WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S
Clocks, Watches, Barometers & Scientific Instruments Wednesday 19th February 2014
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20TH CENTURY DESIGN Michael Jeffery
ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Alex Doméracki Freya Yuan
CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE Will Hobbs Gemma Bush Mark Richards Jim Gale
— — — —
339752 339752 411854 339161
JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA
PAINTINGS Victor Fauvelle Jo Butler
SILVER Rupert Slingsby Lucy Chalmers Tribal Art Will Hobbs
Members of The Society
VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS & OFFICE MANAGER Janice Clift — Ruth Pike MARKETING Tamzin Corbett GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan
BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director
COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham
of Fine Art Auctioneers
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508
CLOCKS, WATCHES, BAROMETERS & SCIENTIFIC INSTRUMENTS
Wednesday 19th February 2014 at 11.00am Viewing Times Saturday 15th February Monday 17th February Tuesday 18th February Wednesday 19th February
10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 9.00am – 10.45am
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CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/
Please register by 12noon Tuesday 18th February. There is no surcharge for using this service. Front cover: Lot 150 Back cover: Lot 136 Catalogue £10.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk
1. A gold plated hunting cased keyless lever watch by Elgin, damascened fifteen jewel movement with micrometer adjustment, in a foliate engraved case against a guilloche ground, 50mm diameter; with a plated chain. (2) £100-150 1A. A Swiss gold cylinder watch, silver dial, cuvette and case numbered 14256, in a foliate engraved case, 35mm diameter. £150-200 2. A Swiss gold cylinder watch, the florally engraved gilt dial and movement signed Baume, Geneve, in a floral case, 40mm diameter. £200-300 3. An 18ct gold keyless lever watch, the 15 jewel Marquis movement by Waltham with white enamel dial, in a monogrammed case with inscribed cuvette, Birmingham 1914, 49mm diam. £250-350 4. A slender Swiss gold watch, engraved gilt dial, full plate movement engraved with foliage and requiring a male key, in a florally engraved case with foliate engraved bezels, pendant and bow, 38mm diameter. £300-400 5. A Swiss 14k gold keyless cylinder lady’s watch, engraved gilt dial in a florally engraved case, 33mm diameter; and a Swiss silver hunting cased cylinder watch by Stauffer, Ch. de Fonds in a machine turned case, 39mm diameter. (2) £180-230 6. A Swiss gold cylinder watch, white enamel dial, in a plain case with monogrammed back, 31mm diameter; with a gold ratchet tipsy key. (2) £200-250 7. An 18ct gold lever watch, signed Thomas Bell, Gt. Crosby, no. 1879 on the three quarter plate movement, engraved gold dial with raised numerals, in a florally engraved case, Chester 1878, 45mm diameter. £450-600 8. A silver pair cased cylinder watch, signed Thos. Osborn, London, no. 1068, flat five armed steel balance, diamond endstone, gilt cap dated 1815, inner case plain, the outer with monogram, London 1815, 56mm diameter. £100-150 9. A Swiss 18k gold half hunting cased lady’s watch, keyless cylinder movement with white enamel dial, in a florally engraved case with pink enamel chapter ring, 37mm diameter; a Swiss 18k gold cylinder watch, florally engraved gilt dial, in a foliate engraved case, 39mm diameter; and a Swiss silver cylinder watch in florally engraved case, 37mm diameter. (3) £300-400
10. A silver pair cased verge watch, signed J. Samuel, Louth, no. 8027, balance cock engraved with a bust beneath a coronet, white enamel dial, pierced hands, both cases plain, Birmingham 1813, 60mm diameter. £100-150 11. A Swiss 18k gold half hunting cased watch, white enamel dial, keyless cylinder movement in a guilloche case, the back with engraved crest, 45mm diameter. £500-700 12. A Swiss 18k gold lady’s half hunting cased keyless cylinder watch, white enamel dial, gilt bar movement with wolves tooth winding, case with pink and blue enamel chapter ring and monogrammed back, 35mm diameter; with a 9ct gold ribbon fob. (2) £250-300 13. Daniel Quare. A verge watch movement, signed Quare, London, winged balance cock, Egyptian pillars now with white enamel dial and in an associated case, the back inset with polychrome portrait of a lady, dial 44mm diameter. £1,000-1,500 14. A silver pair cased verge watch with painted dial, signed H. Peach, Beaminster, 8638, the dial decorated with two shooting figures and a dog by lakeside scene, both cases plain, Birmingham 1821, 58mm diameter. £600-800 15. An 18ct gold half hunting cased lever watch, white enamel dial and three quarter plate movement signed Russells, no. 9913, Makers to the Queen, Church Street, Liverpool, in a plain case, London 1883, 49mm diameter. £600-800 16. A good Swiss gold quarter repeating half hunting cased keyless lever watch with independent seconds, signed on the cuvette Le Roy & Fils, Hgrs de La Marine, Palais Royal 13 & 15, Galerie Montpensier, Paris; 296 Regent St, London, no. 38452, white enamel dial with centre seconds, the movement jewelled throughout, blued steel spiral spring with overcoil, in a guilloche case, the repeat slide in the band, 49mm diameter. £5,500-7,000
13 movement 14
17. A Swiss gold quarter repeating hunting cased cylinder watch, white enamel dial, moon hands, signed on the cuvette Le Roy & Fils, Palais Royal 13 & 15, Galerie Montpensier a Paris, no. 31650, in a guilloche case with repeat slide in the band, 42mm diameter. £900-1,200 18. LeCoultre & Co. A blued steel hunting cased quarter repeating watch, white enamel dial signed LeCoultre & Cie, Le Sentier, the high grade nickel keyless lever movement with wolves tooth winding and jewelled to the centre, signed LeCoultre & Co beneath the hour hammer, in a plain case with gold joints and repeat slide, 55mm diameter. £400-500 19. A good early 18th century silver pair cased verge watch, signed Ricd. Tills, London, Egyptian pillars, silver champleve dial signed in the centre Tills, London beneath cherub’s masks, blued steel beetle and poker hands, the brass dial, plate with wheatear engraved border, cases plain, the outer with five section square hinge, 61mm diameter. £4,000-5,000 20. Thomas Tompion & Edward Banger, No. 3426. A previously unrecorded verge watch movement, signed T. Tompion, E. Banger, London, 3426, pierced and engraved balance cock with large foot, ringed steel three armed balance wheel, Egyptian pillars, numbered 3426 beneath the motion work, now with a white enamel dial spelling R. Bartholomew in place of numerals, circa 1703, 42mm diameter. £2,000-3,000
