupprum, Kapprum, Korridor
Förråd
Bef. Innergård För utomhuspedagogik , läsning och reflektion.
Bef. NO klassrum
Studiebås
Nya elevskåp
Befintliga takfönster
Studiebås
Bef.klassrum Teknikrum
Nytt förråd
In- och utgång Bokskåp
Nya elevskåp
Bokskåp
Nya takfönster Nytt Bibliotek med integrerad studieyta 123m2
Studieyta med data
Ny WC
Bef. Kapprum
Ny WC
Nytt NO klassrum Bef. SPR Klassrum
Ny nisch
Studieyta med data Bokskåp
Möblering
Bef.klassrum
Befintliga skåp och fast installation Bef. Grupprum Bef. Förråd
Bef. HWC
Nya väggar Bef. Grupprum
Nya WC
Nytt NO klassrum
Bef. SPR klassrum
Bef. Förråd
Bef. HWC
Bef. Förråd Nya WC
Bef. Förråd
Nya WC
Nya WC
Nytt Grupprum
Nytt Grupprum
Nytt Grupprum
Specialpedagogrum
Bef. elevsk åp
Prep. rum NO
SO/SPR klassrum
Ny Skolsyster
Bef. elevsk åp
Nya elevsk åp
Nya elevsk åp
Bef.klassrum Uppehållsyta
Ny Kurator
Bef. klassrum SO/SPR klassrum
Bef. Grupprum
Ny nisch
Nytt elevvilorum
Ny Flexhall
Bef. fläktrum
Bef.förråd
Bef. Fläktrum
Bef. WC
Nytt arbetsrum för samtliga arbetslag
Bef. Bild
Nytt mötesrum/ samtalsrum
Bef.klassrum
Mjuka sittmöbler
Nytt Förråd/ städ/ tvätt
Ny WC Ny WC Ny WC
Bef. kapprum
Bef. låsbara brevfack
Nytt Kopieringsrum
Nytt konferansrum/ samtalsrum
Nytt Kapprum Nytt klassrum
Nytt Arkiv
Ny HWC Ny HWC
Bef. väntrum
Bef. WC
Bef. Musikförråd
Bef. Bildförråd
Bef. elcentral Ny WC
Nytt vilorum för personal
Ny WC
Bef. Kapprum
Ny uppehållsyta/lobby
Ny SYO
36 st. individuella kontorsplatser Ny HWC
Bef. SO klassrum
Ny WC Ny WC
Nya omklädningsrum
Ny uppehålls- och aktivitetsyta
Bef. Hemkunskap
Bef. WC
Ny nisch
Bef. fläktrum
Nytt väntrum
Bef. elcentral
SO/SPR klassrum
Nytt förråd
Nytt klassrum Nytt Förråd
Ny Nytt Vaktmästare Arbetsrum, personal i Hagan
Entré lobby
Ny WC
Ny WC
Ny nisch Bef. Förråd
Grupprum musik
Bef. pentry
Platsbyggd sitthörna
Bef. personalrum
Bef. rektor
Bef. bitr rektor
Bef. exp Bef. HWC
Ny Musik
Nytt Förråd
Bef. WC
Bef. WC
Uppehållsyta
Bef. Café
Grupprum musik Bef. Keramik
Huvudentré
Temporärt grupprum musik
Nytt kök ca.150m2
Ny matsal ca.210m2
Bef. Frd Bef. WC
Bef. Hobby
Bef. Hobby
Bef. kök
Bef. HWC
Bef. Kappr.
Bef. Hobby
Bef. Hobby
Bef. förråd
12000
Korridor åk.4-6. intill bibliotek
Högstadie, uppehållsrum
SA 13
17000 17161
Landskapet artikulerar huvudentrén
SKALA 1:400 (A3)
SA 04
E Knivsta Styr- & Upphandlingsdokument för förskolor (Policy & Procurement document for nursery schools) CLIENT Knivsta Kommun ADDRESS Knivtsa, Sweden YEAR 2014 Berg C.F. Møller: Linda G. Lutener, Johanna Nordin & from RAU Ante Runnquist Project included workshops with municipality and preschool teachers, sum up info and formulate ”rules” for new nursery schools.
Datum: 2015-01-21
Framtidens pedagogiska lärmiljöer för Förskolan i Knivsta kommun Där framtiden bor 2015-01-21
Ett Styr- & Upphandlingsdokument för Förskolor i Knivsta Kommun
Sid. 1
I SAMARBETE MED
DINELLJOHANSSON & BERG / C.F. MÖLLER FÖR HSB
STOCKHOLM 2014-09-05
BOLIDENTRIANGELN
ALT. EXPLOATERING
HSB andas Bolidentriangeln
BEF. BYGGNADER BEHÅLLS
TARMRENSERIET BEHÅLLS
E
ALLA BYGGNADER RIVS
CLIENT HSB ADDRESS Stockholm, Sweden SIZE 13.000 m² YEAR 2014 Berg C.F. Møller: Ola Jonsson, César Patín Lapausa & Johanna Nordin. Dinell Johansson: Morten Johansson, Rosa Hereu & Johan Zetterholm.
