jianfei Shen 2015 Architecture Portfolio (Selected works)

LIO

RT FO

PO en

iS h

Nfe

JIA

Inspiration

Challenge

Cropstop 2.0

1-18

Heart Of the Tree

19-34

KofC Charleston renovation

35-46

Rebirth museum

47-58

Linkage

59-72

Cropstop 2.0 A farm kitchen

Phase i

Design & Build Fall 2014 Entire semester Next to the Long Branch Baptist Church, Greenville, SC Fall 2014 Studio V awesome members + Associates Mill Village Farms, Greenville “Crop Stop” is a joint venture between Clemson University and the College of Charleston. It is a component of the South Carolina farm-to-school initiative, wherein schools invest in their local communities with their food dollars, allowing for locally čųŅƵĹ üŅŅÚ ŸƋƚýŸ ƋŅ ŸŞ±Ĺ ±ÏųŅŸŸ ƋĘå ±čųĜÏƚĬƋƚųå Ƌų±ÚåØ ±ĹÚ healthy habits to take root.

(CropStop) Our Mission is to design and construct the porch part of Crop Stop kitchen for Mill village farms at above location.

Http://cropstopkitchen.wix.com/cropstop2

Photography by Nick Irmen

Canopy

å ÚĜÚ ųåŸå±ųÏĘ ±ÆŅƚƋ ÚĜýåųåĹƋ ųåčĜŅĹŸ ±ÏųŅŸŸ the country, we divided to design a set of six ŞųŅŞŅŸ±ĬŸ üŅų ŸĜƻ ÚĜýåųåĹƋ ±ų屟ţ å ÚĜÚ ųåŸå±ųÏĘ on commercial kitchen and their appliances,foundations and structure, transportation and ÏŅĹŸƋųƚÏƋĜŅĹ ĵåƋĘŅÚŸţ )ŸŞåÏĜ±ĬĬƼØ Ƶå ƚĹĜĀåÚ ±ĬĬ the program modules and experimented the expandability of proposed kitchen based on ÚĜýåųåĹƋ ųåčĜŅĹ ÏŅĹÚĜƋĜŅĹŸţ

Bring in Kitchen module

Utility

Cooler

Open up side panels

Decking

Plug in adjacent units

Kitchen

Bathroom

Scale 3/32” = 1’-0”

3

Also can close down panel to create Semi-private outdoor space

Our project start from two people čųŅƚŞŸ ÚåŸĜčĹ ÏųŅŞŸƋŅŞ üŅų ÚĜýåųåĹƋ regions cross the nation, What we chose are based on our research, My teammate Trey Meyer and I created this proposal for Greenville area region design.

Cooler

Kitchen II

Utility

Cooler

Kitchen

Utility

Cooler

Kitchen

Bath

Diagrammatic Plans that show expandability of kitchen concept

Utility

Cooler

Kitchen I

Bath

eüƋåų ĀųŸƋ ŸĜƻ ųåčĜŅĹŸ ÚåŸĜčĹ ųåƴĜåƵØ Ƶå started to pull our proposals apart and tried to combine them to be two iterations for Greenville region. We pushed process through several key charrets.

Iteration 1

Iteration 2

5

eüƋåų ÏŅƚŞĬå ƵååĩŸ ÚåŸĜčĹţ å ĀűĬĬƼ ƱĩåÚ ŅƚƋ ± ŸåĵĜěĀűĬ ĜƋåų±ƋĜŅĹ Ņü cropstop 2.0. At this stage, all programming layout are settled but porch and roof still needed some further touch.

Final proposal elevation

Perspective view

6

We built up a full scale mock up for making ÚåÏĜŸĜŅĹ Ņü ĀűĬ ŸƋųƚÏƋƚųå üų±ĵåØ ÚåÏĩĜĹč components and construction methods. We practiced material cost and count , which helped ƚŸ ųåŸĜDŽå ƋĘå ÏŅĵŞŅĹåĹƋŸ ĵåĵÆåų ƋŅ ĀűĬĬƼ čåƋ ± ųå±ĬĬƼ åþÏĜåĹƋ ĵ±ƋåųĜ±Ĭ ƚŸĜĹč ĵåƋĘŅÚţ

We had a serious problem on decking when mocking up. First mistake ever in building up a real structure

Detail where decking frame meets column

After Mock up and meeting with structure åĹčĜĹååųØ Ƶå ϱĵå ƚŞ ƵĜƋĘ ĀűĬ ÚåŸĜčĹ package.

