2019_Portfolio_Janghee Lee

· JL Architectural Portfolio ·

ㅈㅏㅇ ㅎㅡㅣ L E E JANGHEE LEE 2008 - 2019

SELECTED WORKS · NAMSEOUL · RISD

KAZAKHSTAN

GREECE USA (MA) USA (RI) USA (NY)

KOREA

USA (LA) IRAQ

PERU

ARGENTINA

What is Architecture for me ? · WALK ( Try to touch my own ) · MOVE ( Do not stop my hand ) · BREAK ( Create myshelf from new idea )

“ Form follows function ”

- Louis Sullivan ( 1856 -1924 )

· I have done projects in various countries and have visited various countries and gained experience.

JL

ㅈㅏㅇ ㅎㅡㅣ L E E

Janghee Lee

T : 401 -226 - 5828

Work Experinece

E: janghee9746@gmail.com

A : 250 West 47th Street, #3B, New York, NY 10036

Sixsigma NYC / New York, NY / Project Manager & Designer / Mar 2017 - Current Architecture Reseach Office / New York, NY / Architecture Designer / Jan 2017 - Mar 2017 Terreform ONE / Brooklyn, NY / Research Fellowship / Sep 2016 - Jan 2017 D’Studio / New York, NY / Freelancer / May 2016 - Jul 2016 Luz Architets / Boston, MA / Architecture Designer / Aug 2015 - Sep 2015 mlnp_Seoul Architecture and Design Lab / Seoul, Korea / Freelancer / July 2015 - Aug 2015 AandD architecture and Design Lab / Seoul, Korea / Intern / June 2015 - July 2015

Education

Rhode Island School of Design (RISD) / Providence, RI / M.Arch 1 / Jun 2016 Namseoul University / Cheonan, Korea / B.Arch / Feb 2014

Academic

Research Assistant / Professor: Hansy Better / Fall 2015 - Summer 2016 Teaching Assistant / Urban Design Principle / Fall 2015 Teaching Assistant / Pre-College / Summer 2015

Workshops & Exhibition

Awards

Skills

NYU Installation ; Make It Together Network City Map / Sep 2016 DESINE Lab_RISD/Brown ; Central Falls Growing Communities / Aug 2015 RI Home Expo_Solar Decathalon / Mar 2015 INHA International design workshop with SsD / Winter 2011 University of Southern Califonia ; App Development / Summer 2011 E.B Studio Friendly of Environment Design ; Urban Complex City / Winter 09, 12, 13

Tokyo (Anti) Library by Archarm / Top 50 / July 2018 Incheon Student Architecture Competition / Special Selection / Oct 2013 Docomomo_Korea Competition (Cheongju) / Honorable Mention / June 2013 Architecture Competition of Gyeonggi-do / Honorable Mention / Oct 2012 KICA Crystal Scale Prize 2012 / Honorable Mention / Nov 2012 Green Home Competition by LES-Forum / Honorable Mention / Feb 2012 Architecture Competition of Gyeonggi-do / Honorable Mention / Sep 2011 Architecture competition of Chungnam / Honorable Mention / Aug 2009 Autodesk - AutoCAD Revit Rhino Grasshopper Sketch up Analysis Program - WUFI / Therm / DIVA Render - V ray / Flamingo / Maxwell / Lumion Adobe - Photoshop / Illustrator / Indesign MS office - Word / Excel / Powerpoint

Certifications

OSHA 10-hours

Languagues

Korean, English

CONT Competition

B.Arch / M

2012 - 2018

2008 -

01

04

06

HIDDEN HYBRID GRID

BOOLEAN DIFFERENCE

OPEN STACKING

Switch I 2018 Individual Competition Guggenheim Museum New York

Freelancer I 2013 Individual Competition EPAUS (Public Space for Urban Art and Sound)

M.Arch1 I 2015 Academic Work Advanced Studio (Nick Winton)

02

05

07

ACTIBRARY [ACTIVITY + LIBRARY]

DEMATERIALIZATION vs MATERIALIZATION

TRANSFORMERS BOOK PAVILION

Archarm I 2018 Individual Competition Tokyo Anti-Library I Top 50

Freelancer I 2012 Individual Competition Buenos Aires Contemporary Art Museum

03

OPEN PLATFORM

Freelancer I 2016 Professional Competition (D’Studio) Lima Art Museum Contemporary Art Wing

M.Arch1 I 2015 Academic Work Advanced Studio (Hansy Better Barraza)

08

?

TO BE CONTINUED

BOUNCING & SOFTENING

M.Arch1 I 2015 Academic Work Enviromental Desigan (Tarek Rakha)

TENTS

M.Arch 1

Professional Works

- 2016

2014 - Present

09

12

15

VISIBLE & INVISIBLE

56 Walker Street

CALVIN KLEIN 205W39NYC

M.Arch1 I 2015 Academic Work Advanced Studio (Ryan Abendroth)

SigsigmaNYC I 2017 Proffesioanl Work (Built) Luxury Condo Renovation Project

Architecture Research Office I 2017 Proffesioanl Work (Built) Interior Project with Artist Sterling Ruby

10

13

16

URBAN MUSEUM & ART OFFICE

B.Arch I 2011 Academic Work & Competition KICA Crystal Scale Prize [ Entry Prize ]

517-523 West 29th Street

SixsigmaNYC I 2018 Proffesioanl Work (Underconstrcution) Collaborate with SCDA

EMBAMUNAI GAS HQ FACADE RENOVATION

11

14

URBAN PARAISTE COMPLEX

URBAN TANGLE MAP

?

B.Arch I 2012 Academic Work Urban Renewal Project for Doughnut city

Terreform One I 2016 Proffesioanl Work (Exhibition) Make It Together Network City Map (NYU)

mlnp Architects I 2014 Proffesioanl Work (Built) Internship I Korea

TO BE CONTINUED

COMPETITION Tokyo, New York, Lima, Seoul, Buenos Ires 2012 - 2018

fig a-1 Perspective / Competition / LIMA / Bird Eye View

HIDDEN HYBRID GRID Individual Competition by Switchcompetition August 2018 Organization Switchcompetition Site Guggenheim Museum, 1071 5th Ave, New York, NY Program Renovation & Extensions Colaboration with Sehyun Lee, Donsik Kim Role Diagram, Drawing, Presentation Board GUGGENHEIM MUSEUM NEW YORK

The Guggenheim Museum has a huge centralized volume that reminds people of things the shape of the Giantart, the Pyramid, and the spiral steeple. It’s a formative building unlike New York’s symbolic grid plan.

Our proposed plan is to create a new space by following New York City’s grid onto the existing Guggenheim Museum. Unlike the existing Guggenheim building, which is a spiral exhibition space, our proposed circulations starts from a new large platform on the existing building and connects with a small boxes. The diversity level’s boxes provide various spaces like special exhibition or activities space. Also several boxes are connected with existing Guggenheim Museum to provide a new space.

We propose vertical glass wall to provide various perspectives and interior space instead of existing atrium skylights. At night, these boxes works as observatory, lighting exhibition, and lighting show.

In addition, the internal space provides various spaces by dividing the large exhibition space following city’s grid. And, small boxes space provides dynamic circulation around the boxes which is vertically connected to the new platform space with the existing Guggenheim building.

Also, the existing building’s storage space exposed to the outside making exhibition and it reacts to the changing exhibition space because it is easy to move the exhibition artworks by connecting with each space. “ HIDDEN HYBIRD GRID” encourages people to flow a new culture core and landmark along with historical Guggenheim museum.

IDDEN YBRID

GUGGENHEIM MUSEUM NEW YORK RENOVATION The Guggenheim Museum has a huge centralized volume that reminds people of things the shape of the Giantart, the Pyramid, and the spiral steeple. It’s a formative building unlike New York’s symbolic grid plan.

Our proposed plan is to create a new space by following New York City’s grid onto the existing Guggenheim Museum. Unlike the existing Guggenheim building, which is a spiral exhibition space, our proposed circulations starts from a new large platform on the existing building and connects with a small boxes. The diversity level’s boxes provide various spaces like special exhibition or activities space. Also several boxes are connected with existing Guggenheim Museum to provide a new space.

fig a-1 Exterior Render / East side of Corner

1. MAKE NEW PLATFORM FOLLOWING N.Y.C GRID

2. MAKE OPEN HOLE FOR EXISTING BUILDING’S SKYLIGHT

3. REACT WITH EXISTING SPACE (BELOW)& NEW SPACE (ABOVE)

fig a-2 Exterior Render / East side of Corner (Night View)

1ST FLOOR PLAN

5TH FLOOR PLAN

8TH FLOOR PLAN

10TH FLOOR PLAN

- EXHIBITION - STORAGE - ELEVATOR / STAIR - SHOP - CAFE / BAR - RESTAURANT - PLAYGROUND - GARDEN

*PROGRAM CAN BE CHANGE DEPENDING ON TIME AND SPECIAL EXHIBITION 11TH FLOOR PLAN

fig a-4 Interior Render / Lobby

SECTION A - A’

SECTION B - B’

ACTI-BRARY

[ACTIVITY + LIBRARY] Individual Competition by Archasm July 2018 Organization Archasm / Top 50 Site Yasukuni Dori promenade, Kabukicho district, Tokyo, Japan Program Anti-Library Colaboration with Sehyun Lee Role Modeling, Diagram, Presentation Board ACTIVITY + LIBRARY

The design of the “Tokyo Anti+library” is based upon a sensitive and sympathetic approach to the activated context. Our proposal for Tokyo public library, is combined ‘activity’ noun with ‘library’ noun. The design encourages people to flow within a new cultural core that is linked to the main Kabukicho district, people’s activities.

