Sommelier’s Choice

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SOMMELIER’S

CHOICE

ACROSS THOUSANDS OF YEARS AND HUNDREDS OF CULTURES, WINEMAKING HAS ALWAYS BEEN AN ART FORM IN SEARCH OF THE SUBLIME. THIS DREAM CELLAR OF EMERGING VINTAGES – HANDPICKED BY 15 GLOBAL SOMMELIERS – SHOWS OFF THE BEST OF 21ST-CENTURY VITICULTURE. BY JEFFREY T IVERSON Illustrations by H A N N A H

GEORGE

T

he Ritz Paris has hosted innumerable galas in its history, but doubtless the most consequential of recent times came in 2016 when the hotel reopened after a four-year, multimillion-euro renovation. For this legendary institution, it was a chance to unveil to the crème of high society all the ways it had redefined luxury once again. Everything was to breathe elegant modernity – the rooms, the spa – even the champagne. Or so intended Ritz’s chief sommelier at the time, Estelle Touzet. “The Ritz clientele has always been very attached to tradition, and used to being served wines from France’s biggest, most illustrious champagne houses,” she says. “But for the reopening, I decided to serve a champagne that was completely unknown to the general public – a blanc de blancs by a 31-year-old, first-generation vigneron named Etienne Calsac.” Why? Because for Touzet, Calsac – a self-made, haute-couture winemaker who cut his teeth in New World wineries from Canada to New Zealand before beginning to produce champagne on a tiny, organically farmed estate in Avize – represents the future of French wine. And nowadays, divining that future is the crux of her profession.

Being a sommelier in 2021, says Touzet, means making sense of a wine world in movement. “Vignerons of my parents’ generation made wine like their fathers did, and didn’t leave their region. Whereas those of my generation now seek training abroad – in Germany, Australia – to learn how winemakers in other countries are adapting today, and to acquire new techniques they can bring back and apply to their terroirs and their grape varieties.” While Old World winemakers are seeking inspiration abroad and bringing home fresh ideas and innovations, New World winemakers continue to experiment with novel techniques, styles and vineyard locations. “The profession of sommelier has never been more interesting than in recent years,” says Italy’s Enrico Bernardo, 2004 Best Sommelier of the World, “and it’s because of the evolutions taking place all around the world now, with new estates, new appellations and new generations of winemakers.” Which is why, for this year’s Compendium, Centurion magazine invited leading sommeliers from all across the planet to paint us a portrait of this evolving world, with each sharing a remarkable bottle from one young, emerging estate that points to the future of wine.

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