Sponsored by the Benjamin and Anna E. Wiesman Family Endowment Fund AN AGENCY OF THE JEWISH FEDERATION OF OMAHA October 12, 2012 26 Tishrei 5773 Vol. 93 | No. 4
Something important and lasting
This Week
by OZZIE NOGG The 30th Anniversary of the Nebraska Jewish Historical Society scheduled for Sunday, Oct. 14, will recognize the contributions of past volunteers and also celebrate the Grand Opening of the Riekes Museum, newly located inside the main entrance of the Jewish Community Center. The program runs from 3 p.m. to 5 p.m. in the JCC Theater. Joanie Bernstein, chairman of the anniversary event, said, “Funding for the relocation of the museum was provided by the Henry and Dorothy Riekes Donor Advised Fund at the Jewish Federation of Omaha Foundation, and we want to thank the Riekes family for making this move possible. We’re also grateful to the Federation for giving the Nebraska Jewish Historical Society this prime real estate for the Riekes Museum’s new location, and for making it possible to move the Wall of Business exhibit to the main corridor of the JCC. Many members of our community never saw the Riekes Museum or the Wall of Business in their previous locations between the JCC Canteen and the Friedel Jewish Academy in the Dan and Esther Gordman Center.
JFO staff learn about Jewish holidays Page 6
Historic Omaha Torah dedication Page 7
Mike Silverman, Federation CEO, has been most generous and supportive by bringing the Historical Society and the Riekes Museum out of the darkness and into the light.” In 1994, when the Nebraska Jewish Historical Society asked the late Henry and Dorothy Riekes if they were willing to establish a Jewish museum to preserve memories of our synagogues, they accepted. At the time, Dorothy said, “This gift is our opportunity to give something important and lasting to the Omaha Jewish Community which has given so much to us.” The main feature of the Riekes Museum is an historic representation of the B’nai Jacob – Adas Yeshuron synagogue, also known as the ‘Kapulier Shul.’ One corner of the Museum is dedicated to Sharre Zion, popularly known as the ‘the Riekes Shul’. Included in the Museum is the original arch, bimah, a menorah, shtenders, the ark curtain and Torah crowns. When speaking of the Museum, Henry Riekes said, “We believe strongly in the outstanding work of the Nebraska Jewish Historical Society and feel that this museum will add a great deal to the Continued on page 3
Joslyn Under Pressure We are Still a Nation by AMY RUMMEL The Joslyn Art Museum presents Under Pressure: Contemporary Prints from the Collections of Jordan D. Schnitzer and His Family Foundation, comprising work by thirty-nine artists spanning the last
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Inside Point of view Synagogues In memoriam
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rose to prominence in postwar American art. Bringing together artists from different time periods who work in an array of media and styles, the exhibition illustrates the print’s infinite versatility and the ways in which it has impacted many artists’ broader practices. The exhibition opened on Oct. 6 and continues through Jan. 6. Until the 1940s, most American artists viewed prints as an inferior medium, practiced by those who were concerned solely with the technical aspect of making art rather than with the importance of creative expression. Yet over the next two decades, bolstered by the adventurous spirit of experimentation championed by artists such as Jasper Johns, Robert Rauschenberg, and Helen Frankenthaler, printmaking From Roger Shimomura’s lithographic series became one of the most Mistaken Identities. dynamic fields in contemfive decades. Tracing major currents porary art. During the 1950s and in the art world, as well as develop- 1960s independent print workments specific to printmaking, the shops, such ULAE (United Limited exhibition addresses how the print Art Editions) on Long Island and Gemini G.E.L. (Graphic Editions Limited) in Los Angeles, started opening their doors. Staffed with highly-skilled technicians, these studios supplied artists with the equipment, space, and expertise they needed to push the limits of printmaking. Welcoming the opportunity to expand their practices, artists transformed print workshops into laboratories where Continued on page 2
of Immigrants Shirley’s story by SHIRLEY CEMAJ Civil Rights Committee Member of ADL Plains States Regional Board Growing up as the child of Jewish Syrian immigrants in Mexico, I never could imagine that I, too, would have my own story of immigration. And I never could guess that a March of the Living trip to Poland and Israel in 1998 with members of the Jewish community of Mexico City would be the springboard for my own immigration story. Our group from Mexico, with my husband Sam and me, arrived in Jerusalem very early in the morning. Our first stop -- and the only one I remember from that day -- was at the Western Wall. After placing rolled papers containing prayers from my family and friends into the Wall, I placed my hands on the Wall, closed my eyes and rested my head on my hands. I asked G-d to make my husband happy at his job as a physician. Later that day I called my mother-in-law in Mexico to check on our kids. She said that Dr. Catalano from Loma Linda University in California called earlier looking for Sam. I gave Sam the message. Despite my complaints not to disrupt our trip, Sam decided he needed to call Dr. Catalano immediately. Less than two minutes into the
conversation, Dr. Catalano offered Sam a position as a trauma surgeon at Loma Linda. When Sam gave me the “good” news, I almost killed him. “Did you tell him we have a life in Mexico, that finally our children can play with their
Shirley with her daughter, Sophie, in Tenochtitlan, Mexico in 1994. cousins, that we belong to a nice Jewish community, that I do not want to move, that I have a business to take care of?” I asked him. What Sam did not know was that earlier that day I asked G-d for help and G-d answered my prayers sooner than I expected. I was just asking for a little push for Sam’s practice in Mexico City, but G-d surprised me with the job offer in the U.S. Two weeks later, Sam was talking to the lawyer Loma Linda Continued on page 2