2023 78th Scripps College Ceramic Annual

This publication was produced in conjunction with the

2023

Scripps College 78 th Ceramic

Annual

Ruth Chandler Williamson Gallery Scripps College

January 21 - April 9, 2023

ISBN: 978-0-9972004-5-4 Copyright ©2022

Produced by Creativity Collaborative, Inc., Hood River, OR Designed by Jenn Anderson Typeset: FT Graphiite and Minion Pro Printed in the USA by Inland Litho, Anaheim, CA

Cover: NANCY SELVIN

Tragedies and Horrors: Conversations over Tea, 2022 Ceramic, watercolors on paper, screened text Dimensions vary Cups photographed by David Schmitz

CAREFULLY: THE POWER OF WORDS AND CLAY

Ruth Chandler Williamson Gallery, Scripps College

Above: JUDY CHARTRAND Indian Residential School Brand Porridge, 2004

Photo credit: Kenji Nagai

Since the creation of the art department at Scripps, ceramics has had an important place in the studio art curriculum. For seventy-eighth, the Ruth Chandler Williamson Gallery has presented an annual ceramic exhibition, which has featured new art in clay. Always as an “invitational exhibition”, the Ceramic Annual’s early curators were also professors of ceramics at Scripps: William Manker (1945-1947), Richard Petterson (1947–1958), and Paul Soldner (1956–1991). Soldner changed the structure of the Annual from a large survey, which presented one work by many artists, to a focused look at several works by fewer artists. Soldner invited prominent artists, gallerists, and past participants to nominate an artist(s), so that each year visitors saw fresh work with different artistic perspectives. After Soldner’s retirement, from 1993 to 1995, Assistant Professor Nobuho Nagasawa shifted the Annual toward installation sculpture. To ensure changing perspectives, in 1996 we began a series of guest curators: Kris Cox (1996), Douglas Humble (1997) Cindy Kolodziejski (1998), Kathleen Royster (1999), David Furman (2000), Adrian Saxe (2001), Nancy Selvin (2002), Karen Koblitz (2003), Kirk Delman (2004), Tony Marsh (2005), Steven Portigal (2006), Tony Hepburn (2007), Phyllis Green (2008), Adam Davis (2009), Wayne Higby (2010), Tim Berg (2011). In 2012, the exhibition Clay’s Tectonic Shift: John Mason, Ken Price and Peter Voulkos, 1956–1968, which was part of the Getty’s Pacific Standard Time initiative, stood in for the Annual and was co-curated by Mary MacNaughton, Frank Lloyd, and Kirk Delman. In 2013, the Ceramic Annual resumed with guest curator Virginia Scotchie. In 2014, Kirk Delman and Mary MacNaughton presented an exhibition of works by past curators, followed by Annuals selected by Julia Haft-Candell (2015) Susan Beiner (2016), Joan Takayama-Ogawa (2017), Patsy Cox (2018), Kirk Delman (2019), Joanne Hayakawa (2020). In 2021, Covid-19 led to postponing the Annual one year and we invited Ashwini Bhat to curate the exhibition in 2022.

The 78th Annual will look closely at how artists have used words incorporated with clay to illustrate, emphasize and elaborate social, political, gender concepts along with personal inspirations.

This year, Kirk Delman, Interim Director of the Ruth Chandler Williamson Gallery is the guest curator for the 78th Ceramic Annual. Delman, has curated 9 exhibitions on ceramics including The 75th Scripps Ceramic Annual (2019), Meditation on Material: John Mason’s Firebrick Installations (2018), The 70th Scripps Ceramic Annual (2014), BEST KEPT SECRET: Ceramics from the Scripps Permanent Collection, American Museum of Ceramic Art, Pomona, CA. (2014), CLAY’S TECTONIC SHIFT: John Mason, Ken Price, Peter Voulkos 1956-1968, Getty Pacific Standard Time Exhibition (2012) (co-curated by Mary MacNaughton and Frank Lloyd), WITHIN TWO HANDS: The Eye of the Collector: Works from the Permanent Collection and the Marer Collection of Contemporary Ceramics at Scripps College, San Francisco Museum of Craft + Design. (2008), STANDING ROOM ONLY: 60th Scripps Ceramic Annual (2004), LA LIBERATION DE L’ARGILE AUX SOURCES DE LA CERAMIQUE CONTEMPRAINE AMERICAINE, The Ariana Museum, Geneva, Switzerland, co-curated with Roland Blaettner (2000), and THE CUP AND THE TEAPOT: The Extraordinary Diversity of a Simple Form, The Clark Museum, Scripps College, Claremont, CA. (1995).

Kirk Delman, Interim Director

Above: nancy selvin

Tragedies and Horrors: Conversations over Tea, 2022 Watercolors scanned by Nancy Selvin

ACKNOWLEDGMENTS

The 78th Scripps Ceramic Annual is the result of contributions by many individuals. First, we thank guest curator Kirk Delman, who proposed the theme, Handle Carefully: The Power of Words and Clay, and the artists who brought this exhibition to life.

We owe a special debt of gratitude to Kay Whitney, artist and writer who wrote the essay, How We (re-)Learn to Read. It has been a pleasure working with Kay, who again makes us think about the ideas underlying the exhibition. Words are central to the work of the artists in this exhibition, who understand firsthand the fragility and significance of the use of language.

We are most grateful to the artists and lenders in the exhibition including, Judy Chartrand, Keiko Fukazawa, Catherine Lee, Beth Lo, Mette Maya Gregersen, Thomas Müller, Elyse Pignolet, and Nancy Selvin. We also extend a special thanks to the University of California, Berkeley Art Museum and Pacific Film Archive for loaning Robert Arneson’s Typewriter, 1965, and to Scripps College for the work of Ōtagaki Rengetsu to the exhibition. The staff of the Ruth Chandler Williamson Gallery also deserves acknowledgment for their excellent work. Margalit Monroe who expertly coordinated the catalog preparation and supplied the first editorial reading. John Trendler swiftly provided images for publicity, and collection manager T. Robert who created the exhibition design and worked with artists to install it. I especially like to thank Maya Pal, 2022 Getty Marrow Summer Intern for editing the artist profiles and keeping Kirk on track. We again extend our thanks to Jenn Anderson, owner of Creativity Collaborative, Inc, who has produced another stunning catalog. This is our twenty-third in a series, which began to document the Annual in 2000 and we are eternally grateful to the Pasadena Arts Alliance for their continued support.

Heartfelt thanks go to our dedicated sponsors, whose continuing support is greatly appreciated. These generous people include: Bill and Francine Baker, Kirk and Dana Delman, David Furman, Skutt Ceramic Products, Inc., Joan and David Lincoln Endowment, and the Paul Soldner Endowment. Finally, we sincerely thank President Suzanne Keen, Dean of Faculty Amy MarcusNewhall, and the Trustees of Scripps College.

Kirk Delman, Interim Director

Above: catherine lee

when among all, 2021 (poem c. 2000)

Photo credit: Catherine Lee

curatorial statement

While growing up I was often reminded and sometimes reprimanded that, “actions speak louder than words.” In the case of the 78th Scripps Ceramic Annual the selected artists have consciously combined words and clay into provocative and meaningful ways.

Making art is inherently difficult to navigate without some form of guidance and mentorship and in the best of circumstances is a complicated matter. In the past decade, and especially in recent years due to the Covid epidemic and partisan politics, we have become more isolated and fearful in sharing our thoughts and opinions at a time when they are needed most.

While curating the 78th Ceramic Annual I was consciously searching out artists who have expressed the courage and capacity of telling a part of their personal story through the combination of words and clay.

Certainly not limited to these ten artists nor new to the field, as artists and poets, teachers and writers, have been expressing themselves for centuries, but I found this group particularly appealing for their inspirations and timeliness. In an essay titled, Speaking Volumes: Pottery and Word, by Paul Mathieu, he writes the following.

Impressing words and text onto wet clay, then fired, contains a permanence not unlike a well written story. It can change one’s life, enrich an experience, move one to tears. Contrary to handmade ceramics, this work is not about clay or plasticity or the intrinsic beauty of materials; it is not about technique or even skill (although the objects are superbly made), or glaze recipes or firing processes; it is not about personality or biography either. It represents instead an investigation of the nature of ceramics within the larger context of art and its histories.

The work in the 78th Ceramic Annual exhibition reveals a range of ideas that are as personal as they are topical. Our capacity to understand each other grows exponentially the longer we look, listen, and feel which directly impacts the decisions that we make.

What more can we ask for, when looking at art.

Kirk Delman Curator and Interim Director of the Ruth Chandler Willamson Gallery

Figure 1: METTE MAYA GREGERSEN

La Mémoire et la mer (the skin of the sea), 2022

Photo credit: Mette Maya Gregersen

How We (re-)Learn to Read

by Kay Whitney

“language is a virus from outer space.” - Laurie Anderson

If one concept could describe the last few years, it’s the notion of the ‘viral.’ We’ve had viral memes and viral images on social media, in print and on television. Not unlike Covid-19, the memes and Tweets and TikTok images have replicated themselves in constantly mutating forms. The past six years have emphasized the power and danger of language and the printed wordbringing us the phrase ‘fake news,’ causing some to disbelieve science and election results and bringing us propaganda in all its forms. There is no area of human relations that is not mediated by language and, in particular, the written word. Language and text have never separated us more than they have during this past strenuous, argumentative decade. We’re living in an age where language has become disconnected from information and words have been severed from meaning.

By its nature, language and its silent expression in text is potent, staining every expression, distilling it into an unreliable and inadequate parallel of experience. Language is neither transparent nor stable, like a virus, it replicates itself in subtly different forms and meanings. Text is a pattern of information attached to consciousness, a kind of programming that animates and controls us, floating free of categories like ‘truth’ or ‘lies.’ Once you substitute text for experience, you condense the marvels of the environment, relationships, colors, into their inadequate, conceptual counterparts in text; TREE, KISS, BLUE, LOVE. Once the distancing nature of text takes hold, it becomes harder to hold onto sense-memories, their particularities, smells, specific colors. Conversely, the idea that a picture is ‘worth a thousand words’ is ultimately a false narrative; images can be completely obscure, unidentifiable, worthless.

The artists in this exhibition produce works that link to lived experience through combining two fundamental means of communication: words and pictures. Through their use of unforgettable images and carefully selected text, they tell us the stories we need to know and ask the necessary questions, flagging the big subjects of our time. The combination of image with text functions as an alternative vector of information, making story-telling, identification and description more vivid and animated. The pairing of image and text provides a way to bind the conceptual to the visual, to bolster meaning, creating a structure in which a more sensual form of communication offers a different reality than either element alone.

The objects in the exhibition ask that we look at the surfaces of language, its abstractness and malleability of meaning, to see how it’s modified or enhanced by the images that accompany them. Most crucially, these works also engage in an openended, interpretive dialogue with the viewer about how art narrates. The artists give the spectator three ways to encounter their artwork - by seeing the images, through the process of reading, or by looking at the sculptural form. By combining these three methods of looking and observing, the objects in this exhibition teach another way to read, another way to take in information.

Any contemporary art work that fuses text with images is also enmeshed in poetics and pleasure. The sensual beauty of images and the rhythms of language are meaningful and elemental parts of communication. To a certain extent, artists using text are also concerned with politics as text is inextricably linked to knowledge production and the formation of cultural beliefs. Certain images rely on text to explain them, to place them in time, to define them. The most important difference between creating images and writing text is that the reader’s processing of imagery is not linear and orderly in the way we learn to read. What happens when the two are combined creates a major change in the way we communicate; it results in a richly multidisciplinary trove of possibilities and practices.

Figure 2: Catherine lee

Naturalis Errata Series, 2020-21

Photo credit: Catherine Lee

The works of Ōtagaki Rengetsu (1791-1875) and Robert Arneson (1930-1992) provide an important metaphorical context for the objects in this exhibition. Both were esteemed during their lifetimes for their respective precedent-breaking work; both were intensely involved with the use of text. Both used the written word in personal fashion; Arneson satirically, Rengetsu deeply poetically. They paved the way for the artists in this exhibition.

Here represented by his well-known and notorious piece, Typewriter (1965), Arneson transformed the standard keyboard into erotically-charged red fingernails. In Surrealist fashion, these stand in for the stereotypically ‘sexy’ female secretary. Arneson’s work proposed that art could be both humorous and profound. He said, “‘Humor ‘is a problem in art’ and whenever you get involved with humor, people take it personally and become offended. But you can’t not offend anyone in dealing with tragedy.” Many of the artists in this exhibition would agree.

The works of Ōtagaki Rengetsu, a famous Japanese beauty, martial arts practitioner, Buddhist nun and poet are equally relevant to the objects in this show. Were she to awaken 147 years after her death, I believe she would be shocked by those objects; their lack of function, their drama and topicality. She herself was a practitioner of restrained adornment, collaborating with gifted potters to produce functional ceramics famed for the refinement of her calligraphy and poetry. The presence of her work provides a backdrop, an ancestry, to the work of the eight living artists whose work accompanies hers.

Catherine Lee, like Rengetsu, is a poet/artist and is the sole sculptor in the exhibition whose use of text involves the act of creating poetry. She believes; “humankind’s greatest abstraction is not math, but language, and the written word in particular.” In the works presented at Scripps, Naturalis Errata, Lee uses a series of seven forms resembling ancient shields each bearing the text of a different poem by Lee (fig. 2). She writes that these poems address “issues that relate to this existential moment: our earth (its beauty, its coming diminishment), erratic weather (at times anthropomorphized), art-making (the joyous thing that ties me to life), and the perpetual motion of all matter and time.” The poems have been incised into thick slabs of clay via the use of metal lettering stamps. Each stamp is pushed into the clay letter by letter hundreds of times varying the imprint of each letter. Lee’s raku-fired shields are unevenly mottled with bubbled glaze; parts of her poems are so darkened by smoke that the clarity of the words is compromised. Working outside of the conventions of legibility, her scaffoldings of text do not contain language so much as set it in motion.

Nancy Selvin also employs various mechanisms of visibility and erasure to create a poetics of elision. Rather than handwriting, she uses the typewriter to create text thus choosing a more formal method to make the content and her intentions more universal. The text is applied using screen printing; she uses this process to interfere with the lettering, to alter comprehension thru blotting and deletion or to interrupt the flow of text. The texts she uses are generally comprised of found material; fragments of articles, quotes, poetry, her own thoughts. For her, “the text holds a personal meaning but is never printed in full; often illegible or smeared, it hints at the poetic to provide a scrap of memory or meaning. It is never meant to be read in full or to be fully

understood.” Presented in grid formation on the wall, the surfaces of her work in the exhibition, approximately 60 tea bowls; 30 in clay and 30 watercolors, will contain snippets of text dealing with the current global situation; wars, upheaval and the pandemic. Selvin states that she wants to “hint at the intimate (thus the tea bowl scale), conversations we engage in safely ensconced in our own private lives, while fires rage near Yosemite, and war rages...”.

Thomas Müller is a first-generation Swiss/GermanAmerican, born in South Africa. His language-based work represents neither poetry nor prose and questions text itself as a vehicle of meaning. Employing the impersonal Helvetica font primarily used for signage and advertisements, his objects wed poetics to the more concrete world of declarative, discursive concepts. He achieves this by removing words from their natural environment on the page and translating them into 3-dimensional entities. He envisions language as “thoroughly abstract, a thin and permeable skin wrapped around spoken and written language.” For him, “language is brilliant but imprecise,” ephemeral and contingent. Müller’s letterforms are made in molds so as to remove his touch and emphasize their distance from the conventions of aesthetics. He overfires the clay to the point of warpage and near collapse to imply the element of collapse and failure (fig. 3) As does Lee’s and Selvin’s, his work challenges conventions of legibility but does it in a far more radical way, questioning text’s fundamental ability to bear meaning. His words reject the patterns of meaning assumed by others; they fail to be informational, are reduced to the role of mute, humble objects.

Danish artist, Mette Maya Gregersen, makes work permeated by her fascination with water; the motion of waves, currents of water, and the drift of thoughts. Her

large tile piece, La Mémoire et la mer (the skin of the sea), is presented on a bed of white sand. Various shades of blue and blue-green predominate through-out the 72 porcelain tiles that comprise it. Her text is taken from notes and observations made in a sketchbook during travels to the Pacific, the North Sea and the Mediterranean. Maya says, “In this piece I have been exploring the symbolic value of the sea and how that is being manifested in thoughts and memory.” While using the antique French wood stamps to create text in the wet clay (fig. 1), she felt she was “sculpting with words, making shapes with the sound of a word.” Each tile bears different messages and phrases which have a deeper meaning; in her words, “It’s about creating a connection; between words, between thoughts, between people. between each page and between each wave....”.

Judy Chartrand uses text in her deeply personal and political sculpture “because I want to be 100% clear if I’m communicating anything in my work...”. She is Manitoba Cree, her confrontational work speaks of the social and cultural situation of First Nation peoples and issues confronting them; racist policies and attitudes, inequity and poverty. That these issues are expressed with a sly undercurrent of humor makes her messages all the more pointed. A work Chartrand describes as “confessional” bears the obscured text We Never Wanted to Be White. This plate and Indian Residential School Brand Porridge reference the brutal abuses of the Canadian residential-school system. In memory of those no longer with us, records Chartrand’s involvement with the Feb 14th Women’s Memorial March. Chartrand says, “when I heard the names read out of the

Figure 3: thomas

müller

white whale (detail), 2021 Photo credit: Mario Galluci

Figure 4: beth lo

Chinese American Cuisine, 2022

Photo credit: Beth Lo

women who were lost, including my own sisters... I felt ... an anger that was more of a sadness, knowing what they could have been. They never had the opportunity to have dreams, to have pride in their culture or in their background. When I created the bowl, I decided to include the names of all the women.”

Beth Lo, is a second-generation Chinese-American. Her work creates an implied narrative; the figures and talismans invoke tradition, culture and philosophy. Concerning her use of text, she says, “ I am very interested in language and translation, how language embodies culture, and what is lost and gained in translation.” She is interested in calligraphy as a discipline and an artform. Her grouped pieces feel like a theatrical set whose images and materials undergo an alchemical change that fabricates new metaphors. Like Chartrand, Lo’s work addresses social and political issues including those relating to “family and my Asian-American background, cultural marginality and blending, tradition vs. Westernization.” Much of her work revolves around the themes and images of childhood and the cliches and generic imagery associated with it; cuteness, figurines, small scale.

