Flying High: Big Band Canaries Who Soared

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LANDING IN CITIES AROUND THE COUNTRY LANDING IN CITIES AROUND THE COUNTRY

2025-2026 2025-2026

The Story

Billie Holiday, Anita O’Day, Lena Horne, Peggy Lee, Jo Stafford, Rosemary Clooney, Ella Fitzgerald, and others... They started their careers as “canaries” young women singing with the greatest big bands on the scene in the 1930s-1950s.

But these women were birds of a feather in more ways than one. They also went on to develop their own sounds and styles and build solo careers.

Now Jazz at the Ballroom shares the music of these trailblazing women-- working with today’s most talented jazz vocalists in a revue of the music made famous by jazz canaries once they spread their wings.

What’s Been Said

Winner of “Favorite Memorable International Jazz Performance” in 2024 JazzBuffalo Poll

“There were too many lovely moments to count”

Broadway World (Rebecca Kaplan)

“ … it’s impossible to be bored by Fulton’s singing.”

NY’s NiteLife Exchange

“...audiences can feel like as if they are taking part in something timeless, one-of-a-kind, and memorable”

Voice Magazine (Jesse Caverly)

From recent audiences:

“It was absolutely terrific! Such talented women… What a treat. Not to be missed so special!”

“Please, please, please bring back Champian Fulton and that great show! All the singers were marvelous!”

About the album:

If an anthology of really hip girl singers is to your taste, look no farther…this recording is a serious pleasure…A tribute to canaries is long overdue. And this one is excellent. And sexy too.

All About Jazz (Richard Salvucci)

“Any library that supports jazz pedagogy should jump at the chance to acquire this wonderful album”

CD HotList (Rick Anderson)

“Each "canary" captures the spirit of that genre...Champian's art shows through on the whole program.”

— WDCB Radio, Chicago

The Music

We choose 10-12 songs from our song list for each show, depending on the line-up of musicians.

All of Me

LISTEN HERE

He's Funny That Way

The One I Love (Belongs to Somebody Else)

Tea for Two

Travelin' Light

Sweet Georgia Brown

On the Sunny Side of the Street

Fine and Mellow

Lullaby of the Leaves

Exactly Like You

Is That All There Is?

Why Don't You Do Right

I Don't Know Enough About You

A Tisket a Tasket

Mad About the Boy

What a Difference a Day Made

You Belong to Me

I Don't Want to Set the World on Fire

I Only Have Eyes for You

Social Call

Secret Love

Sentimental Journey

The Artists

The performance include 5-6 musicians from this line-up.

Exact artists depend on city and performance date.

Champian Fulton

Music Director and Lead Piano/Vocals

Gretje Angell - Vocals

Elizabeth Bougerol - Vocals

Carmen Bradford - Vocals

Olivia Chindamo - Vocals

Alex Frank - Bass

Mike Gurrola - Bass

Lezlie Harrison - Vocals

Willie Jones III - Drums

Neal Miner - Bass

Jane Monheit - Vocals

Ekep Nkwelle - Vocals

Nicholas Payton - Trumpet

Vanessa Perea- Vocals

Charles Ruggiero - Drums

Dylan Shamat - Bass

Buster Williams - Bass

Champian Fulton

Music Director and Lead Piano/Vocals

With 14 albums to her credit, CHAMPIAN FULTON is considered one of the most gifted pure jazz musicians of her generation, being called “an assured vocalist with a galvanizing presence,” by The New Yorker and “a charming young steward of the mainstream jazz tradition” by the New York Times. She has performed with musical royalty such as Lou Donaldson, Frank Wess, Scott Hamilton, Buster Williams, and Louis Hayes. (Her first paid musical engagement was with her own band at Clark Terry’s 75th Birthday Party; she was 10 years old) Champian is a Yamaha and Birdland Artist.

Suzanne Waldowski

Jazz at the Ballroom - Executive Director

Jazz at the Ballroom - Executive Director

In 2014, after moving to the original Bing Crosby estate in Northern California, SUZANNE WALDOWSKI began inviting musicians to play in the empty ballroom. The concerts grew in frequency and attendance and, before long, the concept of Jazz at the Ballroom was born. Suzanne turned the ballroom into a listening room, put a grand piano in the bay window alcove and set up cabaret-style seating for the 100+ guests. By becoming a nonprofit in 2017, Suzanne formalized JATB's mission: to share classic jazz and the American Songbook with others, bring people together, and build a love of music in future generations.

Beyond

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