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A r t C o l l e c t i o n
Introduction
Alongside beautiful diamond jewellery, 7 Carlos Place is home to an ever-changing selection of critically acclaimed art and antiques – all curated by Jessica, led by her distinctive eye for design
As with her jewellery collections, Jessica has the remarkable ability to create something unique by mixing the old and new The interior of the space sees walls and floors covered with contemporary art, coupled with objets, and antiques which span centuries.
The art collection at Jessica McCormack is not just a backdrop to the jewellery and an intrinsic part of the environment of the House, it plays an active part in the London art community and gives our jewellery collectors a different experience of art and design.
Entrance Hall
1. The Haas Brothers b.1984, California, USA
‘Hex Candelabra’, 2013 brass tiles over wood, with slumped, fused glass shades
Commissioned for the house’s opening this Joshua-tree-inspired light was the beginning of a relationship with Jessica that led to their jewellery collaboration.
2. Daniela Edburg b. 1975, USA
‘Parasites and Perishables’, 2012 digital print with file ink on paper 20 piecesvariable measurements
Inspired by European portraiture, Edburg inserts crocheted perishables into the hands of her sitters, bringing absurdity and a touch of the macabre.
3. Andreas Blank b. 1986, Norway
‘Untitled’, 2018 carved stones (serpentinite and basalt)
Deceptively realistic these sculptures imitate everyday objects but surprise you with their substantial weight.
4. Attributed to Francois-Xavier Fabre
‘Portrait of a Young Man’ c 1800 oil on canvas
This beautifully painted collar and cravat of this young gentleman shows him to be a person of standing in 19th century French society.
5 Shiva Ahmadi b 1975, Iran
‘Mesh’, 2018 watercolour on paper Painted in the style of Persian miniatures the scene portrays the violence of the Iranian regime the artist witnessed as a child
6 Frida Orupabo b 1986, Norway
‘Untitled’, 2018 collage with paper pins mounted on aluminium
Having worked as a social worker, Orupabo addresses the struggles of race and the issues of being a woman in her jointed collages
7 Zanele Muholi b 1972, South Africa
‘Misiwe IV, Biljmer, Amsterdam’, 2017 gelatin silver print
One of a huge series of self portraits, this work explores identity, race and the politics of representation
8 Martyn Cross b 1975, England
‘Telluric Symphony’, 2022 oil on canvas
Bringing together anthropomorphic forms and landscape history, Cross creates a personal vision steeped in English tradition and eclectic influences
9 Tammy Nguyen b 1984, USA
‘Mobile Empire: Francis’, 2022 watercolour, vinyl paint, pastel, and metal leaf on paper stretched over panel
Nguyen’s ‘portrait’ is shaped around a beehive form where the bees are tiny helicopters, exploring colonization and the environment.
Ground Floor
10. David Wiseman
b. 1981, California, USA
‘Collage’, 2013 illuminated sculpture with bronze, porcelain and crystal components
Jessica worked closely with designer David Wiseman to choose elements from his sculptural vocabulary to complement the architecture of the house
11. Pheobe Boswell
b. 1982 Kenya
'All Possible Everything' 2023 pastel on paper
Exploring issues of freedom, migration and intimacy, Boswell creates a liminal space between land and water.
12. Tomie Ohtake
b. 1913, Kyoto, Japan
‘Untitled', 1960 oil paint on canvas
This painting illustrates the evolving interplay between geometry and gesture that Ohtake began exploring in the previous decade.
