2023 78th Scripps College Ceramic Annual

This publication was produced in conjunction with the

2023 Scripps College 78th Ceramic Annual Ruth Chandler Williamson Gallery Scripps College January 21 - April 9, 2023 ISBN: 978-0-9972004-5-4 Copyright ©2022 Produced by Creativity Collaborative, Inc., Hood River, OR Designed by Jenn Anderson Typeset: FT Graphiite and Minion Pro Printed in the USA by Inland Litho, Anaheim, CA

Cover: NANCY SELVIN Tragedies and Horrors: Conversations over Tea, 2022 Ceramic, watercolors on paper, screened text Dimensions vary Cups photographed by David Schmitz

HANDLE CAREFULLY: THE POWER OF WORDS AND CLAY

guest Curator: KirK DELMAN

Ruth Chandler Williamson Gallery, Scripps College January 21 - April 9, 2023

artists ROBERT ARNESON

BETH LO

JUDY CHARTRAND

THOMAS MÜLLER

KEIKO FUKAZAWA

ELYSE PIGNOLET

METTE MAYA GREGERSEN

ŌTAGAKI RENGETSU

CATHERINE LEE

NANCY SELVIN

lenders BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE

METTE MAYA GREGERSEN THOMAS MÜLLER

JUDY CHARTRAND ELYSE PIGNOLET KEIKO FUKAZAWA SCRIPPS COLLEGE CATHERINE LEE NANCY SELVIN BETH LO

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Acknowledgements

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Curatorial Statement by Kirk Delman

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How We (re-)Learn to Read by Kay Whitney

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Checklist

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Plates

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Artist Profiles

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Complete List of Ceramic Annual Artists and Curators

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contents

Preface

Above:

JUDY CHARTRAND

Indian Residential School Brand Porridge, 2004 Photo credit: Kenji Nagai

PREFACE Since the creation of the art department at Scripps, ceramics has had an important place in the studio art curriculum. For seventy-eighth, the Ruth Chandler Williamson Gallery has presented an annual ceramic exhibition, which has featured new art in clay. Always as an “invitational exhibition”, the Ceramic Annual’s early curators were also professors of ceramics at Scripps: William Manker (1945-1947), Richard Petterson (1947–1958), and Paul Soldner (1956–1991).

Soldner changed the structure of the Annual from a large survey, which presented one work by many artists, to a focused look at several works by fewer artists. Soldner invited prominent artists, gallerists, and past participants to nominate an artist(s), so that each year visitors saw fresh work with different artistic perspectives. After Soldner’s retirement, from 1993 to 1995, Assistant Professor Nobuho Nagasawa shifted the Annual toward installation sculpture. To ensure changing perspectives, in 1996 we began a series of guest curators: Kris Cox (1996), Douglas Humble (1997) Cindy Kolodziejski (1998), Kathleen Royster (1999), David Furman (2000), Adrian Saxe (2001), Nancy Selvin (2002), Karen Koblitz (2003), Kirk Delman (2004), Tony Marsh (2005), Steven Portigal (2006), Tony Hepburn (2007), Phyllis Green (2008), Adam Davis (2009), Wayne Higby (2010), Tim Berg (2011). In 2012, the exhibition Clay’s Tectonic Shift: John Mason, Ken Price and Peter Voulkos, 1956–1968, which was part of the Getty’s Pacific Standard Time initiative, stood in for the Annual and was co-curated by Mary MacNaughton, Frank Lloyd, and Kirk Delman. In 2013, the Ceramic Annual resumed with guest curator Virginia Scotchie. In 2014, Kirk Delman and Mary MacNaughton presented an exhibition of works by past curators, followed by Annuals selected by Julia Haft-Candell (2015) Susan Beiner (2016), Joan Takayama-Ogawa (2017), Patsy Cox (2018), Kirk Delman (2019), Joanne Hayakawa (2020). In 2021, Covid-19 led to postponing the Annual one year and we invited Ashwini Bhat to curate the exhibition in 2022.

The 78th Annual will look closely at how artists have used words incorporated with clay to illustrate, emphasize and elaborate social, political, gender concepts along with personal inspirations.

This year, Kirk Delman, Interim Director of the Ruth Chandler Williamson Gallery is the guest curator for the 78th Ceramic Annual. Delman, has curated 9 exhibitions on ceramics including The 75th Scripps Ceramic Annual (2019), Meditation on Material: John Mason’s Firebrick Installations (2018), The 70th Scripps Ceramic Annual (2014), BEST KEPT SECRET: Ceramics from the Scripps Permanent Collection, American Museum of Ceramic Art, Pomona, CA. (2014), CLAY’S TECTONIC SHIFT: John Mason, Ken Price, Peter Voulkos 1956-1968, Getty Pacific Standard Time Exhibition (2012) (co-curated by Mary MacNaughton and Frank Lloyd), WITHIN TWO HANDS: The Eye of the Collector: Works from the Permanent Collection and the Marer Collection of Contemporary Ceramics at Scripps College, San Francisco Museum of Craft + Design. (2008), STANDING ROOM ONLY: 60th Scripps Ceramic Annual (2004), LA LIBERATION DE L’ARGILE AUX SOURCES DE LA CERAMIQUE CONTEMPRAINE AMERICAINE, The Ariana Museum, Geneva, Switzerland, co-curated with Roland Blaettner (2000), and THE CUP AND THE TEAPOT: The Extraordinary Diversity of a Simple Form, The Clark Museum, Scripps College, Claremont, CA. (1995).

Kirk Delman, Interim Director

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Above:

nancy selvin

Tragedies and Horrors: Conversations over Tea, 2022 Watercolors scanned by Nancy Selvin

ACKNOWLEDGMENTS The 78th Scripps Ceramic Annual is the result of contributions by many individuals. First, we thank guest curator Kirk Delman, who proposed the theme, Handle Carefully: The Power of Words and Clay, and the artists who brought this exhibition to life.

We owe a special debt of gratitude to Kay Whitney, artist and writer who wrote the essay, How We (re-)Learn to Read. It has been a pleasure working with Kay, who again makes us think about the ideas underlying the exhibition. Words are central to the work of the artists in this exhibition, who understand firsthand the fragility and significance of the use of language.

We are most grateful to the artists and lenders in the exhibition including, Judy Chartrand, Keiko Fukazawa, Catherine Lee, Beth Lo, Mette Maya Gregersen, Thomas Müller, Elyse Pignolet, and Nancy Selvin. We also extend a special thanks to the University of California, Berkeley Art Museum and Pacific Film Archive for loaning Robert Arneson’s Typewriter, 1965, and to Scripps College for the work of Ōtagaki Rengetsu to the exhibition. The staff of the Ruth Chandler Williamson Gallery also deserves acknowledgment for their excellent work. Margalit Monroe who expertly coordinated the catalog preparation and supplied the first editorial reading. John Trendler swiftly provided images for publicity, and collection manager T. Robert who created the exhibition design and worked with artists to install it. I especially like to thank Maya Pal, 2022 Getty Marrow Summer Intern for editing the artist profiles and keeping Kirk on track.

We again extend our thanks to Jenn Anderson, owner of Creativity Collaborative, Inc, who has produced another stunning catalog. This is our twenty-third in a series, which began to document the Annual in 2000 and we are eternally grateful to the Pasadena Arts Alliance for their continued support.

Heartfelt thanks go to our dedicated sponsors, whose continuing support is greatly appreciated.

These generous people include: Bill and Francine Baker, Kirk and Dana Delman, David Furman, Skutt Ceramic Products, Inc., Joan and David Lincoln Endowment, and the Paul Soldner Endowment. Finally, we sincerely thank President Suzanne Keen, Dean of Faculty Amy MarcusNewhall, and the Trustees of Scripps College.

Kirk Delman, Interim Director

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Above:

catherine lee

when among all, 2021 (poem c. 2000) Photo credit: Catherine Lee

curatorial statement While growing up I was often reminded and sometimes reprimanded that, “actions speak louder than words.” In the case of the 78th Scripps Ceramic Annual the selected artists have consciously combined words and clay into provocative and meaningful ways.

Making art is inherently difficult to navigate without some form of guidance and mentorship and in the best of circumstances is a complicated matter. In the past decade, and especially in recent years due to the Covid epidemic and partisan politics, we have become more isolated and fearful in sharing our thoughts and opinions at a time when they are needed most.

While curating the 78th Ceramic Annual I was consciously searching out artists who have expressed the courage and capacity of telling a part of their personal story through the combination of words and clay.

Certainly not limited to these ten artists nor new to the field, as artists and poets, teachers and writers, have been expressing themselves for centuries, but I found this group particularly appealing for their inspirations and timeliness. In an essay titled, Speaking Volumes: Pottery and Word, by Paul Mathieu, he writes the following.

Impressing words and text onto wet clay, then fired, contains a permanence not unlike a well written story. It can change one’s life, enrich an experience, move one to tears.

Contrary to handmade ceramics, this work is not about clay or plasticity or the intrinsic beauty of materials; it is not about technique or even skill (although the objects are superbly made), or glaze recipes or firing processes; it is not about personality or biography either. It represents instead an investigation of the nature of ceramics within the larger context of art and its histories.

The work in the 78th Ceramic Annual exhibition reveals a range of ideas that are as personal as they are topical. Our capacity to understand each other grows exponentially the longer we look, listen, and feel which directly impacts the decisions that we make.

What more can we ask for, when looking at art.

Kirk Delman Curator and Interim Director of the Ruth Chandler Willamson Gallery

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Figure 1:

METTE MAYA GREGERSEN

La Mémoire et la mer (the skin of the sea), 2022 Photo credit: Mette Maya Gregersen

How We (re-)Learn to Read

by Kay Whitney “language is a virus from outer space.” - Laurie Anderson If one concept could describe the last few years, it’s the notion of the ‘viral.’ We’ve had viral memes and viral images on social media, in print and on television. Not unlike Covid-19, the memes and Tweets and TikTok images have replicated themselves in constantly mutating forms. The past six years have emphasized the power and danger of language and the printed word bringing us the phrase ‘fake news,’ causing some to disbelieve science and election results and bringing us propaganda in all its forms. There is no area of human relations that is not mediated by language and, in particular, the written word. Language and text have never separated us more than they have during this past strenuous, argumentative decade. We’re living in an age where language has become disconnected from information and words have been severed from meaning.

By its nature, language and its silent expression in text is potent, staining every expression, distilling it into an unreliable and inadequate parallel of experience. Language is neither transparent nor stable, like a virus, it replicates itself in subtly different forms and meanings. Text is a pattern of information attached to consciousness, a kind of programming that animates and controls us, floating free of categories like ‘truth’ or ‘lies.’ Once you substitute text for experience, you condense the marvels of the environment, relationships, colors, into their inadequate, conceptual counterparts in text; TREE, KISS, BLUE, LOVE. Once the distancing nature of text takes hold, it becomes harder to hold onto sense-memories, their particularities, smells, specific colors. Conversely, the idea that a picture is ‘worth a thousand words’ is ultimately a false narrative; images can be completely obscure, unidentifiable, worthless.

The artists in this exhibition produce works that link to lived experience through combining two fundamental means of communication: words and pictures. Through their use of unforgettable images and carefully selected text, they tell us the stories we need to know and ask the necessary questions, flagging the big subjects of our time. The combination of image with text functions as an alternative vector of information, making story-telling, identification and description more vivid and animated. The pairing of image and text provides a way to bind the conceptual to the visual, to bolster meaning, creating a structure in which a more sensual form of communication offers a different reality than either element alone.

The objects in the exhibition ask that we look at the surfaces of language, its abstractness and malleability of meaning, to see how it’s modified or enhanced by the images that accompany them. Most crucially, these works also engage in an openended, interpretive dialogue with the viewer about how art narrates. The artists give the spectator three ways to encounter their artwork - by seeing the images, through the process of reading, or by looking at the sculptural form. By combining these three methods of looking and observing, the objects in this exhibition teach another way to read, another way to take in information.

Any contemporary art work that fuses text with images is also enmeshed in poetics and pleasure. The sensual beauty of images and the rhythms of language are meaningful and elemental parts of communication. To a certain extent, artists using text are also concerned with politics as text is inextricably linked to knowledge production and the formation of cultural beliefs.

Certain images rely on text to explain them, to place them in time, to define them. The most important difference between creating images and writing text is that the reader’s processing of imagery is not linear and orderly in the way we learn to read. What happens when the two are combined creates a major change in the way we communicate; it results in a richly multidisciplinary trove of possibilities and practices.

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Figure 2:

Catherine lee

Naturalis Errata Series, 2020-21 Photo credit: Catherine Lee The works of Ōtagaki Rengetsu (1791-1875) and Robert Arneson (1930-1992) provide an important metaphorical context for the objects in this exhibition. Both were esteemed during their lifetimes for their respective precedent-breaking work; both were intensely involved with the use of text.

Both used the written word in personal fashion; Arneson satirically, Rengetsu deeply poetically. They paved the way for the artists in this exhibition.

Here represented by his well-known and notorious piece, Typewriter (1965), Arneson transformed the standard keyboard into erotically-charged red fingernails. In Surrealist fashion, these stand in for the stereotypically ‘sexy’ female secretary. Arneson’s work proposed that art could be both humorous and profound. He said, “‘Humor ‘is a problem in art’ and whenever you get involved with humor, people take it personally and become offended. But you can’t not offend anyone in dealing with tragedy.” Many of the artists in this exhibition would agree.

The works of Ōtagaki Rengetsu, a famous Japanese beauty, martial arts practitioner, Buddhist nun and poet are equally relevant to the objects in this show. Were she to awaken 147 years after her death, I believe she would be shocked by those objects; their lack of function, their drama and topicality.

She herself was a practitioner of restrained adornment, collaborating with gifted potters to produce functional ceramics famed for the refinement of her calligraphy and poetry. The presence of her work provides a backdrop, an ancestry, to the work of the eight living artists whose work accompanies hers.

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Catherine Lee, like Rengetsu, is a poet/artist and is the sole sculptor in the exhibition whose use of text involves the act of creating poetry. She believes; “humankind’s greatest abstraction is not math, but language, and the written word in particular.” In the works presented at Scripps, Naturalis Errata, Lee uses a series of seven forms resembling ancient shields each bearing the text of a different poem by Lee (fig. 2). She writes that these poems address “issues that relate to this existential moment: our earth (its beauty, its coming diminishment), erratic weather (at times anthropomorphized), art-making (the joyous thing that ties me to life), and the perpetual motion of all matter and time.”

The poems have been incised into thick slabs of clay via the use of metal lettering stamps. Each stamp is pushed into the clay letter by letter hundreds of times varying the imprint of each letter. Lee’s raku-fired shields are unevenly mottled with bubbled glaze; parts of her poems are so darkened by smoke that the clarity of the words is compromised. Working outside of the conventions of legibility, her scaffoldings of text do not contain language so much as set it in motion.

Nancy Selvin also employs various mechanisms of visibility and erasure to create a poetics of elision. Rather than handwriting, she uses the typewriter to create text thus choosing a more formal method to make the content and her intentions more universal. The text is applied using screen printing; she uses this process to interfere with the lettering, to alter comprehension thru blotting and deletion or to interrupt the flow of text. The texts she uses are generally comprised of found material; fragments of articles, quotes, poetry, her own thoughts. For her, “the text holds a personal meaning but is never printed in full; often illegible or smeared, it hints at the poetic to provide a scrap of memory or meaning. It is never meant to be read in full or to be fully

understood.” Presented in grid formation on the wall, the surfaces of her work in the exhibition, approximately 60 tea bowls; 30 in clay and 30 watercolors, will contain snippets of text dealing with the current global situation; wars, upheaval and the pandemic. Selvin states that she wants to “hint at the intimate (thus the tea bowl scale), conversations we engage in safely ensconced in our own private lives, while fires rage near Yosemite, and war rages...”.

Thomas Müller is a first-generation Swiss/GermanAmerican, born in South Africa. His language-based work represents neither poetry nor prose and questions text itself as a vehicle of meaning. Employing the impersonal Helvetica font primarily used for signage and advertisements, his objects wed poetics to the more concrete world of declarative, discursive concepts. He achieves this by removing words from their natural environment on the page and translating them into 3-dimensional entities. He envisions language as “thoroughly abstract, a thin and permeable skin wrapped around spoken and written language.” For him, “language is brilliant but imprecise,” ephemeral and contingent. Müller’s letterforms are made in molds so as to remove his touch and emphasize their distance from the conventions of aesthetics.

He overfires the clay to the point of warpage and near collapse to imply the element of collapse and failure (fig. 3).

As does Lee’s and Selvin’s, his work challenges conventions of legibility but does it in a far more radical way, questioning text’s fundamental ability to bear meaning. His words reject the patterns of meaning assumed by others; they fail to be informational, are reduced to the role of mute, humble objects.