Her work also satirizes the representation of Asians and the “concept of the ‘model minority’ which pigeonholes Asian Americans in a ‘positive’ light: as Kung Fu masters, Harvard grads, talented musicians or Chow Mein cooks.” (fig. 4) To celebrate her cultural heritage, Lo creates “Inheritance Vases” which are concerned with “what we pass on of our culture to our children.”

Elyse Pignolet’s work binds humor to piercing social observation and commentary. She draws brilliantly on numerous sources such as chinoiserie, comics and graffiti, folding these into her rigorous practice of social satire. Her work contends with the issues that remain toxic and unresolved - the dialectic between feminism and misogyny, social transgression, female sexuality and empowerment. As a ceramicist, she focuses on creating objects associated with domesticity; plates, platters, vases, wallpaper. On these stereotypical surfaces she paints delicate, flowery, traditional motifs using a blue glaze similar to that of Willow Ware or Portuguese azulejos. These are surrounded by texts and images hand-drawn in a variety of self-designed fonts; some jaggedly geometrical, some flowing and script-like, others scrawled and obscured. The words lie in sharp contrast to the flowery, stereotypically ‘female’ imagery surrounding them - forming sentences that contain offensive, misogynistic words and phrases commonly used in the media and or heard in daily discourse. From a distance, the work is sweetly decorative; close up it reminds us of a tragic, daily, sexual reality yet to be addressed or mitigated by laws.

Like a magician, Keiko Fukazawa uses indirection to communicate something the viewer doesn’t immediately see or sense. Her work can often seem to be saying one thing while appearing to do or say something else. Her ironic use of text critiques some of the direst issues of our times in the most deadpan and elegant fashion. Her sense of humor is particularly evident in a series of ceramic plates resembling those used for the Ishihara color blindness test. Using bright, cheerful colors Fukazawa conceals different words like ‘God’, ‘Money’, ‘Oil’, ‘Black’ within a barrage of smaller and larger dots (fig. 5). Because your eye is distracted by the colors, your mind deciphers these words after a delay; the realization you are looking at an actual word comes as a shock. As she says, “My aim is to explore life’s absurdity, contradiction, and senselessness relating to social injustice, racism, and wealth disparity.”

Her large installation, Days consists of 900 cast porcelain guns, each labeled with a name of the victim, their age, and

address where the violence occurred. About 100 Americans are killed daily by guns; the 900 casts represent the number of people who die by gun violence every week. This piece demonstrates Fukazawa determination to create art that “defines its era and reflects what we are living through.”

The artist’s job is to enrich - to reanimate words, images, and symbols that have become inadequate, desiccated or degraded into cliche. Artists use the power of the image to navigate language’s erasures. The artists in this 78th Annual simultaneously deal with the trickiness of language and the

shifting meaning of visual images. They employ language as a sculptural material that cements meaning to object; they layer words and pictures, building meaning through their accumulation. Image, text and object are compressed and fused, demonstrating a variety of ways to make thoughts and images emotionally focused and intensely physical.

Figure 5: keiko fukazawa Perception Plates (MONEY), 2013 Photo credit: Susan Einstein

checklist

1. ROBERT ARNESON

(1930-1992)

Typewriter, 1965 Painted and glazed earthenware 6.12 x 11.36 x 12.5 inches

Courtesy of University of California, Berkeley Art Museum and Pacific Film Archive

Gift of Robert Arneson 1967.4

© 2022 Estate of Robert Arneson / Licensed by VAGA at Artists Rights Society (ARS), NY

Photo credit: University of California, Berkeley Art Museum and Pacific Film Archive

2. JUDY CHARTRAND

Indian Residential School Brand Porridge, 2004

Low fire slip, underglaze, lustre and wood

23.8 x 19.3 x 3.7 inches

Courtesy of the Bill Reid Gallery, Vancouver BC

Photo credit: Kenji Nagai

3. JUDY CHARTRAND

What a Wonderful World, 2020

Low fire slip, underglaze, glaze & white gold lustre 12.75 x 12.75 x 3.5 inches

Courtesy of The Bill Reid Gallery, Vancouver, BC

Photo credit: Judy Chartrand

4. JUDY CHARTRAND

We Never Wanted To Be White, 2022

Commercial porcelain plate, china paint, gold lustre 12 x 12 x 1.25 inches

Courtesy of The Bill Reid Gallery, Vancouver, BC

Photo credit: Judy Chartrand

5. JUDY CHARTRAND

In Memory of Those No Longer With Us Medium, 2022

Low fire paper clay, underglaze, glaze 13.25 x 13.25 x 4.25 inches

Courtesy of The Bill Reid Gallery, Vancouver, BC

Photo credit: Judy Chartrand

6. KEIKO FUKAZAWA

Days, 2022

Porcelain, text decal

Dimensions vary

Photo credit: Ruben Diaz

7. KEIKO FUKAZAWA

Perception Plates (OIL), 2013

Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches

Photo credit: Susan Einstein

8. KEIKO FUKAZAWA

Perception Plates (MONEY), 2013

Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches

Photo credit: Susan Einstein

9. KEIKO FUKAZAWA

Perception Plates (BLACK), 2014 Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches

Photo credit: Susan Einstein

10. KEIKO FUKAZAWA

Perception Plates (GUN), 2022 Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches

Photo credit: Ruben Diaz

11.

KEIKO FUKAZAWA

Perception Plates (POWER), 2022

Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches

Photo credit: Ruben Diaz

12. KEIKO FUKAZAWA

Perception Plates (JAN.6), 2022

Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches

Photo credit: Ruben Diaz

13. METTE MAYA GREGERSEN

La Mémoire et la mer (the skin of the sea), 2022

High fired porcelain, glazed, stamped, sand, and incised Dimensions vary

Photo credit: Mette Maya Gregersen

14. CATHERINE LEE

when among all (Naturalis Errata Series), 2021 (poem c. 2000)

Raku sculpture with original poem embedded & copper collar, raku fired multiple times

Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive

16.5 x 11.5 x .75 inches

Photo credit: Catherine Lee

15. CATHERINE LEE

away again (Naturalis Errata Series), 2021 (poem c. 1994)

Raku sculpture with original poem embedded & copper collar, raku fired multiple times

Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive

16.5 x 11.5 x .75 inches

Photo credit: Catherine Lee

16. CATHERINE LEE

lifes before this (Naturalis Errata Series), 2021 (poem c. 2008)

Raku sculpture with original poem embedded & copper collar, raku fired multiple times

Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on

flash drive

16.5 x 11.5 x .75 inches

Photo credit: Catherine Lee

17. CATHERINE LEE

the arrow of time (Naturalis Errata Series), 2020 (poem c. 2005)

Raku sculpture with original poem embedded & copper collar, raku fired multiple times

Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive

16.5 x 11.5 x .75 inches

Photo credit: Catherine Lee

18. CATHERINE LEE

we come from nothing (Naturalis Errata Series), 2020 (poem c. 2001)

Raku sculpture with original poem embedded & copper collar, raku fired multiple times

Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive

16.5 x 11.5 x .75 inches

Photo credit: Catherine Lee

19. CATHERINE LEE

reversals (Naturalis Errata Series), 2020 (poem c. 2019)

Raku sculpture with original poem embedded & copper collar, raku fired multiple times

Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive

16.5 x 11.5 x .75 inches

Photo credit: Catherine Lee

20. CATHERINE LEE

cry me a river (Naturalis Errata Series), 2020 (poem c. 2007)

Raku sculpture with original poem embedded & copper collar, raku fired multiple times

Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive

16.5 x 11.5 x .75 inches

Photo credit: Catherine Lee

21. BETH LO

Family (Inheritance Series), 2022

Coil built porcelain, underglaze, cone 6 oxidation 18 x 13 x 13 inches

Photo credit: Beth Lo

22. BETH LO

Model Minority, 2022 Slab porcelain underglaze, cone 10 5 x 14 x .5 inches

Photo credit: Beth Lo

23. BETH LO

Model Minority, 2022 Slip cast porcelain underglazes, cone 6 16 x 16 x 3 inches

Photo credit: Beth Lo

24. BETH LO

Not Me, 2022 Slip cast porcelain underglaze, cone 6 16 x 16 x 3 inches Photo credit: Beth Lo

25. BETH LO

Chinese American Cuisine, 2022 Slip cast porcelain underglaze, cone 6 14 x 10 x 10 inches

Photo credit: Beth Lo

26. BETH LO

Ta (pronoun): He, She, It, 2022 Porcelain 14 x 9 x 9 inches Photo credit: Beth Lo

27. BETH LO

Learn English Flash Cards: Snack Tray Set, 2022 Porcelain

Dimensions vary Photo credit: Beth Lo

28. THOMAS MÜLLER

There is no elephant in this room, 2017 Clay, glaze, cinderblock 120 x 120 x 112 inches

Photo credit: Allen King

29. THOMAS MÜLLER

Am I flammable?, 2017 Clay, glaze

17.5 x 4 x 3 inches

Photo credit: Thomas Müller

30. THOMAS MÜLLER

white whale, 2021

Porcelain, clay, glaze, wood 10 x 22 x 5.5 inches

Photo credit: Mario Gallucci

31. THOMAS MÜLLER

thin skin, 2021 Porcelain, clay, glaze 28 x 12 x 4 inches

Photo credit: Mario Gallucci

32. ELYSE PIGNOLET

Second Sex, 2021

Installation of ceramics and handmade tile with glazes and gold luster 126 x 119.5 x 7 inches

Courtesy of the artist and Track 16, Los Angeles

Photo credit: Track 16, Los Angeles

33. ŌTAGAKI RENGETSU

(1791-1875)

Sake Bottle, c. 1840 Glaze on ceramic 9.5 x 7 x 7 inches

Scripps College, Claremont, CA. Purchase, Scripps Collectors’ Circle 2019.21.4 Photo credit: John Trendler

34. ŌTAGAKI RENGETSU (1791-1875)

Side-Handled Sencha Tea Pot, c. 1840 Glaze on ceramic 2.5 x 4.75 inches Scripps College, Claremont, CA. Purchase, Scripps Collectors’ Circle 2019.21.3

Photo credit: John Trendler

35. NANCY SELVIN

Tragedies and Horrors: Conversations over Tea, 2022

Ceramic, watercolors on paper, screened text

Dimensions vary Cups photographed by David Schmitz

PLATES

ROBERT ARNESON

Typewriter, 1965 Painted and glazed earthenware 6.12 x 11.36 x 12.5 inches

Courtesy of University of California, Berkeley Art Museum and Pacific Film Archive, Gift of Robert Arneson 1967.4

© 2022 Estate of Robert Arneson / Licensed by VAGA at Artists Rights Society (ARS), NY

Photo credit: University of California, Berkeley Art Museum and Pacific Film Archive

JUDY CHARTRAND

We Never Wanted To Be White, 2022 Commercial porcelain plate, china paint, gold lustre 12 x 12 x 1.25 inches

Courtesy of The Bill Reid Gallery, Vancouver, BC

Photo credit: Judy Chartrand

In Memory of Those No Longer With Us Medium, 2022

Low fire paper clay, underglaze, glaze 13.25 x 13.25 x 4.25 inches

Courtesy of The Bill Reid Gallery, Vancouver, BC

Photo credit: Judy Chartrand

KEIKO FUKAZAWA

Days, 2022

Porcelain, text decal

Dimensions vary

Photo credit: Ruben Diaz

Perception Plates (BLACK), 2014

Porcelain, glaze, china paint, decal 17 x 17 x 2.5 inches

Photo credit: Susan Einstein

METTE MAYA GREGERSEN

La Mémoire et la mer (the skin of the sea), (detail) 2022 High fired porcelain, glazed, stamped, sand, and incised

Dimensions vary

Photo credit: Mette Maya Gregersen

La Mémoire et la mer (the skin of the sea), 2022 High fired porcelain, glazed, stamped, sand, and incised

Dimensions vary

Photo credit: Mette Maya Gregersen

catherine lee

lifes before this, 2021 (poem c. 2008)

Raku sculpture with original poem embedded & copper collar, raku fired multiple times Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive 16.5 x 11.5 x .75 inches

Photo credit: Catherine Lee

away again, 2021 (poem c. 1994)

Raku sculpture with original poem embedded & copper collar, raku fired multiple times Glazed raku ceramic w/ copper collar, & artist’s audio recording of poem on flash drive 16.5 x 11.5 x .75 inches

Photo credit: Catherine Lee

BETH LO

Model Minority, 2022 Slab porcelain underglaze, cone 10 5 x 14 x .5 inches

Photo credit: Beth Lo

Family (Inheritance Series), 2022 Coil built porcelain, underglaze, cone 6 oxidation 18 x 13 x 13 inches

Photo credit: Beth Lo

THOMAS MÜLLER

thin skin, 2021 Porcelain, clay, glaze 28 x 12 x 4 inches

Photo credit: Mario Gallucci

white whale, 2021 Porcelain, clay, glaze, wood 10 x 22 x 5.5 inches

Photo credit: Mario Gallucci

ELYSE PIGNOLET

Second Sex, 2021

Installation of ceramics and handmade tile with glazes and gold luster 126 x 119.5 x 7 inches

Courtesy of the artist and Track 16, Los Angeles

Photo credit: Track 16, Los Angeles

Second Sex, (detail) 2021

Installation of ceramics and handmade tile with glazes and gold luster 126 x 119.5 x 7 inches

Courtesy of the artist and Track 16, Los Angeles

Photo credit: Track 16, Los Angeles

ŌTAGAKI RENGETSU

Sake Bottle, c. 1840 Glaze on ceramic 9.5 x 7 x 7 inches

Scripps College, Claremont, CA. Purchase, Scripps Collectors’ Circle 2019.21.4

Photo credit: John Trendler

Side-Handled Sencha Tea Pot, c. 1840 Glaze on ceramic

2.5 x 4.75 inches

Scripps College, Claremont, CA. Purchase, Scripps Collectors’ Circle 2019.21.3

Photo credit: John Trendler

NANCY SELVIN

Tragedies and Horrors: Conversations over Tea, 2022 Ceramic, watercolors on paper, screened text Dimensions vary Cups photographed by David Schmitz

Tragedies and Horrors: Conversations over Tea, 2022 Ceramic, watercolors on paper, screened text

Dimensions vary Watercolors scanned by Nancy Selvin

artist PROFILES

Robert Arneson (1930-1992)

EDUCATION

1949-1951 College of Marin, Kentfield, CA 1952-1954 B.A., California College of Arts and Crafts, Oakland, CA 1958 M.F.A., Mills College, Oakland, CA 1985 Honorary Doctor of Fine Arts, Rhode Island School of Design, Providence, RI 1987 Honorary Doctor of Fine Arts, San Francisco Art Institute, San Francisco, CA

TEACHING EXPERIENCE

1958-1959 Santa Rosa Junior College, Santa Rosa, CA 1959-1960 Fremont High School, Los Angeles, CA 1960-1962 Mills College, Oakland, CA 1962-1991 University of California, Davis, CA

SELECTED EXHIBITIONS

1988 Committed to Print, Museum of Modern Art, New York City, NY 1986 Des Moines Art Center, Des Moines, IA

1979 Allan Frumkin Gallery, New York City, NY

1978 Landscapes, Not Views, Johnson Museum of Art, Cornell University, Ithaca, NY

1977 Hansen Fuller Gallery, San Francisco, NY

Allan Frumkin Gallery, New York City, NY

1976-77 Painting and Sculpture in California, the Modern Era San Francisco Museum of Modern Art, San Francisco, CA

1976 Hansen Fuller Gallery, San Francisco, CA Fendrick Gallery, Washington D.C.

Bicentennial Show, Allan Frumkin Gallery, New York City, NY

1975 Ruth Schaffner Gallery, Los Angeles, CA Allan Frumkin Gallery, New York City, NY Clay U.S.A. Fendrick Gallery, Washington D.C. Sculpture, American Directions, 1945-1975 National Collection of Fine Arts, Smithsonian Institution, Washington D.C.

California Gold J.P.L. Fine Arts Gallery, London, England

1974 Robert Arneson, Exhibition of Ceramics and Drawings from 1962-1973, Museum of Contemporary Art, Chicago, IL & San Francisco Museum of Art, San Francisco, CA Daison Sec Gallery, Chicago, IL

Contemporary American Painting and Sculpture, University of Illinois, Champagne, Illinois Clay, The Whitney Museum of American Art, New York City, NY Scripps College Ceramic Annual, Scripps College, Claremont, CA

1973 Painting and Sculpture by Young American Artists, Cranbrook Academy of Art Museum, Bloomfield Hills, MI

1972 White on White, Museum of Contemporary Art, Chicago, IL Nut Art, California State University, Hayward, CA

Sacramento Sampler One, E.B. Crocker Art Gallery, Sacramento, CA Decorative Ceramic Art, 1962-1972, San Francisco Museum of Modern Art, San Francisco, CA

1971-72 Contemporary Ceramic Art Canada, USA, Mexico, and Japan, Museum of Modern Art, Kyoto, Japan

1971 Clay Works: Twenty Americans, Craft Museum, New York City, NY

Hansen Fuller Gallery, San Francisco, CA

1970 Teacups, Teapots, and Gorillas, Moore College of Art, Philadelphia, PA

Recent Acquisitions, San Francisco Museum of Modern Art, San Francisco, CA

Recent Art Work in Porcelain, Hansen Fuller Gallery, San Francisco, CA

San Francisco Art Institute Centennial Exhibition, de Young Museum, San Francisco, CA

Annual Exhibition, The Whitney Museum of American Art, New York City, NY

1969 Hansen Fuller Gallery, San Francisco, CA

The Bob and Roy Show, Esther Robles Gallery, Los Angeles, CA

Allan Stone Gallery, New York City, NY

Objects USA, Johnson Collection of Contemporary Crafts, Smithsonian National Collection of Fine Arts, Washington D.C.

