Selected Works
JESSICA STEINERTable
THE LINK
pg.4 - pg.11
THE EGYPTOLOGIST’S STUDY
pg.12 - pg.17
pg.18 - pg.23
THE SURETY MUSEUM OF EMOTIONS
pg.24 - pg.35
pg.36 - pg.43
MACROPLAZA MARKET
pg.44 - pg.45
ADDITIONAL WORKS
pg.46 - pg.47
Fire Stations are a physical representation of the safety and wellbeing of the community. They are a place where people can interact with their local government and bring their questions and concerns, a place where they can feel safe and cared for. The goal of The Link is to celebrate the relationship between the public and the civic government by bringing the public into the fire station where it is deemed appropriate. This public engagement is guided by the overall form of the design which pulls the public through the building through a series of linked spaces.
These linked spaces are spaces that are the resultant of carving from a large mass to create three smaller masses of program. These three elemets are public program , work program, and firefighter residential program. The carved void spaces link the masses together through circulation, and visual connections and expand and contract as one is pulled through the building. This expansion and contraction of the carved void space allows for different types of activity, thinner spaces allow for circulation and larger spaces allow for rest and community engagement. The linked spaces start at the overhang at the front corner for the public and at a private corner for the firefighters, and pull the user through the building to a shared public/private courtyard in the back. In this courtyard events can be held that engage both the firefighters and the public. As one travels through the link spaces the user can break off to the different programmatic blocks or participate in visual connections in between each of the masses. Through these connected spaces the user is better able to engage with their local fire station, further developing a positive relationship between the fire fighter and the citizen.
The first step in the design of this building was to layout the elements of the program in a manner that was both efficient and promoted community engagement with the Circulation plays an important role in the design of The Link. Circulation of people, fire trucks, and equipment needed to be carefully considered. All circulations needed to interact with each other while remaining distincly individual. These differing circulations drove the overall form of the project.
The building was massed in a number of different ways, responding to elements of program, context and circulation.
Void was carved from the building to respond to circulation patterns, context, and provide space for the public to interact with the fire station.
Elements like a corten steel screen and planters were utilized to help define space. The screen and planters also help to hold the urban edge while still allowing the public to spill into the entry space.
A primary part of the design of the link was to work out the relationship between the screen, mass, and void. several studies were done to evaluate how the user would interact with the three elements and how the three elements would effect the overall form of the final design. The screen helps to wrap the mass defining the void space. The interplay between the three elements allows for the formation of unique inbetween spaces and beautiful displays of light and shadow to be cast throughout thw building. The screen also provides an element of sun protection preventing the building from overheating.
The form starts with a basic mass, then the mass is carved into three program and reveal the void space. Next the void space is enclosed with interior connections between the masses of program. Fourth the design help define and contain elements of mass and void. Following the addition of the mass reach out to touch the screen, alowing for further interplay and void. Lastly the screen is punched through for an element of playfulness penetrate the space.
masses to accomodate for with glass to provide direct design is wrapped in a screen to addition of the screen, elements interplay between mass, screen, playfulness and to allow light to
First Floor
Third Floor
Second Floor
TN
The Egyptologist’s Study is an exploration of sterotomics, light and geometry. The entire form is created from two existing blocks of limestone. The limestone is slowly carved away to reveal an intricate interior with an abundance of niches to place the egyptologists collection of important archaeological finds. The form is reminiscent of a an ancient Egyptian temple with a deep entrance flanked by two monolithic stones. The stone is carved in a repeated striped pattern to give the appearance of solid stone while allowing light to enter into the study.
As one enters the space they are drawn through a flowing pool. This pool represents the Nile and provides a transition from outside to inside while also providing a barrier to the outdoor sitting area. at the end of the long entrance you are greeted with a statue before turning and entering the space. One is led through a hall of artifacts before reaching the main study. Shadows are cast down in ribbons from the pattern of the carved stone and a sarcophagus lies at the far end of the room. This study is the perfect retreat for one looking to get some serious work done.
In a fast paced world of smartphones, social media, and technology banks as we know them are changing. People no longer deem it necessary to make the trip to the bank when they can do everything from the convenience of their own home. So what is the future of banks? Should they be cast out as a dead building typology? The Surety proposes a different approach to the bank we have come to know. The Surety re-imagines the bank to create a building that engages the existing community of Kansas City. The goal of the Surety is to create an environment that is comfortable and welcoming to the user, this contradicts the previous stereotype placed on banks. Banks of the past tend to overwhelm the user leading those who visit banks to associate them with anxiety and fear. Through programmatic elements, lighting, and material choices The Surety creates an environment that feels warm and inviting to those who visit.