2x4 2X4 2x8 2X8 DiagonalBRACING BracingMEMBER Member DIAGONAL

CEILING 8’-0”

RAFTERS Rafters

Gutter GUTTER

KitchenSHELL Shell TO to BE be KITCHEN BUILT IN PHASE II

built in phase II

Kitchen Exhaust KITCHEN EXHAUST RAMP RampHAND HandRAIL Rail PORCH STAIRS Porch Stairs

FINISHED FLOOR

2x6 2X6 SITE Site SLOPE Slope Sonotubes, 12” 12” Diameter SONOTUBES, DIAMETER

Section

0

21.0’

8.0’

5.0’

12.0’

10’

15’

20’

26.0’

12.0’

4.0’

3.0’

9

Plan

Front Elevation

10

Since our site is 4 hours drive away from our shop. We decided to prefabricate most building components and transport them to site to assemble. In that case, we can spend least time on a remote site.

PURLINS 12' 1" 3'-42

1" 54

P

1" 3'-102

1" 12

1" 3'-102

1" 12

1" 3'-102

P

1" 12

P

1" 12

1" 12

16'

3" 4

12' 1" 3'-102

1" 3'-102

1" 3'-102

1" 3'-102

1" 3'-102

1" 3'-102

1" 12

P

1" 12

1" 12

1" 12

1" 12

1" 12

1" 12

1" 12

PURLINS 1'-713 16"

1"

R

1'-713 16"

1'-713 16"

1'-713 16"

1'-713 16"

1'-713 16"

1'-713 16"

13" 1'-716

RAFTERS

1"

3"

3" 2'-6" 1" 32

1" 32

1" 32

1" 32

1" 32

1" 32

1" 32

5°

PURLINS

2'-6"

1" 32

T

1" 32

STILTS

1'-25 8"

16'

GIRDERS RAFTER RAFTER

33 4"

3'-6"

4'

4'

4'

1" 24

1" 24

4'

4'

4'

GIRDERS

STILT

STILT

G

G 1" 3'-72

1" 3'-12

1" 42

1" 3'-72

GIRDER

12'

COLUMN

16'

GIRDER

12'

COLUMN

COLUMNS

LUMBER SIZE

NUMBER

M

2x8

6

m2

2x8

6

DRAWING

LUMBER SIZE

NUMBER

n1

2x8

7

n1-1

2x4

2

DRAWING 3'-1"

1" 32

1" 74

11'-7"

12'-03 8" 2x4

COMPONENTS CODE 1" 74

10'-10"

m1-1

BACK POSTS

TOP

BOTTOM COMPONENTS CODE

5° 12'-93 8"

1" 2'-72 1" 51" 81" 1'-52 2 2

1" 32

1

1" 81" 51" 81" 52 2 2 2

n1-2

2x4

10

n1-3

2x4

2

1" 2'-72

1" 32

1" 2'-72 6"

m2-1

2x4

5°

12 1" 52

1" 52

1" 52

1" 2'-62

8'-113 8"

3'

m1-2

2x4

6

1" 32

1" 82

1" 82

5°

m1-3

2x4

1" 2'-72

1

2x4

2x4

5° 1" 1" 52 1'-64

1

1'-73 4"

m1-6

2x4

1

m1-7

2x4

1

11

3" 8'-108

2

n3

2x8

1

n3-1

2x4

1

5°

1" 62 5°

n4

2x8

1

n4-1

2x4

2

5"

1" 2'-02

1'-7" 5°

1" 1'-62

1'-1" 8'-103 8"

1" 1'-02

5° 10'-103 8"

1" 62

1

2x4

3" 8'-108

1"61" 61" 52 2 2 73 4"

2x8

5°

1"61" 61" 52 4 2

1 8"

m1-5

1" 62 5°

1'-8"

m1-4

n2

n2-1

2'-1" 8'-103 8"

n5

2x8

1

n5-1

2x4

2

7"

