Woolley & Wallis Auctioneers

WEDNESDAY 30TH APRIL & THURSDAY 1ST MAY 2025

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

SILVER

Rupert Slingsby 446956

Archie Swann 446959

Becky Tilly­Trickett 446957

20TH CENTURY DESIGN

Michael Jeffery 424505

Zoe Smith 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Will Hobbs 339752

Molly O’Reilly 446980

ASIAN ART

John Axford MRICS 424506

Alexandra Aguilar 424583

Freya Yuan­Richards 424589

Jeremy Morgan +44 (0)7812 601098

Michelle Yu 424571

Olivia Jones 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS

Clare Durham 424507

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan­Richards 424589

Michelle Yu 424571

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan­Richards 411854

Neil Grenyer 446974

Jim Gale 339161

Sarah Stone 339161

Victoria Elwell 339161

JAPANESE ART

Alexandra Aguilar 424583

Olivia Jones 424591

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Jacob Carpenter 424586

Freya Miller 424586

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469

Molly O’Reilly 446980

PAINTINGS

Victor Fauvelle

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS FRSA

446961

Ed Beer 446962

Victoria Sturgeon 446970

Heidi Easton 446970

424502

Neil Grenyer 446974

Frances Woodhams

Hannah Farthing (Trainee Valuer)

CLIENT SERVICES

Ruth Pike (Client Services Manager) 424500

Sarah Bennie

Julie Langstaff

Gemma Pointer

Riin Rohtla­Szeverenyi

Demi Jueno­Chapman

Sarah Lancaster

MARKETING

Chloe Davie 446951

PRESS

Sandie Maylor +44 (0)7976 311172

ACCOUNTS

Ania Antkowiak

BOARD OF DIRECTORS

John Axford MRICS

Chairman

Natalie Milsted FCCA

Managing Director

Alexandra Aguilar Director

ASSOCIATE DIRECTORS

Ed Beer

Ned Cowell

Clare Durham

Victor Fauvelle

Will Hobbs

Michael Jeffery

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan­Richards

Mark Yuan­Richards

SILVER & OBJECTS OF VERTU

WEDNESDAY 30TH APRIL 2025

LOTS 1000­1468 | 10.00AM

THURSDAY 1ST MAY 2025

LOTS 1469­1866 | 10.00AM at our City Centre Salerooms, SP1 3SU

VIEWING WILL TAKE PLACE AT OUR OLD SARUM GALLERIES

Saturday 26th April 10.00am – 1.00pm

Monday 28th April 10.00am – 4.00pm

Tuesday 29th April 10.00am – 4.00pm

Wednesday 30th April Viewing by appointment only

Thursday 1st May No viewing

PLEASE NOTE THIS IS TWO DAY SALE

Rupert Slingsby 01722 446956 rs@woolleys.live

Archie Swann 01722 446959 as@woolleys.live

Becky Tilly­Trickett 01722 446957 bt@woolleys.live

DIRECTIONS TO THE OLD SARUM GALLERIES

THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury, SP4 6QX

Client Parking Available

Saturday 26th April 10.00am – 1.00pm

Monday 28th April 10.00am – 4.00pm

Tuesday 29th April 10.00am – 4.00pm

Wednesday 30th April Viewing by appointment only

Thursday 1st May No viewing

THE AUCTION ON 30TH APRIL & 1ST MAY WILL TAKE PLACE AT OUR CITY CENTRE SALEROOMS

51­61 Castle Street, Salisbury, SP1 3SU

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 26% plus VAT

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

COLLECTION OF LOTS BY APPOINTMENT

Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready

All accounts to be settled prior to collection

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

Silver weights in the catalogue are in Troy ounces

bid.woolleyandwallis.co.uk

Instagram: @woolleyandwallissilver @woolleyandwallissalerooms

Facebook: @woolleyandwallis

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ILLUSTRATIONS

Front cover: Lot 1801

Back cover: Lots 1786 & 1787

Catalogue £10.00 (£15.00 by post)

DAY ONE

WEDNESDAY 30TH APRIL 2025, AT 10AM

1000 A collection of reference books on York and Chester silver, including: Baggott M., An Illustrated Guide to York Hallmarks 17761858, Chester Gold and Silver Marks, Church Plate of Chester and other volumes. (qty)

Provenance: The Richard Stagg Collection.

£80-120

1002 A collection of reference books on Scottish and Irish silver, including: Cork Silver and Gold, Silver the Aberdeen Story, Made in Scotland, Highland Gold and Silversmiths and other volumes. (qty)

Provenance: The Richard Stagg Collection.

£80-120

1004 A Victorian electroplated basket, by George Richmond Collis & Co., Birmingham circa 1840, shaped oval form with weaved decoration, engraved with an armorial, with two pull-out liners, length 42.5cm. £100-150

1001 A collection of silver reference books, including: Grimwade, A., London Goldsmiths 1697-1837, Channel Islands Silver, East Anglian Silver, Jacksons, The Huguenot Legacy, Silver Flatware and other volumes. (qty) £100-150

Provenance: The Richard Stagg Collection.

1003 A collection of silver reference books, including: Culme, J., The Directory of Gold and Silversmiths, The Antique Collectors Club, 1987, 2 Vols., plus The History of Old Sheffield Plate, Modern Silver, English Goldsmiths and Their Marks, by Jackson, English Silver in the Kremlin and other volumes. (qty) £80-120

1005 A set of six American electroplated fox head stirrup cups, by Leonard Silver Manufacturing Company, Boston circa 1975, the foxes’ heads with textured fur on tapering bodies, height 13cm. (6) £150-200

1006 Two silver-plated tennis trophies, unmarked, modelled as tennis rackets on their sides with a tennis ball in front, both on painted wooden plinths, one with four ball feet, length of the longest 47cm. (2)

£250-350

1007 A silver-mounted copper regimental photograph frame, by Horton & Allday, Birmingham 1917, shaped rectangular form, with an applied Army Service Corps cap badge, plus an Asprey electroplated photograph frame with an applied Royal Army Medical Corps cap badge and an electroplated photograph frame with an applied Royal Engineers badge, height 45.6cm. (3)

£200-300

1008 An electroplated ‘holdfast’ tantalus, by Walker & Hall, Sheffield circa 1910, plain rectangular form, the key mechanism pivots the decanter holding section forward, with two cut glass decanters, height 31.5cm.

£150-200

1010 An Edwardian silver sauceboat, by Jay, Richard Attenborough Co Ltd, Chester 1908, oval form with a scalloped edge, on three hoof feet, length 14.5cm, plus a George III silver cream jug probably by Thomas Dicks, London 1813, and a cream jug by Goldsmiths and Silversmiths, London circa 1910, total approx. weight 10.2oz. (3) £150-200

1009 A mixed lot of silver photograph frames, comprising: one by A and J Zimmerman, Birmingham 1910, and eight modern ones, various designs, plus a base metal frame. (10)

£100-150

1011 A mixed lot of silver items, various dates and makers, comprising: a two-handled porringer, by A and F Parsons, (Tessiers), London 1910, a Victorian mug, by Hilliard and Thomason, Birmingham 1868, a cream jug and a pierced bonbon basket, on three scroll legs, approx. total weight 20oz. (4)

£300-400

1012 A cased six-piece silver condiment set, by Adie Brothers Ltd, Birmingham 1934, faceted circular form with a Celtic border, comprising: two mustard pots, two salt cellars, two pepper pots and two salt and two mustard spoons, plus a cased silver caster and cream jug and two cased silver napkin rings, total approx. weight 16.7oz. (qty) £300-400

1014 A mixed lot of silver items, various dates and makers, comprising: a tazza, two vases, four napkin rings, an oval dish, another dish, a dressing table box, a sifting ladle, a pair of sugar nips, a spoon and a cased set of six teaspoons, approx. weighable 14oz. (qty) £200-300

1013 A mixed lot: comprising: a Victorian silver-mounted glass butter dish possibly by William Cooper, London 1852, a set of six silver butter knives and a set of twelve silver teaspoons, plus a pair of silver-plated waiters, total approx. weighable 5.4oz. (21) £150-200

1015 A mixed lot of silver items, comprising: a modern silver coffee pot by Mappin & Webb, Sheffield 1965, a cased three-piece cruet set, a presentation tazza, a set of eight teaspoons and three others, plus an electroplated fork, total approx. weight 29.6oz. (19)

£300-400

1017 A mixed lot of silver items, comprising: a pair of Georg Jensen pyramid pattern teaspoons and coffee spoons, four cigarette cases, a pair of tablespoons, a sauce ladle, a dessert spoon, a snuff box, ten teaspoons, a twisted stem ladle, a pair of sugar tongs, a pen and a magnifying glass, total approx. weighable 37.6oz. (qty)

£300-400

£300-400

1016 A mixed lot, comprising: a Gladstone bag by Mappin & Webb, the interior fitted with five silver-mounted glass bottles, leather bound ink box and match box, two leather bound mirrors and a letter writing set, plus a silver pair of salt cellars, a pair of pepperettes, a dessert fork, a sugar crusher, two salt spoons, a vesta case, a Scottish pendant by Caithness Jewellery, Edinburgh 1978, a cigarette box, a scene bottle, a silver-mounted fossil bracelet, an Indian necklace, two unmarked boxes, plus an electroplated pair of berry spoons, mother-of-pearl handled fruit knives and forks, total approx. weighable 5.6oz. (qty)

1019 A collection of old Sheffield plated and electroplated items, comprising: a set of three old Sheffield plated wine coasters, a cased set of twelve electroplated fish knives and forks, a pair of candlesticks, a pair of sauceboats, three toast racks, a presentation cup, a tankard, two dishes and a pair of grape scissors. (qty)

£100-150

£300-400

1018 A mixed lot, comprising silver items: a pair of sauce boats, (a.f), a pair of bun pepper pots, two further pairs of pepper pots, a mustard pot, two salt cellars, in a fitted case, a pair of napkins, an egg cup, a small two-handled bowl, a commemorative dish by Theo Fennell, a Japanese basket condiment, plus two cream jugs (a.f and weighted), plus an old Sheffield plated coffee pot, with maker’s mark of T.M, plus electroplated items: a biscuit box, a salver, two trays, a meat platter, a pair of candlesticks (a.f), six tot cups, a preserve pot, and other items including flatware, approx. weighable 30oz. (qty)

1020 A mixed lot of silver items, comprising: a matched Victorian silver cream jug and sugar bowl by Henry Holland, London 1878, a tea caddy, a pepperette, a sugar caster, a sauce boat, a mustard pot and a pair of candlesticks, plus a metalware tea caddy, total approx. weighable 22.1oz. (10) £300-400

