Jayne Goodman Portfolio 2020-2021

JAYNE GOODMAN FALL 2020-FALL 2021

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04 | The Sectional Space

TABLE OF CONTENTS

08 | The Descriptive Space 12 | Design of Residence 16 | The Architectural Object 20 | Circles of Community

JAYNE GOODMAN

04-10-2002 jayneg10@tamu.edu 210-303-8499 Bachelor of Environmental Design

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THE

SECTIONAL

S PAC E First Year Project Fall 2020 - Hawkins Softwares: Sketchup, Rhino, Keyshot, Adobe Illustrator, Adobe Photoshop Jayne G | 04

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Oblique View

Section Cut

This project explores the opportunities found within the spaces created by collisions. The in between spaces guide the flow of movement as it reflects the position of the primary, secondary and tertiary blocks.

Understanding how to adapt a space to become an environment that encourages exploration and diversity is very important to the discipline of architecture. Undefined paths formed by nooks and crannies provide an opportunity to delve into the discussion of solid/void or positive/negative space and its impact on design in theory as well as practice.

Rendered top view

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Top view

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THE

DESCRIPTIVE

S PAC E

First Year Project Fall 2020 - Hawkins Softwares: Sketchup, Adobe Illustrator, Adobe Photoshop Jayne G | 08

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Section Cut Oblique View

Physical Model

Floor Plan

Section Cut

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Choose a word that interests you and then create a space that evokes the same meaning/feeling of the word: the instructions for this project. The word chosen was ethereal, meaning extremely delicate and light in a way that seems to perfect for this world.The development of the project then began with these three self-imposed constraints: 1.) The space should be personal as etherealness is defined differently by everyone. 2.) It needed to diffuse the light as a soft quality fits the ethereal aesthetic. 3.) The entrance to the space itself must feel like you are stepping into a new world or experience. The space overall evokes a sense of individuality and privacy that allows the observer to decide how he/she feels within the meadow of openness amongst the forest of columns.

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DESIGN OF

RESIDENCE

First Year Project Spring 2021 - Hawkins Softwares: Sketchup, Adobe Illustrator, Adobe Photoshop, Procreate Jayne G | 012

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Section Cut

For this project, we had to design a residence for a specific type of client. I chose a classical musician whose house would be positioned in front of a small river.

The inspiration came from “The Swan” by Camille Saint-Saëns. Just as classical music has rules, the building needed structure and rules to guide the concept which was developed to be the harmony between lines and curves. The golden ratio was used as it helped create proportionate spaces in plan and section but also helped define public and private space. The house distinguishes these two spaces by a curve that runs through the exterior and interior of the space. This one curve, guided by a grid system, is crucial to the organisation of the house.

Just like classical music cannot sound beautiful without the unseen rules, the house’s defining curve depends upon its linear elements to guide it.

First Floor

Concept Diagram

Second Floor

Third Floor

Section Cut Jayne G | 014

Private/Public Diagram Jayne G | 015

THE

ARCHITECTURAL

OBJECT

Second Year Project Fall 2021 - Lutz Softwares: Rhino, Adobe Illustrator, Adobe Photoshop, Vray Jayne G | 016

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Physical Model

Elevations

Object Oblique

Section Cut

Section Cut

This project focuses on the idea of prospect and refuge which is achieved through the deliberately carved out space that provides a sense of safety and darkness while having access to views and light. The texture, inspired by Van Gogh, plays with the idea of frontality and leading lines that guide you from the prospect to the refuge.

Exterior Unroll

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Interior Unroll

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CIRCLES

OF

COMMUNITY

Second Year Project Fall 2021 - Lutz Softwares: Rhino, Adobe Illustrator, Adobe Photoshop Made with Ekaansh Kalra and Mallory Jordan Jayne G | 020

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Go yne a J |

Front Elevation | Jayne Goodman

The youth cultural community center transgresses the Third Ward community through urban connections, circulation, and individualism. The site is located in the Third Ward of Houston, next to the Project Row Houses.

existent in the shotgun houses. These dynamic relationships are represented throughout the site (art studio, music studio, welcome center, and pavilion) in order to create balance and unity within the buildings.

Each of the caricatures incorporates both curved and rectilinear forms in order to create a complex relationship between the buildings. By transgressing the elements of a shotgun house, we were able to repurpose them in a unique way that relates to the overall community. The subtractions in the forms recall the exterior to interior transition spaces (the porch) already

The six circles are fixated on axes in a grid formation. Each hedge lines up with either an element from the surrounding site or a datum of the building within their circle, and a corner on each building was snapped to a corner on its corresponding hedge.

The second layer of circles is a result of offsetting the inner circles and snapping them to the hedge/building

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points. The final layer of the circle packing is the result of all of the circles being offset uniformly, and connected with streets and paths of the overall site. These layers of offsets and circles are meant to define key elements of the site in a way that encourages movement, without forcing paths.

The circulation created by the circle packing allows for a fluid and intuitive flow of circulation. The open space acts as an outdoor corridor that connects the “rooms” each building represents. This exterior circulation supports and encourages the idea of community by giving the users the freedom to decide where to walk, congregate, and find seclusion.

Influenced by the microcosmic individualism seen throughout the House Apart by Jimenez Lai, each building has its own distinct character.

This relationship mirrors the diverse nature of housing in the Third Ward.

The juxtaposing relationship between the curves, linear elements, solids, and voids, creates a complex transition between extroverted and introverted spaces. Some spaces throughout the site encourage interaction, while other spaces are more private. These spaces are further defined by the use of hedges in creating security and privatization.

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Site Oblique | Ekaansh Kalra

Form Generation | Jayne Goodman

Section Cut | Mallory Jordan

Worms Eye | Ekaansh Kalra Jayne G | 024

Physical Model Jayne G | 025

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