Spirit of Comics, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA

A Human Concern: Personal Torment, The Whitney Museum of American Art, New York City, NY

Scripps College Ceramic Annual, Scripps College, Claremont, CA

1968 Dada, Surrealism and Their Heritage, Museum of Modern Art, New York City, NY

1967 Scripps College Ceramic Annual, Scripps College, Claremont, CA

1966 Allen Stone Gallery, New York City, NY

Ceramics from Davis, University of California, Davis, CA

The New Ceramic Objects, the Craft Museum, New York City, NY

1963 Kaiser Center Roof Garden, Oakland, CA

1961 Scripps College Ceramic Annual, Scripps College, Claremont, CA

Judy Chartrand

EDUCATION

2003 M.F.A. University of Regina, Regina, SK, Canada

1998 B.F.A. Emily Carr Institute of Art & Design, Vancouver, BC, Canada

1996 Undergraduate Exchange Study, Institute of American Indian Arts, Santa Fe,NM

1994 Langara College, Fine Arts Program, Vancouver, BC, Canada

EXHIBITIONS

2019 Playing with Fire: Ceramics of the Extraordinary, Museum of Anthropology, Vancouver, BC, Canada the poets have always preceded, Griffin Art Projects, North Vancouver, BC, Canada

2018 BAD STITCH, Macaulay & CO. Fine Art, Vancouver, BC, Canada

2017 Givin Back in 2017, Gallery Weekend, San Francisco, CA

Judy Chartrand, Macaulay & Co. Fine Art, 25th Annual Outsider Art Fair, New York City, NY

BC to BC, A Survey of Contemporary Ceramics from Baja California to British Columbia, San Diego Art Institute, San Diego, CA. extratextual, Contemporary Calgary, Calgary, AB, Canada

2016 Métis Soup, Macaulay & Co. Fine Art, Vancouver BC, Canada

Judy Chartrand: What a Wonderful World, Bill Reid Gallery, Vancouver BC, Canada

2015 Chaos, The Rennie Collection at Wing Sang, Vancouver, BC, Canada

2013 Judy Chartrand: 1999 – 2013, AKA Artist Run Centre, Saskatoon, SK, Canada

2010 Cherished Things, Love Saskatchewan Festival at Harbour Front, Toronto, ON, Canada

Cherished Things, Saskatoon Exhibition, Saskatoon, SK, Canada

2008 Honouring Tradition: Reframing Native Art, Glenbow Museum, Calgary, AB, Canada

Changing Hands 2, Tucson Museum of Art, Tucson, AZ

2007 Changing Hands 2, Weisman Art Museum, University of Minnesota Minneapolis, MN

Changing Hands 2, Anchorage Museum of History & Art, Anchorage, AK

Changing Hands 2, Philbrook Museum of Art, Tulsa, OK

2006 Changing Hands 2, Naples Museum of Art, Naples, FL

Changing Hands 2, Eiteljorg Museum of Americans Indians, Indianapolis, IN

Lost & Found, Access Gallery & Powell Street Festival, Vancouver, BC

Changing Hands 2, Institute of American Indian Arts Museum, Santa Fe, NM

Two Worlds, Grunt Gallery, Vancouver, BC, Canada

From the North: Canadian Ceramics Today, The Clay Studio, Philadelphia, PA

2005 Art Auction: Popism, The Contemporary Art Gallery, Vancouver, BC, Canada

Changing Hands 2, Museum of Art & Design, New York City, NY

Red Cloud Indian Art Show, Pine Ridge, SD

30,000 +, Charles H Scott Gallery, Vancouver, BC, Canada

2004 First Nations Now, Burnaby Art Gallery, Vancouver, BC, Canada

Juried Two Person Exhibition: Two/Many Tribulations, Grunt Art Gallery, Vancouver, BC, Canada

Solo Exhibition, Britannia Library, Vancouver, BC, Canada

Indian Unquote, Roundhouse Community Centre Experimental Video Works: “White Vista Estates”, IMAGeNATION Film Festival, Vancouver, BC, Canada

Juried Group Exhibition: Hot Clay, Surrey Art Gallery, Surrey, BC, Canada

2003 Canada’s Digital Collection (online exhibition), Canadian Clay and Glass Gallery, Waterloo, ON, Canada

Other Space: 6 Degrees of Exploration, Rosemont Art Gallery, Regina, SK, Canada

2002 Art Auction: The John Henry Fineday Fund, The Exchange – Fundraiser, Regina, SK, Canada

The Red Cloud Collection, Carnegie Arts Centre, Covington, KY Art Auction, Vancouver Art Gallery, Vancouver, BC, Canada

MFA Graduation Exhibition: Hangover Soup, Mackenzie Art Gallery, Regina, SK

Red Cloud Indian Art Show, Pine Ridge, SD

Awards & Scholarship

2018 The Northwest Ceramics Foundation Award of Excellence – Shared with Jackie Frioud

2011 Visual Arts Grant, BC Arts Council

2006 Visual Arts Grant, BC Arts Council 2005 First Place - 3D, Red Cloud Indian Art Show

2004 Hornikel Award, Red Cloud Indian Art Show Third Place - 3D, Red Cloud Indian Art Show Professional Arts Development Award, B C Arts Council Scholarship for Mold-making Workshop, National Aboriginal Achievement Foundation

2003 Visual Arts Production/Creation Grant, Canada Council for the Arts VADA, Contemporary Art Gallery

2002 Graduate Scholarship, University of Regina FGSR Graduate Scholarship, University of Regina FGSR Honorable Mention, Joliet Junior College - Ceramics 2002

2001 First Place - 3D, Red Cloud Indian Art Show Hornikel Award, Red Cloud Indian Art Show

Graduate Scholarship TA, University of Regina FGSR

2000 Graduate Scholarship, University of Regina FGSR

Hornikel Award, Red Cloud Indian Art Show

Visual Arts Grant, BC Arts Council Scholarship for MFA Program, National Aboriginal Achievement Foundation

1999 Aboriginal Arts Development Award, First Peoples Cultural Foundation

Power’s Award, Red Cloud Indian Art Show 1998 Third Place - 3D, Red Cloud Indian Art Show

1996 The Thunderbird Foundation Scholarship, Red Cloud Indian Art Show

Purchase for school’s collection, Red Cloud Indian Art Show

Scholarship for Trip to New York, National Aboriginal Achievement Foundation

ECIAD Bursary, Emily Carr Institute of Art & Design

President’s Honor List, Institute of American Indian Arts

National Dean’s List, Institute of American Indian Arts

1995 The Elsie Boone Memorial Award, Emily Carr Institute of Art & Design

Jillian Blatchford Fuller Bursary, Emily Carr Institute of Art & Design

ECIAD Bursary, Emily Carr Institute of Art & Design

Scholarship for Exchange Program, National Aboriginal Achievement Foundation 1994 Scholarship for Private Training, National Aboriginal Achievement Foundation

Keiko Fukazawa

EDUCATION

1986 M.F.A. Otis Art Institute of Parsons School of Design, Los Angeles, CA 1984 Anderson Ranch Arts Center, Aspen, CO 1983 Sotoen, Studio of Shigaraki ware, Shiga, Japan 1981 Post-Graduate, non-credit studio studies in ceramics, Musashino Art University, Tokyo, Japan 1977 B.F.A Musashino Art University, Tokyo, Japan

TEACHING EXPERIENCE

2004-2019 Associate Professor in Ceramics, Pasadena City College, Pasadena, CA 2002-2005 University of Southern California, Los Angeles, CA 2000-2005 Cerritos College, Norwalk, CA 1996-2001 East Los Angeles College, Monterey Park, CA 2000 Loyola Marymount University, Los Angeles, CA

1997-1999 California State Polytechnic University, Pomona, Pomona, CA 1998-1999 El Camino College, Torrance, CA 1993-1997 Department of Corrections, California Institution for Men, Chino, CA 1992-1996 Otis College of Art and Design 1992 Armory Center for the Arts, Pasadena, CA 1988-1992 Department of Corrections, California Rehabilitation Center, Norco, CA

SELECTED EXHIBITIONS

2022 Off-Kilter: Power & Pathos, Keiko Fukazawa, Sandra Lowe, Trang Tran, USC Pacific Asia Museum, Pasadena, CA

Breaking Ground Women in California Clay, American Museum of Ceramic Art, Pomona, CA

Black, White, and Shades of Grey, Kellogg University Art Gallery, California State Polytechnic University, Pomona, CA

Seismic State: California Ceramics, Sparrow Gallery, Sacramento, CA

2021 Art and Hope at The End Of The Tunnel, USC Fisher Museum of Art, Los Angeles, CA

Making Time, Craft Contemporary, Los Angeles, CA

2020 Rising Mojo, California State University, Los Angeles, Los Angeles, CA

2018 Keiko Fukazawa, Hello Mao, Peters Projects Gallery, Santa Fe, NM

Somewhere in Between, The Kellogg University Art Gallery, California State Polytechnic University, Pomona, CA

Beyond Tradition: Contemporary Reflections in East Asia, Wilson Gallery, University of South Florida, Tampa, FL

Made In Asian America, Art Salon Chinatown, Los Angeles, CA

2017 INTO ACTION, 1726 N Spring St, Los Angeles, CA

One Year: the art of Politics in LA, BRAND Library and Art Center, Glendale, CA

We the People: Serving Notice, American Museum of Ceramic Art, Pomona, CA

COLA20 Anniversary Exhibition, The Los Angeles Municipal Art Gallery, Los Angeles, CA

Fault Line 2017, Kritselis Gallery, Brewery Art Walk, Los Angeles, CA

2016

Made in China: New Ceramic Works by KEIKO FUKAZAWA, The Craft & Folk Art Museum, Los Angeles, CA

KEIKO FUKAZAWA: Culture Clash, Mid - Career Retrospective, El Camino College Art Gallery, Torrance, CA

COLA 2016: Individual Artist Fellowships, The Los Angeles Municipal Art Gallery, Los Angeles, CA

LINEAGE: Mentorship & Learning, The American Museum of Ceramic Art, Pomona, CA

2015 Crossroads in Clay at Chouinard and Otis: The Ralph Bacerra Years, Vincent Price Museum, East Los Angeles College, Monterey, CA Honoring the Past, Embracing the future: AMOCA’s 10th Anniversary, American Museum of Ceramic Art, Pomona, CA

Pedagogic Clay 2, Frank M. Doyle Art Pavilion, Orange Coast College, Costa Mesa, CA Petraphilia, Curators Lab Gallery, The Fellows of Contemporary Art, Los Angeles, CA

2014 Best Kept Secret: The Scripps College Ceramic Collection, The American Museum of Ceramic Art, Pomona, CA White Gold: The Appeal of Lustre, The Racine Art Museum, Racine, WI

2013 ELEMENTAL of the Earth, Sturt Haaga Gallery, Descanso Gardens, La Cañada Flintridge, CA

2012 In Tandem, El Camino College Art Gallery, Torrance, CA

2011 The Eighties, Craft in America Study Center, Los Angeles, CA Mad About Teapots from the Racine Art Museum, Leigh Yawkey Woodson Art Museum, Wausau, WI

CHAIN LETTER, Shoshana Wayne Gallery, Santa Monica, CA

2010 International Mail Art - In Honor & Memory of Judith A. Hoffberg, Armory Center for the Arts, Pasadena, CA Clay Nation, L2Kontemporary Gallery, Los Angeles, CA kilnopening.edu, American Museum of Ceramic Art, Pomona, CA

FABULOUS PAINTING & AMAZING CERAMICS, Sylvia White Gallery, Ventura, CA

2009 Parallel Universes, Keiko Fukazawa and Edward Lightner, L2Kontemporary Gallery, Los Angeles, CA

2008 BREWERY PROJECT 1993-2007: FINAL, Armory Center for the Arts, Pasadena, CA

INFLUENCES: A Survey Exhibition of Contemporary Ceramics of Southern California, Palos Verdes Art Center, Rancho Palos Verdes, CA

RED, Santa Fe Clay, Santa Fe, NM

2007 Centripetal Force, Keiko Fukazawa and Dennis Callwood, El Camino College Art Gallery, Torrance, CA

Voices from the Pacific Rim: Asian American Ceramists, Art Gallery, University of Judaism, Los Angeles, CA

2006 New Works, Keiko Fukazawa and Dennis Callwood, L2Kontemporary Gallery, Los Angeles, CA

The Collection of Stephan Janssen, Arizona State University Ceramic Research Center, Tempe, AZ

Otis Alumni Exhibition, Los Angeles Municipal Art Gallery, Los Angeles, CA

The Beatrice Wood Ceramic Annual, Beatrice Wood Center for The Arts, Ojai, CA

2005 JAPAN/USA: a cross-cultural exchange, Santa Fe Clay, Santa Fe, NM

IROHA-Japanese Angelino Artists, Manhattan Beach Creative Arts Center, Manhattan Beach, CA Opulent Fire: Homage to Ralph Bacerra, Garth Clark Gallery, New York City, NY

The Artful Teapot: 20th century Expressions from the Kamm Collection, Bellevue Arts Museum, Bellevue, WA

Nouvelle Nuptials: New visions in Wedding Traditions, San Francisco Museum of Craft + Design, San Francisco, CA 2004 Kilnopening.edu, American Museum of Ceramic Art, Pomona, CA

Picking Up the Pieces, El Camino College Art Gallery, Torrance, CA California and Clay, freehand Gallery, Los Angeles, CA

Love Peculiar: Bio-Pop-Curiosity in Clay, L2kontemporary Gallery, Los Angeles, CA

STANDING ROOM ONLY: Scripps 60th Ceramic Annual, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA

The Artful Teapot: 20th Century Expressions from the Kamm Collection, Mint Museum of Craft and Design, Charlotte, NC

2003

The Inspired Vessel, Los Angeles Municipal Art Gallery. Barnsdall Art Park, Los Angeles, CA

Second Home, Vincent Price Gallery & Art Museum, East Los Angeles College, Los Angeles, CA

The Moog Gift Exhibition, The Racine Art Museum, Racine, WI

The Artful Teapot: 20th Century Expressions from the Kamm Collection, Chicago Cultural Center, Chicago, IL

The Artful Teapot: 20th Century Expressions from the Kamm Collection, Long Beach Museum of Art, Long Beach, CA

The Artful Teapot: 20th Century Expressions from the Kamm Collection, The George R. Gardiner Museum of Ceramic Art, Toronto, ON, Canada

2002 Art and Deviation, Keiko Fukazawa and Dennis Callwood, Institute for Genetic Medicine, Los Angeles, CA Art and Deviation, Keiko Fukazawa and Dennis Callwood, The Advocate Gallery, Gay & Lesbian Center, Los Angeles, CA

Art and Deviation, Keiko Fukazawa and Dennis Callwood, Todd Madigan Gallery of CSUB, Bakersfield, CA

Southern California Ceramics: LA Artist/LA Collectors, Los Angeles International Airport, Los Angeles, CA

Southern California Ceramics: USC Faculty show, Ontario Airport, Los Angeles, CA

911: A Memorial For All, Boswell-Crowe Fine Art, Century City, CA

Faculty Fine Art Exhibition, Cerritos College Art Gallery, Norwalk, CA Faculty Exhibition, Lindhurst Gallery of USC, Los Angeles, CA

The Artful Teapot: 20th Century Expressions from the Kamm Collection, Montgomery Museum of Fine Arts, Montgomery, AL

The Artful Teapot: 20th Century Expressions from the Kamm Collection, COPIA: the American Center for Wine, Food and the Arts, Napa, CA

2001 “Juxtaposition,” The Armory Center for the Arts at One Colorado, Pasadena, CA

Holiday Groove-A-Ganza, Dirt Gallery, Hollywood, CA

LAZY Susan:LA Artists Paint, The Fine Art Gallery, Long Beach City College, Long Beach, CA Art Out of the Box, Diane Nelson Fine Art Gallery, Pasadena, CA

Critical Mass, Cerritos College Art Gallery, Norwalk, CA

Color and Fire: Defining Moments in Studio Ceramics, 1950-2000, Kemper Museum of Contemporary Art, Kansas City, MO

Color and Fire: Defining Moments in Studio Ceramics, 1950-2000, The Tucson Museum of Art and Historic Block, Tucson, AZ

Color and Fire: Defining Moments in Studio Ceramics, 1950-2000, Memorial Art Gallery of University of Rochester, Rochester, NY

2000 Landing Pad, A Survey of Faculty Art, Cerritos College Art Gallery, Norwalk, CA Art Meets Politics, Democratic National Convention Committee Headquarters, Los Angeles, CA Art Critique Group Exhibition, Democratic Convention Center, Los Angeles, CA

From the Earth/Dalla Terra, Gio, Perugia, Italy

LA Teens: Our Stories, California African-American Museum, Los Angeles, CA

LA Teens: Our Stories, El Pueblo de Los Angeles Historic Monument, Los Angeles, CA

Color and Fire: Defining Moments in Studio Ceramics, 1950-2000, Los Angeles County Museum of Art Los Angeles, Los Angeles, CA

1999 A Piece at a Time, Watts Towers Arts Center, Compton, CA

1999 Ceramics Invitational, Cerritos College Art Gallery, Norwalk, CA

From the Earth/Dalla Terra, Palazzo dei Consoli, Gubbio, Perugia, Italy

20th Anniversary Teapot Exhibition, Ferrin Gallery, Northampton, MA

Crack Pots, Ceramic Teapots from the collection of Donna Moog, Forum for Contemporary Art, St. Louis, MO

From the Earth/Dalla Terra, L.A. Art Core Brewery Gallery, Los Angeles, CA

1998 Heartists in the Marketplace, Centro Colombo Americano, Medellin, Columbia

FACULTY SHOW, El Camino College Art Gallery, Torrance, CA

The Loving Cup, Garth Clark Gallery, New York City, NY

Art for Art’s Sake, Pasadena Art Alliance at Art Center, Pasadena, CA

1997 Teapot Invitational, Dorothy Weiss Gallery, San Francisco, CA

Tantalizing Teapots, The Craft and Folk Art Museum, Los Angeles, CA

Color and Low fire Processes, Northern Ariz. University Art Museum & Galleries, Flagstaff, AZ

The $99 Store, Miller Fine Art, Los Angeles, CA

Fifth Annual Teapot Exhibit, Craft Alliance/Center for the Visual Arts, St. Louis, MO

Night of One Hundred and One Cups, Garth Clark Gallery, New York City, NY

His(story) Her(story) & Other (stories), Too, L.A. Art Core Brewery Gallery, Los Angeles, CA

VESSELS, Armory Center for the Arts, Pasadena, CA

1996 TREASURE OF PASADENA, 80 N. Raymond., Pasadena, CA Japanese American Claymakers, Arlington Museum of Art, Arlington, TX

