Jerry's arch 20 sp14 v 4 portfolio

Learning Portfolio: ARCH 20 Spring 2014 / Jerry Lum

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Table of Contents Doghouse 1………………2

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Follow Me & Sandbox Study……………..39

Doghouse 2……………..10

Folding Studies…………….42

Doghouse 3………….,,,,.20

Home: Measuring & Modeling….….44

Malevich Inspired Construction……………..24

Rin’s Gallery: a PhotoMatch Exercise….…50

Intersect & Sandbox Study………….33

Smith House: A Case Study…………..……56

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Table of Contents (continued) Interior Studies: Windows………………….61 Final Project: A Two-Story Cabin………62

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Getting Started: Doghouse 1

Perspective View

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Getting Started: Doghouse 1

Exterior Elevations: Front, R. Side, Rear, & L. Side

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Getting Started: Doghouse 1

Isometric View 11/2/15

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Doghouse 1: Reflections •

Getting re-acquainted with basic SketchUp tools, operations, and mindset was easier than I imagined…you just need to set aside the time and do it! It took approximately 3 hours to complete Doghouse 1

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The main purpose of this assignment is to simply use SketchUp to give form to my initial ideas related to a “doghouse”. These ideas are literal and obvious – a good place to begin before incorporating abstract concepts and principles into my SketchUp work.

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Initial ideas given form led to more design possibilities of shapes, sizes, proportions, detail, finishes, color, and entourage.

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Tools used (View>Tool Palettes>Large Tool Set): select, rectangle, measuring box, push/ pull, arc, move/copy, scale, tape measure, protractor, orbit, pan, and zoom

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Dialog Boxes used (Window): Materials, Styles, Scenes, and Shadows

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Inference tools are important to control placement of objects and relate them to others.

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Doghouse 1: Reflections (cont.)

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Right click dialog box was used to hide selected lines.

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Only 2D components from 3D Warehouse were used to maximize computing speed.

The maple tree was selected for its fall colors and copied twice. The dog was resized to 1.5x.

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Views of Doghouse 1 were saved as .png files and exported to Doghouse 1 folder. It was difficult to save all orthographic views at the same scale and size. When shadows better informed the view, they were used. Need to control what gets incorporated into or removed in each view

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Incorporating reflections and images into a PowerPoint document identified layout issues related to image size, scale, and placement that was resolved using Shapes>Rectangle>Line Color>Fill Color>Effects (turn off shadow). I suspect using SketchUp Pro layout tools will resolve this. It took approximately 3 hours to produce the first 9 slides of this presentation. It takes time to determine how best to develop and format this portfolio! Hopefully this instructor example will minimize student time spent.

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Doghouse 1: SLO Progress Report SLO 1: Appropriately apply graphic tools, techniques, and conven;ons to create and communicate ideas.

1.a. Effective management of time & resources

SketchUp: 3 hrs. + Portfolio: 3 hrs.

1.b. Draw & Think using analog tools

NA

1.c. Draw & Think using digital tools

Yes

1.d. Use Architect’s Scale

NA

1.e. Use Engineer’s Scale

NA

1.f. Use Measurements dialog box

Yes

1.h. Apply appropriate Perspective Drawing Technique

Yes, see Perspective on page 3.

1.i. Create Paraline Drawing(s)

Yes, see Isometric View on page 9.

1.j. Create Orthographic Drawing(s)

Yes, see four exterior elevations on page 4.

1.k. Understand and apply Shade & Shadow

Yes

1.l. Incorporate entourage to enhance credibility 11/2/15

Yes, from 3D Warehouse 9

Doghouse 1: SLO Progress Report SLO 2: Select and effectively use either manual or digital means to explore, analyze, and document an evolution of design ideas in architecture and interior design 2.a. Relate modes of representation; select and apply best system to explore and communicate design intentions

Used perspective and orthographic views to communicate the idea of doghouse 1

2.b. Produce a set of architectural drawings to document a case study

NA

2.c. Produce a portfolio of work that chronicles student learning throughout the semester

Yes

SLO 3: Accurately relate each aspect of the drawn visual language system to three-dimensional reality and human perception

Use of perspective view with entourage and shade and shadows communicates the reality of Doghouse 1. Inclusion of a human figure an other familiar forms gives a credible scale to the doghouse form.

