Jared Murzello Undergrad Architecture Portfolio

Page 1

PORTFOLIO

SELECTED WORKS | 2019-2024

JARED MURZELLO CONTACT

28/01/2002

MUMBAI, INDIA

jaredmurzello@gmail.com

+91 9619409443

jaredmurzello.28

B.ARCH

EDUCATION

Rizvi College of Architecture (2019-2024)

HIGHER SECONDARY

Dr. Antonio da Silva Technical Jr. College (2017-2019)

SECONDARY SCHOOL

Our Lady of Salvation High School (2005-2017)

ABOUT ME

I’m a graduate architect who believes that architecture is about people and communities and that the built environment should foster relations among people living within and around the structure. I strive to balance architecture with my love of music and draw inspiration for one from the other.

I am a person who is meticulous and who eagerly approaches every challenge in life with determination. I consider myself a curious person who is always willing to learn and open to criticism.

SOFTWARE

2

COMPETETIONS & CONFERENCES

2019 : Reubens Trophy - NASA

2020 : APIC- International conference on architecture and people

2020 : Annual NASA Design Competition

2021 : RYLA Design Competition -

Rotary Club of Thane North-west

2021 : MASA Competition

2021 : Annual NASA Design Competition

2021 : M.S.Landscape Trophy

2022 : Annual NASA Design Competition

2023 : TARASH Inter College Design Competition -

Dr. Baliram Hiray College of Architecture

2024 : APIC- International conference on architecture and people

2024 : The Urban Insert Competition - Archmello

LANGUAGES

English Hindi Marathi

QUALITIES

Responsible, Co-operative, Trustworthy, Good listener, Hard-working, Teamwork

SKILLS & HOBBIES

Sketching, Playing the piano, Singing, Cricket, Football, Photography, Travelling, Gardening, Cycling.

“We all change, when you think about it, we’re all different people all thorugh our lives, and that’s okay, that’s good, you’ve got to keep moving, so long as you remember all the people that you used to be.”

3
TRAVEL
- Doctor Who
4
GURUKUL Sem 4 Pg 12
DISSERTATION Sem 10 Pg 6 FIELD EXPERIENCE Internship Pg 16 01 03 02
INDEX
DESIGN
5 LIVING 4650X6400 GUEST BEDROOM 4740X4185 +750MM C1 W1 C1 W1 S1 4185 UP UP UP F1 S1 C1 W1 C1 W1 C1 W1 S1 F1 S1 C2 W3 F2 S1 F2 S1 C1 W C1 W1 F3 +750MM SERVANT ROOM 3000X4185 +750MM GUEST BEDROOM 4740X4185 +750MM KITCHEN 3940X4000 LIVING 4785X6400 +550MM ENTRY PORCH 3920X2300 +750MM STORAGE 4000X1435 POWDER 2140X1200 1800 1525 6400 W1 W2 D2 W1 W3 W4 W3 W3 W3 7 8 9 10 12 Y' 13 +2250 MM C4 C5 C6 C7 C29 C30 C31 C32 C23 C24 C25 C13 C22 C14 C10 C11 C18 C17 SR. NO NAME LOCATION DESCRIPTION 1 W1 ALL ROOMS EXCEPT TOILET AND KITCHEN 2 W2 KITCHEN 3 W3 TOILET FLOOR SCHEDULE SR. NO NAME LOCATION 1 F1 ALL ROOMS EXCEPT TOILET AND TERRACE 2 F2 TOILET 3 F3 TERRACE SKIRTING SCHEDULE SR.NO NAME LOCATION 1 S1 ALL ROOMS EXCEPT TOILET AND TERRACE 2 S2 TOILET 3 F3 TERRACE CEILING SCHEDULE SR. NO NAME LOCATION 1 C1 ALL ROOMS EXCEPT TOILET 2 C2 TOILET TOILET 1850X1900 4660 2745 4560 26670 DOOR SCHEDULE SR. NO DOOR SIZE 1 D1 1200X 2100 2 D2 900 2100 3 D3 800 2100 4 D4 750 2100 26670 WINDOW SCHEDULE SR. NO WINDOW SIZE LINTEL HEIGHT 1 W1 2400 1850 2100 2 W2 1800 X 1200 2100 900 THREE TRACK, ALUMINIUM FRAME SLIDING WINDOW WITH 6 MM THK CLEAR GLASS 3 W3 600 X 900 2100 1200 LOUVERED WINDOW WITH 6 MM THK FROSTED GLASS 4 W4 1500 X 2000 2100 100 ALUMINIUM FRAME FIXED WINDOW WITH 6 MM THK CLEAR GLASS 5 W5 1200 X 1200 2100 900 TWO TRACK ALUMINIUM FRAME SLIDING WINDOW WITH 6 MM THK CLEAR GLASS COVERED PARKING 3000X6000 2160 800 2180 4185 900 3000 1400 3940 1030 1435 1415 1800 1525 3170 900 2505 1650 6400 550 1500 550 200 2710 600 1430 900 4660 1200 440 1700 2745 4170 3930 3820 4560 230 900 2710 2100 1570 2605 4185 15500 115 110 4935 1500 2835 115 4190 110 115 15500 1025 920 1200 880 3000 4185 4560 D3 D3 W5 W5 W5 W5 +750MM +750MM +750MM +750MM +750MM TREAD=300MM +550MM +600MM 22 RISERS TREAD=300MM RISER=150MM TREADS RISERS C36 C34 TREADS C1 W2 F1 S1 C2 W3 D2 D2 D4 W5 W2 W2 TREAD=300MM 8 9 10 Y' 11 D1 7 12 13 11 +550MM X A B D C E F X' G H I 1480 1200 2775 765 1200 2885 765 2280 4890 115 110 3005 4150 4890 110 955 230 500 450 230 3490 3820 4560 450 450 26670 4890 115 110 3005 4150 4890 110 955 900 320 1245 26670 230 450 255 450 2285 TILE DROP 1145 230 RIZVI COLLEGE OF ARCHITECTURE YEAR: 3RD YEAR EXAM SEAT No.: 5226 ROLL NO.: 1924 NAME: JARED MURZELLO 3. DATA'S ARE ASSUMED WHEREVER REQUIRED.
DOCUMENTATION
24
Sem 6 Pg
WORKING DRAWINGS
22 COMPETITIONS Pg 28 MISCELLANEOUS Pg 30 04 05 07 06
Sem 6 Pg