17 movement 18
21. Thomas Tompion. A quarter repeating verge watch, now in a gilt metal pair case, signed Tho. Tompion, 160, the winged cock with broad foot, pierced tulip pillars, now with a white enamel dial with Roman hours and outer Arabic minute ring, gilt filigree hands, the inner case with a band of pierced and engraved foliage, the outer case plain, movement circa 1698, dial 40mm diameter. £7,000-9,000 22. A Masonic silver watch of triangular form, keyless lever movement by Schwab & Brandt, the case inscribed Golay Watch Co, no. 79885, Henri Blanc, Geneve, mother o’ pearl dial painted with Masonic emblems and central motto, the case back well cast with emblems surrounding a temple, stem winder set with blue cabouchon sapphire, 60mm high, Import marks, London 1934. £700-1,000 23. A continental gold and enamel quarter repeating watch, embossed gold dial with black enamel numerals and vine decoration, movement with engraved hanging barrel, lever escapement, in case with faceted bezel, the back inset with polychrome enamel plaque of courtly figures by an alter, 59mm diameter. £3,000-4,000 24. Charles Frodsham. A good 18ct gold half hunting cased freesprung lever watch, white enamel dial with up / down subsidiary at 12 o’clock, signed above Charles Frodsham, 01761, AD. Fmsz; the three quarter plate movement similarly signed and numbered and bearing the address 84 Strand, London, blued steel spiral spring with overcoil, diamond endstone, free-sprung, in a case with blue enamel chapter ring, the back with small crest amongst machine turning, London 1861, 47mm diameter. £2,500-3,000
21 movement 22 back
25. A good Swiss gold quarter repeating hunting cased cylinder watch, signed on the cuvette Jn. Fs. Bautte & Co, a Geneve, no. 43146, gilded movement with compensation curb, gold dial with recessed subsidiary seconds and machine turned centre, hand setting through the glass, in a guilloche case, the turn and push repeat in the pendant, 55mm diameter. £5,000-6,000 26. Daniel Quare & Stephen Horseman. A silver quarter repeating verge watch, signed D. Quare & S. Horseman, London, 993, pierced and engraved cock with diamond endstone, flat brass three armed balance, turned pillars, signed cap, dumb pushpiece, blued steel beetle, and poker hands, the inner case pierced and engraved with a grotesque and mythical beasts within scrollwork, numbered 993 at the base of the plunge pendant, also numbered 993 beneath the bell with maker’s mark ‘I a’ struck twice, the outer with pierced and engraved front bezel with panels of flower baskets, the back with four cartouches containing busts, centred with large cartouche amongst scrollwork, struck inside with AR in an outline cameo for Adam Roumieu, circa 1720, 55mm diameter. £3,000-5,000 27. A silver repousse and enamel mounted pair cased verge watch, signed Graham, London, continental type bridge cock, turned and fluted baluster pillars, silver champleve dial signed Decour, London, with date aperture, arcaded minutes, inner case plain, the outer repousse with busts and animals amongst scrollwork, set with a polychrome enamel plaque of a courting couple, 61mm diameter. £3,000-4,000
28. A Swiss gold and enamel cylinder lady’s watch, signed on the cuvette Aubert & Klaftenberger, 157 Regent Street, no. 7604, silver dial with gold moon hands, gilt bar movement, the case decorated with white flowers against a black ground, the bezels and band with black and white beading, 39mm diameter. £500-800 29. A good Swiss gold and enamel hunting cased cylinder watch, machine turned silver dial signed Ruegger, gilt bar movement, the case decorated with white enamel flowers against a black ground, 39mm diameter; with a short chain of lozenge form decorated with white and black enamel, with tipsy key. £1,000-1,500 Sold with a fitted tooled leather case to accommodate this watch en suite with the previous lot. 30. A good 18ct gold quarter repeating hunting cased watch with independent seconds, white enamel dial with moon hands and centre seconds, signed on the cuvette Allan & Hayes, Calcutta, no. 6035, lever escapement, blued steel spiral spring with overcoil, Swiss movement jewelled throughout, in a guilloche case with repeat slide and seconds stop in the band, London 1863, 49mm diameter. £4,500-5,500 31. A good Swiss silver deck watch by Ulysse Nardin, keyless lever gilt bar movement jewelled to the centre, blued steel spiral spring, numbered 24901, the barrel bridge, cuvette and silvered dial signed F.L. Löbner, Berlin W., the dial with subsidiary seconds at 6 o’clock and haut / bas (up / down) at 12 o’clock, in a plain case, 59mm diameter; with three-tier mahogany deck box, the lid with two silvered plaques for F.L. Löbner, Berlin W.9.; and a smaller one numbered 24901. (2) £3,500-4,000
28 & 29 boxed
32. Movado. A hermetic bag watch, black enamel dial signed Movado Chronometre Ermeto, luminous hands and Arabic numerals, in a reptile skin covered case with rack and pinion winding, easel back, 50mm closed. £150-200 33. A 9ct gold wristwatch by Record, a 9ct gold wristwatch by Rodania; a gold plated keyless lever watch by Waltham in engraved octagonal case; and a gold watch by Waltham, lacking bow. (4) £150-200 34. Tudor. A 9ct gold lady’s wristwatch, signed silvered dial, signed movement in a circular case with stepped ends, Chester 1960, on later 9ct gold bracelet, 18mm diameter, with Tudor box. £100-150 35. Rolex. A 9ct gold lady’s wristwatch, white enamel dial, damascened nickel lever movement signed Rolex, fifteen jewels on the ratchet wheel, in a circular W&D case, no. 610573, import marks London 1914, 30mm diameter, on later expanding bracelet. £150-200 36. Jaeger LeCoultre. An 18ct white gold lady’s wristwatch, Model 9136, signed white dial in an oval case, sapphire set winder, import marks, London 1975, 31mm diameter, with a box and paperwork; a steel lady’s wristwatch by Jaeger LeCoultre; and a steel lady’s wristwatch by Movado, in a square case with bulbous single lugs. (3) £200-300 37. Tudor. A 9ct gold lady’s wristwatch, signed silvered dial with raised gilt batons and numerals, fifteen jewel signed movement in a circular case with integral flexible bracelet, case numbered 303390, Chester 1956, 23mm diameter. £120-160 38. A 9ct gold lady’s cocktail wristwatch, silvered rectangular dial, movement and case signed Vertex, in a two colour gold case set with rubies, 35mm long; and an 18ct gold wristwatch by Rolls in an oval case set with diamonds and sapphires, Glasgow 1924, 23mm long. (2) £200-300 39. Rolex. A 9ct gold lady’s precision wristwatch, square silvered dial with raised Arabic numerals and signed Rolex Precision, the fifteen jewel movement in a case with hinged strap fittings, Chester 1952, case no. 171535, 34mm diameter. £150-200 40. Rolex. A steel Oyster Royal wristwatch, Ref 6044, Serial no. 739017, circa 1951, silvered dial signed Rolex, Oyster Royal, shock resisting, luminous Arabic numerals and hands, centre seconds, on a later leather strap, 33mm diameter. £500-700 40A. Ebel. A steel wristwatch, Style no. 14620374, Serial no. 183903, grey dial with raised gilt numerals, centre seconds and date aperture, gilt bezel and screws, on flexible bracelet with deployment clasp, 36mm diameter, with Ebel box. £200-300 41. Breitling. A steel chronograph wristwatch, Ref. 2007, circa 1964, the silvered dial signed Breitling, Geneve, Top Time, twin black subsidiaries for running seconds and 45 minute recording, stop centre seconds, baton numerals, in a cushion shaped bark finish case, the chronograph buttons in the band, 39mm diameter. £600-800 42. Jaeger LeCoultre. A Steel duoplan back wind rectangular wristwatch, silvered dial with black Arabic numerals, case back numbered 61644, the stepped case now with later leather strap, 35mm long. £150-200
