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20th Century Design Wednesday 21st September 2011

Specialist Departments Please dial 01722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery


ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Clare Durham — Tim Wright (Consultant)

424506 424591 424507

BOOKS & MANUSCRIPTS Liz Merry (Consultant)

CLOCKS Will Hobbs — Richard Price (Consultant)

— — — —

GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite








339752 411854 339161 339752

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

PAINTINGS Victor Fauvelle Jo Butler

— —

424503 424592

SILVER Rupert Slingsby Lucy Grazier

— —

424501 424530

Members of The Society



ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 John Axford MRICS ASFAV — 424506 Sophie Lister — 424591 FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush


of Fine Art Auctioneers

BOARD OF DIRECTORS Paul Viney ASFAV Chairman and Managing Director John Axford MRICS ASFAV Willi Verdon-Smith FRICS COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA


20TH CENTURY DESIGN Wednesday 21st September 2011 at 10.30am

Viewing Times Saturday 17th September 10.00am – 1.00pm Monday 19th September 10.00am – 4.30pm Tuesday 20th September 10.00am – 4.30pm Wednesday 21st September 9.00am – 10.30am

Please note that any lots purchased via live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price.

ENQUIRIES Michael Jeffery 01722 424505 Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at

Index Glass

1 - 94

including Lalique

56 - 71


95 - 293

including Poole Pottery

Sculpture Works on Paper

180 - 213

294 - 312 313 - 363

including Dodo Burgner original artwork posters

Textiles The Tom Watkins collection of Memphis and Modern Design Furniture Metal Ware

180 - 213

364 - 375 376 - 394 399 - 461 462 - 534









GLASS 1. A James Couper & Son Clutha glass vase, designed by Dr Christopher Dresser, dimpled square section vase with broad everted wavy rim, pale green glass with white swirls and aventurine inclusions unsigned 12.5cm. diam. £150-250 2. A James Powell & Sons Whitefriars straw opal glass basket on wrought iron mount probably designed by Harry Powell, unsigned 20cm. high £200-300


Literature Lesley Jackson, Whitefriars Glass Richard Dennis Publications, page 101 plate 21 for comparable mounted glass vases 3. A James Powell & Son, Whitefriars green glass candlestick, flaring domed foot with central twist stem and fluted wide drip pan, twisted sconce unsigned 23cm. high £200-300 4. A pair of James Powell & Sons, Whitefriars green glass scent bottles, tapering,spiralled form with metal collar and fire opal decoration unsigned 8.5cm. high £150-200 5. A James Powell & Sons, Whitefriars Munstead vase, designed by Gertrude Jekyll, shape no.5, tall, waisted cylindrical form unsigned 46cm. high £300-500 Literature Whitefriars Glass James Powell & Sons of London, Museum of London, page 265 for the original line drawing for this range with a version of this vase with a slightly different neck


6. ‘Whitefriars Glass James Powell & Sons of London’ a reference book by Wendy Evans, Catherine Ross and Alex Werner, published by Museum of London £80-120 7.

A pair of Powell, Whitefriars glass vases, footed goblet form with applied prunts unsigned 16.5cm. high £80-120


A large Powell, Whitefriars glass vase, flaring faceted form unsigned 26cm. high


9. A set of four Powell, Whitefriars Sapphire blue glass lotus bowls, designed by Barnaby Powell each representing a stage in the opening of a lotus flower, and two Powell amber glass vases unsigned largest bowl 32cm. diam. £80-120 10. A small Whitefriars Tangerine glass Drunken Bricklayer designed by Geoffrey Baxter, unsigned 21.5cm. high £80-120 11. A large Whitefriars Tangerine glass Drunken Bricklayer vase, designed by Geoffrey Baxter, unsigned 33.5cm. high £300-500











12. A Stevens & Williams rainbow glass vase, flaring cylindrical form, green and blue swirl decoration unsigned 21cm. high £80-120

13. Three enamelled shot glasses with designs by Ronald Searle, a Frank Thrower glass vase and three other glass items unsigned £50-80

14. A large vaseline glass vase, footed, flaring cylindrical form with fluted rim unsigned 38cm. high £150-250

15. A glass vase probably Graystan, designed by Mrs Graydon-Stannus, mottled green and white, pulled to the top rim, cased in clear unsigned 26cm. high £150-200

16. A Stourbridge cut and polished glass vase, flaring form on applied foot, dated 1948, etched inscription and date to foot rim 17cm. high £200-300

17. An engraved glass by Josephine Harris, Christmas 1990, engraved with Bacchanalian portrait etched signature and date 17cm. high £80-120 20 18. An Art Deco Cloud mirror, triptych form on wood frame, with applied gilt geometric decoration, and another Art Deco mirror unsigned 77cm. wide £80-120

19. A Vasart glass flaring cylindrical vase, mottled pink graduating to pale green with coloured inclusions, and a similar Vasart vase unsigned 22.5cm. high £80-120

20. A large Monart glass vase, pattern FE291A, on applied foot, shouldered form mottled blue and aubergine fissured glass cased in clear glass applied paper label 27cm. high £400-600

21. A collection of twelve Perthshire glass miniature vases, various shapes and colours with applied Monart paper labels tallest 10cm. high £50-150 21






25 22. A Mdina glass perfume bottle and stopper, mottled brown glass cased in clear, a large Orrefors footed bowl, a Val St Lambert glass vase and four other glass items various marks, Mdina bottle 17cm. high £100-200 23. Two Mdina glass vases, each modelled square section , mottled green and yellow striations cased in clear unsigned tallest 29cm. high £100-200 27 24. A Mdina tall glass solifleur bottle vase, moulded square section, clear glass internally decorated with purple, green and blue swirls, applied trailing to surface, and another similar applied paper label, incised mark dated 1974, 46cm. high £80-120 25. A rare Mdina glass sculpture by Michael Harris, blue and green striated glass cased in clear etched Michael Harris Mdina, minor frits 30cm. wide £150-250 26. A Webb’s cut glass vase, made for Coventry Cathedral, cut with vertical stem design, a clear glass paperweight designed by Ronald Stennett-Willson and three other glass items acid etched factory mark and etched inscription to base 17cm. high £50-150 27. A studio glass ariel vase by Ronald Stennett-Willson, dated 1970, blue and green abstract design cased in thick clear glass, incised RSW 1970 £200-300 28. A Sam Herman glass vase, dated 1982, swollen elliptical form, with internal striped decoration and surface lustre etched Sam Herman 1982, 18.5cm. high £100-200 28










29. A Theresienthal enamelled glass decanter and stopper, shouldered form painted with a frieze of stylised flowers, on a gilt ground etched 22 22cm. high £100-150 30.

A Loetz iridescent glass vase, with quatrelobed pinched rim and dimpled body, unsigned 17cm. high £300-500

31. A Moser, Karlsbad octagonal amber glass trough, decorated with a gilt frieze of a Bacchanalian feast etched Moser Karlsbad 12cm wide £120-150 32.

A Beranek glass vase, shouldered opaque bubble glass cased in a blistered red unsigned 27cm. high £100-150

33. An Andre Delatte cameo glass vase, compressed ovoid form with applied twin handles, orange glass cased in red, with Venetian lagoon landscape, cameo signature Malherbe Nancy 16,5cm. high £200-300 37 34. A Kralik glass vase and cover, ribbed, flaring cylindrical form covered in a lustrous finish unsigned 20cm. high £80-120 35. A Fuger Taube smoked glass vase, acid etched design of a flying duck before bulrushes, highlighted in gilt original paper label 18cm. high £60-100 36. A Beyermann Haida blue glass vase, compressed ovoid form with tall tapering neck, surface decorated in lustre with a watermill in a pine forestscape unsigned 28cm. high £80-120 37. A Murano peach tinted glass mirror, rectangular form with applied crest, with etched foliate decoration unsigned 90cm. high £200-300 38. A Daum Nancy enamelled glass vase with pewter foot, squared section, cast in low relief with tulip flowers, highlighted in gilt, the pewter foot with similar flowers etched Daum & Nancy to base 21.5cm. high £600-800 38





39. A Le Verre Francais cameo glass vase, flaring trumpet form, mottled pale pink glass cased in purple, decorated with a chrysanthemum flower stem etched Le Verre Francais, France to base 31.5cm. high £800-1,200

40. A Galle cameo glass solifleur vase, flattened ovoid body with flaring cylindrical neck and everted rim, amber glass overlaid with brown glass decorated with a cicada resting on an olive branch cameo glass Galle signature 17.5cm. high £400-600

41. A Galle cameo glass solifleur vase, flattened ovoid form, with tall cylindrical neck and everted rim, opaque glass with rust red overlay decorated with clematis flowers, cameo signature Galle 17.5cm. high £400-600


42. A Galle cameo glass vase, footed form with pulled rim, pink overlay decorated with strawberry plants, over yellow cameo signature Galle 12.5cm. high £400-600

43. A Galle cameo glass vase and cover, egg shaped, mottled orange body with purple overlay clematis flowers cameo signature 13cm. high £700-900 43










44. A Daum Art Deco glass vase, cylindrical form with everted rim, cast in relief with stylised foliage enamelled orange and black etched Daum & Nancy to foot rim 13.5cm. high £500-700 45. An Art Deco enamelled glass decanter and six glasses, faceted form, enamelled in black, the decanter with white metal rim stamped FP 25.5cm. high £150-200 46. A Le Verre Francais cameo glass bowl, elliptical form, mottled orange glass cased with berry overlay etched Le Verre Francais 25cm. wide £150-250 47. A Kosta engraved glass vase designed by Vicke Lindstrand, etched and engraved with a rowing boat on dry land, below swags of fishing net, etched Kosta LG 66, 33cm. high £200-400 48. A Legras etched and sepia stained glass vase, slender ovoid form, mottled white, cased in clear and etched with flying birds acid etched Legras signature 38.5cm. high £400-600 49. A Degue acid etched glass vase mottled blue etched with chevron design in low relief incised Degue to side of foot 19.5cm. high £100-200 52 50. A Bimini glass figure, white glass figure modelled en pointe, on a blown striped ball and flaring foot unsigned 21cm. high £80-120 51. A large Leerdam Unica glass bowl by A D Copier, irregular heavy clear glass with green striations, etched marks, A D Copier signature 34cm. wide. £300-500 52. A Le Verre Francais cameo overlay vase, shouldered form with everted rim, on applied foot, mottled orange glass body overlaid with aubergine glass, geometric flower design etched Le Verre Francais to base 36cm. high £700-900 53. A Daum Majorelle metal mounted glass vase, opaque glass splashed blue and orange, cased in clear with patinated metal mount etched Daum & Nancy L Majorelle to base 23cm. high £1,200-1,500 53










54. A D’Avesn opalescent glass charger, modelled in low relief with an exotic bird, signed in the mould 38cm. diam. £100-200 55. A Sabino opalescent glass Sirene box and cover, circular form cast to the interior with three swimming mermaids holding hands cast Sabino France 20cm. diam. £150-250 56. ‘Nina’ a large perfume bottle by Lalique, cast marks to base 18.5cm. high £50-150 57. ‘Shalimar’ a Baccarat scent bottle and stopper for Guerlain, Paris, flattened urn form with amethyst glass stopper, inscribed Guerlain, Paris in gilt, original paper label, in original presentation box etched marks and paper label to base bottle 14cm. high £100-150


58. ‘Dindon’ No.287 a Lalique opalescent glass pin tray, designed by Rene Lalique etched R Lalique France 10.5cm. diam. £300-400 59. A modern Lalique clear and frosted glass decanter and stopper, cast with a frieze of women dressed in toga, with spiral modelled ball stopper, and a modern Orrefors decanter and stopper etched with a hunting scene, etched Lalique France to base 25cm. high £150-200 60. ‘Dahlia’ No. 3210, a Lalique opalescent glass bowl, designed by Rene Lalique cast mark, etched number 23.6cm. diam. £400-500 61. ‘Lys’ No.382, a Lalique opalescent glass bowl, designed by Rene Lalique, cast and signed R Lalique France, chips to rim 24cm. £150-200 62. ‘Nemours’ No.404, a Lalique sepia stained glass bowl, designed by Rene Lalique, with enamelled black highlights cast R Lalique France 25.5cm. diam. £800-1,200 63. ‘Epines’ two Lalique black stained glass perfume bottles, designed by Rene Lalique, each with silver mounts and atomiser, with black enamelled screw tops moulded R Lalique, stamped marks to mounts tallest 11cm. high £500-800 63


64. ‘Medicis’ no.280 a Lalique blue stained opalescent glass dish, designed by Rene Lalique etched R Lalique France 15cm. long £800-1,200



65. ‘Blidah’ No.3177, a Lalique amber clear and frosted glass orangeade tray, designed by Rene Lalique, 1931, stencil mark R Lalique, minor nicks 42.5cm. diam. £300-500

66. ‘Martigues’ No377 a Lalique amber glass plaffonier, designed by Rene Lalique cast R Lalique etched no.377, 36.5cm. diam. £1,500-2,000 66


67. ‘Prunelles’ No.735 a Lalique sepia stained glass carafe and stopper, designed by Rene Lalique etched R Lalique mark 28cm. high £500-800


69 68. ‘Laurier’ No. 947 a Lalique opalescent glass vase, designed by Rene Lalique, an enamelled glass decanter and stopper, a Daum glass bowl and a box and cover etched No.947 17.5cm. high £400-600

69. ‘Estrel’ no. 941 a Lalique cased opalescent glass vase, designed by Rene Lalique etched R Lalique France No.941 15.5cm. high £300-500

70. ‘Naide’ No.832 a Lalique opalescent glass figure, designed by Rene Lalique cast R Lalique mark 13.5cm. high £1,500-2,500 70


71. ‘Bacchantes’ No. 997, a Lalique opalescent glass vase, designed by Rene Lalique 1927, signed R Lalique France to base 25cm. high £15,000-20,000










72. An Italian glass service, opalescent swirl cased in lemon yellow, comprising serving bowl and six side bowls unsigned 22cm. wide £80-100 73.