Danish artist, Mette Maya Gregersen, makes work permeated by her fascination with water; the motion of waves, currents of water, and the drift of thoughts. Her

large tile piece, La Mémoire et la mer (the skin of the sea), is presented on a bed of white sand. Various shades of blue and blue-green predominate through-out the 72 porcelain tiles that comprise it. Her text is taken from notes and observations made in a sketchbook during travels to the Pacific, the North Sea and the Mediterranean. Maya says, “In this piece I have been exploring the symbolic value of the sea and how that is being manifested in thoughts and memory.”

While using the antique French wood stamps to create text in the wet clay (fig. 1), she felt she was “sculpting with words, making shapes with the sound of a word.” Each tile bears different messages and phrases which have a deeper meaning; in her words, “It’s about creating a connection; between words, between thoughts, between people. between each page and between each wave....”.

Judy Chartrand uses text in her deeply personal and political sculpture “because I want to be 100% clear if I’m communicating anything in my work...”. She is Manitoba Cree, her confrontational work speaks of the social and cultural situation of First Nation peoples and issues confronting them; racist policies and attitudes, inequity and poverty. That these issues are expressed with a sly undercurrent of humor makes her messages all the more pointed. A work Chartrand describes as “confessional” bears the obscured text We Never Wanted to Be White. This plate and Indian Residential School Brand Porridge reference the brutal abuses of the Canadian residential-school system.

In memory of those no longer with us, records Chartrand’s involvement with the Feb 14th Women’s Memorial March.

Chartrand says, “when I heard the names read out of the Figure 3:

thomas müller

white whale (detail), 2021 Photo credit: Mario Galluci

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Her work also satirizes the representation of Asians and the “concept of the ‘model minority’ which pigeonholes Asian Americans in a ‘positive’ light: as Kung Fu masters, Harvard grads, talented musicians or Chow Mein cooks.” (fig. 4) To celebrate her cultural heritage, Lo creates “Inheritance Vases” which are concerned with “what we pass on of our culture to our children.”

Figure 4:

beth lo

Chinese American Cuisine, 2022 Photo credit: Beth Lo women who were lost, including my own sisters... I felt ... an anger that was more of a sadness, knowing what they could have been. They never had the opportunity to have dreams, to have pride in their culture or in their background. When I created the bowl, I decided to include the names of all the women.”

Beth Lo, is a second-generation Chinese-American. Her work creates an implied narrative; the figures and talismans invoke tradition, culture and philosophy. Concerning her use of text, she says, “ I am very interested in language and translation, how language embodies culture, and what is lost and gained in translation.” She is interested in calligraphy as a discipline and an artform. Her grouped pieces feel like a theatrical set whose images and materials undergo an alchemical change that fabricates new metaphors. Like Chartrand, Lo’s work addresses social and political issues including those relating to “family and my Asian-American background, cultural marginality and blending, tradition vs. Westernization.” Much of her work revolves around the themes and images of childhood and the cliches and generic imagery associated with it; cuteness, figurines, small scale.

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Elyse Pignolet’s work binds humor to piercing social observation and commentary. She draws brilliantly on numerous sources such as chinoiserie, comics and graffiti, folding these into her rigorous practice of social satire.

Her work contends with the issues that remain toxic and unresolved - the dialectic between feminism and misogyny, social transgression, female sexuality and empowerment.

As a ceramicist, she focuses on creating objects associated with domesticity; plates, platters, vases, wallpaper. On these stereotypical surfaces she paints delicate, flowery, traditional motifs using a blue glaze similar to that of Willow Ware or Portuguese azulejos. These are surrounded by texts and images hand-drawn in a variety of self-designed fonts; some jaggedly geometrical, some flowing and script-like, others scrawled and obscured. The words lie in sharp contrast to the flowery, stereotypically ‘female’ imagery surrounding them - forming sentences that contain offensive, misogynistic words and phrases commonly used in the media and or heard in daily discourse. From a distance, the work is sweetly decorative; close up it reminds us of a tragic, daily, sexual reality yet to be addressed or mitigated by laws.

Like a magician, Keiko Fukazawa uses indirection to communicate something the viewer doesn’t immediately see or sense. Her work can often seem to be saying one thing while appearing to do or say something else. Her ironic use of text critiques some of the direst issues of our times in the most deadpan and elegant fashion. Her sense of humor is particularly evident in a series of ceramic plates resembling those used for the Ishihara color blindness test. Using bright, cheerful colors Fukazawa conceals different words like ‘God’, ‘Money’, ‘Oil’, ‘Black’ within a barrage of smaller and larger dots (fig. 5). Because your eye is distracted by the colors, your mind deciphers these words after a delay; the realization you are looking at an actual word comes as a shock. As she says, “My aim is to explore life’s absurdity, contradiction, and senselessness relating to social injustice, racism, and wealth disparity.”

Her large installation, Days consists of 900 cast porcelain guns, each labeled with a name of the victim, their age, and

address where the violence occurred. About 100 Americans are killed daily by guns; the 900 casts represent the number of people who die by gun violence every week. This piece demonstrates Fukazawa determination to create art that “defines its era and reflects what we are living through.”

The artist’s job is to enrich - to reanimate words, images, and symbols that have become inadequate, desiccated or degraded into cliche. Artists use the power of the image to navigate language’s erasures. The artists in this 78th Annual simultaneously deal with the trickiness of language and the

shifting meaning of visual images. They employ language as a sculptural material that cements meaning to object; they layer words and pictures, building meaning through their accumulation. Image, text and object are compressed and fused, demonstrating a variety of ways to make thoughts and images emotionally focused and intensely physical.

Figure 5:

keiko fukazawa

Perception Plates (MONEY), 2013 Photo credit: Susan Einstein

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checklist 1. ROBERT ARNESON

(1930-1992) Typewriter, 1965 Painted and glazed earthenware 6.12 x 11.36 x 12.5 inches Courtesy of University of California, Berkeley Art Museum and Pacific Film Archive Gift of Robert Arneson 1967.4 © 2022 Estate of Robert Arneson / Licensed by VAGA at Artists Rights Society (ARS), NY Photo credit: University of California, Berkeley Art Museum and Pacific Film Archive

2. JUDY CHARTRAND

Indian Residential School Brand Porridge, 2004 Low fire slip, underglaze, lustre and wood 23.8 x 19.3 x 3.7 inches Courtesy of the Bill Reid Gallery, Vancouver BC Photo credit: Kenji Nagai

3. JUDY CHARTRAND

What a Wonderful World, 2020 Low fire slip, underglaze, glaze & white gold lustre 12.75 x 12.75 x 3.5 inches Courtesy of The Bill Reid Gallery, Vancouver, BC Photo credit: Judy Chartrand

4. JUDY CHARTRAND

We Never Wanted To Be White, 2022 Commercial porcelain plate, china paint, gold lustre 12 x 12 x 1.25 inches Courtesy of The Bill Reid Gallery, Vancouver, BC Photo credit: Judy Chartrand

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5. JUDY CHARTRAND

In Memory of Those No Longer With Us Medium, 2022 Low fire paper clay, underglaze, glaze 13.25 x 13.25 x 4.25 inches Courtesy of The Bill Reid Gallery, Vancouver, BC Photo credit: Judy Chartrand

6. KEIKO FUKAZAWA Days, 2022 Porcelain, text decal Dimensions vary Photo credit: Ruben Diaz

7. KEIKO FUKAZAWA

Perception Plates (OIL), 2013 Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches Photo credit: Susan Einstein

8. KEIKO FUKAZAWA

Perception Plates (MONEY), 2013 Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches Photo credit: Susan Einstein

9. KEIKO FUKAZAWA

Perception Plates (BLACK), 2014 Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches Photo credit: Susan Einstein

10. KEIKO FUKAZAWA

Perception Plates (GUN), 2022 Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches Photo credit: Ruben Diaz

11. KEIKO FUKAZAWA

Perception Plates (POWER), 2022 Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches Photo credit: Ruben Diaz

12. KEIKO FUKAZAWA

Perception Plates (JAN.6), 2022 Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches Photo credit: Ruben Diaz

13. METTE MAYA GREGERSEN La Mémoire et la mer (the skin of the sea), 2022 High fired porcelain, glazed, stamped, sand, and incised Dimensions vary Photo credit: Mette Maya Gregersen

14. CATHERINE LEE

when among all (Naturalis Errata Series), 2021 (poem c. 2000) Raku sculpture with original poem embedded & copper collar, raku fired multiple times Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive 16.5 x 11.5 x .75 inches Photo credit: Catherine Lee

15. CATHERINE LEE

away again (Naturalis Errata Series), 2021 (poem c. 1994) Raku sculpture with original poem embedded & copper collar, raku fired multiple times Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive 16.5 x 11.5 x .75 inches Photo credit: Catherine Lee

16. CATHERINE LEE

lifes before this (Naturalis Errata Series), 2021 (poem c. 2008) Raku sculpture with original poem embedded & copper collar, raku fired multiple times Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on

flash drive 16.5 x 11.5 x .75 inches Photo credit: Catherine Lee

17. CATHERINE LEE

the arrow of time (Naturalis Errata Series), 2020 (poem c. 2005) Raku sculpture with original poem embedded & copper collar, raku fired multiple times Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive 16.5 x 11.5 x .75 inches Photo credit: Catherine Lee

18. CATHERINE LEE

we come from nothing (Naturalis Errata Series), 2020 (poem c. 2001) Raku sculpture with original poem embedded & copper collar, raku fired multiple times Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive 16.5 x 11.5 x .75 inches Photo credit: Catherine Lee

19. CATHERINE LEE

reversals (Naturalis Errata Series), 2020 (poem c. 2019) Raku sculpture with original poem embedded & copper collar, raku fired multiple times Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive 16.5 x 11.5 x .75 inches Photo credit: Catherine Lee

20. CATHERINE LEE

cry me a river (Naturalis Errata Series), 2020 (poem c. 2007) Raku sculpture with original poem embedded & copper collar, raku fired multiple times Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive 16.5 x 11.5 x .75 inches Photo credit: Catherine Lee

21. BETH LO

Family (Inheritance Series), 2022

Coil built porcelain, underglaze, cone 6 oxidation 18 x 13 x 13 inches Photo credit: Beth Lo

22. BETH LO

Model Minority, 2022 Slab porcelain underglaze, cone 10 5 x 14 x .5 inches Photo credit: Beth Lo

23. BETH LO

Model Minority, 2022 Slip cast porcelain underglazes, cone 6 16 x 16 x 3 inches Photo credit: Beth Lo

17.5 x 4 x 3 inches Photo credit: Thomas Müller

30. THOMAS MÜLLER

white whale, 2021 Porcelain, clay, glaze, wood 10 x 22 x 5.5 inches Photo credit: Mario Gallucci

31. THOMAS MÜLLER

thin skin, 2021 Porcelain, clay, glaze 28 x 12 x 4 inches Photo credit: Mario Gallucci

32. ELYSE PIGNOLET

Not Me, 2022 Slip cast porcelain underglaze, cone 6 16 x 16 x 3 inches Photo credit: Beth Lo

Second Sex, 2021 Installation of ceramics and handmade tile with glazes and gold luster 126 x 119.5 x 7 inches Courtesy of the artist and Track 16, Los Angeles Photo credit: Track 16, Los Angeles

25. BETH LO

33. ŌTAGAKI RENGETSU

24. BETH LO

Chinese American Cuisine, 2022 Slip cast porcelain underglaze, cone 6 14 x 10 x 10 inches Photo credit: Beth Lo

26. BETH LO

Ta (pronoun): He, She, It, 2022 Porcelain 14 x 9 x 9 inches Photo credit: Beth Lo

(1791-1875) Sake Bottle, c. 1840 Glaze on ceramic 9.5 x 7 x 7 inches Scripps College, Claremont, CA. Purchase, Scripps Collectors’ Circle 2019.21.4 Photo credit: John Trendler

34. ŌTAGAKI RENGETSU

Learn English Flash Cards: Snack Tray Set, 2022 Porcelain Dimensions vary Photo credit: Beth Lo

(1791-1875) Side-Handled Sencha Tea Pot, c. 1840 Glaze on ceramic 2.5 x 4.75 inches Scripps College, Claremont, CA. Purchase, Scripps Collectors’ Circle 2019.21.3 Photo credit: John Trendler

28. THOMAS MÜLLER

35. NANCY SELVIN

27. BETH LO

There is no elephant in this room, 2017 Clay, glaze, cinderblock 120 x 120 x 112 inches Photo credit: Allen King

29. THOMAS MÜLLER

Tragedies and Horrors: Conversations over Tea, 2022 Ceramic, watercolors on paper, screened text Dimensions vary Cups photographed by David Schmitz

Am I flammable?, 2017 Clay, glaze

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PLATES

ROBERT ARNESON

Typewriter, 1965 Painted and glazed earthenware 6.12 x 11.36 x 12.5 inches Courtesy of University of California, Berkeley Art Museum and Pacific Film Archive, Gift of Robert Arneson 1967.4 © 2022 Estate of Robert Arneson / Licensed by VAGA at Artists Rights Society (ARS), NY Photo credit: University of California, Berkeley Art Museum and Pacific Film Archive

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JUDY CHARTRAND

We Never Wanted To Be White, 2022 Commercial porcelain plate, china paint, gold lustre 12 x 12 x 1.25 inches Courtesy of The Bill Reid Gallery, Vancouver, BC Photo credit: Judy Chartrand

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In Memory of Those No Longer With Us Medium, 2022 Low fire paper clay, underglaze, glaze 13.25 x 13.25 x 4.25 inches Courtesy of The Bill Reid Gallery, Vancouver, BC Photo credit: Judy Chartrand

23

KEIKO FUKAZAWA

Days, 2022 Porcelain, text decal Dimensions vary Photo credit: Ruben Diaz

24

Perception Plates (BLACK), 2014 Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches Photo credit: Susan Einstein

25

METTE MAYA GREGERSEN

La Mémoire et la mer (the skin of the sea), (detail) 2022 High fired porcelain, glazed, stamped, sand, and incised Dimensions vary Photo credit: Mette Maya Gregersen

26

La Mémoire et la mer (the skin of the sea), 2022 High fired porcelain, glazed, stamped, sand, and incised Dimensions vary Photo credit: Mette Maya Gregersen

27

catherine lee

lifes before this, 2021 (poem c. 2008) Raku sculpture with original poem embedded & copper collar, raku fired multiple times Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive 16.5 x 11.5 x .75 inches Photo credit: Catherine Lee

28

away again, 2021 (poem c. 1994) Raku sculpture with original poem embedded & copper collar, raku fired multiple times Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive 16.5 x 11.5 x .75 inches Photo credit: Catherine Lee

29

BETH LO

Model Minority, 2022 Slab porcelain underglaze, cone 10 5 x 14 x .5 inches Photo credit: Beth Lo

30

Family (Inheritance Series), 2022 Coil built porcelain, underglaze, cone 6 oxidation 18 x 13 x 13 inches Photo credit: Beth Lo

31

THOMAS MÜLLER

thin skin, 2021 Porcelain, clay, glaze 28 x 12 x 4 inches Photo credit: Mario Gallucci

32

white whale, 2021 Porcelain, clay, glaze, wood 10 x 22 x 5.5 inches Photo credit: Mario Gallucci

33

ELYSE PIGNOLET

Second Sex, 2021 Installation of ceramics and handmade tile with glazes and gold luster 126 x 119.5 x 7 inches Courtesy of the artist and Track 16, Los Angeles Photo credit: Track 16, Los Angeles

34

Second Sex, (detail) 2021 Installation of ceramics and handmade tile with glazes and gold luster 126 x 119.5 x 7 inches Courtesy of the artist and Track 16, Los Angeles Photo credit: Track 16, Los Angeles

35

ŌTAGAKI RENGETSU

Sake Bottle, c. 1840 Glaze on ceramic 9.5 x 7 x 7 inches Scripps College, Claremont, CA. Purchase, Scripps Collectors’ Circle 2019.21.4 Photo credit: John Trendler

36

Side-Handled Sencha Tea Pot, c. 1840 Glaze on ceramic 2.5 x 4.75 inches Scripps College, Claremont, CA. Purchase, Scripps Collectors’ Circle 2019.21.3 Photo credit: John Trendler

37

NANCY SELVIN

Tragedies and Horrors: Conversations over Tea, 2022 Ceramic, watercolors on paper, screened text Dimensions vary Cups photographed by David Schmitz

38

Tragedies and Horrors: Conversations over Tea, 2022 Ceramic, watercolors on paper, screened text Dimensions vary Watercolors scanned by Nancy Selvin

39

artist PROFILES 40

Robert Arneson (1930-1992) EDUCATION 1949-1951 1952-1954 1958 1985 1987

College of Marin, Kentfield, CA B.A., California College of Arts and Crafts, Oakland, CA M.F.A., Mills College, Oakland, CA Honorary Doctor of Fine Arts, Rhode Island School of Design, Providence, RI Honorary Doctor of Fine Arts, San Francisco Art Institute, San Francisco, CA