DESIGN DISSERTATION | SEM 10

REBUILDING RELATIONS

Abstract

Urbanisation has long been a catalyst for growth in cities. As the city of Mumbai develops, its heritage -both tangible and intangible- has been unable to keep up with the ever-changing urban landscape. Indigenous communities of Mumbai are some who are the most affected by urbanisation and risk losing their sense of place and identity in the city.

The East Indians are such a community in Mumbai. Over the years, East Indian gaothans have battled urbanisation through reclamation, redevelopment and gentrification. Today redevelopment still poses a risk to the cultural and architectural heritage of the gaothans. Development in the gaothans often does not account for the historical or existing site context, resulting in high-rise structures standing out among the cottages. Further, these high rises put a strain on existing resources in the area and lead to a slow gentrification of the area.

These gaothans speak of a sense of community and are a breath of fresh air in the concrete jungle that is Mumbai today. While development is necessary, there is a need to retain and encourage aspects of the community’s cultural and architectural heritage.

HYPOTHESIS

6
01
FOOD FESTIVALS RELIGION CULTURE LANGUAGE MUSIC HISTORY SPACE FORM SCALE ARCHITECTURE ELEMENTS COLOUR CLIMATE
INTRODUCTION RELATION BETWEEN ARCHITECTURE AND CULTURE IMPACT OF URBANISATION MODERNISATION + TRADITION / CULTURE SOCIO-ECONOMIC BOOST PRIDE IN UNIQUE IDENTITY PROMOTING HERITAGE AND CREATING AWARENESS

HISTORY AND EVOLUTION OF EAST INDIAN COMMUNITY

native population to Roman Catholicism.

Marriage of King Charles II and Catherine of Braganza. The 7 islands are handed over to the British as dowry

East Indian title adopted to differentiate between Bombay Catholics and Goan Catholics

Bombay East Indian Association founded

East Indian lands acquired for construction of Santacruz Airport

East Indian lands acquired for construction of Kalina campus of Mumbai University

East Indians awarded OBC status

Around 3,50,000 East Indians reside in nearly 80 gaothans

Gaothans and Koliwadas are present along the coastal or marshland areas.

Local communities fish in shallow waters or carry out farming and salt making.

Land filling in the marshlands results in a loss of biodiversity and affects the livelihoods of the community, forcing them to change occupations.

REDEVELOPMENT

Due to land reclamation, koliwadas that once bordered the coast are now pushed inland, forcing the community to move into deep-sea fishing.

The gaothans and koliwadas are surrounded by urban sprawls. Land acquisition projects have seized farming and orchard lands from the community.