1021 A mixed lot, comprising: a silver tea strainer, a French silver-mounted cut glass bowl, plus a pair of electroplated wine coasters, a swing-handled basket, a tray, a plate, a caviar bowl, a mounted ice bucket, two mounted decanters with a stand, a butter dish and a tea strainer and bowl, total approx. weighable 3.9oz. (qty) £300-400

1023 A mixed lot of silver items, various dates and makers, comprising: a mirror, London 1935, rectangular form, engine-turned decoration, a mug, a sugar caster, a cased three-piece christening set, a cased baby feeder and pusher, five napkin rings, a pepper pot and salt cellar, a metalware knife, plus a three-piece electroplated condiment set and other items, approx. weighable 22.6oz. (qty) £400-600

£300-400

1022 A mixed lot of silver and metalware items, various dates and makers, comprising: a George IV mustard pot, London 1828, a hipflask, a continental mustard pot, a match set for four candlesticks, (two heights), a pepper pot, two tablespoons, a baby feeder and pusher, a napkin ring, a penknife, a Mexican dish, a continental 800 standard bowl, embossed with a double-headed eagle, plus thirteen smaller bowls, two overlay coasters and other items, approx. weighable 16oz. (qty)

1024 A mixed lot of small silver items, comprising: a pair of modern novelty horse racing knife rests by Camelot Silverware Ltd, Sheffield 2003, a pair of silver-gilt and enamel ashtrays and a silver and enamel scent flask, total approx. weight 5.5oz. (5)

£150-250

λ 1026 A small mixed lot of silver items, comprising: a pair of dishes mounted with pheasants by Atkin Brothers, Sheffield 1911, a novelty ring box with a tortoiseshell inlaid cover, by Mappin & Webb, London 1912 and a continental silver bowl with import marks for Berthold Muller, London 1892, total approx. weight 9.8oz. (4) £200-300

λ 1028 An Edwardian silver playing card case, by Grey & Co, Birmingham 1902, rectangular form with a domed cover, engraved with a monogram, height 8.2cm, plus a silver dice box by A Wilcox, Birmingham 1932 and two silver-mounted glass hipflasks, total approx. weighable 8.9oz. (4)

λ 1025 A mixed lot of silver items, comprising: an inkwell, by H. Lambert, London 1901, rectangular form, gadroon border, with a silver-mounted glass inkwell, plus three cigarette boxes, a silver-mounted and tortoiseshell inkwell, and an Armada dish, approx. weighable 13.8oz. (6)

£300-400

1027 A mixed lot of silver items, comprising: an Edwardian Irish tea strainer by Edmond Johnson Ltd, Dublin 1902, a small George III porringer, a pepperette and a cased three-piece christening flatware set, total approx. weighable 7.1oz. (6)

£150-200

£300-400

1029 A George III silver mustard pot, by Emes & Barnard, London 1816, plain circular form with gadrooned border, length 10cm, plus a pair of mustard pots by S W Smith & Co, London 1907 (a.f), a mustard pot by D & J Wellby Ltd, London 1913, plus a pair of mustard spoons, total approx. weight 12.7oz. (6)

£200-300

1030 A mixed lot, comprising: a pair of silver candlesticks by Henry Williamson Ltd, Birmingham 1918, a serving dish stamped sterling, plus a set four electroplated knife rests by Christofle, a pierced basket, and a tazza, plus a small metalware tray. (10)

1031 A mixed lot of silver items, comprising: a pair of late-Victorian silver pierced dishes by William Comyns & Sons, London 1894, three other dishes, two tazzas, plus an unmarked dish, total approx. weighable 22.3oz. (8)

£300-400

£200-300

1032 A Victorian silver cream jug, by The Barnards, London 1839, plain baluster form on four scroll foliate bracket feet, height 13.7cm plus three other cream jugs one possibly by William Hunter, London 1860, one by Daniel & Charles Houle, London 1859, and one by Collingwood & Co., London 1970, total approx. weight 26.8oz. (4)

£400-600

1033 A small collection of silver items, comprising: a late-Victorian tea caddy, by Thomas Hayes, Birmingham 1898, lobed bombé form, foliate scroll decoration, plus a small teapot, Birmingham 1899 and a three-section cruet frame, London 1894, with a later spoon, total approx. weight 25oz. (3)

£250-300

1035 A mixed lot of silver items, comprising: a Victorian silver teapot by Charles Stuart Harris, London 1879, a caster, a butter dish, a wine taster and a mug, total approx. weight 19.9oz. (5)

£300-400

£400-600

1034 A mixed lot of continental silver items, comprising: a tea caddy, with import marks for Sheffield 1898, rounded rectangular bombé form, embossed with classical figures, the cover with a figural finial, plus a German box, with import marks for Berthold Muller, Chester 1899, with figural decoration, plus two small brandy bowls, embossed decoration, pierced handles, and a rounded rectangular dish, approx. weight 33oz. (5)

1036 A mixed lot of silver items, various dates and makers,

comprising: a pair of Victorian grape scissors, a snuff box, London 1924, a French cup, a small coaster, two cigarette cases, a bonbon dish, three tea strainers, a mustard pot, a caster, (foot a.f), four napkin rings, a tazza, an Indian bowl, a dressing table box, two small bowls, and other items including flatware, approx. weight 46oz. (qty)

£400-600

1037 A mixed lot of silver and metalware items, comprising: a vinaigrette, Birmingham 1838, a silver and enamel match box cover, a vesta case, a filigree card case, two fob seals, a crucifix, a sauce ladle, three spoons, a heart shaped box, a silvermounted leather purse, two Far Eastern figures of dancers, a dish, a salt and pepper, a toilet jar and pair of gilt metal lorgnettes, approx. weighable 10oz. (qty)

£300-500

£200-300

1038 A mixed lot, comprising: a pair of Victorian silver wine labels by Hunt & Roskell, London 1866, a pair of silver-mounted glass decanters and another similar, five pepperettes (a.f), three lids, a cream jug, two vesta cases, an oil lamp, a fish knife, a striker case, a pill box, an unmarked pill box, a whistle and a wooden shoe shaped vesta, total approx. weighable 12oz. (qty)

1040 A mixed lot, comprising: a large Edwardian silver matchbox case by Stokes & Ireland Ltd, Chester 1907, a cream jug, a sauce boat, a German silver tea caddy, eleven Dutch silver spoons and two silver-mounted hair brushes and a brush, total approx. weighable 25.4oz. (qty)

£250-300

1039 A mixed lot of silver items, various dates and makers comprising: a Victorian miniature leaf chamberstick, by Joseph Willmore, Birmingham 1841, a shell sifting spoon, two wine labels, a needle case, a tooth pick, a box, two button hooks, a shoe horn, a fruit knife, plus other items and electroplated items, approx. weighable 3.8oz. (qty)

£100-150

1041 A mixed lot of silver items, various dates and makers, comprising: a George III mustard pot, by John Langlands, Newcastle 1771, plain circular form, with a blue glass liner and later spoon, a set of eight George III teaspoons, by Thomas Ollivant (of Manchester), plus two Fiddle pattern sauce ladles, an Iraqi napkin ring, plus various spoons, an unmarked pair of grape scissors, and electroplated spoons, approx. weighable 20oz. (qty)

£200-300

1042 A mixed lot of silver and metalware items, comprising: a pair of rice servers, a small two-handled tray, a butter dish and cover, a matched pair of salt cellars, two push action tongs (one a.f), a pair serving tongs, a pair of cake slices, a pair of salt spoons, five ashtrays, six napkin rings, three dishes, a pepper pot and salt cellar, a tea strainer, an incense holder and a box. (qty)

£600-800

1043 A mixed lot of silver items, various dates and makers, comprising: a cigarette box, marks partially worn, Birmingham 1919, the hinged cover with initials, the front inscribed ‘Gunroom Mess, H.M.S.Hood, 27.12.21’, plus a table cigar lighter modelled as a hunting horn, by The Goldsmiths and Silversmiths Company, London 1918, a pair of shell salt cellars, a pair of cauldron salt cellars, a pair of pepper pots, a fork and various spoons, approx. weighable 12.5oz. (qty)

£200-300

£500-700

1044 A mixed lot, comprising silver items: a Victorian teapot, by The Barnards, London 1892, a cream jug, a candlestick, a set of six Fiddle and Shell pattern dessert spoons, a tablespoon, two Danish tablespoons, a butterknife, a set of six Scandinavian napkin rings, two bottle stoppers, a sauce boat, and an unmarked scent bottle, plus an old Sheffield plated sugar basin and an electroplated candlestick, approx. weighable 41oz. (qty)

1046 A mixed lot of silver items, comprising: a modern silver caddy spoon by Anvic Silver Ltd, Birmingham 2006, with an associated case, an inkwell, a vesta case, a pair of fox hunting menu car holders and a model of a silver fox, total approx. weight 9.8oz. (6)

£300-400

1045 A mixed lot of silver items, comprising: a George III cream jug by Naphtali Hart, London 1815, a cream jug and sugar bowl, two christening mugs, a three-piece cruet set, a vesta case, a toast rack, two salt spoons and two silvermounted jars, total approx. weighable 31.7oz. (14)

£300-400

1047 A mixed lot of silver items, various dates and makers, comprising: a sugar caster, Birmingham 1906, a single candlestick, London 1886, a set of four modern dwarf candlesticks and a matching pair, a George II caster, London 1753, three three-piece condiment sets, a pair of pepper pots, two salt cellars, two napkin rings and various condiment spoons, and an electroplated hipflask, approx. weighable 23oz. (qty)

£300-400

1048 A mixed lot of silver items, various dates and makers, comprising: a pair of Victorian dwarf candlesticks, by Martin, Hall and Co., London 1886, a two-handled bowl, by A.E.Jones, Birmingham 1923, a small rose bowl, two cigarette boxes, a silvermounted glass sugar caster, an egg cup, a cigarette case, a salt cellar, a ladle, a napkin ring and two spoons, approx. weighable 21.5oz. (qty) £400-600

1049 A mixed lot of silver and metalware items, comprising: a late-Victorian silver teapot, by Stokes & Ireland, Birmingham 1891, a mug, a toast rack, a Myanmar dish, a baby feeding spoon, eleven South-east Asian menu card holders, and another pair of menu card holders, plus six Asian figures, total approx. weight 23.9oz. (24)

£300-400

1050 A mixed lot of silver items, various dates and makers, comprising: a cream jug and sugar bowl, Birmingham 1931, a sauce boat, a kitchen pepper, two silver and glass pepper pots and a metalware pepper pot, approx. weight 10.7oz. (7) £100-150