TEACHING EXPERIENCE 1958-1959 1959-1960 1960-1962 1962-1991

Santa Rosa Junior College, Santa Rosa, CA Fremont High School, Los Angeles, CA Mills College, Oakland, CA University of California, Davis, CA

SELECTED EXHIBITIONS Committed to Print, Museum of Modern Art, New York City, NY Des Moines Art Center, Des Moines, IA Allan Frumkin Gallery, New York City, NY Landscapes, Not Views, Johnson Museum of Art, Cornell University, Ithaca, NY Hansen Fuller Gallery, San Francisco, NY Allan Frumkin Gallery, New York City, NY 1976-77 Painting and Sculpture in California, the Modern Era San Francisco Museum of Modern Art, San Francisco, CA 1976 Hansen Fuller Gallery, San Francisco, CA Fendrick Gallery, Washington D.C. Bicentennial Show, Allan Frumkin Gallery, New York City, NY 1975 Ruth Schaffner Gallery, Los Angeles, CA Allan Frumkin Gallery, New York City, NY Clay U.S.A. Fendrick Gallery, Washington D.C. Sculpture, American Directions, 1945-1975 National Collection of Fine Arts, Smithsonian Institution, Washington D.C. California Gold J.P.L. Fine Arts Gallery, London, England 1974 Robert Arneson, Exhibition of Ceramics and Drawings from 1962-1973, Museum of Contemporary Art, Chicago, IL & San Francisco Museum of Art, San Francisco, CA Daison Sec Gallery, Chicago, IL Contemporary American Painting and Sculpture, University of Illinois, Champagne, Illinois Clay, The Whitney Museum of American Art, New York City, NY Scripps College Ceramic Annual, Scripps College, Claremont, CA 1973 Painting and Sculpture by Young American Artists, Cranbrook Academy of Art Museum, Bloomfield Hills, MI 1972 White on White, Museum of Contemporary Art, Chicago, IL Nut Art, California State University, Hayward, CA Sacramento Sampler One, E.B. Crocker Art Gallery, Sacramento, CA Decorative Ceramic Art, 1962-1972, San Francisco Museum of Modern Art, San Francisco, CA 1971-72 Contemporary Ceramic Art Canada, USA, Mexico, and Japan, Museum of Modern Art, Kyoto, Japan 1971 Clay Works: Twenty Americans, Craft Museum, New York City, NY

1988 1986 1979 1978 1977

1970

1969

1968 1967 1966

1963 1961

Hansen Fuller Gallery, San Francisco, CA Teacups, Teapots, and Gorillas, Moore College of Art, Philadelphia, PA Recent Acquisitions, San Francisco Museum of Modern Art, San Francisco, CA Recent Art Work in Porcelain, Hansen Fuller Gallery, San Francisco, CA San Francisco Art Institute Centennial Exhibition, de Young Museum, San Francisco, CA Annual Exhibition, The Whitney Museum of American Art, New York City, NY Hansen Fuller Gallery, San Francisco, CA The Bob and Roy Show, Esther Robles Gallery, Los Angeles, CA Allan Stone Gallery, New York City, NY Objects USA, Johnson Collection of Contemporary Crafts, Smithsonian National Collection of Fine Arts, Washington D.C. Spirit of Comics, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA A Human Concern: Personal Torment, The Whitney Museum of American Art, New York City, NY Scripps College Ceramic Annual, Scripps College, Claremont, CA Dada, Surrealism and Their Heritage, Museum of Modern Art, New York City, NY Scripps College Ceramic Annual, Scripps College, Claremont, CA Allen Stone Gallery, New York City, NY Ceramics from Davis, University of California, Davis, CA The New Ceramic Objects, the Craft Museum, New York City, NY Kaiser Center Roof Garden, Oakland, CA Scripps College Ceramic Annual, Scripps College, Claremont, CA

Judy Chartrand EDUCATION 2003 M.F.A. University of Regina, Regina, SK, Canada 1998 B.F.A. Emily Carr Institute of Art & Design, Vancouver, BC, Canada 1996 Undergraduate Exchange Study, Institute of American Indian Arts, Santa Fe,NM 1994 Langara College, Fine Arts Program, Vancouver, BC, Canada

EXHIBITIONS 2019 2018 2017

2016 2015 2013 2010 2008

Playing with Fire: Ceramics of the Extraordinary, Museum of Anthropology, Vancouver, BC, Canada the poets have always preceded, Griffin Art Projects, North Vancouver, BC, Canada BAD STITCH, Macaulay & CO. Fine Art, Vancouver, BC, Canada Givin Back in 2017, Gallery Weekend, San Francisco, CA Judy Chartrand, Macaulay & Co. Fine Art, 25th Annual Outsider Art Fair, New York City, NY BC to BC, A Survey of Contemporary Ceramics from Baja California to British Columbia, San Diego Art Institute, San Diego, CA. extratextual, Contemporary Calgary, Calgary, AB, Canada Métis Soup, Macaulay & Co. Fine Art, Vancouver BC, Canada Judy Chartrand: What a Wonderful World, Bill Reid Gallery, Vancouver BC, Canada Chaos, The Rennie Collection at Wing Sang, Vancouver, BC, Canada Judy Chartrand: 1999 – 2013, AKA Artist Run Centre, Saskatoon, SK, Canada Cherished Things, Love Saskatchewan Festival at Harbour Front, Toronto, ON, Canada Cherished Things, Saskatoon Exhibition, Saskatoon, SK, Canada Honouring Tradition: Reframing Native Art, Glenbow Museum, Calgary, AB, Canada

41

2007

2006

2005

2004

2003 2002

Changing Hands 2, Tucson Museum of Art, Tucson, AZ Changing Hands 2, Weisman Art Museum, University of Minnesota Minneapolis, MN Changing Hands 2, Anchorage Museum of History & Art, Anchorage, AK Changing Hands 2, Philbrook Museum of Art, Tulsa, OK Changing Hands 2, Naples Museum of Art, Naples, FL Changing Hands 2, Eiteljorg Museum of Americans Indians, Indianapolis, IN Lost & Found, Access Gallery & Powell Street Festival, Vancouver, BC Changing Hands 2, Institute of American Indian Arts Museum, Santa Fe, NM Two Worlds, Grunt Gallery, Vancouver, BC, Canada From the North: Canadian Ceramics Today, The Clay Studio, Philadelphia, PA Art Auction: Popism, The Contemporary Art Gallery, Vancouver, BC, Canada Changing Hands 2, Museum of Art & Design, New York City, NY Red Cloud Indian Art Show, Pine Ridge, SD 30,000 +, Charles H Scott Gallery, Vancouver, BC, Canada First Nations Now, Burnaby Art Gallery, Vancouver, BC, Canada Juried Two Person Exhibition: Two/Many Tribulations, Grunt Art Gallery, Vancouver, BC, Canada Solo Exhibition, Britannia Library, Vancouver, BC, Canada Indian Unquote, Roundhouse Community Centre Experimental Video Works: “White Vista Estates”, IMAGeNATION Film Festival, Vancouver, BC, Canada Juried Group Exhibition: Hot Clay, Surrey Art Gallery, Surrey, BC, Canada Canada’s Digital Collection (online exhibition), Canadian Clay and Glass Gallery, Waterloo, ON, Canada Other Space: 6 Degrees of Exploration, Rosemont Art Gallery, Regina, SK, Canada Art Auction: The John Henry Fineday Fund, The Exchange – Fundraiser, Regina, SK, Canada The Red Cloud Collection, Carnegie Arts Centre, Covington, KY Art Auction, Vancouver Art Gallery, Vancouver, BC, Canada MFA Graduation Exhibition: Hangover Soup, Mackenzie Art Gallery, Regina, SK Red Cloud Indian Art Show, Pine Ridge, SD

Awards & Scholarship 2018 2011 2006 2004

2003 2002 2001 2000

1999 1996

42

The Northwest Ceramics Foundation Award of Excellence – Shared with Jackie Frioud Visual Arts Grant, BC Arts Council Visual Arts Grant, BC Arts Council 2005 First Place - 3D, Red Cloud Indian Art Show Hornikel Award, Red Cloud Indian Art Show Third Place - 3D, Red Cloud Indian Art Show Professional Arts Development Award, BC Arts Council Scholarship for Mold-making Workshop, National Aboriginal Achievement Foundation Visual Arts Production/Creation Grant, Canada Council for the Arts VADA, Contemporary Art Gallery Graduate Scholarship, University of Regina FGSR Graduate Scholarship, University of Regina FGSR Honorable Mention, Joliet Junior College - Ceramics 2002 First Place - 3D, Red Cloud Indian Art Show Hornikel Award, Red Cloud Indian Art Show Graduate Scholarship TA, University of Regina FGSR Graduate Scholarship, University of Regina FGSR Hornikel Award, Red Cloud Indian Art Show Visual Arts Grant, BC Arts Council Scholarship for MFA Program, National Aboriginal Achievement Foundation Aboriginal Arts Development Award, First Peoples Cultural Foundation Power’s Award, Red Cloud Indian Art Show 1998 Third Place - 3D, Red Cloud Indian Art Show The Thunderbird Foundation Scholarship, Red Cloud Indian Art Show Purchase for school’s collection, Red Cloud Indian Art Show Scholarship for Trip to New York, National Aboriginal Achievement Foundation

1995

1994

ECIAD Bursary, Emily Carr Institute of Art & Design President’s Honor List, Institute of American Indian Arts National Dean’s List, Institute of American Indian Arts The Elsie Boone Memorial Award, Emily Carr Institute of Art & Design Jillian Blatchford Fuller Bursary, Emily Carr Institute of Art & Design ECIAD Bursary, Emily Carr Institute of Art & Design Scholarship for Exchange Program, National Aboriginal Achievement Foundation Scholarship for Private Training, National Aboriginal Achievement Foundation

Keiko Fukazawa EDUCATION 1986 1984 1983 1981 1977

M.F.A. Otis Art Institute of Parsons School of Design, Los Angeles, CA Anderson Ranch Arts Center, Aspen, CO Sotoen, Studio of Shigaraki ware, Shiga, Japan Post-Graduate, non-credit studio studies in ceramics, Musashino Art University, Tokyo, Japan B.F.A Musashino Art University, Tokyo, Japan

TEACHING EXPERIENCE 2004-2019 2002-2005 2000-2005 1996-2001 2000 1997-1999 1998-1999 1993-1997 1992-1996 1992 1988-1992

Associate Professor in Ceramics, Pasadena City College, Pasadena, CA University of Southern California, Los Angeles, CA Cerritos College, Norwalk, CA East Los Angeles College, Monterey Park, CA Loyola Marymount University, Los Angeles, CA California State Polytechnic University, Pomona, Pomona, CA El Camino College, Torrance, CA Department of Corrections, California Institution for Men, Chino, CA Otis College of Art and Design Armory Center for the Arts, Pasadena, CA Department of Corrections, California Rehabilitation Center, Norco, CA

SELECTED EXHIBITIONS 2022

2021 2020 2018

2017

Off-Kilter: Power & Pathos, Keiko Fukazawa, Sandra Lowe, Trang Tran, USC Pacific Asia Museum, Pasadena, CA Breaking Ground Women in California Clay, American Museum of Ceramic Art, Pomona, CA Black, White, and Shades of Grey, Kellogg University Art Gallery, California State Polytechnic University, Pomona, CA Seismic State: California Ceramics, Sparrow Gallery, Sacramento, CA Art and Hope at The End Of The Tunnel, USC Fisher Museum of Art, Los Angeles, CA Making Time, Craft Contemporary, Los Angeles, CA Rising Mojo, California State University, Los Angeles, Los Angeles, CA Keiko Fukazawa, Hello Mao, Peters Projects Gallery, Santa Fe, NM Somewhere in Between, The Kellogg University Art Gallery, California State Polytechnic University, Pomona, CA Beyond Tradition: Contemporary Reflections in East Asia, Wilson Gallery, University of South Florida, Tampa, FL Made In Asian America, Art Salon Chinatown, Los Angeles, CA INTO ACTION, 1726 N Spring St, Los Angeles, CA One Year: the art of Politics in LA, BRAND Library and Art Center, Glendale, CA We the People: Serving Notice, American Museum of Ceramic Art, Pomona, CA COLA20 Anniversary Exhibition, The Los Angeles Municipal Art Gallery, Los Angeles, CA Fault Line 2017, Kritselis Gallery, Brewery Art Walk, Los Angeles, CA

43

2016

2015

2014 2013 2012 2011

2010

2009 2008

2007 2006

2005

2004

2003

44

Made in China: New Ceramic Works by KEIKO FUKAZAWA, The Craft & Folk Art Museum, Los Angeles, CA KEIKO FUKAZAWA: Culture Clash, Mid - Career Retrospective, El Camino College Art Gallery, Torrance, CA COLA 2016: Individual Artist Fellowships, The Los Angeles Municipal Art Gallery, Los Angeles, CA LINEAGE: Mentorship & Learning, The American Museum of Ceramic Art, Pomona, CA Crossroads in Clay at Chouinard and Otis: The Ralph Bacerra Years, Vincent Price Museum, East Los Angeles College, Monterey, CA Honoring the Past, Embracing the future: AMOCA’s 10th Anniversary, American Museum of Ceramic Art, Pomona, CA Pedagogic Clay 2, Frank M. Doyle Art Pavilion, Orange Coast College, Costa Mesa, CA Petraphilia, Curators Lab Gallery, The Fellows of Contemporary Art, Los Angeles, CA Best Kept Secret: The Scripps College Ceramic Collection, The American Museum of Ceramic Art, Pomona, CA White Gold: The Appeal of Lustre, The Racine Art Museum, Racine, WI ELEMENTAL of the Earth, Sturt Haaga Gallery, Descanso Gardens, La Cañada Flintridge, CA In Tandem, El Camino College Art Gallery, Torrance, CA The Eighties, Craft in America Study Center, Los Angeles, CA Mad About Teapots from the Racine Art Museum, Leigh Yawkey Woodson Art Museum, Wausau, WI CHAIN LETTER, Shoshana Wayne Gallery, Santa Monica, CA International Mail Art - In Honor & Memory of Judith A. Hoffberg, Armory Center for the Arts, Pasadena, CA Clay Nation, L2Kontemporary Gallery, Los Angeles, CA kilnopening.edu, American Museum of Ceramic Art, Pomona, CA FABULOUS PAINTING & AMAZING CERAMICS, Sylvia White Gallery, Ventura, CA Parallel Universes, Keiko Fukazawa and Edward Lightner, L2Kontemporary Gallery, Los Angeles, CA BREWERY PROJECT 1993-2007: FINAL, Armory Center for the Arts, Pasadena, CA INFLUENCES: A Survey Exhibition of Contemporary Ceramics of Southern California, Palos Verdes Art Center, Rancho Palos Verdes, CA RED, Santa Fe Clay, Santa Fe, NM Centripetal Force, Keiko Fukazawa and Dennis Callwood, El Camino College Art Gallery, Torrance, CA Voices from the Pacific Rim: Asian American Ceramists, Art Gallery, University of Judaism, Los Angeles, CA New Works, Keiko Fukazawa and Dennis Callwood, L2Kontemporary Gallery, Los Angeles, CA The Collection of Stephan Janssen, Arizona State University Ceramic Research Center, Tempe, AZ Otis Alumni Exhibition, Los Angeles Municipal Art Gallery, Los Angeles, CA The Beatrice Wood Ceramic Annual, Beatrice Wood Center for The Arts, Ojai, CA JAPAN/USA: a cross-cultural exchange, Santa Fe Clay, Santa Fe, NM IROHA-Japanese Angelino Artists, Manhattan Beach Creative Arts Center, Manhattan Beach, CA Opulent Fire: Homage to Ralph Bacerra, Garth Clark Gallery, New York City, NY The Artful Teapot: 20th century Expressions from the Kamm Collection, Bellevue Arts Museum, Bellevue, WA Nouvelle Nuptials: New visions in Wedding Traditions, San Francisco Museum of Craft + Design, San Francisco, CA Kilnopening.edu, American Museum of Ceramic Art, Pomona, CA Picking Up the Pieces, El Camino College Art Gallery, Torrance, CA California and Clay, freehand Gallery, Los Angeles, CA Love Peculiar: Bio-Pop-Curiosity in Clay, L2kontemporary Gallery, Los Angeles, CA STANDING ROOM ONLY: Scripps 60th Ceramic Annual, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA The Artful Teapot: 20th Century Expressions from the Kamm Collection, Mint Museum of Craft and Design, Charlotte, NC The Inspired Vessel, Los Angeles Municipal Art Gallery. Barnsdall Art Park, Los Angeles, CA Second Home, Vincent Price Gallery & Art Museum, East Los Angeles College, Los Angeles, CA The Moog Gift Exhibition, The Racine Art Museum, Racine, WI The Artful Teapot: 20th Century Expressions from the Kamm Collection, Chicago Cultural Center, Chicago, IL The Artful Teapot: 20th Century Expressions from the Kamm Collection, Long Beach Museum of Art, Long Beach, CA