Future development projects threaten villages along the west coast

7
1939 1972 2006 2023
First settlements of Koli and Agri people Vasco da Gama reaches India Portuguese capture 7 islands of Mumbai. Mass conversions of the
1887 1661 1535 1498 600 BC
Queen Victoria Golden Jubilee Bottle Masala (Credit: Jude Alburquerque Christmas sweets (Credit: Fleur D’souza) Umbracha Pani (Credit: Charmaine Henriques) East Indian brass band (Credit: mid-day) Aagera (Credit: Our Lady of Salvation church) Christmas in the gaothan (Credit: Nirmala Rego)

BUILT FABRIC

External staircases and otla provide a space to rest and talk. Shaded areas provide relief from the sun. Sometimes one can hear people playing a musical instrument from the street

SITE SELECTION

ENTRANCE PORCH

Ressting space

Space to dry spices

BUILT CHARACTER

EXTERNAL STAIRCASE

Interaction space

Resting space

INTERACTIONS DUE TO BUILT CONTEXT

COMMERCIAL OUTLET

Visual connect Interaction space

NODES

Verandas/balconies allow a visual connect to the street and residents chat with passers by from these spaces. This is possible due to narrow road widths and low rise bungalows.

COMPOUND WALL

Sense of isolation

No visual access

LANDMARKS

Porches create a space for relaxation and allow a visual connect to the street. These spaces transform into outdoor kitchens and spaces to dry spices for bottle masala

8 BUNGALOW TYPOLOGIES
STUDY OF EXISTING GAOTHAN- WARODA RD, CHAPEL RD, RANWAR VILLAGE, BANDRA
(W)
Site images Satellite image (Source: Google Earth) Site Location
SAHAR VILLAGE, BAMANWADA

Adjusting the angle of the roof or overhang to allow sunlight in winter but block harsh sunlight in summer

MODULE DESIGN

Semi-open spaces (balconies and corridors) reduce the amount of direct sunlight entering the living spaces

FORM DEVELOPMENT

OVERALL SITE VIEW

Orienting housing units so that areas used during the daytime face away from direct sunlight and are cooler.

ITERATION 1 ITERATION 5

2

3

Adjusting the distance between housing units so that one unit helps shade the adjacent units.

6

EXPLODED AXONOMETRIC VIEW OF

9
EVS STRATEGIES
CONCRETE BLOCKS
JALI BLOCKS WPC LOUVERED SCREEN TINTED POLYCARBONATE SHEETS VITRIFIED COOL ROOF TILES LIME PLASTER
HOLLOW
TERRACOTTA
BASE
UNIT
ITERATION
ITERATION
ITERATION
ITERATION
7 ITERATION 4
10 +3.45M +0.45M +/-0.0M VILLAGE CROSS COMMUNITY GARDEN COURTYARD OPEN GYM STEPS

3RD FLOOR PLAN

11
INDEX 1. COMMON PASSAGES 2. COURTYARD 3. OPEN TO SKY TERRACES 2 1 1 1 3 3 3 3 3 3 3 3 3 3 1 1 1 1 +9.45M +9.45M +9.45M +9.45M ROOF PLAN +9.45M +9.45M +9.45M A A’ B B’
INDEX 1. OPEN TO SKY TERRACE 2. COMMON PASSAGES 3. GAMES ROOM 4. MUSIC ROOM 5. COURTYARD 5 1 1 2 2 2 2 2 2 2 2 4 3 INDEX 1. COMMON PASSAGES 2. COURTYARD 2 1 1 1 1 1 1 1 1 +6.45M +6.45M +6.45M 2ND
BEDROOM BALCONY BALCONY PORCH PORCH LIVING ROOM COMMERCIAL OUTLETS CORRIDOR ACCESS ROAD KITCHEN KITCHEN SECTION AT B-B’ PERSPECTIVE SECTION THROUGH COURTYARD VIEWS
1ST FLOOR PLAN
FLOOR PLAN
View of village cross area View of common corridors View of corridor leading to terrace View of walking path and landscaping

ARCHITECTURE DESIGN | SEM 4

GURUKUL DESIGN JAWHAR, PALGHAR

In tribal settlements where the population is below the poverty line, one of the biggest concerns and challenges is education. Hamlets established in such regions resort to agrarian and animal rearing practices as a means for sustenance. The practices of everyday living in such contexts stem from acts that enable rural ecosystems. Such conditions often prove conducive for vocational methods of teaching rather than formal learning mechanisms.

Children play a large role in the daily cycles of such hamlets and this is where holistic, skill-based education can prove to be highly beneficial. The brief called for the design of a gurukul as well as community spaces to allow for a holistic growth of the children and their community as well.