5°

RAILING POSTS

df5

df5

df5 df5

rf3

df5

df5

rf3

rf3

rf4 rf3

df5

df5

df5

dd3

rf5

df5

1

rf4 df5

df5

NORTH SOUTH CAN FLIP

PANEL 5 COMPOSATION X6 SCALE: 1/2"=1'-0"

df5

df5 df13

rf1

JOIST HANGER (U26) df9 1'-1" BOTH ENDS (TYP.) 1'-1"

df5

df5

sf4

sf2

s1

3

1" 1'-102

sf7 sf6 sf6

lower

sf2

c1

cf3

1" 1'-102

1 1 1'-6" 12" 1'-102" cf2 cf3

cf3

df5

df5 df1

1 16"

1 8"

NORTH SOUTH CAN FLIP cf3

cf3

cf3

cf3 cf3

1" 1'-72

1 2"

cf1

sf1 sf8

POST B8

17 8"

sd1

1"

cd1

cd1-1

1"

1" 1'-102

dd3-1*

dd3

df11

df13

CORNER BRACE (USP AC5-TZ) CORNERS (TYP.) sf7

43 4"

1"

df10 1'-1"

df5

rf4

rf4

1"

df5 rf4

dd3 df5

rf4 rf2

df5

df5 rf4

rf4 dd3 df5

rf1

rf1

rf1

1"

NORTH

sd1-1

1"

1" 32

df7

df7 df3 1" 1'-102 sf5

sf2

s2

1" 1'-102

1" 1'-72 cf1

lower sf2 c2

sf3

cf3

cf3

1" 12

1" 1'-102

JOIST HANGER (U26) BOTH ENDS (TYP.)

1" 1'-72

cf3

cf3

cf3

df3 dd1-1

SOUTH

df1

CORNER BRACE (USP AC5-TZ) CORNERS (TYP.)

cf1

3

dd1

1'-1" 1'-1"

cf3 cf3

cf3

1" 1'-102

1"

POST B8

COUNTERS

1"

sd1

1"

3" 48

1 8"

1" 17 8"

df1 1" 92

1" cd1-1

cd1

1 16"

1'-1"

JOIST HANGER (U26) BOTH ENDS (TYP.)

4"

NORTH

dd2

df6 df3

dd2-1

df5 df3

POST B10

df8

df8

STAIRS

df3

RAMP

1'-1"

df5

1'-1"

df5

1" 32

df1

SOUTH

TIER 3

1"

1 16"

1 8"

NORTH 1" 32

df3 1'-1" JOIST HANGER (U26) df2 BOTH ENDS (TYP.)

dd1 df2

df3

1'-1"

SOUTH

df1

CORNER BRACE (USP AC5-TZ) CORNERS (TYP.)

TIER 2

1" 92 1'-1"

JOIST HANGER (U26) BOTH ENDS (TYP.)

TIER 1

dd1

df3

df1 df6

dd1-1*

1" 1 16"

1 8"

NORTH df3

df5

1"

df3

df4

dd2

df4 1" 32

dd1

df3 1'-1"

df5 1"

df3 1'-1"

df5 df1

SOUTH

1 16"

1 8"

12

13

After prefabricated most the wood components in Charleston shop, we brought everything and tools to our site four hours drive away in Greenville

Two weeks before construction Foundation work

Sculpture garden and small auditorium

15

Fruit

Day 1 Middle Posts

Fruit

Day 1 Sandwich Posts

Day 2 Decking support left out Sandwich posts and beams Fix decking frame and touch up paint on frame

Day 3 Part of Decking Frame and Ramp Frame rafters and purlins Diagnose bracings Stain Decking boards

17

Day 4 Tier 3 Decking boards Roof cover

3 Weeks after Day 4 (4 people group) Tier 1 and 2 decking boards Counter top

Second and Third days All Decking Boards Stairs and Hand rails

Hand rail metal part prefabricated before arrive

ŅƚÏĘ ƚŞ Ş±ĜĹƋ Āƻ

Heart Of Trees A Haiku House

II Pour down from the sky I ramble in the circle of light Dancing with the trees beside

III

II

i

I White pale but disordered When I pond shadow with light Lost in mist of delight

Residential Fall 2013 6 weeks schmetic design + 4 weeks revise Schmetic design site is douthit hills One person project The entire project had three phase First one was on site schmetic design Second was delocation prefabrication design ĘĜųÚ ŅĹå ĜŸ ĀűĬĬĜDŽĜĹč ųåƴĜŸåÚ ƴåųŸĜŅĹ During this project, used a lot digital free hand drawing/painting technique

Phase I iI III

Everything started from this spot, where i took this sketch. That was a sunny afternoon. I was wondering around the site. Suddenly, I saw this little pocket of open space was hidden in the middle of three big trees from far away. They formed a “skylight” with their canopies. Light poured down on the ground. Those spot light were jumping and dancing around, looked like they were alive. I felt a strong shocking wave of happiness and warm in my heart. Then something came to my mind. ” I want to build a house where i can feel this way“

21

Then i started to study the tree canopies and the open sky they form on this site.