1052 A mixed lot of silver items, comprising: an 18th century Irish silver sauceboat, maker’s mark worn, Dublin circa 1760, a sugar bowl, a salt cellar, three toast racks, a mustard spoon and three pairs of sugar tongs, total approx. weight 23.8oz. (10) £300-400

1051 A mixed lot of small silver items, comprising: a set of four silver menu card holders by Asprey & Co Ltd, London 1913, plus five other menu card holders, an Iraqi silver and niello napkin ring and five other napkin rings and a small cup, total approx. weighable 11.6oz. (16)

£200-300

1053 A mixed lot of small silver items, comprising: a Russian ruler, the centre with a boar’s head, later inscribed, plus three cigarette cases, (one set with two coins), a Dutch box, a fluted oval box, London 1902, a trinket box, a swizzle stick and a 9 carat gold swizzle stick, approx. weighable 16oz, approx. weight of gold 4.7g. (qty)

£300-400

1054 A mixed lot of silver items, various dates and makers, comprising: a Guernsey milk can, Birmingham 1899, a sugar caster, a modern tumbler cup, a cream jug, and a pair of bonbon dishes, approx. weight 23oz. (6) £300-400

1055 A mixed lot of silver condiments, comprising: a set of four salt cellars by Mappin & Webb, London 1919, a set of four pepperettes by The Barnards, London 1903, a mustard pot, four salt spoons and a mustard spoon, total approx. weight 24.4oz. (14) £250-300

1056 A mixed lot of silver items, comprising: a sugar bowl by Goldsmiths & Silversmiths Co., London 1925, plus another sugar bowl, four dishes and a silver-mounted ceramic dish, total approx. weighable 16.3oz. (7) £200-300

1057 A mixed lot of South East Asian metalware items, comprising: a Sri Lankan dish, of circular form, embossed with animals and birds, a set of twelve place card holders, modelled as insects and reptiles, three metalware and enamel birds, on circular bases, another bird and a European wooden and gilt metal mounted desk seal. (qty) £200-300

1058 A collection of silver condiments, comprising: a pair of George III salt cellars by David & Robert Hennell, London 1771, two mustard pots, five pepperetts and a mustard spoon, total approx. weight 17.6oz. (10) £250-300

1059 A mixed lot of silver items, comprising: a matched set of four silver toast racks by Charles S Green & Co Ltd, Birmingham 1972 and 1973, and another toast rack, plus a pair of George III silver salt cellars by William Tucker & Co, Sheffield 1815, total approx. weight 12oz. (7) £200-300

1060 A collection of silver Fiddle pattern flatware, various dates and makers, comprising: six tablespoons, six table forks, six dessert forks, twelve dessert spoons, nine teaspoons, plus four pairs of sugar tongs and two tablespoons, some with crests and initials, approx. weight 77oz. (qty)

£800-1,200

1062 A set of twelve modern silver Hanoverian table knives, by Richard Comyns, London 1968, with steel blades, length 24cm, plus eleven dessert knives by Richard Comyns, London 1967. (23)

£300-400

1064 A set of twelve modern silver Thread and Shell pattern table knives and dessert knives, by C W Fletcher & Son Ltd, London 1967, length 24.5cm. (24)

£500-700

1061 A set of twelve silver table forks, by Viner’s Ltd, Sheffield 1936, with floral garland decoration to the terminal, plus six tablespoons of the same pattern, total approx. weight 49.2oz. (18)

£600-800

1063 A George III set of eleven silver Thread pattern table knives, by Moses Brent, London 1807, the handles with a crest, plus six silver tablespoons, a pair of sugar tongs, and six silver-handled tea knives and five small dessert knives, approx. weighable 12oz. (qty)

£250-300

1065 A set of four Victorian silver Fiddle and Shell pattern teaspoons, by Reid & Sons, Newcastle 1841, engraved with crests to the terminals, plus a set of six silver teaspoons with a classical woman to the terminals, a set of six silver scroll-back teaspoons, and a set of five silver teaspoons with another similar, total approx. weight 11.9oz. (22)

£300-400

1066 A collection of silver King’s pattern flatware, mainly by H J Lias & Son, London 1865, some with an engraved initial to the terminal, comprising: eight table forks, seven tablespoons, eight dessert forks and eight dessert spoons, total approx. weight 77.7oz (31) £800-1,200

1068 A matched set of twelve George III silver Hanoverian table forks and dessert forks, by Thomas Barker, London 1806, one table fork with a worn maker’s mark, London 1825, length 20.1cm, total approx. weight 30oz. (24) £400-600

1070 A collection of seven punch ladles, comprising: six silver ones, late-18th/early-19th century, twisted whalebone handles, three set with coins, plus an electroplated toddy ladle, wooden baluster handle. (7) £250-350

Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

1067 A Victorian part-canteen of silver Victoria pattern flatware, by Robert Wallis, London 1845, the terminal with an initial, comprising: six table forks, six tablespoons, six teaspoons, and five dessert forks, approx. weight 55oz. (23) £500-700

1069 A set of twelve 18th century silver Hanoverian scroll-back teaspoons, marks worn, the terminals with Cupid firing an arrow, with scroll decoration to the reverse of the bowl, and engraved crests to the underside of the terminals, length 11.6cm, total approx. weight 5.8oz. £200-300

1071 A mixed lot of silver flatware, comprising: a George III meat skewer, by William Summers, brightcut decoration, engraved with a crest, an Arts and Crafts spoon, by William Hutton and Sons, Sheffield 1912, the cover with a female figure wearing a hat, with one elongated arm, spot-hammered bowl, and two pairs of sugar nips, approx. weight 6.3oz. (4) £200-300

1072 A set of twelve silver and mother-of-pearl fruit knives and forks, by Gibson & Co Ltd, Sheffield 1913, retailed by Gibson & Co Ltd Belfast, in a wooden case with a brass cartouche inscribed ‘From St. Andrews Church Frimley Green & Mytchett June 1961’, length of knife 18.9cm. (24) £150-200

1074 A matched set of twelve Edwardian silver and mother-ofpearl fruit knives and forks, by William Hutton & Sons Ltd, London 1909 and 1905, the collars Sheffield 1902, length 19.5cm, in a fitted wooden case. (24) £200-300

1073 A set of twelve silver fruit knives and forks, by Harrison Brothers & Howson, Sheffield 1922 and 1923, thread pattern handles, in a wooden case, length of knife 20.3cm. (24) £150-200

1075 A matched set of twelve Victorian silver fruit eaters, by George Unite, Birmingham 1840 and 1866, plain blades and tines, tapering mother-of-pearl handles, in a fitted wooden case. (24) £150-200

1076 A matched silver Kings pattern canteen for eight, various dates and makers, the majority by James Dixon and Sons, Sheffield 1976/77, comprising: eight table forks, eight dessert forks, eight dessert spoons, eight soup spoons, eight table knives, eight dessert knives, two sauce ladles, four tablespoons, a salt spoon and an electroplated teaspoon, in a fitted case, approx. weighable 107oz. (qty)

£1,000-1,500

1078 A Victorian Scottish silver King’s pattern canteen for twelve, probably by Adam Mossman & Co, Edinburgh 1855 and 1856, conventional form with engraved initials to the terminals, comprising: twelve tablespoons, twelve dessert spoons, twelve table forks, twelve dessert forks, twelve teaspoons by James Wright, and six unmarked table knives, in an associated case total approx. weighable 83.4oz. (66)

£1,200-1,800

1077 A set of twelve pairs of Victorian dessert knives and forks, by Francis Higgins, London 1846/47, the handles with spiral and foliate handles, the terminals engraved with a crest, the blades with chased decoration, in a fitted wooden case with a lock and key. (24)

£500-700

1079 A modern silver Sandringham shape canteen for six, by Viner’s Ltd, Sheffield 1951, conventional form with engraved foliate decoration, comprising: six dessert spoons, six soup spoons, two tablespoons, six table forks, six fish knives, six teaspoons, six coffee spoons, eleven dessert forks, a sauce ladle, a soup ladle, six dessert knives, six table knives and a carving set, total approx. weighable 90.4oz. (64) £1,000-1,500

1080 A mixed lot of silver flatware, comprising: a George II marrow scoop, by Samuel Roby, London 1746, the reverse of the bowl with two crests, a continental spoon, unmarked, three pairs of sugar tongs, a set of six teaspoons, London 1818, eight Bright-cut teaspoons, various condiment spoons, a christening knife and fork, plus two cased sets of spoons, and various other items, approx. weighable 20oz. (qty) £250-300

1082 A mixed lot of flatware, comprising: a cased pair of George III silver spoons with later berry decoration by David Marshall, Edinburgh circa 1784, two dessert forks, a Dutch serving spoon, a Russian silver-gilt and enamel spoon, a set of four Dutch teaspoons, a cased cake slice, a two pronged condiment fork and a teaspoons and dessert spoon with a Highland terrier terminal, total approx. weighable 14.3oz. (14) £150-200

1084 A mixed lot of flatware, comprising: A George III basting spoon by George Smith, London 1784, a soup ladle, a meat skewer, a pair of berry spoons, a pair of soup ladles, five table forks, six dessert forks and four tablespoons, total approx. weight 52.2oz. (22) £600-800

1081 A mixed lot of silver flatware, comprising: a pair of George III sugar tongs by John Langlands II, Newcastle circa 1800, a sauce ladle, four teaspoons, two coffee spoons, a butter knife, a cased set of six coffee spoons and sugar tongs, a cased set of twelve teaspoons and sugar tongs, a set of six teaspoons and a set of six knives, total approx. weighable 13.1oz. (qty) £150-200

1083 A three-piece silver and enamel christening set, by Elkington and Co., Birmingham 1934-36, the terminals enamelled with Mickey Mouse, the Mad Hatter and the March Hare, in a associated case, approx. weighable 2.2oz. £100-150

1085 A mixed lot of flatware, comprising: a George III soup ladle, maker’s mark worn, London 1782, a pair of Victorian silver-gilt berry spoons by The Barnards, London 1870, two pairs of sugar tongs and a pair of grape scissors, total approx. weight 14.4oz. (6) £200-300

£2,000-3,000

1086 A Victorian silver Old English Shell pattern canteen for twelve, by George Jackson, London 1895, the terminals with a crest, comprising: twelve table forks, twelve dessert forks, twelve dessert spoons, four tablespoons, nine teaspoons, a pair of basting spoons, and a pair of sauce ladles, plus a pair of salad servers and a chutney spoon in a fitted case, the terminals with initials, plus nine Old English pattern soup spoons, and a pair of Old English pattern sauce ladles, approx. weight 148oz. (qty)

1087 A matched silver Georgian pattern canteen for eighteen, various dates and makers, the majority by Alexander Clark and Co., Sheffield 1930, and James Dixons and Sons, Sheffield 1990, comprising: eighteen table forks, eighteen table knives, eighteen dessert forks, eighteen dessert knives, eighteen soup spoons, eighteen dessert spoons, eighteen teaspoons, six tablespoons, two sauce ladles, and a three-piece carving set, in a fitted wooden case with three drawers and a hinged cover, approx. weight 193oz. (qty)

£4,000-6,000

1088 A Victorian silver Princess No.1 pattern canteen for six, by George Adams, London 1875, comprising: six table forks, six dessert forks, six table spoons, six teaspoons, six dessert spoons and two sauce ladles, total approx. weight 71.5oz (32)

£800-1,200

1086

1087

1089 A Charles I silver Apostle spoon, St. Andrew or St. Simon Zelotes, by Daniel Cary, London 1635, fig-shaped bowl, the reverse of the bowl with prick-dot initials ‘TB’ over ‘CD’ over ‘1671’, tapering faceted stem with a gilded finial and Holy Dove nimbus, length 18.5cm, approx. weight 2.1oz. £1,000-1,500

Provenance: A Private Collection.