SLO 4: Visually and verbally explain the process of idea development using graphic representation

The process of developing the doghouse included a series of thinking and making cycles. With each completion of a cycle, fragments and general notions eventually became whole, unified, and represented a set of full design intentions. Generating various views emphasized different aspects of form, space, proportions, and composition of design elements.

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Doghouse 1: SLO Progress Report SLO 5: Develop an awareness of the relationships between graphic representations and fundamental design principles and elements

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This initial doghouse is obvious and literal with a symmetrical organization of a gable roof, Dutch entry door, and round rear window. This dominant use of symmetry is balanced by an asymmetrical placement of the chimney/ fireplace and the brick covered dais. The space below the maple trees creates an intimate context for the doghouse.

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Doghouse 2: Using Components, Layers, & Outliner

Perspective View: Layers designated by color 11/2/15Â

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Doghouse 2: " Construction Sequences by Layers

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Comparison: Doghouses 1 & 2 Reflection: Doghouse 1 inspired the opportunities to systematically construct Doghouse 2 using Components, Layers, and Outliner dialog boxes.

Changes were made not only to the chimney & fireplace form, but also to the dais form. Note slight changes in overall proportions of all design elements.

Construction of the gable roof and chimney forms were also more efficiently built. The chimney form also has a hearth, fireplace, and mantel that can be seen when viewing this layer only.

With two iterations, new ideas emerged and substantive improvements were possible in both design and construction. Although the extension of gable roof around chimney form in Doghouse 1 may be more interesting because it interjects asymmetry into the gable form. See next page.

Next step, Doghouse 3, iteration 3 (copy Doghouse 2) will explore the addition of fenestration and the resultant light impact on the interior space."

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Doghouse 2: " Addition of Fireplace, Mantel, & Hearth

Perspective View: Chimney, Fireplace, Mantel, & Hearth with body of house removed. Layers designated by colors.

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Doghouse 2: " Construction Sequence using Scenes

Each image is a scene that corresponds to a layer. There are two series of 6 images or scenes, each from one of two points of view or station points. Images are simply exported 2D images in .png format.

Note that a different color was assigned to each layer in lieu of the default ones.

Compare with imags on page 10. Layer color was turned off on image sequence on page 11 11/2/15Â

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Doghouse 2: SLO Progress Report SLO 1: Appropriately apply graphic tools, techniques, and conven;ons to create and communicate ideas.

1.a. Effective management of time & resources

SketchUp: 1 hrs. + Portfolio: 1 hrs.

1.b. Draw & Think using analog tools

NA

1.c. Draw & Think using digital tools

Yes, particularly related to sequencing model construction

1.d. Use Architect’s Scale

NA

1.e. Use Engineer’s Scale

NA

1.f. Use Measurements dialog box

Yes

1.h. Apply appropriate Perspective Drawing Technique

Yes,

1.i. Create Paraline Drawing(s)

No, not appropriate for objectives

1.j. Create Orthographic Drawing(s)

No, not appropriate for objectives

1.k. Understand and apply Shade & Shadow

Yes

1.l. Incorporate entourage to enhance credibility 11/2/15

Yes, from 3D Warehouse 17

Doghouse 2: SLO Progress Report SLO 2: Select and effectively use either manual or digital means to explore, analyze, and document an evolution of design ideas in architecture and interior design 2.a. Relate modes of representation; select and apply best system to explore and communicate design intentions

Used perspective views to communicate the idea of doghouse 2, an enhance and refined form of doghouse 1

2.b. Produce a set of architectural drawings to document a case study

NA

2.c. Produce a portfolio of work that chronicles student learning throughout the semester

Yes

SLO 3: Accurately relate each aspect of the drawn visual language system to three-dimensional reality and human perception

Doghouse 2 is an iteration of Doghouse 1 in which refinements to the overall form were the objectives.