SITE PHOTOS

SPACES FOR INTERACTION

STEPS TREES PORCH

SITE LOCATION

12
02
CONCEPT

SITE SECTIONS

SITE MODEL

13 INDEX 1. ADMIN AND HELP CENTER 2. GIFT SHOP 3. VISITORS ACCOMMODATION 4. TEACHERS ACCOMMODATION 5. STUDENTS ACCOMMODATION 6. KITCHEN AND DINING AREA 7. COMMON STUDY AREA 8. LIBRARY 9. CLASSROOMS 10. PRAYER ROOM 11. INDOOR PLAYING HALL 12. AMPHITHEATRE 13. SCHOOL OFFICE 14. COMPUTATION ROOM 15. SCIENCE LAB 16. WORKSHOPS 17. HORSE STABLES 18. COW SHED 19. GOAT SHED 20, POULTRY SHED 21. MANUFACTURING ROOM SITE MASTERPLAN
SECTION BB’
SECTION AA’

SECTION AA’

ADMIN OFFICE MODULE

SECTION AA’

AXONOMETRIC VIEW

PLAN @ 1.2M HT

AXONOMETRIC VIEW

14 ACCOMMODATION UNIT MODULE
STUDY MODELS
PLAN @ 1.2M HT

INTERIOR PARTITIONS USING WATTLE AND DAUB

BRICK EXTERIOR WALLS USING RAT TRAP BOND

BAMBOO ROOFING DETAIL

ADMIN OFFICE

VISITORS ACCOMMODATION

TEACHERS’ ACCOMMODATION

ANIMAL SHEDS

ANIMAL PASTURES

STUDENTS ACCOMMODATION

CLASSROOMS

WORKSHOPS

OUTDOOR LEARNING SPACES

15 MATERIAL TECHNOLOGY SITE AXONOMETRIC
BAMBOO ROOF TRUSS
KITCHEN PRAYER HALL
INDOOR PLAY AREA AMPHITHEATRE
LIBRARY

FIELD EXPERIENCE

INTERNSHIP AT MANDVIWALA QUTUB AND ASSOCIATES (MQA)

1. Township at Naya Raipur

Designing individual units and designing various options for the facade of a township to be developed at Naya Raipur.

16 03
MQA UNIT PLANS C.A. Balcony Total area : 476 sq.ft. : : 476 sq.ft.
C.A. Balcony Total area : 738 sq.ft. : 110 sq.ft. : 848 sq.ft.
1 BHK
MQA UNIT PLANS C.A. Balcony Total area : 476 sq.ft. : : 476 sq.ft.
2 BHK
C.A. Balcony Total area : 738 sq.ft. : 110 sq.ft. : 848 sq.ft.
1 BHK
UNIT PLANS 3 BHK 3 BHK MQA UNIT PLANS C.A. Balcony Total area : 1513 sq.ft. : 211 sq.ft. : 1724 sq.ft. 3 BHK C.A. Balcony Total area : 1036 sq.ft. : 180 sq.ft. : 1216 sq.ft.
MQA UNIT PLANS C.A. Balcony Total area : 1513 sq.ft. : 211 sq.ft. : 1724 sq.ft. 3 BHK Total area : 1216 sq.ft. UNIT PLANS 3 BHK 3 BHK
2 BHK
3 BHK

FACADE VISUALISATION - SKETCHUP + LUMION

PROJECT AT GUWAHATI

17 RESIDENTIAL
AMPHITHEATRE NOOK • SWIMMING POOL • KID POOL • KINDERGARTEN • MUSIC AREA OPTION 1
OPTION 2 PODIUM LAYOUT WITH LANDSCAPING

DESIGN

2. CENTRAL AXIS

DESIGN DEVELOPMENT

1. BUILT

2. Commercial office at Guwahati

The built mass is split into 3 parts, creating a central green space. This axis provides a direction and an entrance to the structure.

1. BUILT MASS

DESIGN DEVELOPMENT

The site is offset inwards to allow for pedestrian and vehicular circulation.

The site is offset inwards to allow for pedestrian and vehicular circulation.

2. CENTRAL AXIS

3. CONNECTIONS

1. BUILT MASS

The built mass is split into 3 parts, creating a central green space. This axis provides a direction and an entrance to the structure. The site is offset inwards to allow for pedestrian and vehicular circulation.