2002

2001

2000

1999

1998

1997

The Artful Teapot: 20th Century Expressions from the Kamm Collection, The George R. Gardiner Museum of Ceramic Art, Toronto, ON, Canada Art and Deviation, Keiko Fukazawa and Dennis Callwood, Institute for Genetic Medicine, Los Angeles, CA Art and Deviation, Keiko Fukazawa and Dennis Callwood, The Advocate Gallery, Gay & Lesbian Center, Los Angeles, CA Art and Deviation, Keiko Fukazawa and Dennis Callwood, Todd Madigan Gallery of CSUB, Bakersfield, CA Southern California Ceramics: LA Artist/LA Collectors, Los Angeles International Airport, Los Angeles, CA Southern California Ceramics: USC Faculty show, Ontario Airport, Los Angeles, CA 911: A Memorial For All, Boswell-Crowe Fine Art, Century City, CA Faculty Fine Art Exhibition, Cerritos College Art Gallery, Norwalk, CA Faculty Exhibition, Lindhurst Gallery of USC, Los Angeles, CA The Artful Teapot: 20th Century Expressions from the Kamm Collection, Montgomery Museum of Fine Arts, Montgomery, AL The Artful Teapot: 20th Century Expressions from the Kamm Collection, COPIA: the American Center for Wine, Food and the Arts, Napa, CA “Juxtaposition,” The Armory Center for the Arts at One Colorado, Pasadena, CA Holiday Groove-A-Ganza, Dirt Gallery, Hollywood, CA LAZY Susan:LA Artists Paint, The Fine Art Gallery, Long Beach City College, Long Beach, CA Art Out of the Box, Diane Nelson Fine Art Gallery, Pasadena, CA Critical Mass, Cerritos College Art Gallery, Norwalk, CA Color and Fire: Defining Moments in Studio Ceramics, 1950-2000, Kemper Museum of Contemporary Art, Kansas City, MO Color and Fire: Defining Moments in Studio Ceramics, 1950-2000, The Tucson Museum of Art and Historic Block, Tucson, AZ Color and Fire: Defining Moments in Studio Ceramics, 1950-2000, Memorial Art Gallery of University of Rochester, Rochester, NY Landing Pad, A Survey of Faculty Art, Cerritos College Art Gallery, Norwalk, CA Art Meets Politics, Democratic National Convention Committee Headquarters, Los Angeles, CA Art Critique Group Exhibition, Democratic Convention Center, Los Angeles, CA From the Earth/Dalla Terra, Gio, Perugia, Italy LA Teens: Our Stories, California African-American Museum, Los Angeles, CA LA Teens: Our Stories, El Pueblo de Los Angeles Historic Monument, Los Angeles, CA Color and Fire: Defining Moments in Studio Ceramics, 1950-2000, Los Angeles County Museum of Art Los Angeles, Los Angeles, CA A Piece at a Time, Watts Towers Arts Center, Compton, CA 1999 Ceramics Invitational, Cerritos College Art Gallery, Norwalk, CA From the Earth/Dalla Terra, Palazzo dei Consoli, Gubbio, Perugia, Italy 20th Anniversary Teapot Exhibition, Ferrin Gallery, Northampton, MA Crack Pots, Ceramic Teapots from the collection of Donna Moog, Forum for Contemporary Art, St. Louis, MO From the Earth/Dalla Terra, L.A. Art Core Brewery Gallery, Los Angeles, CA Heartists in the Marketplace, Centro Colombo Americano, Medellin, Columbia FACULTY SHOW, El Camino College Art Gallery, Torrance, CA The Loving Cup, Garth Clark Gallery, New York City, NY Art for Art’s Sake, Pasadena Art Alliance at Art Center, Pasadena, CA Teapot Invitational, Dorothy Weiss Gallery, San Francisco, CA Tantalizing Teapots, The Craft and Folk Art Museum, Los Angeles, CA Color and Low fire Processes, Northern Ariz. University Art Museum & Galleries, Flagstaff, AZ The $99 Store, Miller Fine Art, Los Angeles, CA Fifth Annual Teapot Exhibit, Craft Alliance/Center for the Visual Arts, St. Louis, MO Night of One Hundred and One Cups, Garth Clark Gallery, New York City, NY His(story) Her(story) & Other (stories), Too, L.A. Art Core Brewery Gallery, Los Angeles, CA

45

1996

VESSELS, Armory Center for the Arts, Pasadena, CA TREASURE OF PASADENA, 80 N. Raymond., Pasadena, CA Japanese American Claymakers, Arlington Museum of Art, Arlington, TX The CHARISMA of COLOR, Pasadena Art Alliance at Art Center, Pasadena, CA Night of One Hundred and One Cups, Garth Clark Gallery, New York City, NY Fourth Annual Teapot Exhibit, Craft Alliance/Center for the Visual Arts, St. Louis, MO 5 VISIONS IN CLAY: Low Fire Ceramics, Pierce College, Woodland Hills, CA

Mette Maya Gregersen EDUCATION 2001-2003 1995-1999 1998 1996-1999 1994-1995 1995 1993

M.A. in Art Psychotherapy, Sheffield University. UK B.A. in Ceramics, Camberwell College of Arts, London. UK Ceramic Exchange, Art College, Bergen, Norway Printmaking & Papermaking, Morley College, London, UK Diploma Foundation Studies in Art & Design, London. UK Ceramic Apprentice, Gary Wornell Studio, Aldeborough, UK Pottery Apprentice, Røgen Pottery, Denmark

SELECTED EXHIBITIONS Toucher Terre, Fondation Villa Datris - Sculpture Contemporain, L´Isle Sur La Sorgue, France International Ceramics Biennal of Aveiro, Portugal, Aveiro, Portugal Le Feu et la Glace, Galerie Terra Viva, St. Quentin la Pottery, France Ceramic Art, Adrienne D, Belgium, France 2019-21 Paperclay Illuminated - Particle & Wave, (touring exhibition) USA 2020 Lucy Lacoste Gallery, Boston, MA Galerie Anciennes Poste, Toucy, France Gyeonggi International Ceramic Biennale, Gyeonggi, Korea 2018 Yingge Ceramic Museum, Taipei, Taiwan Museum Jorn, Silkeborg, Denmark 2017 Galerie Terra Viva, St. Quentin la Pottery, France Kunstbygningen Vrå, Vrå, Denmark 2016 Thalassa Museum, Ayia Narra, Cyprus Ceramic Gallery, Ceramic Institute, Beijing, China 2015 The Danish Biennale of Art and Design, Copenhagen, Denmark International Ceramic Biennale, Haacht, Belgium 2014 Puls Contemporary Ceramics, Brussels, Belgium International Triennial of Silicate Arts, Kecskemet, Hungary Galerie Le Don du Fel, France 2013 Ministry of Culture, Copenhagen, Denmark Ceramic Art London, The Royal College of Arts, UK 2012 1st Santorini Biennale, Santorini, Greece Salon Hors Serie, Ateliers D´Art, Paris, France 2011 Danish Biennale of Art and Design, Koldinghus, Denmark

2022

Workshop and Lectures 2019

46

California State University Long Beach, Los Angeles, CA Arizona State University, Phoenix, AZ

Laguna Clay Factory, Los Angeles, CA La Meridiana, Firenze, Italien The Art House, Sheffield The Clay Factory, Sorring, Denmark St. Peters School, York, UK Leeds University of Arts and Design Sheffield, Art Therapy Northern Program, UK 2014 Cork Potters Associations, Cork, Irland 2010-14 Aarhus Academy of Arts, lecturer

2018 2017 2010-17 2016 2015

Residency and Symposium 2022

2021 2020 2019 2018 2017 2016 2015 2014 2013 2012

Sculpture study, Berlin, Germany Research marine life, Mediterranean, France Resesrch marine, San Cataldo, Amalfi Coast, Italy Research marine life, California, US Research marine life, Klitgaarden, art refugium, Skagen, Denmark Research, Art 66, Hvide Sande, Denmark The Place on PCH, Oceana Beach, US International Academy of Ceramics, Taipei New City, Taiwan Petersens Brick Factory, Denmark Jingdezhen Ceramic Institute, Jingdezhen, China Yorkshire Sculpture Park, UK Artist in residence, Boibuchet, France International Ceramic Studio, Kecskemet, Hungary Cockpit Arts, London

Catherine Lee SELECTED EXHIBITIONS 78th Annual Ceramics Exhibition, Scripps College, Claremont, CA Stritch College Art Gallery, Milwaukee, MN Galerie Karsten Greve, Cologne, Germany Texas Artists: Women of Abstraction, Museum of South Texas, Corpus Christi, TX Abstract Works (Matters?), Hillsboro Fine Arts, Dublin, Ireland 2021 Nasher Mixtape, Nasher Center for Sculpture, Dallas, TX State of Sculpture: 10th Anniversary of the Texas Sculpture Group, San Angelo Museum, San Angelo, TX 2020 Gallery Artists 2020, Galerie Karsten Greve, Cologne, Germany Texas Women: New History of Abstraction, San Antonio Museum of Art, San Antonio, TX 2019-22 Mahncke Park, San Antonio, TX 2019 Transitional Spaces: Kay Whitney and Catherine Lee, Mark Smith’s Texas ArtHouse, Johnson City, TX 50 Artists, 50 Years, Annely Juda Fine Art, London, England 2018 Elisabet Ney Museum, Austin, TX 12 x 12, Grayduck Gallery, Austin, TX, in collaboration with Rino Pizzi 2017 Hillsboro Fine Art, Dublin, Ireland Lora Reynolds Gallery, Austin, TX past / present, Texas Arthouse, Johnson City, TX Gallery Artists 2017, Hillsboro Gallery, Dublin, Ireland 2016 Omi International Arts Center/ Omi Fields Sculpture Park, Ghent, NY Hurt, Hillsboro Gallery, Dublin, Ireland

2023 2022

47

2015

2014

2013

2012

2011

2010

2009

2008

48

Summer Show, Galerie Karsten Greve, Cologne, Germany Ceramix, la Maison Rouge, Paris, France San Antonio Collects, San Antonio Museum of Art, San Antonio, TX Pure, Texas Arthouse, Johnson City, TX Galleri Weinberger, Copenhagen, Denmark Omi International Arts Center/ Omi Fields Sculpture Park, Ghent, NY Texas!, National Academy of Art, New Delhi, India Art on the Green, Kemp Center for the Arts, Wichita Falls, TX The Thin Line, Cinnabar Gallery, San Antonio, TX Galerie Karsten Greve, Cologne, Germany Blue Star Contemporary Art, San Antonio, TX Omi International Arts Center/ Omi Fields Sculpture Park, Ghent, NY Galerie Karsten Greve, Paris, France Creativity, Change, Commitment, Thompson Art Gallery, San Jose State University, San Jose, CA Return, Catherine Lee, George Krause, McKay Otto, Cinnabar Gallery, San Antonio, TX Symbiosis of Physicality & the Spiritual, Mario Mauroner Contemporary Art, Salzburg, Austria McNay Museum of Art, San Antonio, TX Women in Art, Northeast Lakeview College, San Antonio, TX Contemporary Spirit, Galerie Schmalfuss, Berlin, Germany Aîtres, Mario Mauroner Contemporary Art, Salzburg, Austria Edge Order Rupture, Galerie Lelong, New York City, NY Animated Short Films, Polari Film Festival, Austin, TX San Angelo Museum of Fine Arts, San Angelo Texas Museum of the Southwest, Midland, Texas The Old Jail Art Center, Albany, Texas The Grace Museum, Abilene, Texas Ellen Noël Art Museum, Odessa, Texas Galerie Lelong, New York City, NY 25th Anniversary Exhibition, Galleri Weinberger, Copenhagen, Denmark First Annual Salmon Sculpture Competition, San Angelo Museum of Fine Arts, San Angelo, TX Sculpture, Galerie Karsten Greve, Paris, France Keramikmuseum Westerwald, Höhr-Grenzhausen, Germany Kunsthaus Weisbaden, Wiesbaden, Germany 78701 > 78676, d berman gallery, Wimberley, TX Signs of Change: Catherine Lee and Bodo Korsig, University of Texas at San Antonio Satellite Space, Blue Star Complex, San Antonio, TX Collecting the New, Recent Acquisitions to the IMMA Collection, Irish Museum of Modern Art, Dublin, Ireland On Paper II, Galerie Karsten Greve, Paris, France Black and White, Galleri Weinberger, Copenhagen, Denmark 10th Anniversary Exhibition, d berman gallery, Austin, TX Galerie Karsten Greve, Cologne, Germany WE, Mario Mauroner Contemporary Art, Salzburg, Austria Gifted, Santa Barbara City College, Santa Barbara, CA d berman gallery, Austin, TX Galleri Weinberger, Copenhagen, Denmark Annely Juda Fine Art, London, England Landscape and Geometry, Annely Juda Fine Art, London, England Austin Museum of Art, Laguna Gloria, Austin, TX A Year in Drawing, Galerie Lelong, New York City, NY Exhibition of the Hôtel des Arts Collection, Maison du Cygne, Six-Fours-les-Plages, France

2007

2006

2005

2004 2003

2002

2001

2000

1999

1998

Galerie Karsten Greve, Paris, France Galerie Lelong, New York City, NY Shadow, Galerie Lelong, New York City, NY 3 Women, 3 Generations, 3 Continents, Wade Wilson Art, Houston, TX 20th Anniversary Exhibition, Galleri Weinberger, Copenhagen, Denmark Blanton Museum of Art, Austin, TX (I’m Always Touched) By Your Presence, Dear, Irish Museum of Modern Art, Dublin, Ireland Galleri Weinberger, Copenhagen, Denmark Hôtel des Arts, Toulon, France Musée d’Arte Moderne, St. Etienne, France Lee, Huber, Redl, Galerie Mauroner, Vienna, Austria Paradiso & Inferno, MAM Mario Mauroner Contemporary Art, Salzburg, Austria Irish Museum of Modern Art, Dublin, Ireland Galerie Karsten Greve, Cologne, Germany Summertime, MAM Mario Mauroner Contemporary Art, Salzburg, Austria Galerie Lelong, New York City, NY Southwest School of Art, San Antonio, TX Galerie Karsten Greve, Paris, France Shift, Galerie Lelong, New York City, NY Accrochage, Galerie Karsten Greve, Paris, France Six Visions: Contemporary Ceramics, University of Texas at San Antonio Art Gallery, San Antonio, TX Galleri Weinberger, Copenhagen, Denmark 2300F - 2002, Grounds For Sculpture, the Johnson Atelier, Mercerville, NJ Selected Works, A Collection, Galerie Jamileh Weber, Zürich, Switzerland Galerie Karsten Greve, Milano, Italy Galerie Jamileh Weber, Zürich, Switzerland Minimalism, Past and Presence, Galerie Lelong, New York City, NY X Biennial Visual Arts Faculty Exhibition, University of Texas at San Antonio, San Antonio, TX 20 Years of Collaboration, Garner Tullis Workshop, New York City, NY and the Tucson Museum of Art, Tucson, AZ Lyman-Allen Art Museum, New London, CT Galerie Academia, Salzburg, Austria Galería Carles Taché, Barcelona, Spain New Works, Galerie Jamileh Weber, Zürich, Switzerland San Diego State University Art Gallery, San Diego, CA Galerie Lelong, New York City, NY Lafayette College, Easton, PA Group Exhibition, Galería Carles Taché, Barcelona, Spain Black & White III, Galleri Weinberger, Copenhagen, Denmark 25 Years, Galerie Jamileh Weber, Zürich, Switzerland Encaustic Works, Watermark/Cargo Gallery, Kingston, NY Das Gedächtnis öffnet seine Tore, die Kunst der Gegenwart im Lenbachhaus, München, Städtische Galerie im Lenbachhaus, Munich, Germany Collaborative Papers: Contemporary Works of Art from the Garner Tullis Workshop, Maier Museum of Art, Lynchburg, VA Some New York Artists, BGH Gallery, Los Angeles, CA Bemis Art Foundation, Omaha, NE Galerie Karsten Greve, Cologne, Germany Galleri Weinberger, Copenhagen, Denmark Group Show: Chillida, Judd, Lee, LeWitt, Mangold, Ryman, Galerie Lelong, New York City, NY Zeit und Materie, Baukunst, Cologne, Germany Group Exhibition, Galerie Karsten Greve, Paris, France