A pair of Holmegaard amethyst glass vases, cylindrical form unsigned 18cm. high £50-120

74. A Holmegaard red cased Gul vase, designed by Per Lutkin or Otto Brauer, and a pair of clear glass candlesticks designed by Tapio Wirkkala unsigned 30cm. high £80-120 75. A Holmegaard amber glass Gul vase, designed by Per Lutkin or Otto Brauer, and two others unsigned 24.5cm. high £50-100 80


76. An Alessi stainless steel and glass cruet set, designed by Ettore Sottsass, comprising two glass bottles on shaped rectangular tray, another Alessi four piece cruet and an Alessi electroplated bowl designed by S Giovannoni various factory marks 19cm. high £80-120 Literature Ronald T Labaco Ettore Sottsass Architect and Designer, Merrell, page 127 figure 121 for a variation of these two designs illustrated 77. An Iittala glass vase, designed by Tapio Wirkkala, cast in low relief, applied label, engraved signature to base 13cm. high £200-300 78. A large studio glass vase by Lucas Salton, Australia purple to pink clouded glass cased in clear, with applied blue glass rim, on applied foot, a glass bowl and a glass vase, foot incised Lucas Salton, Australia 22cm. high £80-120 79. A studio glass bowl by Christopher Williams, dated 1988, circular peach glass with applied purple glass rim, and an Iittala Iceberg glass bowl designed by Tapio Wirkkala etched marks 26cm. diam. £80-120 80. A Nuutajarvi glass vase by Gunnel Nyman, amber glass with regular air bubble inclusion cased in heavy clear glass, a Kosta glass vase and a tall glass vase in the manner of Dino Martens etched marks, 12.5cm. high £80-120 81. A contemporary cast and stained glass sculpture triangular section on triangular stepped base signed to the base 22.5cm. high £100-200



82. A Riihimaen Lasi Oy glass decanter designed by Nanny Still, tall cylindrical form, etched marks to base rim 34cm. high £80-120





83. ‘Lines’ an Egizia Handle With Care glass vase by Sottsass Associati, designed by Barbara Forni, 2003 waisted cylinder form applied label, printed factory marks 35.5cm. high £300-500

84. ‘Blooming’ a Egizia Handle With Care vase by Sottsass Associati, designed by Nanae Umeda, 1998 applied label and printed factory marks, 29.5cm. high £300-500


85. ‘Luci’ an Egizia Handle With Care glass vase by Sotssass Associati , designed by Marco Susani, 2001, cylindrical form with slanting crack off rim, screen printed coral red design unsigned 29.5cm. high £300-500

86. A tall Orrefors tulip vase, designed by Nils Landberg, dated 1957, tall, slender green glass, on pulled foot etched Orrefors Expo VU 311-57, 49.5cm. high £150-200 Literature Charlotte & Peter Fiell Decorative Art 50s, Taschen re-print of The Studio Yearbook, page 347 for comparable vases

87. A Murano glass baluster vase, amber ribbed glass body with applied prunts highlighted with aventurine, on applied foot unsigned 29cm. high £80-120

88. A Vistosi glass bird designed by Alessandro Pianon, tall green glass tube body with red and blue plumage, with applied glass eyes on copper legs unsigned 29cm. high £1,000-1,500 88






89. A Venini laminated poster, double sided form, and seven I Quanderni di Archimede Seguso catalogues 94 x 66cm. £50-100

90. A Murano glass centrepiece, pale blue glass with fine pulled rim, cased in clear, and another similar unsigned 32cm. wide £50-100


91. A Venini glass dish designed by Carlo Scarpa, square section, internally decorated with air bubbles etched Venini to base 7cm. square £80-120 This dish was given to the vendor by his friend, Carlo Scarpa.

92. A small Italian glass perfume bottle, probably Venini, square section, pink and white swirls, cased in clear unsigned 11cm. high £50-100

93. An Archimede Seguso, Murano glass bowl, thick clear glass with aventurine inclusions, with folded rim, applied Seguso label, etched for Tiffanys mark 27.5cm. diam. £80-120

94. A Venini glass and Christofle metal mounted vase, designed by Massimo Vignelli, with single handle, the light blue submerged glass diamond point signature Venini Murano, stamped Christofle 25.5cm. high £150-250 Literature Venini Catalogue Raisonne 1921-1986, Skira publishing page 227 plate 229 for a this form illustrated 94










CERAMICS 95. A Doulton Lambeth stoneware vase, by Eliza Simmance, shouldered form, incised with stylised flower panels, with applied beadwork, in shades of brown, blue and ochre, a tall Slater’s Patent vase, a Natural Foliage Ware jardiniere and vase and a small collection of Doulton various marks, main restored, minor damages 21cm. high £250-350 96. A Doulton pottery coffee pot with pewter cover, printed in gilt with painted prunus boughs impressed and printed mark 23cm. high £100-150 97. A pair of Continental Pottery vases ovoid with flaring neck, cast in low relief with panels in green, black and blue, highlighted in gilt on a silver ground painted marks to one, minor damages 28.5cm. high £50-100 98. ‘Edith Evans as Helena’ a plaster maquette by Agatha Walker, on stepped base, dated 1925 incised inscription, date and monogram 39cm. high £80-120


99. A William De Morgan Late Fulham Period tile, painted with a kingfisher with a large fish speared by its beak, in shades of green, with iron frame impressed mark to reverse, hairline crack 15cm. square £200-400 100. A pair of Compton Pottery book ends, circular each modelled in low relief with archer figure 18cm. high £350-450 101. A Minton stoneware bread plate, the rim moulded in low relief with inscription ‘Eat Thy Bread with Joy and Thankfulness’ unmarked 32.5cm. diam. £50-100 102. A Minton’s Pottery tile planter, the tiles designed by John Moyr Smith, in cats bronze frame impressed marks, to tiles, facsimile signature, one tile cracked 20cm. high £250-300


103. A Minton’s Secessionist jardinière, designed by John Wadsworth and Leon Solon, slip decorated with stylised flowers in shades of blue, green and yellow, and two smaller fern pots impressed marks 15cm. high £100-200 104. A Minton’s Secessionist bowl, designed by John Wadsworth and Leon Solon, slip decorated with purple flowers on a pale blue ground, and three Minton’s Secessionist chamber pots printed marks hairline to bowl, 23cm. diam. £150-200 105. A Minton’s Secessionist dressing table set, designed by John Wadsworth and Leon Solon, tubelined decorated with a yellow tulip flower design, on a white ground, comprising shaped tray and three covered cylindrical pots printed marks, professional restoration and minor chips 31.5cm. wide £200-300 105
















106. A C H Brannam Pottery spill vase, modelled as a crane, the vase modelled as a giant bamboo stem, glazed blue, green and ochre, a Brannam vase incised with scaly fish and four other items incised marks, restoration and damages 21cm. high £150-200 107. A C H Brannam, Barum Art Nouveau jug, dated 1903, possibly retailed at Liberty & Co, slip decorated with heart-shaped foliage on sinuous stems, glazed brown and blue, another similar, and six other pots incised marks, minor damages 9cm. high £150-200 108. A Maw Pottery vase, ovoid body with waisted cylindrical neck, with applied grotesque lizards, glazed streaked brown and ochre impressed Maw & Co, restored, No.7 33cm. high £80-120 109. A C H Brannam Pottery Dolphin vase, dated 1891, compressed ovoid body with pierced flower holes, three modelled dolphins supporting knopped neck, incised with a band of swags, glazed green, blue and ochre incised marks, dated 1891, WB monogram, professional restoration to the top rim 11cm. high £100-200 110. A rare Lauder, Barum Pottery dressing table set, the shaped tray incised and painted with flying swallows, with en suite ring tree, and three graduated powder pots and covers, in shades of blue, green and brown incised Lauder Barum, tree restored, tray 27cm. wide £150-200 111. A large C H Brannam Pottery Dolphin vase, dated 1890, compressed ovoid form, the shoulder with three carved Dolphin supporting knopped neck, the body incised with scaly fish, glazed in shades of blue, ochre and green on a cream ground incised incised marks dated 1890 incised WB monogram, restored dolphins, 21cm. high £250-350 112. An Ault Pottery vase, floriform glazed green and ochre, a pair of Ault vases similar and another Ault Pottery vase impressed marks, minor damages tallest 11.5cm. high £80-120 113. ‘Poppy’ a James Macintyre vesta, designed by William Moorcroft, painted in shades of green, blue and red on a sand ground printed factory mark, small glaze frit to top rim 8cm. high £80-120 114. ‘Columbine’ a Moorcroft Pottery vase, designed by Walter Moorcroft, painted in colours, and a modern Moorcroft vase impressed marks, columbine restored 9cm. high £100-200 115. ‘Flambe Leaf and Berry’ a Moorcroft Pottery vase, designed by William Moorcroft, waisted cylindrical form, glazed in flambe over yellow and green, a ‘Flambe Columbine’ dish and two other Moorcroft items impressed marks 9cm. high £100-200 115A. ‘Pomegranate’ a Moorcroft Pottery pot, designed by William Moorcroft, painted in colours on a blue ground and a Moorcroft Flamminian tray painted green signature, tray restored £80-120 116. ‘Poppy’ a Moorcroft Pottery Florian Ware jug, with silver rim, designed by William Moorcroft, painted in shades of blue printed mark, painted green signature, J D & S Sheffield 1908, 20cm. high £300-500 117. ‘Floral Panel’ a Moorcroft Pottery vase, designed by William Moorcroft, flaring cylindrical form, painted in blue on a powder blue ground impressed marks, painted blue signature 10.5cm. high £150-200









118. A Wemyss Pottery biscuit barrel and cover, cylindrical form, painted with a lemon sprig, in shades of yellow and green, and a Wemyss Pottery Cabbage Rose biscuit barrel and cover impressed and yellow painted marks chip to rim of cabbage rose cover 16cm. high £80-120

119. A Wemyss Pottery vase, waisted form painted with a black cockerel, three dishes painted with thistles, and a pair of modern candlesticks various marks, candlesticks 34cm. high £100-200

120. An Wemyss Pottery commemorative tankard, printed with the Randolph Wemyss Memorial Hospital Bazaar, stamped Wemyss 9.5cm. high £150-200

121. ‘Maisie’ HN.1619 and ‘Linda’ HN.2106, two Royal Doulton figures, painted in colours, printed and painted marks £100-200

122. ‘The Guy Fawkes Jug’ a Royal Doulton limited edition jug, designed by Charles Noke, modelled in low relief and painted in colours, with original paper certificate printed and painted marks, 331/600, 19cm. high £200-300


123. ‘Eugene’ HN1520, ‘Pauleen’ HN1444 and ‘Dainty May’ HN1656, three Royal Doulton figures, painted in colours printed and painted marks, Dainty May restored £200-300

124. ‘Lavender Seller’ a Royal Doulton advertising figure group, painted in colours, the base over painted black printed mark 23cm. high £100-200

125. ‘Pensive Moments’ HN2704, ‘Helen’ HN3601, ‘Top O The Hill’ HN3499 and ‘Stephanie’ HN2807, four Royal Doulton figures painted in colours, and sixteen other figures printed marks £80-120

126. ‘One of The Forty’ a rare large Royal Doulton figure designed by H Tittensor, painted in colours printed factory mark 20.5cm. high £2,000-3,000

127. ‘One of the Forty’ HN 666, a rare large Royal Doulton figure designed by H Tittensor, painted in colours printed and painted marks, hairline to foot 17.5cm. high £1,500-2,000 127










128. A Kevin Francis Star Trek prototype Captain Jean-Luc Picard toby jug, painted in colours painted Prototype 23cm. high £200-300 129. ‘Boy on Pony’ and ‘Girl on Pony’ two Beswick figures, painted in colours, and ‘Benjamin Bunny’ a Beswick Beatrix Potter figure, Benjamin Bunny silver gilt backstamp, restoration £100-200 130. ‘Huntsman on Rearing Horse’ no. 868, a Beswick figure, painted in colours impressed and printed marks 24cm. high £80-120 131. A Wedgwood Pottery sample plate, printed in black and yellow with a simple flowerhead design to the well inside scrolling border, the rim with similar scrolling design printed marks and sample mark 25.5cm.diam. £80-120 132. ‘Wedgwood Fairyland Lustre’ by Una Des Fontaines, a reference book £50-100 133. ‘Garden’ a Wedgwood tureen and cover, designed by Eric Ravilious, printed with yellow and black vignette and a modern Poole Pottery vase printed factory mark 25cm. diam. £80-120 136