DINELLJOHANSSON & BERG / C.F. MÖLLER FÖR HSB
STOCKHOLM 2014-09-05
BOLIDENTRIANGELN
HÅLLBARHETSDIAGRAM
FUNKTIONER
SITUATIONSPLAN; SKALA A3 1:1000
SOCIAL MÖTEPLATS HSB HUB
DINELLJOHANSSON & BERG / C.F. MÖLLER FÖR HSB
STOCKHOLM 2014-09-05
BOLIDENTRIANGELN
8
DINELLJOHANSSON & BERG / C.F. MÖLLER FÖR HSB
STOCKHOLM 2014-09-05
BOLIDENTRIANGELN
9
CHARKUTERIFABRIKEN BEHÅLLS
II
”CHARKUTERIFABRIKEN” = HSB-HUB - café / deli - föreningslokal / festvåning - tvättstuga - gästlägenhet
IV
VI
KVARTERSTORG - offentlig mötesplats längs bolidenvägen
GÅRDSPLAN - OFFENTLIG HSB-CYKELPOOL
VI
PRIVAT BOSTADSGÅRD FÖRSKOLA GÅRD
LOKALER I BV
FÖRSKOLA I BV 1 II
IV
IV
IV
MARKBOSTÄDER I BV
9 IV
HSB-PORT
3 VI
8 VI 7
IV
III
2 IV
4 IV
VIII
KVARTERSSTRÅK - OFFENTLIGT VÄXTHUS 6
III
VIII
GARAGEINFART
5 Alt. 1
ANGÖRINGSSLINGA
Alt. 2
GÅNGTUNNEL ALT. LÄGE
SITUATIONSPLAN SKALA A3 1:1000
YTSAMMANSTÄLLNING 1. 454 m2 2. 1160 m2 3. 3520 m2 4. 1150 m2 5. 3200 m2 6. 1440 m2 7. 1720 m2 8. 2400 m2 9. 1520 m2
2 4 6 4 8 3 4 6 4
vån vån vån vån vån vån vån vån vån
16 lgh 40 lgh 16 lgh 30 lgh 14 lgh 24 lgh 24 lgh 16 lgh
BTA ljus = 16 560 m2 LÄGENHETER = min. 180st
BERG|CFMØLLER & DINELLJOHANSSON FÖR HSB
STOCKHOLM 2014-06-25
ÅRSTA
HSB
Alt. 1 SOCIALA YTOR OCH MÖTESPLATSER
PRIVATA TAKTERASSER Alt. 2
BEVARA BEFINTLIG BEBYGGELSE MASSIV TRÄSTOMME SOPSUG BERGVÄRME
12
11
E C.F. Møller Pinterest Initiator to create two Pinterest accounts for C.F. Møller. One for the employees to pin their inspiration and one for C.F. Møller to show their work. Made a guide for the two accounts together with: Marie-Louise E. Albertsen & Diana Sørensen. Julian Weyer
C.F. MØLLER KONTON
VAD ÄR PINTEREST? Pinterest är ett visuellt media och det snabbast växande i USA. Pinterest beskrivs bäst som en digital anslagstavla, även kallad ”board”. Här kan du spara saker som du hittat på webben som du tycker är intressanta eller vackra. Du kan också följa andra pinnare och ta del av deras anslagstavlor. Användare/Pinnare delar och kommenterar det som den hittat. Med hjälp av de bilder man väljer att dela skapar man sig en identitet via sina anslagstavlor med ens olika intressen.
Träffa andra pinnare Användare kan välja att följa andra med samma eller andra intressen. Du kan följa en person eller en specifik anslagstavla. Du kan enkelt möta pinnare världen över så som i Indien, Vietnam och Kanada tack vare att ni har samma intressen och smak.
Pinna och Repinna Du kan både pinna och repinna foton. När du pinnar sparar du något du hittat på webben. Hittar du något som du vill spara på Pinterest repinnar du bilden på någon av dina anslagstavlor. Att repinna är alltså att spara något du sett på Pinterest antingen genom ditt flöde eller att du sökt på något specifikt.