1090 An Elizabeth I silver Lion Sejant spoon, by Nicholas Bartholomew, London 1578, oval bowl, faceted tapering stem, the lion finial with traces of gilding, length 16.9cm, approx. weight 1.5oz. £2,000-3,000

1091 A Victorian silver Palm pattern sugar sifting spoon, by George Adams, London 1879, pierced fluted bowl, approx. weight 1.5oz.

£150-200

1092 A Charles I silver spoon, maker’s mark possibly IV, London 1631, oval bowl, the reverse scratch initialled ‘RL’ over ‘I’, faceted tapering stem, rounded terminal, length 16.1cm, approx. weight 1.8oz. £300-400

Provenance: A Private Collection.

1093 A Charles II silver Trefid spoon, by Lawrence Coles, London 1690, oval bowl, the reverse with a raised rat-tail, the reverse of the terminal scratch initialled ‘F.G’ over ‘90’, length 18.7cm, approx. weight 1.8oz. £150-200

Provenance: A Private Collection.

1091

1092

1093

1094 A William IV silver Fiddle pattern fish slice, by Thomas Wallis, London 1833, the blade pierced and engraved with a bird and foliate scroll decoration, length 32cm, approx. weight 4.7oz. £80-120

1096 A set of ten George III Irish provincial silver Bright-cut Celtic-point dessert spoons, by John Warner, Cork circa 1790, the terminals with engraved initials AOS, length 17.5cm, total approx. weight 8.7oz. (10) £300-500

1098 A cased pair of Scottish provincial silver hors d’oeuvres forks, by William Robb of Ballater, with Edinburgh marks for 1910, twisted stems with the terminals modelled as crowned lions seating on a crown holding two swords, length 10.4cm, total approx. weight 0.4oz. (2) £100-150

1095 A George III silver King’s Hourglass pattern soup ladle, by Messrs. Perkins, London 1818, the terminal crested, plus a William IV silver Fiddle and Thread pattern soup ladle, by William Chawner, London 1830, approx. total weight 15.5oz. (2) £200-300

1097 A George III Irish provincial silver counter dish, by John Nicolson, Cork circa 1800, circular form, gadroon border, the centre with initials, diameter 11.7cm, approx. weight 3oz. 100-150

1099 An Edwardian Scottish provincial silver paperknife, By William Robb of Ballater, with Edinburgh marks for 1906, tapering form, with a pierced intertwined terminal set with a cabochon, length 20cm, approx. weight 0.7oz. £150-200

1101 A Scottish silver salver, by R & W Sorley, Glasgow 1925, rounded plain square form, on four curved bracket feet, length 26.4cm, approx. weight 36.8oz.

£800-1,200

£200-300

1100 A Scottish silver mustard pot and a pair of Scottish silver salt cellars, the mustard by James McKay, Edinburgh 1845, the salts by Alexander Edmonstoun, Edinburgh 1825, circular baluster form, embossed foliate decoration, on three masked capped hoof feet, with clear glass liners, approx. weight 12.7oz. (3)

1102 A George II silver caster, by Samuel Wood, London 1743, baluster form, with a pull-off pierced cover with a knop finial, height 14.2cm plus a modern silver caster by Wakely & Wheeler, London 1935, total approx. weight 8.8oz. (2)

£200-300

1104 A George III silver swing-handled sugar basket, by Robert Hennell, London 1794, oval form with pierced scroll foliate decoration and engraved garlands, beaded borders and swing handle, with a blue glass liner, length 14.4cm, plus a pair of Victorian silver sugar tongs by Goldsmiths’ Alliance Ltd, London 1885, total approx. weight 6.4oz. (2)

£150-200

1103 A pair of late-Victorian silver salt/butter dishes, by Frazer & Haws, London 1891, triangular form, pierced and cast with rose garlands, on four mask capped beaded scroll legs, with two similar cut glass dishes, length 12.4cm, approx. weight 6oz. (2)

£100-150

1105 A William IV silver-mounted hoof table snuff box, by Rawlings & Summers, London 1836, the mounts with textured hair on a horseshoe base, plus a 19thcentury Dutch silver box and a George IV silver box by William Parker, London 1820, length 16.7cm, total approx. weighable 8.1oz. (3)

£300-400

THE

(LOTS 1106-1143)

1106 A large collection of silver napkin rings, various dates and makers, including: a Chinese pair, seven French silver napkin rings and sixteen others, plus a set of three unmarked ones, and an associated case, total approx. weighable 21.2oz. (28)

£200-300

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1107 An early-Victorian silver mustard pot, by The Barnards, London 1838, circular form with pierced scroll decoration, a hinged cover with a flower finial, on four scroll and foliate bracket feet, diameter 8cm, plus a silver mustard pot by Atkin Brothers, Sheffield 1912, and a pair of mid-18th century Irish silver salt cellars, maker’s marks worn, total approx. weight 15.4oz. (4) £250-350

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1108 A mixed lot of silver items: comprising: a Victorian mug by Williamson & Horton, London 1868, height 10.4cm, plus two other christening mugs, and two cream jugs, total approx. weight 15.2oz. (5)

£200-300

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1109 A mixed lot of vertu items, comprising: an Edwardian silver ruler by William Hornby, London 1901, a silver miniature presentation oar, inscribed ‘Scratch Match, Richmond Amateur Regatta 12 August 1847 No. 1’, a silver whistle, a Dutch silver box, a silver-mounted wallet and notebook, and two gilt propelling pencils, total approx. weighable 6.7oz. (7) £300-400

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1110 A mixed lot of silver items, comprising: a modern dish by Richard Comyns, London 1942, a German dressing table box, a silver-mounted glass inkwell, a pin box, a mirror, a silver-mounted glass jar and a silver card box, total approx. weighable 28.7oz. (7) £400-600

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1111 A French late-19th/early-20th silver-mounted glass sugar bowl and cover, by Joseph Alexandre Martel, Paris circa 1900, circular form with a fluted glass body, embossed foliate decoration the cover with a two-bud finial, plus a French silver cup and saucer possibly by Charles Tribour, Paris circa 1927, and a German silver mounted cut glass vase, height 34cm, total approx. weighable 11.1oz. (4) £300-400

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1112 A collection of silver-mounted scent bottles, various dates and makers, comprising: silver-mounted and base metal-mounted examples, a cased double-ended one, one with a silver belt hook attachment, two flashed examples, plus various others. (30) £300-400

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1114 A collection of 19th century silver-mounted and gilt metal mounted glass scent bottles, unmarked, comprising: three flashed with ruby, amethyst and green, one Jasperware, a double side by side scent bottle, plus various others. (9) £300-400

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1116 A collection of silver-mounted scent bottles, various dates and makers, comprising: silver-mounted and base metal-mounted examples, eleven double-ended examples, painted enamel decoration, plus various other examples. (32) £300-400

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1113 An Edwardian novelty silver toast rack, by Hukin & Heath, Birmingham 1907, the bars modelled as the letters of toast, on a lozenge base on four ball feet, length 12.3cm, approx. weight 3.1oz. £200-300

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1115 A pair of George III Scottish silver wine labels, by William Robertson, Edinburgh circa 1790, rectangular form with canted corners, engraved shield cartouche with initials, incised ‘Claret’ and ‘Madeira’, length 4.5cm, total approx. weight 0.9oz. £100-150

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1117 An Edwardian silver desk stand, by John Grinsell & Sons, 1903, shaped-rectangular form with a moulded border, with two silvermounted glass inkwells, on four bracket feet, plus an Edwardian silver dish by Deykin & Harrison, Birmingham 1903, length 27.4cm, total approx. weight 32.3oz. (2) £400-600

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1118 A mixed lot of electroplated items, comprising: a punch bowl, an egg cruet set, a two-handled tray, a roll-over serving dish (a.f), a cream jug, a mustard pot, a set of six mother-of-pearl handled fruit knives and forks, plus various patterns of flatware. (qty)

£150-250

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1120 A collection of antique silver Bright-cut pattern flatware, various dates and makers, comprising: twenty-four table forks by William Sumner, London 1794, twelve tablespoons, fifteen dessert spoons, twenty-four teaspoons and a pair of salt spoons, total approx. weight 110.8oz. (qty)

£1,500-2,000

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1119 A mixed lot of flatware, comprising silver items: a George III salt spoon by Paul Storr, London 1818, two marrow scoops, four dessert spoons, seventeen teaspoons, eight pairs of sugar tongs, two salt spoons, three caddy spoons, a jam spoon, eight condiment forks, two sugar nips, six fruit knives, a christening knife and fork, eight toddy ladles (a.f) and a tea strainer, plus two salt spoons with associated bowls, three unmarked teaspoons, a pair of sugar tongs and two condiment forks, total approx. weighable 39.6oz. (qty)

£500-800

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1121 A mixed lot of silver flatware, various dates and makers, comprising: four table forks by A B Savory & Sons, London 1862, plus seven other table forks, fifteen tablespoons, four sauce ladles, thirty-one dessert spoons, twenty-seven teaspoons, seven dessert forks, nine salt spoons and a pair of mustard spoons, total approx. weight 147.7oz. (qty)

£2,000-3,000

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1122 A collection of antique silver Old English pattern flatware, various dates and makers, comprising: a set of six tablespoons by Thomas Chawner 1772, a basting spoon, two tablespoons, five dessert spoons, three table forks, nine teaspoons, a mustard spoon and a condiment spoon, total approx. weight 37.3oz. (28)