43. Jaeger LeCoultre. A 9ct gold lady’s wristwatch, signed silvered dial, signed movement numbered 898060, in a circular case no. 5121, London 1952, with integral flexible bracelet, 20mm diameter, with LeCoultre box (2) £150-250 44. Hamilton. A steel military wristwatch, the black dial signed Hamilton and with War Department arrow, centre seconds, luminous hands and Arabic numerals, the case back numered 6B-9101000. H.1532, with later steel bracelet, 39mm diameter. £150-200 45. Omega. A steel constellation wristwatch, modern, gilt dial with centre seconds and date at 3 o’clock, gold bezel with engraved Roman numerals, with integral flexible steel bracelet, 35mm diameter. £300-400 46. Cartier. A steel automatic Santos wristwatch, serial no. 887023 CD, circa 2003, silvered machine turned dial signed Cartier Automatic, centre seconds, date at 3 o’clock, on flexible integral steel bracelet with hidden clasp, 33mm diameter; with Cartier red pouch with certificate, instruction book and two extra links. £400-500 47. Cartier. A steel and gold Santos automatic wristwatch, serial no. 296198642, bronzed dial signed Cartier and with date aperture, centre seconds, on flexible integral steel bracelet with clasp, gold bezel and strap screws, 33mm diameter. £500-700 48. Rolex. A steel, now gold plated, oyster perpetual date wristwatch, ref. 15505, serial no. 8883181, circa 1985, white dial with black Roman hours and raised gilt baton minutes, centre seconds, date at 3 o’clock, with gold plated oyster bracelet, 36mm diameter. £300-400 49. Corum. An 18ct gold manually wound lady’s bracelet wristwatch, rectangular champagne dial with Roman numerals, seventeen jewel movement numbered 60825; on an 18ct gold flexible Omega bracelet, Import marks London 1968, 24mm diameter. £2,000-2,500 50. Rolex. A steel oyster perpetual datejust wristwatch, ref. 16200, serial no. R920749, circa 1987, silvered dial with baton numerals, centre seconds, date at 3 o’clock, with steel jubilee bracelet, 38mm diameter. £400-600 51. Baume & Mercier. An 18ct gold lady’s wristwatch, case numbers 555570 and 38321, white dial with Roman numerals signed Baume & Mercier, Geneve, in a circular case with large loop lugs, 26mm diameter. £200-300 52. Rolex. A gold and steel automatic wristwatch, Ref. 4134, serial no. 426865, circa 1940, silvered dial with faded signature Rolex Perpetual below the raised gilt Rolex crown, also signed ‘Officially Certified Chronometer’ above the subsidiary seconds dial, perpetual movement no. F42665, in a circular gold case with large lugs, snap on steel signed bubble back, 39mm diameter. £700-1,000
53. An unusual magnifying watch stand by Hukin & Heath, the circular silver plated base to contain a nightlight beneath a bulls eye glass with pouch behind, 4½in (11cm) high, circa 1900. £200-300
54. An 8 day Goliath watch, white enamel dial, keyless lever escapement, in a nickel case, 4in (10cm) diameter, early 20th century. £80-120
λ 55. A gold mounted miniature tortoiseshell carriage timepiece, French movement with replaced lever platform, circular white enamel dial with faded signature, in a rectangular case with 9ct gold corners, bezel, handle and feet, London 1900, 3in (7.5cm) high, and a French drum cased timepiece, circular brass case with fitted travelling case. (2) £300-400
56. A French mantel timepiece of horseshoe form, circular white enamel dial signed Henry Bright, Paris, drum movement stamped VAP with vertical lever escapement, set in an inverted horseshoe case, blue enamel nail heads, the centre profusely engraved with foliage, easel support to back, 8in (20cm) high. £300-400
57. A bulkhead timepiece, white enamel dial, subsidiary seconds, going barrel movement with lever platform, in a circular brass case, 6in (15cm) diameter; and another bulkhead timepiece, white enamel dial, VAP movement with vertical lever escapement, in a tin case with brass bezel, 7½in (19cm) diameter. (2) £100-200
58. A miniature mother of pearl mounted alarm carriage timepiece, German movement with white circular enamel dial and subsidiary alarm dial beneath, rectangular case with carrying handle and bun feet, 3in (7cm) high; and a silver fronted mantel timepiece, French movement with white enamel dial, waisted mahogany case, the silver engraved with Sheraton style designs, 7in (17.5cm) high. (2) £100-150
59. A French Art Deco Clock Garniture, striking movement stamped ‘Fini, Paris’, gilt octagonal dial signed ‘Lepags, LeHavre’, in a vari-coloured marble case, flanked by a kneeling spelter lady with doves, 15½ in (36cm wide), flanked by a matching pair of rectangular urns. (3). £70-100
60. A French brass mantel timepiece, circular white enamel dial, drum movement stamped EGL with cylinder platform, in a circular cast and pierced case with easel back 11½in (30cm) high. £100-150
61. A French ormolu mantel clock, striking movement by Japy Freres with white enamel dial, in a drum case flanked by two cherubs feeding fish to a swan, floral swags and bird finial, 11in (28cm) high. £300-400
62. A mystery timepiece of elephant form, the movement with white enamel dial suspended from the spelter animal’s trunk, on shaped wooden base, German, circa 1900, 11in (28cm) high. £600-800
63. A French gilt brass and marble mantel timepiece, circular white enamel dial, drum movement with cylinder platform, set in a lyre shaped case, on shaped white marble base, with floral swag and anthemion final, 14½in (37cm) high. £150-250
64. A French porcelain mounted gilt metal clock garniture, striking movement by Ad. Mougin, numbered 293, numbered pendulum, dial and plaques decorated with figures in a rural scene, break arch case with acanthus scrolls, 11½in (29cm) high; flanked by a pair of matching urns decorated with rural scenes, 11in (28cm) high. (3) £300-400