The Library starts from the underground level where the open plaza access zone from street. A public vertical pathway leading to 3rdmain activity open space with city view. Internal spaces are free of mass and open to the outside. Each floor is composed of two space- one for indoor program, the other a public for outdoor.

The outer shell is made of diverse size and distance of louvers. It provide warmth, softness to the surrounding neighborhood. This materials made people to be a new public living room for visitor and local people in Kabukicho area. The louver also are worked as a digital façade for digitalized library system to react colorful Japanese night with neon signs. The size of louvers depending on space’s programs.

Our proposal aim to bring a new element to the existing public space system. The rigid, flexible floorplate become playful with free flowing reading space. The library generates multiple relations among people, and new system, and diversity activities. With this, the “Acti+brary” can engage a broad constituency of stakeholders, benefiting not only the library, but the public activities at large.

ACTIBRARY

[ Activity + Library ]

ACTIBRARY

Library’s general environment is calm and dark.

The development of technology and various study fields showed people who pursue various study methods and forms. Our proposal “Activity (Anti) Library” is providing diverse space and activities. In addition, Studying people’s action is ex[ Aandc other t i v space. i t y So,+when L i they b rwatching a r y the ] studying each posed to out-side other, they can- Tinspire to study.

Also, Space is interacting out-door and in-door o kPeople y o [ can A n feel t i ] different A c t i vopen i t y library L i b renvironmental. aryeach space. ’

C O R E

1. LIFT MASS TO MAKE DIVERSE ACCESS ON GROUND LEVEL

S T O R A G E

& S T A C T

2. VERTICAL CORE AND STORAGE PROVIDE OUT DOOR SPACE

3. DIFFERENT LOUVER DEPEND ON SPACE

fig a-1 Exterior Render / Front view

BROWSING SPACE

OUTDOOR READING

BOOK COLLECTION AND READING SPACES

REFERENCE DESK / CORRIDIOR

BOOK / SOUVERNIR SHOP

MAIN STORAGE / STACK AREA

BASEMENT

1ST FLOOR PLAN

OUTDOOR GROUND

DIGITAL READING AREAS AND LAB

CAFE / RESTAURANT / BAR

CONFERENCE ROOMS

MAIN STORAGE / STACK AREA

MAIN STORAGE / STACK AREA

3RD FLOOR PLAN

4TH FLOOR PLAN

fig a-2 Exterior Render / West side of Corner

fig a-3 Interior Render / Lobby

B

C

A

A’

B’

C’

Cafe

ACTIBARARY

AA

OFFICE

SECTION A - A’

fig a-4 Interior Render / 4th Floor Media Center 0

SECTION B - B’

3M

9M

15M

SECTION C - C’

OPEN PLATFORM Professional Competition June 2016 Tutor Woo Hyoung Lee, Sang Oh Choo Site Paraque de la Exposicion, Paseo Colon 125, Lima Program Museum Colaboration with Woo Hyoung Lee, Sang Oh Choo, Jae Yong Ryu, Byung June Kim, Yeong Gon Lee Role Diagram, Drawing, Retouching, Presentation Non-Iconic OPEN PLATFORM

The new Contemporary Art Wing is built upon the inherent qualities of its site. Our design approach is not an act of creating another iconic building, but a delicated adaptation of creating “Non-Iconic OPEN PLATFORM� based on linking the fragmented pieces (City and Park, Park and Park and Old and New), preserving the existing museum and parks and fitting three programs- 1. Galleries, 2. Education ( Library and Classrooms), 3. Social Common (Cafe, Store and Multipurpose Room) in one continuous yet site specific planning and programmatic configuration.

Adopting this attitude is to assume the uniqueness of the place and not to dismiss its richness. The principal works are tailored interventions to increase connectivity, favor adjacencies, highlight qualities and improve circulation. The vision quided by MALI to reassess the role of the new museum allowed us to celebrate change and newness, and to help the institution recast itself as an open and accessible public place and a Museum for the twenty-first century. The glass museum and new plaza create a revitalized public identity for the Museum and reintegrate the building with its site and neighboring urban context as well as connect to Metro Station.

Along with 1872 Expostition Palace and Park, the permeable and minimalist glass facade with inner shadows created by a series of vertical fin and shadowbox developed in response to the rich fenestration of existing 1872 Exposition Palace acts a counterpoint to the opacity and symmetry of the original Italianate Facade as well as a representation in present building material, reinventing its public identity yet highlighting the beauty of existing architectural beauty.

The public plaza performs the formal and programmatic gateway, connecting the city to park, mediating between the horizontal plane of the landscape and the vertical plane of the building, and sponsoring a space of informal public interation.

01. Context

02. Re-zoning

03. Landscape Platform

Non - Iconic OPENPLATFORM MUSEUM AS INFRASTRUCTURE

AT CITY LEVEL, new art wing is designed as a link between city and park as well as park and park, becoming an important urban intersection (hub / infrastructure) and part of city grid system.

MUSEUM AS PARK

AT PARK LEVEL, new art wing forms new links between park and park, old and new as well as brings coherence to existing museum and other structure rather than creating an iconic imposition.

MUSEUM AS CULTURAL AGGREGATOR

AT MUSEUM LEVEL, it is designed as a streetscape and aggregate of three social and cultural program, that each program works independently as public program yet all together it becomes the state of art cultural institution.

04. Micro Parks

05. Street Park

06. Programs

fig a-1 Main Perspective

MUSEUM PLANNING

UNDERSTANDING AND APPORACH

MASTER PLAN

ARCHITECTURE

SUSTAINABILITY 2. UNDERSTANDING AND PROCESS | Program and 2. UNDERSTANDING ANDConstraint PROCESS | Program and Constraint CONSTRAINTS

PROGRAM PROGRAM RECEPTION | 610 RECEPTION | 610

GALLERY | 1,690 GALLERY | 1,690

EDUCATION |1,540

LIBRARY | 362

Information + Waiting Room EDUCATION |1,540 | 100

Reading Room | 120

Reading Room | 120 Book Depository| 160

Foyer (Info + Gift shop) | 250

Book SpecialDepository| Collection|160 40

Foyer (Info + Gift shop) |W.C 250Men| 30

Office| 30 Special Collection| 40

W.C Women| 30 W.C Men| 30

2 research Cubicle Office| 30 |12

W.C Women| 30

STORAGE|830 2 research Cubicle |12

Multipurpose Space| 150 Multipurpose Space| 150

Cafe| 150

EQUIPMENT | 190 Cafe| 150

CONSTRAINTS

LIBRARY | 362

STORAGE|830

Information + Waiting Room | 100

8 Class Room (60 m2 each) | 480 8 Class Room (60 m2 each) | 480

8 Class Room (100 m2 each) | 800 Room| 20 | 800 8 ClassTeacher’s Room (100 m2 each)

Permanent Exhibition | 1,650 Permanent Exhibition Video Projection | 1,650 Room | 40

EQUIPMENT | 190

Equipment Room | 120

Video Projection Room | 40

Storage|60 Teacher’s Room| 20 Collection Storage| 600 Admin600 Storage| 50 Collection Storage| Admin Storage| 50 Museography Storage| 100

Equipment Room Power Unit | 45 | 120

Museography Woodshop| 50 Storage| 100

Unit | 45 | 25 PowerPower Control Room

ElectricWoodshop| and Metal Shop| 50 30

Power Control Room | 25

ZONING CONCEPT DIAGRAM | Sectional Strategy

Electric and Metal Shop| 30

Storage|60

W.C + 5 Showers|40 W.C + 5 Showers|40

W.C + 5 Showers|40 W.C + 5 Showers|40 Direct

In-Direct

No-Light

Direct

In-Direct

No-Light

ZONING CONCEPT DIAGRAM | Sectional Strategy

More Noise

Less Noise

More Noise CITY

Less Noise PARK

CITY

•Grouping Programs by Light Preference •Stacking Programs •Grouping Programs by Light Preference •Stacking Programs

•Building Height Limit Restriction at El. +1,1 m •Building Height Limit Restriction at El. +1,1 m

The Lima Art Museum New Contemporary Art Wing Competition The Lima Art Museum New Contemporary Art Wing Competition