£350-450

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1124 A matched George III silver-gilt Bright-cut pattern dessert service, mostly by George Smith, London circa 1780, comprising: sixteen dessert spoons and fifteen dessert forks, all with engraved crowned crests, plus a set of twelve mother-of-pearl handled silver-gilt dessert knives by Moses Brent, London 1802, total approx. weighable 42oz. (43) £700-900

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1123 A collection of antique Exeter silver Fiddle pattern flatware, various dates and makers, comprising: a set of ten tablespoons by George Turner, Exeter 1822, plus five dessert forks, ten teaspoons and a mustard spoon, total approx. weight 34.5oz. (26) £350-450

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1125 A collection of antique silver Fiddle and Thread pattern and Old English Thread flatware, various dates and makers, comprising: a serving spoon by Eley, Fearn & Chawner, London 1808, three table forks, seven dessert forks, four tablespoons, seven dessert spoons, a pair of salt spoons, and three Shell, Fiddle and Thread pattern dessert spoons by George Adams, London 1876, total approx. weight 40.8oz. (27) £400-600

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1126 Two 19th century Scottish silver fish slices, one by Robert Keay, Edinburgh 1816, the other by John Murray or John Muir, Glasgow 1840, length 31cm, total approx. weight 8.8oz. (2) £150-250

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1128 A set of five George IV Scottish provincial silver Fiddle pattern tablespoons, by William Simpson, Banff circa 1820, engraved ‘L’ to the terminal, plus an Old English pattern tablespoon by John Keith, Banff circa 1800, total approx. weight 13.7oz. (6) £300-400

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1130 A modern silver set of twelve dessert and table knives, by Tessiers Ltd, London 1989, with stainless steel blades, length 24.8cm. (24) £400-600

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1127 A William IV Scottish provincial silver Fiddle pattern soup ladle, by Emslie & Mollison, Aberdeen circa 1835, engraved initial to the terminal, length 33cm, approx. weight 8.3oz. £250-350

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1129 A pair of George II Scottish silver Hanoverian tablespoons, by John Kincard, Edinburgh 1736, plus three by William Davie, Edinburgh 1772, one by William Dempster, Edinburgh 1767, all with the same engraved crests and initials to the reverse of the terminal, length 20.4cm, total approx. weight 13oz. (6) £200-300

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1131 A collection of antique silver soup ladles, comprising: a Feather-edge Onslow pattern one by Thomas Ellis, London 1769, an Irish one by William Ward, Dublin 1776, a King’s Husk pattern one by Mary Chawner, London 1837, and a late-18th century German silver ladle, marks partially worn, Berlin circa 1780, length 36.5cm, total approx. weight 25.7oz. (4) £250-300

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1132 A matched George III silver-gilt King’s Hourglass pattern dessert service, mainly by Eley and Fearn, London 1807 and 1808, comprising: two ice cream spades, eighteen dessert spoons, six dessert knives, eighteen dessert forks, eighteen dessert knives with steel blades, sixteen fruit knives with ceramic handles and Irish silver-gilt blades, fifteen dessert knives with steel blades and ceramic handles, engraved with crests total approx. weighable 82.8oz. (93) £2,000-3,000 Provenance: The Personal Collection of the late Michael and Margaret Susands.

1133 A collection of antique Scottish silver Fiddle pattern flatware, various dates and makers, comprising: seven Victorian table forks by William Jamieson, Edinburgh 1837, four dessert forks, a pair of tablespoons, seven dessert spoons, a pair of teaspoons and a pair of sauce ladles, total approx. weight 36.5oz. (24)

1134 A collection of Scottish provincial silver flatware, Aberdeen, various makers and dates, comprising: a set of four dessert spoons and six tablespoons by George Jamieson, 1855 and 1856, twelve teaspoons, three tablespoons, a condiment spoon, a salt spoon, and three sauce ladles, total approx. weight 26.8oz. (30)

£300-500

£500-800

Provenance: The Personal Collection of the late Michael and Margaret Susands.

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1135 Two Edwardian silver sauceboats, by Goldsmiths & Silversmiths, London 1903 and 1909, oval form with a wavy-edge border, on three shell-capped hoof feet, length 17cm, plus a sauceboat by Robert Pringle, London 1901 and a sauceboat by William Aitken, Chester 1901, total approx. weight 28.7oz. (4)

£300-400

Provenance: The Personal Collection of the late Michael and Margaret Susands.

λ 1136 A Victorian silver teapot, by John Wellby, London 1841, circular form with embossed foliate decoration, domed hinged cover with a flower finial, scroll handle with an ivory insulator, on four scroll and shell bracket feet, length handle to spout 27.8cm, approx. weight 28.2oz.

£300-400

Ivory registration number: 4ER4Z5TR.

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1137 A late-Victorian silver hot water pot, by Barnard & Sons Ltd, London 1897, baluster form with part-fluted decoration, gadrooned and foliate border rim, on a circular foot, height 20.2cm, approx. weight 23.3oz. £250-350

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1139 An Edwardian silver salver, by Walker & Hall, Sheffield 1905, shaped circular form with a scroll and foliate moulded border, on three scroll bracket feet, diameter 32.3cm, approx. weight 27.3oz. £300-400

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1138 A Victorian silver-mounted lemonade jug, by John Grinsell & Sons, Birmingham 1889, retailed by W.Thurnhill & Co. 144 New Bond Street, tapering circular form with a cut glass body, the hinged cover with a pierced thumbpiece and engraved monogram, the interior with a pull-out silver-mounted ice compartment, height 27.5cm. £300-400

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1140 A silver cocktail shaker, by Viners Ltd, Sheffield 1933, tapering circular form with engine-turned decoration, pull-off covers, height 20.5cm, approx. weight 15.4oz. £300-400

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1141 A set of four George III silver-gilt salt cellars, by William Pitts, London 1783, navette form, the sides applied with rams’ masks, engraved with floral garlands, applied oval vignettes to the sides, one of a horse and lion and the other of two recumbent lions, on four acanthus leaf-capped scroll feet, with unmarked gilt liners, length 14.2cm, total approx. weighable 29.8oz. (4)

£800-1,200

Provenance: The Personal Collection of the late Michael and Margaret Susands. One of the applied vignettes is after one of George Stubb’s Horse and Lion paintings, a series that he did in 1770. The horse and lion compositions normally suggest the struggles of good against evil and how in some cases good doesn’t always triumph over evil. The other vignette appears to be after one of Paul Reubens’s Study of Lions series, in which Reubens shows off his precision of the anatomical study of lions, giving a sense of the regal authority and power they give off even in recumbent positions.

For a similar set see: Christie’s London, Important Silver, 12 June 2006, Lot 105.

1142 A George III silver cream jug, by John Schofield, London 1797, baluster form with part-fluted decoration and a gadrooned girdle, on a circular foot on top of a rectangular base, height 16cm, approx. weight 10.3oz. £300-400

Provenance: The Personal Collection of the late Michael and Margaret Susands.

1143 A Victorian silver swing-handled sugar basket, maker’s mark worn, London 1877, faceted circular form with pierced scroll decoration, beaded swinghandle and a beaded rim, on a raised circular lobed foot, with a pink glass liner, diameter 11.8cm, approx. weight 7.3oz. £150-200

Provenance: The Personal Collection of the late Michael and Margaret Susands.

END OF COLLECTION

OTHER PROPERTIES

1144 A set of four Victorian silver salt cellars, by Robert Garrard, London 1864, oval form with gadrooned borders, the sides with bands of fluting and applied vignettes, engraved crests, on oval feet, length 10.3cm, total approx. weight 18.5oz. (4)

£300-400

1146 A modern silver replica drinking vessel, by C.J. Vander, London 1977, circular form, engraved decoration, tapering spout, gilded interior, length 21.5cm, approx. weight 10.3oz.

£200-300

1145 A set of four Edwardian silver salt cellars, by Goldsmiths & Silversmiths Co., London 1909, oval form with pierced and engraved decoration with blue glass liners, plus four salt spoons, a Victorian silver mustard pot and spoon, height 10.8cm, total approx. weight 13.1oz.

£200-300

1147 A George III silver bowl by Wakelin & Taylor, London 1786, plain circular form on a circular foot, diameter 12.4cm, approx. weight 6.8oz.

1148 A George III silver pap boat, by Thomas Ollivant (of Manchester), London 1793, plain oval form, engraved with initials, length 11.8cm, approx. weight 1.6oz.

£100-150

£100-150

1149 A Victorian silver swing-handled sugar basket, by Charles Fox, London 1839, circular form with pierced foliate decoration, pierced swing-handle, on four pierced foliate bracket feet, with a pink glass liner, diameter 12.6cm, approx. weight 7oz.

£150-200

1150 A modern German silver-mounted glass claret jug, stamped Aug. Schlüter, tapering circular form, plain mounts, the hinged cover with a ball thumbpiece, height 30.4cm.

£300-400

1151 A late-19th century French silver-mounted glass claret jug, by Prosper Candelot, Paris circa 1876, baluster form with a spiral glass body, the mounts with floral scroll decoration, engraved crest, height 26.5cm.

1152 An early-20th century Dutch silver basket, with pseudo marks, oval form with a beaded border, pierced scroll foliate decoration, on four pierced bracket feet, length 47.6cm, approx. weight 39.8oz.

£800-1,200

£150-200

1153 A Louis XVI French silver coffee pot maker’s mark PE over T, Paris1789, also over stamped with a later maker, baluster form, with part-fluted and foliate decoration, turned wooden side handle, on three scroll legs, height 26.1cm, approx. weight 24.6oz.

£800-1,200

1154 A modern Italian silver bowl, by Gabriele de Vecchi, Milan circa 1983, retailer’s mark of Calderoni Gioielli, tapering circular form with twisting decoration, inscribed ‘1933 A.G. 1983’, on a shaped foot modelled as leaves, height 23.8cm, approx. weight 33.5oz. £500-700

1156 A 20th century Italian silver bowl, maker’s mark worn, oval form with scroll and acanthus leaf sides, engraved and embossed scroll foliate decoration, set with malachite cabochons, on a raised oval foot, length 35cm, approx. weight 31.9oz. £600-800

1155 An early-20th century German silver and cut glass twohandled bowl stamped W.Stüttgen, oval form with embossed scroll and foliate decoration, two scroll handles with acanthus leaf decoration with swags of foliate decoration, the cut glass bowl with a silver-mounted foliate border, length 41.3cm, approx. weighable 30.1oz. £1,000-1,500

1157 A continental metalware knight, unmarked, modelled as a possible Spanish Conquistador in a standing position, on a clear stand, height of knight 33.3cm. £600-800

A PRIVATE COLLECTION OF FRENCH WINE TASTERS

1158 A Louis XV French silver wine taster, Paris 1738-44,

circular form, plain shaped scroll thumb-piece, with a finger ring, the side inscribed ‘R.A. Herbert’, length 13cm, approx. weight 5oz.

