Sponsored by the Benjamin and Anna E. Wiesman Family Endowment Fund AN AGENCY OF THE JEWISH FEDERATION OF OMAHA
Say hello to Bye Bye Birdie
March 21, 2014 19 Adar II 5774 Vol. 94 | No. 27
This Week 2014 ANNUAL CAMPAIGN
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NUMBER OF GIFTS
GIFT FOR GIFT % INCREASE
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1,370 6%
86
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The 2014 Annual Campaign totals
Pinwheels for prevention Page 11
Inside This Month The Arts See Front Page stories and more at: www.jewishomaha.org, click on Jewish Press
Rehearsal Director Jessica Reed, left, Director Fran Sillau, and Choreographer Courtney Stein “Are like family.” Bye Bye Birdie is the tenth JCC Community Theater production directed by Fran Sillau, who has been enchanting us with quality entertainment at the Omaha JCC since 2009. His debut in our community came after he was approached by then Director of The Institute for Holocaust Education, Beth Dotan, to direct Hana’s Suitcase, a play documenting the life of a Jewish 13-year-old during the Shoah. Fran, a native of the Omaha-Council Bluffs area, has been involved in theater since age ten and
Aviva Segall celebrates 15 years of music in Omaha
Get in the Game with JCC Summer Camp! Page 12
Point of view Synagogues In memorium
by GABBY BLAIR Pull out those poodle skirts! Dust off the old saddle shoes! The JCC Community Theater Group is taking you back to 1958 Sweet Apple, Ohio, to join in the fun and frivolity of the acclaimed classic musical comedy, Bye Bye Birdie, on Thursday, May 29 and Sunday, June 1. All-American rock-n-roll star and heart throb of the nation, Conrad Birdie (Danny Denenberg), has been drafted. His agent and hopeful songwriter, Albert (Jeremy Wright), and his longtime girlfriend/secretary Rosie (Leanne Hill Carson), are scheming on ways to cash in on one last publicity stunt before Birdie, their only hope to make it big, is sent off to war. An adoring fan base of teenaged girls is clamoring to win a televised farewell kiss from the iconic (a lá Elvis Presley) star. The quiet, little town of Sweet Apple, Ohio, is beset by chaos and hijinks after local teen, Kim MacAfee (Laura Kirshenbaum), is announced as the contest winner, much to the chagrin of her steady beau Hugo Peabody (Ben Brodkey). Audiences young and old are sure to enjoy the nostalgic charm and hilarity of this much loved musical satire.
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by RANA SCARLETT-JOHNSON Managing Director, Omaha Area Youth Orchestra Aviva Segall stood out the very first time she set foot in Omaha back in 1999. The Southern California native came here back then to audition for her “dream job” -- the position of music director of Omaha Area Youth Orchestras (OAYO). At the time, she was one of three young conductors chosen from a pool of more than 40 qualified audition tapes to come here for a “finalist” interview, which included working with the young OAYO musicians in a rehearsal. It wasn’t long before Segall rose to the top of that “finalist” list. She was vivacious, full of energy and charm, and clear with the young musicians about what she wanted from them. Plus, “her goal was to be a conductor of young musicians,” rather than use youth orchestra experience as a stepping-stone to professional orchestras, said Ann Williamson, an Omaha Symphony Guild member and former OAYO board member.
has been dedicated to the big stage as a teacher, writer, producer and director for over a decade. He has worked in Iowa, Nebraska, Kentucky, North Dakota, Tennessee, New York, Washington, Connecticut, and Washington D.C. facilitating theater workshops and productions for a wide range of professionals in arts education. After working in such big name places, he says there is no community he’d rather be a part of. “Omaha provides me with the best of both worlds. There is strong support
and appreciation of the Arts here and the cost of living makes it possible for an artist to be an artist.” Sillau loves directing community theater at the JCC and it shows when he describes the Arts Department. “So rarely do you have a team that is truly like family” he says of Producer Esther Katz, Rehearsal Director Jessica Reed, former Rehearsal Director Tiffany Gray, Musical Director Bernadette Smith and Choreographer Courtney Stein. He acknowledges that especially in the arts, the market can be tight and the competition cutthroat, but the team really strives to maintain a fun, learning experience that keeps people coming back as both actors and as audiences. “It’s more than just teaching kids to be on a stage,” says Sillau. “In this electric world we live in, it’s about remembering to teach the importance of face-to-face communication. Its about learning to think in the bigger picture, and in a role outside of your self. Especially with youth, it’s about learning important skills such as commitment, sacrifice, accountability, respect and the ability to be part of a community. Theater should be a place where community comes together as family.” Continued on page 3
A fitting memorial
“That, to me, was impressive.” Needless to say, Segall was hired to serve in the top artistic position for OAYO 15 years ago. And today, Segall continues to serve the organization as
Aviva Segall a beacon of excellence in music education for Omaha and the region. “When Aviva Segall arrived in Omaha in 1999 as a young, energetic catalyst for excellence in youth orchestras, she began a fruitful and joyful tenure as a strong advocate for healthy, heroic musical growth,” said Patty Ritchie, director of Millard West Orchestras. Segall began working in Omaha after several years of prestigious training. She earned a bachelor of arts degree from Wellesley College and subsequently attended the University of Southern California School of Music. She then received her master of music degree in orchestral conducting from Northwestern University, where she studied with Victor Yampolsky, music director Continued on page 2
Randy Endelman’s grandchildren, Ainsley, Audrey and Aiden Meyerson try out “Papa’s bench.” by ANNETTE VAN DE KAMPbench look like? Where should it WRIGHT come from, where should it end Editor of the Jewish Press up? This, after all, could not be just During the summer of 2013, any bench; it had to be special and Penny Endelman and Jewish Com- meaningful.” Cue Renee Corcoran, Director of munity Center Executive Director Mark Martin began talking about the Nebraska Jewish Historical Sohow to honor the memory of ciety. When Martin realized there Penny’s husband Randy. Randy had was a cobweb-covered old bench in passed away in February of that the JCC basement, she was able to year, and, Penny wanted to know, tell him where it came from. “When the Riekes shul was would it be possible to place a bench by the front entrance of the moved to the front of the JCC, one Pennie Z. Davis Childhood Devel- bench didn’t fit,” she said. “We are delighted it now has a new puropment Center? Martin agreed to look into it; the pose.” “I had walked by it probably hunfamily gave it some more thought, and decided the bench in question dreds of times,” Martin said, “but I should be inside the Rose Blumkin had no idea it had this much historical significance. I am so grateful to Jewish Home instead. “At the time,” Martin said, “it the NJHS, and Renee, for knowing seemed like a simple task, but it its history, and for agreeing to let us took several months to get it ac- use it.” complished. What should the Continued on page 3