13. Zak Ové b. 1966, London
'La Jablesse' 2013 mixed media
Half Trinidadian, Ové reinvents this mythic devil woman who punishes men for infidelity, examining issues of identity and the freedom of the individual
14. Daniel Silver b. 1977, London
‘Standing Man’, 2013 portoro marble Silver often carves monumental figures appearing from stone, and this small figure looks to archaeology and psychology for its inspiration
15. Healing Fetish Figure Zigua, Tanzania, East Africa,
1st half of 20th century
16. Collection of Didactic Flowers
Late 19th century hand painted papier mache on turned wood stands, scattered through the house These models of flowers were made as didactic tools to instruct students on the anatomy of plants
17 A fine Māori Hand Club, Zealand
‘Kotiate’, c.1870-80 carved wood
There is extraordinary carving on this ceremonial Māori weapon
18 Figurative Staff Mozambique or Malawi, Southern
Africa New
, 1920-30s
carved in a light wood with decorative burnt markings and unusual carved ‘foot’ signature at the base
19. Frank Bowling b. 1934, British Guiana
'Vitacress' 1981
acrylic on canvas
Bowling’s abstract explosion suggests constellations, galaxies and the moon, it’s title coming from a brand of watercress lorries
20 Ndidi Emefiele b 1987, Nigeria
‘'Untitled (pool side)' 2023 acrylic, compact disk, paper collage and sequin trim on archival paper. Emerging from grief, Emefiele addresses healing and fellowship in her richly layered collage, evoking the culture of her heritage
21. Roberto Rida b. 1947, Italy
opaline, glass and steel 1950s glass mounted cabinet on stand The original 1950s cabinet has been augmented with blue glass and elegant legs
22. War Bonnet Sioux Lakota, Plains Indians, USA,
, 1st half of the 20th century, Reservations era eagle feathers, ermine pendants, beads, quill, fabric, dyed horsehair.
Once worn into battle, these headdresses are now worn ceremonially by those who have gained honour, especially with the eagle feathers, the most powerful birds
23. Frank Bowling b 1934, British Guiana
‘Pumpkin’, 1971, acrylic on canvas. Moving away from images of maps, Bowling embraced non representation and Clement Greenberg’s ‘Post painterly abstraction’
24. Judith Godwin b 1930, USA North Africa
'Betrayal' 1976, oil on canvas
Often inspired by dance and nature, Godwin’s abstract expressionist work combines physicality and sensuality of paint
Main Stairs
25. Gottfried Lindauer b 1839, Bohemia, present day Czech Republic
‘Tuhoto Ariki, Maori High Priest’ c 18851890 oil on canvas mounted on cardboard.
Lindauer moved to New Zealand and became a master of portraying the Maori people, their tattoos and costumes, respectful of customs and culture
26 Teodora Axente b 1967, Czechoslovakia
‘R’, 2016 glazed stoneware relief Living in a forest in Sweden, Kristalova creates dreamlike figures, bringing animals and plants together in a sometimes- disturbing, alwayssurprising fairytale world
27 Anonymous
‘Portrait of a Boy with Turban’ (French) Early 19th century This exotic servant or slave was dressed in finery and sumptuously painted to show off his master’s wealth.
Main Stairs
28 Nathaniel Mary Quinn b 1977, Chicago, USA
‘The Funeral’, 2017 black charcoal, gouache, soft pastel, oil pastel, oil paint, paint stick, acrylic gold powder on Coventry Vellum paper
Although it looks like collage, this fragmented portrait is made with various paint and pastel techniques, not attachments of paper
29 Ndidi Emefiele b 1987, Nigeria
‘Sail Me Down Deep River’, 2020 collage and acrylic on canvas
As Emefiele mourns the loss of her sister, she paints this haunting portrait of their continued journey together full of personal symbolism and tragedy.
30 Ha Chong-hyun b 1935, South Korea
‘Conjunction 09-008’ 2009 oil on canvas
One of the masters of the Korean monochrome school, Ha manipulates paint pushing it through the hemp canvas and smoothing it down the picture plane.
31. Nick Cave b. 1959, Missouri, USA
‘Bird Soundsuit’,2010 found vintage knit material, metal flowers, vintage ceramic birds, hot pads, armature and mannequin Trained dancer Cave’s Soundsuits jingle when they move and are designed to be performative, covered with items like those his mother collected from thrift stores
32. An Important Ceremonial Fish Paddle Solomon Islands, Oceania, second half of nineteenth century
wood inlaid with shell
33 Italian Renaissance Revival Library Armchair,
c. 1860 carved walnut with upholstery
34. Abelam Headdress, Wakan Kwambigum village, southeastern Abelam area toward Roma village, East Sepik Province, Papua New Guinea, Oceania
Early 20th century or before carved wood with pigments
35. Frida Orupabo b. 1986, Norway
‘Woman II’, 2022 framed collage with paper pins.
Orupabo explores identity, using collage to address issues of race and gender relations, abuse, power, strength and resistance
36. Klara Kristalova b. 1967, Czechoslovakia
‘R’ 2016 glazed stoneware relief
Living in a forest in Sweden, Kristalova creates dream-like figures, bringing animals and plants together in a sometimes-disturbing, always-surprising fairytale world
37 Female Figure Abelam, Papua New Guinea, Oceania,
1940s carved from a heavy, dense hardwood
This figure would have been used in male initiation ceremonies and young man would have crawled through her legs to enter a special room
38 Frank Walter, b 1926- 2009, Antigua
‘Hitler Playing Cricket (with Antiguan Men)’, c 1975-80 oil on card
Self taught, Walter painted from his vivid imagination, interest in science and delight in nature, on whatever materials he had to hand.
39 Frank Walter b 1926- 2009, Antigua
‘Rabbi’ oil on photographic paper
40. Frank Walter b. 1926- 2009, Antigua
‘Untitled (Green sea green land dark sky)’ oil on pressed fibre with Masonite backing
41 Frank Walter b 1926- 2009, Antigua
‘Sea and Flamboyant Tree’ c 1980 oil on card
42 Frank Walter b 1926- 2009, Antigua
‘Abstract Science: Molecule’ oil on board
43 The Haas Brothers b 1984, California, USA
‘Poor Unfortunate Soul table lamp’, 2013 bronze with glass globe
This sea-flower lamp is inspired by a song from the film of ‘The Little Mermaid’
First Floor
44. Anj Smith
b.1978, Kent
'Source, Sender, Channel, Message' 2020-21 oil on linen.
Smith’s first large painting is expansive and yet intimate, details of nature floating over the ecologically devastated frozen sea
45. Francis Upritchard
b. 1976, New Zealand
‘Toe Picker’ 2011 modeling material, foil, wire and paint.
Upritchard’s mysterious figures are reminiscent of medieval sculpture and yet deeply personal, this one featuring a gesture typical in her family
46. Pair of tin lion heads
c 1880
47 Henry Étienne Dumaige b 1930 – 1988, France
patinated bronze
48 Cristofano Allori b 1577 – 1621, Italy
‘Head of a Girl’ Late 16th century oil on canvas
In this mannerist painting, the girl’s animated expression is caught, and the light captures her features and the pearls
49. Thomas J Price b. 1981, London
‘Network’, 2012 bronze An imagined man holds his phone in the ultimate 21st century gesture, combining the present with a history of classical sculpture, at once heroic and contemplative
50 Rob Lyon b 1982, England
‘Photons’ 2023 oil on linen
Time spent on the South Downs informs Lyon’s love for the area and his abstracted exploration of its topography and features
51 Kanak Ceremonial Axe New Caledonia, Oceania
19th century
52 Charles Weddepohl
1902 1976, The Netherlands
Life-Size Terracotta Head c 1947 terracotta
53. Large Ceremonial Comb New Britain, Melanesia, Oceania
1st half of 20th century carved, incised and pigmented bamboo
54 Patuki, a Maori bludgeon, New Zealand
early 19th century wood
55 Female Maternity Figure Tongwe, Tanzania, East Africa
First half of 20th century
56 Richard Slee b. 1946, Carlisle
‘Camp Fire’, 2012 glazed earthenware (ceramic) on wooden support Slee creates unique and perfect ceramic sculptures that mimic real objects with cartoon-like humour.
57 Lynette Yiadom-Boakye b. 1977, London
‘Treasure’, 2013 oil on canvas Painting from her imagination, Yiadom-Boakye depicts only black people like herself, creating timeless intimate portraits.
58 Sebastiaan Bremer b 1970, The Netherlands
‘eye #7’, 2012 unique hand-painted gelatin silver enlargement print with mixed media
Detailed examination of another artist’s eye gives Bremer a depth of insight into experience and creativity.
59 Anton Gruss b 1802, Bohemia, now Czech Rep
‘Portrait of a Woman in a Red Turban’, 1844 oil on panel
One of the only known works of a black woman from the Habsburg Empire, this exquisite painting is rare, an expression of the appeal of foreign peoples
60 Thomas J Price b 1981, London
‘Untitled (Icon 5)’, 2017 24ct gold leafed aluminium composite, Italian slate base on quartzite plinth
The connotations of gold are unexpected yet reminiscent of ancient Egyptian statues and also contemporary ‘bling’ culture.
61 Joseph Walsh b 1979, Ireland
‘Enignum Sculptural Shelf’, 2012
Walsh’s mastery of wood has a fluid grace that is unsurpassed and this shelf flows down the wall like a liquid ribbon, bending as if to bring the two rooms together
62 Probably by Rudolf Linder 1849 1928, Switzerland, Black Forest Bear Seat
c. 1900 carved wood
63 Pair of Narwhal Tusks from the Arctic Waters Monodon Monoceros,
c. 1900s
64. Pair of carved gilded candlesticks
18th century wood
65 Stanley Whitney b. 1946, Philadelphia, USA
‘Tiger Lil’, 2016 oil on linen
Whitney has worked with squares of colour in a similar format for decades, with endless variations, evoking music and personal memories with celebration of colour.
66 Cane Yam Mask Abelam people, Wosera, East Sepik Province, Papua New Guinea, Oceania
Early to mid 20th century Lygodium vine, negwa
67 Camille Henrot b 1978, France
‘Overlapping Figures’, 2011 bronze, plaster, bricks and wood
One of a series inspired by the ancient Asian Oxus civilisation, Henrot balances solid bronze on a precarious wedge of plaster reflecting the uncertainty of our society.
68 Sara Flynn
‘Ice White Pressed Vessel’ thrown, slab constructed, pressed and altered porcelain
69. Betty Woodman b. 1930, d. 2018, USA
‘Two Pink Angels’, 2009 glazed earthenware.
These large vases are transitioning into painting and sculpture without quite losing the essential form of the vessel that is at the heart of our civilisation 1st
70 Kader Attia b. 1970, France
‘Untitled, Mirror Mask’, 2014 wooden mask, mirror
Attia is fascinated with concepts of repair, here taking a found African mask and ‘repairing’ it with elements of mirror that reflect back at the viewer
71 Collection of Prestige Lidded Baskets Tutsi tribes, Rwanda & Burundi, East Africa, Early 20th century
coiled, laid and woven fibres The women of the tribe make exquisite baskets with geometric patterns, the larger ones for storage and the smaller for gifts
72 Sally Mann b 1951, Virginia, USA
‘Untitled (Self Portrait)’, 2006-12 ambrotype (unique collodion wet-plate positive on black grass), with sandarac varnish
In her only series of self-portraits, Mann is recovering from an accident with her horse and turns the camera on her body examining its injuries and imperfections
73 Mende Mask of the Sande Women’s Society Sierra Leone, West Africa
74 Pair of American eagle wall-lights
75. Laurent Grasso b. 1972, France
‘Studies into the Past’, 2014 oil on oak panel.
Conceptual artist Grasso collaborates with restorers from the Louvre who paint historic-looking scenes for him, inserting an impossible phenomenon into the sky
76. Andaman kriss handle Andaman Islands, Indonesia
19th century stone
77 Lega Head Democratic Republic of Congo, Central Africa
19th century ivory
78. Prestige Oval-Lidded Basket Shoowa tribe, Democratic Republic of Congo, Central Africa
1st half of 20th century coiled and boucle embroidered raffia palm fibre
79 Abelam Cane Yam Mask with a Fine Head of Hair Papua New Guinea, Oceania
Early/mid 20th century woven fibre and pigment.
The Abelam people grow massive yams, up to two meters , which they believe are ancestral spirits, so they decorate them for ceremonial displays with these masks
1852-1870, 2nd Empire, Napoleon III bronze 1st Floor
80 Okuyi Mask Punu people, Gabon, Central Africa
Late 19th/early 20th century
wood with pigment
81 Pair of Regency inkwells
82. Wooden Yam Mask Abelam, Papua New Guinea, Oceania
1930s carved wood with pigments
83 Yam Mask Abelam, Papua New Guinea, Oceania
Early 20th century.
wood and pigment
84 Pair of Aleutian childs pants Arctic
19th century seal gut
85 Wari Haru, Ceremonial Baton Malaita people, Solomon Islands, Oceania
19th century
stone head covered with vegetable fibre on wooden stick, encrusted with motherof-pearl
86 Hopi Kachina Mask North America
early 20th century, leather painted with pigmented clay and a beard of human hair
87 Comb, Duafe Akan Culture, Ghana, Africa
1st half of 20th century carved wood
88 Comb with Two Female Figures Kwere Culture, Tanzania, Africa
Mid 20th century carved wood
89 Dan Comb Liberia/Ivory Coast, Africa
Early to mid 20th century wood
90 Hair Ornament, Comb Solomon Islands, Oceania
Early 20th century carved wood and shell inlays
91 Child’s Coat Inuit, Alaska, Arctic
Early 20th century fur and hide
92 Dayak Orangutang Skull Borneo
c 1900
93. Abelam Balsawood Yam Mask
Southern Abelam area known as the Wosera, East Sepik Province,
Papua New Guinea, Oceania
Early 20th century balsawood and pigments
94. Abelam Yam Mask, Bapa Mene
Abelam culture
Maprik area, East Sepik Province, Papua New Guinea, Oceania, Early/mid 20th century
coiled cane and pigments
95. Hector Garcia 1923 – 2012, Mexico
‘El Nino de la Hoja’, 1965 silver gelatin print
This Mexican photographer found rich imagery in the world of everyday people as well as his portraits of the avantgarde artists of the day
96 Filippo Caramazza b 1972
‘Untitled’, 2009 oil on linen
A Russian underworld character has Marx, Engles, Lenin and Stalin tattooed on his chest so he could not be shot there –typical of Caramazza’s dark humour
97 South American Bookends
wooden
98. Prestige Comb Bali, Indonesia
Early 20th century coconut wood, bamboo, incised metal plate and wire embroidery
99. Prestige Ornamental Comb, ‘Helu’ Tonga, Polynesia, Oceania
19th century coconut leaf mid-ribs and fine embroidered coconut fibre
100 Thomas Allen b 1963, USA
‘Floored’, 2009 chromogenic print
Allen creates new narratives from old books and comics, setting up a scene and photographing it with cinematic intrigue and drama
101 Abelam Yam Mask Papua New Guinea, Oceania
Early/mid 20th century cane with soft lavender, yellow and orange pigments
102 Bukie Yam Mask Papua New Guinea, Oceania
Early 20th century wood and pigment
103 Flute Mask Guam River, Papua New Guinea, Oceania
Late 19th/early 20th century stone-carved wood
104 Agnieszka Kurant b 1978, Poland
‘A A I (System’s Negative) No 1’, 2015 aluminium
Kurant is fascinated by the systems of our world, natural, economic, social and digital and here she has taken a cast of an anthill, exposing their labyrinthine world.
Green Stairs
105 Francesca Woodman b 1958, Colorado, d 1981, New York, USA
‘From Eel Series, Venice, Italy’ 1978 gelatin silver estate print
Most of American photographer Woodman’s work is self-portraiture from unusual angles, and this is one of her typically small works, juxtaposing herself with the eel
106 Tapa Waistcloth Finisterre Mountain Range at the border of Madang and Morobe Provinces, Papua New Guinea, Oceania
Early/mid 20th century bark cloth with pigments
107 Gregor Hildebrandt b. 1974, Germany
‘Die Robe – Bauhaus (classic gentleman)’, 2009 cassette tapes on jet ink print
Hildebrandt uses cassette tape of music from the movie to craft the pattern on the Jeanne Moreau’s coat, thus encapsulating sound in two dimensions
Green Stairs
114. Group of Prestige Baskets
Tutsi peoples, Rwanda or Burundi, Central Africa,
coiled woven fibre and natural, possibly banana fibre pigments
These intricately woven baskets took pride of place in Tutsi homes, the larger ones used to hold grain and smaller ones would have been ceremonial or for gifts
115 Tapa Funerary Cape Nakanai people of New Britain’s northeast coast, Papua New Guinea, Oceania c 1920
barkcloth with pigments
116. Erwin Blumenfeld b. 1897 Germany, d. 1969, Italy
‘Untitled, Paris’, 1936 gelatin silver print Blumenfeld uses gauze to abstract the female body with light and shadow.
117. Anonymous Boro
Early to mid 20th century indigo dyed cotton Cloth was repurposed and reused by the poor in Japan, sometimes through generations, producing richly layered textiles that appeal to the western aesthetic
118 Edward Weston
b 1886, Illinois, d 1958, California, USA
‘Nude’, 1936 gelatin silver contract print
Again photographing his wife Charis, Weston here creates one of his most iconic images: curves, hair, details of fingers as the light sculpts her body
119. Man Ray
b. 1890, USA, d. 1976, France
‘Nu de Dos’, c. 1944 gelatin silver print form a solarized negative on matte surface paper
The solarisation technique Man Ray famously discovered describes the model’s body in perfect fluid lines
Bridal Floor
120. Araminta Blue b. 1990, Cyprus
‘Interior’, 2020 oil on canvas
Blue creates a fragile, imagined space with suggestions of figures as an escape from reality.
121 Valérie Belin b 1964, France
‘Girls Girls Girls’ from the series ‘Brides’, 2012 pigment print
Belin combines a classic bride with the graphics of a shopfront, fusing urban commercialisation with romance to create a new ritual of power and delicacy.
48
122 Group of Prestige Baskets
Tutsi peoples, Rwanda or Burundi, Central Africa,
c 1920
coiled woven fibre and natural, possibly banana fibre pigments
These intricately woven baskets took pride of place in Tutsi homes, the larger ones used to hold grain and smaller ones would have been ceremonial or for gifts.
‘Star Caryatid’, 2019 glaze on porcelain Dimattio sculpts with clay using historical references, here a Greek-style pillar in female form, with balloon and cushion shapes in place of head and feet Bridal Floor
123 Erwin Blumenfeld b. 1897, Germany, d. 1969, Italy
‘Wet Veil’, c 1937 gelatin silver enlargement print Famous for his fashion photography, Blumenfeld here drapes the figure with gauze, disguising it and accentuating the sculptural.
124 Francesca Dimattio b 1981, New York, USA
125. Pygmy Barkcloth ‘Pongo’ Democratic Republic of Congo, Central Africa,
possibly mid 20th century pigmented bark
Bark is used to make cloth in many parts of the world, and this is a particularly delicately designed piece that would have been used as a ceremonial loin cloth
126. Sally Mann b. 1951, Virginia, USA
‘Virginia #42’, 2004 gelatin silver enlargement print with varnish Mann is best known for her intimate images of family life and here her daughter’s face is enlarged and takes on a sculptural form with luminous light on her freckles
127 Edward Weston b 1886, Illionois, d 1958, California, USA
‘Charis’, 1935 gelatin silver contact print Here Weston pictures his wife in repose, with every detail of her skin and flesh, and an unexpected placing of her hand, making the image rather surreal
128 Man Ray b 1890, USA, d 1976, France
‘Dora Maar’, 1936 gelatin silver print on matte surface paper Man Ray created this tiny surreal photograph of face and hands, picturing the artist who was a lover and muse to Picasso
129. Laurie Simmons
b. 1949, New York, USA
‘The Love Doll / Day 36 (Geisha Tattoo)’, 2011 Fuji matte print.
Simmons made a series featuring a Japanese sex doll, and when she discovered her assistant had a geisha tattoo, she made a final piece of the real woman with the doll
130 Louise Bourgeois (b 1911, France, d 2010, USA)
‘Figure qui Apporte du Pain’, 1950 bronze and stainless steel
Bourgeois created this sculpture, originally in wood, as part of a series of totem-like pieces that she imagined as her companions in the studio
131 Tapa Cloth, Siapo Samoa, Oceania early 20th century
barkcloth with pigments
Abstract patterns inspired by nature are painted on to the textile made from fine beaten bark, worn by a woman and used for exchange in wedding ceremonies
132 Edward Weston b 1886, Illinois, d 1958, California, USA
‘Nude, New York’,1941 gelatin silver contact print
Weston photographs his wife sleeping in the heat when they visited the city for his major exhibition and stayed with one of the museum’s benefactors
133. Hector Garcia 1923 – 2012, Mexico
‘Frida in Bed with a Dog’, 1949 silver gelatin print, vintage print The artist Frida Kahlo is intimately pictured by this Mexican photographer who also photographed all the great muralist artists of the time
134. Francesca Woodman b. 1958, Colorado, d. 1981, New York, USA
‘Untitled (from Swan Song series)’, 1978 estate digital c-print Most of Woodman’s work is self-portraiture from unusual angles and this is one of her larger works, full of movement, made when she was still a student.
135. Anonymous Pair of Portraits of Maori High Chiefs, New Zealand
Last quarter of the 19th century These charming portraits bring Jessica’s heritage to the bridal floor.
136. Märta-Måås Fjetterstrom
'Flower Patch' ('Blomlapp')
Sweden
1930s
wool and linen flatweave
137 Märta-Måås Fjetterstrom
'Flower Patch' ('Blomlapp')
Sweden
1930s
wool and linen flatweave
This innovative textile designer introduced a modern and cosmopolitan spirit to the traditionbound craft
7 Carlos Place | London | W1K 3AR 020 7491 999