•Re-Stacking Education Program by Natural Light Preference and Noise Sensitivity •Preserve Existing Façade •Re-Stacking Education Program by Natural Light Preference and Noise Sensitivity •Preserve Existing Façade

PARK

•Connectivity between Park and City •Revitalize Public Identity •Connectivity between Park and City •Revitalize Public Identity

10454 | 3 10454 | 3

PROCESS DIAGRAM

01. SITE

02 BASE VOLUME

03. MANIPULATION

• Identify Site Condition and Constraints

• Grouping and Stacking Programs by Natural Light Preference

Base Volume manipulated by ; • Planning to Minimize the Noise from Subway and Traffic • Separation from Subway Structure • Gallery & Storage Massing to Underground to maintain the existing façade

04. PROGRAMS

05. CONNECTIVITY

06. NEW PUBLIC IDENTITY

• Three Programs (Gallery + Social Common + Education) • Each program planned to meet specific program requirement and light preference • Museum as Cultural Aggregator | Three in One Programs • Each program perform as individual urban programs, yet all together as State of Art Museum

• • • •

• New Glass Museum and Tower to revitalize New Public Identity • Skylight / Court to bring natural light to the space below • Public Plaza performs as new public realm • Site Specific Building System developed such as y-Profile Skylight, Inner Shadow Curtain wall System with White Frit Vertical Pattern.

Direct Access from Metro to Museum Plaza Two Parks connected from Underground Passage Link City and Park by Public Plaza and Stairs Efficient Vertical Circulation for Library and Classroom

fig a-2 Bird Eyeview Perspective

Park View

4TH FL. LEVEL EL. +11700

- CLASS ROOM

3RD FL. LEVEL EL. +7800 - CLASS ROOM

2ND FL. LEVEL EL. +3900

- CLASS ROOM rk Pa m a z o Fr Pla to

GROUND LEVEL EL. +0

- INFORMATION + WAITING ROOM - TEACHER’S ROOM - STORAGE

MEZZANINE EL. -4200 - READING ROOM - BOOK DEPOSITORY

y Cit a m z o Fr Pla to

l ve e dL

n

ou Gr

B1 FL. LEVEL EL. -8100 - MUSEUM PLAZA - CAFE - MUSEUM SHOP - RECEPTION - FEATURED GALLERY - LIBRARY

B2 FL. LEVEL EL. -13300 - MAIN GALLERY - SPECIAL GALLERY - MULTI-PURPOESE ROOM

B3 FL. LEVEL EL. -18800

STORAGE EDUCATION GALLERY SOCIAL COMMON

- COLLECTION STORAGE - ADIMIN STORAGE - MUSEOGRAPHY STORAGE - WOOD WORKSHOP - ELECTRIC AND METAL SHOP

METRO

fig a-3 Interior Perspective / Lobby

fig a-4 Interior Perspective / Basement Gallery

fig a-5 Main Enterance Perspective / Underground Train Station

FLEXIBILITY OF EXHIBITION SPACE Built-in / Hinged Display Wall unit (shown in RED) along with other partitions (optional) to bring flexible exhibition space layout for any kinds of art works and display.

• Spatial Hierarchy • Painting / Large Sculpture

• One Way Route • Painting / Small Object

• Room by Room • Paintings

• Spatial Hierarchy • Installation / Light Sensitive Display

• Room in Room • Spatial Exhibition

• Maze / Discovery • Paintings

fig a-6 Interior Perspective / Main Gallery

QUALITY OF LIGHTS

• Y-Profile Skylight (North) • Diffused / Filtered / Monolithic

• Y-Profile Skylight (South) • Diffused / Filtered / Monolithic

• Skylight ( No filter) • Direct / Casting Shadow

• Light Well • Direct Light • Good For Sculptural Object

• Artificial Lighting

• No Direct Light • Dark Room • Good For Video Projection

fig a-7 Interior Perspective / Main Gallery 2

B3 FLOOR PLAN

B2 FLOOR PLAN

PUBLIC PLAZA SUBWAY LEVEL

B1 FLOOR PLAN

GROUND FLOOR PLAN

DETAIL

SECTION A

B

C

A’

B’

C’

SECTION A - A’

SECTION C - C’

SECTION B - B’

D

D’

SECTION D - D’

BOOLEAN DIFFERENCE Individual Competition February 2013 Tutor Woo Hyoung Lee Site Seoul-si, Hongdae Playground Program Museum Collaboration with WooHyoung Lee, HyeonKi Yun Role Schemetic Design, Drawing, 3d modeling, Diagram, Board RHINO FUNTION “BOOLEAN DIFFERENCE

It is one of design tool in Rhino Program. We design using boolean difference tool character to pulic art by making dynamic section space. It is making human’s activities can be diverse exhibition.

Intended design concept pursues Adaptive Mass Segmentations for Maximum Programatic Exposures in order to provide actual as well as visual connections among events & activities at included programs. Segmenting solid mass into pieces enables buried programs to be exposed to the public and supplementary carving out section profiles from each pieces per program requirements allows that mass becomes hollow frames accommodating various street art forms and related facilities. Also within segmented pieces by placing public programs at the middle and required programs at the sides, exposed programs are enabled to have maximum level of exposure to the public. By doing so, the proposed design challenges the ways of containing street arts into a certain form of architectural boundary with new definition of programatic configurations.

fig a-1 Perspective / Bird Eye View

SITE INTRODUCTION ENT.

.

ENT

ENT.

Project location is within the Hongdae Area, Seoul, South Korea near the Hongik University, It is known for the most young and vibrant area with its urban street arts and indie music culture, clubs and entertainments.

Hongdae area is known for its indie spirit, urban street arts and underground band musicians. The area provides street art festivals and performances, as well as music concerts by independent artists and mainstream entertainers. Under the influence of Hongik University (Hongdae) which is well-known for its prestigious art college, the neighborhood was built on a foundation of artistic souls since the 1990s. In the early days, thanks to the cheap rent back, budget musicians and street artists started moving into the ateliers of Hongdae area.

Now many of them had later transform into cafes or live music venues and the area has long had a reputation as the mecca of urban arts and underground club culture.[“Indie spirit lives on in Hongdae’s cafes and clubs”.

JoongAng Daily. 2011-05-25.]

FEATURES AROUND SITE AREA

Small Fashion Retail

Street Vendors

Small Cafes Art & Commercial Hongik University Graffiti Art Street Street Concerts / Restaurants Collaboration as Art Meca

by Indie Musician

Club Street

fig a-2 Perspective / Main Etrance

1. MASS CREATION WITH OPEN SPACE

2. MASS SEGMENTATIONS / PUBLIC PROGRAM IN THE MIDDLE

PERFORMANCE STUDIO CHANGING ROOM / SHOWER

4

VERTICAL WORKSHOP

MULTI-PURPOSE PERFORMANCE HALL

SOUND STUDIO

3. MASS SPREADING TO EXPOSE BURIED PROGRAMS & PUBLIC PROGRAM EXPANSION

GALLARY / SEATING

GRAFFITI GALLARY BAR-CAFE OFFICE

PERFO

MECHANICAL RO

4. SUPPLIMENTAL SEGMENTAION / MASS GIVE & TAKE

5. CARVING OUT PROGRAM’S SECTION PROFILES

6. HOLLOW FRAME TO ACCOMMODATE PROGRAMS

BATHSROOM

PERFORMANCE / EVENT STAGE CAFE EXTENSION

ORMANCE / EVENT STAGE

WORKSHOP

OOM GRAFFITI GALLARY

AUDITORIUM

SHOP/CAFE

PERFORMANCE STUDIO 3 / PREPARING ROOM

fig a-3 Space Exploded Diagram

A. OPEN SOUND STUDIO

visible

sound absorptive floor

ent.

N TIO MA OR F IN

ent.