134. A Wedgwood Butterfly lustre bowl, octagonal form, designed by Daisy Makeig Jones, a Carlton Ware Armand lustre solifleur vase and a Carlton Ware pedestal bowl various marks, 11.5cm. diam. £200-300 135. Two Wedgwood pedestal dishes by Norman Wilson, glazed white printed marks, one impressed NW 11.5cm. diam. £60-100 136. A rare Wedgwood Pottery vase designed by Keith Murray, flaring, faceted form, glazed Moonstone white impressed and printed marks, facsimile signature, small chip to base rim 19cm. high £100-200 137. ‘Ferdinand The Bull’ a Wedgwood Pottery bull, designed by Arnold Machin, painted with blue and yellow flower design impressed and printed marks to feet 32cm. wide £100-200 Literature Maureen Batkin Wedgwood Ceramics 1846-1959 Richard Dennis Publications, page 197 plate 484 for a comparable figure





138. ‘Persephone’ a Wedgwood Pottery coffee set for six, designed by Eric Ravilious, printed in blue and black with harvest vignette, comprising; coffee pot and cover, milk-jug and sugar basin, six cans and saucers printed factory marks, damages coffee pot 19cm. high £200-300

139. ‘Garden Implements’ a Wedgwood Pottery lemonade set for six, designed by Eric Ravilious, printed in pink lustre and black with gardening tools stacked in a barrel, overgrown with ivy, comprising Liverpool shape jug and six cups printed marks, damages jug 20cm. high £500-800 Literature Maureen Batkin Wedgwood Ceramics 1846-1959 Richard Dennis Publications, page 181 plate 442 for a comparable jug and beaker illustrated

140 140. ‘Firbolg IV’ an unusual Wedgwood Fairyland lustre vase, designed by Daisy Makeig-Jones, shape no.2034, printed in colours on a matt black ground with gilt top rim printed factory mark to base 22cm. high £500-800 It appears this vase was not given its final lustre firing leaving it with the matt glaze finish and without the final gilt highlights

141. ‘Leapfrogging Elves’ a Wedgwood Fairyland lustre York Cup, designed by Daisy Makeig-Jones printed and painted marks 12cm. diam. £1,400-1,800 141










142. A pair of Carlton Ware Guinness Advertising toucan lamp bases, each painted in colours printed factory marks, one repaired 23.5cm. high £50-150 143. A Mintons Pottery vase, shouldered form with four looped handles, printed and painted with stylised flower design, a pair of winged lion book ends, signed R David and a continental pottery grotesque figure various factory marks, minor damages 34cm. high £80-120 144. Three P Ipsens Danish pottery figures, designed by Adda Bonfils, each modelled as a young child playing, impressed marks to base largest 19cm. wide £150-250 145. ‘Country Bunch’ a Palissy, England part dinner service retailed by Heal’s, painted to the well with simple flower sprays in colours, comprising; two tureen and covers, one muffin dish and cover, two soup bowls, three dinner plates, five side plates and three breakfast bowls printed marks soup bowls 26cm. diam. £100-200


146. A Denby stoneware breakfast set, comprising milk-jug and sugar basin, two additional basins, wooden toast rack and cruet on a fitted wooden tray printed marks to stoneware 52.5cm. wide £50-100 147. ‘Hibiscus’ a Moorcroft Pottery lampbase, painted in colours, with resin mount, a Crown Ducal twin-handled vase, designed by Charlotte Rhead, three others similar, a Royal Doulton plate designed by Frank Brangwyn and a figure various marks lamp 42cm. high £150-250 148. A pottery bust of a woman, cast from a model by Fanny Rozet, cast to both sides with a smiling portrait, on flaring square base signed to the side and made in France to base 31cm. high £200-300 149. A large Denby Glynbourne Ware stoneware vase, designed by Glyn Colledge, painted in shades of grey, brown and green with foliate design, on a white ground, two mugs, and five continental encaustic tiles, printed marks 30cm. high £60-100 150. A Spode Velamour model of a polar bear, glazed matt white, and a Adnet pottery model of a fan-tail pigeon, glazed cream printed marks, small chip to Adnet , polar bear 31cm. wide £80-120 151. ‘Patricia Rose’ a Susie Cooper Production part tea set, comprising; six cups, saucers and five side plates, and six coffee cans and saucers printed marks, minor damages side plates 17.5cm. diam. £80-120




155 part






152. A Midwinter Zambesi Fashion Shape coffee set for six, comprising; coffee pot and cover, milkjug and sugar basin, six cups and saucers, printed marks, damages to one cup coffee pot 20cm. high £150-200 153. A set of five Dorincourt Potters tiles decorated with portraits of the Beatles, on Carter blanks, four individual portraits and one group shot, with facsimile signatures, impressed and printed marks 15.5cm. square £100-200 154. Four Pottery busts designed by T Davidson and A Smith, each modelled and painted in shades of blue, black and brown each signed to the base 32cm. high £150-250 155. A Hornsea earthenware Concept service, designed by David Queensberry and Martin Hunt, comprising; teapot and cover, coffee pot and cover, covered preserve, milk-jug and sugar basin, six tea and coffee cups and saucers, six tea and side plates, five dinner plates and a circular serving plate printed marks one cup cracked coffee pot 18cm. high £50-100


156. A collection of Portmerion Pottery, including Totem and Magic City, designed by Susan Williams Ellis, and a ‘Where Did you get That Hat’ vase printed marks £50-80 157. Ron Hitchens a terracotta tile panel, decorated with geometric motif, spray glazed copper lustre, framed painted signature to reverse, minor chips panel 70 x 20cm £80-120 158. Ron Hitchens a terracotta tile panel, decorated with geometric motif, glazed black, framed signed, minor chips 40.5 x 15cm. £80-100 159. A Troika Pottery lamp base, square section, cast in low relief with geometric panels, and three Troika Pottery vases painted marks, hairline to one vase 23cm. high £100-200 160. A Troika Pottery vase, rectangular form, cast in low relief a geometric figure, in black on a white ground printed Troika mark 17cm. high £80-120 160










CLARICE CLIFF 161. ‘Broth’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, painted in colours between orange and yellow bands printed factory marks, chip to cover 10cm. high £50-100 162. ‘Rhodanthe’ a Clarice Cliff Bizarre vase, ribbed form, painted in colours, a ‘Pansies’ 613 vase, and a tray printed marks, damages 10cm. high £150-200 163. ‘Celtic Harvest’ a Clarice Cliff teapot and cover, painted in colours, a large ewer, a bowl and a preserve pot and cover printed marks, damages 17cm. high £150-200 164. ‘Orange Erin’ a Clarice Cliff Bizarre preserve pot, painted in colours, and a ‘Solomon’s Seal’ Stamford milk-jug printed factory marks 5cm. high £80-120 165. ‘Secrets, Orange’ a Clarice Cliff Bizarre Conical cup and saucer, painted in colours printed factory mark 7cm. high £180-220 169

166. ‘Windbells’ a Clarice Cliff Fantasque Bizarre Athens tea cup and saucer, painted in colours printed factory marks 7cm. high £150-250 167. ‘Original Bizarre’ a Clarice Cliff Cylindrical preserve pot and cover, painted in colours, and an ‘Orange Roof Cottage’ Conical cup printed £80-120 marks, 9cm. high 168. A Clarice Cliff part dinner service, comprising tureen and cover, saucer boat, one platter, six dinner, four entree and six side plates, painted with simple tree design in colours to the shoulder stamped Newport marks, one plate stamped Clarice Cliff, hairline to one plate platter 31.5cm. wide £80-120 Impressed date mark 1939 169. ‘Flora’ a Clarice Cliff Bizarre part Conical tea service, printed and painted in colours, comprising; large conical jug, sugar basin, two cups, saucers and side plates printed factory marks 10cm. high £200-400 170. ‘Solomon’s Seal’ a Clarice Cliff Bizarre Conical coffee set for six, printed and painted in colours, comprising; coffee pot and cover, milk-jug and sugar basin, six cans and saucers printed factory marks 17.5cm. high £300-500










171. ‘Original Bizarre’ a Clarice Cliff ginger jar, painted in colours between red bands printed marks 19cm. high £80-120

172. ‘Forest Glen’ a Clarice Cliff ginger jar painted in colours printed factory marks 18cm. high £100-200

173. ‘Sunshine’ a Clarice Cliff Bizarre Tube vase, shape no.464, printed in colours printed factory mark 20cm. high £250-350

174. ‘Aurea’ a Clarice Cliff Conical bowl, shape no.883, painted in colours printed factory mark 23.5cm. diam. £150-250

175. ‘Pastel Autumn’ a Clarice Cliff Fantasque Bizarre Athens jug, painted in colours printed factory mark, professionally restored foot rim 16cm. high £250-350

176. ‘Agave’ a Clarice Cliff Conical sugar sifter, painted in colours printed factory marks, minor chips to base rim, 14cm. high £250-350

177. ‘Eating Apples’ a Clarice Cliff Bizarre Isis vase, painted in colours printed factory mark, professionally restored top rim, 15.5cm. high £80-120

178. ‘Honolulu’ a Clarice Cliff Fantasque Bizarre 565 vase, painted in colours printed factory marks 13.5cm. high £300-400 178










179. An early Honiton Pottery vase, shouldered form, painted to the shoulder with a frieze of sailing boats, in shades of pink, blue and green on a pale grey ground impressed Honiton England marks 28cm. high £100-200 180. A Poole Pottery Persian Deer vase, pattern SK, by Nellie Bishton, painted in colours on a white ground impressed and painted marks, 33cm. high £150-250 187

181. A Carter, Stabler & Adams, Poole Pottery plate, by Marian Heath, pattern GU, painted to the well with a bunch of flowers and a Poole Pottery bowl impressed mark, painted cypher 27.5cm. diam. £100-150 182. An early Carter, Stabler & Adams, Poole Pottery jug, by Eileen Prangnell, pattern WC, painted in brown with geometric bands impressed and painted marks, restored spout 17.5cm. high £50-100 183. ‘Dynamic Design’ by Kathy Niblet and ‘Poole Pottery’ by Leslie Hayward and Paul Atterbury, two reference books £20-80 184. A collection of items relating to Reginald Till and Poole Pottery, comprising a tile ‘Greetings for Xmas 1951’, a Carter’s tile, a presentation copy of ‘Study of Ornament’ book, a print on rice paper dated 1945 three Poole Pottery advertising photographs, a fish dish and two ceramic mirror frames, and an Aesthetic Movement painted tile plaque in the style of Mintons tile plaque unsigned £300-400


185. A Poole Pottery vase painted with stylised flowers and foliage in colours on a white ground, a preserve pot, a cover, a footed preserve and a twin-handled basin impressed and painted marks 15cm. high £80-120 186. Two Carter’s Sporting Series tiles, designed by Edward Bawden, painted in colours, another Carter’s Nursery Rhyme tile and a Poole Helios lamp base designed by Robert Jefferson various factory marks, damages to tiles 13cm. wide £80-120 187. ‘Fleurie’ a Poole Pottery solifleur vase, printed with Mucha style maidens, Two Olympus vases and three other Poole Pottery items, and Twenty three H & R Johnson Poole Delphis Style tiles various marks 15cm. high £50-80 188. A Poole Pottery Contemporary vase, pattern X/PRP, painted with red and white geometric design on a grey ground printed and painted marks 25cm. high £50-100 189. A large Poole Pottery Delphis vase, shouldered form, painted in colours on a yellow ground printed and painted marks 34cm. high £50-100







190. A Poole Pottery Delphis plate, shape no.4, with carved geometric design, glazed bronze printed and painted marks 26.5cm. diam. £100-200

191. A Poole Pottery Studio vase, shape 90, painted with an abstract eye design in pale blue on a green ground, and another Poole Pottery Studio vase shape 90 printed factory mark 20cm. high £300-350 194 192. A Poole Pottery Delphis charger, by Loretta Leigh, painted with geometric design in shades of orange, blue and black on a red ground, and another Delphis charger printed and painted marks 41cm. diam . £150-200

193. A rare Poole Pottery Studio vase, probably designed by Robert Jefferson, ovoid with slender neck, resist decorated with abstracted eye motif in green on a white ground printed Poole Studio mark 13.5cm. high £400-600 Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications page 111 for some original shape designs by Robert Jefferson. 195 194. A Poole Pottery Studio wall plate by Tony Morris, rounded, rectangular form painted in resist with an abstract design in black and blue printed studio TV mark, painted TM monogram 36cm. wide £1,200-1,800

195. A Poole Pottery Studio charger by Tony Morris, decorated with an abstract Ram’s head design in shades of red and blue printed studio TV mark, painted TM monogram 35cm. diam. £1,500-2,000

196. ‘Trewellard Red’ Poole Pottery Studio charger, painted by Sir Terry Frost RA, with red and black radiating design, printed mark, painted TF monogram 35cm. diam. £300-500 Provenance David Queensberry.