49

1997

1996

1995

1994

1993

1992

1991

50

Oud en Nieuw, Museum voor Moderne Kunst, Arnhem, Netherlands Sonoma State University Art Gallery, Sonoma, CA Galleria Karsten Greve, Milano, Italy Gallery Group Exhibition, parts I & II, Galerie Jamileh Weber, Zürich, Switzerland New Editions, Galerie Lelong, New York City, NY Galerie Academia, Salzburg, Austria Galerie Jamileh Weber, Zürich, Switzerland ArtPace, A Foundation for Contemporary Art, San Antonio, TX Jill Moser & Catherine Lee, University of Rhode Island, Kingston, RI Serienbilder - Bilderserien, Städtische Galerie im Lenbachhaus, Munich, Germany Galerie Karsten Greve, Paris, France Galleri Weinberger, Copenhagen, Denmark Galerie Lelong, New York City, NY Galerie Karsten Greve, Cologne, Germany Mizuma Gallery, Tokyo, Japan Summer Group Exhibition, Galerie Jamileh Weber, Zürich, Switzerland Group Show, Galerie Lelong, New York City, NY Black & White I, Galleri Weinberger, Copenhagen, Denmark U S Print / Grafiikka U S A, Garner Tullis Workshop, Retretti Art Center, Savonlinna, Finland Recent Acquisitions, Hofstra Museum, Emily Lowe Gallery, Hempstead, NY Hill Gallery, Birmingham, MI Shape, Pamela Auchincloss Gallery, New York City, NY Contemporary Prints, The Tate Gallery, London, England 29th Annual Exhibition of Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC Sculpture & Drawing, Galerie Lelong, New York City, NY Galerie Lelong, New York City. NY Annely Juda Fine Art, London, England Limestone Press, San Francisco, CA Italia - America, L’astrazione Ridefinita, Galleria Nazionale d’Arte Moderna, San Marino, Italy Couples, Annely Juda Fine Art, London, England Art on Paper, The Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC Transcending Boundaries, 92nd Street Y, New York City, NY Garner Tullis Workshop, Jan Weiner Gallery, Kansas City, MO Contemporary Prints: Ten Years of Acquisitions, Cleveland Museum of Art, Cleveland, OH Prints from the Garner Tullis Workshop, The Australian Print Workshop & the Darian Knight Gallery, Fitzroy, Australia Drawings: 30th Anniversary Exhibition, The Foundation for Contemporary Performance Art, Leo Castelli Gallery, New York City, NY 5 One Man Shows, Galerie Jamileh Weber, Zürich, Switzerland Städtische Galerie im Lenbachhaus, Munich, Germany Neue Galerie der Stadt Linz, Linz, Austria Galleri Weinberger, Copenhagen, Denmark Galerie Academia, Salzburg, Austria Geteilte Bilder, Das Diptychon in der neuen Kunst, Museum Folkwang, Essen, Germany Reliefs, Konstructive Tendens, Stockholm, Sweden Monotypes from the Garner Tullis Collection, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA Women Critics, Bruton Street Gallery, London, England Juxtapositions, Annely Juda Fine Art, London, England Galerie Jamileh Weber, Zürich, Switzerland

Galerie Karsten Greve, Cologne, Germany Kohji Ogura Gallery, Nagoya, Japan Drawings, Pamela Auchincloss Gallery, New York City, NY Contemporary Sculpture from the Weatherspoon Collection, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC Catherine Lee Monotypes, Pamela Auchincloss Gallery, New York City, NY IIIème Biennale de Sculpture, Monte Carlo, Monaco Art for Children’s Survival, UNICEF, Lawrence Monk Gallery, New York City, NY 1990 Marisa del Re Gallery, New York City, NY Galerie Karsten Greve, Paris, France Gallery Kasahara, Osaka, Japan Stephen Wirtz Gallery, San Francisco, CA 1990 Monotypes from the Garner Tullis Workshop, Malmgran Gallery, Göteborg, Sweden Inaugural Exhibition, Stephen Wirtz Gallery, San Francisco, CA Minimal Sculpture, Marisa del Re Gallery, New York City, NY Artists in the Abstract, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC 1989 Annely Juda Fine Art, London, England Thomas Segal Gallery, Boston, MA Sittings: Drawing with Color, traveling exhibition:

Instituto de Estudios Norteamericanos, Barcelona, Spain

Casa Revilla, Valladolid, Spain

Museo Barjola, Gijon, Spain

Calouste Gulbenkian Foundation, Lisbon, Portugal

Pratt Manhattan Gallery, New York City, NY

Schafler Gallery, Pratt Institute, New York City, NY Small Paintings, Nina Freudenheim Gallery, Boston, MA Monotypes from the Garner Tullis Workshop, Persons-Lindell Gallery, Helsinki, Finland Drawings, Stephen Wirtz Gallery, San Francisco, CA Geometry and Abstraction, Persons-Lindell Gallery, Helsinki, Finland Recent Acquisitions: Prints and Monotypes, The Tate Gallery, London, England 18th International Biennale of Graphic Art, International Centre of Graphic Art, Ljubljana, Yugoslavia

Beth Lo EDUCATION 1974 1971

M.F.A. University of Montana B.G.S. University of Michigan

TEACHING EXPERIENCE 1985-2016

Professor or Art, University of Montana

SELECTED EXHIBITIONS 2023 2022

Scripps College 78th Ceramics Annual, Scripps College, Claremont, CA 2023 NCECA Annual, Weston Art Gallery, Cincinatti, OH Lacoste Gallery, Concord, MA In Tandem Gallery, Bakersville, NC Online Exhibit, Akar Gallery, Iowa City, IA John Natsoulas Gallery, Davis, CA Radius Gallery, Missoula, MT, with Steve Young Lee

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2021

2020

2019

2018

2017 2016

2015 2014 2013 2012

2009 2008 2007 2006 2005

2004 2003 2002 2001 2000 1996 1993

52

In Tandem Gallery, Bakersville, NC, with Donna Flanery Lacoste Gallery, Concord, MA, with Jennifer Ling Datchuk Project Sands X: Beyond the Blue, The Venetian Macao, Macao, China Contemporary Ceramics 2021, Western Carolina Museum of Art, Cullowhee, NC Online Exhibit, Akar Gallery, Iowa City, IA Red Lodge Clay Center, Relodge, MT, with Steve Young Lee Making in Between: Contemporary Chinese American Ceramics, American Museum of Ceramic Art (AMOCA), Pomona, CA 35 Year Anniversary Exhibition, Sherry Leedy Gallery, Kansas City, MO Covid 19 Fundraiser, Radius Gallery, Missoula, MT Radius Gallery, Missoula, MT Lacoste/Keane Gallery, Concord, MA with Kyungmin Park Women Working in Clay Symposium Exhibition, Eleanor Wilson Museum, Roanoke, VA Online Exhibit, Schaller Gallery, Baroda, MI Online Exhibit, Akar Gallery, Iowa City, IA The Incongruous Body, American Museum of Contemporary Art, Pomona, CA Lacoste/Keane Gallery, Concord, MA Red Lodge Clay Center, Red Lodge, MT Sherry Leedy Gallery, Kansas City, MO Natsoulas Gallery Clay Art Convention, John Natsoulas Gallery, Davis, CA Turman Larison Gallery, Helena, MT Tori Folliard Gallery, Milwaukee, WI 50 Women: A Celebration of Women’s Contribution to Ceramics, National Council on Education for the Ceramic Arts, Kansas City, MO Pewabic Pottery, Detroit, MI American Pottery Festival, Nothern Clay Center, Minneapolis, MN American Pottery Festival, Nothern Clay Center, Minneapolis, MN 7th Annual Gyeonggi Ceramics Biennale, Gyeonggi, Korea Duane Reed Gallery, St. Louis, MO The New Blue and White, Boston Museum of Fine Arts, Boston, MA Contemporary Ceramics, Stremmel Gallery, Reno, NV Carleton College, Northfield, MN Lane County Community College, Eugene, OR Voices: NCECA Invitational Exhibition, Society for Contemporary Craft, Pittsburgh, PA Contemporary Ceramics, Dairy Barn Arts Center, Athens, OH Form and Imagination: Women Ceramic Sculptors, American Museum of Ceramic Art, Pomona, CA Life Insight, Kentucky Museum of Art and Craft, Louisville, KY Clay Menagerie, Garth Clark Gallery, New York City, NY Missoula Museum of the Arts, Missoula, MT Francine Seders Gallery, Seattle, WA NCECA Exhibition, Yingge Ceramics Museum, Taipei, Taiwan Santa Fe Clay Arts Center, Santa Fe, NM Portraits, Society of Arts and Crafts, Boston, MA Subject. Me. Object, Ferrin Gallery, Lenox, MA Crossroads: New Art from the Northwest, Center on Contemporary Art, Seattle, WA Lorinda Knight Gallery, Spokane, WA Francine Seders Gallery, Spokane, WA Lorinda Knight Gallery, Spokane, WA Mia Gallery, Seattle, WA J. Maddux Parker Gallery, Sacramento, CA Mia Gallery, Seattle, WA

1990

J. Maddux Parker Gallery, Sacramento, CA Yellowstone Art Center, Billings, MT

Thomas Müller EDUCATION 2000 1995

M.F.A. Cranbrook Academy of Art, Bloomfield Hills, MI B.F.A. University of Washington, Seattle, WA

TEACHING EXPERIENCE 2018-Present 2017-Present

University of Southern California, Chair of Art, 3D, Los Angeles, CA University of Southern California, Associate Professor, Los Angeles, CA

SELECTED EXHIBITIONS 2021

2020

2019 2018 2017

2016 2015

2014 2013

2012

2011 2010

2009

Seeing the Elephant, Brandstater Gallery, Riverside, CA baseline, Eutectic Gallery, Portland, OR Aesthetic Group, Hang Art, San Francisco, CA Make it Make Sense, James Wright Gallery (virtual), Los Angeles, CA we are here/here we are, Durden and Ray, Los Angeles, CA Type, GWC Art Gallery, Huntington Beach, CA Medium, FOCA, Los Angeles, CA Open Space, Backspace Gallery, Los Angeles, CA white whale, Michael Warren Contemporary, Denver, CO Smoke and Mirrors, Torrance Art Museum, Torrance, CA There is no elephant in this room., Open Mind Art Space, Los Angeles, CA Where’d you get that banana?, A-B Projects, Claremont, CA Cranbrook +/- 25, Ceramics Research Center at Brickyard, Tempe, AZ The Treachery of Objects, University of Arkansas Fine Arts Gallery, Fayetteville, AR The space between us is vast and unfathomable., Elephant, Los Angeles, CA This is a magical space too., Michael Warren Contemporary, Denver, CO Highland Park Museum of Ceramic Art, Monte Vista Projects, Los Angeles, CA Oasis, Sturt Haaga Gallery, La Cañada Flintridge, CA Introductions, Michael Warren Contemporary, Denver, CO f(c), The Portrait Society, Milwaukee, WI Nothing Rhymes with Orange, Project 4 Gallery, Washington D.C. Reverberations, Huntington Beach Arts Center, Huntington Beach, CA High Low, Irvine Fine Arts Center, Irvine, CA Under the Table, Fort Worth Contemporary Arts, Fort Worth, TX Tomorrowland, CSUN Art Galleries, Northridge, CA Kaus-LA, The Prospectus, West Hollywood, CA Fragile, Seattle Design Center, Seattle, WA Handle with Care, Pottery Northwest, Seattle, WA Making Fun, 67th Ceramics Annual, Scripps College, Ruth Chandler Williamson Gallery, Claremont, CA Neither here nor there., Project 4 Gallery and Fathom Gallery, Washington D.C. Venn Diagram, Kristi Engle Gallery, Los Angeles, CA End of the World, Biola University Art Gallery, La Mirada, CA Project I, Alexys Schwartz Projects, Culver City, CA Max Multiple, Devening Projects, Chicago, IL

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2007

2006 2005

2004

2003 2001

thomas müller, Project 4 Gallery, Washington D.C. atBP: Miniatures and Giants, The Armory Center for the Arts, Pasadena, CA Cast Sculpture, The Clay Studio, Philadelphia, PA Flower, Spacecraft, San Diego, CA New Sculpture, HAUS, Pasadena, CA Renegade Clay: 5 Views from the West, ASU Art Museum, Tempe, AZ Feral Nature, University of Texas at Dallas, Dallas, TX New Slang, Ruth Bachofner Gallery, Santa Monica, CA Strata, Skulpturens Hus, Stockholm, Sweden White on White, Elaine Jacobs Gallery, Detroit, MI Eye Tow: Three from Cranbrook, NewSpace@twentieth, Los Angeles, CA The Literary Print in the 21st Century, Network Gallery, Bloomfield Hills, MI Skinthin, Viento y Agua Gallery, Long Beach, CA now here, The Brewery Project, Los Angeles, CA Heaven and Earth, Artinus Gallery, Seoul, Korea Savannah, Timothy B. McCormack Gallery, Seattle, WA Pleasure Craft, Tacoma Art Museum, Tacoma, WA Menagerie, Covivant Gallery, Tampa, FL

Elyse Pignolet EDUCATION 2007 1997 – 1999

B.F.A., California State University Long Beach, Long Beach, CA San Francisco State University, San Francisco, CA

SELECTED EXHIBITIONS 2022 2021

2020

2019

54

Conversing in Clay, Los Angeles County Museum of Art, Los Angeles, CA Elyse Pignolet: May I Finish, Koplin del Rio Gallery, Seattle, WA Everything Connected: Land, Body, Cosmos, Self Help Graphics, Los Angeles, CA Elyse Pignolet: I’m Not Like the Other Girls, Track 16 Gallery, Los Angeles, CA The Girl and the Tank, Track 16 Gallery group exhibition, SPRING/BREAK Art Show, New York City, NY Elyse Pignolet- Recent works on paper, Track 16 Gallery, LA Art Show, Los Angeles, CA Space as Presence: Elyse Pignolet, Christine Nguyen, Fran Siegel, Long Beach Museum of Art DownTown, Long Beach, CA Intersect Chicago: Featuring New and Recent Works by Elyse Pignolet and Katherine Vetne, Online exhibition, Catharine Clark Gallery, San Francisco, CA Elyse Pignolet - Boys Will Be Boys, Catharine Clark Gallery, San Francisco, CA Send Her Back !!!, Online exhibition, Koplin del Rio Gallery, Seattle, WA Elyse Pignolet, Koplin del Rio Gallery, Zona Maco Art Fair, Mexico City, Mexico Winter Salon, Koplin del Rio Gallery, Seattle, WA Attempt to Raise Hell: Twenty-Five Years of Track 16, Track 16 Gallery, Los Angeles, CA A Confrontation of Ideals, Anren Biennale, Anren Szechuan, China Between the Divide, Long Beach Main Public Library, Long Beach, CA Elyse Pignolet- You Should Calm Down, Track 16 Gallery, Los Angeles, CA Art and Activism, Maui Arts & Cultural Center, Maui, HI Didn’t You Know What You Were Carrying On Your Back?, Track 16 Gallery / Rosalux, Berlin, Germany Elyse Pignolet - You Should Smile More, Koplin del Rio Gallery, Seattle, WA American Procession: Elyse Pignolet and Sandow Birk, The MAC, Dallas, TX Perennial, Koplin Del Rio, Los Angeles, CA

2018

2017 2016

2015

2014

2013 2012 2011 2010

2009 2008 2007

2006 2005 2004 2003

Relevant, Craig Krull Gallery, Santa Monica, CA Woman, Prographica/KDR Gallery, Seattle, WA American Procession, Track 16 Gallery, Los Angeles, CA American Procession, Prographica/KDR Gallery, Seattle, WA American Qur’an (ceramic works), Jordan Schnitzer Museum of Art, Eugene, OR America Qur’an (ceramic works), Riverside Museum of Art, Riverside, CA Fired Up: Monumental Clay, Palo Alto Art Center, Palo Alto, CA Wood, Paper, Ink: Contemporary Woodcuts, Sonoma State University, Sonoma, CA Text and Image, Catharine Clark Gallery, San Francisco, CA Off the Charts, 516 Arts, Albuquerque, NM West Coast Ink: Printmaking from Seattle to San Diego, Sonoma State, CA A Gathering of Angels, Angels Gate Gallery, San Pedro, CA New American Printmaking, Union of Bulgarian Artists, Sofia University, Sofia, Bulgaria New American Printmaking, Union of Bulgarian Artists, Plavno, Bulgaria MAC@20 Pt. 2, McKinney Avenue Contemporary, Dallas, TX Baker’s Dozen V: Marginal Revolutions, Torrance Art Museum, Torrance, CA Faux Real, Laguna Art Museum, Laguna Beach, CA Welcome Back: New Lithographs, Tamarind Press, Albuquerque, NM New Work, Angels Gate Art Center, Los Angeles, CA If These Walls Could Talk, Charlie James Gallery, Los Angeles, CA The Imprint of War: Responses in Print, University of Pittsburgh Art Gallery, Pittsburgh, PA Art Shack, Laguna Art Museum, Laguna Beach, CA Contemporary Puppetry, Art School of the Old Church, Demarest, NJ Highlights from the Collectors Circle, Long Beach Museum of Art, Long Beach, CA Elyse Pignolet: Urban Abstraction, Cal State Fullerton Art Gallery, Fullerton, CA On Paper, Jenkins Johnson Gallery, New York City, NY Natura, Angels Gate Art Center, Los Angeles, CA Banned and Recovered, SF Center for the Book, San Francisco, CA Summer Group Exhibition, Catharine Clark Gallery, San Francisco, CA Sk8 Deck the Halls, Windup Gallery, Phoenix, AZ Urban Abstraction, Koos Gallery, Long Beach, CA Don’t Fence Me In, Little Bird Gallery, Los Angeles, CA Representation 2007, Jenkins Johnson Gallery, San Francisco, CA The Patriot Show 2: The Art of War, Cricket Engine Gallery, Oakland, CA The Divine Comedy, Grand Central Art Center, Santa Ana, CA Inside Out, L2Kontemporary Gallery, Los Angeles, CA Good Times, Live Worm Gallery, San Francisco, CA New Media/Mixed Media, Golden West College, Huntington Beach, CA Visual and Cultural Communication, Golden West College, Huntington Beach, CA