It is possible to move for drawing on wall D. SCISSORS LIFT FOR VERTICAL GRAFFITI PAINTING

E. FLEXIBLE OUTDOOR STAIR HANG / PERFORMANCE SPACE

GOUT

B. HINGED OPERABLE STAIR / PERFORMANCE PLATFORM

C. GIGANTIC GRAFFITI PAINTING WALL

FURNITURE DESIGN

OUTDOOR PLAZA

fig a-4 Programmatic Exploded Diagram

LOBBY PERFORMANCE STUDIO MECHANICAL ROOM SHOP / CAFE OUTDOOR PLAZA

1ST FLOOR PLAN

B

C

B’

C’

MULTI-PURPOSE PERFORMANCE HALL GALLARY / SEATING PERFORMANCE / EVENT STAGE OFFICE WORKSHOP (DUPLEX) WALL PAINTING LIFE VERTICAL WORKSHOP

3RD FLOOR PLAN

Key Map

A

A’

A - A’

LOBBY AUDITORIUM GRAFFITI GALLARY SOUND STUDIO

2ND FLOOR PLAN

BAR-CAFE PERFORMANCE / EVENT STAGE WORKSHOP GALLARY / SEATING

4TH FLOOR PLAN

Key Map B

C

B’

C’

B- B’

C- C’

fig a-5 Perspective / 2nd Floor Seond Lobby

fig a-6 Perspective / 3rd Floor Exhibition

fig a-7 Perspective / Main Lobby

DEMATERIALIZATION MATERIALIZAITION vs

Individual Competition July 2012 Tutor Woo Hyoung Lee Site Rio De la Plate, Buenos Aries, Argentina Program Contemporary Art Museum Colaboration with Woo Hyoung Lee, Hyeon Ki Yoon, Min Seock Kim Role Schemetic Design, 3d modeling, Diagram, Board Intended design concept pursues Conversions in the Characteristics of Materiality for Major Building Components that are exterior envelope and interior space by Burring Defined Hard Edge(Exterior Surface) VS Substantiating Undefined Soft Edge(Interior Void) in oder to challenge the boundary of definition of architectural materiality. Specifically, the concept carried out through Dematerializing Material Exterior Surface Enveloped with Sprayed Mist and Materializing Immaterial Interior Void Enveloped with translucent Glass Louvers. Governing architectural expression at exterior with louver provide Green features to the design by providing first, Evaporative Cooling at facade: water spray creating mist around building for the summer to cool down the temperature of the atmosphere. Second, Passive Ventilation at facade: heat chimney to vent out used air from building inside. Third, Solar Heating at roof: evacuated tube collectors to provide required heating road for the building. to achieve all of the above, louver transforms color from white at the bottom to black at the roof with gentle gradation. Also Governing architectural expression at interior with translucent louver provides partitions for the exhibition, railing at void, finish pattern at floor and ceiling and artificial lights to glow at night.

SITE INTRODUCTION Governing architectural expression at exterior with louver provide Green features to the design by providing first, Evaporative Cooling at facade: water spray creating mist around building for the summer to cool down the temperature of the atmosphere. Second, Passive Ventilation at facade: heat chimney to vent out used air from building inside. Third, Solar Heating at roof: evacuated tube collectors to provide required heating road for the building. to achieve all of the above, louver transforms color from white at the bottom to black at the roof with gentle gradation. also Governing architectural expression at interior with translucent louver provides partitions for the exhibition, railing at void, finish pattern at floor and ceiling and artificial lights to glow at night.

fig a-1 Exterior Render / Night View

DEMATERIALIZATION VS MATERIALIZAITION Buenos Aires New Contemporary Art Museum -Art Museum Design Exploring Multi-Faced Manifestation of the Materiality in Contemporary Architecture-

MASS PROCESS & GOUND LEVEL ACTIVITY AV. ALIC IA

MO

REA UD E

AV. ALIC

JUS

TO

IA M O

REA UD E

TE

DE

N UE

LA

ER

JUS

UJ

M

TO

ER

UJ

P

M

COMPACT VOLUME LA FOR SINGLE CORE E TE

D

URBAN GESTURES WITH CONTEXT

ROOF CONFIGURATION FO

COR URBAN GESTURES WITH CONTEXT E

ROOF CONFIGURATION FO

N UE

P

COMPACT VOLUME FOR SINGLE CORE

STO

RAG

E

GAL

COR E

LER Y STO

GAL

RAG

REC

EPTI

ON

E

OFF

ICE

LER Y REC

EPTI

ON

OFF

ICE

PUBLIC OPEN SPACE FOR EVERYDAY LIFE

FUNCTIONS WITH GROUND LEVEL CORRESPONDANCE

SPANISH PLAZA & WATER

PUBLIC OPEN SPACE FOR EVERYDAY LIFE

FUNCTIONS WITH GROUND LEVEL CORRESPONDANCE

SPANISH PLAZA & WATER

fig a-2 Exterior Render / Day View

OR NATURE LIGHTS

VOID CORRESPONDING TO ROOF CONFIGURATION

MATERIALIZATION OF VOID & GROUND LEVEL CORRESPONDANCE

OR NATURE LIGHTS

VOID CORRESPONDING TO ROOF CONFIGURATION

MATERIALIZATION OF VOID & GROUND LEVEL CORRESPONDANCE

R FEATURES

EVENTS AT PLATFORM & SPANISH PLAZA & MAIN CIRCULATION

FLOATING PROG RAMMATIC ICONS

R FEATURES

EVENTS AT PLATFORM & SPANISH PLAZA & MAIN CIRCULATION

FLOATING PROG RAMMATIC ICONS

LOUVER Green features by evaporative cooling, passive ventilation, solar heating and becomes major architectural expression to the design.

ROOF system field for receiving natural sun light and governing interior space configuration below.

INTERIOR LOUVER materializing interior void space by defining envelope with translucent glass louver.

STRUCTURE : main super structure member as self-supporting structural rib : tension bar member hanging slabs from main structure : pedestal member supporting main structure

GALLERY 03 6M H (1000m ) 2

GALLERY 04 12M H (800m ) 2

GALLERY 01 5M H (1500m ) 2

PUBLIC LOBBY / EVENT SPACE (1247m ) 2

MULTI-PURPOSE ROOM (600m ) 2

AUDITORIUM (450m ) 2

CAFE (185m ) 2

SOUVENIR STORE (100m ) 2

GALLERY 02 6M H (800m ) 2

STORAGE / LOADING (357m ) 2

PLANT (200m ) 2

OFFICE (180m ) 2

RECEPTION / COAT CHECK (120m ) 2

fig a-3 Exploded Diagram

fig a-4 Perspective / 3rd Floor Exhibition

fig a-5 Perspective / Performance Hall

PLANT OFFICE STORAGE LOADING RECEPTION EXHIBITION GALLERY

1ST FLOOR PLAN

EXHIBITION DUPLEX EXHIBITION

3RD FLOOR PLAN

Key map

MULTI-PURPOSE ROOM

SHOP OFFICE

AUDITORIUM STORAGE

EXHIBITION GALLERY

CAFE SHOP AUDITORIUM MULTI PURPOSE ROOM

2ND FLOOR PLAN

EXHIBITION

4TH FLOOR PLAN

Front Elevation

Roof field configuration to bring maximized natural light deep into galleries space through void space created correspond to sky light configuration at roof.

fig a-6 Perspective / Bird Eye View STEEL PLATE W/ FIN FOR LOUVER ATTACH BUILDING STRUCTURE INTERIOR FINISH -REPLACEABLE TRANSLUCENT ACRYLIC PANEL (REPLACEABLE TO SOLID PANEL FOR WALL-MOUNT EXHIBITION)

ALUMINUM MULLION W/ FIN FOR LOUVER ATTACHMENT VENTILATION VENT TUBE W/ TRASLUCENT ACRYLIC DOUBLE GLAZING TRANSLUCENT GLASS PANER WATER SUPPLY PIPE FOR NOZZLE SPRAY NOZZLE TRANSLUCENT ACRYLIC LOUVER COVER TYPE B TYPE C TYPE A TYPE D

TYPE E

RAIN WATER COLLECTION PIPE HEAT TRANSFER PIPE FROM EVACUATIVE TUBE COLLECTOR

PAINTED STEEL ANGLE TRANSLUCENT GLASS PANER W/ PRE-DRILLED HOLES FOR LIGHT FIXTURE PAINTED STEEL TUBE W/ PRE-DRILLED HOLES FOR LIGHT FIXTURE TRANSLUCENT CHANNEL GLASS REPLACEABLE LED LIGHT FIXTUBE

TYPE E : INTERIOR LOUVER - TRANSLUCENT CHANNEL GLASS W/ TUBE STRUCTURE INSIDE TYPE A : EVAPORATIVE COOLING - WATER SPRAY CREATING MIST TYPE B : PASSIVE VENTILATION - HEAT CHIMANEY TO VENT OUT USED AIR TYPE C : RAIN WATER COLLECTOR - PROVIDE WATER REQUIRED FOR WATER SPRAY TYPE D : SOLAR HEATING - EVACUATED TUBE COLLECTORS TO PROVIDE HEATING LOAD

fig a-7 Perspective / Outdoor Plaza

fig a-8 Perspective / Front Main Entrance View

ACADEMIC WORKS Rhode Island School of Design & Namseoul University 2008 - 2016

fig a-1 Perspective / Competition / NYC Central Park Pavilion

OPEN STACKING M.Arch1 Advanced Studio Fall 2016 Tutor Nick Winton Site 10 Prospect St. Providence, RI Program RISD - BROWN Dual Degree Center Role All COMPOSITION FOR PUBLIC STACKING FORM SMALL TO BIG

Like many similar cities, Providence is shifting its strategies for growth and developmnet in the post-industrial world. The city has changed dramaticaly in terms of size, demgraphics, and intensity of use in many areas-but is still adapting to the new challenges that face 21st century cities. Porvidence counts on a rich culturally diverse community an engaged academic community, and a vibrant creative economy.