2. CENTRAL AXIS

The 3 parts of the structure are connected by a pair of sky-bridges. This creates a transition floor between public (commercial) and private (office) spaces

DESIGN DEVELOPMENT

The built mass is split into 3 parts, creating a central green space. This axis provides a direction and an entrance to the structure. The site is offset inwards to allow for pedestrian and vehicular circulation.

Conceptualising a G+13 commercial building located adjcant to flyover in Guwahati and deriving study models of the design evolution for showing the client

a central green space. entrance to the structure.

2. CENTRAL AXIS

split into 3 parts, creating a central green space. a direction and an entrance to the structure.

The built mass is split into 3 parts, creating a central green space. This axis provides a direction and an entrance to the structure. The site is offset inwards to allow for pedestrian and

1. BUILT MASS

3. CONNECTIONS

PROJECT AT GUWAHATI

3. CONNECTIONS

The site is offset inwards to allow for pedestrian and vehicular circulation.

3. CONNECTIONS

COMMERCIAL PROJECT AT GUWAHATI MQA

2. CENTRAL AXIS

The 3 parts of the structure are connected by a pair of sky-bridges. This creates a transition floor between public (commercial) and private (office) spaces

The 3 parts of the structure are connected by a pair of sky-bridges. This creates a transition floor between public (commercial) and private (office) spaces

COMMERCIAL PROJECT AT GUWAHATI

The 3 parts of the structure are connected by a pair of sky-bridges. This creates a transition floor between public (commercial) and private (office) spaces

3. CONNECTIONS

The 3 parts of the structure are connected by a pair of sky-bridges. This creates a transition floor between public (commercial) and private (office) spaces

COMMERCIAL PROJECT AT GUWAHATI MQA

MQA

1. BUILT MASS

The site is offset inwards to allow for frontage of anchor shops, landscaping and pedestrian & vehicular circulation.

3. CONNECTIONS

OPTION 1

DESIGN DEVELOPMENT

The built mass is split into 4 parts from the office floor onwards. This helps create a visual separation between the offices and anchor shops.

The 3 parts of the structure are connected by a pair of bridges. This creates a transition floor between public (commercial) and private (office) spaces

3. TYPICAL FLOOR

COMMERCIAL

COMMERCIAL PROJECT AT GUWAHATI MQA

DESIGN DEVELOPMENT

4. FORM DEVELPOMENT

The front façade of the structure is at an angle

OPTION 2

DESIGN DEVELOPMENT

COMMERCIAL PROJECT AT GUWAHATI MQA

2. VISUAL CONTRAST

The floor plate of the office floors is designed to help create a visual separation between the offices and anchor shops.

Perception of Form

DESIGN

3. TYPICAL FLOOR

The verticality of the structure is heightened by the private offices which allows for a visual connection to the main access point.

4. FORM DEVELPOMENT

COMMERCIAL PROJECT AT GUWAHATI MQA

The front and rear facades of the structure with to form volumes of varied widths and

Perception Front

18
MQA
PROJECT AT GUWAHATI MQA DESIGN DEVELOPMENT 5. TYPICAL FLOOR 4. STEP BACKS Perception of Form GUWAHATI
MQA
DEVELOPMENT
MASS
OPTION 3

PROGRAM

OPTION 1

PROGRAM

Semi-Private

Private Public

• Public and private spaces are detached floor-wise.

• Public functions on the lower floors establishes a vibrant ground plane accessible from the main road.

• Peaceful and undisturbed workplace on the upper floors.

All components are designed as separate entities since their requirements are distinctly varied.

COMMERCIAL

OPTION 2

The open terraces formed create pockets of greenery.

Private Public

• Public and private spaces are detached floor-wise.

• Public functions on the lower floors establishes a vibrant ground plane accessible from the main road.

• Peaceful and undisturbed workplace on the upper floors.

All components are designed as separate entities since their requirements are distinctly varied.

Private Public

VISUALISING THE FACADE ON SKETCHUP + LUMION

OPTION 2

• Lower floors establish a vibrant ground plane accessible from the main road.

• Peaceful & undisturbed workplaces on the upper floors.

COMMERCIAL PROJECT AT GUWAHATI MQA

OPTION 3 OPTION 3

19
PROGRAM
Offices Anchor Shops PROJECT AT GUWAHATI
MQA
Offices Anchor Shops COMMERCIAL PROJECT AT GUWAHATI
MQA
Offices Amenities Anchor Shops

Hospital at Raipur

Design consultants for designing the facade and planning services of a hospital that is already under construction

20 3.
VISUALISING FACADE DESIGN ON LUMION
OPTIONS FOR ELEVATION DESIGN
NORTH FACADE NORTH-WEST FACADE WEST FACADE
21 PLANNING UNDERSLUNG PIPE LAYOUT FOR INDIVDUAL FLOOR PLANS

DOCUMENTATION

As part of the architecture design studio for Semester 6, a study of Sassoon Dock was carried out. The aim was to understand the physical and intangible heritage of the docks and its importance to the city of Mumbai.