65. An alarm carriage timepiece, white enamel dial with subsidiary alarm dial, cylinder platform, in a brass obis case, the bell in the base, 4½in (11cm) high, with travelling case; and a carriage timepiece, white enamel dial signed Drew, Piccadilly Circus, London, cylinder platform, in an obis case, 4¾in (12cm) high. (2) £150-200
66. A carriage timepiece, cream enamel dial, cylinder platform, in a brass case with bands of beading, on bun feet, 5in (13cm) high. £100-150 67. A reproduction miniature carriage timepiece-cumbarometer, white enamel dial, lever platform, in a moulded obis case flanked by a matching cased aneroid barometer, ‘T’ bar handle, 4in (10cm) high. £100-150
68. A carriage timepiece, white enamel dial with retailer’s inscription, cylinder platform, in a gilt brass case, 4¾in (12cm) high; and another carriage timepiece, enamel dial with floral swags, in a brass case with side pillars decorated with multicoloured champleve enamel, handle lacking. (2) £100-150 69. A carriage clock in one piece case, white enamel dial, repeating movement bearing the circular stamp of Japy Freres, lever platform, in a brass case with solid back door and glass slide, 5in (12.5cm) high. £200-300
70. A carriage clock, white enamel dial, lever platform, striking and repeating on a gong, in a brass corniche case with fancy handle, 5½in (14cm) high. £200-300 71. A carriage timepiece of small size, white enamel dial, cylinder platform, in a gilt brass obis case, 4in (10cm) high. £100-120
72. A striking carriage clock, white enamel dial signed Lister, Newcastle-on-Tyne, replaced lever platform, in a plain gilt brass case, 5in (12cm) high, with leather travelling case. £150-250
73. A small gilt brass and enamel easel timepiece, white enamel dial, Swiss twin going barrel movement with independent centre seconds, in an oval case decorated with dark blue enamel, £100-150 74. A mahogany drop dial, 12 inch white painted dial, single-train fusee movement in shaped plates, in a case with glazed trunk and carved ears, 21½in (55cm) high. £300-400 75. A French mahogany mantel timepiece, drum movement with lever platform, white enamel dial, in a waisted case inlaid with flowers and boxwood stringing, circa 1900, 11in (28cm) high. £70-100
76. A dial timepiece, 12 inch circular white painted dial, basic movement in a circular mahogany case, 15½ (39cm) diameter. £50-100 77. A French slate and marble mantel clock by Achille Brocot, retailed by Richard Robinson, Sheffield, white enamel dial with visible Brocot escapement, in a scrolled case, 19in (48cm) wide. £100-150
78. A silver mounted glass inkwell set with a silver watch, the Swiss lever watch in a guilloche case, London 1919, set in the cantilevered lid of the inkwell, cut glass base, Elkington & Co, Birmingham 1907, base 3½in (9cm) square. £180-250 79. A French balloon mantel clock, the 4 inch white enamel dial with faded Mappin & Webb signature, striking drum movement with lever platform, in a mahogany case with shell pattern inlay, ogee feet, 11½in (29cm) high. £150-200
80. A French black slate and marble mantel clock, unsigned striking movement number 1427, visible Brocot escapement in a case of bulbous form with pink marble slips, 15in (38cm) high. £80-120
81. A carriage timepiece, white enamel dial, lever platform, in a brass obis case, 6in (15cm) high. £70-100
82. A striking carriage clock with alarum in one-piece case, the silvered dial signed Chatourel a Paris, pierced moon hands and concentric alarum setting hand, replaced lever platform, the striking and repeating work mounted on the backplate, also bearing a brass plaque signed Chatourel a Paris, the repeat button in the top of the rising glass back panel, the moulded case with two gongs in the base, 5½in (14cm) high. £400-600
83. A repeating carriage clock, white enamel dial, movement numbered 22560, replaced lever platform, in a gilt brass corniche case, 5½in (14cm) high. £250-350
84. Jacot. A gorge cased carriage clock, white enamel dial, the striking and repeating movement bearing Henri Jacot’s parrot stamp and numbered 10051, lever platform, in a gilt brass case, 5¾in (14.5cm) high. £600-800
85. A carriage clock, possibly by Soldano, white enamel dial, striking and repeating movement numbered 7941, lever platform numbered on the underside 6866, in a brass canted corner case with inscription dated 1880, 5½in (14cm) high, with travelling case numbered 7941. £400-500
86. An English carriage timepiece, silvered dial signed G & W Yonge, London, trefoil hands, single-train fusee movement with replaced lever platform, engraved and signed solid back door, in a gilt brass case, 6in (15cm) high. £300-400
87. A Grande Sonnerie carriage clock, white enamel dial Aubert, Place St Francois, Lausanne, subsidiary alarum dial beneath, movement numbered 8126, lever platform, in a corniche case, the Grande sonnerie / Silence / Petite sonnerie lever in the base, with numbered key, 6in (15cm) high; with travelling case. £800-1,200
88. A carriage clock, white enamel dial, striking movement numbered 240, with lever platform, in a gilt brass Anglais Riche case, 7in (18cm) high. £400-600 89. A calendar carriage clock, circular white enamel dial with guilloche gilt mask, three subsidiary dials beneath for day, alarm and date, the repeating movement with lever platform, backplate stamped B in a circle, (possible Jules Brunelot), in a gilt brass case with silvered bands of reeding and fluted columns, 6¾in (17cm) high. £1,500-2,000 90. A porcelain mounted alarum carriage clock, attributed to Soldano, movement and lever platform both numbered 1799, striking and repeating on a gong, the porcelain dial decorated with courtly figures in a garden scene, flanking the subsidiary alarm dial, jewelled border, in a gilt canellee case, 5¾in (15cm) high. £800-1,200 91. A giant carriage clock, white enamel dial with Arabic numerals, striking movement with substantial lever platform, in an anglais case with reeded bands, 8½in (22cm) high. £500-700
92. An unusual quarter repeating alarm carriage timepiece in engraved case, circular white enamel dial with subsidiary alarm dial beneath, against a foliate engraved mask fitted with a verge watch movement by Musson a Paris, no. 1335, the alarm train mounted beneath the bell, back door inscribed Leroy et Fils, Hgrs du Roi, Palais Royal, no. 13 & 15, the case and sides engraved with flowers and foliage, 4in (10cm) high; with travelling case. £600-900
93. A good porcelain mounted alarum carriage clock in bamboo case, the striking and repeating movement numbered 1699 with lever platform, maroon chapter rings, the dial and side panels decorated with multicoloured birds, flowers and butterflies against a cream ground, the borders with dark blue and gilt beading, in a gilt brass case of bamboo form, 6½in (16cm) high. £3,000-4,000 A similar clock is illustrated in Roberts, Derek: Carriage and other Travelling Clocks, p. 205, Fig 12-16.