The CHARISMA of COLOR, Pasadena Art Alliance at Art Center, Pasadena, CA Night of One Hundred and One Cups, Garth Clark Gallery, New York City, NY Fourth Annual Teapot Exhibit, Craft Alliance/Center for the Visual Arts, St. Louis, MO

5 VISIONS IN CLAY: Low Fire Ceramics, Pierce College, Woodland Hills, CA

Mette Maya Gregersen

EDUCATION

2001-2003 M.A. in Art Psychotherapy, Sheffield University. UK

1995-1999 B.A. in Ceramics, Camberwell College of Arts, London. UK 1998 Ceramic Exchange, Art College, Bergen, Norway

1996-1999 Printmaking & Papermaking, Morley College, London, UK 1994-1995 Diploma Foundation Studies in Art & Design, London. UK

1995 Ceramic Apprentice, Gary Wornell Studio, Aldeborough, UK 1993 Pottery Apprentice, Røgen Pottery, Denmark

SELECTED EXHIBITIONS

2022 Toucher Terre, Fondation Villa Datris - Sculpture Contemporain, L´Isle Sur La Sorgue, France International Ceramics Biennal of Aveiro, Portugal, Aveiro, Portugal

Le Feu et la Glace, Galerie Terra Viva, St. Quentin la Pottery, France

Ceramic Art, Adrienne D, Belgium, France

2019-21 Paperclay Illuminated - Particle & Wave, (touring exhibition) USA

2020 Lucy Lacoste Gallery, Boston, MA

Galerie Anciennes Poste, Toucy, France Gyeonggi International Ceramic Biennale, Gyeonggi, Korea

2018 Yingge Ceramic Museum, Taipei, Taiwan Museum Jorn, Silkeborg, Denmark

2017 Galerie Terra Viva, St. Quentin la Pottery, France

Kunstbygningen Vrå, Vrå, Denmark

2016 Thalassa Museum, Ayia Narra, Cyprus

Ceramic Gallery, Ceramic Institute, Beijing, China

2015 The Danish Biennale of Art and Design, Copenhagen, Denmark International Ceramic Biennale, Haacht, Belgium

2014 Puls Contemporary Ceramics, Brussels, Belgium

International Triennial of Silicate Arts, Kecskemet, Hungary Galerie Le Don du Fel, France

2013 Ministry of Culture, Copenhagen, Denmark

Ceramic Art London, The Royal College of Arts, UK

2012 1st Santorini Biennale, Santorini, Greece

Salon Hors Serie, Ateliers D´Art, Paris, France

2011 Danish Biennale of Art and Design, Koldinghus, Denmark

Workshop and Lectures

2019 California State University Long Beach, Los Angeles, CA Arizona State University, Phoenix, AZ

Laguna Clay Factory, Los Angeles, CA

2018 La Meridiana, Firenze, Italien

2017 The Art House, Sheffield

2010-17 The Clay Factory, Sorring, Denmark

2016 St. Peters School, York, UK

2015 Leeds University of Arts and Design Sheffield, Art Therapy Northern Program, UK

2014 Cork Potters Associations, Cork, Irland

2010-14 Aarhus Academy of Arts, lecturer

Residency and Symposium

2022 Sculpture study, Berlin, Germany

Research marine life, Mediterranean, France

Resesrch marine, San Cataldo, Amalfi Coast, Italy

2021 Research marine life, California, US

2020 Research marine life, Klitgaarden, art refugium, Skagen, Denmark

Research, Art 66, Hvide Sande, Denmark

2019 The Place on PCH, Oceana Beach, US

2018 International Academy of Ceramics, Taipei New City, Taiwan

2017 Petersens Brick Factory, Denmark

2016 Jingdezhen Ceramic Institute, Jingdezhen, China

2015 Yorkshire Sculpture Park, UK

2014 Artist in residence, Boibuchet, France

2013 International Ceramic Studio, Kecskemet, Hungary

2012 Cockpit Arts, London

Catherine Lee

SELECTED EXHIBITIONS

2023 78th Annual Ceramics Exhibition, Scripps College, Claremont, CA

2022 Stritch College Art Gallery, Milwaukee, MN

Galerie Karsten Greve, Cologne, Germany

Texas Artists: Women of Abstraction, Museum of South Texas, Corpus Christi, TX Abstract Works (Matters?), Hillsboro Fine Arts, Dublin, Ireland

2021 Nasher Mixtape, Nasher Center for Sculpture, Dallas, TX

State of Sculpture: 10th Anniversary of the Texas Sculpture Group, San Angelo Museum, San Angelo, TX

2020 Gallery Artists 2020, Galerie Karsten Greve, Cologne, Germany

Texas Women: New History of Abstraction, San Antonio Museum of Art, San Antonio, TX

2019-22 Mahncke Park, San Antonio, TX

2019 Transitional Spaces: Kay Whitney and Catherine Lee, Mark Smith’s Texas ArtHouse, Johnson City, TX

50 Artists, 50 Years, Annely Juda Fine Art, London, England

2018 Elisabet Ney Museum, Austin, TX

12 x 12, Grayduck Gallery, Austin, TX, in collaboration with Rino Pizzi

2017 Hillsboro Fine Art, Dublin, Ireland

Lora Reynolds Gallery, Austin, TX

past / present, Texas Arthouse, Johnson City, TX

Gallery Artists 2017, Hillsboro Gallery, Dublin, Ireland

2016 Omi International Arts Center/ Omi Fields Sculpture Park, Ghent, NY

Hurt, Hillsboro Gallery, Dublin, Ireland

Summer Show, Galerie Karsten Greve, Cologne, Germany

Ceramix, la Maison Rouge, Paris, France

San Antonio Collects, San Antonio Museum of Art, San Antonio, TX

Pure, Texas Arthouse, Johnson City, TX

2015 Galleri Weinberger, Copenhagen, Denmark

Omi International Arts Center/ Omi Fields Sculpture Park, Ghent, NY

Texas!, National Academy of Art, New Delhi, India

Art on the Green, Kemp Center for the Arts, Wichita Falls, TX

The Thin Line, Cinnabar Gallery, San Antonio, TX

2014 Galerie Karsten Greve, Cologne, Germany

Blue Star Contemporary Art, San Antonio, TX

Omi International Arts Center/ Omi Fields Sculpture Park, Ghent, NY

Galerie Karsten Greve, Paris, France

Creativity, Change, Commitment, Thompson Art Gallery, San Jose State University, San Jose, CA

Return, Catherine Lee, George Krause, McKay Otto, Cinnabar Gallery, San Antonio, TX

Symbiosis of Physicality & the Spiritual, Mario Mauroner Contemporary Art, Salzburg, Austria

2013 McNay Museum of Art, San Antonio, TX

Women in Art, Northeast Lakeview College, San Antonio, TX

Contemporary Spirit, Galerie Schmalfuss, Berlin, Germany

Aîtres, Mario Mauroner Contemporary Art, Salzburg, Austria

Edge Order Rupture, Galerie Lelong, New York City, NY

Animated Short Films, Polari Film Festival, Austin, TX

2012 San Angelo Museum of Fine Arts, San Angelo Texas

Museum of the Southwest, Midland, Texas

The Old Jail Art Center, Albany, Texas

The Grace Museum, Abilene, Texas

Ellen Noël Art Museum, Odessa, Texas

Galerie Lelong, New York City, NY

25th Anniversary Exhibition, Galleri Weinberger, Copenhagen, Denmark

First Annual Salmon Sculpture Competition, San Angelo Museum of Fine Arts, San Angelo, TX Sculpture, Galerie Karsten Greve, Paris, France

2011 Keramikmuseum Westerwald, Höhr-Grenzhausen, Germany Kunsthaus Weisbaden, Wiesbaden, Germany 78701 > 78676, d berman gallery, Wimberley, TX

Signs of Change: Catherine Lee and Bodo Korsig, University of Texas at San Antonio Satellite Space, Blue Star Complex, San Antonio, TX

2010 Collecting the New, Recent Acquisitions to the IMMA Collection, Irish Museum of Modern Art, Dublin, Ireland

On Paper II, Galerie Karsten Greve, Paris, France

Black and White, Galleri Weinberger, Copenhagen, Denmark

10th Anniversary Exhibition, d berman gallery, Austin, TX

2009 Galerie Karsten Greve, Cologne, Germany

WE, Mario Mauroner Contemporary Art, Salzburg, Austria

Gifted, Santa Barbara City College, Santa Barbara, CA

2008 d berman gallery, Austin, TX

Galleri Weinberger, Copenhagen, Denmark

Annely Juda Fine Art, London, England

Landscape and Geometry, Annely Juda Fine Art, London, England

Austin Museum of Art, Laguna Gloria, Austin, TX

A Year in Drawing, Galerie Lelong, New York City, NY

Exhibition of the Hôtel des Arts Collection, Maison du Cygne, Six-Fours-les-Plages, France

2007 Galerie Karsten Greve, Paris, France

Galerie Lelong, New York City, NY

Shadow, Galerie Lelong, New York City, NY

3 Women, 3 Generations, 3 Continents, Wade Wilson Art, Houston, TX

20th Anniversary Exhibition, Galleri Weinberger, Copenhagen, Denmark

Blanton Museum of Art, Austin, TX

(I’m Always Touched) By Your Presence, Dear, Irish Museum of Modern Art, Dublin, Ireland

2006 Galleri Weinberger, Copenhagen, Denmark

Hôtel des Arts, Toulon, France

Musée d’Arte Moderne, St. Etienne, France

Lee, Huber, Redl, Galerie Mauroner, Vienna, Austria

Paradiso & Inferno, MAM Mario Mauroner Contemporary Art, Salzburg, Austria

2005 Irish Museum of Modern Art, Dublin, Ireland

Galerie Karsten Greve, Cologne, Germany

Summertime, MAM Mario Mauroner Contemporary Art, Salzburg, Austria

2004 Galerie Lelong, New York City, NY

Southwest School of Art, San Antonio, TX

2003 Galerie Karsten Greve, Paris, France

Shift, Galerie Lelong, New York City, NY

Accrochage, Galerie Karsten Greve, Paris, France

Six Visions: Contemporary Ceramics, University of Texas at San Antonio Art Gallery, San Antonio, TX

2002 Galleri Weinberger, Copenhagen, Denmark

2300F - 2002, Grounds For Sculpture, the Johnson Atelier, Mercerville, NJ

Selected Works, A Collection, Galerie Jamileh Weber, Zürich, Switzerland

2001 Galerie Karsten Greve, Milano, Italy

Galerie Jamileh Weber, Zürich, Switzerland

Minimalism, Past and Presence, Galerie Lelong, New York City, NY

X Biennial Visual Arts Faculty Exhibition, University of Texas at San Antonio, San Antonio, TX

20 Years of Collaboration, Garner Tullis Workshop, New York City, NY and the Tucson Museum of Art, Tucson, AZ

2000 Lyman-Allen Art Museum, New London, CT

Galerie Academia, Salzburg, Austria

Galería Carles Taché, Barcelona, Spain

New Works, Galerie Jamileh Weber, Zürich, Switzerland

1999 San Diego State University Art Gallery, San Diego, CA

Galerie Lelong, New York City, NY

Lafayette College, Easton, PA

Group Exhibition, Galería Carles Taché, Barcelona, Spain

Black & White III, Galleri Weinberger, Copenhagen, Denmark

25 Years, Galerie Jamileh Weber, Zürich, Switzerland

Encaustic Works, Watermark/Cargo Gallery, Kingston, NY

Das Gedächtnis öffnet seine Tore, die Kunst der Gegenwart im Lenbachhaus, München, Städtische Galerie im Lenbachhaus, Munich, Germany

Collaborative Papers: Contemporary Works of Art from the Garner Tullis Workshop, Maier Museum of Art, Lynchburg, VA

Some New York Artists, BGH Gallery, Los Angeles, CA

1998 B emis Art Foundation, Omaha, NE

Galerie Karsten Greve, Cologne, Germany

Galleri Weinberger, Copenhagen, Denmark

Group Show: Chillida, Judd, Lee, LeWitt, Mangold, Ryman, Galerie Lelong, New York City, NY

Zeit und Materie, Baukunst, Cologne, Germany

Group Exhibition, Galerie Karsten Greve, Paris, France

Oud en Nieuw, Museum voor Moderne Kunst, Arnhem, Netherlands

1997 Sonoma State University Art Gallery, Sonoma, CA

Galleria Karsten Greve, Milano, Italy

Gallery Group Exhibition, parts I & II, Galerie Jamileh Weber, Zürich, Switzerland

New Editions, Galerie Lelong, New York City, NY

1996 Galerie Academia, Salzburg, Austria

Galerie Jamileh Weber, Zürich, Switzerland

ArtPace, A Foundation for Contemporary Art, San Antonio, TX

Jill Moser & Catherine Lee, University of Rhode Island, Kingston, RI

Serienbilder - Bilderserien, Städtische Galerie im Lenbachhaus, Munich, Germany

1995 Galerie Karsten Greve, Paris, France

Galleri Weinberger, Copenhagen, Denmark

Galerie Lelong, New York City, NY

Galerie Karsten Greve, Cologne, Germany

Mizuma Gallery, Tokyo, Japan

Summer Group Exhibition, Galerie Jamileh Weber, Zürich, Switzerland

Group Show, Galerie Lelong, New York City, NY

Black & White I, Galleri Weinberger, Copenhagen, Denmark

U S Print / Grafiikka U S A, Garner Tullis Workshop, Retretti Art Center, Savonlinna, Finland

Recent Acquisitions, Hofstra Museum, Emily Lowe Gallery, Hempstead, NY 1994 Hill Gallery, Birmingham, MI

Shape, Pamela Auchincloss Gallery, New York City, NY

Contemporary Prints, The Tate Gallery, London, England

29th Annual Exhibition of Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC Sculpture & Drawing, Galerie Lelong, New York City, NY

1993 Galerie Lelong, New York City. NY

Annely Juda Fine Art, London, England

Limestone Press, San Francisco, CA

Italia - America, L’astrazione Ridefinita, Galleria Nazionale d’Arte Moderna, San Marino, Italy

Couples, Annely Juda Fine Art, London, England Art on Paper, The Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC

Transcending Boundaries, 92nd Street Y, New York City, NY

Garner Tullis Workshop, Jan Weiner Gallery, Kansas City, MO

Contemporary Prints: Ten Years of Acquisitions, Cleveland Museum of Art, Cleveland, OH

Prints from the Garner Tullis Workshop, The Australian Print Workshop & the Darian Knight Gallery, Fitzroy, Australia

Drawings: 30th Anniversary Exhibition, The Foundation for Contemporary Performance Art, Leo Castelli Gallery, New York City, NY

5 One Man Shows, Galerie Jamileh Weber, Zürich, Switzerland

1992 Städtische Galerie im Lenbachhaus, Munich, Germany

Neue Galerie der Stadt Linz, Linz, Austria

Galleri Weinberger, Copenhagen, Denmark

Galerie Academia, Salzburg, Austria

Geteilte Bilder, Das Diptychon in der neuen Kunst, Museum Folkwang, Essen, Germany

Reliefs, Konstructive Tendens, Stockholm, Sweden

Monotypes from the Garner Tullis Collection, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA

Women Critics, Bruton Street Gallery, London, England

Juxtapositions, Annely Juda Fine Art, London, England

1991 Galerie Jamileh Weber, Zürich, Switzerland

Galerie Karsten Greve, Cologne, Germany

Kohji Ogura Gallery, Nagoya, Japan

Drawings, Pamela Auchincloss Gallery, New York City, NY

Contemporary Sculpture from the Weatherspoon Collection, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC

Catherine Lee Monotypes, Pamela Auchincloss Gallery, New York City, NY

IIIème Biennale de Sculpture, Monte Carlo, Monaco

Art for Children’s Survival, UNICEF, Lawrence Monk Gallery, New York City, NY

1990 Marisa del Re Gallery, New York City, NY

Galerie Karsten Greve, Paris, France Gallery Kasahara, Osaka, Japan

Stephen Wirtz Gallery, San Francisco, CA

1990 Monotypes from the Garner Tullis Workshop, Malmgran Gallery, Göteborg, Sweden

Inaugural Exhibition, Stephen Wirtz Gallery, San Francisco, CA

Minimal Sculpture, Marisa del Re Gallery, New York City, NY

Artists in the Abstract, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC

1989 Annely Juda Fine Art, London, England

Thomas Segal Gallery, Boston, MA

Sittings: Drawing with Color, traveling exhibition: Instituto de Estudios Norteamericanos, Barcelona, Spain

Casa Revilla, Valladolid, Spain

Museo Barjola, Gijon, Spain

Calouste Gulbenkian Foundation, Lisbon, Portugal

Pratt Manhattan Gallery, New York City, NY

Schafler Gallery, Pratt Institute, New York City, NY

Small Paintings, Nina Freudenheim Gallery, Boston, MA

Monotypes from the Garner Tullis Workshop, Persons-Lindell Gallery, Helsinki, Finland

Drawings, Stephen Wirtz Gallery, San Francisco, CA

Geometry and Abstraction, Persons-Lindell Gallery, Helsinki, Finland

Recent Acquisitions: Prints and Monotypes, The Tate Gallery, London, England

18th International Biennale of Graphic Art, International Centre of Graphic Art, Ljubljana, Yugoslavia

Beth Lo

EDUCATION

1974 M.F.A. University of Montana

1971 B.G.S. University of Michigan

TEACHING EXPERIENCE

1985-2016 Professor or Art, University of Montana

SELECTED EXHIBITIONS

2023 Scripps College 78th Ceramics Annual, Scripps College, Claremont, CA

2023 NCECA Annual, Weston Art Gallery, Cincinatti, OH

2022 Lacoste Gallery, Concord, MA

In Tandem Gallery, Bakersville, NC

Online Exhibit, Akar Gallery, Iowa City, IA

John Natsoulas Gallery, Davis, CA

Radius Gallery, Missoula, MT, with Steve Young Lee

2021

In Tandem Gallery, Bakersville, NC, with Donna Flanery

Lacoste Gallery, Concord, MA, with Jennifer Ling Datchuk

Project Sands X: Beyond the Blue, The Venetian Macao, Macao, China

Contemporary Ceramics 2021, Western Carolina Museum of Art, Cullowhee, NC

Online Exhibit, Akar Gallery, Iowa City, IA

2020 Red Lodge Clay Center, Relodge, MT, with Steve Young Lee

Making in Between: Contemporary Chinese American Ceramics, American Museum of Ceramic Art (AMOCA), Pomona, CA