There are 8-libraries in Brown University even I did not count 2-libraries which are located far from campus.

Rockefeller library is really quite and private library compare to other library. Especially, if I compare to contemporary library, it is really quite building. I propose more activity building to make more public and open space between inside and outside as well. I designed building for vertical to make more open space on ground level. Also this design considered view from inside Rockefeller building to downtown.

?

15000sf

OPEN PUBLIC SPACE !

LOW DENCITY !

Accessible

01. Context

02. Access / Maxium building

03. Vertical education cente

Q. HOW TO MAKE RELATIONSHIP WITH EXISTING BUILIDNG AND NEW BUILDING?

This proposal did not make direct connection. However, I proposed to make more openess for existing building extending west side door to new building direction.

In addition, West side program will be more public program. Many people can see through new building’s program and outdoor space.

New building’s each floor will be same level with existing building, Rockfellar Library to make visual connection between the existing building and new building. I emphasized ma

Q. WHAT IS GARDEN (LANDSCAPE) FOR THIS BUILDING?

There area 3-types of garden space.

• Garden space is an Multi-purpose plaza that can be an event space ( Theater, Performance hall, Outdoor Exhibition ) with a grand stair.

• Small public space on each floor. Each floor has an outdoor space supporting diverse programs.

• 3rd, 6th floor which are between the public, Semi-public, Private program, and Garden space to divide differnet program and make more openess and lightness.

Re

lat ive p

rog ram

wit

h li

Block

bra

ry

Private

lic Pub

m gra

en)

Vie w

(op

pro

Public

er / Park

04. Programs

05. Detail

aking diverse activities program and openess.

fig a-1 Main Perspective

MAIN ENT.

College St.

LOCK. EXISTING ENT.

Prospect St.

2

Ben St. etfit SEERVIES ENT.

PROGRAM ALLOCATION 10’

*Core / Circulation will locate 4-pieces each floor

Public Private

EXHIBITION

MAKER SPACE

RESIDENCE

SOCIAL COMMON

CLASS ROOM

400sf

1000sf

1000sf

1500sf

2000sf

3000sf

6000sf

Semi-public

STUDIO / STUDY

FACULTY ROOM

?

?

GARDEN CIRCULATION

’

0 10’ 1

?

ETC.

PROGRAM

STRUCTURE

CIRCULATION

• Stacking from public to private

• Thin columns • Truss structures

• Acess to basement • Open plaza • Exsting Library vertical circulation

LANDSCAPE

VOID WALL

SOLID WALL

• Roof garden • Outdoor plaza

• Visual connection from exsiting Library • View to City

• Structure • Private program

fig a-2 Perspective / Winter

1

6

2

8

1

5

3

3 2

7

4

5

1. Stage 2. Backstage 3. Hall 4. Kitchen 5. Mechanical 6. Restaurant 7. Sport Area

1. Outdoor Performance Hall 2. Outdoor Event Plaza 3. Cafe 4. Restaurant

B1 FLOOR PLAN

1ST FLOOR PLAN

2

1

2

3

1

1

2

2

2

1. Hall 2. Forest 3. Stair

1. Hall 2. Forest 3. Stair

3RD FLOOR PLAN

4TH FLOOR PLAN

2

2

1 2 2

3

1. Hall 2. Faculty Room 3. Class Room 4. Outdoor Terrace 5. Stair

6TH FLOOR PLAN

2

3

1

1. Hall 2. Faculty Room 3. Class Room 4. Outdoor Terrace 5. Stair

7TH FLOOR PLAN

SECTION A - A’

2

4

8

16

32(ft)

1

3

1. Outdoor Bridge 2. Cafe

2ND FLOOR PLAN

1

1

2

1. Hall 2. Forest 3. Stair

5TH FLOOR PLAN

1 4

2

5

3

2

1

3

2

4

1. Hall 2. Faculty Room 3. Maker Room 4. Stair 5. Residence 6. Outdoor Terrace

8TH FLOOR PLAN

Key Map B

A

B’

A’

SECTION B - B’

TIME SHARE FOR PLAZA

On the ground level, there is big open plaza to make easy access to public. Plaza can be different program depend on time connection with second floor, social common space using basement sliding door.

EEN

SCR

Co ll

eg

eS t.

ERT

C CON

Co ll

eg

eS t.

ION

IBIT

EXH

Co ll

eg

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View from benefit street, when people passed one block from providence’s river to up-hill this is first building to get Brown University campus. Also this building located between Brown and RISD. Even new building height is higher than surrounding buildings. So, it will be one of the landmark and make new image for city. Most exterior material are glass to connect visulay for making lightness.

fig a-3 Perspective / Up-Hill

fig a-4 Perspective / Basement Entrance

fig a-5 Perspective / Down-Hill

fig a-6 Perspective / 5th Floor Exhibition

fig a-8 Physical Models

fig a-7 Perspective / Outdoor Plaza

TRANSFORMERS BOOK PAVILION M.Arch1 Advanced Studio Spring 2015 Tutor Hansy Better Site Greece (Open space) Program Exhibition Pavilion Role All EXHIBITION CAN CHANGE DEPEND ON TIME

Cornelius Castoriadis is famous philosophier from Greece. His best-known book is “The Imaginary Institution of Society”. Philosophy is studying of general and fundamental problem on human and society. Also it is relative with society and life.

Thus, as time goes by, according to change society new theory will come out relative with new social problem.

So, I focus on how to represent for continuous and changing using character of book, paper property.

I categorized what I can show each contents of book including different number of sub-titles and pages.

I suggest different type of exhibition, short, medium, long. Flexibile space can change using book’s folding character.

Simply the book’s Simply the book’s contents and sub-title contents and sub-title

Create and divide space Createusing and divide space page of book using page of book

Make volume toMake makevolume activities to make activities

Make hinges point hinges point to Make fold out like book to fold out like book

T R A N S F O R M E R S

BOOK PAVILION HOW MANY TIME CAN CHANGE /////// EXHIBITION PLAN DEPEND ON TIME & SPACE Minute : Exhibit Main Contents Hours : Highlight (Important Materials ) Day : Most part of the Book

CH 1

CH 2

CH 1

CH 2

A

CH 4

CH 3

A

CH 4

ELEVATION 1

B

B

C

C

ELEVATION 1

CH 5

CH 6

CH 5

CH 6

CH 7

CH 7

D

E

D

E

D’

E’

ELEVATION 2

A’

A’

B’

B’

C’

C’

D’

E’

5400mm ( 18ft ) 5400mm ( 18ft )

ELEVATION 2

CH 3

ELEVATION

ELEVATION

fig a-1 Perspective / Step1 Exhibition

fig a-2 Perspective / Step2 Exhibition

Outside (Park) FORM OF ACTION

Inside (New Acropolis Museum Lobby)

; Section activity is able to change like book.

A-A’

B-B’

C-C’

D-D’

E-E’

BOUNCING & SOFTENING M.Arch1 Environmental Design ll Fall 2015 Tutor Tarek Rakha Site 231 South Main Street, Providence, RI Program Education (Interior Renovation) Role JiHoon Oh, SangSuRi Chun, Jenifer Park, Leonie Chan, HyunBae Chang

As architecture students ourselves, we understand the importance of a comfortable and inspiring studio environment to facilitate our own creativeprocess.

Rhode Island School of Design being one of the most reputable and competitive design schools, currently houses over 4,000 talented students. However in terms of the wellness of schools’ building, speciacally the Bayard Ewing Building Architecture studio, interior learning environment are likely to fall short in comparison to other institutions of learning. Previously used as a printing factory, the current studio was not designed speciacally to ensure a sustainable and well lit learning environment.

In order to increase RISD competitive edge, we propose a redesign of the existing BEB studio space, with a focus on treating the existing building facade and establish a reined control over interior lighting system.

Thus improving general wellness of students and creating an engaging environment encouraging students to stay and be productive.

R I S D ARCHITECTURE

Rhode Island School of Design Bayard Ewing Building

(Department of Architecture and Landscape)

Location : - 231 South Main Stret, Providence, RI Built year : - 1848 (Fall River Ironworks a printing C.P) Material : - Brick, Steel framet Renovation year :

PURPOSE

fig a-1 Perspective / 2nd Floor Exterior Highlighting - 1977 ( RISD Building)

1. Average of Lighting, 500 LUX during day, night working environment.

2. Reduce energy use on electric lighting by having efficient (Natural daylight + Eletric lighting system) 3. Replace existing fluorescent lights to LED lighting fixtures.

VIEW TOWARDS NORTH

VIEW TOWARDS EAST

VIEW TOWARDS WEST

EXISTING BUILDING_ANNUAL AMOUNT OF SUNLIGHT 08:00 AM

12:00 PM

16:00 PM

MAR 21 ST.

JUN 21 ST.

DEC 21 ST.