λ 94. A French boulle mantel clock, striking movement by Ad. Mougin, signed on the white enamel dial Johnston & Co, Glasgow, in a waisted case, the front and sides applied with boullework, gilt brass scrolled mounts and handle, 16in (41cm) high. £400-600
95. A French porcelain mounted gilt spelter mantel clock, drum striking movement numbered 21683, in a scrolled case, the dial and porcelain plaques decorated with figures and musical trophies, against a light blue ground, urn finial 14½in (37cm) high, on a giltwood base. £300-400
96. A French bronzed and ormolu mantel clock, striking movement by S. Marti, in a waisted green patinated case with scrolled gilt mounts, bird finial, 12½in (32cm) high. £100-150
97. A French brass and champleve enamel clock garniture, striking movement by Vincenti, no. 13881, numbered pendulum, gilt dial signed for the retailer Davies & Son, in a rectangular case, the dial centre, front, sides and top inlaid with multicoloured champleve enamel, turned finials on acanthus cast feet, 11in (28cm) high, flanked by a matching pair of single light candlesticks, the tapering columns on domed square section bases, the whole inlaid with champleve enamel, 8in (20cm) high. (3) £600-900
98. A swinging mystery timepiece by Ansonia, the nickel plated drum case with gilt brass mounts and pendulum, supported from the arm of a spelter scantily clad lady on a circular black base, late 19th century, 24½in (62cm) high. £150-250 99. A French black slate and marble mantel clock, striking movement by S. Marti, with visible Brocot escapement, in a rectangular slate case with grey marble slips, 16in (61cm) high. £60-80 100. A French mahogany mantel clock, 5 inch circular white enamel dial, drum movement numbered 1011, in a rectangular case with unusual domed top flanked by freestanding brass columns, the front and sides with boxwood stringing, circa 1900, 14in (36cm) high. £200-300
101. A French ebonised Arts & Crafts mantel clock, striking drum movement stamped Miller & Sons, Paris, the dial and porcelain panels decorated with castles in an architectural case, 15½in (39cm) high. £300-400 102. A French white marble and ormolu mantel clock, striking movement by Japy Freres and stamped ‘Berger a Paris’, the case flanked by a seated classical male figure and scrolls, on stepped marble base, 18½in (47cm) wide. £150-200
103. An English dial, 12 inch circular painted dial, single-train fusee movement, in a circular mahogany case, 14in (36cm) diameter. £250-300 104. A French portico clock, white enamel dial with faded signature a Fontainebleu, striking drum movement by S. Marti, supported within four barley twist columns, the rosewood case inlaid with birds and foliage, cast foliate pendulum bob, 17½in (44cm) high; on base with glazed dome. £700-900
105. A French brass mantel clock, striking movement by Japy Freres, white enamel dial, in a rococo style waisted scrolled case, 19in (49cm) high. £150-200 104
106. A French Sedan timepiece, now fitted with a replaced verge watch movement, white enamel dial signed Courvoisier Freres, well cast scroll engraved bezel, in a circular gilt brass case, with suspension loop, 5in (12.5cm) diameter. £500-700
107. A French simulated tortoiseshell mantel clock, circular white enamel dial signed Planchon au Palais-Royal, bezel set with paste brilliants, drum movement with lever platform in a case with caddy top, gilt metal mounts and torch finials, surmounted by carrying handle, 7in (18cm) high, with the original travelling case signed Planchon on the chamois lining. ��2,000-2,500
108. A skeleton timepiece, silvered chapter ring, movement with five-spoked wheels and anchor escapement with one-at-the-hour strike, in scrolled plates with the bell above, on mahogany base, 13in (33cm) high, with rectangular footed glass dome. £400-600
110. A German mystery timepiece, movement by Junghans with white enamel dial, supported from the arm of a willowy maiden, on circular ebonised base, 13½in (34cm) high. £250-350
109. A French ormolu mantel clock, striking drum movement stamped A. Lemaire, Paris, no. 1900, numbered pendulum, thirteen piece white and blue enamel dial against an embossed gilt ground, in a waisted scrolled case set with a plaque depicting the Sciences, putto finial, 16½in (42cm) high. £700-1,000
111. Thomas Weeks, London. A bronze lion on gilt stand, inscribed Weeks’s RI. Museum, Tichborne St, a gilt putto astride the animal’s back, probably off the top of a Semaine à Londres mantel timepiece, 4¼in (11cm) wide. £200-300
112. A gilt brass strut timepiece, circular 3 inch silvered dial signed Dent, 61 Strand, London, no. 1657, foliate scroll engraved centre, fleur de lys hands, spotted full plate movement with plain three armed steel balance, in a shield shaped case engraved with scrolls, easel back, 4¾in (12cm) high; with fitted travelling case. £700-900
113. A French ebonised striking wall clock, the 7½ inch circular glazed dial signed ‘Hausburg a Paris’, filigree hands, striking on a backboard mounted gong, in a square frame brass banded case with glazed door, 15in (38cm). £100-150
114. A French quarter striking wall regulator, 7 inch white enamel dial, the two-train gong barrel movement striking on two gongs, in an ebonised and walnut case with break arch top, 42 in (107cm) high. £300-500
115. A French vineyard clock, the porcelain dial applied with enamel numeral reserves, the striking movement in a tortoiseshell veneered case set with a porcelain plaque of a putto, in shaped ebonised frame, the whole with gilt brass mounts, 27in (69cm) high. £200-300
116. A Regency quarter chiming mahogany bracket clock, 9 inch convex white painted dial with faded signature, Strike / Silent lever at 12 o’clock, the three train movement signed Robt. Shaw, Belfast on the backplate, engraved border and similarly decorated pendulum, chiming and pull repeating on eight bells, in a brass inlaid case with fish scale grilles, stepped top, on brass ogee feet, 21in (53cm) high, circa 1820. £1,000-1,500
117. Elkington & Co. A Good silver plated and gilt picture clock, the 4½ inch circular gilt dial signed Elkington & Co, the surround finely embossed with figures of the Arts and Sciences beneath musical trophies, the top with two putti holding aloft a gilt portrait bust, the base engraved Elkington & Co, Rd. 92173, striking French movement by Japy Freres with lever platform, in an ebonised frame case with gilt brass door, 20½in (52cm) high. £1,500-2,000
118. A reproduction simulated tortoiseshell bracket clock, English striking movement in a bell top case, the dial and whole case applied with simulated shell, on silvered bun feet, surmounted by handle, 17½in (44cm) high. £300-500
119. A mahogany striking bracket clock, the 8 inch convex circular white painted dial signed L. Harper, London, two-train fusee movement in shaped plates with engraved borders and pendulum bob, in an arched case with ebonised stringing, brass ball feet, 17in (44cm) high. £600-800
120. A George III mahogany striking bracket clock, the circular painted convex dial signed S.M. French, Royal Exchange, cast brass bezel set into the door, opening to reveal a Strike / Silent lever above 12 o’clock, two-train movement with anchor escapement, in shouldered plates with engraved borders, the pendulum with similar border and rating scale; in a break case with single brass bound pad top with handle, fish scale grills to sides and panels below dial, brass ogee feet, 16in (41cm) high; with later mahogany bracket. (2) £700-1,000
121. A quarter chiming mahogany mantel clock, the 7 inch brass dial with silvered chapter ring and three subsidiaries in the arch for Chime / Silent, Slow / Fast and eight bells / Westminster, the three train chain fusee movement chiming on a carillon of eight bells, in a case with panels of foliate engraving, flanked by free standing Corinthian columns, 22in (56cm) high. £1,500-2,000
122. A rosewood striking clock, the silvered dial signed Hunter & Compy, London, no. 114, foliate engraved spandrels, trefoil hands, the two-train movement with shouldered plates and pull trip repeat, in a gothic revival case flanked by free-standing columns, 13½in (35cm) high, circa 1840; and an associated mahogany bracket. (2) £1,500-2,000
123. A quarter chiming carved mantel clock, the three train going barrel movement by Winterhalder & Hofmeier, chiming on a carillon of eight bells, the 7 inch brass dial signed Sir John Bennett Ltd on the silvered chapter ring, the arch containing twin subsidiaries for Slow / Fast and Chime / Silent flanking an embossed sunburst, in a break arch case flanked by carved caryatids above flowers, 19½in (50cm) high. £700-900
124. A Regency alarum mantel timepiece, the 6 inch circular silvered dial signed King, Newport, blued steel moon hands, concentric alarm dial with gilt arrow hand, the going train with fusee and anchor escapement, the alarm with small going barrel mounted on the backplate, in a mahogany chamfer top case with ebony inset canted corners and panels, sides with fish scale grills and drop handles, 14in (36cm) high. £1,500-2,000
125. A large ebonised English quarter chiming mantel clock, the 8 inch silvered dial signed J.J. Stockall & Sons, Manufacturers, Clerkenwell, London, foliate engraved spandrels, the florally engraved arch containing three subsidiaries for Chime / Silent, Slow / Fast and Westminster / Chime on eight bells, the massive threetrain chain fusee movement with anchor escapement, pendulum hold-fast, chiming on a carllion on eight bells or four gongs, the hours struck on a large gong, in a break arch case flanked by brass caryatids, the sides with sunburst frets with carrying handles above, torch finials, on scrolled feet, 28½in (73cm) high. £3,000-4,000 125
Provenance: By family descent from Falkland Park, South Norwood. This property was sold to the church in 1923 and now named Spurgeon’s College.