This charger was a prototype painted by Terry Frost on a blank charger designed by the Queensberry Hunt Design partnership

197. A pottery charger, painted by Sir Terry Frost RA, with blue and black alternating flowers around yellow well, painted TF monogram 35cm. diam. £300-500 Provenance David Queensberry. This charger was a prototype painted by Terry Frost on a blank charger designed by the Queensberry Hunt Design partnership 197







202 198. A Poole Pottery Studio vase designed by Robert Jefferson, ovoid form, covered in a green and blue glaze printed Poole Studio script mark 13cm. high £300-500

199. A Poole Pottery Studio vase designed by Robert Jefferson, ovoid form, covered in a running ochre and white glaze printed Poole Studio script mark, professional restoration to top rim 13cm. high £200-300

200. A Poole Pottery Studio vase designed by Robert Jefferson, ovoid form with abstract band, covered in a green and brown glaze printed Poole Studio script mark 14cm. high £300-400


201. A Poole Pottery Studio vase designed by Robert Jefferson, ovoid form with geometric column design, covered in a green glaze printed Poole Studio TV mark, bruise to top rim 12.5cm. high £250-300

202. A Poole Pottery Studio vase designed by Robert Jefferson, ovoid form, covered in a running green and brown glaze printed Poole Studio TV mark 12cm. high £200-300

203. A Poole Pottery Studio vase designed by Robert Jefferson, ovoid form, covered in a running orange and white glaze printed Poole Studio TV mark 13cm. high £300-500

204. A Poole Pottery Studio vase designed by Robert Jefferson, shouldered barrel form, with a broad band of textured design glazed brown over white printed Poole Studio script mark £350-450 204









205. A Poole Pottery Studio plate, painted with a radiating geometric design in shades of green and yellow printed Poole Studio TV mark 20.5cm. diam. £150-200 206. A Poole Pottery Studio plate, painted with a geometric design in shades of blue and green printed Poole Studio script mark 20.5cm. diam. £200-300 207. A Poole Pottery Studio plate, painted with a geometric design in shades of blue and orange, and another Poole Pottery plate printed Poole marks 20cm. diam. £200-300 212 208. A Poole Pottery Studio plate, painted with a geometric streetscape design in shades of green and blue printed Poole Studio TV mark 20.5cm. diam. £250-300 209. A Poole Pottery Studio plate, painted with a geometric design in shades of orange and green printed Poole Studio script mark 20.5cm. diam. £150-250 210. A Poole Pottery Studio plate, painted with an abstract fish design in shades of green, blue and red printed Poole Studio script mark 20.5cm. diam. £300-500 211. A Poole Pottery Delphis Charger, painted with geometric panels of arches in shades of blue, orange, white and turquoise textured glaze printed Poole mark 36cm. diam. £400-600 212. A Poole Pottery Studio Charger, possibly painted by Tony Morris, painted with a sun god face to the centre, in shades of green, blue and pale yellow printed Poole Studio Script mark 33.5cm. diam. £800-1,200 213. A Poole Pottery charger, possibly by Tony Morris or Christine Tate, painted with a meditating figure, before arch of abstracted pollarded tree motif, in shades of green and orange printed Poole Studio script mark 35cm. diam. £700-900 213








214. A chrome framed tile topped table, rectangular with abstract design top, signed Roci 123 47cm. £100-120

215. Adrian Davies (born 1949) a tall stoneware swollen cylindrical vase, glazed with brown and rust bands impressed seal marks 31cm. high £80-120

216. Sotis Filippidies (born 1963) a stoneware bowl, textured finish with matt black glaze, the interior glazed blue impressed seal mark 30cm. diam. £80-120 220 217. A 1960s earthenware lamp base shouldered form, incised and painted in black unmarked 42cm. high £50-150

218. A tall stoneware vase, tapering cylindrical form with narrow neck, glazed to the foot in silver with dark green brushed design, indistinct incised signature 33cm. high £50-150

219. Jim Malone (born 1946), attributed a shouldered stoneware vase, covered in a tenmoku glaze impressed A seal mark 19cm. high


220. Mike Dodd a stoneware vase, decorated with a willow tree motif in resist impressed seal mark 16cm. high


221. Jim Malone (born 1946) an Ainstable stoneware vase covered in a cream slip with incised design and painted green spots impressed seal marks 25cm. high £150-200 221










222. Bernard Leach (1897-1979) a Leach Pottery stoneware teapot and cover, covered in a celadon glaze with tenmoku to the shoulder, and a collection of studio pottery impressed seal marks, repaired damages to the teapot and cover 15cm. high £100-200 223. A Leach Pottery tile, painted with a horse, in colours, and four others similar, impressed seal marks to first, painted monogram to front, chips to corner of one 10.5cm. wide £80-120 224. Kenneth Quick (1931-1963) a Leach Pottery stoneware vase, tapering conical form with collar rim, glazed to the foot in ash with blue brush decoration impressed seal marks 11cm. high £80-120 225. A ceramic sculpture of two stylised women, on shaped base, glazed in colours impressed KL and MW to the base 32cm. high £60-80 226. A Winchcombe Pottery vase, shouldered form, simple painted design on deep tenmoku glaze, a twin-handled vase and two bowls various marks 17cm. high £80-120 227. A Bernard Rooke stoneware lamp base, cast in relief, glazed ochre and brown, another similar, two Bernard Rooke vases and Upchurch Pottery bowl and a small collection of studio pottery impressed Rooke 33cm. high £80-120


228. A Tremaen Pottery, Newlyn lamp base, modelled in low relief with abstract design, in shades of brown, a Richard Batterham jug and a David Eeles vase and cover applied label to lamp, 43cm. high £80-120 229. Mike Bailey a large stoneware bowl, elliptical form, another smaller and four other items impressed seal marks 40cm. wide £50-100 Provenance Contemporary Potters Association 230. Abdo Nagi (1941-2001) a large stoneware vase, shouldered form, glazed in blue impressed seal mark 43cm. high £300-500 231. Munemaro Ishiguro a Chawan (tea bowl) open summer form, glazed tenmoku to the foot, in original wood box impressed seal mark, 16.5cm. diam. £700-1,000 231










232. A Mosanic Pottery cat, modelled seated, painted with yellow heart and dot motif on a blue ground, and another cat similar painted with blue on a yellow ground, both with applied glass eyes painted Mosanic to one 32cm. high £400-600 233. A Reinhold Henke stoneware pitcher designed by Erika Von Scheel, shouldered form cast in low relief with geometric band, glazed green and blue impressed mark and number 25.5cm. high £250-350 Literature Bauhaus, Wiener Werkstatte & Other Important Design, Sothebys 25th October 1991 lot 88 for a comparable pitcher 234. A bisque figural night light, modelled as a nude woman draped in a shroud unsigned 34cm. high £300-400 235. A continental pottery vase probably Clement Massier, shouldered form applied with four fish handles, glazed blue unsigned, glaze chips 21cm. high £150-250 240

236. ‘Charlie Chaplin’ a continental pottery character jug, painted in colours moulded mark to base, old restoration 23cm high £150-200 237. A Christens pottery vase ovoid with tapering neck, enamelled with green and white triangles under gold arrowhead motif painted signature 13cm. high £50-100 238. A Sevres bisque model of a seated cat, cast from a model by L Riche, in original fitted case 14cm. wide £500-600 239. An Art Nouveau Mettlach Pottery charger, by R Thevenin, in the manner of Alphonse Mucha, model 2541, incised with a maiden picking a flag iris flower, glazed in colours £300-500 240. Two Purmerends Pottery Art Nouveau jugs, compressed form, painted with flowers and foliage in shades of yellow, green, purple and brown painted marks 18cm. high £400-600 241. A pair of Continental pottery Secessionist solifleur vases, compressed form with tall cylindrical neck flanked by handles, cast in low relief with flower blossom on sinuous stems, stamped marks to base, professional restoration, 46cm. high £400-600











242. A Wiener Keramis figure of a woman designed by Michael Powolny, modelled in a green flowing dress, holding floral garlands impressed WK and MP marks 29cm. high £400-500 243. A pair of Gouda pottery Ispahan vases, baluster form painted with floral panels in yellow and black on a mint green ground painted marks 24cm. high £100-150 244. ‘Raspail’ a Robj liqueur decanter and stopper, modelled as a figure in top hat, holding an umbrella and bag, printed Robj Paris mark to base 26cm. high £100-150 Literature Vanna Brega Le Ceramiche Robj, catalogue number 248 245. A Primavera Pottery figural jug, shouldered with knopped neck, slip decorated with a figure, in colours impressed Primavera, minor restoration to lip and base rim, 26.5cm. high £200-300 246. A Sevres metal mounted vase, baluster form with sponged red and green decoration, mounted with metal light fittings unsigned 43cm. high £200-300 250 247. An Art Deco Raoul Lachenal stoneware bowl, deep sided form, internally decorated with a geometric star design in black and white painted Raoul Lachenal, hairlines to rim, 25cm. diam. £200-300 248. An Art Deco pottery charger, incised to the well with a deer in a stylised coastal landscape, £400-500 enamelled in colours inside geometric border rim incised 245 41cm. diam. 249. ‘La Maitrise’ a Keramis vase designed by Maurice Dufrene, model no. D.711, slender form with everted rim, painted with bell flower cartouche in blue and yellow on a crackled white glaze impressed and printed marks, facsimile signature, restored top rim 33cm. high £150-250 250. A Boch Fres vase designed by Charles Catteau, pattern D982, ovoid form with everted rim, painted with a frieze of flying birds, printed and painted marks, restuck chip to top rim 31cm. high £200-300 251. A French Pottery model of three merry sailors, attributed to Edouard Cazaux for Dax, modelled walking arm in arm, impressed mark to base 33cm. wide £400-600










252. Four Rosenthal plates designed by Bjorn Wiinblad, printed in colours and gilt with scenes from Sinbad printed and painted marks 16cm. diam. £50-100

253. A Fornasetti, Milan moneybox, printed in black and gilt with coins, a Bitossi pottery bull and two other items various marks, moneybox 10cm. high £50-150

254. ‘Picknick’ a Rorstrands part service, designed by Marianne Westmann, printed and painted in colours, comprising; two tureen and cover, two rectangular serving trays, a bowl, a sauce jug, a jug and a butter dish and wooden base, and two other items printed marks, tureen 26cm. wide £100-200 Literature Decorative Art 1957-1958, volume 47, page 80.

255. A Fornasetti ceramic dish, rounded rectangular section, printed with a horse and trap design, another Fornasetti circular dish and two glass dishes decorated with pocket watches factory marks, 14cm. wide £80-120

259 256. A Vallauris Pottery lemonade jug and six beakers, each painted with a face in bright yellow, green and brown painted Vallauris jug 24cm. high £50-150

257. A pair of Harris Strong framed tiles, painted with townscape scenes, in shades of brown and ochre unsigned, remains of paper label frames 30 x 30cm. £40-60

258. ‘Les Mains’ a pair of plates designed by Le Courbusier, made for Prunier, printed design printed marks, facsimile signature, 20.5cm. diam. £200-300

259. A Gambone Pottery figural dish, designed by Guido Gambone, glazed turquoise and white painted marks to base, professionally restored 17cm. high £400-600

260. A pair of Fantoni Pottery figures, for Raymon, modelled as harlequin and show girl figure, glazed in colours, painted marks 29cm. high £700-900



261. A Fantoni pottery vase, deep flaring form, graduated brown to orange glaze painted marks 14cm. high £150-200

262. A Fantoni pottery bottle vase shouldered form with narrow solifleur neck, glazed brown and orange, and a Fantoni bowl painted marks 21cm. high £80-120



263. A Gambone Pottery model of a fish, by Bruno Gambone, covered in an oatmeal glaze painted Gambone Italy 18cm. wide £180-220

264. A Gambone stoneware creature, by Bruno Gambone, covered in an oatmeal glaze painted Gambone Italy, restored tip 16cm. wide £180-220



265. Raoul Dufy Deux Figurines a terracotta tile, painted in white brown and back painted Raoul Dufy Paris, impressed Paris F 13cm. square £2,000-3,000

265 mark











266. A Copenhagen, Denmark model of a leopard, painted in colours, and a large studio pottery vase printed marks to cat 21cm. wide £50-150

267. ‘The Soldier & Witch’ a Royal Copenhagen figure group, designed by Christian Thomsen, and a £80-120 collection of Royal Copenhagen printed and painted marks 20cm. high

268. ‘Nathan the Wise’ a Royal Copenhagen figure, designed by Adolf Jahn, and six other figure groups, printed and painted marks 35cm. high £80-120

274 269. ‘Faun with Bear’ a Royal Copenhagen figure, designed by Christian Thomsen, and eight other Royal Copenhagen faun figures printed and painted marks 17cm. high £80-120

270. ‘Hans & Trine’ a Royal Copenhagen figure group, designed by Christian Thomsen, and a collection of Royal Copenhagen figures printed and painted marks 23cm. high £80-120

271. ‘Hunter with Dog’ a Royal Copenhagen figure, designed by Christian Thomsen, a Royal Doulton figure ‘Darling’ and a collection of Royal Copenhagen figures printed and painted marks 22cm. high £80-120