£250-300

1159 A Louis XV French provincial silver wine taster, by Pierre Hanappier, Orleans 1764-1766, circular form, fluted decoration, fluted ring handle, length 10.5cm, approx. weight 3.7oz.

A Private Collection of Wine Tasters (Part II).

A Private Collection of Wine Tasters (Part II).

1160 A Louis XVI French provincial silver wine taster, maker’s mark of ?S with a star below, Orleans 1775, circular form, snake ring handle, inscribed ‘Micelle Madez’, the centre engraved with a Bacchanalian cherub astride a barrel, length 11.3cm, approx. weight 3.4oz. £300-400

A Private Collection of Wine Tasters (Part II).

1162 A Louis XV French provincial silver wine taster, possibly Caudebec, Dieppe, circa 1765, circular form, the shaped scroll thumb-piece engraved with a cherub holding a bunch of grapes, also inscribed ‘Aux Divins Amis’, with a finger ring, length 11.2cm, approx. weight 4.3oz. £300-400

A Private Collection of Wine Tasters (Part II).

£300-400

1161 A Louis XV French silver wine taster, by Claude-Alexis Molineau, Paris 1742, circular form, the shaped scroll thumb-piece engraved with a cherub holding two flaming hearts, also inscribed ‘Armour Nous Unit’, with a finger ring, the side inscribed ‘G. Armandie Mnd Bher’, length 11.2cm, approx. weight 4.3oz.

A Private Collection of Wine Tasters (Part II).

£300-400

1163 A Louis XV French provincial silver wine taster, by Maximillien Blanchet, Senlis, circa 1740, circular form, the shaped scroll thumb-piece engraved with a flower pointed at the sun, also inscribed ‘Sands Vous Le Languist’, with a finger ring, the side inscribed ‘E. Briet’, length 12cm, approx. weight 3.9oz.

A Private Collection of Wine Tasters (Part II).

£300-400

1164 A Louis XVI French provincial silver wine taster, by Vincent Bunel, Rouen 1779, circular form, the shaped scroll thumb-piece engraved with a fox in a trap, also inscribed ‘Ma Queue Me Perd’, with a finger ring, the side inscribed ‘M.M. Flanbabd’, length 11.2cm, approx. weight 3.6oz.

£300-400

1165 A Louis XV French provincial silver wine taster, maker’s mark partially worn, circa 1740, circular form, shell thumb-piece, with a finger ring, the side inscribed ‘Viollet’, length 11cm, approx. weight 2.6oz.

A Private Collection of Wine Tasters (Part II).

£300-400

A Private Collection of Wine Tasters (Part II).

1166 A Louis XVI French silver wine taster, maker’s mark worn, Paris 1774-1780, circular form, the shaped scroll thumb-piece engraved with a lady drinking wine and a cherub playing an instrument, also inscribed ‘IE Las Fais Danger’, with a finger ring, length 12cm, approx. weight 3.4oz.

£300-400

1167 A Louis XV French silver wine taster, by Jean Debrie, Paris 1750-56, circular form, the shaped scroll thumb-piece engraved with a lady drinking wine and a cherub playing an instrument, also inscribed ‘Le Las Fais Chanter’, with a finger ring, length 11.7cm, approx. weight 3.9oz.

£300-400

A Private Collection of Wine Tasters (Part II).

1168 A Louis XV French provincial silver wine taster, Rouen, circa 1740, circular form, shaped scroll handle, engraved with a man holding a glass and bottle, also inscribed ‘Au Bon Cabaret’, with a finger ring, the underside of the base prick dot initialled ‘C.B.L’, length 13.2cm, approx. weight 4.6oz.

A Private Collection of Wine Tasters (Part II).

£300-400

A Private Collection of Wine Tasters (Part II).

1169 A Louis XV French provincial silver wine taster, by Jean Rene Roussel, Rouen 1753, circular form, the shaped scroll thumb-piece engraved with a man holding a bottle of wine and a flaming heart, also inscribed ‘I aide Le Bon Vin’, with a finger ring, the side inscribed ‘C. Le Mercier’, length 11.5cm, approx. weight 3.6oz. £300-400

A Private Collection of Wine Tasters (Part II).

1170 A Louis XVI French provincial silver wine taster, by Mathieu Lamoureux, Rouen 1779, circular form, the shaped scroll thumb-piece engraved with a woman holding a tambourine, also inscribed ‘Vive La Ioye’, with a finger ring, the side inscribed, length 10.6cm, approx. weight 3.2oz. £300-400

A Private Collection of Wine Tasters (Part II).

1171 A Louis XV French provincial silver wine taster, by Mathieu Lamoureux, Rouen 1773, circular form, the shaped scroll thumb-piece engraved with a man holding a hammer over a laying woman, her head on a support, also inscribed ‘Je Les Rends Bonnes’, with a finger ring, the side inscribed ‘B. Caron Fs’, length 11.2cm, approx. weight 3.4oz. £300-400

A Private Collection of Wine Tasters (Part II).

1172 A Louis XVI French provincial silver wine taster, by Mathieu Lamoureux, Rouen 1776, circular form, the shaped scroll thumb-piece engraved with a cherub holding a dog on a lead, also inscribed ‘Ie Luiseray Fidele’, with a finger ring, the side inscribed ‘Francois Ferment’, length 11cm, approx. weight 3.9oz.

A Private Collection of Wine Tasters (Part II).

£300-400

1173 A Louis XV French provincial silver wine taster, possibly Rouen, circa 1750, circular form, the shaped scroll thumb-piece engraved with a cherub (Eros) with four flaming hearts, also inscribed ‘Un Seul Me Suffit’, with a finger ring, the side inscribed ‘Louis Pierre Goujon’, the underside with a crest, length 11.2cm, approx. weight 4oz

A Private Collection of Wine Tasters (Part II).

£300-400

1174 A Louis XV French provincial silver wine taster, probably by Antoine Lagenet, Rouen probably 1747, circular form, the shaped scroll thumb-piece engraved with a cherub holding a burst sack of money, also inscribed ‘Adieu Mon Argent’, with a finger ring, the side inscribed ‘Genevieve Morel’, length 11.3cm, approx. weight 2.9oz.

A Private Collection of Wine Tasters (Part II).

1175 A Louis XV French provincial silver wine taster, by Louis Minoret, Cholet (Juridiction d’Angers), 1772, circular form, ring handle, the side stamped ‘L. Chiron’, length 10.7cm, approx. weight 2.7oz.

£300-400

A Private Collection of Wine Tasters (Part II).

£300-400

1176 A Louis XV French silver wine taster, marks worn circa 1740, circular form, the shaped scroll thumb-piece engraved with a lady holding a glass of wine and a bottle and with a cherub playing a musical instrument, also inscribed ‘Las Fais Danger’, with a finger ring, length 11.7cm, approx. weight 3.3oz. £300-400

A Private Collection of Wine Tasters (Part II).

OTHER PROPERTIES

1177 By Buccellati, a pair of modern Italian silver goblets, circular form with spot-hammered decoration, knopped stem on a circular foot, height 16.4cm, total approx. weight 13.9oz. £200-300

1178 A modern French silver presentation tray, by Puiforcat, Paris circa 1970, rounded rectangular form with a fluted border, inscribed ‘A Son Excellence Monsieur Abdul-Rahmane Adra Ambassadeur Extraordinaire Et Plénipoteentaire du liban ses colléagues du corps diplomatique Aleger, Août 1971’, length 39.7cm, approx. weight 37.7oz. £500-700

1179 By Christofle, a set of three French electroplated hors d’oeuvres dishes, plain trefoil form with a central stylised knop and flame finial, plus a French electroplated serving dish by Christofle, plain oval form, length 40.2cm (4) £100-150

1180 A pair of 20th century large Iranian metalware serving platters, retailed by Vartan, circular-shaped form with a moulded reeded border, diameter 40.7cm. (2) £800-1,200

1181 By Tiffany & Co., an American silver-mounted mirror, plain circular form, diameter 37.6cm. £300-400

1182 A set of six mid-18th century German silver table forks and knives, maker’s mark PS possibly for Johann Philipp Schuch, Augsburg 1743, with steel blades and tines, length 24.8cm. (12) 150-200

1184 A metalware pasta server, stamped 830, of conventional form, length 34cm. £150-200

1183 A 19th century French part silver-gilt dessert canteen, by Pierre Queillé, Paris circa 1840, comprising: twelve dessert forks, eighteen dessert spoons and twelve dessert knives, in a fitted case, total approx. weighable 47.6oz. (32) £500-700

1186 An early-19th century French silver-gilt -mounted glass jug, no apparent maker’s mark, circular form with a cut glass body, leaf border edge with a foliate scroll handle, height 10.3cm. £80-120

1185 An 18th century Russian silver vodka cup, marks partially worn maker’s mark TL?, Moscow, circular form with part fluted and engraved foliate decoration, scroll handle, diameter 5.2cm, approx. weight 1oz. £100-150

1187 A Dutch silver biscuit box, with pseudo marks, circular form with reeded edges, the hinged cover engraved with a crest, diameter 13.5cm, approx. weight 14.2oz. £250-300

1188 A set of four American silver overlay glass coasters, by The Webster Company,

circular form, pierced and engraved foliate scroll decoration, plus a larger coaster, apparently unmarked, with pierced scroll decoration, diameter of smaller 15.2cm. (5)

£300-400

1189 A Middle Eastern metalware ewer and basin, marked 900 HH, the bowl of fluted circular form, the ewer of fluted baluster form, scroll handle, raised fluted cover, height of ewer 23cm, diameter of bowl 26.5cm. (2)

£300-400

circular form with a leaf border, inscribed ‘Presented To His Excellence Ambassador Abdul-Rahman Adra Dean of The Diplomatique Corps By His Colleagues Tehran, August 1964’ with surrounding signatures, diameter 45cm, approx. weight 52oz.

£800-1,200

1192 A 20th century German silver sugar bowl, stamped Hansen, oval form with part-fluted decoration and a beaded border, length 17.7cm, approx. weight 9oz.

£100-150

1191 A set of seven modern Israeli silver Kiddish cups, by Zadok, circular bowls, applied filigree decoration and set with stones, height 10.3cm, plus two other kiddish cup and a beaker, approx. total weight 18oz. (10)

£600-800

1193 A 20th century German silver sugar box, by Läger & Co, Hanau, oval lobed form with spot-hammered decoration, the hinged cover with a scroll thumbpiece, on four fluted feet, length 19.5cm, approx. weight 19.3oz.