126. John Wightwick, London. An ebony veneered striking verge bracket clock of small size, the 5 inch brass dial with silvered chapter ring and foliate spandrels, matted centre with date aperture, the arch with recessed plaque signed John Wightwick, London flanked by twin subsidiaries for Strike / Silent and Slow / Fast, the profusely scroll engraved backplate signed Jno. Wightwick, London, pull trip repeat, in a bell top case with brass banding, flanked by gilt caryatids on ogee feet, 15in (38cm) high. £7,000-10,000
127. A massive quarter chiming oak bracket clock and matching bracket, 8 inch brass dial with silvered chapter ring and Arabic numerals, the arch containing three subsidiaries for Chime / Silent, Slow / Fast and 8 bells / Westminster chimes, the English three train chain fusee movement chiming on a carillon of eight bells, in a profusely foliate engraved case flanked by carved caryatids, basket top engraved with a mask, 27in (69cm) high; with a matching bracket, the supports with carved masks, 19½in (50cm) wide. (2) £2,800-3,500
128. An English giltwood cartel clock, signed Willm Ray, Sudbury on the 9 inch circular silvered dial, mock pendulum aperture, Roman hours and outer Arabic minute ring, the fusee movement with anchor escapement and offset barrel in tapered plates, asymmetric carved water gilt case with foliate and floral designs surmounted by an eagle, cast brass bezel, 29in (14cm) high. £2,500-3,000
129. An unusual French table regulator in the manner of Antide Janvier, the two-piece silvered dial signed Rieussec, Her. du Roi, 24 hour chapter ring, the recessed centre with ten minute subsidiary, concentric age of moon disc, minute hand cast with a sunburst, the hour hand inset with revolving moon, the circular plated movement with anchor escapement and backplate scratch engraved Patou, with an associated gridiron pendulum, in an associated four glass mahogany case with dentil cornice, 19½in (50cm) high. £3,000-4,000 Rieussec, Paris, 1807-25. A well known maker. Invented the inking chronograph.
130. Thomas Wagstaffe. A quarter chiming mahogany verge bracket clock, the 7 inch brass dial signed Thomas Wagstaffe, London on the silvered chapter ring, the matted centre with date aperture at 12 o’clock, the arch containing Strike / Silent subsidiary, scrolled spandrels, the foliate engraved backplate signed Thomas Wagstaffe, London, the three train fusee movement chiming and repeating on eight bells, in a maohgany bell top case, fluted canted corners with brass inlay, torch finials, on brass feet, 23½in (59cm) high. £12,000-16,000 Purchased by the vendor from Anthony Woodburn Ltd in the 1990s.
131. Joseph Barber, London. A good tavern clock of teardrop form, circular 23 inch dial with gilt painted Roman hours and outer Arabic minute ring, pierced brass spade hands, movement with anchor escapement in tapering plates with four pillars, front plate numbered 22, four wheel train with very large diameter barrel wheel, signed Josh Barber, London below the dial, the trunk door decorated with gilt chinoiserie designs, the sides with gilt flowers and foliage, all against a black ground, circa 1795, 47in (120cm) high. ÂŁ4,000-6,000
132. An 8 day oak longcase clock, the 10 inch brass dial signed Henry Deykin, Worcester, no. 956, now fitted with a later 8 day movement, in a plain oak case, with flat top, 75½in (192cm) high. £200-300
133. An eight day oak longcase clock with moon work, the 14 inch painted dial with faded signature, subsidiary seconds and calendar dials, the arch with rolling moon, the four pillar movement with false plate by Walker, the case with inset panelled plinth, the hood and trunk flanked by pilasters, swan neck pediment, the whole inlaid with medallions, 89½in (227cm) high. £400-600
134. A 30 hour painted pine longcase clock, the 10 inch brass dial signed Joseph Hallifax, Barnsley on the silvered chapter ring, the matted centre with date sector, the four pillar plated movement with count wheel on the backplate, the slender case with simulated grain and faux painted stringing, 78in (198cm) high. £400-500
135. An eight day longcase clock, the 12½ inch brass dial signed at the base Presbury, Coventry, date aperture, recessed subsidiary seconds, arch containing strike / silent, flanked by engraved birds, foliate scroll engraved spandrels, the four pillar movement in a case with panelled plinth, trunk door flanked by blind frets, the hood with swan neck pediment, with ball and eagle finials, 88½in (225cm) including finial. £400-500
136. Marsh, Highworth. An early tavern clock with rectangular shield dial, gilt Roman hours and outer Arabic minute ring with diamond half hour marks, signed beneath the chapter ring Marsh Highworth either side of a gilt painted Father Time type figure, the large ears attached to the trunk decorated with barrels and vine leaves, the door now glazed, cushion base, the rectangular plated movement with four ringed pillars, the four wheel train with large diameter barrel wheel, brass hands with counter balanced minute, circa 1735, 62in (157cm) high. ÂŁ6,000-9,000 Provenance:Recently removed from the Bear Hotel, Hungerford, where it reputedly has been since new. The clock is recorded and discussed by Gratto, Martin â€˜The Tavern Clockâ€™ p. 147. Ono Marsh of Highworth died in 1733. The business was continued by his widow Jane.