35 Year Anniversary Exhibition, Sherry Leedy Gallery, Kansas City, MO

Covid 19 Fundraiser, Radius Gallery, Missoula, MT

2019 Radius Gallery, Missoula, MT

Lacoste/Keane Gallery, Concord, MA with Kyungmin Park

Women Working in Clay Symposium Exhibition, Eleanor Wilson Museum, Roanoke, VA

2018 Online Exhibit, Schaller Gallery, Baroda, MI

Online Exhibit, Akar Gallery, Iowa City, IA

The Incongruous Body, American Museum of Contemporary Art, Pomona, CA

Lacoste/Keane Gallery, Concord, MA

Red Lodge Clay Center, Red Lodge, MT

2017 Sherry Leedy Gallery, Kansas City, MO

Natsoulas Gallery Clay Art Convention, John Natsoulas Gallery, Davis, CA

2016 Turman Larison Gallery, Helena, MT

Tori Folliard Gallery, Milwaukee, WI

50 Women: A Celebration of Women’s Contribution to Ceramics, National Council on Education for the Ceramic Arts, Kansas City, MO

2015 Pewabic Pottery, Detroit, MI

American Pottery Festival, Nothern Clay Center, Minneapolis, MN

2014 American Pottery Festival, Nothern Clay Center, Minneapolis, MN

2013 7th Annual Gyeonggi Ceramics Biennale, Gyeonggi, Korea

2012 Duane Reed Gallery, St. Louis, MO

The New Blue and White, Boston Museum of Fine Arts, Boston, MA

Contemporary Ceramics, Stremmel Gallery, Reno, NV

2009 Carleton College, Northfield, MN

2008 Lane County Community College, Eugene, OR

Voices: NCECA Invitational Exhibition, Society for Contemporary Craft, Pittsburgh, PA

2007 Contemporary Ceramics, Dairy Barn Arts Center, Athens, OH

Form and Imagination: Women Ceramic Sculptors, American Museum of Ceramic Art, Pomona, CA

2006 Life Insight, Kentucky Museum of Art and Craft, Louisville, KY

Clay Menagerie, Garth Clark Gallery, New York City, NY

2005 Missoula Museum of the Arts, Missoula, MT

Francine Seders Gallery, Seattle, WA

NCECA Exhibition, Yingge Ceramics Museum, Taipei, Taiwan

2004 Santa Fe Clay Arts Center, Santa Fe, NM

Portraits, Society of Arts and Crafts, Boston, MA

2003 Subject. Me. Object, Ferrin Gallery, Lenox, MA

Crossroads: New Art from the Northwest, Center on Contemporary Art, Seattle, WA

2002 Lorinda Knight Gallery, Spokane, WA

2001 Francine Seders Gallery, Spokane, WA

2000 Lorinda Knight Gallery, Spokane, WA

1996 Mia Gallery, Seattle, WA

J. Maddux Parker Gallery, Sacramento, CA

1993 Mia Gallery, Seattle, WA

J. Maddux Parker Gallery, Sacramento, CA

1990 Yellowstone Art Center, Billings, MT

Thomas Müller

EDUCATION

2000 M.F.A. Cranbrook Academy of Art, Bloomfield Hills, MI

1995 B.F.A. University of Washington, Seattle, WA

TEACHING EXPERIENCE

2018-Present University of Southern California, Chair of Art, 3D, Los Angeles, CA

2017-Present University of Southern California, Associate Professor, Los Angeles, CA

SELECTED EXHIBITIONS

2021 Seeing the Elephant, Brandstater Gallery, Riverside, CA baseline, Eutectic Gallery, Portland, OR Aesthetic Group, Hang Art, San Francisco, CA

2020 Make it Make Sense, James Wright Gallery (virtual), Los Angeles, CA we are here/here we are, Durden and Ray, Los Angeles, CA

Type, GWC Art Gallery, Huntington Beach, CA

2019 Medium, FOCA, Los Angeles, CA

Open Space, Backspace Gallery, Los Angeles, CA

2018 white whale, Michael Warren Contemporary, Denver, CO Smoke and Mirrors, Torrance Art Museum, Torrance, CA

2017 There is no elephant in this room., Open Mind Art Space, Los Angeles, CA Where’d you get that banana?, A-B Projects, Claremont, CA

Cranbrook +/- 25, Ceramics Research Center at Brickyard, Tempe, AZ

2016 The Treachery of Objects, University of Arkansas Fine Arts Gallery, Fayetteville, AR

2015 The space between us is vast and unfathomable., Elephant, Los Angeles, CA This is a magical space too., Michael Warren Contemporary, Denver, CO Highland Park Museum of Ceramic Art, Monte Vista Projects, Los Angeles, CA Oasis, Sturt Haaga Gallery, La Cañada Flintridge, CA

2014 Introductions, Michael Warren Contemporary, Denver, CO f(c), The Portrait Society, Milwaukee, WI

2013 Nothing Rhymes with Orange, Project 4 Gallery, Washington D.C. Reverberations, Huntington Beach Arts Center, Huntington Beach, CA

High Low, Irvine Fine Arts Center, Irvine, CA

2012 Under the Table, Fort Worth Contemporary Arts, Fort Worth, TX

Tomorrowland, CSUN Art Galleries, Northridge, CA

Kaus-LA, The Prospectus, West Hollywood, CA

Fragile, Seattle Design Center, Seattle, WA

2011 Handle with Care, Pottery Northwest, Seattle, WA

Making Fun, 67th Ceramics Annual, Scripps College, Ruth Chandler Williamson Gallery, Claremont, CA

2010 Neither here nor there., Project 4 Gallery and Fathom Gallery, Washington D.C.

Venn Diagram, Kristi Engle Gallery, Los Angeles, CA

End of the World, Biola University Art Gallery, La Mirada, CA Project I, Alexys Schwartz Projects, Culver City, CA

2009 Max Multiple, Devening Projects, Chicago, IL

2008 thomas müller, Project 4 Gallery, Washington D.C.

atBP: Miniatures and Giants, The Armory Center for the Arts, Pasadena, CA

Cast Sculpture, The Clay Studio, Philadelphia, PA

2007 Flower, Spacecraft, San Diego, CA

New Sculpture, HAUS, Pasadena, CA

Renegade Clay: 5 Views from the West, ASU Art Museum, Tempe, AZ

2006 Feral Nature, University of Texas at Dallas, Dallas, TX

2005 New Slang, Ruth Bachofner Gallery, Santa Monica, CA

Strata, Skulpturens Hus, Stockholm, Sweden

White on White, Elaine Jacobs Gallery, Detroit, MI

Eye Tow: Three from Cranbrook, NewSpace@twentieth, Los Angeles, CA

2004 The Literary Print in the 21st Century, Network Gallery, Bloomfield Hills, MI Skinthin, Viento y Agua Gallery, Long Beach, CA now here, The Brewery Project, Los Angeles, CA

2003 Heaven and Earth, Artinus Gallery, Seoul, Korea

2001 Savannah, Timothy B. McCormack Gallery, Seattle, WA

Pleasure Craft, Tacoma Art Museum, Tacoma, WA Menagerie, Covivant Gallery, Tampa, FL

Elyse Pignolet

EDUCATION

2007 B.F.A., California State University Long Beach, Long Beach, CA

1997 – 1999 San Francisco State University, San Francisco, CA

SELECTED EXHIBITIONS

2022 Conversing in Clay, Los Angeles County Museum of Art, Los Angeles, CA

Elyse Pignolet: May I Finish, Koplin del Rio Gallery, Seattle, WA

2021 Everything Connected: Land, Body, Cosmos, Self Help Graphics, Los Angeles, CA Elyse Pignolet: I’m Not Like the Other Girls, Track 16 Gallery, Los Angeles, CA The Girl and the Tank, Track 16 Gallery group exhibition, SPRING/BREAK Art Show, New York City, NY Elyse Pignolet- Recent works on paper, Track 16 Gallery, LA Art Show, Los Angeles, CA

Space as Presence: Elyse Pignolet, Christine Nguyen, Fran Siegel, Long Beach Museum of Art DownTown, Long Beach, CA

2020 Intersect Chicago: Featuring New and Recent Works by Elyse Pignolet and Katherine Vetne, Online exhibition, Catharine Clark Gallery, San Francisco, CA

Elyse Pignolet - Boys Will Be Boys, Catharine Clark Gallery, San Francisco, CA Send Her Back !!!, Online exhibition, Koplin del Rio Gallery, Seattle, WA Elyse Pignolet, Koplin del Rio Gallery, Zona Maco Art Fair, Mexico City, Mexico Winter Salon, Koplin del Rio Gallery, Seattle, WA

2019 Attempt to Raise Hell: Twenty-Five Years of Track 16, Track 16 Gallery, Los Angeles, CA A Confrontation of Ideals, Anren Biennale, Anren Szechuan, China

Between the Divide, Long Beach Main Public Library, Long Beach, CA

Elyse Pignolet- You Should Calm Down, Track 16 Gallery, Los Angeles, CA Art and Activism, Maui Arts & Cultural Center, Maui, HI

Didn’t You Know What You Were Carrying On Your Back?, Track 16 Gallery / Rosalux, Berlin, Germany

Elyse Pignolet - You Should Smile More, Koplin del Rio Gallery, Seattle, WA American Procession: Elyse Pignolet and Sandow Birk, The MAC, Dallas, TX Perennial, Koplin Del Rio, Los Angeles, CA

Relevant, Craig Krull Gallery, Santa Monica, CA

2018 Woman, Prographica/KDR Gallery, Seattle, WA

American Procession, Track 16 Gallery, Los Angeles, CA

American Procession, Prographica/KDR Gallery, Seattle, WA

2017 American Qur’an (ceramic works), Jordan Schnitzer Museum of Art, Eugene, OR

America Qur’an (ceramic works), Riverside Museum of Art, Riverside, CA

2016 Fired Up: Monumental Clay, Palo Alto Art Center, Palo Alto, CA

Wood, Paper, Ink: Contemporary Woodcuts, Sonoma State University, Sonoma, CA

Text and Image, Catharine Clark Gallery, San Francisco, CA

2015 Off the Charts, 516 Arts, Albuquerque, NM

West Coast Ink: Printmaking from Seattle to San Diego, Sonoma State, CA

A Gathering of Angels, Angels Gate Gallery, San Pedro, CA

2014 New American Printmaking, Union of Bulgarian Artists, Sofia University, Sofia, Bulgaria

New American Printmaking, Union of Bulgarian Artists, Plavno, Bulgaria

MAC@20 Pt. 2, McKinney Avenue Contemporary, Dallas, TX

2013 Baker’s Dozen V: Marginal Revolutions, Torrance Art Museum, Torrance, CA

Faux Real, Laguna Art Museum, Laguna Beach, CA

2012 Welcome Back: New Lithographs, Tamarind Press, Albuquerque, NM

New Work, Angels Gate Art Center, Los Angeles, CA

2011 If These Walls Could Talk, Charlie James Gallery, Los Angeles, CA

The Imprint of War: Responses in Print, University of Pittsburgh Art Gallery, Pittsburgh, PA

2010 Art Shack, Laguna Art Museum, Laguna Beach, CA

Contemporary Puppetry, Art School of the Old Church, Demarest, NJ

Highlights from the Collectors Circle, Long Beach Museum of Art, Long Beach, CA

Elyse Pignolet: Urban Abstraction, Cal State Fullerton Art Gallery, Fullerton, CA

2009 On Paper, Jenkins Johnson Gallery, New York City, NY

Natura, Angels Gate Art Center, Los Angeles, CA

2008 Banned and Recovered, SF Center for the Book, San Francisco, CA

Summer Group Exhibition, Catharine Clark Gallery, San Francisco, CA

2007 Sk8 Deck the Halls, Windup Gallery, Phoenix, AZ

Urban Abstraction, Koos Gallery, Long Beach, CA

Don’t Fence Me In, Little Bird Gallery, Los Angeles, CA

Representation 2007, Jenkins Johnson Gallery, San Francisco, CA

2006 The Patriot Show 2: The Art of War, Cricket Engine Gallery, Oakland, CA

The Divine Comedy, Grand Central Art Center, Santa Ana, CA

2005 Inside Out, L2Kontemporary Gallery, Los Angeles, CA

Good Times, Live Worm Gallery, San Francisco, CA

2004 New Media/Mixed Media, Golden West College, Huntington Beach, CA

2003 Visual and Cultural Communication, Golden West College, Huntington Beach, CA

Awards/Public Art

2022

Donkey Mill Arts Center Artist in Residence, Kona, HI

2021 City of Long Beach 2021-22 Professional Artist Fellow Award

2020 City of Los Angeles 2020-21 DCA Cultural Trailblazers Award

2019 Fellowship, Ballinglen Arts Foundation, Co Mayo, Ireland

2017 “Hey Rookie” Public Pool, ceramic tile mural, 400 sq. ft., San Pedro, CA

2013 “Jazz in the Nation”, “Jazz in the City”, “Jazz in the Afterlife” in collaboration with Sandow Birk, three ceramic tile murals, SFJAZZ Theater, San Francisco, CA

2009 “Avalon Lifeguard/Paramedic Headquarters”, ceramic tile mural, 200 sq. ft, Avalon, Catalina Island, CA

2007 “ The History of Los Angeles (Condensed)”, ceramic tile murals, 1000 sq. ft., Hollenbeck Station, Los Angeles Police Department, East Los Angeles, CA

CSULB Travel Grant – Lisbon, Portugal

2004 “Metro Rapidway - Tarzana Station”, Metropolitan Transit Authority, L.A., CA

2003 “Flora and Fauna”, iron, cement, ceramic sculpture - with Thomas Barter Bixby Knolls Park, Long Beach, CA

“Discovery Wells”, ceramic installation, 250 sq. ft – with Thomas Barter, Discovery Park, Signal Hill, CA

2002 “ The Discovery of the City of Long Beach”, 2 ceramic tile murals, 600 sq. Ft “ Toy Car Pileup”, tile stucco, foam, concrete sculpture with Thomas Barter, Corner of 1st St. And Broadway, downtown Long Beach, CA

ŌTAGAKI RENGETSU (1791-1875)

Ōtagaki Rengetsu’s art showcases the simplicities of life as well as her journey in understanding her place in the world. Adopted into a Buddhist family in Kyoto, her youth revolved around service and education, learning about poetry, martial arts, and manners. In Rengetsu’s childhood she learned about waka, the poetry style she used most often in her life and became a part of her ceramics. In her adulthood, Rengetsu faced a series of intense personal losses. She married twice, but both of her husbands died and her children all passed away at young ages. Because of this, Rengetsu turned to religion and became a Buddhist nun of the Pure Land sect. When her father passed away a few years later, Rengetsu was left alone and had to provide for herself. It was at this moment that her art really entered into her life. She began to incorporate her poetry onto her pottery which she sold. Her poetry reflected everyday moments imbued with a sincerity that brought out the beauty and contradictions of life. Her poetry was superimposed onto everyday objects, such as teapots, which forced the user to also engage with the poetry and the profoundness of the words. Rengetsu’s work grew in popularity and many people sought after it. These interactions between artist and her audience are well documented by the latter and many of them note Rengetsu’s generosity and dedication to others. She would often give her pottery for little in return or for free. She died in 1875, but her legacy remains as someone who cared deeply for those around her and as a person who aptly observed and deeply admired the world she inhabited.