272. ‘Amager Girl’ a Royal Copenhagen figure, designed by Lotte Benter, and a collection of figures printed and painted marks 13cm. high £100-200

275 273. ‘Woman Collecting Potatoes’ a Royal Copenhagen figure, designed by Christian Thomsen and five other large Royal Copenhagen figures printed and painted marks 27cm. high £80-120

274. ‘Harvest Group’ and ‘Henrik & Elsie’ two large Royal Copenhagen figure groups printed and painted marks 43cm. high £80-120

275. ‘Knight and Maiden’ a Royal Copenhagen large figure, designed by Holger Christensen, printed and painted marks 48cm. high £80-120

276. ‘Agnete & The Merman’ a Royal Copenhagen large figure group, designed by Holger Christensen, printed and painted marks 54cm. high £80-120













277. A Katshutte Pottery figure of a Spanish dancer, modelled dancing in brown flowing dress, and another Katshutte figure of a dancer printed marks, repaired damages to Spanish dancer 29cm. high £80-120

278. A Goldscheider Pottery figure, model no.7040, modelled as a lady wearing a flowing, floral skirt, painted in colours impressed marks, restored ankles, 29cm. high £80-120

279. A Katzhutte Pottery figure of a dancer, modelled wearing green dress, and another Katshutte Pottery figure of a bat-girl dancer impressed and printed marks 26cm. high £80-120

280. A Katshutte Pottery figure of a dancing bat girl, modelled and painted in brown, and another Katshutte Pottery figure printed factory mark 24cm. high £100-150

281. A Katshutte Pottery figure of a dancer, modelled in pink dress and holding a pink fan printed factory mark 30cm. high £80-120


282. A Katshutte Pottery figure of a woman walking her borzoi, painted in colours printed factory mark 32cm. wide £80-120

283. A German pottery figure of a dancer, modelled in blue flowing dress, another continental pottery figure, and a figural box and cover printed marks 32cm. high £80-120

284. A Goebbels Pottery figure of a woman, modelled seated on a suitcase, glazed in colours and another figure of a woman impressed marks 18.5cm. high £80-120

285. A Goldscheider Pottery figure of a girl, wearing blue dress and holding a broad rimmed hat, glazed in colours impressed marks, 27.5cm. high £100-200

286. A Katshutte Pottery figure of a woman, modelled seated on a suitcase, a borzoi before her, in colours printed factory mark 22.5cm. high £80-120 286







287. A Katshutte Pottery figure of a dancer, modelled holding the hem of her pink dress, and another modelled in purple trouser suit and sailor hat printed factory marks 24cm. high £80-120

288. A Katshutte Pottery figure of a woman holding a puppy, a terrier at her feet, glazed in colours, and tow other pottery figures factory marks, damages 25.5cm. high £100-200

289. An Ugo Zaccaginini pottery figure group, of a mother and child, glazed in colours impressed and painted marks 37cm. high £400-600


290. A Katshutte Pottery figure of a dancer, modelled holding the hem of her pink dress printed factory mark 32cm. high £300-500

291. A Goldscheider Pottery, Myott & Son vase, modelled in low relief with classical figures in a temple printed marks, 44cm. high £100-200

292. A Goldscheider Pottery wall mask, model no.6537, modelled as a stylised woman wearing blue beret impressed and printed marks 16.5cm. high £300-400

293. ‘Nella’ a Lenci Pottery, Torino figure, designed by Helen Konig Scavini, modelled seated on a chair, glazed in colours painted and impressed factory marks, fingers missing glaze chips, 24.5cm. high £500-800 293






294. A patinated metal figure of a woman, cast after a model by Danese Cattaneo, on marble base 76cm. high £200-300

295. A patinated bronze figure of a dancer, unsigned 42cm. high £50-100



296. A Louis Lejeune silvered bronze bat car mascot, modelled with wings outstretched, with square section stone plinth, stamped marks to base of bronze bat 21cm. wide £80-120

297. ‘Femme Fatale’ a carved wood figure by John Mainwaring, signed and titled 32cm. high £50-100

298. A patinated bronze figure of a nude dancer, on circular onyx base, and another patinated metal figure of a Spanish dancer, unsigned 33cm. high £200-300

299. A patinated bronze figure of Diana the Huntress, in the manner of Josef Lorenzl, and a patinated metal figure of a nude awakening unsigned 34cm. high £200-300 300 300. ‘The Orange Seller’ a bronze figure, cast from a model by Jean Didier Debut (1824-1893) rich chocolate patina signed in the bronze, Prix de Rome label 30cm. high £700-900



301. A verdi gris bronze model of a reclining male, resting on rocks partially draped with a towel, signed in the bronze GFM 49cm. wide £400-600



302. A cold painted bronze model of two fighting dogs, probably Austrian unsigned 11cm. wide £250-300

303. A patinated bronze model of a partridge, cast from a model by Francois Pompon, on rectangular marble base signed in the bronze £400-500


304. A patinated bronze figure of a stalking cat, cast from a model by Francois Pompon, modelled perched on a rock, looking down at a green alabaster base signed in the cast Pompon 13cm. high £350-450

305. A patinated bronze model of a seated cat, cast from a model by Theophile Steinlen on black marble base signed in the bronze 16.5cm. high £300-400



306 306. A Hagenauer rosewood and metal model of a stylised duck, with applied painted metal eyes stamped Hagenauer mark to wood 29cm. high ÂŁ350-450


307. A Hagenauer silvered bronze figural hand mirror, modelled as a kneeling figure, holding aloft circular mirror stamped marks 44.5cm. high ÂŁ1,000-1,500

308. A Hagenauer chromed metal model of a dog, modelled seated, chained to a post stamped marks to base 14cm. high ÂŁ300-350 308


309. A Hagenauer brass figure of a tennis player, stylised form modelled serving, on circular base signed Franz and factory mark 30cm. high ÂŁ400-500 309

310. A Hagenauer silvered bronze mounted bust of a woman, on wooden frame with square wood plinth, stamped marks to base 29.5cm. high ÂŁ1,000-1,200 310

311. A tall Hagenauer brass sculpture of a stylised head hammered finish stamped marks 51cm. high ÂŁ1,200-1,500



312. ‘Venetian Lady’ a bronze and ivory figure cast from a model by Demetre Chiparus, on stepped red veined marble base signed in the casting and Etling Paris 38cm. high £4,000-6,000



313. ‘Ihre Sorgen’ a watercolour on board original artwork design by Dodo Burgner for Ulk magazine, , April 1929, dated 1929 signed in pencil 40.5 x 30cm £400-600 It appears this was probably the initial design which was adapted for the final published image, the guide being moved to a more central position. 313

314. A watercolour study of heads by Dodo Burgner, mounted unsigned image 28 x 22.5cm. £200-400 314


315. ‘Keine Chance’ a Watercolour on board original artwork design by Dodo Burgner for Ulk Magazine, March 1929, signed Dodo, annotated in pencil image 41 x 30cm £400-600


316. A black and white watercolour fashion study on board by Dodo Burgner, signed Dodo 53.5 x 38.5cm £300-500 316


317 317. Three Aesthetic Movement oil on canvas panels by Mrs Williams, rectangular, depicting Spring, Summer and Autumn, applied paper labels to reverse each panel 70 x 39.5cm. £150-250

318. ‘Dawn on the Pontine Marshes’ a colour print by Enrique Serra y Auque (1859-1918), and ‘Sunset over Marshland’ by the same artist, ebonised wood frames, images 80 x 44cm. £200-400


319. ‘Roses of Destiny’ a Maxfield Parrish print, framed, unsigned paper title label to reverse 45 x 25cm. £50-80



320. An Art Deco hand-coloured print on paper of a promenading couple, by Lucien Baubant, framed signed in the print image 27 x 22cm £60-80

321. ‘Le Plat de Fruits De Mer’ an oil on canvas by Jeanne Torfs, framed signed, gallery labels to reverse 45 x 32cm. £100-200

322. Two still life prints by John Hall Thorpe, framed signed in the print image 18 x 16cm. £60-80 321

322 323. Jon Catleugh untitled, acrylic on board with applied beads, framed dated to the reverse, 1992, image 60 x 40cm. £100-200 Exhibited Jon Catleugh Late Paintings, De Morgan Foundation 2009, catalogue number 13



324. Jon Catleugh untitled, acrylic on board with applied beads, framed dated to reverse, 1992, exhibition label 60 x 60cm. £150-200 Exhibited Jon Catleugh Late Paintings, De Morgan Foundation 2009, catalogue number 16.

324A. ‘Shape and Outline’ a rare silk mosaic hanging by Lucienne Day, monogram to corner, signed and dated 1978 to reverse 102 x 50cm. £300-400 The term silk mosaics originated when these designs were produced with every piece of silk being 1cm square. they were designed as one off wall hangings made in oriental, plain or shot silk from Thailand or India. 324A










325. A Walt Disney Alice in Wonderland official celluloid reproduction, framed with faint inscription to the mount, paper label to reverse image 28 x 21cm. £50-150

326. A pen and ink study of Edwardian life, by Helen McKie, another entitled ‘Cynthia Someone’s accused of Stealing’, and two others, framed signed in pen 49 x 35cm £100-200

327. A print of a sleeping cat after Leonard Tsuguharu Foujita, dated 1929, framed signed and dated in the print image 27 x 21cm. £80-120

328. ‘Tartitius’ a photograph by Bernard Faucon, framed, annotated to backing board in pencil image 30 x 30cm. £100-200

329. ‘Margot Fonteyn - The Royal Ballet’ a rank organisation film poster, printed by W E Berry Ltd 102 x 69cm. £50-80 333 330. ‘The New World Festival of the Arts 1982’ a poster designed by David Hockney, 97.5 x 91cm. £80-120

331. ‘David Hockney - Grey Gallery 1980’ an advertising poster, framed signed in the print image 93 x 64cm. £150-200

332. ‘David Hockney - Galerie Claud Bernard’ an advertising poster, framed, image 64 x 45cm. £80-120

333. ‘Pollards Shopfitters’ a Lithographic poster designed by Frank Brangwyn, printed by The Avenue Press, London signed in the print FB 76 x 51cm. £200-300

334. ‘Revolver’ a Beatles advertising poster, designed by Klaus Voormann, signed and dated in the print 1966153 x 101cm. £50-100 334










335. ‘Andy Warhol’s Flesh for Frankenstein’ a lithographic film poster, printed by W E Berry, Bradford, and four other horror movie posters, 101.5 x 76cm £80-120 336. ‘Female Jungle’ an American Insert poster, American Releasing Corp, 1956 91.5 x 35.5cm £50-80 337. ‘Twins of Dracula’ an Australian Day Bill film poster, 76 x 33cm 338. ‘Annie Hall’ and ‘Bonnie and Clyde’ two Australian Day Bill film posters, 76 x 33cm

£50-80 £50-150

339. ‘Deerhunter’ a British Quad film poster, published by Lonsdale and Bartholomew 101 x 76cm. £50-100


340. ‘Man in The Moon’ a film poster, artwork by Longi, printed by N Moneta, Milano 100 x 68cm. £80-120 341. ‘On The Threshold of Space’ and ‘Missile Monsters’ two American Insert film posters, 92 x 36cm £50-150


342. ‘Repulsion’ a Quad film poster for Roman Polanski, artwork by Lenica? 102 x 76cm. 343. ‘Never Say Never Again’ an Australian Day Bill poster, 68 x 33.5cm

£80-120 £50-80

344. ‘Diamonds Are Forever’ a James Bond lithographic film poster, printed by Lonsdale and Bartholomew, 101.5 x 76cm. £100-200 345. ‘That Riviera Touch’ a Morecambe & Wise lithographic film poster, printed by Charles & Read, London, ‘Up Pompeii a film poster and three other comedy movie posters 100 x 76cm £80-120 345






346. ‘Aladdin’ a lithographic poster, printed by Taylors, Wombwell 101.5 x 76cm £50-60

347. ‘Zaragoza’ A Spain 1982 World Cup of football poster, designed by Jean Michel Folon, signed in the print 95 x 60cm £80-120

348. ‘Oviedo’ a Spain 1982 World Cup of football poster, designed by Pol Bury signed in the print 95 x 60cm. £80-120



349. ‘Gijon’ a Spain 1982 World Cup of football poster, designed by TitusCarmel signed in the print 95 x 60cm. £80-120

350. ‘Sevilla’ a Spain 1982 World Cup of football poster, designed by Antonio Saura printed marks 95 x 60cm. £80-120

351. ‘Alicante’ a Spain 1982 World Cup of football poster, designed by Pierre Alechinsky signed in the print 95 x 60cm. £80-120


352. ‘Valladolid’ a Spain 1982 World Cup of football poster, designed by Vlickovic signed in the print 95 x 60cm. £80-120

353. ‘Vigo 82’ a Spain 1982 World Cup of football poster, designed by Jacques Monory signed in the print 95 x 60cm. £80-120












354. ‘La Decor De La Maison’ a book, published by Le Decor D’Aujourd’Hui, 1949, ‘L’Art Decoratif Francais 1918-1925’ Editions Albert Levy, and two other books £60-100 355. ‘Interieurs’ Editions D’Art Charles Moreau, a folio book of designs including work by Pierre Chareau, Le Courbusier and Robert Mallet-Stevens 33.5 x 25.5cm. £200-300 356. ‘Lino Cutting and Printing’ by Claude Flight, a book published by B T Batsford Ltd, 1934 £200-300