This documentation aimed to create awareness about the docks and the local community associated with it as well as raise questions about the future of this industry.

The documentation was divided into 5 sub-topics: History, Context, Landscape, Activity Mapping and Demographics .

05
CONTEXT

ACTIVITY MAPPING

25

ACTIVITY MAPPING

LANDSCAPE

Fishermen

Weighing

Removers of fishes Auction

Suppliers / Export

CONSISTENT

DEPENDENT

LANGUAGE

LEISURE SPACES FESTIVALS

LANGUAGE

GENDER

LEISURE SPACES

FESTIVALS

Bhagwanwaaje, also called mama, has been working at the docks since 40 years. He is a man that has a lot of experience but yet continues doing such unskilled work.

day, afternoon is when she gets to spend quality time with her husband where they eat lunch together. They either sit below the trees or besides her stall.

27 FISHERMAN
They are out in sea for 15 to 20 days
The first in the chain, who catch fish and come back to the docks or supply it to the fishermen on the smaller trawlers. MIGRATION OF WORKERS EXPORT ROUTES OF FISHES These are employees that remove the fish from the boats and segregate then and supply it to the trollers (hand - cart) people. RETAIL WHOLESALE Here, the ‘seths’ the main head of the employees group, takes part in the auctions, and negotiate prices for purchasing of fiahes. Further on they supply fish to almost all over the country, After the fishes are bought by the ‘seth’, they sell it to their fixed clients or people who they have tie ups with, or any other candidate who meets their price demand. These fishes are then taken and weighed by the men and displayed for auctioning TRAWLER SUPPLIER H I E R A R C H
Their is a healthy relations among the fishermen and daily wage women, they get fish at cheaper rate and sell it either in wholesale or in retail. There is a variation in language due to migration of people from different parts of india and different caste and religions. KOLI MARATHI MARATHI HINDI BANJARA BIHARI GUJURATI OTHERS Every religion is respected here by the people of Sassoon dock. Togetherness is the main factor leading between these peoples. Every festival is celebrated here with great joy FISHERMAN Fishermen They are out in sea for 15 to 20 days Weighing Removers of fishes Auction Suppliers / Export The first in the chain, who catch fish and come back to the docks or supply it to the fishermen on the smaller trawlers. MIGRATION OF WORKERS EXPORT ROUTES OF FISHES These are employees that remove the fish from the boats and segregate then and supply it to the trollers (hand - cart) people. RETAIL WHOLESALE ICE SUPPLIERS Here, the ‘seths’ the main head of the employees group, takes part in the auctions, and negotiate prices for purchasing of fiahes. Further on they supply fish to almost all over the country, mainly to Madras, Gujarat After the fishes are bought by the ‘seth’, they sell it to their fixed clients or people who they have tie ups with, or any other candidate who meets their price demand. These fishes are then taken and weighed by the men and displayed for auctioning TRAWLER SUPPLIER H I E R A R C H Y
CARETAKERS (MAMA) DIESEL SUPPLIERS WEIGHING TRAWLERS Their is a healthy relations among the fishermen and daily wage women, they get fish at cheaper rate and sell it either in wholesale or in retail. From that they get 200-300 rupees daily on the days they get the fish, but sometimes they did not get any fish from fishermen. On those days they do not earn any money Due to that it creates problem for household expenses. There are also other business women who purchase fish in large quantities and supply it to the people who are willing to meet their price demands. Netmaking is an skilled work which they learn in their villages from their parents. - They work in the group of 5-15 depending upon the size of the boats. - They work throughout the year .During the monsoon, they take new net making orders while rest of the time they repair the old nets. - They are not connected with any government or local authorities. There is a variation in language due to migration of people from different parts of india and different caste and religions. Lata, starts with her long day waking up at 5:00 AM, begins with her household work
also gets her child ready for school. Major
at the docks during peak hours.
being out at sea for 15 days, the
the docks
themselves
drinks. This is the major business that occurs for her every fortnight. She then goes to the docks at 7:00 AM, and opens her stall. Sitting through the hot sunny day all that she thinks about is having some good business and getting done with her day’s work. During her hectic
During
time,
different
Feeling of unsafety Need for physical labour History of past incidents causing a feeling of anxiousness among them Lesser influx of people as there is minimal activity on the dock Formation of intimidating nooks due to no proper lighting Vacant and unutilized spaces is taken over by people involved in unwanted activities Daily Household chores KOLI MARATHI MARATHI HINDI BANJARA BIHARI GUJURATI OTHERS 30-45 age dock tiresome. physical 15 - 30 30 - 45 MALE FEMALE MARATHAS KOLIS BANJARAS OTHERS REASONS BEHIND THE UNBALANCED GENDER RATIO WHY DO WOMEN PREFER NOT TO GO TO THE DOCK AFTER 7 PM? ISSUES FACED BY THE PEOPLE 45 - 60 60 < The age of 30-45 is the highest age group present on the dock as it can be considered as one of the most experienced groups working on the dock. The ages 45-60 is the very age group with the most experiance, but they do the less labour intensive jobs, as they the remaining jobs are energy consuming Unskilled users which are fully dependent at the amount of import/export which takes place at the dock in a day. The maratha community is majorly involved in auction activity early in the morning they own boats which they lend on rent for fishing The Koli community is majorly involve in fishing activity The banjara community is majorly involved in cleaning of prawns The dependent users are mainly not from any particular caste, and during employment there is no fixed mindset towards individuals. H E I R L E N S E S At 7:00 PM, she closes her stall and goes back home to her child, but even after going home she does not get time for herself or her child and has to finish her household chores. During the morning hours, he works at the dock and does various labour work After a tiring day of work, he sets up a stall where he sells ‘Bhurji pav’, which serves as an additional income for him. During the day, when there is no work, Mangesh spends his time by doing quality work, by serving his duties at Sai baba temple Every religion is respected here by the people of Sassoon dock. Togetherness is the main factor leading between these peoples. Every festival is celebrated here with great joy He does not own a house and lives at the dock. They rest on the handcarts during their freetime. They are given certain areas to manage for that particular day.
and
business takes place when the boats arrive
After
fishermen come back to
and stock
up with the supply of cigarettes, lighters, snacks and soft
their free
these are the
spots that the people at the dock have developed over the years, where they conduct various leisure activities
Gender biasedness Decline in passing of occupation from generation to generation No government support CUSTOMER AW A R D A N A L Y S I S S E C T I O N S CHAIN EVENTS KEY PLAN RESIDENTIAL BANJARAS KOLIS MARATHAS SELLERS TRAWLERS WEIGHING GANESH MURTI NAGAR THE KOLIS, MARATHAS AND BANJAARAS ALL RESIDE HERE. MACHIMAR NAGAR THE KOLIS AND MARATHAS RESIDE HERE. PASTA LANE RAJABAI TOWER COLABA THE BRABOURNE STADIUM C CLUB WORLD TRADE CENTRE PAVANIKA GARDEN DEMOGRAPHICS
“Competition is a good thing. it forces us to do our best. a monopoly renders people complacent and satisfied with mediocrity”
- Nancy Pearcy