A cafe at the north corner draws people in off the street, giving the building multi-functionality and offering people a chance to see all the building has to offer. The Surety is centered around an interior courtyard flooded with filtered light and filled with foliage. Here people can meet with bank employees in a more relaxed setting or enjoy a cup of coffee from the cafe. A large community room on the first floor can be used for small events or meetings and can also be used as a classroom to teach the community about finances. Upstairs plenty of study spaces are offered to accommodate for more of the community.
Architecture is a medium which can produce strong emotions, both positive and negative. The goal of the Museum of Emotions is to let the architecture be the art by creating a contrast of spaces to produce negative and positive emotions. The Museum of Emotions is symbolic of a journey represented through water and space. As one enters the building they cross over a large reflecting pool, the theme of water is again repeated throughout the building, both physically and symbolically, to symbolize ones journey from the negative to the positive space.
The negative space lies below the reflecting pool. This placement evokes a feeling of drowning as the user looks up through the glass ceiling into the reflecting pool, and up to the positive space looming above. In contrast the positive space floats above the reflecting pool, and feels light and airy. Water trickles down a curved wall of marble in the positive space, and channel glass filters the light, giving the space a feeling of tranquility and peace. Additional program is added to the museum to help give the building life. A restaurant to the north both serves patrons to the museum and those who are just walking by. Additionally, several art galleries are placed throughout the museum to house both local and touring artwork. To help tie the building to the outdoors sculpture gardens are placed throughout the site. This museum serves the community of Manhattan by providing a place for locals and visitors alike to appreciate the powerful impact art and architecture has on the human person.
The design begins with a simple mass covering the site. The mass is then punched through creating a courtyads space. This move defines the circulation in the building a provides the users of the museum with increased access to outdoor space. Next the mass is split into three parts, one of the parts is elevated above the ground plane while the other is sunken bellow the ground plane. These masses become the positive and negative halls respectively. The two masses are then rotated to respond to surrounding context. Lastly the form is smoothed out to create a sweeping form that is reminicent of waves representing both the sweeping prarie and theme of water that is present throughout the project.
A sculpture garden to the south of the site interacts with the Discovery Center across the street. This engages the south side of the site and stiches the discovery center campus and museum campus together contributing to a richer urban fabric. An additional entrance to the south provides the opportunity for those staying in hotels across the street to easily enter the museum from the south side.
Upon entering Manhattan, KS this museum will be the first thing visitors see The sculptural curve at the entrance of the museum greets visitors as they exit off of the highway into Manhattan. Beautiful pearescent ining the sculptural curveof the building shimmers in the reflecting pool below.
Several restaurants surround the museum. Several of these restaurants are located in the teal zone highlighted in the image abopve. To respin to this, access to the museum restaurant is added to the north facade. The museum restraunt builds on the existing contexts and adds and element of multi-functionality to the museum.
Much of the foot traffic into the museum will come from Poyntz Avenue, located just north of the museum. A large cantilevering element looms over a reflecting pool at the north side of the museum. As pedestrians turn the corner from Poyntz to _____ they are drawn into the main entrance of the museum by the overhaging element finised in pearescent tile.
CHANNEL GLASS STONE FINISH STEEL COLUMN
TILE
MORTAR BOARD
CONCRETE SLAB
STEEL JOIST
CONCRETE PANEL
DROP CEILING
TERMINATION BAR
GROWING MEDIUM
FILTER FABRIC DRAINAGE
ROOT BARRIER
WATER PROOFING
RIGID INSULATION
CONCRETE DECK
STEEL GIRDER
BRACKET CONNECTOR
PRECAST CONCRETE PANEL
CHANNEL GLASS SYSTEM
GLASS GUARD RAIL EXTERIOR PAVERS
PAVER RISERS
WATERPROOFING INSULATION
CONCRETE DECK
PRECAST CONCRETE PANEL
BRACKET CONNECTOR
TILE SOFFIT
REFLECTING POOL TILE
MORTAR BOARD
CONCRETE SLAB
GRAVEL EARTH
STEEL JOIST
HANGER
WOODEN DROP CEILING
DRAIN
REBAR
WATERPROOFING
RIGID INSULATION
BATT INSULATION
STEEL JOIST
CONCRETE PANEL
DROP CEILING
WINDOW SYSTEM
CONCRETE WALL
RIGID INSULATION
WATERPROOFING
MORTAR BOARD
TILE
OVERALL
Home, its a word that evokes a variety of emotions, its a word that means comfort and safety, a place where one can build a life with their families and friends, somewhere where one can freely express ones uniqueness and individuality. A house is nothing compared to a home, so naturally the goal of the East Harlem affordable housing project is to provide homes rather than housing. The East Harlem Affordable Housing project strives to provide an environment where the individual can grow and express themselves in a safe and nurturing environment, while also providing residents the opportunity to build connections with the other residents of the building, the community of East Harlem, and the communities of the surrounding neighborhoods.