Some really perfect spots showed by yellow. Reds are narrow and long opening. light yellow area was large openings.

kĹ ƋĘå ųĜčĘƋ ĜŸ ĵƼ ĀųŸƋ ŸĩåƋÏĘ üųŅĵ ƋĘĜŸ ŸĜƋå visit. Sketch shows my thoughts: The plan layout following the logic of tree branches surround middle trunk.

Living room has linear oppening to let light in to give a feeling of forests light.

On the top of all, Central skylight imitates the void created by three trees that I saw.

22

First iteration Plan Sketch

23

layers of roof panels are like leaves Water colllection

Tree logic columns Indicate Special atmosphere

Bedroom om Dinning ro Kitchen

oom Bedr room Bath

Spiral up indoor circulation wrapping around central core

Bedroom

Opennable living room wall panels that bring in light breath.

Bedroom

om Dinning ro Kitchen

Bedroom

om Living ro room Bath

Tree trunk, the most emotional space inside this house is represented as a central skylight.

Section 2

Section 1

24

Section 1

Section 2

25

Haiku Imaginary Sketch

Quick digital rendering 26

i Phase II III 27

The second phase, studio was asked to delocation from previous site. And by using prefabrication, our house should be able to duplicate.

I decided to condense circulation and let other rooms be regular box and surround central skylight.

Perspective section 28

The most challenging part of Şųåü±ÆųĜϱƋĜŅĹ ĜŸ ƋŅ ĀĹÚ ± ĵåƋĘŅÚ that can keep the previous version of tree canopy concept but also easy to be able to duplicated. To keep all the tree structure members as same as possible. I explored this triangular structure patten.

29

Kitchen & Dinn inning ing Room

II

i

Bathroom I

Phase III

Bedroom II

Living Room om

Bedroom I

31

Bathroom II B

West Greenrooff

Mai ain n Eastt Greenr n oof off

Priivate Living P vin Area

Phase e three e iss to revise the entire project pro projec ectt in i a higher h gher location. It was to hi analyse what is necessory and how to make mak a e concept stronger. At this stage, the tructure developed before took too much space and attention. So I went back to the one simple concept from m the the beginning, beginn ning, feeling Which is the feeli el ng on thatt site site down that day. How the h light lig ght goes d own to active e the e entire entire house.

32

Front Elevation

East Elevation

South Section

West elevation

Re:Formation Knights of columnbus Charleston cou rennovation design explore group 4

Historical building survey, Rennovation Design Sprin 2014 8 weeks (3 weeks building survey) 143 Calhoun Street, Charleston, SC Jianfei Shen (Architecture) + Rachel Powell (Landscape) Building survey contribute by Entire Studio Knights of Columbus Charleston Council Knights of Columbus Charleston building has been used by the Catholic fraternal organization since 1907. Knights consider the upgrade of their facility so that they can open up more opportunity for commercial use to increase revenue, which will contribute to charity.

uncil building

Our project Started from a deep and detail building survey. We created as-build drawing from scratch, which is existing building. By on site measuring and drafting, we learned a lot information from survey before we move into design phase. My contribution is building elevitions survey and draft.

Existing East Exterior Elevation

Existing Ground Floor Plan

37

Existing Front Exterior Elevation

Existing Firs

Existing Back Exterior Elevation

Existing West Exterior Elevation 0’ 5’

st Floor Plan

Existing 2nd Floor Plan

0’

5’

10’

10’

20’

20’

38

N

John C. Calhoun Statue

Marine Square

Property line

Calhoun St

KoFC building

King st

39

The most tricky things that this site has is that existing building almost have already taken most area of property. On both east and west side facades, windows shut down due to the issue that against building code., which was caused by new buildings were built right next to it. The west facade is only Āƴå üååƋ away from property line. Currently ʱŸ åƻƋåųűĬ Āųå ŸƋ±ĜųŸ ųƚĹĹĜĹč ĜĹ ƋʱƋ Ÿĵ±ĬĬ space.

kƚų ĀųŸƋ ĜĹƋåĹƋĜŅĹ Ņü ƋĘĜŸ ŸĜƋå Ƶ±Ÿ ƋĘå ŸĜčĹĜĀϱĹƋ ĜĵޱÏƋ ƋʱƋ ĵ±ųĜĹå Ÿŧƚ±ųå gaves.