Along with academics, co-curricular activites and competitions in particular are a way to step out of the daily routine and explore concepts and ideas as well as enhance teamwork and communication skills.

These are a selection of works for competitions I have taken part in on an individual or team basis.

ANDC | NASA 2020-21

28 06
A N D C 2020-21
COMPETITIONS
RYLA DESIGN COMPETITION ENTRY 2021-22
THE URBAN INSERT | ARCHMELLO 2024 UI23F6386 The Gateway of India, designed to commemorate the landing of King George V and Queen Mary is synonymous with the city of Mumbai. The structure was intended as a symbolic ceremonial entrance and the large plaza in front served as a place for military parades and processions. Over the years the Gateway of India has become a tourist hotspot for locals and foreigners alike. It has also seen its fair share of tragedy with bomb blasts in 2003 and the terror attacks in 2008. While the times and the function of the plaza have evolved, the physical space is still suited for military parades and not for public recreation. GATEWAY RE IMAGINED VIEW OF THE CENTRAL MEMORIAL | Dedicated to the martyrs of 26/11 Taj attack | VIEW OF THE AMPHITHEATRE | Encouraging public events and gathering | VIEW OF THE MEMORIAL WALL | Reflecting the Taj Hotel, with engraved names of 26/11 victims | VIEW OF THE EXHIBITION | Expressing history of the site through public participation | NIGHT VIEW OF THE MEMORIAL | Stories of terror attacks through light and shadow | 1 2 3 4 5 1 - Exhibition space 2 - Memorial 3 - Amphitheatre 4 - Cafeteria 5 - Memorial Wall Identifying the existing axis between Gateway of India and municipal garden. Identifying existing view points and access routes intersecting with the existing axis line. Maintaining the symmetry and ensuring the memorial is the central focus on site. A circular form symbolizes unity, community and protection Repetitive curved partitions ensure memorials and exhibition spaces are integrated with existing access routes and viewpoints PROCESS DIAGRAMS This project aims to shake off the colonial image of the plaza and instead create a people-centered space. The design program centers around a memorial, unifying people in remebrance of attacks on the city. Around the memorial, education spaces are created to create awareness on the historical importance of the area. Finally, partitions branching out from the memorial act as a canvas for artists and the public to exhibit their talent and encourages public participation in the overall development of the site. ZONING MASTER PLAN