The overall form of the building is carved away to create opportunities for communal interactions, while distinguishable proportions and color are added to the individual units. On the ground floor a public market allows both the residents and locals to sell goods. This allows the community to engage with the building, while giving the residents an opportunity to practice self sufficiency. Additionally a cafe on the ground level brings in passerby’s enlivening the building even further. Throughout the building large areas have been devoted to communal space to help residents engage with others and build relationships. Through careful planning and design the East Harlem Affordable Housing Project provides a home for all.
Studio units are outfitted with a double Murphy bed. The bed is situated within a storage unit to maximize space. Units also feature a pullout table to increase tabletop space in the unit. All studios include a balcony with accordion glass doors that open completely to the outside.
Studio loft units are similar to studio units, but studio loft units have an additional loft space. This space is perfect for young couples or a single person looking for more space. Additional storage is beautifully worked into the design of the stair and the loft space.
The two bed unit is perfect for a small family, a pair of roommates, or someone looking for a little more space. This unit type features a large balcony, spacious living room, and ample built in storage space. The two bed unit type is also ADA complaint.
The two-bed loft unit type is a two bedroom unit with an additional loft space. This unit type is perfect for a family or group of people who may need a little more space. Double height windows in the living room provide striking views to the city outside.
SECTION A-A
New Suburban Foodscapes explores new possibilities for design of suburban food environments. The research for this design proposal was completed during the fall of 2023. The final design will be completed this spring. The design is an adaptive reuse project that resides in a nearly abanded mall in Pasadena, Texas. A grocery store will occupy the central asile of the mall with hopes to revitalize the space and bring buisness back to the mall. The grocery store will also provide adequate food access to an area that is underserved and is experiencing high rates of food insecurity. To learn more follow the link below or scan the QR code.
Read the full book on Issue:
https://issuu.com/jessicarachel/docs/capstone_ thesis_research_jess_pages
07.
ADDITIONAL WORKS
jessicarachel@ksu.edu
(913) 226-9604
8522 Gillette St. Lenexa, KS 66215
Revit
Adobe Suite Rhino
Procreate
Hand Drawing / Painting
Lumion / Enscape / V-Ray
Microsoft Suite
AutoCAD
Model Making
AWARDS
Society We Serve Scholarship
Fall 2022
Lisa Hale Scholarship
Fall 2022 - Current Dean’s Study Abroad Scholarship
Fall 2022
APDesign Technology Scholarship
Fall 2022
Fairchild Scholarship
Fall 2017 - Spring 2021
Deans List
Fall 2019 - Spring 2023
Solar Decathlon Competition
Finalist
May 2022
Masters of Architecture | Minor in Biology
Kansas State University | Anticipated Graduation May 2024
College of Architecture, Planning & Design | College of Arts & Science
Italian Studies Program
KSU in Italy | January 2023 - May 2023 | Orvieto, Italy
Architectural Intern
WATG | Tustin, CA | June 2023 - August 2023
Produced detailed architectural drawings and 3D models in Revit, AutoCAD, Sketchup, and Rhino.
Created post production deliverables for presentation packages using Adobe Illustrator, Photoshop, InDesign and Blue Beam.
Frequently coordinated with design team for clarity and accurate completion of tasks.
Collaborated with a team of young designers to complete an independent competition project.
Architectural Intern
Bruce McMillan AIA Architects | Manhattan, KS | June 2021 - December 2022
Produced detailed architectural drawings and 3D models in Revit, AutoCad, Sketchup, and Rhino.
Created post production deliverables for presentation packages using Adobe Illustrator, Photoshop, InDesign and Acrobat.
Logged and organized RFIs and Specifications in Procore.
Performed field measurements to produce accurate as-built drawings and attended site visits to ensure construction was running smoothly.
Oz Editor May 2023 - Current
Co-editor of the 46th edition of Oz the theme of which is Health.
Peer Educator August 2022 - Current
Provided mentorship to first year APDesign students and planned weekly activities
AIAS Member August 2021 - Current
Participated in monthly meetings regarding events put on by AIAS
Plot Club Representative August 2022 - December 2022
Assisted students with printing and troubleshooted printer problems
Sunset Zoo Enclosure Design June 2022 - December 2022
Designed a new chimp climbing structure with a group of peers.
Solar Decathlon Student Design Team August 2021 - May 2022
Collaborated with arch. and eng. students to design a net positive housing project
St. Isidore’s Student Building Committee September 2020 - May 2021
Provided my opinion on architectural decisions for the new church.