Shading system is required for summer, but heating and lighting system are more considerable for winter NEW SYSTEM FOR DAYLIGHT

ELECTRONIC LIGHTING SYSTEM

MAR 21 ST.

JUN 21 ST.

DEC 21 ST.

08:00 AM

ANALYSIS OF LOUVER DEGREES DEPENDING ON TIME 35 Degrees louvers

70 Degrees louvers

Range: Above 300 LUX

Range: Below 2500 LUX

12:00 PM

Daylight Glare Porbability: 30%

16:00 PM

LIGHTING REFLECTED CEILING PLAN AND ZOING

A: Pin-up wall_ Rotatable Light B,C : Diffused Light assembled on light ducts D: Wall sconces LUMEN METHOD AND LIGHTING SPECIFIC

# of luminaires = 3,915 sqft x 500 lux / 2900 x 0.64 x 0.96 * (0.092 / 1sqft) = 82

LIGHTING CONTROL

DIFFUSION OF LIHGT AFTER DESIGN

Lighting Group 1 (Occupancy_on_off): The system has an installed eletric lighting power of 250W. It is automatically controlled via an on/off occupancy sensor with a delay time of 5min. The sensor has a permanent stand by power of 0W Lighting Group 1 : Occupancy_on_off Schedule

Lighting Group 2 (Manual_dimming): The system has an installed eletric lighting power of 250W. It is manualy controlled with an on/off switch. The dimming system has an ideally commissioned photo sensor-control with a ballest loss factor of 20%. The photocel has a stand by power of 0W. Lighting Group 2 : Manual_dimming Schedule

DIGITAL MODEL & PHYSICAL MODEL HDR PHOTO 04/28/15 09:00 AM CLEAR SKY

PHYSICAL MODELS

04/28/15 16:00 AM CLEAR SKY

VISIBLE & INVISIBLE M.Arch1 Advanced Studio Wintersession 2015 Tutor Ryan Abendroth Site Erbil Citadel, Arbil, Iraq Program Information Visitor Center Role All ENERGY EFFICIENT VISITOR CENTER FOR UNESCO HERITAGE

Erbil Citadel is located in city of Arbil,Iraq. It has been inscribed on the World Heritage List on 2014 by the oldest continuously inhabited town in the world. One of the main characteristic is occupied mound, and the historical city centre of Arbil in the Kurdistan Region of Iraq. The buildings on top of the tell stretch over a roughly oval area of 430m by 340m (1,410 ft Ă— 1,120 ft). The mound rises between 25m and 30m (82 and 105 ft) from the surrounding plain. There are three ramps to access, located on the northern, eastern and southern slopes of the mound lead up to gates in the outer ring of houses. Intended design concept pursues LINETYPE VISITOR CENTER BY SLOPE that is located in form point of starting slope to Low the slope angle. It is able to make diverse access for many people who have different purpose and make perspective that looks natural form ground level.

WUFI

WUFI is a thermal modeling software that realistically calculates heat and moisture transfer in a multi-layer wall envelope construction.

THERM

THERM was developed by the Lawrence Berkeley National Laboratory to model heat transfer in building connections. It specifically identifies potential thermal bridges that lead to excessive heat loss.

-

fig a-1 Perspective

MASS PROCESS

1. CREATING HOLLOW TUBE FOR MAXIMUM NATUAL LIGHT & VENTILATION

2. DIVIDING VOLUMN PER PROGRAM (RE-GROUPING)

3. CHANGING VOLUMN SHAPE & CEILING PER PROGRAM

CLIMATE ANALYSIS Weather problem HOT / DRY / LITTLE RAIN / STRONG WIND

Underground building can help to maintain the temperature and small mass is easy to control the ventilation and circulation.

CONCEPT

GO UNDERGROUND !

4. VOLUMN CONFIGURATION FLOWING SLOPE

5. MAKING SPECIAL ROOF SHAPE EACH MASS TO SAVE ENERGY

1ST FLOOR PLAN

2ND FLOOR PLAN

3RD FLOOR PLAN

S OH

NOITAMROFNI P

FRONT ELEVATION

*This porposal have windows both side, north and south, even i made underground building. I tried to make samll side window for ventilation and maximum sunlight in space.

SECTION A - A’

SECTION B - B’

SECTION C - C’ 1. INFORMATION DESK 2. RESTROOM 3. STAIR WITH EXHIBITION 4. MULTI ROOM 5. CLASS ROOM 6. MAP ROOM 7. CAFE 8. AUDITORIUM 9. EXHIBITION

G.L

3 3

9

4

6

9

7

9 8

5 1 ROFNI 2 NOITAM

PARKING LOTS

A GROUP

CIRCULATION B GROUP

CIRCULATION

C GROUP

SECTION A - A’

WUFI ( ANALYSIS )

WINTER / SUMMER ENERGY BALANCE

THERMAL BRIDGE

PsidT -0.28 btu/hrft Cooling Demand reduced point about 0.7 kBtu/ft2yr From 6.2 kBtu/ft2yr to 5.5 kBtu/ft2yr

LOUVER SYSTEM WALL DETAIL

DOUBLE LAYER INSULATION BETWEEN CONCRETE

fig a-2 Perspective / Physical Model 1

I PROPOSE A LOTS OF LOUVER BECAUSE I WANT TO MAKE OPENNING SPACE TO CITYVIEW HOWEVER, CURTAIN WALL IS NOT GOOD FOR EFFICIENT BUILDING I SUGGESTED LOUVER SYSTEM AND DEPEND ON PROGRAM THRE IS DIFFERENT INTERVAL LOUVER

fig a-3 Perspective / Physical Model 2

MUSEUM + ART OFFICE B.Arch Studio Fall 2011 Tutor Woo Hyeong Lee, Jun Ik Son Site Seoul-si, Secho-gu, Seocho-dong 1303-34 Program Museum, Art Office Role All ART MUSEUM WITH OFFICE IN URBAN

Nowadays, a lot of country have a represented museum including Unite State. Recently, museum have become popular building to visit for tourist. However, Korea could not be by economical problem and practical situation. In my country case, almost museum is located in out-side of downtown, so if we want to visit there we should spend a lot of time. That is why we need a represented mordern art museum.

The art museum is one of the public space and it can be more free to make paln. So, when we design art museum, we usually design more diverse things such as funiture, light and so on. For this reason, we make a plan art museum in Gangnam. however, by character of site, we add a new function which is office. This is because it is more economical.

URBAN ART MUSEUM OFFICE

; NEW MUSEUM TYPOLOGY IN CONJUCTION WITH ART OFFICE DESIGN SUMMARY

Location : Seoul Seochogu seochodong 1303 - 34 Site area : 2000m² Building area : 1176m² Building ratio : 58.8% Total building floor area : 16460m² Floor area ratio : 600% Parking lots : 60 ( 4 for disabilities ) Height : 73m ( 13 floor above, 3 floor below )

fig a-1 Perspective / From Gangnam Street

SITE INTRODUCTION

Gangnam is one of the big city in Korea. However, there are not represented place for tourists. As we all know, when we visit the foreign country, we usually go to museum. This is because it can help to know their history and culture. So, many country have a museum in downtown such as MOMA in New York, Louvre in Paris, Tate Mordern in U.K and so on. On the other hand, in Korea we should spend long time to go museum even if our country is very small ratter than another countries. As a result, I propose the new type museum by character of site. Therefore, I combine functions art museum with art office.

DESIGN SUMMARY

SET BACK 4M FOR PARKING

MAKE GRIDS FOR COLUMNS

MAX MASS

COLUMNS GRIDS

CONNECTION BETWEEN FRONT AND BACK

MAKE 2-CORES FOR MUSEUM AND OFFICE

DISTRIBUTION OF PROGRAMS

PUBLIC SPACE FOR LOWER PART OF BUILDING

SEPARAING CORE FOR FUNCTION

ADD NEW PROGRAM FOR CONNECTION

CONCEPTS

There are so many offcie in Seoul especially ‘Gang-nam’ . So, I recomend ‘New type ofice’ adding a special museum.

Generally, many office make a space for public on down-level. However, this builing connect to office with museum.

I recomended function which is auction and new type storage on middle point.

PARKING : 28 HANDICAPPED : 2

3. CAFE 2. CORE 1. OFFICE LOBBY

B2 FLOOR PLAN

1ST FLOOR PLAN

5. CAFE 4. HALL 3. MUSEUM LOBBY 4. RECEPTION DESK 5. COAT CHECK

4. STORE 3. MUSEUM SHOP 2. MUSEUM 2ND LOBBY 1. GUEST CAFE FOR OFFICE

3. CORE 2. OFFICE 1. EXHBITION

3. CORE 2. OFFICE 1. EXHBITION

2ND FLOOR PLAN

4TH FLOOR PLAN

3RD FLOOR PLAN

8TH FLOOR PLAN

ROOF

13TH F.L 12TH F.L 11TH F.L 10TH F.L

Auction

9TH F.L 8TH F.L 7TH F.L 6TH F.L 5TH F.L 4TH F.L

3RD F.L

Lobby Cocert hall

2ND F.L 1ST F.L B1 F.L B2 F.L B3 F.L

TIME SHARE

SECTION

SCULPTURE By

Giacometti

VAN GOGH

fig a-2 Perspective / Front View

fig a-3 Perspective / Main Lobby / Basement Connection

fig a-4 Perspective / Auction Space

Urban Parasite B.Arch Studio September 2012 Tutor Lee Woo hyung, Seo Jin hyun Site Suam creek in the vicinity, Anyang-si , Korea Program Residencial, Commercial, Culture Center Collaboration with JiHoon Oh, SangSuRi Chun Role All PARASITE

Parasite is one of the best flourish creature.