357. ‘La Verrerie Francaise’, ‘Le Mobilier Francais’ and ‘La Ceramique Francaise Moderne’ (1910-1925) three volumes, £50-100 358. ‘Bauhaus’ a reference book by Hans Wingler, published by The MIT Press, in slipcase, ‘Thirties’ Art Council catalogue and five other design reference books £50-100 359. ‘Gerald Benny Goldsmith’ by Graham Hughes, ‘The Crafts in Britain in the 20th Century’ by Tanya Harrod and ‘Comprehensively Clarice Cliff’ , three reference books £80-120 360. A collection of 20th Century Design catalogues, including Christie’s King Street, £50-80 361. ‘C R Ashbee Architect, designer and Romantic Socialist’ a book by Alan Crawford, published by Yale, 1985 £50-100 362. ‘The Studio Yearbook 1909’ a reference book with Omar Ramsden bookplate £50-150



Provenance Omar Ramsden 363. ‘The Studio Yearbook 1943-1973’ and 1980, twenty-four volumes £600-700 364. A Jeanne Lanvin, Paris silk scarf, and five other various silk scarves £40-60 365. Four Liberty silk scarves, printed Liberty and applied label £40-60 366. Four Jacqmar silk scarves, printed signature to design £40-60 367. A silk scarf decorated with airline cipher and transport vignette, a BEA silk scarf and four other silk scarves £40-60 368. Four Richard Allen silk scarves signed in the print









369. ‘Foliate Heads’ a David Whitehead textile length designed by John Piper, signed to selvedge, 162 x 116cm. £200-300

370. ‘Solstice’ a David Whitehead textile designed by Cliff Holden, and another textile, 200 x 230cm. £50-100


371. A large rectangular wool carpet, autumnal leaves on a geometric beige ground, unsigned 262 x 230cm. £100-150

372. ‘Birds and Butterflies’ an Aubusson woven tapestry by Jean Picart Le Doux, rectangular with birds and flying butterflies by a clipped tree, on a black ground , signed and monogram to bottom corners 164 x 97cm £300-500

373. A hand-tufted rug by Tracy Hillier, 1971, geometric design on grey ground unsigned 211 x 150cm £500-800


374 label 374. A Templeton’s chenille seamless carpet, designed by Frank Brangwyn, model no.1275, decorated with a geometric field in colours, on a mushroom ground FB monogram, original Templeton’s label to reverse 370 x 273cm. £1,000-2,000

375. ‘Bird and Tree’ a limited edition wool wall hanging designed by Craigie Aitchison, vivid yellow ground inscribed BAT Cragie Aitchison AP 1/5, 248 x 185cm £3,000-5,000 375



376. A De Sede DS600 twenty-two section leather sofa unit system designed by Ueli Berger, Eleonare Peduzzi-Riva, Heinz Ulrich and Klaus Vogt, each section of kid leather with zip and bolt connections unsigned each section 71cm high, 100cm deep ÂŁ8,000-12,000

377. An Ercol bent beech and pine sofa, designed by L.R. Ercolani, with red wove cushions unsigned 200cm. wide £500-800 377

378. A French chromed metal and rosewood veneer low table, unsigned 150 x 75cm. £300-500 378

379. An enamelled metal and laminated architects desk and chair, designed by Friso Kramer desk applied label T H Delft 91 x 71cm. £1,200-1,500 379


380. A Giotto three piece shelf system, designed by Ettore Sottsass, laminated wood, applied Giotto label 115cm. high £800-1,200 380

381. A Giotto dressing table mirror, designed by Ettore Sottsass, applied Giotto label 66cm. high £1,500-2,000 381



382. A Bauhaus cocktail cabinet designed by Ettore Sottsass, rectangular with veneered finish, 110 x100cm. £4,000-5,000

383. An enamelled metal elements vase, from Ettore Sottsass’ studio unsigned 94cm. high £300-400 383

384. ‘Valigia’ a pair of Memphis table lamps by Stilnovo, designed by Ettore Sottsass, enamelled metal stamped marks 34cm. wide £800-1,200 Literature Charlotte & Peter Fiell 1000 Lights 1960 to Present, Taschen, page 300 for an example


385. A Memphis Don desk lamp by Stilnovo designed by Ettore Sottsass, designed 1977, applied label 43cm. high £700-1,000 385

386. ‘First’ a Memphis chair designed by Michele De Lucchi, metal and lacquered wood stamped Memphis 89cm. high £700-900 Literature Barbara Radice Memphis, Thames and Hudson, page 175 this design illustrated 386


387. ‘Yemen’ a Venini glass vase, designed by Ettore Sottsass, 1994 etched Venini 98 Ettore Sottsass 30.5cm. high £1,000-1,500 Literature Sottsass Glass Works Vitrum, page 70 and 71 for a vase in the same design 387

388. ‘Ruins’ a rare limited edition ceramic fruit bowl, designed by Ettore Sottsass, 1992, produced in an edition of 9, glazed green painted signature, date and number 9/9 £4,000-6,000 Literature Bruno Bischofberger Ettore Sottsass Ceramics, Edition Stemmle, page 163 this range discussed with an illustration of this edition 388

389. A massive Memphis ceramic vase by Bitossi, designed by Ettore Sottsass, dated 1999, painted signature and date to base 77cm. high £500-800 389


391 390 390. A One-Off Design double bed designed by Ron Arad, constructed from scaffold units unsigned 195 x 150cm. £600-900

391. A glass apple bowl, designed by Philippe Starck for the Peninsular Premiere Hotel, December 1st 1994 factory marks to rim 25cm. diam. £1,000-1,500


392. A set of four Driade bent ply and chromed steel chairs, designed by Phillipe Starck, impressed marks, stamped 28F 90cm. high £250-350

393 393. A white fibreglass Felt chair, designed by Marc Newson, probably made by Cappellini, with polished aluminium leg unsigned 84cm. high £1,000-2,000

394. ‘Joe’ a red leather chair, designed by Johnathon De Pas, Donato D’Urbino and Paolo Lomazzi, embossed marks 193cm. wide £1,500-2,000 394





395. A Memphis Mali long sleeve cotton shirt designed by Nathalie du Pasquier, medium size, loose fit Memphis label £50-100 Literature Barbara Radice Memphis, Thames and Hudson, page 92 for this pattern in the red and white colourway illustrated

396. A Memphis Zambia long sleeve cotton shirt designed by Nathalie du Pasquier, small size, slim fit Memphis label £50-100 Literature Barbara Radice Memphis, Thames and Hudson, page 93 for this design illustrated

397. A Memphis Milano Burundi silk tie designed by Nathalie du Pasquier, and two silk scarves applied Memphis label to the tie £50-150 398

Literature Barbara Radice Memphis, Thames and Hudson, page 92 for this design illustrated

398. ‘Amazonia’ 2004, a Fish Design resin vase designed by Gaetano Pesci, cast marks to the feet 36.5cm. high £500-700

399. A Cappellini Thinking Man’s Chair, designed by Jasper Morrison, 1986, varnished terracotta metal 92cm. deep, 70cm. high £700-1,000 399





400. A pair of Vitra Lotus 20 chairs, designed by Phillipe Starck, green plastic seat and front legs, with polished aluminium back legs, cast marks 88cm. high £80-120

401. A set of eight Hille Polo chrome metal and plastic chairs, designed by Robin Day, comprising two armchairs and six chairs, green and yellow plastic seats, cast marks, 69cm. high £300-500 Literature Lesley Jackson Robin & Lucienne Day Mitchell Beazley page 147 for comparable examples Charlotte & Peter Fiell 1000 Chairs Taschen, page 326 for a comparable chair


402. Four Plexico Brevete plastic and enamelled wire chairs, cast marks to chair 78cm. high £80-120

403. A red painted wood clothes rail/chair, possibly retailed by Habitat, unsigned 87cm. high £60-100

404 404. A set of ten Cassina chairs designed by Vico Magistretti applied label 74.5cm. high £500-1,000

405. A Cassina Sinbad table designed by Vico Magistretti, ash stained black applied paper label 185 x 45cm. £800-1,200 405









406. A J & J Kohn Buenos Aires beech and plywood settee, designed by Josef Hoffmann, with inlaid decorative brass borders and brass decorative studs impressed mark, remains of paper label £400-600 Literature Wolfgang Bauer Bel Etage exhibition catalogue 2006, page 34-35 for a comparable example The Chair Christie’s King Street, 11th May 1999, lot 41 page 32 for a comparable example of an armchair. This design takes its name from an exhibition, which included this chair by Josef Hoffmann, organised by J & J Kohn held in Buenos Aires, Argentina in 1910.


407. A set of four modern stained oak high-back chairs, originally designed by Charles Rennie Mackintosh, with pierced back splats and sprung loose seat pads, applied metal label 107cm. high £200-400 These chairs were originally designed for the Ingram Street Tea-rooms in 1901. 408. An Arts and Crafts occasional table, in the manner of M H Baillie Scott, circular top with inset marquetry border, on flaring square section legs unsigned 71cm. high £100-200 409. An occasional table, the design attributed to Heal’s, circular top with cruciform stretcher with stepped feet unsigned 51cm. diam. £100-200 410. An Anglo Moorish inlaid table, possibly retailed by Liberty & Co, carved in low relief with decorative panels inlaid with bone and mother of pearl decoration, and three others similar unsigned 57cm. high £150-200 411. An Anglo Moorish inlaid table, possibly retailed by Liberty & Co, hexagonal form, carved and inlaid with mother of pearl star and circle motif, with applied musharabeyeh panels to the sides, unsigned 62cm. high £150-250 412. A Robert ‘Mouseman’ Thompson oak table, rectangular form with adzed surface, incised mouse signature 153 x 91cm. £700-1,000 413. An adzed oak dining table and six chairs, in the manner of Robert ‘Mouseman’ Thompson, the rectangular table with heavy adzed top and peg joints, the chairs with carved lattice backs, leather seats unsigned table 152 x 82cm. £300-500 414. A Gothic Revival pitch pine wardrobe, with carved geometric decoration and ebonised wood inlaid highlights, the mirrored glass door unsigned 216cm. high, 131cm wide £300-400











415. An Art Deco veneered cocktail cabinet and table, possibly Bowman Brothers, octagonal form, with angled doors fitted for glasses to the interior, central shelf arrangement unsigned 65 cm. high, 68cm wide £200-300 416. An Edward Barnsley Coronation oak arm chair, with drop in leather seat indistinct stamped marks and numbers 95cm. high £100-200 It is believed this armchair and a similar stool were designed by Edward Barnsley for the Coronation of King George VI in 1937. The indistinct marks stamped to the underside being a G and crown motif. 417. An inlaid birch and glass display cabinet, probably from Derry & Toms Department Store, Kensington on ebonised round feet unsigned 162 x 102cm. £300-400 418. An Art Deco walnut and rosewood veneer display cabinet, with rounded top, inlaid with mother of pearl border and ebony tracery unsigned 175cm. high £400-500 419. A Rowley Gallery easel backed mirror, elliptical silvered gesso frame with two ball feet applied paper label to reverse 49cm. high £50-100 420. A PEL chromed metal umbrella stand with enamelled metal drip tray, applied PEL label 50cm. wide £200-400 Provenance Fine Art Society Britain Between the Wars, March 23rd-April 29th 2004 421. A painted wood stool in the manner of the Omega Workshops, square on reeded feet, with purple and blue geometric velvet seat unsigned 51 cm. wide £200-300


422. An Arthur W Simpson The Handcrafts oak occasional table, circular top with cruciform plank legs, applied manufacturers disc 55.5cm. diam. £200-300 423. A Cotswold School walnut desk organiser, possibly made by The Barnsley Workshops, with fitted, loose divider and drawer fitting, unsigned 40cm. wide £200-400 424. A Cotswold School travelling dressing table mirror, in rectangular travelling case unsigned 42 x 31cm £80-120 424






429 425. A walnut veneer and ebonised wood floor standing clock case and night light, modelled as a crinoline lady by Sidney Weed, set with foreign clock movement unsigned 139cm.high £400-600 Provenance Sidney Weed, thence by Descent. Sidney Weed lost a leg in the First World War and was granted accommodation in the newly built Warseal Mansions on the Fulham Road, London. He worked in the Lord Roberts Memorial Workshops set up to retrain injured soldiers and sailors. 426. A Gordon Russell burr maple nest of three tables, rectangular tops on tapering legs, applied label and impressed marks to base largest 61 x 38cm. £100-200 427. A Bowman Brothers walnut cabinet, with inlaid amboyna and abelone shell flower panels, single drawer above twin, hinged doors, with bakelite handles applied ivorine label to drawer 105cm. high, 83cm. wide £250-300 430