We thought we should make a green connection between building and the ŧƚ±ųåţ a±ƼÆå ĀĹÚ ± Ƶ±Ƽ ƋŅ ÏŅĹƋ±ĜĹ green inside building.

kƚų ĀųŸƋ ĜƋåų±ƋĜŅĹ Ƶ±Ÿ ƋŅ Ïųå±Ƌå ĜĹÚŅŅų green. But was not ideal. So we pushed our idea to use external green space to impact indoor.

By open up part of west facade, we made a chance to allow outdoor scene get into building. But due to code limitation, we decided to use a wall full of plants to block opening between properties and also create new scene for inside building

40

nature light hard to reach bottom

eųƋĜĀÏĜ±Ĭ ĬĜčĘƋŸ Pedestrian

We want to respect historical architecture elements, We kept original front facade of building which is the symbol of Knights of Columbus. At the same ƋĜĵåØ Ƶå ƋųĜåÚ ƋŅ ÏʱĹĬĬåĹčå ƋĘå Āƴå üååƋ ŸŞ±ÏåØ Ƶå decide to creat a new entrance on the west facade to change circulation condition as well as Egress and ADA

By creating a welcome set back of green wall, and ŸŅĵå ±ųƋĜĀÏĜ±Ĭ ĬĜčĘƋŸ ŅĹ ƋĘå Ƶ±ĬĬØ å Ƶåųå ±ÆĬå ƋŅ Ïųå±Ƌå ± ÚĜýåųåĹƋ åƻŞåųĜåĹÏå ĜĹ Āƴå üååƋţ

Egress 2

ADA +Egress 1

But how to actually creat a space in this such tight dimention? We chiseled in to building at ground āŅŅų ±ĹÚ ŸåÏŅĹÚ āŅŅųţ ĘåŸå ƋƵŅ ŸŞ±Ïå ±ųå ĜĹ opposite angle to make two circulation (grand stairs + egress path) able to bypass each other

41

Green Wall Path to grand stairs

Path of egress Egress

Egress ADA elevator

Basement Plan

Rental Retail Space Bathroom

Green Wall Grand Stairs Egress

landing

ADA elevator Balcony

Egress Grand Stairs Egress hallway

First Floor Plan

åĹƋ±Ĭ kþÏå Ş±Ïå åĹƋ±Ĭ kþÏå Ş±Ïå

Green Wall

Egress

Path to Egress

Grand Stairs

Stairs

Ball room Storage

Private Gathering space

Second Floor Plan

0’

43

5’

10’

20’

40’

Ball room

View form above Grand stairs 44

Light box layout in the wall, to light up alley and also c reate ± ÚĜýåųåĹƋ ±ƋĵŅŸŞĘåųå

Rebirth museum

Cultural Spring 2013 8 weeks schmetic design 131 10th Ave next to Highline One person project

Highline level visual open through.

Circulation spiral up around surface e

Core in the middel programs prog surround it

49

12

Started design from iterations of building massing models. This is the second building project I ever had in my life. Just started to sense a bit of space and the ųåĬ±ƋĜŅĹŸĘĜŞ Ņü ÚĜýåųåĹƋ ÆƚĜĬÚĜĹč Ş±ųƋŸţ

The concept is to extend highline circulation, bring it into museum. The circulation all the way spiral up, which creats various experience for both gallery and musuem circulation

50

51

ĘåŸå ƋƵŅ ŸåÏƋĜŅĹŸ ±ųå ĵƼ ŸĩåƋÏĘåŸ üŅų ƋĘå ĀųŸƋ ƴåųŸĜŅĹ Ņü this museum design. The building has two cores and a middel atrim. With ramp all the way around, gallery space is bond together both horizontally and vertically. the ramp create a outside-gallery circulation, and at the same time it also provides a inside-gallery circulation.

Experimental 3d printing practice. The early version of two chunk of building.

52

After weeks of development, I combined two cores into one, and two parts of building together as well. The reason for doing that was to keep gallery space not too many fragments. and centralize core to maxmium the area that could be used for galleries.