Like earthwram, they enter the another creature to live and to prosper. there was level difference in the site because of su-am creek.

As a result, the main streets along Su-am creek are more developed than the others.therefore, this plan applied linear concept to under developed areas as well.

Also, design into 3-parts : Urban, Program, architectural system.

It will be changed by macro-environment

Anyang subway station fig a-1 Concept Perspective

EQUAL DEVELOPMENT, NOT TO THE LARGE SCALE ; NEW LINEAR DEVELOPMENT TYPOLOGY TO CONNECT INTO INSIDE BLOCK When I visited this site, I felt there was level difference in the site because of su-am creek.

The main streets along Su-am creek are more developed than the others.

City’s big problem is building inside of block falling behind more and more unlike builings nearby big street.

PROBLEM

We should think that after making building what effect to this city, As a result, I choose the linear site in order to flourish naturely ratter than surface site. Because linear site have a more widely area.

1. MASS PROCESS

We should think that after making building what effect to this city, As a result, I choose the linear site in order to flourish naturely ratter than surface site. Because linear site have a more widely area.

2. DESIGN SYSTEM for su-am creek

Make a whole circulation system to connect sector. and provide good view and diverse actcivities such as cafe and restaurant.

fig a-2 Concept Drawing / Overal View

fig a-3 Physical Model / Overal View

fig a-4 Physical Model / Node 1 / Information Center

fig a-5 Physical Model / Node 3 / Observatory Center

PROGRAM

URBAN (NODE)

- ACCESS - ASSEMBLY - AMENITIES - CONNECTION - OBSERVATION

Anyang Industry high School

Anyang Subway Station

ARCHITECTURE

fig a-6 Site Plan and Design System

GROUND LEVEL (G.L +1,500m) Typical type Commercial

SECTION

High type of hosuing and dech witch connect with suamcreek

Key Map

SECTION A-A’

Key Map H1

3RD FLOOR LEVEL (G.L +14,000m) Typical type Housing

H2

HOUSING PROTOTYPE H3

4-Residencials

HOUSING TYPE 1

4-Residencials

HOUSING TYPE 2

5-Residencials

HOUSING TYPE 3 ELEVATION

End of site plan, there are type of commercial and culture center.

Also there are sky bridge to connect with samdeock park and commercial section.

Key Map

ELEVATION

PROFESSIONAL WORKS

19TH ST. HIGHLINE

AandD Architecture mlnp Architects Terreform ONE Architecture Research Office Sixsigma NYC 2014 - Current

fig a-1 Perspective / SixsigmaNYC / 435 W 19TH / Front View

56 WALKER STREET

; NY Luxury Residential Condominium SixsigmaNYC Built I 2017

Website www.walkerhousetribeca.com Colaboration with Ishac Design Architect PC Role Project Manager / Constrcution Drawing, Fabrication drawing, Manager We closed 56 Walker St. property on January 31, 2014, a multi-million dollar condo conversion project with 18,000 gross sqft. It is a 6-stories mixed use building located in TriBeCa that will be converted to 4 luxury condo units.

Unit sizes will range from 2,750 sqft to 5,300 sqft. The building amenities include: swimming pool, wine cellar, private theatre, gym, private storage, cold storage, and outdoor space.

fig a-1 Town House / Living Room

fig a-2 Town House / Basement / Wine bar

fig a-3 Town House / Basement / Swimming Pool

UNIT 3

3 Beds | 3 Baths | 2 Powder Rooms X,XXX SF

3 Beds | 3 Baths | 1 Powder Room

WALKER STREET

BEDROOM

12’-9¾” x 14’-7¾”

X,XXX SF

BEDROOM

13’-6¼” x 13’-7¾”

CL

MASTER SUITE MEZZANINE

UP

UNIT 4

PENTHOUSE

3 Beds | 3 Baths | 1 Powder Room

3 Beds | 3 Baths | 1 Powder Room

X,XXX SF

X,XXX Interior SF

Townhouse

MAIN LEVEL

Unit 2 Exterior / 3rd floor X,XXX SF UP

WIC

DN

W/D

PANTRY

MAISONETTE

KITCHEN

3 Beds | 3 Baths | 2 Powder Rooms

21’-3¾” x 16’-10”

More Season 5 / Episode 9 Can Ryan Sell Fredrik’s Listings?

DINING ROOM

MASTER BATHROOM PRIVATE ENTRY

MASTER BEDROOM

50’-6” x 26’-2½”

Unit 3 / 4th floor

20’-1½” x 15’-6¾”

WALKER STREET

X,XXX SF D/W

KITCHEN

Penthouse

20’-1½” x 9’-3”

MAIN LIVING & ENTERTAINING LEVEL D/W MAIN LEVEL

TOWNHOUSE /MAISONETTE

CL LIVING ROOM

UP

26’-7” x 18’-8”

UP

DN

DN

UP 3 Beds l 3 Baths l 2 Powder Rooms

KITCHEN Need Dims

BEDROOM

UP

16’-½” x 12’-11”

N

SCALE: 1/4” = 1’-0”

UP

UP

DINING ROOM 21’-4” x 13’-4½”

ROOF TERRACE

DN

DN

DN

MAIN ENTERTAINING LEVEL

LIVING ROO

40’-2” x 20’-11

D/W

DN common elements that lie within a Unit, i.e. columns, shafts, vent stacks etc. Sponsor reserves the right to make changes in accordance with the terms of the offering plan. Plans and dimensions may contain minor variations from floor to floor. The complete terms of the offering are contained in an Offering Plan filed with the NYS Department of Law, All dimensions are approximate and subject to normal construction variances and tolerances. Square footage exceeds the usable floor area and there are no subtractions for common elements that lie within a Unit, i.e. columns, shafts, vent stacks etc. Sponsor reserves the right to make changes in accordance with the terms of the offering plan. Plans and d ROOM LABEL? File No. CDXX-XXXX available from the Sponsor. Sponsor—Project 56 Walker, LLC, c/o Six Sigma NYC, 213 W. 35th St. 4th Fl, New York, NY 10123

21’-5” x 16’-11½”

KITCHEN

BEDROOM 21’-3¾” x 16’-10”

15’-½” x 13’-3¼”

PRIVATE ENTRY

50’-6” x 26’-2½”

D/W

SCALE: 1/4” = 1’-0”

W/D

DN

UP

DINING ROOM

N

LIVING ROOM

WALKER STREET

KITCHEN

21’-3¾” x 16’-10” DINING ROOM

Need Dims SCALE

50’-6” x 26’-2½”

N

GROND LEVEL

20’-11¾” x

25’-7¼” x 17’-10”

CL LIVING ROOM

DINING

DINING ROOM

D/W

0

4

8

12

All dimensions are approximate and subject to normal construction variances and tolerances. Square footage exceeds the usable floor area and there are no subtractions for common elements that lie within a Unit, i.e. columns, shafts, vent stacks etc. Sponsor reserves the right to make changes in accordance with All dimensions are approximate and subject to normal construction variances and tolerances. Square footage exceeds the usable floor area and there are no subtractions for common elements that lie within a Unit, i.e. columns, shafts, vent stacks etc. Sponsor reserves the right to make changes in accordance with the terms of the offering plan. Plans and di File No. CDXX-XXXX available from the Sponsor. Sponsor—Project 56 Walker, LLC, c/o Six Sigma NYC, 213 W. 35th St. 4th Fl, New York, NY 10123 File No. CDXX-XXXX available from the Sponsor. Sponsor—Project 56 Walker, LLC, c/o Six Sigma NYC, 213 W. 35th St. 4th Fl, New York, NY 10123

N

SCALE: 1/4” = 1’-0”

DN

WIC

UP

UP

DN

MASTER

DN

BEDROOM

16’-9” x 16’-11”

MASTER BATHROOM

LIBRARY

BEDROOM

20’-9” x 12’-5¾”

15’-3½” x 12’-7”

WIC

WALKER STREET

BATHROOM All dimensions are approximate and subject to normal construction variances and tolerances. Square footage exceeds the usable floor area and there are no subtractions for common elements that lie within a Unit, i.e. columns, shafts, vent stacks etc. Sponsor reserves the right to make changes in accordance with the terms of the offering plan. Plans and dimensions may contain minor variations from floor to floor. The complete terms of the File No. CDXX-XXXX available from the Sponsor. Sponsor—Project 56 Walker, LLC, c/o Six Sigma NYC, 213 W. 35th St. 4th Fl, New York, NY 10123