Awards/Public Art 2022 2021 2020 2019 2017 2013 2009 2007

Donkey Mill Arts Center Artist in Residence, Kona, HI City of Long Beach 2021-22 Professional Artist Fellow Award City of Los Angeles 2020-21 DCA Cultural Trailblazers Award Fellowship, Ballinglen Arts Foundation, Co Mayo, Ireland “Hey Rookie” Public Pool, ceramic tile mural, 400 sq. ft., San Pedro, CA “Jazz in the Nation”, “Jazz in the City”, “Jazz in the Afterlife” in collaboration with Sandow Birk, three ceramic tile murals, SFJAZZ Theater, San Francisco, CA “Avalon Lifeguard/Paramedic Headquarters”, ceramic tile mural, 200 sq. ft, Avalon, Catalina Island, CA “The History of Los Angeles (Condensed)”, ceramic tile murals, 1000 sq. ft., Hollenbeck Station, Los Angeles Police Department, East Los Angeles, CA

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2002

CSULB Travel Grant – Lisbon, Portugal “Metro Rapidway - Tarzana Station”, Metropolitan Transit Authority, L.A., CA “Flora and Fauna”, iron, cement, ceramic sculpture - with Thomas Barter Bixby Knolls Park, Long Beach, CA “Discovery Wells”, ceramic installation, 250 sq. ft – with Thomas Barter, Discovery Park, Signal Hill, CA “The Discovery of the City of Long Beach”, 2 ceramic tile murals, 600 sq. Ft “Toy Car Pileup”, tile stucco, foam, concrete sculpture with Thomas Barter, Corner of 1st St. And Broadway, downtown Long Beach, CA

ŌTAGAKI RENGETSU (1791-1875) Ōtagaki Rengetsu’s art showcases the simplicities of life as well as her journey in understanding her place in the world.

Adopted into a Buddhist family in Kyoto, her youth revolved around service and education, learning about poetry, martial arts, and manners. In Rengetsu’s childhood she learned about waka, the poetry style she used most often in her life and became a part of her ceramics. In her adulthood, Rengetsu faced a series of intense personal losses. She married twice, but both of her husbands died and her children all passed away at young ages. Because of this, Rengetsu turned to religion and became a Buddhist nun of the Pure Land sect. When her father passed away a few years later, Rengetsu was left alone and had to provide for herself. It was at this moment that her art really entered into her life. She began to incorporate her poetry onto her pottery which she sold. Her poetry reflected everyday moments imbued with a sincerity that brought out the beauty and contradictions of life. Her poetry was superimposed onto everyday objects, such as teapots, which forced the user to also engage with the poetry and the profoundness of the words. Rengetsu’s work grew in popularity and many people sought after it. These interactions between artist and her audience are well documented by the latter and many of them note Rengetsu’s generosity and dedication to others. She would often give her pottery for little in return or for free. She died in 1875, but her legacy remains as someone who cared deeply for those around her and as a person who aptly observed and deeply admired the world she inhabited.

Nancy Selvin EDUCATION 1970 1969

M.F.A. University of California, Berkeley, CA B.A. University of California, Berkeley, CA

Teaching Experience 2022-2007 2004 2002 1999 1992 1987-1973 1973 1971-1970

California College of the Arts, Oakland, CA University of California, Berkeley, CA Academy of Art College, San Francisco, CA Pitzer College, Claremont, CA San Francisco State University, San Francisco, CA Laney College, Oakland, CA Fashion Institute of Design, San Francisco, CA State University of New York, Albany, NY

Selected Exhibitions 2023 2022

56

78th Scripps College Ceramics Annual, Scripps College, Claremont, CA Patricia Sweetow Gallery, Los Angeles, CA On the Edge: CCA Clay, Pence Gallery, Davis, CA

2021 2020 2019

2018 2017

2016

2015

2014

2013

2012 2011 2010

2009

Breaking Ground: The Women of California Clay, American Museum of Ceramic Art, Pomona, CA Mind and Matter, American Museum of Ceramic Art, Pomona, CA Pence Gallery, Davis, CA Spaces Between, Gearbox Gallery, Oakland, CA Fire, Slippage, Tender Edges, Patricia Sweetow Gallery, San Francisco, CA Clayblazers: Women Artists of the 50s, 60s, and 70s, Arizona State University, Herberger Institute of Design and Art, Tempe, AZ Cool Clay: Recent Acquisitions, Crocker Art Museum, Sacramento, CA Year of the Woman, Utah State University, Chase Art Center, Logan, UT Fragments, McLean Exhibition Space, Berkeley, CA Two-Scale, Sonoma State University, Sonoma, CA Clay on Clay, Pence Gallery, Davis, CA We the People: Serving Notice, American Museum of Ceramic Art, Pomona, CA Blurred Boundaries, Couturier Gallery, Los Angeles, CA BC to BC, San Diego Art Institute, San Diego, CA Nancy Selvin, Patricia Sweetow Gallery Spun Smoke, Oakland, CA Lineage, American Museum of Ceramic Art, Pomona, CA Recent American Ceramics, Daum Museum, Sedalia, MO Transference, Clay Studio, Philadelphia, PA Berkeley Civic Center, Berkeley, CA Dorothy Saxe Invitational, The Tzedakah Box, Contemporary Jewish Museum, San Francisco, CA Drawn, Drawing, Anderson Gallery, Bridgewater University, Bridgewater, MA Honoring the Past, Embracing the Future: Works from the Permanent Collection, American Museum of Ceramic Art, Pomona, CA Yunomi Invitational, AKAR Gallery, Iowa City, IA Still Life: Ceramics: Five Bay Area Artists, California State University, Fresno, CA Scripps College 70th Ceramic Annual, Scripps College, Claremont, CA Best of Kind, Smith Anderson Gallery, Palo Alto, CA Best Kept Secret, American Museum of Ceramic Art, Pomona, CA Old Hands in Clay, NCECA, Milwaukee, WI Yunomi Invitational, AKAR Gallery, Iowa City, IO International Ceramics Casting Plus, City Gallery San Diego City College, San Diego, CA Nancy Selvin: Paintings and Work on Paper, The Light Room, Berkeley, CA Clay in the Bay, deSaisset Museum, Santa Clara, CA Bottles, Crimson Laurel Gallery, Bakersville, NC Do Not Destroy Invitational, Contemporary Jewish Museum, San Francisco, CA Bay Area Treasures, Berkeley Art Center, Berkeley, CA Beyond Tradition, Richmond Art Center Richmond, CA Yunomi Invitational, AKAR Gallery, Iowa City, IO Snyderman Works Gallery, Philadelphia, PA Unbound: A National Exhibition of Book Art, Bedford Gallery, Walnut Creek, CA Tercera Online Gallery/Studio Exhibition, Berkeley, CA Cup Show, Pence Gallery, Davis, CA Let There Be White, Birey Gallery, Philadelphia, PA New Works/Old Story, The Contemporary Jewish Museum, San Francisco, CA The Uncommon Object: The Contemporary Still Life, Pence Gallery, Davis, CA Diversity in Clay, American Museum of Ceramic Art, Pomona, CA Nancy Selvin/Maren Kloppman, Signature Gallery, Atlanta, GA Visiting Artist Exhibition, Tahoe Gallery Sierra Nevada College, NV Shibui Gallery, Los Angeles, CA Shaller Gallery, St. Joseph, MO

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2007

2006

2005

2004

2003

2002

58

California Clay, Baltimore Clayworks, Baltimore, MD Complexities of Clay, Bell Family Gallery, Los Angeles, CA Table of Elements, Manchester Craft Guild, Pittsburg, PA Clay(Mates), James Patrick Gallery, Wiscasset, ME Collaborations: Watershed and Friends, Snyderman Gallery, Philadelphia, PA Santa Fe Clay: In Their Own Words, Santa Fe, NM Richmond Art Center, Richmond, CA Pacini Lubel Gallery, Seattle, WA Snyderman Works Gallery, Philadelphia, PA 70 Washington Street Space, Oakland CA Prater Collections, Missouri State University Art Gallery, Springfield, MO Thresholds: Innovative Clay, Ogle Gallery, Portland, OR Context: The Written Word, The Clay Studio, Philadelphia, PA Alterior Motives, Baltimore Clayworks, Baltimore, MD Watershed Anniversary Exhibition, Society Arts and Crafts, Boston, MA Art of the Book: Bay Area Treasures, Donna Seager Gallery, San Rafael, CA TeaTime, Gallery of the Institute of the Arts, Kalamazoo, MI Vanitas, Lacoste Gallery, Concord, MA Transformation: Contemporary Work in Ceramics, Society for Contemporary Craft, Pittsburgh, PA Allene Lapides Gallery, Santa Fe, NM Pacini Lubel Gallery, Seattle, WA Contemporary Codex: Ceramics and the Book, Central Michigan University, MI & University of Maryland, Baltimore, MD Diverse Domains, Yinggko Ceramic Museum, Taipei, Taiwan Tercera Gallery, Palo Alto, CA Scents of Purpose, The Jewish Museum, San Francisco, CA The White Show, Santa Fe Clay, Santa Fe, NM Built Books, The Fuller Craft Museum, Brockton, MA Daum Museum, Sedalia, MO Contemporary Codex: Ceramics and the Book, Manchester Crafts Guild, Pittsburgh, PA Ceramic Narratives, Texas Women’s University, Denton, TX John Natsoulas Gallery, Davis, CA Tea, Santa Fe Clay, Santa Fe, NM Women’s Work, Diablo Valley College, Pleasant Hill, CA Teapots: Object/Subject, Craft Alliance, St. Louis, MO Sidney Myer Fund, Ceramics Award Exhibition, Shepparton Art Gallery, Shepparton, Australia Standing Room Only: Scripps College Ceramic Annual, Scripps College, Claremont, CA 21st Century Ceramics, Columbus College of Art & Design, Columbus, OH Tercera Gallery, Palo Alto, CA Words/Text/Stories, Society of Arts & Crafts, Boston, MA W/ the Vessel in Mind, ElevenEleven Sculpture Space, Washington, DC In Other Words: Ceramic Books, Northern Clay Center, Minneapolis, MN Contemporary Ceramics, San Diego City College, San Diego, CA Tercera Gallery, Palo Alto, CA Fusion: Photo/Clay, Odyssey Gallery, Asheville, NC John Natsoulas Gallery, Davis, CA Northern California Clay, NCECA, San Diego, CA Short Stories: Narratives Ceramics, Center for Ceramic Arts and the Ferrin Gallery, Berkeley, CA One Hundred Cups, Santa Fe Clay, Santa Fe, NM Pence Gallery, Davis, CA Rendezvous, Museum of Nebraska Art, Kearney, NB

Sybaris Gallery, Royal Oak, MI Still Life: Uncommon Object, Bedford Gallery, Walnut Creek, CA USA Clay, The Renwick Gallery, Smithsonian Institution, Washington, DC Digital Ceramics, The Light Factory, Charlotte, NC Convergences, Finegood Gallery, West Hills, CA Clay Patina, Patina Gallery, Santa Fe, NM Sybaris Gallery, Royal Oak, MI 2000 Color and Fire: Defining Moments in Studio Ceramics 1950-2000, Los Angeles County Museum of Art, Los Angeles, CA Kemper Museum of Contemporary Art, Kansas City, MO The Tuscan Museum, Tuscan, AZ Memorial Art Gallery, University of Rochester, Rochester, NY Reliquaries for America, Craft and Folk Art Museum, San Francisco, CA Scripps College Ceramic Annual, Scripps College, Claremont, CA A Glimpse of the Invisible, Arvada Center for the Arts, Arvada, CO Three Visions, Casper College Gallery, Casper, WY Patina Gallery, Santa Fe, NM The Sybaris Gallery, Royal Oak, MI Celestial Seasonings, Boulder, CO Millennium Platter Exhibition, Shepparton Art Gallery, Shepparton, Australia 1999 Charleston Heights Art Center, Las Vegas, NV Diane Nelson Gallery, Laguna Beach, CA New Glass Review, Corning, NY China Painting Today, Ferrin Gallery, Northampton, MA Kos Chain Invitational, Margolis Gallery, Houston, TX Making Change, The Jewish Museum, San Francisco, CA Gallery Alexander, La Jolla, CA JMKohler Art Center, Sheboygan, WI Sybaris Gallery, Royal Oak, MI 1998 Imperfect Harmony, Lafayette Museum of Art, Lafayette, IN

Touring: Nora Eccles Museum, UT, Tokyo, Japan Celestial Seasonings, Boulder, CO Ferrin Gallery, Northampton, MA Survey of International Ceramics, Laguna Beach Art Museum, Laguna Beach, CA Four Views, Artisans Gallery, Mill Valley, CA 1997 Ceramic Still Life: The Common Object, College of Arts and Crafts, Oakland, CA Kiddush Cup Invitational, The Jewish Museum, San Francisco, CA 1996 Journals/Metamorphosis, Works Gallery, Sonoma, CA Sybaris Gallery, Royal Oak, MI A Survey of Contemporary Ceramics, Tustin Gallery, Tustin, CA Blue Heron Gallery, Deer Isle, ME 1995 Richmond Art Center, Richmond, CA Artist’s Sketchbooks, Palo Alto Cultural Center, Palo Alto, CA Works Gallery, Sonoma, CA Patricia Williams Gallery, Portland, OR 1994 The Object as Still Life, Sybaris Gallery, Royal Oak, MI Ceramic Invitational, Ceskey Krumlov, Czech Republic Sculpture Invitational, College of Arts and Crafts, Oakland, CA Nancy Margolis Gallery, ME 1993 Farrell Collection, Washington, D.C. Clay 93: A National Survey, Traver Gallery, Seattle, WA

2001

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1991

1990

1989

1988

1987

1986

1985 1984

60

Cup Invitational, Artworks, Seattle, WA Dinnerworks Invitational, Louisville, KY Nancy Selvin, Sybaris Gallery, Royal Oak, MI Exhibits USA Invitational, Kansas City, MO Maveety Gallery, Salishan, OR East/West Invitational, Korean Embassy, Los Angeles, CA Looking Through Glass, Berkeley Civic Arts, Berkeley, CA Faculty Exhibition, S.F. State Art Gallery, San Francisco, CA Cup as Metaphor, Syaris Gallery, Detroit, MI Crocker-Kingsley Annual, Crocker Museum, Sacramento, CA NCECA Invitational, Tempe, AZ Grossmont College, El Cajon, CA Invitational, Freehand Gallery, Los Angeles, CA Another Dimension, Tempe Art Center, Tempe, AZ Aha Hana Lima, Academy of Art, Honolulu, HI Clay: A Feminine Perspective, curated by Elaine Levin, Los Angeles, CA Raku: Expanding the Expression, NCECA, Kansas City, MO Progressions, California Craft Museum, San Francisco, CA View Points, Sybaris Gallery, Detroit, MI New Directions, Leverett Center, Leverett, MA Julia Morgan Memorial Exhibition, curated by Suzanne Muchnic, Riverside, CA Webb and Parsons, New Bedford, NY Monumental Women, SOMAR Gallery, San Francisco, CA Wita Gardner Gallery, San Diego, CA ProArts Annual, ProArts Gallery, Oakland, CA Olson/Larson Gallery, Des Moines, IA Martha Schneider Gallery, Highland Park, IL Salem Arts Association Invitational, Salem, OR Historic References in Contemporary Clay, Eccles Museum, Logan, UT Ceramic Still-Life, Esther Saks, Chicago, IL Elements, New York City, NY Clay ‘84: Invitational, Traver Sutton, Seattle, WA 10th Annual Invitational, Weber State Gallery, Ogdon, UT On/Of Paper, Zaner Gallery, New York City, NY