53

Ground Floor (Below Highline)

55

Floor 1 (Highline Level) Water scene and sculpture gardern

Floor 2

Floor 3

Floor 4

Floor 5 Sculpture gardern and small auditiorium

Floor 6

Floor 7

Roof Top

56

In that ramping up space, art can still take place. It is the space that can be used for sculpture and installations.

LINKAGE Lee St Re-form

Charleston Peninsula Figure ground

Urban design Spring 2014 6 weeks project Lee St Neighborhood, Charleston Jianfei Shen Mary Tran Yuanyuan Zhao Tianlun Yang The Neighborhood around Lee St was once separated by John P. Grace Memorial Bridge ramp. But after new cooper river bridge built, old bridges were demolished. It left a scar at this area of city. The land is still empty. In this project, our mission was to mend and re-active neighborhood.

59

N

{ųŅŞŅŸåÚ ŸĜƋå Āčƚųå čųŅƚĹÚ

60

City structure is all kinds of components ƋʱƋ ʱƴå ÚĜýåųåĹƋ üƚĹÏƋĜŅĹŸ ±ĹÚ characters within a city.

Site is part of largest residential area, neighborhood are widely spread. But site itself is empty.

Site is really close to city core, where main activities in the city happen. But condition now is that site abandoned and no activities at all, wasted land.

Our proposal has to respond to the existing urban environment and city structure

kƚų ŞųŅŞŅŸ±Ĭ ʱŸ ƋŅ ĀĹÚ ± Ƶ±Ƽ ƋŅ ĵåĹÚ ƋĘĜŸ ŸĜčĹĜĀϱĹƋ ŸÏ±ų

Our proposal has to re-active this area and hopeful plug area back into city core.

RESPONSE

61

MEND

RE-ACTIVE

Site is three directions surrounded by highway/bridge structures. Visually and physically isolated from the rest part of peninsula

Upper east side of peninsula doesn't have any main street to connect from east to west.

Charleston is full of water front and green open space. They formed a network around Charleston. There is one on our site originally

Our proposal has to adopt the condition and be creative. Try to design a new Ĭ±Ĺčƚ±čå ÚĜýåųåĹƋ üųŅĵ ŅƋĘåų ޱųƋ Ņü peninsula

kƚų ŞųŅŞŅŸ±Ĭ ʱŸ ƋŅ ĀĬĬ ƋĘå ÆĬ±Ĺĩ Ņü ĵ±ĜĹ st. Try to build up a corridor that link the core to east side water front.

Our proposal has to take advantage of green public space network. Make a new contribution to it by creating another Charleston open public space.

NEW LANGUAGE

CORRIDOR

OPEN SPACE

62

Parti sketch shows the simple solution is to create new space in between too neighborhood edges.

63

After bridge removed, the empty space created a void between the two neighborhoods. The Void itself become an invisible barrier. The huge area of land has no activity.

To start with, we focused on neighborhood edges that are on both sides of the “scar”. There might be still some relationship between two edges even they have already been separated for years.

Then we decided to develop new edges to form a new void. Instead ÆĬĜĹÚĬƼ ĀĬĬ ĜĹ ĘŅƚŸåŸ ±Ÿ ƋĘå ųåŸƋ ޱųƋ Ņü neighborhood, we kept most part of site still green public open space. We intended to celebrate the past of this land.

64

Extract logic language

Apply to building mass

The question is what principle should drive us through the entire design.

We started from observing the original open space around site. If our goal is to create a new open space that can activate the entire area, then this new open space should draw all the open activity and space to one.

65

GB

DR2 Flood Zone AE DR-2F

GB

Consider zoning +FEMA limitation

N

New language

Follow existing Language

New language

Follow existing language 66

New Hard edge

Corridor

Lifted UP First Floor Open

Commercial Commercial

67

Parking Structure West

Mixed Use

FĹĀĬĬ BŅƚŸĜĹč

Publ

New Soft f Edge (Trees)

ic Pool

YWCA

Baseball Basketball sk Tennis Fieldss

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Parking Structure East

Commercial

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Jianfei Shen Building Massing + 1st Floor Detail plan Mary Tran Building Massing + Parking + Public Open Space Yuanyuan Zhao Landscape + Public Open Space Central Plaza Tianlun Yang N

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On Nassau St looking south toward Nassau St Lee St intersection

Aeriel View towards site from Meeting St

From Meeting St looking towards East Bay St

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