Nancy Selvin

EDUCATION

1970 M.F.A. University of California, Berkeley, CA 1969 B.A. University of California, Berkeley, CA

Teaching Experience

2022-2007 California College of the Arts, Oakland, CA 2004 University of California, Berkeley, CA 2002 Academy of Art College, San Francisco, CA 1999 Pitzer College, Claremont, CA 1992 San Francisco State University, San Francisco, CA 1987-1973 Laney College, Oakland, CA

1973 Fashion Institute of Design, San Francisco, CA 1971-1970 State University of New York, Albany, NY

Selected Exhibitions

2023 78th Scripps College Ceramics Annual, Scripps College, Claremont, CA Patricia Sweetow Gallery, Los Angeles, CA 2022 On the Edge: CCA Clay, Pence Gallery, Davis, CA

Breaking Ground: The Women of California Clay, American Museum of Ceramic Art, Pomona, CA

2021 Mind and Matter, American Museum of Ceramic Art, Pomona, CA

2020 Pence Gallery, Davis, CA

2019 Spaces Between, Gearbox Gallery, Oakland, CA Fire, Slippage, Tender Edges, Patricia Sweetow Gallery, San Francisco, CA Clayblazers: Women Artists of the 50s, 60s, and 70s, Arizona State University, Herberger Institute of Design and Art, Tempe, AZ

Cool Clay: Recent Acquisitions, Crocker Art Museum, Sacramento, CA Year of the Woman, Utah State University, Chase Art Center, Logan, UT

2018 Fragments, McLean Exhibition Space, Berkeley, CA

2017 Two-Scale, Sonoma State University, Sonoma, CA Clay on Clay, Pence Gallery, Davis, CA

We the People: Serving Notice, American Museum of Ceramic Art, Pomona, CA Blurred Boundaries, Couturier Gallery, Los Angeles, CA BC to BC, San Diego Art Institute, San Diego, CA

2016 Nancy Selvin, Patricia Sweetow Gallery Spun Smoke, Oakland, CA Lineage, American Museum of Ceramic Art, Pomona, CA

Recent American Ceramics, Daum Museum, Sedalia, MO Transference, Clay Studio, Philadelphia, PA

B erkeley Civic Center, Berkeley, CA

2015 Dorothy Saxe Invitational, The Tzedakah Box, Contemporary Jewish Museum, San Francisco, CA

Drawn, Drawing, Anderson Gallery, Bridgewater University, Bridgewater, MA Honoring the Past, Embracing the Future: Works from the Permanent Collection, American Museum of Ceramic Art, Pomona, CA

Yunomi Invitational, AKAR Gallery, Iowa City, IA

Still Life: Ceramics: Five Bay Area Artists, California State University, Fresno, CA

2014 Scripps College 70th Ceramic Annual, Scripps College, Claremont, CA

Best of Kind, Smith Anderson Gallery, Palo Alto, CA

Best Kept Secret, American Museum of Ceramic Art, Pomona, CA Old Hands in Clay, NCECA, Milwaukee, WI

Yunomi Invitational, AKAR Gallery, Iowa City, IO

International Ceramics Casting Plus, City Gallery San Diego City College, San Diego, CA

2013 Nancy Selvin: Paintings and Work on Paper, The Light Room, Berkeley, CA Clay in the Bay, deSaisset Museum, Santa Clara, CA

Bottles, Crimson Laurel Gallery, Bakersville, NC

2012 Do Not Destroy Invitational, Contemporary Jewish Museum, San Francisco, CA Bay Area Treasures, Berkeley Art Center, Berkeley, CA

2011 Beyond Tradition, Richmond Art Center Richmond, CA

Yunomi Invitational, AKAR Gallery, Iowa City, IO

2010 Snyderman Works Gallery, Philadelphia, PA

Unbound: A National Exhibition of Book Art, Bedford Gallery, Walnut Creek, CA

Tercera Online Gallery/Studio Exhibition, Berkeley, CA

Cup Show, Pence Gallery, Davis, CA

Let There Be White, Birey Gallery, Philadelphia, PA

2009 New Works/Old Story, The Contemporary Jewish Museum, San Francisco, CA

The Uncommon Object: The Contemporary Still Life, Pence Gallery, Davis, CA

Diversity in Clay, American Museum of Ceramic Art, Pomona, CA

Nancy Selvin/Maren Kloppman, Signature Gallery, Atlanta, GA

Visiting Artist Exhibition, Tahoe Gallery Sierra Nevada College, NV

Shibui Gallery, Los Angeles, CA Shaller Gallery, St. Joseph, MO

2008 California Clay, Baltimore Clayworks, Baltimore, MD

Complexities of Clay, Bell Family Gallery, Los Angeles, CA

Table of Elements, Manchester Craft Guild, Pittsburg, PA

Clay(Mates), James Patrick Gallery, Wiscasset, ME

2007 Collaborations: Watershed and Friends, Snyderman Gallery, Philadelphia, PA

Santa Fe Clay: In Their Own Words, Santa Fe, NM Richmond Art Center, Richmond, CA

2006 Pacini Lubel Gallery, Seattle, WA

Snyderman Works Gallery, Philadelphia, PA

70 Washington Street Space, Oakland CA

Prater Collections, Missouri State University Art Gallery, Springfield, MO

Thresholds: Innovative Clay, Ogle Gallery, Portland, OR

Context: The Written Word, The Clay Studio, Philadelphia, PA

Alterior Motives, Baltimore Clayworks, Baltimore, MD

Watershed Anniversary Exhibition, Society Arts and Crafts, Boston, MA

Art of the Book: Bay Area Treasures, Donna Seager Gallery, San Rafael, CA

TeaTime, Gallery of the Institute of the Arts, Kalamazoo, MI

2005 Vanitas, Lacoste Gallery, Concord, MA

Transformation: Contemporary Work in Ceramics, Society for Contemporary Craft, Pittsburgh, PA

Allene Lapides Gallery, Santa Fe, NM

Pacini Lubel Gallery, Seattle, WA

Contemporary Codex: Ceramics and the Book, Central Michigan University, MI & University of Maryland, Baltimore, MD

Diverse Domains, Yinggko Ceramic Museum, Taipei, Taiwan

Tercera Gallery, Palo Alto, CA

Scents of Purpose, The Jewish Museum, San Francisco, CA

The White Show, Santa Fe Clay, Santa Fe, NM

Built Books, The Fuller Craft Museum, Brockton, MA

2004 Daum Museum, Sedalia, MO

Contemporary Codex: Ceramics and the Book, Manchester Crafts Guild, Pittsburgh, PA

Ceramic Narratives, Texas Women’s University, Denton, TX

John Natsoulas Gallery, Davis, CA

Tea, Santa Fe Clay, Santa Fe, NM

Women’s Work, Diablo Valley College, Pleasant Hill, CA

Teapots: Object/Subject, Craft Alliance, St. Louis, MO

Sidney Myer Fund, Ceramics Award Exhibition, Shepparton Art Gallery, Shepparton, Australia

Standing Room Only: Scripps College Ceramic Annual, Scripps College, Claremont, CA

21st Century Ceramics, Columbus College of Art & Design, Columbus, OH

2003 Tercera Gallery, Palo Alto, CA

Words/Text/Stories, Society of Arts & Crafts, Boston, MA

W/ the Vessel in Mind, ElevenEleven Sculpture Space, Washington, DC

In Other Words: Ceramic Books, Northern Clay Center, Minneapolis, MN

Contemporary Ceramics, San Diego City College, San Diego, CA

Tercera Gallery, Palo Alto, CA

Fusion: Photo/Clay, Odyssey Gallery, Asheville, NC

John Natsoulas Gallery, Davis, CA

Northern California Clay, NCECA, San Diego, CA

Short Stories: Narratives Ceramics, Center for Ceramic Arts and the Ferrin Gallery, Berkeley, CA

One Hundred Cups, Santa Fe Clay, Santa Fe, NM

2002 Pence Gallery, Davis, CA

Rendezvous, Museum of Nebraska Art, Kearney, NB

Sybaris Gallery, Royal Oak, MI

2001 Still Life: Uncommon Object, Bedford Gallery, Walnut Creek, CA

USA Clay, The Renwick Gallery, Smithsonian Institution, Washington, DC

Digital Ceramics, The Light Factory, Charlotte, NC

Convergences, Finegood Gallery, West Hills, CA

Clay Patina, Patina Gallery, Santa Fe, NM

Sybaris Gallery, Royal Oak, MI

2000 Color and Fire: Defining Moments in Studio Ceramics 1950-2000, Los Angeles County Museum of Art, Los Angeles, CA

Kemper Museum of Contemporary Art, Kansas City, MO

The Tuscan Museum, Tuscan, AZ

Memorial Art Gallery, University of Rochester, Rochester, NY

Reliquaries for America, Craft and Folk Art Museum, San Francisco, CA

Scripps College Ceramic Annual, Scripps College, Claremont, CA

A Glimpse of the Invisible, Arvada Center for the Arts, Arvada, CO

Three Visions, Casper College Gallery, Casper, WY

Patina Gallery, Santa Fe, NM

The Sybaris Gallery, Royal Oak, MI

Celestial Seasonings, Boulder, CO

Millennium Platter Exhibition, Shepparton Art Gallery, Shepparton, Australia

1999 Charleston Heights Art Center, Las Vegas, NV

Diane Nelson Gallery, Laguna Beach, CA

New Glass Review, Corning, NY

China Painting Today, Ferrin Gallery, Northampton, MA

Kos Chain Invitational, Margolis Gallery, Houston, TX

Making Change, The Jewish Museum, San Francisco, CA Gallery Alexander, La Jolla, CA

JMKohler Art Center, Sheboygan, WI

Sybaris Gallery, Royal Oak, MI

1998 Imperfect Harmony, Lafayette Museum of Art, Lafayette, IN Touring: Nora Eccles Museum, UT, Tokyo, Japan

Celestial Seasonings, Boulder, CO

Ferrin Gallery, Northampton, MA

Survey of International Ceramics, Laguna Beach Art Museum, Laguna Beach, CA

Four Views, Artisans Gallery, Mill Valley, CA

1997 Ceramic Still Life: The Common Object, College of Arts and Crafts, Oakland, CA

Kiddush Cup Invitational, The Jewish Museum, San Francisco, CA

1996 Journals/Metamorphosis, Works Gallery, Sonoma, CA

Sybaris Gallery, Royal Oak, MI

A Survey of Contemporary Ceramics, Tustin Gallery, Tustin, CA

Blue Heron Gallery, Deer Isle, ME

1995 Richmond Art Center, Richmond, CA

Artist’s Sketchbooks, Palo Alto Cultural Center, Palo Alto, CA Works Gallery, Sonoma, CA

Patricia Williams Gallery, Portland, OR

1994 The Object as Still Life, Sybaris Gallery, Royal Oak, MI

Ceramic Invitational, Ceskey Krumlov, Czech Republic

Sculpture Invitational, College of Arts and Crafts, Oakland, CA

Nancy Margolis Gallery, ME

1993 Farrell Collection, Washington, D.C.

Clay 93: A National Survey, Traver Gallery, Seattle, WA

Cup Invitational, Artworks, Seattle, WA

Dinnerworks Invitational, Louisville, KY

1992 Nancy Selvin, Sybaris Gallery, Royal Oak, MI

Exhibits USA Invitational, Kansas City, MO

Maveety Gallery, Salishan, OR

East/West Invitational, Korean Embassy, Los Angeles, CA

1991 Looking Through Glass, Berkeley Civic Arts, Berkeley, CA

Faculty Exhibition, S.F. State Art Gallery, San Francisco, CA Cup as Metaphor, Syaris Gallery, Detroit, MI

Crocker-Kingsley Annual, Crocker Museum, Sacramento, CA NCECA Invitational, Tempe, AZ

1990 Grossmont College, El Cajon, CA

Invitational, Freehand Gallery, Los Angeles, CA

Another Dimension, Tempe Art Center, Tempe, AZ

1989 Aha Hana Lima, Academy of Art, Honolulu, HI

Clay: A Feminine Perspective, curated by Elaine Levin, Los Angeles, CA

Raku: Expanding the Expression, NCECA, Kansas City, MO

Progressions, California Craft Museum, San Francisco, CA

View Points, Sybaris Gallery, Detroit, MI

1988 New Directions, Leverett Center, Leverett, MA

Julia Morgan Memorial Exhibition, curated by Suzanne Muchnic, Riverside, CA

Webb and Parsons, New Bedford, NY

1987 Monumental Women, SOMAR Gallery, San Francisco, CA

Wita Gardner Gallery, San Diego, CA

ProArts Annual, ProArts Gallery, Oakland, CA

1986 Olson/Larson Gallery, Des Moines, IA

Martha Schneider Gallery, Highland Park, IL

Salem Arts Association Invitational, Salem, OR

1985 Historic References in Contemporary Clay, Eccles Museum, Logan, UT

Ceramic Still-Life, Esther Saks, Chicago, IL

1984 Elements, New York City, NY

Clay ‘84: Invitational, Traver Sutton, Seattle, WA

10th Annual Invitational, Weber State Gallery, Ogdon, UT

On/Of Paper, Zaner Gallery, New York City, NY

Above: beth lo Not Me, 2022

Photo credit: Beth Lo

COMPLETE LIST OF PAST ANNUAL CURATORS and artists

Curators

Kirk Delman 2023

Ashwini Bhat 2022

Ashwini Bhat (postponed due to Covid-19) 2021

Joanne Hayakawa 2020

Kirk Delman 2019

Patsy Cox 2018

Joan Takayama-Ogawa 2017

Susan Beiner 2016

Julia Haft-Candell 2015

Kirk Delman/Mary MacNaughton 2014 Virginia Scotchie 2013

Kirk Delman, Frank Lloyd, and Mary MacNaughton

CLAY’S TECTONIC SHIFT*

ARTISTS

1. J. T. Abernathy 1951

2. Evelyn Ackerman 1953, 1954, 1955

3. Jerome Ackerman 1953, 1954, 1955

4. Ann Agee 1991, 2004

5. Nancy Alexander 1954 6. Margaret Allen 1984

7. Ray Allen 1971 8. Von Allen 1989

2012

Tim Berg 2011

Wayne Higby 2010

Adam Davis 2009

Phyllis Green 2008

Tony Hepburn 2007

Steven Portigal 2006

Tony Marsh 2005

Kirk Delman 2004

Karen Koblitz 2003

Nancy Selvin 2002

Adrian Saxe 2001

David Furman 2000

Kathleen Royster 1999

Cindy Kolodziejski 1998

Douglas Humble 1997

Kris Cox 1996

Nobuho Nagasawa 1992-1995

Paul Soldner 1959-1991

Richard Petterson 1947-1958

William Manker 1945-1946

9. Arthur Ames 1949, 1951, 1952, 1954, 1957, 1959 10. Jean Goodwin Ames 1945, 1947, 1948, 1949, 1951, 1952, 1954, 1957 11. Susan S. Amoy 1987 12. Donna Anderegg 1996 13. Wesley Anderegg 1996, 2020 14. Bruce Anderson 1961 15. Daniel J. Anderson 1996 16. David Anderson 1984 17. Laura Andreson 1945, 1947, 1949, 1951, 1954, 1959, 1969, 1974, 1979, 2004 18. Chris Antemann 2017 19. Jean E. Appleby 1980 20. Robert W. Archambeau 1967 21. Adrian Arleo 1990 22. Florence S. Aranson 1957 23. Dave Armstrong, 2004 24. Linda Arndt 1973 25. Robert Arneson 1961, 1967, 1969, 1974, 2023 26. Michael Arntz 1966, 1969 27. Tori Arpad-Cotta 2009 28. Bill Attaway 1997 29. Eliza Au 2010 30. Rudy Autio 1959, 1960, 1974, 2004, 2019 31. Victor A. Babu 1964 32. Ralph C. Bacerra 1963, 1964, 1969, 2004 33. Raul Baeza 1990 34. Rita Baigess 1972 35. Clayton G. Bailey 1964 36. Dorothy Baker 1988 37. Douglas K. Baldwin 1966 38. John Balistreri 1990 39. F. Carlton Ball 1951, 1959, 1969, 1977 40. Susan Banks 1992 41. Nancy Baptist 1997 42. Jody Baral 1986 43. Ebitenyefa Baralaye 2022 44. Barnaby Barford 2011 45. S. M. Baring-Gould 1957

46. Barkley-Coutu-Hawker 1952 47. Margaret Montgomery Barlow 1959 48. Evangel D. Barnes 1964 49. Joan Baron 1973 50. Ernest A. Batchelder 1979 51. Kenneth Bates 1951, 1961 52. Fred Bauer 1964, 1968, 1969 53. Pat Bauer 1965 54. B ennett Bean 1981, 1984, 1989, 2004 55. Jim Becker 1990 56. Susan Beiner 2003 57. Billy Al Bengston 1957, 1969, 1974, 2004, 2019 58. Irene Berchtenbrieter 1957 59. Tim Berg/Rebekah Myers 2014 60. Fanny Bergmann 1957 61. Frans Bergmann 1952, 1954 62. Gabor Bergo 1966 63. Luis Bermudez 1986, 2006 64. Katherine Besley 1984, 1997, 2019 65. Audrey Bethel 1971 66. Ted R. Bielefeld 1961, 1964 67. Andre G. Billeci 1968 68. Stan Bitters 1962 69. James R. Black Jr. 1967 70. Ed Blackburn 1978 71. Kate Blacklock 2001 72. Polly Blank 1951, 1952, 1954 73. Gina Bobrowski 1997 74. Paul Bogatay 1947, 1949, 1965 75. Thom Bohnert 1978 76. Margaret Boozer 2003 77. Sorcha Boru 1979 78. Richard Bosard 1966 79. Lilian Boschen 1951, 1952 80. Joe Bova 1980 81. Frank Boyden 1983 82. Michael Boylen 1973 83. Bill H. Boysen 1967 84. Robert Brady 1975, 2000, 2004 85. Wayne Branum 1981 86. Bruce Breckenridge 1971 87. Karen Breschi 1973 88. Cynthia Bringle 1966 89. Barbara Brooks 1954 90. William Brouillard 1991 91. B ert Brown 1948 92. B etsy Brown 1948 93. Charles Brown 1969 94. Oscar Bucher 1962 95. Jean Buckley 1959 96. James Budde 1992 97. B eniamino Bufano 1979 98. Gene Bunker 1962 99. Marjorie Burgeson 1952 100. Richard Burkett 2020 101. Mark Burns 2000 102. Clyde E. Burt 1957 103. John Burton 1957 104. Everette Busbee 1988

105. Larry Bush 1991 106. Moira Butler 1965 107. Kathy Butterly 1991, 2001, 2004 108. J. Anthony Buzzelli 1959 109. Kathryn Byers 1952 110. Erni Cabat 1954, 1965 111. Rose Cabat 1954, 1965 112. Edwin A. Cadogan 1951, 1952, 1954 113. Todd Campbell 1963 114. Lynn Canterbury 1967 115. Virgil Cantini 1961, 1962 116. Jerry L. Caplan 1977 117. J. Sheldon Carey 1960 118. Elaine Carhartt 1997 119. Nancy Carmen 1976 120. Syd Carpenter 2000 121. Jean Carr 1952 122. Robert Carr 1952 123. Roy R. Cartwright 1966 124. Virginia Cartwright 1981, 1984 125. John Caruthers 1952 126. Eve Nathanson Cary 1948 127. Doug Casebeer 1987 128. Andrew Castro 2016 129. James Caswell 1982 130. Marek Cecula 1998, 2001, 2007 131. Aurore Chabot 1986 132. Pattie Chalmers 2011 133. Scott Chamberlin 1985 134. B eth Changstrom 1982, 1984, 2004 135. Robert Charland 1992 136. Judy Chartrand 2023 137. Chatterton 1974 138. Nicole Cherubini 2015 139. Dale Chihuly 1968 140. MyungJin Choi/Dani Leventhal 2008 141. Fong Chow 1957 142. Katherine Choy 1957, 1979 143. Karl J. Christiansen 1965 144. Linda Christianson 1996 145. Ann Cristenson 1980 146. Mel Clark 1978 147. Barry Coffin 1997 148. Harriet Goodwin Cohen 1965 149. Michael S. Cohen 1963 150. Abraham Cohn 1957 151. Frances S. Cohn 1952 152. Fern Cole 1960 153. Thomas Lane Coleman 1973 154. Thom Collins 1974, 2004 155. Mae Conner 1962 156. Hans Coper 1974 157. James Coquia, 2004 158. Kathleen Corcoran 1984 159. Philip G. Cornelius 1967, 1974, 1984, 1989, 2004, 2019 160. Judy Cornell 1976 161. Raul Angulo Coronel 1957, 1960 162. Roger Corsaw 1961

163. Charles Counts 1967, 1969

164. D.F. Counts 1966

165. Kris Cox 1984, 1989, 2004, 2014

166. Patrick Crabb 1986

167. David Crane 1980 168. Tim Crane 1982 169. William Creitz 1967 170. Dave Cressey 1957, 1959, 1969 171. Edward Cromey 1961