Above:

beth lo

Not Me, 2022 Photo credit: Beth Lo

61

COMPLETE LIST OF PAST ANNUAL CURATORS and artists Curators

ARTISTS

Kirk Delman

2023

Ashwini Bhat

2022

Ashwini Bhat (postponed due to Covid-19)

2021

Joanne Hayakawa

2020

Kirk Delman

2019

Patsy Cox

2018

Joan Takayama-Ogawa

2017

Susan Beiner

2016

Julia Haft-Candell

2015

Kirk Delman/Mary MacNaughton

2014

Virginia Scotchie

2013

Kirk Delman, Frank Lloyd, and Mary MacNaughton CLAY’S TECTONIC SHIFT*

2012

Tim Berg

2011

Wayne Higby

2010

Adam Davis

2009

Phyllis Green

2008

Tony Hepburn

2007

Steven Portigal

2006

Tony Marsh

2005

Kirk Delman

2004

Karen Koblitz

2003

Nancy Selvin

2002

Adrian Saxe

2001

David Furman

2000

Kathleen Royster

1999

Cindy Kolodziejski

1998

Douglas Humble

1997

Kris Cox

1996

Nobuho Nagasawa

1992-1995

Paul Soldner

1959-1991

Richard Petterson

1947-1958

William Manker

1945-1946

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J. T. Abernathy 1951 Evelyn Ackerman 1953, 1954, 1955 Jerome Ackerman 1953, 1954, 1955 Ann Agee 1991, 2004 Nancy Alexander 1954 Margaret Allen 1984 Ray Allen 1971 Von Allen 1989 Arthur Ames 1949, 1951, 1952, 1954, 1957, 1959 Jean Goodwin Ames 1945, 1947, 1948, 1949, 1951, 1952, 1954, 1957 Susan S. Amoy 1987 Donna Anderegg 1996 Wesley Anderegg 1996, 2020 Bruce Anderson 1961 Daniel J. Anderson 1996 David Anderson 1984 Laura Andreson 1945, 1947, 1949, 1951, 1954, 1959, 1969, 1974, 1979, 2004 Chris Antemann 2017 Jean E. Appleby 1980 Robert W. Archambeau 1967 Adrian Arleo 1990 Florence S. Aranson 1957 Dave Armstrong, 2004 Linda Arndt 1973 Robert Arneson 1961, 1967, 1969, 1974, 2023 Michael Arntz 1966, 1969 Tori Arpad-Cotta 2009 Bill Attaway 1997 Eliza Au 2010 Rudy Autio 1959, 1960, 1974, 2004, 2019 Victor A. Babu 1964 Ralph C. Bacerra 1963, 1964, 1969, 2004 Raul Baeza 1990 Rita Baigess 1972 Clayton G. Bailey 1964 Dorothy Baker 1988 Douglas K. Baldwin 1966 John Balistreri 1990 F. Carlton Ball 1951, 1959, 1969, 1977 Susan Banks 1992 Nancy Baptist 1997 Jody Baral 1986 Ebitenyefa Baralaye 2022 Barnaby Barford 2011 S. M. Baring-Gould 1957

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Barkley-Coutu-Hawker 1952 Margaret Montgomery Barlow 1959 Evangel D. Barnes 1964 Joan Baron 1973 Ernest A. Batchelder 1979 Kenneth Bates 1951, 1961 Fred Bauer 1964, 1968, 1969 Pat Bauer 1965 Bennett Bean 1981, 1984, 1989, 2004 Jim Becker 1990 Susan Beiner 2003 Billy Al Bengston 1957, 1969, 1974, 2004, 2019 Irene Berchtenbrieter 1957 Tim Berg/Rebekah Myers 2014 Fanny Bergmann 1957 Frans Bergmann 1952, 1954 Gabor Bergo 1966 Luis Bermudez 1986, 2006 Katherine Besley 1984, 1997, 2019 Audrey Bethel 1971 Ted R. Bielefeld 1961, 1964 Andre G. Billeci 1968 Stan Bitters 1962 James R. Black Jr. 1967 Ed Blackburn 1978 Kate Blacklock 2001 Polly Blank 1951, 1952, 1954 Gina Bobrowski 1997 Paul Bogatay 1947, 1949, 1965 Thom Bohnert 1978 Margaret Boozer 2003 Sorcha Boru 1979 Richard Bosard 1966 Lilian Boschen 1951, 1952 Joe Bova 1980 Frank Boyden 1983 Michael Boylen 1973 Bill H. Boysen 1967 Robert Brady 1975, 2000, 2004 Wayne Branum 1981 Bruce Breckenridge 1971 Karen Breschi 1973 Cynthia Bringle 1966 Barbara Brooks 1954 William Brouillard 1991 Bert Brown 1948 Betsy Brown 1948 Charles Brown 1969 Oscar Bucher 1962 Jean Buckley 1959 James Budde 1992 Beniamino Bufano 1979 Gene Bunker 1962 Marjorie Burgeson 1952 Richard Burkett 2020 Mark Burns 2000 Clyde E. Burt 1957 John Burton 1957 Everette Busbee 1988

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Larry Bush 1991 Moira Butler 1965 Kathy Butterly 1991, 2001, 2004 J. Anthony Buzzelli 1959 Kathryn Byers 1952 Erni Cabat 1954, 1965 Rose Cabat 1954, 1965 Edwin A. Cadogan 1951, 1952, 1954 Todd Campbell 1963 Lynn Canterbury 1967 Virgil Cantini 1961, 1962 Jerry L. Caplan 1977 J. Sheldon Carey 1960 Elaine Carhartt 1997 Nancy Carmen 1976 Syd Carpenter 2000 Jean Carr 1952 Robert Carr 1952 Roy R. Cartwright 1966 Virginia Cartwright 1981, 1984 John Caruthers 1952 Eve Nathanson Cary 1948 Doug Casebeer 1987 Andrew Castro 2016 James Caswell 1982 Marek Cecula 1998, 2001, 2007 Aurore Chabot 1986 Pattie Chalmers 2011 Scott Chamberlin 1985 Beth Changstrom 1982, 1984, 2004 Robert Charland 1992 Judy Chartrand 2023 Chatterton 1974 Nicole Cherubini 2015 Dale Chihuly 1968 MyungJin Choi/Dani Leventhal 2008 Fong Chow 1957 Katherine Choy 1957, 1979 Karl J. Christiansen 1965 Linda Christianson 1996 Ann Cristenson 1980 Mel Clark 1978 Barry Coffin 1997 Harriet Goodwin Cohen 1965 Michael S. Cohen 1963 Abraham Cohn 1957 Frances S. Cohn 1952 Fern Cole 1960 Thomas Lane Coleman 1973 Thom Collins 1974, 2004 Mae Conner 1962 Hans Coper 1974 James Coquia, 2004 Kathleen Corcoran 1984 Philip G. Cornelius 1967, 1974, 1984, 1989, 2004, 2019 Judy Cornell 1976 Raul Angulo Coronel 1957, 1960 Roger Corsaw 1961

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Charles Counts 1967, 1969 D.F. Counts 1966 Kris Cox 1984, 1989, 2004, 2014 Patrick Crabb 1986 David Crane 1980 Tim Crane 1982 William Creitz 1967 Dave Cressey 1957, 1959, 1969 Edward Cromey 1961 James Crumrine 1957 Anne Currier 1978 Lee Curtis 1989 Val Cushing 1962, 2004 Bryan Czibesz 2016 Fernanda D’Agostino 1990 William P. Daley 1964 Meredith Dalglish 1984 Wouter Dam 1999 Kathy Dambach 1981 Roger Darricarrere 1959 Sharbani Das Gupta 2022 Jennifer Datchuck 2018 Adam Davis 2014 Bill Davis 1978 Robin B. Davis 1975 Steve Davis 1989 Christopher Davis-Benavides 1990 Robert Dawson 2007 Russell Day 1959 Frieda Dean 2013 Rupert Deese 1952, 1954, 1957, 1959, 2004 John deFazio 1999, 2001 Dora Delarios 1966, 1969 Roseline Delisle 1996 Harris Deller 1987, 2000 Angela de Mott, 2004 Benjamin DeMott 2010 Kaye Denning 1962 Eugene Deutch 1951 Jugo De Vegetales 1980 Robert Devers 2003 Richard Devore 1969, 2004 Josh DeWeese 1996, 2004 Hilda Dial 1952 Kim Dickey 1999 Kenneth Dierck 1969 Betty Dike 1952, 1957 Phil Dike 1952, 1957 Rick Dillingham 1973, 1989 Dominic L. Dimare 1966 Robert Dittmer 1959, 1961 Bob Dixon 1977 Dan Doak 1984 Eddie Dominguez 1985, 2003 Amy Donaldson 1957 David R. Dontigny 1967 Pauly D’orlando 1963 C. Fritz Dreisbach 1967, 1968 Karl Drerup 1947, 1949, 1951, 1957

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Paul A. Dresang 1977 Harold Driscoll 1979 Ruth Duckworth 1965 Bernice S. Duhl 1963 Gary Dutton 1977 Jack Earl 1987 Joel Edwards 1957, 1962 Stanley Edwards 1988 Redd Ekks 1976 David Eldred 1959 Duval Eliot 1963 Pat Elliott 1952 Larry E. Elsner 1964 Gary Erickson 1987 Christina Erives 2018 Cary Esser 1982, 2003 Mildred Estey 1948 Richard R. Fairbanks 1957 John D. Fassbinder 1959, 1963, 1984, 2004 Bill Farrell 1973 Aline Favre 1984, 2004 Christine Federighi 1985, 2000 Lazlo Fekete 1998 Charlene Felos 1972, 1977, 2004, 2019 Patricia Ferber 1991 Kenneth R. Ferguson 1960 Ellie Fernald 1972, 1974 Tom Ferreira 1959, 1969 Betty Feves 1957, 1959, 1969 Douglas Fey 1981 Angela Fina 1978 Jim Finnegan 1972 Bean Finnerran 2002 Mary Fischer 1981 Sally Jane Fletcher 1967 Stan Flinkman 1997 Ron Fondaw 1993 Betty Davenport Ford 1948, 1951, 1952, 1954, 1957 Jane Ford 1976 Robert Forman 1978 Jim Foster 1971, 1974 S. Carl Fracassini 1957 Dextra Frankel 1962 Viola Frey, 2019 Nancy Fried 1992 Magdelena Frimkess 1974, 2004 Michael Frimkess 1957, 1962, 1969, 1974, 2004, 2019 Donald E. Frith 1952, 1963 Robert C. Fritz 1964, 1968 Keiko Fukazawa 1988, 2004, 2023 Ester Fuller 1954 Michitada Funaki 1974 David Furman 1972, 2004, 2014 Dennis Gallagher 2002 Lauren Gallaspy 2016 Oona Gardner 2016 Angelo Garzio 1959, 1969 Christy Gast 2009

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Michael Geersten 2006 Daniel J. Gehan 1964 Beth Lindsey Gellar 1994 Gabor Gergo 1966 Henry K. Gernhart 1966 Richard Gerrish 1982, 1984 Clara Gettle 1952 George E. Geyer 1967 Blaine Gibson 1952, 1954, 1957 Bill Gilbert 1989, 1993, 2004 David Gilhooly 1967 Andrea Gill 1976 Brian Gillis 2016 Fabienne Gioria, 2004 Lukman Glasgow 1985 John P. Glick 1964, 2004 Shannon Goff 2007 Allen Goldstein 1963 Crispin Gonzalez 1974, 2004 Arthur Gonzalez 1998 Carol Marchand Gouthro 1992 Melinda Grant 1978 Valborg Gravander 1952 Nicki Green 2022 Phyllis Green 1981, 1998, 2014 Mette Maya Gregersen 2023 Cameron Gregg, 1994 Jean Griffith 1963, 1974, 2004 Thomas Griffith 1952 Gerit Grimm 2011 Raymond Grimm 1961 Glenn Grishkoff, 2004 Erik Gronborg 1967, 1972 Michael Gross 1990 Lauren Grossman 1988 Maurice Grossman 1964 Maija Grotell 1949, 1951, 1957, 1969 Trude Guermonprez 1966 Eve Gulick 1952 Chris Gustin 1987 Babs Haenen 2006 Julia Haft-Candell 2016, 2022 Henry Halem 1973 Doris Hall 1951, 1957 Shoji Hamada 1949, 1974 Frank O. Hamilton 1957 Jessica Hans 2015 Marc Hansen 1952 Teruo Hara 1960, 1963 John Harding 1952, 1954, 1957 John Harmon 1980 Robert W. Harrison 1992 Del Harrow 2016 Dale Hartley 1981 David Hatch 1952 Lyn Haxton 1983 Dick Hay 1968 Joanne Hayakawa 1985, 2000 Jane Heald 1952, 1954

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Marge Israel 1961 Sergei Isupov 1998, 2004 Anthony Ivins 1952, 1954, 1957, 1959 Joyce Jablonski 1986, 1991 John H. Jacobs 1975, 1989 Sarah Jaeger 1988, 2004 Amanda Jaffe 2003 Janice Jakielski 2011 Manuel Jalanavich 1979 George James 1952 Robert C. James 1957, 1964 Doug Jeck 1999 John Jessiman 1971 Margaret Jipp 1951 Henry Joe 1973 Carla Rae Johnson 1980 Sargent Johnson 1979 Shirley E. Johnson 1975 Sandra Johnstone 1980, 1984 Cecil Jones 1979 Michael Jones 1978 Hella Jongerius 2007 Andrea Joseph 1977 Anabel Juarez 2022 Nina Jun 2005 Nancy Jurs 1976 Yashie Kadoi 1960 Stephen Kafer 1980 Sheldon Kaganoff 1984, 1989 Wilhelm Kåge 1949 Ben Kajitani 1981 Stephen J. Kaltenbach 1965 Jun Kaneko 1966, 1974, 1984, 1989, 2004, 2015, 2019 Toyo Kaneshige 1974 Satoshi Kano 1960 Steven Karatzas 1975 Elena Karina 1983 Karen Karnes 1961, 1969, 2004, 2019 John C. Karrasch 1965 Ben Katz 1984 David Katz 2022 Tauno Kauppi 1964 Kanjiro Kawai 1949, 1974 Tadashi Kawai 1960 Kouzo Kawashima 1960 Steven Kemenyffy 1971, 1977 Susan Kemenyffy 1977 Diane Kempler 1993 Bernard J. Kester 1952, 1954, 1957, 1960 Sahar Khoury 2022 Ernie Kim 1959, 1969 Yoonchung Park Kim 2002 George N. Kimura 1966 Albert King 1948, 1951, 1954, 1957, 1959, 1969, 1979 Louisa King 1951, 1954, 1957, 1959, 1969 Michael King 1978 Bri Kinnard 2013

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Keisuke Mizuno 1998 Mineo Mizuno 1972, 1974, 2019 Solange Alain Moberg 1984 Jeffrey Mongrain 2013 Margaret Montgomery 1952, 1954 James A. Moore 1964 Richard Moquin 1967 Mike Moran 1988 Crystal Morey 2020 Peter Morgan 2011 Kristen Morgin 2005 Hiroaki Morino 1968 James Morris 1991 Art Morrison 1976 Mike Mosely 1976, 2004 Charles F. Mosgo 1951 Neil Moss 1981, 2004 Ohtake Motosuke 1983 Rodney Mott 2004 Joyce Moty 1971 Marian Moule 1955, 1958, 1960 Mike Mullen 1963 Thomas Müller 2011, 2023 John Satre Murphy 1968 Abigail Murray & Steven Mankouche 2007 William Staite Murray 1974, 2019 Sana Musasama 1989 Dion G. Myers 1965 Harold Myers, Jr. 1959, 1962 Joel Philip Myers 1965, 1968 Patrick J. Myers 1968 Robert E. Naess 1968 Nobohu (Nobi) Nagasawa 2014 Setsuko Nagasawa 1984, 2004 Ron Nagle 1974, 2004, 2019 Kimpei Nakamura 1970, 1974, 1984 John Natale 1975 Gertrude Natzler 1945, 1947, 1948, 1949, 1951, 1952, 1954, 1957, 1969, 1979 Otto Natzler 1945, 1947, 1948, 1949, 1951, 1952, 1954, 1957, 1969, 1979 Minne Negoro 1951 Arthur Nelson 1980 Glenn Nelson 1962 Elena Netherby 1948, 1954, 1959, 1969, 1979 Ronna Neuenschwander 1988 Janet Neuwalder 1991 Win Ng 1959, 1960, 1969 Donna L. Nicholas 1971,1984, 1989 Bob Nichols 1976 Kevin Nierman 2002, 2004 Leon I. Nigrosh 1977 Zora Norris 1968 Eric Norstad 1957, 1969 Richard Notkin 2000 William O’Bryan 1981 Ruby O’Burke 1979 M. Elizabeth Higgins O’Connor 1998 Adolf Odorfer 1947, 1949, 1951, 1952, 1979

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741.