137. An 8 day mahogany longcase clock , the 12 inch brass dial signed Jno. Fielder, Alton on the chapter ring, date aperture and subsidiary seconds in the matted centre, five pillar movement in a case with satinwood inlaid shell to the trunk door, satinwood corners, the hood with shallow swan neck pediment flanked by fluted columns, 89in (226cm) high. £800-1,100
138. A mahogany longcase regulator, the 11 inch circular silvered dial signed J.J. Stockall & Sons, London, centre seconds, dead beat escapement with maintaining power and set-onbeat arm, mercury jar pendulum, in a plain mahogany case with fully glazed door and degree scale, on purpose made plinth, 74½in (189cm) high. £1,000-1,500
139. An eight day mahogany longcase clock, the 12 inch silvered dial signed Willm Lewis, Sarum, subsidiary seconds and large date sector, centre engraved with a marine scene, the arch inscribed Tempus Fugit around a bird, the four pillar movement with rack striking and anchor escapement, in a case with shaped top to the trunk door, break arch hood flanked by freestanding fluted Corinthian columns, with swan neck cresting and finial, 93in (236cm) high. £400-600
140. An eight day walnut longcase clock, the 12 inch brass dial signed on the silvered chapter ring, R. Rice, Bristol, the matted centre with date aperture and subsidiary seconds, the arch with silvered boss engraved Tempus Fugit, four pillar movement in a plain case, the flat hood with blind fretwork, 84½in (214cm) high. £700-1,000
141. Thomas Cartwright, London. A fine Queen Anne walnut marquetry longcase clock, the 12 inch brass dial signed on the silvered chapter ring T. Cartwright, Apud Bursam, Londini Fecit, the matted centre with ringed winding holes, subsidiary seconds and date aperture, cherub and crown spandrels, the five ringed pillar movement with inside locking plate striking, in a magnificent case, the trunk door with panels inlaid with birds amongst foliage against an ebony ground, panelled and crossbanded sides, the hood with caddy top and giltwood torch finials, 97in (247cm) high, circa 1705. ÂŁ15,000-20,000 Thomas Cartwirght was watchmaker to Queen Anne and King George I having been apprenticed to Christopher Gould.
142. An 8 day mahogany longcase clock, the 12 inch flat brass dial signed Jno. Collings, Sodbury, the centre with subsidiary seconds and calendar sector amongst an engraved village scene, four seasons spandrels, arcaded minutes, the arch engraved with a lion and unicorn and Dieu et mon Droit, the four pillar movement in a case with swan neck pediment and shell pattern inlays, 85in (206cm) high. £500-700 143. A Giant Vienna regulator timepiece, the tapered backplate signed Lenzkirch, no. 975878, dead beat escapement, maintaining power, set-on-beat arm, two piece white enamel dial with moon hands, massive grid iron pendulum suspended from the backboard, with calibrated rating nut, enamel degree arc scale, in a walnut veneered case flanked by ebonised scrolled columns, 79in (201cm) high including finials. £700-1,000 144. A rosewood stick barometer, signed on the bone register plates Phillips Bros, Cockspur St, London, twin verniers, in an unusual concave case with glass cistern and ogee moulded top, 39½in (100cm) high. £300-400 145. A Fortin barometer, bearing the trademark of Darton, S427, the anodised brass cylindrical body suspended from a mahogany backboard with presentation inscription, 42in (107cm) high. £50-100
146. An unusual mahogany stick barometer, the bone register plate signed Abraham & Dancer, Manchester, the trunk with glazed ‘Difference of Temperature’ table beneath sliding bone scales ‘Set from Table’, ‘Set from Barometer’, turned cistern cover (thermometer removed), 37½in (95cm) high, circa 1840. £300-500
147. Seven horological books, to include Allilx, C & Bonnert, P; Carriage Clocks, their History & Development; Britten, F.J, Old English Clocks The Weatherfield Collection, and Robinson, Tom: The Longcase clock. (7) £50-100
148. Antiquarian horology: Volumes 1 - 5 bound in red cloth, re-printed by the AHS and loose volume commencing Volume 10 no. 5 (winter ‘77) complete to Volume 19. A gap between Vols 20, 21, 22 and 23 no. 1, 2 and 3 missing; and a complete run from Volume 23 no. 4 to Vol 33, no. 2 (Vol 32 no. 1 missing, some duplicates). £200-300
149. A good Belle Epoque ormolu cartel clock and matching barometer of large size, the 9Â˝in convex enamel dial signed H. Vian a Paris, the numerals divided by floral swags, gilt filigree hands, square plated striking movement with pendulum impulse lever at the base of the dial above the signature Baudet, in a massive acanthus scrolled case centre with fretwork, large urn fiinal flanked by female caryatids; and matching aneroid barometer, 38Â˝in (98cm) high. ÂŁ4,000-6,000
150. Vulliamy No. 741. A magnificent silvered boulle quarter chiming bracket clock reputed to be of Royal provenance, three train fusee movement with six pillars and signed on the backplate Vulliamy, London, 741, chiming on a carillon of six bells, massive pendulum with ebony rod and rating nut, signed on the bob Vulliamy, London, 741, the Louis XV case with silvered dial, white and blue enamel numeral reserves, outer engraved minute ring, strike/silent lever at 4 o’clock, the centre cast with a sunburst at 12 o’clock and a bust of Louis XV beneath, case of waisted form with scrolled caryatid feet, the whole with foliate boullework, parquetry floor surmounted by four torch finials and putto finial, the front door plaque removed to reveal the pendulum, 35in (89cm) high. £15,000-25,000 Benjamin Lewis Vulliamy born 1780, Free of the Clockmakers Company 1809 and warden 1821-5, died 1854. An eminent maker and clockmaker to the King. No. 741 can be dated to 1820. Vulliamy’s workbooks are not available between numbers 470 and 745, but they are extant from no. 746 onwards, stating that work began on no. 746 on 13 May 1820. Records of clocks in the Royal Collections show Vulliamy replacing French movements with his own products. Substitutions during 1819 include his numbers 678, 679 and 680. A clock originally in the Ante-Room of Brighton Pavilion received the attention of B.L. Vulliamy, once having arrived at Buckingham Palace. His movement no. 744 was substituted for the original in 1820, no. 739 was also installed in 1820. Vulliamy had very little regard for French movements and ‘Anglicised’ numerous clocks, condemning the originals from ‘very bad’ to ‘the works of the clock are good for nothing’. The authorization of this work entailed massive bills (of more than £10,000 spent in 1811 for Carlton House his father’s bill was £2129, one of the largest). Literature: Jagger, Cedric: Royal Clocks, Hale 1983. Provenance by repute: Given by King George IV (ascended the throne on 29 January 1820 aged 57) to Mrs Fitzherbert. Before becoming Prince Regent he had married Maria Fitzherbert in 1785. The marriage was deemed void by King George III and on 23 June 1794 she was advised by letter that her relationship with the Prince was over. In 1796 on January 10 the Prince wrote a last Will and Testament bequeathing all his ‘worldly property ...... to my Maria Fitzherbert, my wife, the wife of my heart and soul’. Despite turning against her in the first few years of his reign he continued to pay her annuities. Before dying he asked to be buried with Fitzherbert’s miniature around his neck which was done. After his death it was discovered he had kept all her letters. His brother, later King William IV, offered her a Dukedom which she declined. In his day B. L. Vulliamy was an extremely expensive clockmaker and we know that during 1819-20 he was working extensively at the Palace. It is almost inconceivable to believe that anybody outside the Palace would have commissioned him to make a substitution of this type. The clock bears a copper plate printed label ‘Mrs Fitzherbert’ inside the domed top. Maria Fitzherbert died in 1837. The clock is presumed to have been bequeathed to a family member and is reputed to have been auctioned at a house sale in the 1840’s.