172. James Crumrine 1957 173. Anne Currier 1978 174. Lee Curtis 1989 175. Val Cushing 1962, 2004 176. Bryan Czibesz 2016 177. Fernanda D’Agostino 1990 178. William P. Daley 1964 179. Meredith Dalglish 1984 180. Wouter Dam 1999 181. Kathy Dambach 1981 182. Roger Darricarrere 1959 183. Sharbani Das Gupta 2022 184. Jennifer Datchuck 2018 185. Adam Davis 2014 186. Bill Davis 1978 187. Robin B. Davis 1975 188. Steve Davis 1989 189. Christopher Davis-Benavides 1990 190. Robert Dawson 2007 191. Russell Day 1959 192. Frieda Dean 2013 193. Rupert Deese 1952, 1954, 1957, 1959, 2004 194. John deFazio 1999, 2001 195. Dora Delarios 1966, 1969 196. Roseline Delisle 1996 197. Harris Deller 1987, 2000 198. Angela de Mott, 2004 199. B enjamin DeMott 2010 200. Kaye Denning 1962 201. Eugene Deutch 1951 202. Jugo De Vegetales 1980 203. Robert Devers 2003 204. Richard Devore 1969, 2004 205. Josh DeWeese 1996, 2004 206. Hilda Dial 1952 207. Kim Dickey 1999

208. Kenneth Dierck 1969 209. B etty Dike 1952, 1957

210. Phil Dike 1952, 1957

211. Rick Dillingham 1973, 1989

212. Dominic L. Dimare 1966

213. Robert Dittmer 1959, 1961 214. B ob Dixon 1977

215. Dan Doak 1984

216. Eddie Dominguez 1985, 2003

217. Amy Donaldson 1957

218. David R. Dontigny 1967 219. Pauly D’orlando 1963

220. C. Fritz Dreisbach 1967, 1968

221. Karl Drerup 1947, 1949, 1951, 1957

222. Paul A. Dresang 1977 223. Harold Driscoll 1979 224. Ruth Duckworth 1965 225. B ernice S. Duhl 1963 226. Gary Dutton 1977 227. Jack Earl 1987 228. Joel Edwards 1957, 1962 229. Stanley Edwards 1988 230. Redd Ekks 1976 231. David Eldred 1959 232. Duval Eliot 1963 233. Pat Elliott 1952 234. Larry E. Elsner 1964 235. Gary Erickson 1987 236. Christina Erives 2018 237. Cary Esser 1982, 2003 238. Mildred Estey 1948 239. Richard R. Fairbanks 1957 240. John D. Fassbinder 1959, 1963, 1984, 2004 241. Bill Farrell 1973 242. Aline Favre 1984, 2004 243. Christine Federighi 1985, 2000 244. Lazlo Fekete 1998 245. Charlene Felos 1972, 1977, 2004, 2019 246. Patricia Ferber 1991 247. Kenneth R. Ferguson 1960 248. Ellie Fernald 1972, 1974 249. Tom Ferreira 1959, 1969 250. B etty Feves 1957, 1959, 1969 251. Douglas Fey 1981 252. Angela Fina 1978 253. Jim Finnegan 1972 254. B ean Finnerran 2002 255. Mary Fischer 1981 256. Sally Jane Fletcher 1967 257. Stan Flinkman 1997 258. Ron Fondaw 1993 259. B etty Davenport Ford 1948, 1951, 1952, 1954, 1957 260. Jane Ford 1976 261. Robert Forman 1978 262. Jim Foster 1971, 1974 263. S. Carl Fracassini 1957 264. Dextra Frankel 1962 265. Viola Frey, 2019 266. Nancy Fried 1992 267. Magdelena Frimkess 1974, 2004 268. Michael Frimkess 1957, 1962, 1969, 1974, 2004, 2019 269. Donald E. Frith 1952, 1963 270. Robert C. Fritz 1964, 1968 271. Keiko Fukazawa 1988, 2004, 2023 272. Ester Fuller 1954 273. Michitada Funaki 1974 274. David Furman 1972, 2004, 2014 275. Dennis Gallagher 2002 276. Lauren Gallaspy 2016 277. Oona Gardner 2016 278. Angelo Garzio 1959, 1969 279. Christy Gast 2009

280. Michael Geersten 2006

281. Daniel J. Gehan 1964

282. B eth Lindsey Gellar 1994

283. Gabor Gergo 1966

284. Henry K. Gernhart 1966

285. Richard Gerrish 1982, 1984

286. Clara Gettle 1952

287. George E. Geyer 1967 288. Blaine Gibson 1952, 1954, 1957 289. Bill Gilbert 1989, 1993, 2004 290. David Gilhooly 1967 291. Andrea Gill 1976 292. Brian Gillis 2016 293. Fabienne Gioria, 2004 294. Lukman Glasgow 1985 295. John P. Glick 1964, 2004 296. Shannon Goff 2007 297. Allen Goldstein 1963 298. Crispin Gonzalez 1974, 2004 299. Arthur Gonzalez 1998 300. Carol Marchand Gouthro 1992 301. Melinda Grant 1978 302. Valborg Gravander 1952 303. Nicki Green 2022 304. Phyllis Green 1981, 1998, 2014 305. Mette Maya Gregersen 2023 306. Cameron Gregg, 1994 307. Jean Griffith 1963, 1974, 2004 308. Thomas Griffith 1952 309. Gerit Grimm 2011 310. Raymond Grimm 1961 311. Glenn Grishkoff, 2004

312. Erik Gronborg 1967, 1972 313. Michael Gross 1990 314. Lauren Grossman 1988 315. Maurice Grossman 1964 316. Maija Grotell 1949, 1951, 1957, 1969 317. Trude Guermonprez 1966 318. Eve Gulick 1952 319. Chris Gustin 1987

320. Babs Haenen 2006

321. Julia Haft-Candell 2016, 2022 322. Henry Halem 1973 323. Doris Hall 1951, 1957 324. Shoji Hamada 1949, 1974 325. Frank O. Hamilton 1957 326. Jessica Hans 2015 327. Marc Hansen 1952 328. Teruo Hara 1960, 1963 329. John Harding 1952, 1954, 1957 330. John Harmon 1980 331. Robert W. Harrison 1992 332. Del Harrow 2016 333. Dale Hartley 1981 334. David Hatch 1952 335. Lyn Haxton 1983 336. Dick Hay 1968 337. Joanne Hayakawa 1985, 2000 338. Jane Heald 1952, 1954

339. Edith Kiertzner Heath 1979 340. Claire Heddon 2010 341. Mary Heilman 1983 342. Steven Heinemann 2006 343. Otto Heino 1954, 1957, 1959, 1969, 1979, 2004 344. Vivika Heino 1954, 1957, 1959, 1969, 1979 345. Tony Hepburn 1983, 2000 346. Ken Hendry 1975, 1984 347. Alexandra Hibbitt 2013 348. David Hicks 2005 349. Catherine Hiersoux 1988, 2004 350. Wayne Higby 1971, 1974, 2004, 2014 351. Frances Higgens 1957 352. Michael Higgens 1957 353. Eva Hild 2006 354. Charles A. Hindes 1975 355. Norm Hines 1965, 2004 356. Anne Hirondelle 1987, 2004 357. Richard Hirsch 1980, 2004, 2013, 2019 358. Ngaire W. Hixon 1963 359. Tom Hoadley 1982 360. Curtis C. Hoard 1971 361. Jolyon G. Hofsted 1966 362. Inez Holaday 1975 363. Keith W. Hollingsworth 1966 364. Priscillia Hollingsworth 2013 365. Joel Holmes 1975 366. Martin Holt 1968 367. Jack Hopkins 1959, 1961 368. John W. Hopkins 1975 369. David G. Hopper 1968 370. Claude Horan 1951, 1964 371. Ayumi Horie & Sara Varon 2011 372. Jim Horii 1957 373. Steve Horn 1974, 2004 374. Anna Sew Hoy 2022 375. Dirk Hubers 1961 376. Robert Hudson 2006 377. Margie Hughto 1981 378. Ka-Kwong Hui 1957, 1959, 1967, 1969 379. Paul Huliberg 1961 380. Douglas Humble, 2004, 2014 381. William Hunt 1987 382. Abby Huntoon 1990 383. Julie Hurd 1962 384. Glenn R. Husted 1993, 2004 385. Rebecca Hutchinson 2020 386. Jayne Huxmann 1952 387. Flaven E. Hyland 1965 388. J. L. Hysong 1963 389. Yoshiro Ikeda 1982 390. Arthur Imber 1954 391. Shugen Inouye 1966 392. Sadashi Inuzuka/Thomas Bray 2008 393. Kent F. Ipsen 1967, 1971 394. David Irvine 1960 395. Kahlil Robert Irving 2022 396. Tam Irving 1975 397. Jeff Irwin 2009, 2020

398. Marge Israel 1961

399. Sergei Isupov 1998, 2004

400. Anthony Ivins 1952, 1954, 1957, 1959

401. Joyce Jablonski 1986, 1991

402. John H. Jacobs 1975, 1989

403. Sarah Jaeger 1988, 2004 404. Amanda Jaffe 2003 405. Janice Jakielski 2011 406. Manuel Jalanavich 1979 407. George James 1952 408. Robert C. James 1957, 1964 409. Doug Jeck 1999 410. John Jessiman 1971 411. Margaret Jipp 1951 412. Henry Joe 1973

413. Carla Rae Johnson 1980 414. Sargent Johnson 1979 415. Shirley E. Johnson 1975 416. Sandra Johnstone 1980, 1984 417. Cecil Jones 1979 418. Michael Jones 1978 419. Hella Jongerius 2007 420. Andrea Joseph 1977 421. Anabel Juarez 2022 422. Nina Jun 2005 423. Nancy Jurs 1976 424. Yashie Kadoi 1960 425. Stephen Kafer 1980 426. Sheldon Kaganoff 1984, 1989 427. Wilhelm Kåge 1949 428. B en Kajitani 1981 429. Stephen J. Kaltenbach 1965

430. Jun Kaneko 1966, 1974, 1984, 1989, 2004, 2015, 2019

431. Toyo Kaneshige 1974 432. Satoshi Kano 1960 433. Steven Karatzas 1975 434. Elena Karina 1983 435. Karen Karnes 1961, 1969, 2004, 2019 436. John C. Karrasch 1965 437. B en Katz 1984 438. David Katz 2022 439. Tauno Kauppi 1964 440. Kanjiro Kawai 1949, 1974

441. Tadashi Kawai 1960 442. Kouzo Kawashima 1960

443. Steven Kemenyffy 1971, 1977 444. Susan Kemenyffy 1977 445. Diane Kempler 1993

446. B ernard J. Kester 1952, 1954, 1957, 1960

447. Sahar Khoury 2022 448. Ernie Kim 1959, 1969

449. Yoonchung Park Kim 2002

450. George N. Kimura 1966

451. Albert King 1948, 1951, 1954, 1957, 1959, 1969, 1979

452. Louisa King 1951, 1954, 1957, 1959, 1969 453. Michael King 1978 454. Bri Kinnard 2013

455. Robert Kinzie 1959 456. Suzy Klotz-Reilly 1972, 1974, 1984 457. Karen Koblitz 1986, 2004, 2014 458. Raymond Koechlin 1952 459. Joyce Kohl 1980, 1993, 2004 460. Ryoji Koie 1970, 1974, 1994, 2004, 2019 461. George Kokis 1964 462. Cindy Kolodziejski 1996, 2004, 2014 463. Kathy Koop 1990, 2004 464. Vivian Sauber Koos 1961 465. Howard Kottler 1963, 2010 466. Paul Kotula 2007 467. Merrill Krabill, 2004 468. Charles Krafft 1999, 2009 469. Linda Kramer 1984 470. Anne Kraus 1998 471. Joseph Krause 1952, 1954 472. Patsy Krebs 1984 473. William Kremer 1977 474. Rose Krevit 1962 475. Nik Krevitsky 1959, 1960 476. Sana Krusoe 1989 477. Peter Kuentzel 1984, 1989, 2004 478. Junekichi Kumakura 1960 479. Roger Kuntz 1961, 1974 480. Yih-Wen Kuo 2002 481. Jay Kvapil 1985 482. Eva Kwong 1996 483. B ernard Kypridakis 1963 484. Dominick Labino 1965, 1968 485. Richard C. Lafean 1964 486. Charles Lakofsky 1951, 1957, 1959, 1969 487. Doyle Lane 1957 488. Geert Lap 2007 489. Annette Laporte 1962 490. Nancy E. Larkin 1990 491. J.P. Larocque 1998 492. William Lau 1967 493. Brother Bruno Laverdiere 1967 494. Doug Lawrie 1965, 1984, 2004 495. Gina Lawson-Egan 2004 496. Connie Layne 2004 497. B ernard Leach 1949 498. Richard B. Leach 1964, 1974 499. Catherine Lee 2023 500. Hwa-Jin Lee 2005 501. Jennifer Lee, 2019 502. Steven Young Lee 2018 503. Mathew Leeds 1972, 2004, 2019 504. Jim Leedy 1966, 2004 505. Sheri Leigh 2004 506. Dora LeLarious 1966 507. Jacques Lenoble 1949 508. Christine LePage 1982 509. Alan Lerner 1986 510. Marc Leuthold 2003 511. Brook Le Van 1993 512. Janet Lever 1989 513. Marilyn Levine, 2019

514. Robin Levy 1994

515. Diane Lewy 1978

516. Hongwei Li 2010

517. David Liebendorfer 1991

518. Luke Lietzke 1960

519. Roland Lietzke 1960 520. Ingrid Lilligren 1993, 2004 521. Henry Lin 1961 522. Richard M. Lincoln 1963 523. Mary Lindheim 1948, 1952, 1954 524. Marvin B. Lipofsky 1965, 1968, 2004

525. Ken D. Little 1975 526. Harvey K. Littleton 1957, 1965, 1968 527. B eth Lo 2023

528. Richard C. Lolcama 1964 529. William Lombardo 1972 530. Charles Long 2008 531. Wayne Long 1948, 1969 532. Martha Longnecker 1948, 1952, 1954, 1957 533. Linda Lopez 2015 534. Rhoda Le Blanc Lopez 1964, 1969 535. Marg Loring 1979 536. James A. Lorio 1975 537. Steve Loucks 1991 538. James Lovera 1962, 1969, 1979 539. Richard M. Loving 1964 540. Fred Lucero 1968 541. Michael Lucero 1982 542. Roberto Lugo 2018 543. Glen Lukens 1947, 1952, 1969, 1979 544. Tyra Lundgren 1949 545. B oyce Lundstrom 1971 546. Nathan Lynch 2022 547. Kate MacDowell 2020 548. Alix Mackenzie 1959, 1969 549. Warren Mackenzie 1959, 1969 550. Elizabeth Madley 1952, 1954 551. Katrien Maenhaut 1989 552. B everly Magennis 1974, 1975, 1984, 1989, 2004 553. Sam Maloof 1952 554. Dorathee G. Manbeck 1963 555. Robert Mangrum 1984 556. Kirk Mangus 1983, 2004

557. William Manker 1945, 1947, 1948, 1949, 1969, 1979, 2004, 2014

558. Joseph Mannino 1985 559. Rebecca Manson 2013 560. Louis Marak 1987 561. Donald March 1962 562. Fred Marcus 1967 563. Ella Marggraf 1957 564. Graham Marks 1977 565. Tony Marsh 1996, 2004, 2014 566. Richard Marquis 1967, 1968, 1971, 2004 567. Jerry Martin 1964, 2004 568. Cristina Martinez 1989 569. Maria Martinez 2010 570. Karl Martz 1969 571. Vaea Marx 1967, 1974

572. John Mason 1957, 1959, 1960, 1969, 1974, 1992, 2004, *2012, 2019 573. Rex Mason 1951, 1954 574. Janet Massad 2004 575. Karen Massaro 1976, 1984 576. Jennifer Masterson 1973, 1974 577. Patriciu Mateescu 1982 578. B erry Matthews 1984 579. Kazuko K. Matthews 1983, 1984, 2004 580. B everly Mayeri 1999 581. B eryl McCarthy 1979 582. Viqui McCaslin 1994 583. Malcolm McClain 1957, 1959, 1974, 2004 584. Mark McCloud 1983 585. Matthew McConnell 2011 586. Walter McConnell 1993, 2010 587. Mike McCollum 1987 588. John Toby McCuistion 1974 589. Mary Ellen McDermott 1960 590. John McDowell 1952, 1954 591. Edward McFetridge 1960 592. Tom R. McGlauchlin 1963 593. Fox Joy McGrew 1983, 1984 594. Christine McHorse 1989, 2006 595. Harrison McIntosh 1952, 1954, 1957, 1959, 1966, 1969, 1979, 1984, 2004, 2019 596. Charles McKee 1961 597. James McKinnell 1959 598. Nan McKinnell 1959 599. Ruth McKinley 1964 600. Jonathon McMillian 2013 601. Tom McMillin 1962 602. John Toby McQuistion 1974 603. Harue O. McVay 1966 604. Leza S. McVey 1951, 1957 605. Armand Mednick 1964 606. Joseph Meert 1959 607. Dan Mehlman 1981 608. Alan R. Meisel 1965 609. James Melchert 1962, 1969, 1974, 2004, (with Dr. Francois Conti), 2008, 2019 610. Salvatore Meli 1966, 1974, 2019 611. Peter Meloy 1966, 1974 612. Louis Mendez 1961 613. Fred Meyer 1964 614. Ron Meyers 1991 615. Suzan Bercu Meyers 1978 616. David Middlebrook 1971, 2004 617. Brad Miller 1978, 2002 618. Chris Miller 2010 619. John Paul Miller 1961 620. Rachel Miller 1968, 1974 621. Richard Millet 1999 622. Robert Milnes 1980, 1984, 2004 623. David P. Miner 1990 624. Carolyn Smith Mitchell 1957 625. Ryosaku Miwa 1970, 1974 626. Lindley Mixon 1959 627. Rikichi Miyanaga 1970, 1974