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Jeff Oestrich 2017 Kevin O’Farrel 1972 Brent Oglesbee 1992 Motosuke Ohtake 1983 Frederick L. Olsen 1988, 2004 Ingevardt Olsen 1979 Charles Olson 1977 Ed O’Reilly 1985 Thomas Orr 2004 Edward Oshier 1961, 1963 Jane Oshier 1961 Lewis Ott 1963 Joel Otterson 2001 Ben W. Owen 1964 Frank Ozereko 1983 Hal Painter 1952 Vince Palacios 2005 IO Palmer 2009 Gene Palusky 1987 Earl Pardon 1961, 1962 Kyungmin Park 2018 Ben Parks 2004 Dennis Parks 1984, 1989, 2004 Alice Parrott 1966 William D. Parry 1965 Nancy Patterson 1954 Vernon Patrick 1972 Mike Payne 1974 Joan Jockwig Pearson 1951, 1952, 1954 Melissa Pearson 1977 Michael Peed 1972 Jane Peiser 1975 Zemer Peled 2018 Denise Pelletier 1995 Gustavo Perez 2006 Dorothy Perkins 1961, 1962 Lyle Perkins 1962 Anne Perrigo 1982 Sam Perry 1992 Brian Persha 1973 Timothy Persons 1984 Susan H. Peterson 1952, 1957, 1963, 1969 Alice Petterson 1948, 1949, 1952, 1954 Richard Petterson 1948, 1949, 1951, 1952, 1954, 1979, 1984, 2014 Tom Phardel 1982 Mark Pharis 1987 Jack L. Pharo 1963 Mary W. Phillips 1952 Dorothy Piercy 1952 Conway Pierson 1961 Elyse Pignolet 2023 Polia Pillin 1951, 1952, 1954 Edward Pincus 1976 Anne Scott Plummer 1984, 1988, 1989, 2004 John Polikowsky 1954 Lugian Pompili 1973 Marie-Ann Poniatowska 1952 Henry Varnum Poor 1947, 1949, 1959, 1969

743.

744.

745.

746.

747.

748.

749.

750.

751.

752.

753.

754.

755.

756.

757.

758.

759.

760.

761.

762.

763.

764.

765.

766.

767.

768.

769.

770.

771.

772.

773.

774.

775.

776.

777.

778.

779.

780.

781.

782.

783.

784.

785.

786.

787.

788.

789.

790.

791.

792.

793.

794.

795.

796.

797.

798.

Helen Pope 1952 Rick Pope 1980 Steven Portigal 2014 Richard Posner 1975 Thomas Potter 1971 Bret Price 1981 Kenneth Price 1957, 1960, 1969, 1974, *2012, 2019 Margaret Price 1979 Antonio Prieto 1948, 1949, 1952, 1954, 1959, 1969, 1974, 1979, 2019 Eunice Prieto 1948, 1949, 1952, 1954 Gayle Prunhuber 1984 Joseph A. Pugliese 1963 Myrton Purkiss 1945, 1947, 1948, 1949, 1951, 1952, 1954, 1979 Cai Guo Qiang 1995 Elizabeth F. Quackenbush 1987 Jeanne Quinn/Amanda Marchand 2008 Elsa Rady 1985, 2004 Takahashi Rakusai IV 1974, 2019 Robert W. Ramsey 1963 Theodore Randall 1961, 1969 Brian Ransom 1986, 2004 Max Read III 1972, 1974 Hildred Reents 1954 Barney M. Reid 1964 Anton Reijnders 2015 Lisa Reinertson 1990 Don L. Reitz 1964, 1984 Nicholas Rena 2006 Ōtagaki Rengetsu 2023 Merry Renk 1961 Ildiko Repasi 1995 Eileen Reynolds 1954, 1979 Steve Reynolds 1973, 1984, 2004 Daniel Rhodes 1951, 1957, 1959, 1969 Lillyan Rhodes 1957 Paula Jean Rice 1985 Mary Caroline Richards 1966 Mark Richardson 1991 Lucie Rie 1974 Harold Riegger 1949, 1951, 1952, 1954, 1957, 1962, 1969, 1979 Curtis Ripley 1975 Ruth Rippon 1954, 1969 Mary Kring Risley 1957 Lizzie Rix 1951 Jennifer Roberts 1984 Kate Roberts 2013 Sally Roberts 1978 Alexander Robertson 1979 Margarita Robinson 1952 Mary Roehm 2003 John Roloff 1977 James Romberg 1974, 1975, 1984, 1989, 2004 Diego Romero 2017 Janice Roosevelt 1960, 1965 Antonette Rosato 1984, 1993 Leslie Rosdol 1998

799.

800.

801.

802.

803.

804.

805.

806.

807.

808.

809.

810.

811.

812.

813.

814.

815.

816.

817.

818.

819.

820.

821.

822.

823.

824.

825.

826.

827.

828.

829.

830.

831.

832.

833.

834.

835.

836.

837.

838.

839.

840.

841.

842.

843.

844.

845.

846.

847.

848.

849.

850.

851.

852.

853.

854.

855.

Annabeth Rosen 1989, 2001, 2004, with Jack Friel 2008, 2022 Stanley Rosen 1962 Allan Rosenbaum 1978 Terry Rosenberg 1983 Harriet E. Ross 1986 Katherine Ross 1995, 2009 Jerry Rothman 1957, 1961, 1969, 1974, 1984, 2004, 2019 Kent Rothman 2004 Janette Rothwoman 1974 Kathleen Royster 2002, 2004, 2014 Brie Ruais 2015 Eriks Rudans 1973 Dale Ruff 1984 Anders Ruhwald 2009 Jay R. Rummel 1963, 1974 Jean Russam 1957 Olin L. Russum 1951, 1957, 1960 Kathleen (Katie) Ryan 2015 Paul Sacaridiz 2016 Harvey Sadow Jr. 1981 Judith Salomon 1990 Ben Sams 1967 Carl Sande 1965 Herbert Sanders 1949, 1961, 1969, 1979 J. Ormond Sanderson 1963 Red Weldon Sandlin 2017 Reinaldo Sanguino 2009 Porntip Sangvanich 1991, 2004, 2017 Tadayasu Sasayama 2019 Satoshi Sato 2019 L. F. Saucier 1975 Juta Savageder 1988 Maria-Artemis Sawyer 1978 Adrian Saxe 2000, 2004, 2014 Donald Schaumburg 1952, 1954, 1957 Edwin Scheier 1949, 1951, 1957, 1960, 1969, 1974 Mary Scheier 1949, 1951, 1957, 1960, 1969, 1974 Atzy Schiff 1961 Jeff Schlanger 1960, 1968 Catherine Schmid-Maybach 1997 Barbara Schmidt – KAHLA PORCELAIN Jack A. Schmidt 1975 Tom Schmidt 2010 JoAnn Schnabel 2003 Margaret Schnaidt 1954 Adele Schonbrun 1982, 1984, 2004 Viktor Schreckengost 1947 Norman Schulman 1962 Herbert C. Schumacher 1964 June Schwarcz 1960 Virginia Scotchie 2003, 2014 David Scott 1952 Barbara Sebastian 1987 James Secrest 1961 Philip Secrest 1961 Margarete Seeler 1960 Timothy Segar 1976

69

856.

857.

858.

859.

860.

861.

862.

863.

864.

865.

866.

867.

868.

869.

870.

871.

872.

873.

874.

875.

876.

877.

878.

879.

880.

881.

882.

883.

884.

885.

886.

887.

888.

889.

890.

891.

892.

893.

894.

895.

896.

897.

898.

899.

900.

901.

902.

903.

904.

905.

906.

907.

908.

909.

910.

70

Joseph Seigenthaler 1999 Nicole Seisler 2022 Kay Sekimachi 1966 Nancy Selvin 1982, 2000, 2004, 2014, 2023 Kayla Selyer 1961 Colleen Black Semelka/David Fernandez 2004 Frances Senska 1957, 1961 David G. Shaner 1961, 1963, 1974 Sandy Shannonhouse 1976 Richard Shaw 1967, 2000, 2004 Robert Shay 1972 Millard Sheets 1952 Ottsie Sheff 1961 Larry Shep 1961 George Sherman 1972 Debra Sherwood 1986 Michael Sherrill 2017 Masaaki Shibata 1970, 1973, 1974 Peter Shire 1983 Karen Shirley 1971 Adam Shiverdecker 2013 Ken B. Shores 1966, 1969 Sue Shrode 1951, 1952, 1953, 1954, 1955, 1956, 1957, 1958, 1959 Jim Shrosbree 2007 Donald J. Siegfried 1951 Patrick Siler 1967, 1974 Anna Silver 1985, 2017 Bobby Silverman 1992 Susi Singer 1945, 1947, 1948, 1949, 1951, 1952, 1954 Amanda Small 2016 Anne Smith 1985 Caroline J. Smith 1951, 1952 Dennis Smith 1975 Tom Smith 1980 Cynthia Snyder 1981 Kit-Yin T. Snyder 1971 Vincent Soldacki 1981 Joe Soldate 1967, 1984, 1989, 2004 Paul Soldner 1957, 1961, 1965, 1967, 1969, 1974, 1984, 1989, 2010, 2014, 2019 Paolo Soleri 1961 Jessica Corn Solk 1973 Florine Sondergaard 1952 Linda Sormin 2022 Robert Sperry 1957, 1959, 1969, Estate of Robert Sperry 2002 Victor Spinski 2000, 2004, 2019 Tom Spleth 1972 Spring Street Potters: Aldrich, Cooper, Charles, Shapiro 1966 Faraday Sredl 1992 Leonard R. Stach 1965 Rudolf H. Staffel 1964, 1969 Kenneth Starbird 1963 Thurman Statom 1980 Ken Steeves 1972 James E. Stephenson,Jr. 1965 John H. Stephenson 1963, 1969

911.

912.

913.

914.

915.

916.

917.

918.

919.

920.

921.

922.

923.

924.

925.

926.

927.

928.

929.

930.

931.

932.

933.

934.

935.

936.

937.

938.

939.

940.

941.

942.

943.

944.

945.

946.

947.

948.

949.

950.

951.

952.

953.

954.

955.

956.

957.

958.

959.

960.

961.

962.

963.

964.

965.

966.

967.

968.

969.

Susan G. Stephenson 1963 Richenda Stevick 1979 Albert Stewart 1952 Bill Stewart 1967 Cliff Stewart 1966 Lizbeth Stewart 1983,1987 Marion (Hoppe) Stewart 1952 Richard St. John 1971 Ann A. Stockton (see Voulkos) Jon F. Stokesbary 1964, 1984 Cecil G. Strawn 1964 Dino Strona 1957 Robert Stull 1966 Dorothy Sturm 1961 Vincent Suez 1974, 1984, 2004, 2019 Karen Sullivan 2004 Hyun-Sook Suh 1972 Mara Superior 2017 Thomas A. Suomalainen 1975 Sanford J. Sussman 1973 Kazuye Suyematsu 1967, 1974 Goro Suzuki 1974, 2006 Osame Suzuki 1960 William W. Swallow 1949 Roger Sweet 1976 Roxanne Swentzel 2018 Ishiyama Syun 1970 Toshiko Takaezu 1957, 1960, 1966, 1969 Akio Takamori 1991, 2004 Henry Takemoto 1959, 1960, 1969, 2004, 2019 David G. Tammany 1963 Brendan Tang 2011 James L. Tanner 1988 Tim N. Taunton 1992 Wayne Taylor 1965 Byron Temple 1996 Ruenell Foy Temps 1975 Irv Tepper 1971, 2004 S. Terao 1960 Neil Tetkowski 1992 Andree Thompson 2002 Lennox Teirney 1948 Vivika Timeriasieff 1979 George Timock 1973 Maynard Tischler 1967 James Tisdale 2020 Barbara Tiso 1972 Katsumasa Toba 1960 David Tolerton 1979 Howard Tollefson 2006 W.A. Ehren Tool 2017 David Toresdahl 1968 Ed Traynor 1952, 1957, 1959, 1969 Marianne de Trey Haile 1949 Erich Triller 1949 Ingrid Triller 1949 James A. Tripp 1967 Joseph Trippetti 1957, 1959 Jack Troy 1985

970.

971.

972.

973.

974.

975.

976.

977.

978.

979.

980.

981.

982.

983.

984.

985.

986.

987.

988.

989.

990.

991.

992.

993.

994.

995.

996.

997.

998.

999.

1000.

1001.

1002.

1003.

1004.

1005.

1006.

1007.

1008.

1009.

1010.

1011.

1012.

1013.

1014.

1015.

1016.

1017.

1018.

1019.

1020.

1021.

1022.

1023.

1024.

1025.

Kanji Tsuji 1960 Robert C. Turner 1951, 1957, 1959, 1969, 2006 Tom Turner 1977 John Tuska 1962 Constance Tyderman 1952 Chris Unterseher 1967 Oppi Untracht 1962 Saara Untracht 1962 Andree Valley 1977 Mike Vatalaro 2003 Angela Verdon 2002 Nicholas Vergette 1963 Marcus Villagran 1962 Rimas VisGirda 1990, 2004 Triesch Voelker 1997 Ted Vogel 2020 Paul Volckening 1954, 1962 Dennis Voss 1982 Ann Adair Stockton Voulkos 1962, 1966, 2004 Peter Voulkos 1951, 1952, 1954, 1957, 1959, 1969, 1974, 1979, 2004, 2010, *2012, 2019 Jamie Walker 2002 Roy Walker 1954, 1979 Marta Walloff 1986 Linda Rosenus Walsh 1982, 1984, 2004 Allan Walter 1984 Billie Walters 1981 Carl Walters 1947, 1949 John P. Walters 1963 Patti Bauer Warashina 1965, 1968, 1969, 1974, 2004, 2020 Phillip A. Ward 1961 Rosalind Ray Watkin 1952 Helen Watson 1951, 1952, 1957, 1969, 1984 James M. Wayne 1968 Christopher Weaver 1986 Matt Wedel 2011 David Weinrik 1969 Kurt Weiser 1982, 2004 Steven J. Welch 1996 Stan Welsh 1976, 1984, 2004, 2019, 2020 Robert Wendell 1966 Robert Westervelt 1957 Raymond Wetzel 1982 Irwin Whitaker 1957 Richie White 1982, 1984, 2004 Frans Wildenhain 1948, 1949, 1969 Marguerite Wildenhain 1945, 1947, 1948, 1949, 1951, 1952, 1954, 1959, 1969, 1974, 1979, 2019 Allen Wildenhofer 1966 Gerry Williams 1986 Liz Williams 1984 Jeff Wilson 1989 Mary A. Cale Wilson 2020 Katherine Winckler 1957 Jack L. Winsor 1979 Paula Winokur 1963, 2004 Robert M. Winokur 1963, 2004 Edward Winter 1947, 1949, 1951

1026.

1027.

1028.

1029.

1030.

1031.

1032.

1033.

1034.

1035.

1036.

1037.

1038.

1039.

1040.

1041.

1042.

1043.

1044.

1045.

1046.

1047.

1048.

1049.

1050.

1051.

1052.

1053.

1054.

1055.

1056.

1057.

1058.

1059.

1060.

1061.

Thelma Frazier Winter 1949 Ted Wiprud 1978 Jean Withey 1961 Fred Wollschlager 1966 Harriet Wolpin 1963 Yoko Wong 1957 Marie Woo 1965 Grace Woolley 1952 Ellamarie Wooley 1948, 1949, 1951, 1954 Jackson Wooley 1948, 1949, 1951, 1954 Beatrice Wood 1952, 1969, 1974, 2019 Donald Wood 1951 Betty Woodman 1964, 1967, 1974, 1984, 2004, 2010, 2015 Julie Woodward 1984 Elsbeth Woody 1991 Ellamarie Woolley 1951, 1952 Jackson Woolley 1951, 1952, 1960 James Wozniak 1962 Christie Wright 2007 Janis Mars Wunderlich 1999 William F. Wyman 1959, 1969 Kazuo Yagi 1960, 1974 Hikaru Yamada 1960 Mutsuo Yanagihara 1974 Brian Yancey 1984, 1988, 2004 Yao Yongkang 2010 Susan York 2002 Ward Youry 1952, 1954, 1957, 1969 Sun-Koo Yuh 2005 Mark S. Zamantakis 1964 Carlo Zaulli 2019 Stephen Zawojski 1968 Guozhen Zhou 2010 Mike Zilka 1972 Arnold Zimmerman 1983, 2001 Georgette Zirbes 1975

*Clay’s Tectonic Shift: John Mason, Ken Price, Peter Voulkos 1956-68

71