428. A wall mounted teak bureau, fitted rectangular bureau clipped to enamelled wire wall supports, with two teak shelves unsigned 122cm high x 76cm wide £50-100 429. A Gordon Russell Ltd yew tree veneer and electroplated metal dining table, model R.988, and a Gordon Russell Ltd Yew tree veneered sycamore sideboard, with original receipts table 244 x 114.5cm, sideboard 214cm wide £800-1,200 Provenance Mr Jakobsen, purchased 1978 430. A Gordon Russell Ltd R-411 Helix mahogany and rosewood veneer cabinet, designed by W R 'Curly' Russell, 1950, with routed geometric decoration, rosewood handles applied label 114cm. high, 122cm wide £500-700 431. A Gordon Russell Ltd mahogany and walnut sideboard, designed by W R 'Curly' Russell and David Booth, 1950, with routed linen-fold decoration to the doors, dark Bombay rosewood handles applied label 114 x 43cm £500-700










432. A Martinelli Luce Serpente metal and perspex floor lamp with rotating arm cast marks to base 123cm. high £100-200 433. An Arkana fibreglass chair, cast marks to base 67cm. high


434. A 1970s white plastic and chrome metal cheval mirror, unsigned 165 x 67cm. £80-120 439 435. A 1950s enamelled metal desk lamp, cone shade and spherical counterbalance enamelled red, with gold enamelled frame unsigned 60cm. high £80-120

436. A Harvey Guzzini chrome table lamp, with white plastic shade unsigned 57cm. high £80-120

437. A white plastic drum storage unit, the design attributed to Joe Columbo, the top shelf with sliding door unmarked 52cm. high £50-100

438. A stainless steel cased desk lamp, angled cylinder form on tube foot, and an anglepoise lamp unsigned 88cm. long £80-120

439. Two Lumitron perspex ceiling lights, designed by Robert Welch, and a Galaxy fibreoptic table lamp unsigned 36cm. high £150-250

440. A Martinelli Luce Pipistrello lamp, designed by Gae Aulenti, white perspex shade and black enamelled extending body applied Martinelli label 76cm. high £150-250 440










441. A shagreen veneer two tier drinks trolley, on satinwood frame, with brass furniture unsigned 65cm. high £40-60 442. A set of six Ligne Roset Finn dining chairs, designed by Thibault Desombre, veneer with leather padded backs, original label 88cm. high £100-200 443. A pair of limed oak bedside tables, rectangular section, with single drawer cabinet on cabriole leg unsigned 61cm. high £200-400


444. A perspex and chrome metal butlers tray and en suite ice bucket unsigned tray 60 x 40cm £80-120

445. A pair of Thonet chromed metal and leather high stools, unsigned 113cm. high


446. A polished aluminium and glass occasional table attributed to the MARS Group , streamlined form with circular glass top, unsigned 76cm. diam. £150-200 447. A set of twelve Danish rosewood chairs, with padded black leather seats applied label 79cm. high £500-800 448. A Hille folding chair, designed by Frederick Scott, 1974 inset Hille label, applied paper label 64cm. high £80-120 450

Literature Sutherland Lyall Hille - 75 Years of British Furniture Elron Press, page 92 for a comparable example illustrated. 449. A set of six Fritz Hansen Ant chairs and a B-411 table, designed by Arne Jacobsen, white bent ply seats with chrome legs stamped marks, 78cm. high £600-1,000 Provenance purchased Ebbutts, Croydon, 1969 450. An IN-50 pine and glass topped occasional table designed by Isamu Noguchi, amorphic form, 125cm. wide £80-120 Literature 100 Masterpieces from the Vitra Design Museum Collection, exhibition catalogue, page 156 451. A Slica Tripolina chair, red canvas sling seat on black lacquered expanding frame with brass hinges, applied Slica label 83cm. high £100-200



This Italian designed chair dated back to the mid 19th century, originally being used by the military. This design was used in the interior of the Olivetti showroom in New York.









452. A Fritz Hansen teak tray top table, designed by H Engholm & Sven Willumsen stamped mark 59cm. wide £150-250 453. A Carl Hansen & Son oak Y armchair designed by Hans J Wegner, stamped mark to back of seat 73cm. high £250-350 Literature Charlotte & Peter Fiell 1000 Chairs Taschen page 210 for an example of this chair 454. A Swedese Lamino chair, designed by Yngve Ekstrom, beech frame with sheepskin upholstery impressed mark, 101cm. high £300-500 455. A Dansk Design teak ice pail and cover designed by Jans Quistgaard, with tangerine plastic liner stamped marks to base 48cm. high £150-250 456. A Danish teak desk and chair, designed by Eric Kirkegaard, the chair with leather seat and back rest stamped mark 159 x 80cm. £150-250 457. ‘Fritz Hansen - 125 Years of Danish Furniture Design’ a poster, framed, and another framed Fritz Hansen poster, 100 x70cm. £50-100 458. ‘Arne Jacobsen’ a Design Museum exhibition poster, dated 1994, framed, and a Crafts Classics Since the 1940s poster, framed, Jacobsen poster 76 x 51cm. £50-80


459. A Danish teak nest of three tables, rounded rectangular section on tapering, turned legs, with inter-linking grooves to underside stamped Made in Denmark to one largest 55 x 40cm. £50-100 460. A Bird chair designed by Harry Bertoia, probably by Knoll Associates, chromed wirework frame with green upholstery unsigned 97cm. high £300-500 Literature Charlotte & Peter Fiell 1000 Chairs Taschen page 254 461. An Isokon bent ply long chair designed by Marcel Breuer, upholstered in black, unsigned 135cm long £600-1,000 Provenance purchased from John Allen Studio 1966








467 462. A Braun cylindrical table lighter designed by Dieter Rams, another similar with textured finish, a travel clock and two travel mirrors cast marks 9cm.high £60-100

463. Five Sinclair calculators, designed by Clive and Iain Sinclair, comprising; ‘President’, ‘Oxford 300’, ‘Cambridge’, ‘Cambridge Programmable’, and ‘Enterprise’ largest 16cm. long £60-100

464. A chrome and polished steel ceiling light, three branch form, and a floor lamp similar unsigned ceiling light 66cm. high £60-100

465. A Digsmed, Denmark rosewood and iron candleholder, circular form, and a wrought iron grid candleholder similar stamped marks 11cm. diam. £60-100 468 466. An Italian Post-Modern kettle, coloured, burnished steel with wooden bar handle paper retail labels to base 32cm. wide £60-100

467. A Deakin & Francis silver three piece cruet set with blue glass liners, textured finish, comprising open salt with spoon, pepper, mustard pot, cover and spoon stamped marks, Birmingham 1969, 6.5cm. high £80-100

468. A J Bramah stainless steel tea service, designed by Eric Clements, comprising teapot and cover, hot-water pot and cover, milkjug and sugar basin, and another J Bramah three piece set various stamped marks teapot 12cm. high £80-120

469. An Elkington silver Pride milk-jug, designed by David Mellor, stamped marks, Sheffield 1964 12.5cm. wide £80-120 469










470. A pair of patinated brass Secessionist candelabra, each three light, with pierced stem and domed foot cast number to base 38cm. high £200-300 471. A W.M.F Secessionist electroplate biscuit barrel and cover, cast in low relief, and two mounted glass vases stamped marks 17.5cm. high £100-150 472. An Art Nouveau Gerhardi & Cie pewter three piece tea set, cast in low relief with Iris flowers stamped marks to base 20cm. high £250-350 473. A continental Secessionist electroplated metal box and cover stamped in low relief with stylised flower and foliage motif unsigned 16cm. wide £80-120


474. A pair of Art Nouveau W.M.F silvered pewter vases each with whiplash handles, each cast with a child variously listening to a shell and holding a large fish stamped marks 28.5cm. high £150-200 475. An Orivit pewter and green glass decanter, with pewter strapwork frame, stamped marks 19cm. high £150-200 476. A W.M.F electroplated metal and engraved glass claret jug, with hinged cover, the tapering glass body engraved and cut with laurel wreath motif, the mount and handle cast with similar laurel sprays, and another claret jug stamped WMF 31cm. high £150-200 477. A continental Secessionist electroplated four piece tea and coffee service, comprising; teapot and cover, coffee pot and cover, milk-jug and sugar basin, each stamped with geometric patterning stamped BL6 to coffee pot, 23cm. high £150-200 478. A W.M.F. electroplated desk inkwell and pentray, with hinged cover, cast in low relief with geometric knot panels, with glass inkwell, stamped marks, 32.5cm. wide £80-120 479. An Art Nouveau Max Klinger pewter and South Sea Mussel shell table lamp, the base cast as a sea sprite rising from the water below a conch shell shade stamped marks to base 36cm. high £500-700 479










480. A pair of Coberg iron chambersticks, circular bases with cylindrical stems with stamped decoration, one with matchbox holder stamped Coburg 19cm. high £50-150

481. A shagreen covered cedar-lined box with ivory edges, rectangular section with hinged cover, unsigned 15.5cm. wide £50-100

482. An Art Deco Macassar and chrome metal desk tidy with hinged compartments, and a desk barometer/airguide made by the Airguide Instrument Company, Chicago USA £100-200

483. An enamelled yellow metal and glass ten piece dressing table set, probably French each piece with red and black geometric enamel decoration, , comprising; two various brushes, shoe horn, hook and nail cleaner, two scent bottles and covers and three covered jars unsigned, tallest jar 16.5cm. high £100-200


484. An Art Deco electroplate and macassar ebony tea set, comprising; teapot and hinged cover, coffee pot and hinged cover, hot-water urn on stand, on a twin-handled tray stamped RM tray 67cm. wide £500-700

485. A Thomas Bradbury & Sons Art Deco silver and ivory bowl, flaring square section on stepped foot, stamped marks, Sheffield 1934 18.5cm. wide £200-300

486. ‘Hotel Eden Sorrento’ a pyrograph panel, rectangular, with city sea front panorama, inside border, with title unsigned 64 x 29cm. £50-100

487. An Arts and Crafts Edward Spencer hammered copper bowl, footed form, stamped marks 21.5cm. diam. £80-120

488. A patinated bronze ceiling light, six branch form, cast in low relief with flowers and foliage unsigned 60cm. high £100-200

489. A pair of Glasgow School oak bellows, carved with a panel of stylised rose flowers unsigned 66cm. long. £50-100 489









490. A Cotswold School oak and macassar book trough, unsigned 40cm. wide

497 £400-500

491. An Arts and Crafts embroidered silk book cover, with floral design outlined in gold thread, attached with hand written note stating purchased at the sale of White Lodge after Princess Mary £100-200 Duchess of Leck had died 33.5 x 26.5cm.

492. A carved oak frame by Arthur Simpson, rectangular with carved poppy seedhead terminals and scrolling foliage, containing a picture of Arthur Simpson, unsigned 19cm. high £200-300

493. An Arts and Crafts copper mirror, square, stamped in relief with a heraldic lion, and three Tudor rose motif, machine hammered finish unsigned 38.5cm. square £100-200

494. An Arts and Crafts brass wall mirror, circular form, stamped in low relief with fruiting bough unmarked 48cm. diam. £50-100


495. An Arts and Crafts brass wall plaque, in the style of Newlyn Industrial Classes, stamped in low relief with a sailing longboat, the rim shell and wave frieze unsigned 46cm. diam. £50-100

496. A Benham & Froud brass fire shovel and tongs, the design attributed to dr Christopher Dresser, turned cylindrical handles, stamped marks 61cm. long £80-120

497. A set of A Carne, Truro wrought iron fire tools and fire dogs, with simple twist and punched decoration, comprising; a pair of fire dogs, two brushes, a poker, shovel and coal tongs unsigned poker 47cm. long £150-200

498. An Arts and Crafts patinated copper mantle clock case, tapering rectangular section, the circular dial with Arabic numerals, set with four enamel roundels of Forsythia, Sunflower, Rowan Berry and Mistletoe emblematic for the seasons unsigned 31.5cm. high £600-1,000

499. An Arts and Crafts patinated copper and pewter umbrella stand, in the manner of M H BaillieScott, set with pewter stylised flower unsigned 70cm. high £200-400 499








500. An Arts and Crafts copper tray, rectangular section with raised rim, the well stamped and worked in low relief with stylised flowers and foliage, and a large brass tray decorated with a border of entrelac unsigned copper tray 52 x 24cm. £50-100

501. An Aesthetic Movement stained mahogany book trough, with carved geometric frieze to the back unsigned 44cm. wide £80-120

502. A large Arts and Crafts patinated brass door plate, pierced and stamped in low relief with bell flowers, a brass coal bin and three fire tools unsigned, door plate 67cm. long £80-120

503. An Aesthetic Movement patinated iron fender and fire dogs, in the style of Dr Christopher Dresser, with scrolling foliate design indistinct regd diamond to fire dogs fender 105cm. wide £150-200 506 504. A W. Simpson patinated copper jardiniere, twin-handled form decorated with a frieze of Tudor rose stamped mark to base 22cm. high £50-100


505. An Arts and Crafts patinated copper wall mirror, elliptical form set with four blue enamel stones hammered finish, paper label to reverse 82cm. high £200-300

506. A tall Arts and Crafts patinated copper wall sconce, possibly Newlyn, hammered in low relief with a mermaid below a galleon at full sail, applied with two wrought iron sconces unsigned 80cm. high £200-300

507. An A E Jones Arts and Crafts silver twin-handled bowl, low form, with hammered finish stamped marks, Birmingham 1920 26cm. diam. £300-500