151. A set of draughtsman’s instruments, one ruler signed Davis & Son, London & Derby, in a fitted oak case. £70-100
154. A gilt brass chondrometer, by De Grave, Short & Co, London, the sliding scale recording lbs per bushell and kilos per charge, in a fitted mahogany box with anchor screw in lid, box 18½in (47cm) wide. £80-120
152. A pair of gold spectacles, folding frames, contained in a silver mounted shagreen case, circa 1800, case, 5in (13cm) long. £300-400
153. Two sextants: the first signed Heath & Co Ltd, Crayford, London, Hezzanith, anodised brass bell frame, in mahogany case with two telescopes; the second by Plath, Hamburg, no. 10651 with anodised brass ladder frame, in a box. (2) £300-400
155. A brass helio-chronometer, the month disc inscribed Charles Dukes, Optician, Bournemouth and signed by the manufacturer Pilkington and Gibbs, Preston on the rim, on bronze stand, 9in (23cm) high; with original illustrated manual. (2) £200-300
156. A boxwood thermometer, signed Cary, London, the scale in Fahrenheit with levels opposite to include Hot Spring at Barege, Hot Pump at Bath and Matlock Bath, 14½in (37cm) high. £100-150
157. An early 20th century Swedish 21 inch terrestrial globe, signed Jordglob, au H. Kiepert svensk upplaga au Avid Kempe, Wahlstrom & Widstrand, Stockholm, 1909; D. Reimers kartograf trycken, Berlin, printed paper gores with brass half meridian circle, on turned ebonised stand, 37in (94cm) high overall. £600-900
158. A musical box, playing eight airs, single spring motor, single section comb on cast bedplate, three bells, ebonised interior with dust lid lacking glass, coloured tune sheet, lid inlaid with marquetry musical trophies, 19in (48cm) long. £300-400
Tribal Art Tuesday 11th February 2014
Aboriginal, Isle of Pines and other South Seas artefacts collected in the 1850â€™s by Captain the Hon. Louis Hope.
ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 firstname.lastname@example.org
The Raymond Dennis Collection Tuesday 25th February 2014
ENQUIRIES Clare Durham Tel: +44 (0)1722 424506 email@example.com
A fine and very rare early Worcester ‘Scratch Cross’ mug, c. 1754-55. Provenance: Purchased from Tilley & Co., London in 1971. Estimate: £10,000 - £15,000
Clarice Cliff, Art Deco & 20th Century Design Wednesday 5th March 2014
ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 firstname.lastname@example.org An original artwork design by Dodo Burgner. Estimate: ÂŁ400 - ÂŁ600
Paintings Wednesday 19th March 2014 Entries are now being accepted for this sale
ENQUIRIES Victor Fauvelle Tel: +44 (0)1722 424503 email@example.com
One of a large collection of unframed etchings by the artist Herbert Thomas Dicksee (1862-1942) Head of a Siberian Tiger Signed, etching, unframed 21.5 x 28cm Provenance: By descent from the artist Estimate: ÂŁ250 - ÂŁ350
Jewellery Thursday 1st May 2014 Entries are now being accepted for this sale
ENQUIRIES Jonathan Edwards FGAA 01722 424504 firstname.lastname@example.org Marielle Whiting FGA Tel: +44 (0)1722 424595 email@example.com
A diamond set naturalistically inspired 19th century floral brooch. The butterfly is mounted en tremblant. Estimate: ÂŁ5,000 - ÂŁ10,000 To be sold May 1st 2014.
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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.
PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/
ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping
01582 493 099 email@example.com www.albanshipping.co.uk
0800 118 5868 firstname.lastname@example.org 07736 544 362 www.apservices.info
01264 360 333 email@example.com www.mbe.co.uk/andover
Pack & Send
0845 465 0564 firstname.lastname@example.org www.packsend.co.uk
Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.
SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.
6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).
6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.
7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.
8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.
8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).
7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.
9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.
11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.
2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.
PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.
BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.
GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.
ARTIST’S RESALE RIGHT / DROIT DE SUITE
21. English law applies to the interpretation of these Conditions.
Lots marked with a ‡ symbol are potentially subject to the levy.
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500
Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.
Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.
INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.
We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424509
For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.
FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.
Woolley & Wallis valuations are accepted by all leading insurance companies.
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Warehouse – Furniture, Clocks, Works of Art, Tribal Art. 2 Danbury Court, Old Sarum Park, Salisbury, Wilts SP4 6EB
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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 7424 7830 www.jammdesign.co.uk
WOO L LE Y & WA L LI S Absentee Bid Form Clocks, Watches, Barometers & Scientific Instruments
PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order
Price Excluding buyer’s premium & VAT
Wednesday 19th February 2014 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)
Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508
AUCTION CALENDAR TRIBAL ART 11th February 19th June Will Hobbs +44 (0) 1722 339752 • email@example.com CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 19th February 30th July Richard Price +44 (0) 7741 242421 • firstname.lastname@example.org ENGLISH & EUROPEAN CERAMCIS & GLASS 25th February – Fine Porcelain & Pottery 7th May Clare Durham +44 (0) 1722 424507 • email@example.com 20TH CENTURY DESIGN 5th March – Clarice Cliff & Art Deco 18th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • firstname.lastname@example.org PAINTINGS 19th March 4th June – Modern & Contemporary Victor Fauvelle +44 (0) 1722 424503 • email@example.com Jo Butler +44 (0) 1722 424592 • firstname.lastname@example.org FURNITURE & WORKS OF ART 1st April 8th July Will Hobbs +44 (0) 1722 339752 • email@example.com Mark Richards +44 (0) 1722 411854 • firstname.lastname@example.org SILVER 29th & 30th April 22nd & 23rd July Rupert Slingsby +44 (0) 1722 424501 • email@example.com Lucy Chalmers +44 (0) 1722 424594 • firstname.lastname@example.org JEWELLERY 1st May 24th July Jonathan Edwards +44 (0) 1722 424504 • email@example.com Marielle Whiting +44 (0) 1722 424595 • firstname.lastname@example.org ASIAN ART 21st & 22nd May 12th & 13th November John Axford +44 (0) 1722 424506 • email@example.com Sophie Lister +44 (0) 1722 424591 • firstname.lastname@example.org