628. Keisuke Mizuno 1998

629. Mineo Mizuno 1972, 1974, 2019

630. Solange Alain Moberg 1984

631. Jeffrey Mongrain 2013

632. Margaret Montgomery 1952, 1954

633. James A. Moore 1964 634. Richard Moquin 1967 635. Mike Moran 1988 636. Cr ystal Morey 2020 637. Peter Morgan 2011 638. Kristen Morgin 2005 639. Hiroaki Morino 1968 640. James Morris 1991 641. Art Morrison 1976 642. Mike Mosely 1976, 2004

643. Charles F. Mosgo 1951 644. Neil Moss 1981, 2004 645. Ohtake Motosuke 1983 646. Rodney Mott 2004

647. Joyce Moty 1971

648. Marian Moule 1955, 1958, 1960 649. Mike Mullen 1963 650. Thomas Müller 2011, 2023 651. John Satre Murphy 1968 652. Abigail Murray & Steven Mankouche 2007 653. William Staite Murray 1974, 2019 654. Sana Musasama 1989

655. Dion G. Myers 1965

656. Harold Myers, Jr. 1959, 1962

657. Joel Philip Myers 1965, 1968

658. Patrick J. Myers 1968 659. Robert E. Naess 1968

660. Nobohu (Nobi) Nagasawa 2014 661. Setsuko Nagasawa 1984, 2004 662. Ron Nagle 1974, 2004, 2019 663. Kimpei Nakamura 1970, 1974, 1984 664. John Natale 1975

665. Gertrude Natzler 1945, 1947, 1948, 1949, 1951, 1952, 1954, 1957, 1969, 1979

666. Otto Natzler 1945, 1947, 1948, 1949, 1951, 1952, 1954, 1957, 1969, 1979

667. Minne Negoro 1951

668. Arthur Nelson 1980 669. Glenn Nelson 1962

670. Elena Netherby 1948, 1954, 1959, 1969, 1979

671. Ronna Neuenschwander 1988

672. Janet Neuwalder 1991

673. Win Ng 1959, 1960, 1969

674. Donna L. Nicholas 1971,1984, 1989

675. B ob Nichols 1976

676. Kevin Nierman 2002, 2004

677. Leon I. Nigrosh 1977

678. Zora Norris 1968

679. Eric Norstad 1957, 1969

680. Richard Notkin 2000

681. William O’Bryan 1981

682. Ruby O’Burke 1979

683. M. Elizabeth Higgins O’Connor 1998

684. Adolf Odorfer 1947, 1949, 1951, 1952, 1979

685. Jeff Oestrich 2017 686. Kevin O’Farrel 1972 687. Brent Oglesbee 1992 688. Motosuke Ohtake 1983 689. Frederick L. Olsen 1988, 2004 690. Ingevardt Olsen 1979 691. Charles Olson 1977 692. Ed O’Reilly 1985 693. Thomas Orr 2004 694. Edward Oshier 1961, 1963 695. Jane Oshier 1961 696. Lewis Ott 1963 697. Joel Otterson 2001 698. B en W. Owen 1964 699. Frank Ozereko 1983 700. Hal Painter 1952 701. Vince Palacios 2005 702. IO Palmer 2009 703. Gene Palusky 1987 704. Earl Pardon 1961, 1962 705. Kyungmin Park 2018 706. B en Parks 2004 707. Dennis Parks 1984, 1989, 2004 708. Alice Parrott 1966 709. William D. Parry 1965 710. Nancy Patterson 1954 711. Vernon Patrick 1972 712. Mike Payne 1974 713. Joan Jockwig Pearson 1951, 1952, 1954 714. Melissa Pearson 1977 715. Michael Peed 1972 716. Jane Peiser 1975 717. Zemer Peled 2018 718. Denise Pelletier 1995 719. Gustavo Perez 2006 720. Dorothy Perkins 1961, 1962 721. Lyle Perkins 1962 722. Anne Perrigo 1982 723. Sam Perry 1992 724. Brian Persha 1973 725. Timothy Persons 1984 726. Susan H. Peterson 1952, 1957, 1963, 1969 727. Alice Petterson 1948, 1949, 1952, 1954 728. Richard Petterson 1948, 1949, 1951, 1952, 1954, 1979, 1984, 2014 729. Tom Phardel 1982 730. Mark Pharis 1987 731. Jack L. Pharo 1963 732. Mary W. Phillips 1952 733. Dorothy Piercy 1952 734. Conway Pierson 1961 735. Elyse Pignolet 2023 736. Polia Pillin 1951, 1952, 1954 737. Edward Pincus 1976 738. Anne Scott Plummer 1984, 1988, 1989, 2004 739. John Polikowsky 1954 740. Lugian Pompili 1973 741. Marie-Ann Poniatowska 1952 742. Henry Varnum Poor 1947, 1949, 1959, 1969

743. Helen Pope 1952

744. Rick Pope 1980

745. Steven Portigal 2014

746. Richard Posner 1975

747. Thomas Potter 1971

748. Bret Price 1981

749. Kenneth Price 1957, 1960, 1969, 1974, *2012, 2019

750. Margaret Price 1979

751. Antonio Prieto 1948, 1949, 1952, 1954, 1959, 1969, 1974, 1979, 2019

752. Eunice Prieto 1948, 1949, 1952, 1954

753. Gayle Prunhuber 1984

754. Joseph A. Pugliese 1963

755. Myrton Purkiss 1945, 1947, 1948, 1949, 1951, 1952, 1954, 1979

756. Cai Guo Qiang 1995

757. Elizabeth F. Quackenbush 1987

758. Jeanne Quinn/Amanda Marchand 2008

759. Elsa Rady 1985, 2004

760. Takahashi Rakusai IV 1974, 2019

761. Robert W. Ramsey 1963

762. Theodore Randall 1961, 1969

763. Brian Ransom 1986, 2004

764. Max Read III 1972, 1974

765. Hildred Reents 1954

766. Barney M. Reid 1964

767. Anton Reijnders 2015

768. Lisa Reinertson 1990

769. Don L. Reitz 1964, 1984

770. Nicholas Rena 2006

771. Ōtagaki Rengetsu 2023

772. Merry Renk 1961

773. Ildiko Repasi 1995

774. Eileen Reynolds 1954, 1979

775. Steve Reynolds 1973, 1984, 2004

776. Daniel Rhodes 1951, 1957, 1959, 1969 777. Lillyan Rhodes 1957

778. Paula Jean Rice 1985

779. Mary Caroline Richards 1966

780. Mark Richardson 1991

781. Lucie Rie 1974

782. Harold Riegger 1949, 1951, 1952, 1954, 1957, 1962, 1969, 1979

783. Curtis Ripley 1975

784. Ruth Rippon 1954, 1969

785. Mary Kring Risley 1957

786. Lizzie Rix 1951

787. Jennifer Roberts 1984 788. Kate Roberts 2013 789. Sally Roberts 1978 790. Alexander Robertson 1979 791. Margarita Robinson 1952

792. Mary Roehm 2003

793. John Roloff 1977

794. James Romberg 1974, 1975, 1984, 1989, 2004

795. Diego Romero 2017

796. Janice Roosevelt 1960, 1965

797. Antonette Rosato 1984, 1993

798. Leslie Rosdol 1998

799. Annabeth Rosen 1989, 2001, 2004, with Jack Friel 2008, 2022 800. Stanley Rosen 1962 801. Allan Rosenbaum 1978 802. Terry Rosenberg 1983 803. Harriet E. Ross 1986 804. Katherine Ross 1995, 2009 805. Jerry Rothman 1957, 1961, 1969, 1974, 1984, 2004, 2019 806. Kent Rothman 2004 807. Janette Rothwoman 1974 808. Kathleen Royster 2002, 2004, 2014 809. Brie Ruais 2015 810. Eriks Rudans 1973 811. Dale Ruff 1984 812. Anders Ruhwald 2009 813. Jay R. Rummel 1963, 1974 814. Jean Russam 1957 815. Olin L. Russum 1951, 1957, 1960 816. Kathleen (Katie) Ryan 2015 817. Paul Sacaridiz 2016 818. Harvey Sadow Jr. 1981 819. Judith Salomon 1990 820. B en Sams 1967 821. Carl Sande 1965 822. Herbert Sanders 1949, 1961, 1969, 1979 823. J. Ormond Sanderson 1963 824. Red Weldon Sandlin 2017 825. Reinaldo Sanguino 2009 826. Porntip Sangvanich 1991, 2004, 2017 827. Tadayasu Sasayama 2019 828. Satoshi Sato 2019 829. L. F. Saucier 1975 830. Juta Savageder 1988 831. Maria-Artemis Sawyer 1978 832. Adrian Saxe 2000, 2004, 2014 833. Donald Schaumburg 1952, 1954, 1957 834. Edwin Scheier 1949, 1951, 1957, 1960, 1969, 1974 835. Mary Scheier 1949, 1951, 1957, 1960, 1969, 1974 836. Atzy Schiff 1961 837. Jeff Schlanger 1960, 1968 838. Catherine Schmid-Maybach 1997 839. Barbara Schmidt – KAHLA PORCELAIN 840. Jack A. Schmidt 1975 841. Tom Schmidt 2010 842. JoAnn Schnabel 2003 843. Margaret Schnaidt 1954 844. Adele Schonbrun 1982, 1984, 2004 845. Viktor Schreckengost 1947 846. Norman Schulman 1962 847. Herbert C. Schumacher 1964 848. June Schwarcz 1960 849. Virginia Scotchie 2003, 2014 850. David Scott 1952 851. Barbara Sebastian 1987 852. James Secrest 1961 853. Philip Secrest 1961 854. Margarete Seeler 1960 855. Timothy Segar 1976

856. Joseph Seigenthaler 1999

857. Nicole Seisler 2022

858. Kay Sekimachi 1966

859. Nancy Selvin 1982, 2000, 2004, 2014, 2023

860. Kayla Selyer 1961

861. Colleen Black Semelka/David Fernandez 2004

862. Frances Senska 1957, 1961

863. David G. Shaner 1961, 1963, 1974 864. Sandy Shannonhouse 1976 865. Richard Shaw 1967, 2000, 2004

866. Robert Shay 1972 867. Millard Sheets 1952 868. Ottsie Sheff 1961 869. Larry Shep 1961 870. George Sherman 1972

871. Debra Sherwood 1986 872. Michael Sherrill 2017 873. Masaaki Shibata 1970, 1973, 1974 874. Peter Shire 1983 875. Karen Shirley 1971 876. Adam Shiverdecker 2013 877. Ken B. Shores 1966, 1969 878. Sue Shrode 1951, 1952, 1953, 1954, 1955, 1956, 1957, 1958, 1959 879. Jim Shrosbree 2007

880. Donald J. Siegfried 1951 881. Patrick Siler 1967, 1974 882. Anna Silver 1985, 2017 883. B obby Silverman 1992 884. Susi Singer 1945, 1947, 1948, 1949, 1951, 1952, 1954 885. Amanda Small 2016 886. Anne Smith 1985 887. Caroline J. Smith 1951, 1952 888. Dennis Smith 1975 889. Tom Smith 1980 890. Cynthia Snyder 1981 891. Kit-Yin T. Snyder 1971 892. Vincent Soldacki 1981 893. Joe Soldate 1967, 1984, 1989, 2004 894. Paul Soldner 1957, 1961, 1965, 1967, 1969, 1974, 1984, 1989, 2010, 2014, 2019 895. Paolo Soleri 1961 896. Jessica Corn Solk 1973 897. Florine Sondergaard 1952 898. Linda Sormin 2022 899. Robert Sperry 1957, 1959, 1969, Estate of Robert Sperry 2002 900. Victor Spinski 2000, 2004, 2019 901. Tom Spleth 1972 902. Spring Street Potters: Aldrich, Cooper, Charles, Shapiro 1966 903. Faraday Sredl 1992 904. Leonard R. Stach 1965 905. Rudolf H. Staffel 1964, 1969 906. Kenneth Starbird 1963 907. Thurman Statom 1980 908. Ken Steeves 1972 909. James E. Stephenson,Jr. 1965 910. John H. Stephenson 1963, 1969

911. Susan G. Stephenson 1963 912. Richenda Stevick 1979 913. Albert Stewart 1952 914. Bill Stewart 1967 915. Cliff Stewart 1966 916. Lizbeth Stewart 1983,1987 917. Marion (Hoppe) Stewart 1952 918. Richard St. John 1971 919. Ann A. Stockton (see Voulkos) 920. Jon F. Stokesbary 1964, 1984 921. Cecil G. Strawn 1964 922. Dino Strona 1957 923. Robert Stull 1966 924. Dorothy Sturm 1961 925. Vincent Suez 1974, 1984, 2004, 2019 926. Karen Sullivan 2004 927. Hyun-Sook Suh 1972 928. Mara Superior 2017 929. Thomas A. Suomalainen 1975 930. Sanford J. Sussman 1973 931. Kazuye Suyematsu 1967, 1974 932. Goro Suzuki 1974, 2006 933. Osame Suzuki 1960 934. William W. Swallow 1949 935. Roger Sweet 1976 936. Roxanne Swentzel 2018 937. Ishiyama Syun 1970 938. Toshiko Takaezu 1957, 1960, 1966, 1969 939. Akio Takamori 1991, 2004 940. Henry Takemoto 1959, 1960, 1969, 2004, 2019 941. David G. Tammany 1963 942. Brendan Tang 2011 943. James L. Tanner 1988 944. Tim N. Taunton 1992 945. Wayne Taylor 1965 946. Byron Temple 1996 947. Ruenell Foy Temps 1975 948. Irv Tepper 1971, 2004 949. S. Terao 1960 950. Neil Tetkowski 1992 951. Andree Thompson 2002 952. Lennox Teirney 1948 953. Vivika Timeriasieff 1979 954. George Timock 1973 955. Maynard Tischler 1967 956. James Tisdale 2020 957. Barbara Tiso 1972 958. Katsumasa Toba 1960 959. David Tolerton 1979 960. Howard Tollefson 2006 961. W.A. Ehren Tool 2017 962. David Toresdahl 1968 963. Ed Traynor 1952, 1957, 1959, 1969 964. Marianne de Trey Haile 1949 965. Erich Triller 1949 966. Ingrid Triller 1949 967. James A. Tripp 1967 968. Joseph Trippetti 1957, 1959 969. Jack Troy 1985

970. Kanji Tsuji 1960

971. Robert C. Turner 1951, 1957, 1959, 1969, 2006

972. Tom Turner 1977 973. John Tuska 1962 974. Constance Tyderman 1952 975. Chris Unterseher 1967 976. Oppi Untracht 1962 977. Saara Untracht 1962 978. Andree Valley 1977 979. Mike Vatalaro 2003 980. Angela Verdon 2002 981. Nicholas Vergette 1963 982. Marcus Villagran 1962 983. Rimas VisGirda 1990, 2004 984. Triesch Voelker 1997 985. Ted Vogel 2020 986. Paul Volckening 1954, 1962 987. Dennis Voss 1982 988. Ann Adair Stockton Voulkos 1962, 1966, 2004 989. Peter Voulkos 1951, 1952, 1954, 1957, 1959, 1969, 1974, 1979, 2004, 2010, *2012, 2019 990. Jamie Walker 2002 991. Roy Walker 1954, 1979 992. Marta Walloff 1986 993. Linda Rosenus Walsh 1982, 1984, 2004 994. Allan Walter 1984 995. Billie Walters 1981 996. Carl Walters 1947, 1949 997. John P. Walters 1963 998. Patti Bauer Warashina 1965, 1968, 1969, 1974, 2004, 2020

999. Phillip A. Ward 1961

1000. Rosalind Ray Watkin 1952 1001. Helen Watson 1951, 1952, 1957, 1969, 1984 1002. James M. Wayne 1968 1003. Christopher Weaver 1986 1004. Matt Wedel 2011 1005. David Weinrik 1969 1006. Kurt Weiser 1982, 2004 1007. Steven J. Welch 1996 1008. Stan Welsh 1976, 1984, 2004, 2019, 2020 1009. Robert Wendell 1966 1010. Robert Westervelt 1957 1011. Raymond Wetzel 1982 1012. Irwin Whitaker 1957

1013. Richie White 1982, 1984, 2004 1014. Frans Wildenhain 1948, 1949, 1969

1015. Marguerite Wildenhain 1945, 1947, 1948, 1949, 1951, 1952, 1954, 1959, 1969, 1974, 1979, 2019

1016. Allen Wildenhofer 1966

1017. Gerry Williams 1986 1018. Liz Williams 1984

1019. Jeff Wilson 1989

1020. Mary A. Cale Wilson 2020

1021. Katherine Winckler 1957

1022. Jack L. Winsor 1979 1023. Paula Winokur 1963, 2004

1024. Robert M. Winokur 1963, 2004 1025. Edward Winter 1947, 1949, 1951

1026. Thelma Frazier Winter 1949 1027. Ted Wiprud 1978 1028. Jean Withey 1961 1029. Fred Wollschlager 1966 1030. Harriet Wolpin 1963 1031. Yoko Wong 1957 1032. Marie Woo 1965 1033. Grace Woolley 1952 1034. Ellamarie Wooley 1948, 1949, 1951, 1954 1035. Jackson Wooley 1948, 1949, 1951, 1954 1036. B eatrice Wood 1952, 1969, 1974, 2019 1037. Donald Wood 1951 1038. Betty Woodman 1964, 1967, 1974, 1984, 2004, 2010, 2015 1039. Julie Woodward 1984 1040. Elsbeth Woody 1991 1041. Ellamarie Woolley 1951, 1952 1042. Jackson Woolley 1951, 1952, 1960 1043. James Wozniak 1962 1044. Christie Wright 2007 1045. Janis Mars Wunderlich 1999 1046. William F. Wyman 1959, 1969 1047. Kazuo Yagi 1960, 1974 1048. Hikaru Yamada 1960 1049. Mutsuo Yanagihara 1974 1050. Brian Yancey 1984, 1988, 2004 1051. Yao Yongkang 2010 1052. Susan York 2002 1053. Ward Youry 1952, 1954, 1957, 1969 1054. Sun-Koo Yuh 2005 1055. Mark S. Zamantakis 1964 1056. Carlo Zaulli 2019 1057. Stephen Zawojski 1968 1058. Guozhen Zhou 2010 1059. Mike Zilka 1972 1060. Arnold Zimmerman 1983, 2001 1061. Georgette Zirbes 1975

*Clay’s Tectonic Shift: John Mason, Ken Price, Peter Voulkos 1956-68