Issuu

13-1023

Peach Fuzz

18-1750

Viva Magenta

17-5104

Ultimate Gray

Pantone’s Colors of the Year hold a unique influence that extends beyond the confines of a specific design discipline. These colors are meticulously selected to resonate globally, serving as a reflection of societal trends. In a similar vein, architecture transcends just buildings. It emerges as a dynamic storytelling medium with transformative potential, capable of shaping human experiences and addressing societal needs. Architecture evolves into a powerful tool for cultural expression and social impact, becoming a language that communicates the spirit of an era. Like Pantone’s timeless color choices, architecture stands as a testament to the interconnectedness of design and culture, demonstrating its ability to contribute to the ongoing narrative of human civilization.

J essy M uo

Hello, I am currently pursuing my bachelor’s of architecture at Iowa State University. I have a passion for architecture, as well as a strong academic record, as reflected by my grade point average and my achievement of several dean’s lists. Throughout my academic career, I have enhanced my proficiency in architectural design, project management, and collaborative problem solving. My coursework and extracurricular activities have equipped me with a comprehensive understanding of industry-standard software such as Rhino, Adobe Suite, Revit, and Autodesk, enabling me to translate creative concepts into tangible, well-executed designs.

In my role as External Resources Director for the Iowa State Collegiate Panhellenic Council, I effectively applied the skills acquired in academic settings to real-world scenarios. Overseeing projects like the distribution of a newsletter to a vast audience within the greek community, I adeptly addressed challenging subjects with the aim of educating and engaging a broad audience. This leadership position substantially enhanced my ability to delegate tasks and manage a team, contributing to significant growth in my leadership capabilities. Additionally, working a part time job as a receptionist has taught me valuable lessions in time management and customer interactions. Thanks to this, I am able to ensure customers an exceptional experience, while still having time to succeed within my own studies.

As I near the conclusion of my academic journey, I am actively pursuing internship opportunities within the realm of architecture. My aim is to apply the theoretical understanding and practical insights gained during my studies in a professional context, where I can actively contribute to pioneering architectural projects.

T ree f low a rbore T u M

Tree Flow Arboretum showcases a groundbreaking and eco-conscious strategy that not only addresses stormwater management and ecosystem revitalization within a sensitive site context but also integrates novel design elements for structural, daylighting, and cooling purposes. Situated in an area prone to gully contamination, the use of gabion walls are incorporated into the building's facade for daylighting and cooling purposes. The overarching objectives of this project remain steadfast: to divert and purify stormwater runoff– thus preventing the contamination of the nearby gully– and to reintroduce native tree species. Timber, as a renewable resource, complements our commitment to ecological sustainability. It also provides a harmonious contrast to the industrial nature of gabion walls and introduces a sense of comfort and connection with nature within the built environment. Furthermore, the use of bioswales with their native vegetation remains a crucial element of our design. They filter pollutants while simultaneously providing habitats for local species. Our emphasis on utilizing native flora is central to the principles of ecological restoration, maintaining a strong link to the preservation of the region's unique biodiversity.

Tree Flow skillfully leverages the structural and ecological potential of various techniques to achieve a multi-faceted goal of stormwater management and ecosystem revitalization. Through a design excellence framework that values sustainability, respect for nature, permeability, and aesthetics, our proposal adeptly addresses the site's unique challenges while fostering a renewed sense of environmental stewardship. This project stands as a testament to the harmonious coexistence of human development and ecological preservation.

The heart of bioswales is its vegetation, which consists of native grasses and trees

Landscape features collect polluted stormwater, soak it into the ground, and then filter out contaminants

These plants help filter pollutants, absorb excess water to reduce the total volume, and prevent erosion within the swale

Land slopes into the bioswale, which directs the flow of runoff

Because the structure is permeable, gabion walls are good for reducing wind and water flow without stopping it entirely

As the fill material settles in, the walls become sturdier and therefore long lasting Erosion of the soil is prevented

A wire enclosure holds inorganic materials such as stone or concrete

Infiltration from rain events

Excess water runoff Gabion filters out pollutants

Groundwater recharge

Water flows back into gully

1. BaCk of house

2. stoRaGe

3. exhIbItIon (auxIlaRy)

4. GabIon MateRIal exhIbItIon 5. bIo-wall exhIbItIon 6. Cafe 7. RetentIon exhIbItIon 8. VIewInG 9. CoMMunIty spaCes 10. adMInIstRatIon offICe 11. GeneRal lobby

1” XPS Rigid Insulation

3” Lag Bolt

.5” Steel Cage Cage Support Bracket

Gabion In ll

5/8” Gypsum Board Cavity (BATT) Insulation

7”

2x6Frame

Embarking on a visionary architectural endeavor, Kyanite intertwines the illustrious Crystal Palace and the innovative design principles of Jeanne Gang’s Arcus center. Rooted in a synthesis of historical grandeur and contemporary ingenuity, this project serves as a testament to the harmonious coalescence of two influential architectural designs. Much like its muse, Crystal Palace, Kyanite is destined to serve as a grandiose exhibition space, where the echoes of cultural significance reverberate through the halls. Envisioned to host a wide array of grand events– from concerts to shows– this architectural synthesis promises to be a beacon of artistic and social convergence.

The Phoenix, an anti-extraction machine, is located in the Fillmore District of San Francisco, California. The historical district once hosted a variety of vibrant cultures–until Extractors encroached upon vulnerable communities. Fillmore, once teeming with life, underwent a profound metamorphosis, not only in its architecture but in the very soul of its people. This was a moment of profound extraction, a moment that rewrote the biological and cultural evolution of a place, forever changing the spirit of Fillmore.

“…there’s no response to the environmental crisis and its architectural arrangements until there is a response to ... injustice”

Kathryn Yusoff

From the ashes of destruction, a new species of biomechanical trees begins to emerge—an embodiment of both nature and resistance. The Phoenix, evolved from the remnants of the Fillmore, absorbs elements of the organic environment and the structures of industrialization, intertwining them in an act of resilience against the Oppressors by giving new life to the sterilized elements. When confronted, the machine’s deeply entwined roots sink further into the earth, growing ever denser as the forces of oppression attempt their brutal extraction.

In a direct critique of the plague that is necropolitics, The Phoenix not only confronts systems of extraction and oppression but actively consumes and nullifies their attempts, turning the machinery of destruction against itself. By resisting the mechanisms of displacement and decay, The Phoenix reclaims agency over a space once stripped of its vitality, subverting the forces that sought to erase it. Its very existence is an act of defiance—an assertion that life and culture cannot be so easily uprooted.