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Animação Japonesa hoje 21 Mar, 21h30 | Sala 1 | Cinema City Alvalade | Programa 01 22 Mar, 15h | Fnac Chiado Nightjar, Ken Kaizn, 2009, 10’ The Entrance movie for Fujio Akatsuka Retrospective Exhibition, Motohiro Shirakawa, 2010, 1’ Mr. Shape, Motohiro Shirakawa, 2009, 3’ Getting Dressed, Takuya Okada, 2010, 4’54’’ Frog Box, Aico Kitamura, 2010, 9’17’’ Full Moon, Sachiko Fujimoto, 2009 0’40’’, Pantha Rhei, Morishita Yusuke, 2009, 3’50’’ Bring Me Up, Miki Tanaka, 2010, 1’28’’ The undertaker and the Dog, Shin Hashimoto, 2010, 6’32’’ Ani-Meet in St. Louis, Maya Yonesho, 2010, 4’ A Gum Boy, Masaki Oukuda, 2010 5’53’’ Gathering, Akiko Omi, 2010, 3’48’’ In a pig’s eye, Atushi Wada, 2010, 6’13’’ The place where were, Naoyuki Tsuji, 10’09’’ Yoruho Yurameki, Takahiro Nishizawa, 6’ 22 Mar, 15h | Sala 3 | Cinema City Alvalade Programa 02 Googuri Googuri, Yoshiko Misumi, 2010, 08’22’’ The Gift of Magi, Toshiazu Ishii, 2010, 12’48’’ Papa, Kumi Matsui, 2010, 3’45’’ Women who stole fingers, Saori Shiroki, 2010, 4’15’’ Climber, Akifumi Nonaka, 2010, 5’49’’ Anti-Chaos, Shino Nagasako, 2010, 04’05’’ An Enviroment Restaurant, Mayumi Nishijima, 2008, 1’40’’ Yotsuya Alpha beta, Nana Anzai, 2010, 6’32’ The Man of the sea, Hiroko Satsuma, 2010, 6’49’’ Beach, 2010, 5’35’’ Between Showers, Hirotoshi Iwasaki, 2010, 2’40’’ Walking on Snow Grass, Makiko Sukikara, 2010, 6’15’’ Sol, Shoji Goto, 2009, 2’40’’ Sepia Clock, Gaku Kinoshita, 2010, 7’30’’
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Curadoria de Sayoko Kinoshita
O
rganizada e com curadoria de Sayoko Kinoshita, directora de um dos mais importantes certames de animação do mundo, o Festival de Hiroshima, esta retrospectiva promete mostrar, através da exibição de curtas-metragens de muitos realizadores, a vitalidade da animação japonesa que, devido a estes novos talentos, ganha novos rumos, descobre novas formas de fazer e dar a ver, de interpretar e recriar o mundo e as nossas experiências, tudo através da animação e as suas infinitas possibilidades criativas. Do cinema fantasmático de Naoyuki Tsuji (The Place where we Were), que oscila entre a fantasia e o horror, o conto de fadas e o drama psicológico ao cinema experimental e de cruzamento da animação com a música de Shoji Goto (Sol), dar-se-á uma visão geral da criatividade do sangue novo da animação japonesa.
Organized and under the curatorship of Sayoko Kinoshita, director of one of the most important animation events in the world - the Hiroshima Festival. This retrospective intends to show, through the screening of shortfilms from many directors, the vitality of Japanese animation that, thanks to these new talents, gains
new directions, discovers new ways of giving and seeing, of interpreting and recreating the world and our experiences; everything through animation and its infinite creative possibilities. From the ghostly and hunted cinema of Naoyuki Tsuji (The Place where we Were), which oscillates between fantasy and horror, fairytale and psychological drama, to even experimental cinema and crossover of animation with the music of Shoji Goto (Sol). This will provide a general overview of creativity found in new comers of Japanese animation.
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