Vad använder du Pinterest till? För att hitta inspiration och inspirera andra. T.ex: Jag jobbar på en barnbok, och jag vill göra lite research runt om i världen. Jag vill också dela med mig av mitt arbete så det blir mer synligt. Pinterest är som ett visuellt Google kombinerat med social media, eftersom du via de du följer får tips. Pinterest är också en utmärkt plats för trendspaning. Genom att följa andra på pinterest och se vilka bilder som repinnas frekvent kan
man få en känsla för vad som är på uppgång. Men kom ihåg upphovsrätt Upphovsrättslagen är tydlig: ”Det är inte tillåtet att använda bilder som du inte äger upphovsrätten till - om inte upphovsrättsinnehavaren ger dig tillåtelse.” Innehavaren upphovsrätt har ensamrätt att styra arbetet. Genom att publicera dina bilder på Pinterest ger du Pinterest omfattande tillstånd att använda bilderna ”you hereby grant to Cold Brew Labs a worldwide, irrevocable, perpetual, nonexclusive, transferable, royaltyfree license, with the right to sublicense, to use, copy, adapt, modify, distribute, license, sell, transfer, publicly display, publicly perform, transmit, stream, broadcast, access, view, and otherwise exploit such Member Content only on, through or by means of the Site, Application or Services”
C.F. Møller Architects
A Inspo
C.F. Møller konton
Inspiration för medarbetarna på C.F. Møller
C.F. Møller har två konton på Pinterest . Ett används som en publik företagsprofil, den andra är en profil som ska användas av CF Møller anställda för att samla och dela inspiration.
Detta konto är till för alla oss som jobbar på C.F. MØLLER. En plats att samla referensbilder på, inspirationsbilder eller dela en rolig bild på. Det här kontot kommer inte vara synligt kopplat till C.F. MØLLER och därför fritt att lägga upp de bilder man vill och skapa nya Boards.
Presentation av C.F. Møller Detta konto är som ett showroom för C.F. MØLLERs olika projekt. Potentiellt ett sätt för nyfikna männsiskor världen över att hitta våra projekt och sprida dom. Detta kan i sin tur ge trafik till vår hemsida och fler kommer i kontakt med oss och våra projekt.
Kom ihåg att även funktionen ”hemliga board” kan användas. Denna funktion gör att du kan skapa obegränsat antal gömda anslagstavlor. Kan vara bra om man samlar till ett specifikt projekt t.ex.
Area for workshops, seminairs and discussions
Bachelor Project For me the slum was a big network with different nodes. In between these nodes where communities built up on identity like; religion, profession, origin or a combination. Within the communities different unwritten procedures exist and each community has it’s own way of living and dealing with different difficulties. For me as a woman coming from west it was surprisingly few women at the bigger streets moving around, seemed like only men where at the bigger public spaces. After talking to a few I learned that women stays in their community, taking care of kids, cooking and guarding the community and some worked from home doing papadam for example (a thin bread).
F
Network of nodes and home station The mobile clinic will have a network of nodes from where it will do its practice. These Nodes sites should be within a context of dwelling to easy connect and reach out to women and children. These nodes would be visit regularly and the topic of the mobile surgery can change during time but always be able to help with some easier health issues. A ”home station” would be good too. A place from where the round starts, a small health Home station center, a small reception and storage.
I found this interesting that the entire slum worked because of networks and with constant movement but that it were some that never moved more then a radius of a 5 minutes walk. As a result of these small circles that these women lives in they never come in contact with some functions of the society and misses some important information.
Johanna Nordin
Based on this I want to reach out to women, and not only those who’s circles is in contact with the built project. Therefore I not only want to do a project with a location, I want to create my own network working from the built project and reach out to the women living in other communities further away. An issue that needs to be addressed in the slum is how malnourished a lot of young children are. This can be improved only by providing information. The issue is not an issue because of lack of money it because of lack of knowledge. Therefore the project will be learning women about nutrition and food by cooking together. The built project will be a kitchen and a community space. And then the networked based strategy will be an extension from that building.
1:400
The oasis
Status: In the beginning of project [march 2015]
This site would be interesting to use as a home station. The existing function is a government owned barn where they
F
Status: In the beginning of project [march 2015] Sketch model 1:100 Home station
CV References
References
Umeå School of Architecture • Allan Greve greveusallan@gmail.com M: +4522573372
Berg C.F. Møller • Mårten Leringer marten.leringe@bergcfmoller.se M: +46 (0)7 0563 7519
Nyckelviksskolan • Anders Gudmunsson anders@gudmundson.se
• Ola Jonsson ola.jonsson@bergcfmoller.se M: +46 (0)7 6168 8708
Contact
Education
Experience
Johanna Nordin 1991.04.15 Sweden
2011-2014 & 2015 Umeå School of Architecture Bachelor, 3 year
2014-2015 Berg C.F. Møller 1 year internship
2010-2011 Nyckelviksskolan, Färg, Form & Hantverk Preparation year in art and craft
2012KAJAKAJA (graphic posters) Co owner and Illustator
2007-2010 Thorildsplans Gymnasium Technology, Industialdesign
2012-2014 BARKK Arkitekter Internship, shorter periods
Mail: jmf.nordin@gmail.com Telefon +4673-998 66 44 Adress: Nockebyvägen 86 16775 Bromma, Sweden Website: http://cargocollective.com/ johannanordin
2012Freelance as Graphic Designer Websites, posters, logotypes etc.
PORTFOLIO Johanna Nordin
March 2015