MAHARASHTRA ASSOCIATION OF SCHOOLS OF ARCHITECTURE 2021-22

29 64ANDC-159 Tracing back the origins of the ever growing cities and human settlements, the core of developments in the field of construction is recapitulated to the labour sector. The workers being the foundation of building onto this loop of expanding settlements, what happens to their exploited living background is an act of dilemma. The whole of development comes in by starting from these roots which contribute the most, throughout the phase of construction. THE UNFILTERED ENCAMPMENT The workers being an integral part of the construction industry, their lifestyle and background should be considered of eminent importance. This can be brought about by bridging the gap between these construction labourers and the employers and also uniting the workers as a core group; sensitising towards the problems faced by these people coming from different regions and dedicating their efforts and time towards the development of others, while they themselves decay in a neglected living. Location Mumbai, Borivali East, Daulat Nagar. The movement patterns are defined by the major roadways creating gathering spots along the threshold spaces. These primary spaces further activate the entire area and gives way to more informal focal points. Connectivity | Transition | Integrating spaces Located in Borivali East, the site takes up a part of the residential sector, wherein there are 3 plots with the same set of workers. The site area houses a whole of 60-70 construction workers. Out of the two main plots, one is at a stage of laying the third slab and the other is at laying the first slab, which is long past its initial phase of SITEC SITEB SETI A TEA STALL SECTION THROUGH SITE A - Lap joint to attach adjacent floor panels together. - Both sides of panel tied to the framework. - Door with bamboo frame and decking sheet panel. - Decking sheets for roofing. - Members of roofing framework tied with rope. - Window is a cut out in the wall panel, where the shutter becomes an adjustable chajja. - An Indoor-Outdoor stand used for drying clothes. - The roof sloping and as an alternative, can be extended by adding a mezzanine floor. - Mezzanine floor is fixed halfway at a height of 2.1 m using bamboo framework - The partition wall is made of a fabric, stretched on bamboo framework. - Resting Space - Cot (Charpai) woven with cotton tape. - Fabric cloth hooked onto the bamboo frame. -Joinery detail of bamboo framework. - Bamboo shelves created for storage, tied using a rope to the main framework. Step 01 Step 02 Step03 Step 04 Step05 Step 01 Step 02 1) A mezzanine floor can be used in case of space constraints on site. 2) The mezzanine floor is optional and can be added on to the existing unit if there is an increase in number of labourers. - Internal wall creates a private space which can be used as changing room, child care. I N ERIOR - A single housing unit consisting of three modules arranged in a “U” shape can have multiple arrangements depending on the site constraints. - This arrangment of the housing units creates a larger gathering space in front of the accommodation. This option can be used on sites with larger open areas. - The housing units can be arranged in a staggered manner. This option can be used if there is limited space between the workers accommodation and the construction area - On a sloping terrain, extra members are added for levelling the structure. - On flat terrain, the module is elevated above the ground using bricks - The window panel position can be adjusted depending on the climate and site conditions of the region - PVC pipes - Bamboo - Plywood - Dryboard - Steel decking sheet - UPVC Roof sheet - Corrugated cement sheet - Nailing of joints to provide more strength - Using pipes instead of bamboo for the framework - This linear arrangement of the module is the most basic. - The housing units can be arranged in parallel rows. This option creates more smaller gathering spaces. Mater a A e Ate natives ANDC ENTRY | NASA 2021-22
ARCHITECTURE DESIGN PANEL ARCHITECTURE REPRESENTATION AND DETAILING PANEL

BASIC DESIGN SEM 1 MODEL MAKING

BASIC DESIGN SEM 2 MODEL MAKING

OUTDOOR SKETCHING

30 07 MISCELLANEOUS MOVIE POSTER REDESIGN

BOOKLET DESIGN

31 PHOTO COLLAGE REPRESENTATION OF TREES
DIY FURNITURE
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