W/D

UP DN

PRIVATE QUARTERS LEVEL

UP

LIBRARY

31’ x 15’-9¼”

POOL

WINE CELLAR

SCREENING ROOM 14’-10” x 11’-11¾”

RECREATION LEVEL

WALKER STREET

RECREATION ROOM

UP

PRIVATE QUARTERS MEZZANINE LEVEL

fig a-4 3rd Floor (Unit2) / Living Room

fig a-5 3rd Floor (Unit2) / Master Bedroom

fig a-6 4th Floor (Unit 3) / Living Room

fig a-8 3rd Floor (Unit 2) / Powder Room

fig a-9 Unit 2 / Mezza

anine / Bath Room

fig a-7 Penthouse / Living Room

fig a-10 3rd Floor (Unit2) / Master Bathroom

517-523 WEST 29TH STREET ; NY Luxury Residential Condominium SixsigmaNYC Underconstuction

Colaboration with SCDA / RAND Engineering & Architecture Role Project Assistant Manager_ Designer/ Project Project manager, Architecture drawings (CD)

519 W. 29

th

Street New York, NY fig a-1 Main Perspective

4.0

FACADE STUDIES

fig a-2 Interior Perspective / Bedroom 519 W. 29

th

Street New York, NY

fig a-3 Perspective / Night view

URBAN TANGLE ; NYU Exhibition / Event Terreform ONE Fall 2016

Colaboration with Mitchell Joachim, Maria Aiolova, Vivian Kuan, Molly Ritmiller Role Research Fellowship / Constuction, Fabrication, Board Make It Together Network City Map. / 2,000 City Grid Fragments

Our project consists of hundreds of machine-milled components made from fragments of city maps. All the physical map elements correspond to variable grid patterns and street patterns of NYU’s Global Network sites and three main campuses. Each participating person is asked to build his or her own map of NYU from the randomized city-grid fragments. No answer is wrong, instead it’s a three dimensional artifact of collective memories made of multiple recollections while exploring NYU sites. From Shanghai to New York every student and faculty has a different experience of his or her time at NYU. This combinatorial sculpture serves as a spatial expression of our multi-cultural and diverse locales. Based on Situationist theory, this mapping concept is a primary method of stabilizing what was referred to as the “spectacle.” It is a compositional assembly of pre-made situations, meant to be collectively composed. These physical moments of life are deliberately fabricated for the purpose of rekindling and shadowing authentic desires, feeling the sensation of life and adventure, and the liberation of routine activities in cities. Our map project is a three dimensional version of a specific Situationist product otherwise called, Psychogeography. Here, psychogeography invented by Guy Debord in 1955 is the, “study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals.”

We have moved beyond their original works to celebrate NYU in a similar experiential manner. Yet we still give homage to the achievements of the Situationist International arts group.

Make It Together Network City Map - 3D City Grids Assembled by the Public -

DIFFERENT TYPE OF PIECES

EXTRACTION OF DIFFERENT COUNTRIES MAP

ABU DHABI - 1:20000

PROCESS OF DIFFERENT PIECES

LONDON - 1:20000

NEW YORK - 1:20000

SHANGHAI - 1:20000

INSTALLATION OF URBAN TANGLE MAP at NYU NYU, StudentLink and Global Services Center 383 Lafayette Street, New York, NY Media: Bamboo 7’x 7’x 9’.

Urban Tangle

: Make It Together Network City Map. 2,000 City Grid Fragments Connected by the Public

fig a-1 Picture / Making Process

fig a-3 Picture / Various Pieces

fig a-2 Picture / CNC Fabrication

fig a-4 Picture / Detail

fig a-5 Picture / Overall View

CALVIN KLEIN 205W39NYC ; Calvin Klein Flagship Store Renovation Architecture Research Office Winter 2017

Site 654 Madison Avenue , New York, NY Project Team Megumi Tamanaha, Kai Pedersen, Christine Nasir, Luke Winata, Melody Siu Colaboration with Artist Sterling Ruby Role Junior Designer - 3D modeling(Rhino), Presentation Board Fall 2017 CALVIN KLEIN 205W39NYC Collection

At the invitation of Simons, Ruby has reimagined architectural designer John Pawson’s original design of the CALVIN KLEIN flagship store. This transformation takes cues from Ruby’s vision for his two previous CALVIN KLEIN projects: redesigning the ground floor lookspace and 12th floor showroom at the company’s 205 W 39th Street headquarters. The floor to ceiling installation at the Madison Avenue store was devised as an intermediary step to celebrate the arrival of Raf Simons’ debut CALVIN KLEIN 205W39NYC collection, prior to a forthcoming full renovation of the building.

“I wanted the store to generate a very immediate physical experience that could as well be intimately connected to the collections” To reflect that impermanence, the design incorporates and invokes an environment under construction – scaffolding fills the space and an overwhelming wash of bright yellow paint coats the walls and invades interior volumes, reflecting the warning color of cautionary tape and traffic signs.

The installation is an immersive floor to ceiling environment that traverses art and industry, reflecting the artist’s own obsessions as well as a new era for CALVIN KLEIN presenting a vision of America’s gleaming highs and its gritty lows. The use of color, everyday materials and the serviceable nature of scaffolding brought indoors all give the reimagined flagship store a warm, youthful energy, communicating the celebration of change and progress at the brand.

“I’m taking the CALVIN KLEIN flagship store from minimal to maximal; my design should be seen as a marker to celebrate the future of the brand”

fig a-1 Perspective / Front view

Architecture Research Office

Calvin Klein’s NYC Flagship in Taxicab Yellow

By Jesse Dorris

The year was 1995. When the Calvin Klein Collection unveiled its New York flagship, it was the ne plus ultra of minimalism: The John Pawson design, a rational procession of natural light and limestone, reaffirmed that less can be more. But what once seemed admirably restrained had come to look, well, timid. And Calvin Klein’s new creative director, Raf Simons, rarely holds back.

After his Calvin Klein 205W39 line had debuted last fall, the 26,000-square-foot, two-story emporium needed a change before the collection hit the racks. “We had three months to figure out what we could do quickly with impact and integrity,” Stephen Cassell says. Fortunately, his team was already in place: He, along with Architecture Research Office co-principal Adam Yarinsky and artist Sterling Ruby, had just renovated the brand’s New York showroom.

Here, the limestone flooring was covered with nylon carpeting in a griege that deepens as feet cross it. Pawson’s famed glass railings were slipped into sleeves of Formica, the same retro material used for the blocky, Memphis-esque displays for apparel, accessories, and home goods.

Scaffolding, the city’s ultimate forecast of change, became the focal point and, Cassell says, “layered in complexity.” Not to mention a means for hanging Ruby’s mixed-media sculptures incorporating found objects. Then, every inch of the once-creamy interior was coated in taxicab yellow. “We were curious,” Yarinsky notes, “what would happen if you take something familiar but turn it up to 11.”

Models in fall 2017 accessories sit on walkboards amid a Ruby mixed media

Photography by Elizabeth Felicella.

Custom seating and tables are covered in Formica.

Sterling Ruby’s mixed-media sculptures and quilt accessorize the store’s home-goods area

Scaffolding rises up 20 feet

EMBAMUNAI HQ. RENOVATION ; Embamunai Gas Head Office Facade Renovation mlnp Architect August 2013

Site Aryrau, Kazakhstan Program Facade / Interior Design Role Freelancer / Schematic Design, 3D modeling(Rhino), Diagram The Embamunai Gas Head office project is located in Atyrau. From the start of the project, mlnp proposal was directly related with the company itself which can communicate with urban condition. In order to get initial logic of curved lines and patterns, we investigates how vertical organizations of curved lines can be achieved with folding to allow for the facade design, and how these various layers of lines will provides the various performance and originative impression to the visitors. A prefabricated system also apply to improve quality of exterior finish as a landmark in Atyrau.

fig a-1 Main Perspective

fig a-2 Idea Sketch

EXTRACTING FACADE PATTERN To get initial logic of curve line and pattern for facade identity, try to extract and characterize geometry of curves. Through the characteristic vertical curve line from the extracting process, the facade provides originative impression to visitors.

1:1 MOCK-UP AND PREFAB SYSTEM

In order to minimize physical risk and problems under construction, suggest full-scale Mock-up of each profiles and panels. A prefabricated system also apply to improve quality of exterior finish as a landmark in Atyrau.

EXPLODED DETAIL

MODULARIZATION PROCESS

To understand complicate or random curve lines from extracting, modularization is necessary. It is possible to secure manufactural and constructive efficiency.

fig a-3 Existing Facade Design

fig a-4 New Facade Design

fig a-5 Perspective