SLO 4: Visually and verbally explain the process of idea development using graphic representation

Using components, layers, outliner, and scenes to systematically develop Doghouse 2 also provided more insights and control over the design process. Scenes are used to explain the constituent phases of construction to others. See p. 17

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Doghouse 2: SLO Progress Report SLO 5: Develop an awareness of the relationships between graphic representations and fundamental design principles and elements

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Systematically developing Doghouse 2 was only possible as an iteration of Doghouse 2. As such, breaking the form of the house into a “kit of parts” creates design opportunities not possible at the onset of Doghouse 1. Major changes included the following: • Wall and roof surface thickness: 4 inches • Proportional changes to body of house, now 5’ W x 10’D x 10’ H • Chimney design is asymmetrical, but sloping surface is the same 45-degree angle as the gable roof • Dais is higher and incorporates a different stair relationship that aligns only with the house entry. The stairs use 6”R/ 12”T run.

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Doghouse 3:" In the Greek Doric Temple Style

Perspective View with Dog God Enshrined 11/2/15

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Doghouse 3: Front Elevation

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Doghouse 3: Side Elevation

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Doghouse 3: Perspective View

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Doghouse 3: Detail at Cornice

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Malevich Inspired Construction: "

From 2D to 3D" based upon Malevich’s Suprematist Composition No.2

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Malevich Inspired 3D Construction

Iteration No. 1 11/2/15

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Malevich Inspired 3D Construction: " Perspective View

Iteration No. 1 11/2/15

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Malevich Inspired 3D Construction: " Perspective View

Iteration No. 2 11/2/15

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Malevich Inspired 3D Construction: " Perspective View

Iteration No. 2 11/2/15

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Malevich Inspired 3D Construction: " Perspective View

Iteration No. 2 11/2/15

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Malevich Inspired 3D Construction: "

Roof Plan Superimposed on Lithograph Image

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Iteration No. 2

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Malevich Inspired 3D Construction: " Elevation Views

Iteration No. 2 11/2/15

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Temple: Exploring Intersect & Sandbox Tools

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Hilltop Temple with Sandbox Tools

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Hilltop Temple with Sandbox Tools

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Hilltop Temple with Sandbox Tools

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Hilltop Temple with Sandbox Tools

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Hilltop Temple with Sandbox Tools

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Play Structures "

Using Follow Me & Sandbox Tools

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Play Structures "

Using Follow Me & Sandbox Tools

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Play Structures "

Using Follow Me & Sandbox Tools

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Folding: Paper Airplane Flotilla

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Folding: Lattice Pavilions

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Home: Measuring & Modeling" Floor Plan

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Home: Measuring & Modeling" Furnishings

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Home: Measuring & Modeling" Perspective Longitudinal Section

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Home: Measuring & Modeling" Transverse Perspective Section

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Home: Measuring & Modeling" 3-Point Perspective Plan

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Home: Measuring & Modeling" 3-Point Perspective Plan

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Rin’s Gallery: A PhotoMatch Exercise" Inspired by Tadao Ando’s Project in Kobe, Japan

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Rin’s Gallery: A PhotoMatch Exercise " Inspired by Tadao Ando’s Project in Kobe, Japan

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Rin’s Gallery: A PhotoMatch Exercise " Inspired by Tadao Ando’s Project in Kobe, Japan

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Rin’s Gallery: A PhotoMatch Exercise " Inspired by Tadao Ando’s Project in Kobe, Japan

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Rin’s Gallery: A PhotoMatch Exercise " Inspired by Tadao Ando’s Project in Kobe, Japan

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Rin’s Gallery: A PhotoMatch Exercise " Inspired by Tadao Ando’s Kobe Project

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Case Study: Smith House by Richard Meier" a PhotoMatch exercise

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Case Study: Smith House by Richard Meier" Two-Point Perspective

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Case Study: Smith House by Richard Meier" Two-Point Perspective

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Case Study: Smith House by Richard Meier" Longitudinal Perspective Section

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Case Study: Smith House by Richard Meier" Transverse Perspective Section

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Interior Study: Window Impacts

One Entire Wall Only – South Facing

Two Adjacent Walls at Corner – South Facing

Framing a View of Trees

Framing a View of Trees & One Colored Wall

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Final Project: A Two-Story Cabin with a Loft" Inspired by Sol Duc Cabin (Seattle) by Olson Kundig Architects" 2014 AIA Housing Award Winner

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THE INSPIRATION:" Sol Duc Cabin (Seattle) " Olson Kundig Architects, " 2014 AIA Housing " Award Winner

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A Two-Story Cabin" Site Plan

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A Two-Story Cabin with a Loft" First Floor Plan