508. A silver footed vase, flaring cylindrical form, stamped in low relief with flowers and foliage, stamped marks, London 1900 18cm. high £300-400 508










509. A Duchess of Sutherland Cripples Guild electroplated twin spout sauce boat, with twin handles, stamped marks to base 21cm. wide £80-120 510. A Keswick School of Industrial Arts silver spoon, hammered bowl and cast entrelac terminal, stamped marks, Chester 15cm. long £100-150 511. A Keswick School of Industrial Arts electroplated soup tureen and cover, by J Richardson, designed by Herbert Maryon, dated 1903, reeded pedestal form, signed J Richardson Keswick dated 1903 36cm. wide £100-200 Literature The Silver Society Journal 12 (2000), original photograph including this design illustrated page 136 512. A Keswick School of Industrial Arts electroplated metal dish, by R Temple, hammered in relief with a radiating geometric design, stamped marks, etched signature 23m. diam. £80-120


513. A Keswick School of Industrial Arts Chromium plated cigarette box, rectangular with hinged cover, cedar wood liner, hammered finish, and two KSIA trays stamped marks 14.5cm. wide £60-100 514. A Keswick School of Industrial Arts caddy spoon, with stamped decoration and stamped SF monogram to terminal, another KSIA Staybrite caddy spoon and a pair of KSIA Staybrite salad servers stamped marks servers 25.5cm. long £80-120 515. A Keswick School of Industrial Arts electroplated tray, square section, hammered in relief with a foliate design, initialled SF, on ball feet and a KSIA muffin dish and cover with silver liner stamped marks 24cm. square £100-200 516. A Keswick School of Industrial Arts electroplated miniature pepper pot, with stamped stylised leaf decoration, stamped KSIA mark 6cm. high £60-100 517. An Edward Spencer Artificers Guild silver footed bowl with blue enamel well, circular, the silver strapwork body on tripod foot applied with shell motif stamped marks, London 1928 9.5cm. diam. £600-1,000 518. A Birmingham Guild of Handicraft silver and ebonised wood trowel, commemorating the Church of St Michael & All Angels, Bournville, given to The Right Honourable Viscount Cecil of Chelwood, July 12th 1924 overstamped marks, Birmingham 1924 24.5cm. long £200-300 518






523 519. An Omar Ramsden silver button, circular, cast in low relief with a bird stamped marks, London 1918 2.5cm. diam. £80-120

520. A David Andersen silver box with hinged cover, the design attributed to Johan Sirnes, circular the cover cast in low relief with cupid standing before a rose bough, the box set with alternating moonstones and red stones, on rope border and tripod foot stamped marks 8.5cm. diam. £800-1,000


521. A silver mounted onyx and malachite box, rectangular with hinged cover, the silver hinge stamped H G & S London 1947 £50-80

522. A Continental silver, plique a jour enamel brooch, stamped marks, 4cm. wide


523. A set of Gustave Keller silver gilt and ivory cocktail swizzle sticks, on fitted stand and circular wood tray stamped marks, stamped G Keller to rim of tray 15cm. high £250-350 525 524. A David Anderson silver and enamel pendant necklace, by Bjorn Sigurd Ostern, T-shaped with enamel grid design in ochre, on rod link chain stamped marks, pendant 6.5cm. high £80-120

525. A white metal and jade glass pendant necklace, unsigned pendant 3cm high


526. A Continental 9ct gold brooch, triangular wirework form set with sapphire and central stone and small seed pearls stamped marks 4cm high £200-300 526





527. An enamelled silver pendant necklace, possibly Charles Horner, enamelled in shades of green, blue and yellow, with drop stamped Sterling silver 3cm. wide £150-200

528. A Bernard Instone silver and enamel clip brooch, circular modelled as a wreath, enamelled yellow, pink, green and blue stamped marks 3.5cm. diam. £80-120

529. A silver and citrine pendant necklace, after a design by Peter Wylie Davidson, the pierced frame modelled as three stylised birds, with centrally mounted citrine stamped CA 4.5cm. high £200-300

530. An H G Murphy Falcon Works silver and glass five piece cruet set, comprising; two footed salts with pale green glass liners, a twin-handled mustard with pale green glass liner, and two pepper pots stamped marks London 1934, 10cm. high £1,000-2,000


Literature Paul Atterbury & John Benjamin Arts and Crafts to Art Deco The Jewellery and Silver of H G Murphy, ACC page 101 for a comparable three piece cruet.

531. A rare H.G. Murphy silver bangle, with wirework decoration set with green chrysoprase stamped HGM mark London 1937 8cm. long £1,000-1,500 531


532. A Liberty & Co Tudric Pewter and green glass mug, designed by Archibald Knox, model no. 0534, cast and pierced with berried foliage, the cylindrical green glass liner probably James Powell & Sons stamped 14cm. high ÂŁ150-200 532

533. A large Liberty English Pewter vase, designed by Archibald Knox, model no.0927, bombe form on tripod foot, cast in low relief with stylised foliage frieze stamped marks 29cm. high ÂŁ100-200 533

534. A Liberty & Co pewter mantle clock, model no.0371, cast in low relief with tree motif, the face enamelled green and blue stamped number 23cm. high ÂŁ1,500-2,000 Literature Mervyn Levy Liberty Style Weidenfeld & Nicholson, page 40 for a comparable clock illustrated 534


English and European Ceramics and Glass Tuesday 13th September at 10.30am

A good pair of Italian maiolica istoriato dishes, late 17th century. Estimate: ÂŁ3,000 - ÂŁ5,000

ENQUIRIES Clare Durham Tel: 01722 424507

Viewing Times Saturday 10th September 10am - 1pm Monday 12th September 10am - 7pm Tuesday 13th September 9am - 10.30am

Furniture & Works of Art Tuesday 11th October 2011

ENQUIRIES Will Hobbs Tel: 01722 339752

A late Victorian walnut and brass mounted hall stand by JAS. SHOOLBRED & CO. Estimate: £1,000 - £1,500

Clocks, Pocket Watches, Scientific Instruments & Barometers Tuesday 25th October 2011 Closing date for entries 9th September

A Willam and Mary walnut and marquetry stick barometer, 4ft 1in (124.5cm) h. Estimate: ÂŁ10,000 - ÂŁ15,000

ENQUIRIES Will Hobbs Tel: 01722 339752

Jewellery Thursday 27th October 2011

ENQUIRIES Jonathan Edwards FGAA Tel: 01722 424504 Marielle Whiting FGA Tel: 01722 424595

An Arts and Crafts multistone necklace attributed to Sybil Dunlop. Estimate: ÂŁ2,000 - ÂŁ5,000

Yixing Zisha Wares Tuesday 15th November 2011

ENQUIRIES John Axford MRICS ASFAV Tel: 01722 424506 Sophie Lister Tel: 01722 424591

An Yixing begging bowl, 18th century, the pleasantly rounded shape with inverted rim, inscribed with a sutra with the temple name Xi Yu Si (Western Region), 15cm dia. Provenance: from the collection of Arthur J Harris. Estimate: £1,500 - £2,500

British Art Pottery Including Moorcroft Pottery from the collection of M K Manley Wednesday 30th November 2011 Closing date for entries 23rd September

A rare Moorcroft Orchid pattern vase by William Moorcroft. Estimate: £10,000 - £15,000

ENQUIRIES Michael Jeffery Tel: 01722 424505

Paintings Wednesday 7th December 2011 Entries are now being accepted for this sale


To be sold in our Paintings sale on Wednesday 28th September

Victor Fauvelle Tel: 01722 424503

Archibald Thorburn (1860-1935) Shoveler and tufted duck on the water's edge Signed and dated 1928 Watercolour and bodycolour 37 x 56cm Estimate: ÂŁ25,000 - ÂŁ35,000

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays VIEWING All our specialist auctions are on view at least two days prior to the sale, and details will be found in the relevant catalogues. BIDDING To bid at the auction, you will need a bidding number. This can be obtained from the office either during the view or on the day of the sale. ABSENTEE BIDDING If you are unable to attend the sale you can leave a written commission bid. This will be executed on your behalf by the auctioneer who will endeavour to purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. On the more expensive lots it is usually possible to bid on the telephone by prior arrangement with the office. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot where practical. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 19.5% + VAT at the appropriate rate. SALE RESULTS Results from this sale are available from our office on 01722 424500 and are posted on our website a few days after the sale. STORAGE CHARGES Storage charges will be levied on all lots in the Furniture and Works of Art and Clock sales not collected within 14 calendar days of the sale. This will include a handling fee of £20 (+VAT) per consignment and a storage charge of £2 (+VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

ARTISTS RESALE RIGHT / DROIT DE SUITE Lots potentially subject to the levy are marked with a ‡ symbol next to the lot description. Works by living artists who are nationals in European Union Countries and certain other countries are subject to the levy if they sell for a hammer price of the sterling equivalent of €1.000 or more. The levy will be added to the purchaser’s invoice and the full amount will be paid by us to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale, or for any further information. Royalty

For the Portion of the resale price - in Euro

4% 3% 1% 0.5% 0.25%

Up to €50,000 €50,000.01 - 200,000 €200,000.01 - 350,000 €350,000.01 - 500,000 In excess of €500,000

Up to a maximum levy of €12,500


PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and may require funds to be cleared before purchases can be released. The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a limit of £5,000. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account name Woolley & Wallis Salisbury Salerooms Ltd. Clients Account Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect It is company policy not to accept single or multiple payments in cash equivalents in excess of £5,000 (or the equivalent value in another currency). Where practical, payment can be made and purchases collected during the auction. Please note that lots will remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. PACKING AND SHIPPING All our packing and shipping is arranged through Alban Shipping. Please see details at the back of this catalogue. VAT Lots marked with an asterisk (*) are subject to VAT at the standard rate on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. The colours printed in the catalogue are not necessarily true. All weights and measures given in the catalogue should be regarded as approximate.

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424510

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.







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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522


SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. There is a minimum charge of £5 per lot. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest.


(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.


(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions. and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition orestimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

Packing and Despatch We have negotiated competitive rates with Alban Shipping – Specialist Shippers of Antiques, Collectors’ Items and Fine Art, for the packing and despatch of lots purchased at our salerooms. Unfortunately, Woolley & Wallis are unable to offer any other packing and despatch service of their own. Alban Shipping collect items for our Salisbury Salerooms on a weekly basis and offer a fast, friendly and efficient shipping service via all methods of modern transport, by air, sea and road, including – air-post, courier, air and seafreight. They also offer a case making service.

Insurance Full comprehensive Transit Insurance is charged from £2.50 or 1.5% of the hammer price. For further details please contact: Mr. Andrew Jackman on 01582 493 099 who will be able to assist with any enquiries or information that you may require. Alban Shipping Specialists Shippers of Antique, Collectors’ Items and Fine Art Unit 4, Premier Business Park, Dencora Way, Luton, Bedfordshire LU3 3HP

Quotations Alban Shipping will be pleased to provide a prompt individual quotation for this service. Minimum Charge Their minimum charge is £35 plus VAT which includes the collection, expert packing and despatch for inland delivery. Mastercard and Visa are welcome.

Telephone Fax E-mail Web

Delivery Instructions


01582 493 099 01582 490 147

Please complete and return to: Woolley & Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508 Name



Sale Date

Lot No(s)


Postcode Telephone


Name Delivery address

Postcode Telephone


Email Mobile Please tick relevant boxes: For collection from

Castle Street

Old Sarum



I authorise Alban Shipping to collect the above lots on my behalf and deliver to the address given above. I understand that payment is to be made direct to Alban Shipping.




For Office Use


WOO L LE Y & WA L LI S Absentee Bid Form


20th Century Design

Brief Decription

Wednesday 21st September 2011 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)


Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER



(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

AUCTION CALENDAR ENGLISH & EUROPEAN CERAMICS & GLASS 13th September 2011 Clare Durham 01722 424507 • 20TH CENTURY DESIGN 21st September 2011 – 20th Century Design 30th November 2011 – British Art Pottery, including Studio Pottery Michael Jeffery 01722 424505 • PAINTINGS 28th September 2011 7th December 2011 Victor Fauvelle 01722 424503 • Jo Butler 01722 424592 • FURNITURE & WORKS OF ART 11th October 2011 Will Hobbs 01722 339752 • Mark Richards 01722 411854 • CLOCKS, POCKET WATCHES & BAROMETERS 25th October 2011 Will Hobbs 01722 339752 • Richard Price 01722 339752 • SILVER 26th October 2011 Rupert Slingsby 01722 424501 • Lucy Grazier 01722 424530 • JEWELLERY 27th October 2011 Jonathan Edwards 01722 424504 • Marielle Whiting 01722 424595 • ASIAN ART 15th November 2011 – Yixing Zisha Wares 16th November 2011 – Asian Art Part I 17th November 2011 – Asian Art Part II John Axford 01722 424506 • Sophie Lister 01722 424 591 • BOOKS & MANUSCRIPTS 7th December 2011 Liz Merry 01722 424500 • • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website

Woolley & Wallis 20th Century  

Woolley & Wallis 20th Century Design 21st September 2011

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