£400-600

1194 A modern Italian silver ice bucket, retailed by Fontaine, Geneve, circular tapering form with a band of embossed vine and grape decoration, two lion mask ring handles, on four winged female figures on lion’s paw feet, height 16.4cm, approx. weight 25.9oz.

£300-500

1196 A pair of metalware waiters, stamped K.S.W, possibly Indian, octagonal form with bamboo borders, scroll foliate decoration on a matted background, diameter 18cm. (2)

£150-200

1195 A Chinese metalware model of a junk, in full sail and with eight oars, in a fitted glass-covered case, height of case 28.5cm

£150-200

1197 An Indian silver cream jug, unmarked, probably Cutch, modelled as a mythical animal with open mouth and teeth, chased foliate scroll decoration on a matted background, pierced foliate scroll handle, on a circular foot, height 9cm, approx. weight 4.2oz.

£100-150

1199 A Japanese silver cup, of double skinned form, embossed iris decoration on a matted background, scroll handle, height 7.2cm, approx. weight 6oz.

£200-300

£500-700

1198 A Japanese silver and Shibuichi double box, the cover with a signature, Meiji period, double rectangular form, the left hand cover with a landscape scene with inlaid gold leaves, the right hand scene with engraved decoration with flowers with gold centres, length 10.8cm, approx. weight of base 8.2oz.

1200 An early-20th century Chinese export silver box, retailed by Wang Hing, Canton, rectangular form with a matted finish, applied four clawed dragons to the cover and sides, length 16.4cm, approx. weight 14.5oz.

£300-400

1201 A late-19th/early-20th century Chinese export silver bowl on stand, by Sui Chang, retailed by Wang Hing, Canton, lobed circular form with applied Four Gentleman decoration, on three curving horned dragons with textured decoration, on a carved hardwood stand with pierced scroll decoration, diameter 22.7cm, approx. weight 23.7oz.

£1,000-1,500

λ 1202 An early-20th century Chinese export silver three-piece tea set, retailed by Cheong Shing, Shanghai, circa 1920 circular form with applied cherry blossom and bird decoration, the handles and finials in the form of bamboo, ivory insulators to the teapot handle, length handle to spout 23.3cm, total approx. weight 32.1oz. (3) £1,200-1,500

Ivory registration number: A42HNCTM.

1203 An 18th century French silver arm badge, probably for Livery dress, by Jacques-Pierre Marteau, Paris circa 1762 - 68, pierced, embossed and engraved with the arms of The Earl of Fife, height 15.5cm, approx. weight 5oz. £400-600

Provenance:

A Private Collection.

The Arthur Holder Collection, Woolley and Wallis, 25 October 2014, lot 647. Fine Silver, Bonhams, New Bond Street, 4th July 2007, lot 78.

The arms are possibly for the second Earl of Fife, James Duff, who succeeded his father to the title in 1763.

A COLLECTION OF FRENCH SILVER CHOCOLATE AND COFFEE POTS

1204 A Louis XV French silver chocolate pot, by Jacques Duguay, Paris 1760, baluster form, wooden baluster side handle, the hinged cover with a swivel knop finial, on three scroll legs, engraved with an armorial, height 15.7cm, approx. weight 11.3oz.

£800-1,200

1206 An early-19th century French silver coffee pot, maker’s mark worn, Paris circa 1800-1810, baluster form, turned wooden baluster side handle, the hinged cover with a cone finial, lacking pin, engraved with an armorial, height 12.8cm, approx. weight 6.7oz.

£800-1,200

1205 A Louis XV French silver chocolate pot, by Richard Jarry, Paris 1718, baluster form, wooden baluster side handle, fluted mounts, the hinged cover with a swivel knop finial, on three scroll legs, engraved with an armorial, height 16cm, approx. weight 9.4oz.

£800-1,200

1207 A Louis XVI French provincial silver coffee pot, indistinct maker’s mark, Besancon 1784, baluster form, turned wooden baluster side handle, the hinged cover with a knop finial, on three scroll legs, height 22.5cm, approx. weight 17.8oz.

£1,000-1,500

1208 A Louis XVI French provincial silver coffee pot, by Joseph Barde, Nancy 1778-1782, baluster form, turned wooden baluster side handle, the hinged cover with a flower finial, on three scroll legs with hoof feet with shell and scroll mounts, height 23.5cm, approx. weight 25oz.

£800-1,200

1209 A Louis XV French silver chocolate pot, by David Andre, Paris 1722, baluster form, turned wooden baluster side handle, the hinged cover with a swivel knop finial, on three scroll legs, the spout with a hinged cover, initialled, height 20cm, approx. weight 18.9oz.

£800-1,200

1210 A Louis XV French provincial silver coffee pot, maker’s mark of LF over F, possibly Reims, circa 1770, baluster form, turned wooden baluster side handle, the hinged cover with fluted decoration and a flower finial, on three scroll legs, height 23.2cm, approx. weight 20oz.

£800-1,200

1211 A Louis XV French provincial silver coffee pot, by Francois Brouard, Nantes circa 1770, baluster form, wooden scroll handle, the hinged cover with a fluted border and a cone finial, on three scroll legs, height 21.2cm, approx. weight 15.8oz.

£1,000-1,500

1212 A large Louis XVI silver chocolate pot, by Louis-Joseph Milleraud Bouty, Paris 1785, baluster form, turned wooden baluster side handle, the hinged cover with a swivel knop finial, on three scroll legs, height 29cm, approx. weight 42oz.

£1,500-2,000

1213 A Louis XV silver chocolate pot, by Jacque Famechon, Paris 1770, baluster form, turned wooden baluster side handle, the hinged cover with a swivel knop finial, the spout with a hinged cover, on three scroll legs, height 22cm, approx. weight 18oz. £1,000-1,500

1214 An early-19th century French silver coffee pot, by Antoine Hience, Paris 1819-1838, baluster form, turned wooden baluster side handle, the hinged cover with a foliate border and knop finial, on three scroll legs, height 24.5cm, approx. weight 24oz. £1,000-1,500

1215 A Louis XVI French provincial silver coffee pot, by Joseph Roge, Bordeaux, 1787-1789, baluster form, turned wooden baluster side handle, the hinged cover with a flower finial, on three scroll legs, engraved with armorial, height 24cm, approx. weight 25.8oz. £800-1,200

1216 A Louis XVI French provincial silver coffee pot, by Jean Jacques Kirstein, Strasbourg, 1782/85, baluster form, turned wooden baluster side handle, the hinged cover with a knop finial, on three scroll legs, height 21cm, approx. weight 18oz.

£1,500-2,000

OTHER PROPERTIES

1218 A Louis XV French provincial silver coffee pot, by Etienne Tremblay, Orleans circa 1770, baluster form, turned wooden baluster side handle, the hinged cover with a cone finial, engraved initials, on three scroll legs, height 23.5cm, approx. weight 21.4oz.

£1,000-1,500

1217 A Louis XVI French silver coffee pot, by Renee Pierre Ferrier, Paris 1788, baluster form, turned wooden baluster side handle, the hinged cover with a knop finial, on three scroll legs, height 21.2cm, approx. weight 16.7oz.

£1,000-1,500

1219 A 19th century French electrotype basin, engraved Maison Vallee, 174 Rue de Rivoli, Paris, circular form, with scenes of the siege of Tunis during the reign of the Holy Roman Emperor Charles V, from the original in the Louvre, Paris, (inventory number S827), the reverse with a presentation inscription and dated 1877, diameter 63.5cm. £700-900

A similar electrotype basin is in the Victoria and Albert Museum, London. (accession number REPRO.1857A/1-15).

1220 A modern set of six Wildfowl Trust silver and enamel circular boxes, by The St. James’s House Collection, London 1979, edition number 145/500, circular form, the cover enamelled with a Bufflehead, a Redbreasted Goose, a Carolina Duck, a Ruddy Duck, a Mandarin Duck and a Baikal Teal, with a certificate signed by Peter Scott, in a fitted case, approx. total weight 5oz. (6) £100-150

λ 1222 A late-Victorian silver-mounted tortoiseshell cigarette box, by J Batson & Son, London 1899, rectangular form, with scroll foliate silver mounts, the cover with an applied personal inscription, on four fluted bun feet, plus an Edwardian silver-mounted crocodile wallet by Frederick Wich, Birmingham 1909, length 14.1cm. (2) £60-80

λ 1224 A late-18th century gilt metal and gold-mounted tortoiseshell snuff box, unmarked circa 1780, circular form, the tortoiseshell body with carved basket weave decoration, gilt metal mounts and hinge, the cover applied with pierced and embossed gold decoration with birds and foliate scroll decoration, damage to tortoiseshell and cover separate, diameter 7.9cm. £100-200

apart

1221 A Victorian silver travelling condiment tube, by Frederic Purnell, London 1885, cylindrical form, three screw-off compartments, the screw-off cover with an applied initial monogram, gilded interiors, length 10.4cm, approx. weight 2.5oz. £150-200

1223 A cased set of ten modern silver horse racing medallions, by Fattorini & Sons Ltd., Birmingham 1975, the front with reliefs of famous race horses, including Arkle, the reverse with their jockeys, in a fitted double-sided glass case, approx. weight 12oz. £200-300

1225 A George III silver nutmeg grater, by Samuel Meriton, London circa 1770, plain egg form, the hinged cover opens to reveal a steel grater, plus a George III silver egg, embossed decoration, the interior with a pierced grille, approx. total weight 1oz. (2) £200-300

1226 Four cased ‘Royal Lineage’ commemorative Armada dishes, by Silverware Manufacturers Ltd, London 1972 and 1973, circular form set with medallions of the profiles of Richard III, Henry VIII, Queen Elizabeth and Queen Elizabeth II, with history pamphlets and leather cases, diameter 13.2cm, total approx. weight 16.8oz. (4)

£200-300

1227 A late-Victorian silver inkwell, by Gibson and Langman, London 1898, shaped rectangular form, moulded border, with a silver-mounted glass inkwell (cover loose) inscribed, plus an unmarked desk seal with a golf ball finial, and a silver dip pen, approx. weighable 12oz. (3)

£150-200

1228 An Edwardian silver capstan inkwell, by Saunders & Shepherd, Chester 1907, tapering circular form, the cover with a large pocket watch to the underside, with a glass liner, diameter 13.8cm.

£150-200

1230 A cased pair of silver butter dishes, by Ollivant & Botsford, London 1925, pierced oval form with frosted glass liners, on four fleur-de-lis feet, with two butter knives, length 13.6cm, total approx. weight 3.6oz. (4)

£100-150

1229 A mixed lot of small silver items, comprising: a Victorian hipflask, by Messrs. Lias, London 1847, of oval form, engraved decoration, a snuff box, by Joseph Willmore, Birmingham 1831, rectangular form, engine-turned decoration, plus a vesta case, a squeeze-action tobacco box, a matchbox and a modern pill box, approx. weighable 12oz. (6)

£300-400

1231 A Victorian silver-gilt toilet set, by William Neal, London 1843, engraved scroll foliate decoration with a central cartouche covered by a latter applied crown set with turquoise stones, comprising: three rectangular boxes, two circular jars and a pair of scent bottles, total approx. weighable 5.9oz. (7)

£200-300

1232 A mixed lot of vertu items, comprising: a Victorian silver letter knife by Sampson Mordan & Co., London 1895, a cigar cutter, a magnifying glass, a lorgnette and an unmarked ingot, total approx. weighable 1.2oz. (5) £100-150

1234 A 19th century silver-gilt mounted agate dip pen, unmarked, with an octagonal agate shaft, a claw and ball mount with a Bramah style nib holder, and a hound’s head finial, with a fitted case, length 19cm. £100-150

1233 A modern Italian silver fifteen-piece rabbit/hare orchestra, standing and modelled playing various instruments, and with a female singer, height of harp 7.8cm, plus a miniature silver mandolin, with a hinged cover. approx. weight 19.8oz. (16) £500-700

λ 1235 A Victorian silver baby’s rattle, whistle and teether, by George Unite, Birmingham 1887, baluster form, embossed scroll foliate decoration, with five bells and a coral teether, length 10.2cm. £100-150

1236 A mixed lot of vertu items, comprising: a George III silver-gilt snuff box, maker’s mark worn, London 1810, a Victorian silver box by William Comyns, London 1886, a silver pill box, a late-18th century linen ground enamel box, possibly Bilston, and an unmarked snuff box, total approx. weighable 6.9oz. (5) £250-300

1237 A Victorian regimental cavalry officer’s silver-mounted leather pouch, by Bent and Parker, Birmingham 1889, shaped rectangular form, engraved foliate scroll decoration, applied with the Royal VR cypher, length 17.7cm, plus a silver and enamel box, marked sterling, Cartier, circular form, the hinged cover with a standing soldier, approx. weighable 3oz. (2)

£150-200

1238 A Victorian silver card case, by F. Marston, Birmingham 1878, rectangular form, engraved foliate decoration, initialled, in a fitted case, length 10cm, approx. weight 1.9oz. £100-150

1240 An Edwardian novelty silver and copper-gilt hunting horn candle extinguisher, by Goldsmiths & Silversmiths Co., London 1907, conventional form, length 30.6cm, approx. weight 1.5oz. £100-150

1242 An early-20th century gold combination ruler with two pencils, by John Vickery, London circa 1920, conventional form with engraved dimensions, two fold-out knife blades and red and black pencils, with a ring attachment, length 7.8cm. £200-300

1239 An Edwardian novelty silver table cigar lighter and ashtray, by Stokes and Ireland Limited, Chester 1906, modelled as a canoe, with a wick and lighting rod, the centre with a pull-out ashtray, length 12.8cm, approx. weight 2.5oz. £150-200

1241 An Edwardian silver-mounted pin cushion, by William Comyns & Sons, London 1909, rectangular form with rope-work borders, length 10.5cm, plus a silver-mounted pin cushion by Synyer & Beddoes, Birmingham 1904. (2) £150-200

1243 A late-Victorian silver cigar case, by George Unite, Birmingham 1891, rounded rectangular form with engraved initials, length 12.6cm, plus a silver-gilt presentation key with a silver plaque mounted to the case and a silver chair, total approx. weighable 7.1oz. (3) £250-300

1244 A silver clock, by William Comyns, London 1913, rectangular form, with bands of engine-turned decoration, hinged handle, plus a shagreen clock, with pierced foliate mounts, heights 9.5cm and 12cm. (2)

£300-400

Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

1246 A set of four novelty silver menu card holders, by C & C Hodgetts, Birmingham 1913, modelled as game birds, on oval bases, in a fitted case, approx. weight 1.5oz. (4)

£150-200

1245 A matched set of four novelty silver game bird menu card holders, by Carrington & Co, London circa 1911, modelled with two pheasants, a woodcock and a grouse on circular bases, diameter 3.7cm plus one similar by Stuart Clifford & Co, London 1911, modelled with a rabbit, with an associated case, total approx. weight 3.5oz. (5)

£250-300

1247 A matched set of four silver ‘Essex Crystal’ flowers and leaves menu card holders, by William Hornby, London 1907 and 1910, circular form, two with ivy leaves, one with a viola and one with forget-me-nots, on circular bases, in an associated case, length 3cm, total approx. weight 2.8oz. (4)

£250-300

£300-400

λ 1248 A set of four Victorian Scottish silver menu card holders, by Hamilton & Inches, Edinburgh 1888, pierced semi-circular form, a pheasant to the centre surrounded by foliate decoration, length 6.1cm, plus a set of four silver inlaid tortoiseshell menu card holders by Asprey & Co Ltd, London 1927, total approx. weighable 3oz. (8)

1250 A late-Victorian silver vesta dispenser, by Cohen & Charles, London 1898, circular form with a central cylindrical compartment, pull-off cover with four interior compartments, diameter 9.4cm, approx. weight 3.1oz.

£150-200

1252 A pair of Victorian novelty silver peppers, by Thomas Johnson, London 1883, in the form of shotgun cartridges, one with worn gilded decoration, with pierced tops and screw-off bases, height 5.6cm, total approx. weight 1.7oz. (2)

£150-200

1249 A novelty silver owl menu card holder, by S. Mordan and Co., Chester 1911, modelled as a standing owl with glass eyes, on a circular base, plus a similar desk seal, by the same maker, and an owl finial, also by the same maker, approx. weight 1.1oz. (3)

£100-150

1251 A Victorian novelty silver acorn pepper pot, by George Howson, London 1884, bayonet fitting cover, on an oak leaf base, height 4.2cm, approx. weight 1oz.

£100-150

1253 A late-Victorian silver domino card case, by Samuel Jacob, London 1898, plain rectangular form, hinged cover with semi-circular thumb pieces to the sides, with a pack of domino cards, length 8.5cm, approx. weight 2.1oz.

£150-200

A

1254 A silver purse, by Robert Chandler, Birmingham 1913, plain rectangular form, to the interior a leather purse pouch, a cigarette, vesta, sovereign, stamp and compact compartments, plus a late-Victorian silver stamp case by Samuel M Levi, Birmingham 1900, and a stamp case by S Blanckensee & Son Ltd, Birmingham 1912, total approx. weighable 3.5oz. (3) £200-300

Provenance: A Private Collection (Part II).

1255 A collection of antique silver card and stamp cases, curved rounded rectangular forms, comprising: two by Walker & Hall, Sheffield 1905 and 1908, both with engraved foliate decoration, one by Mappin & Webb, Birmingham 1905, one by Robert Pringle, Birmingham 1904, two by Nathan & Hayes, Birmingham 1904, one with engraved initials, one by Constantine & Floyd Ltd, Birmingham 1903, and a card case by William Devenport, Birmingham 1914, total approx. weight 14.4oz. (8) £300-400

Provenance: A Private Collection (Part II).

1256 Two silver chatelaines, one by John Millward Banks, Birmingham 1918, a pierced scroll foliate and cherub belt hook, with pencils, stamp case, button hook and scissor attachments by various makers, length 42.6cm, the other is a French silver chatelaine with no apparent maker’s mark, with stamp box, button hook, locket, sewing spindle and moistener attachments by various makers. (2)

£300-400

Provenance: A Private Collection (Part II).

1258 A collection of small silver stamp cases, comprising: one by Grey & Co., Birmingham 1903, envelope form with enamelled letters, one by Crisford & Norris Ltd, Birmingham 1902, book form with enamelled ‘Stamps’ to cover, one by Grey & Co, Birmingham 1905, envelope form with an profile of Edward VII, one by Albert Jenkins, Birmingham 1910, engraved envlope form, one by Levi & Salaman, Birmingham circa 1905, one imported by Murrle Bennet & Co, Birmingham 1905 and one marked ‘Marathon Sterling’, total approx. weighable 2.3oz. (7) £250-300

Provenance: A Private Collection (Part II).

1257 A collection of antique silver stamp boxes, comprising: three by Stokes & Ireland Ltd, Chester 1898 and 1901 and Birmingham 1895, plain rectangular form, one engraved ‘Stamps’ and one ‘Acton Golf Club 1903’, one by Saunders & Shepherd, Birmingham 1903, and an American silver and enamel stamp box, possibly by The Thomae Co., length 6.1cm, total approx. weight 9.2oz. (5)

Provenance: A Private Collection (Part II).

£300-400

1259 A collection of antique silver stamp cases and sovereign cases, comprising: one by Henry Matthews, Birmingham 1901, with an engraved monogram to the cover, one by Walker & Hall, Sheffield 1905, rectangular form with a vesta compartment, one by E J Trevitt & Sons, Chester 1906, plain rectangular form and one by James Deakin & Sons, Chester 1914 of square form, total approx. weight 9.6oz. (4) £200-300

Provenance: A Private Collection (Part II).

1260 Three silver-mounted glass stamp boxes, one by Grey & Son, Chester 1913, of book form with engraved decoration and inscribed ‘Stamps’, one by Henry Bourne, Birmingham 1906, rectangular form with the hinged cover with a wavy-edge and one by I M Hutchfield, Birmingham 1919, plain rectangular form, length 7.6cm. (3) £150-200

Provenance: A Private Collection (Part II).

1262 A matched pair of continental silver seals with stamp compartments, maker’s mark worn, square tapering form with hinged stamp compartments to the tops, one of the seals engraved with a monogram, height 8cm, plus a silver ‘Punch’ seal by Crisford & Norris Ltd, Birmingham 1908. (3) £250-300

Provenance: A Private Collection (Part II).

1261 A collection of antique silver stamp boxes, comprising: one by Saunders & Shepherd, Chester 1900, plain rectangular form, one by Deakin & Francis, Birmingham 1899, of trough form with ball feet, one by James Deakin & Sons, Chester 1899, raised rectangular form, one with a worn maker’s mark, Birmingham 1905, trough form with ball feet, and a Canadian silver stamp box by P.W. Ellis & Co, Ontario circa 1900, length 7.2cm, total approx. weighable 4.4oz. (5) £300-400

Provenance: A Private Collection (Part II).

1263 A collection of antique silver desk blotters/stamp holders, comprising: one by Levi & