



CATALOGUE
Solo art exhibition at Johann Van Heerden’s Art and Gallery
593 Jacqueline Drive
Garsfontein, Pretoria, 0001 South Africa



CATALOGUE
Solo art exhibition at Johann Van Heerden’s Art and Gallery
593 Jacqueline Drive
Garsfontein, Pretoria, 0001 South Africa
EXHIBITION OPENING - 3RD MARCH 2024
Exhibition: SONDERLINGE
Gallery: JVH Art and Gallery
Curator: Johann Van Heerden
Curator: Miekie Lourens
INFO
For all purchases please contact the Art Gallery
https://jvhartgallery.co.za/exhibition-catalogues/ catalogue?id=65c20ec40f834352d3177927
Johann Van Heerden’s Art and Gallery 593 Jacqueline Drive Garsfontein, Pretoria, 0001 South Africa
INSPIRATION
Sonderlinge has been inspired by the trees, lands and skies of the Kalahari - Northern Cape South Africa
These are the textures of my life. These are the trees of my known rocky paths. This is the bright light sky at the close of day. These are the colours of veld that guide my way.
This heart. The heat. The becomings. This is the seeing and being at my feet.
This crackle of sand. This noise in the silence and the unsilent air.
And ‘everywhere’ saying... I am here.
I am there.
01
Sketches of desert friends and confidantes and the lessons that they share with me. Included amongst these are the Project X sketches.
02
Moments observed and captured on circular canvases.
03
A seduction of light. The promises of rain that rarely comes to the desert and the shimmering air.
an archaic spelling of ‘ old’ that is generally used in the names of places...
On the opening of Sonderlinge Exhibition on the 3rd of March 2024, I will be 11 years older than my father. He passed away when I was 15 years old and the night before he passed, I must have had a premonition, because that evening I was inconsolable. Consumed by a nameless sorrow.
I was at boarding school at the time and was granted permission to call him that next morning from the hostel.It was a Saturday. My words then, were inadequate in trying to explain my unfathomable sadness and concern and love for him.
He said to me, “Jen, if you ever need me, go find a tree, and I will be there.”
His last spoken words to me.
But I have been searching for him and loving him through conversations with trees ever since.
There are unspoken things and emotions that are best untangled or found in the company of trees. In the Kalahari, trees are few and far between and difficult to approach. Their thorns and briars make them impossible to hug, except the Shepherd’s Tree or Witgat Boom. The Mother Tree.
I go to the trees to hear my heart
She stands defiant in the unfathomable heat shaking her arms at the relentless Northern wind. She teaches me much about overcoming the elements and the pain of living and growing olde, pressing on and forward. She has many names but I find alot of my own mother in her, and the older I become, see more of my own self. I recognise and find deep comfort in that resemblance.
Three other notable mentors in my Sonderlinge Collection, who have been both inspration and comfort are Jessica, Krystyna and Ché. I admire and aspire to your courage and perseverence and am deeply grateful for your presence in my life.
“There you are. You praying mantis, hotnotsgod. Inviting me in as you would your prey. In this... on this... first attempt to fathom the why, the how of what this is? Tomorrow... I think that I will tidy you up... but I find the mess of you drawing me in.
Your mess detracts from my mindmess. And for a moment while we danced our crooked and clumsy dance it was good. The hags in the heat you and I, old tree. For the painted moment, free.
Our abandonment age.
There is a fine line between the losing it and the letting go.” Journal entry
You began in chaos, borne of the ‘Ougat Pyne’ and my trying to come to terms with all things beyond and out of my control.
You were the first to reach out to me, to remind me to look up, look forward, to see the light and all that lay beyond in futures unknown and uncharted.
As you turned and changed beneath my brush, calmness set in. Into the blue our iridescent cares, concerns and pains.
Large format size
MEDIUM: OIL ON CANVAS
Medium format size
MEDIUM: OIL ON WOODBLOCK
Medium format size
MEDIUM: OIL ON CANVAS
Small format size
MEDIUM: OIL ON WOODBLOCK/ CANVAS FRAME
Small format size
MEDIUM: OIL ON WOODBLOCK
Gentler into the heat of day, a mother’s words of advice to look at the big picture in many smaller manageable parts. Focus on and be present in the moment at hand.
Find the beauty in a single breath.
Seek the patterns of the abstract that become the whole when placed together.
44cm x 44cm
Oil on woodblock
Medium format size
MEDIUM: OIL ON WOODBLOCK
Night and Day. The awakening hours before sun when all is silent. The evening succumbs to the first heart beats of morning.
A liquid, velvet sky easing into day in this land of contrasts.
Medium format size
MEDIUM: OIL ON CANVAS ROUND
Here where I stand. From my vantage point, a seeking and a searching for direction. A beacon in the distance to transport me to a place of peace.
To embrace the wild and untamed. Embrace the chaos of the unknown and bravely step into the experience of it.
Mediuum format size
The trees of life. Continuity and coming full circle. There is always a purpose. Even as darkness is present, it enhances the light. And so too in our living. We need both to distinguish our ways forward.
RNK2024_02_20_31x31_Circles3
31cm x 31cm Oil on round canvas
RNK2024_02_21_31x31_Circles5
31cm x 31cm Oil on round canvas
RNK2024_02_24_31x31_Circles8
31cm x 31cm Oil on round canvas
RNK2024_02_22_31x31_Circles6
31cm x 31cm Oil on round canvas
RNK2024_02_25_31x31_Circles9
31cm x 31cm Oil on round canvas
RNK2024_02_29_31x31_Circles10
31cm x 31cm Oil on round canvas
I originally thought that I would call my exhibition Textures of Life, but Sonderling speaks better of where my spirit is at and reflects the way I am feeling and the state I am in at the moment better than Textures of Life or Letting Go.
This dichotomy of being torn between love and hate and feeling outcast and yet part of the landscape making me a Sonderling.
I wanted a name that speaks to this unfathomable heat, that speaks of overcoming and that represents the eccentricity of trees and flora in this desert and their resilience, persistence and ability to withstand the elements and still manage to tap into nature’s miraculous beauty.
I like that the word means more than its literal meaning for me... for this place where I am at is both vloekwoord and wonderwerk… and unlike any place I have ever experienced. I love it and hate it in equal measures... and just when I think I want to pack my bags and run to the well known and familiar forest with its soothing shade... It seduces me with the most amazing and spectacular skies at the close of day... and I find myself forgetting to breathe. It is so beautiful.
limitless skies.
Sonderlinge means something that is eccentric, unusual, out of the ordinary and at the same time outcast... on the outskirts, not of the norm... something that is apart from. Afgesonder.
Building a work is for me a balance act between chance and control. Intentionality submitting to the letting go. I often spend hours in detail which I then obliterate with diluted oil splatter. Giving over to chaos. A reminder to myself that I am not the artist... the moment is.
And the works I love most are not necessarily of me but simply in my willingness to make myself available to the act of creating. The ‘artist’ is a medium, much like the paint, the ‘artist’ is but a tool much like the palette knife or the brush. The true art already fleshed out, interwoven in the ether and predestined long before its becoming. As ‘artist’ I simply show up and say to the land ‘use me’. And as soon as I begin to feel that the ‘I’ in me is trying too hard... i destruct what I have arrogantly built.
I am like these bent and weathered desert trees silhouetted and singular against the endless and
Lessons in humility. In surprise and delight.