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A Two-Story Cabin with a Loft" Second Floor Plan

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A Two-Story Cabin with a Loft" Longitudinal Building Section

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A Two-Story Cabin with a Loft"

Transverse Building Section

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A Two-Story Cabin with a Loft"

Transverse Perspective Building Section

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A Two-Story Cabin with a Loft" South Exterior Elevation

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A Two-Story Cabin with a Loft" East Exterior Elevation

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A Two-Story Cabin with a Loft" North Exterior Elevation

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A Two-Story Cabin with a Loft"

West Exterior Elevation

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A Two-Story Cabin with a Loft"

Perspective Vignette Looking at Stepped Tansu

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Two-Story Cabin"

View from Kitchen to Living Area

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A Two-Story Cabin with a Loft"

view looking into second floor south facing window

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A Two-Story Cabin with a Loft"

morning view looking into second floor loft

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A Two-Story Cabin"

View from Loft looking at Living Room

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End-of-the Semester: SLO Progress Report SLO 1: Appropriately apply graphic tools, techniques, and conven;ons to create and communicate ideas.

1.a. Effective management of time & resources

Each assignment was developed before issuing to students in order to identify learning opportunities and issues before introducing the problem.

1.b. Draw & Think using analog tools

Students were instructed to duplicate white board demonstrations and examples primarily using rapid visualization techniques; and practice drawing freehand was encouraged in order to work towards a level of mastery.

1.c. Draw & Think using digital tools

Purpose, meaning, and sequencing of modeling activities were linked to design concepts and principles.

1.d. Use Architect’s Scale

Application of basic concepts and use were introduced followed up by exercises that tested related knowledge and accurate application

1.e. Use Engineer’s Scale

Application of basic concepts and use were introduced followed up by exercises that tested related knowledge and accurate application

1.f. Use Measurements dialog box

Using the measurements dialog box promoted thinking and making at specific levels.

1.h. Apply appropriate Perspective Drawing Technique

In both digital and analog form, the perspective systems were introduced and compared in order for students to understand what can be emphasized using 1-, 2-, and 3-pt perspectives

1.i. Create Paraline Drawing(s)

Students were instructed on how to create paraline drawings, specifically isometric and plan/ elevation oblique drawings by using the drop-down menu in “Camera” once the 3D model was developed

1.j. Create Orthographic Drawing(s)

The value of plans, elevations, and sections and their differences were repeatedly articulated.

Orthographic views were incorporated into the Learning Portfolios in multiple assignments

1.k. Understand and apply Shade & Shadow

Shade and shadow were explained in both digital and analog form. SketchUp was used as a feedback check after students developed shade and shadow freehand

1.l. Incorporate entourage to enhance credibility

Entourage is used to promote a sense of place (context) and human scale

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SLO 2: Select and effectively use either manual or digital means to explore, analyze, and document an evolution of design ideas in architecture and interior design 2.a. Relate modes of representation; select and apply best system to explore and communicate design intentions

The design and communication intentions are correlated with the various modes of representation incorporated into the Learning Portfolios

2.b. Produce a set of architectural drawings to document a case study

Our primary case study was Richard Meier’s Smith House in which we produced a set of volumetric drawings related to his subtractive explorations of orthogonal forms and forms of spaces. A full set of architectural drawings accompany the Final Project, “A Two-Story Cabin w/Loft”.

2.c. Produce a portfolio of work that chronicles student learning throughout the semester

All work was chronologically documented along with written reflections on each student’s learning process.

SLO 3: Accurately relate each aspect of the drawn visual language system to three-dimensional reality and human perception

Particular attention was given to shaping our built environment to evoke spatial experiences in others. Designing and visually communicating these types of spaces was demonstrated in the perspective vignettes included in the Learning Portfolio

SLO 4: Visually and verbally explain the process of idea development using graphic representation

Perspective views, orthographic projections, paraline drawing, and animations are the primary visual tools used to explain design intentions and responses to the context of the problem.

The last class meeting includes a student verbal presentation of their Learning Portfolio.

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SLO 5: Develop an awareness of the relationships between graphic representations and fundamental design principles and elements

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Both aesthetic and pragmatic aspects of design were addressed in the development of each assignments. This included basic elements and principles of design. Relationships between material form and qualities of form were related to the shaping of spatial experiences.

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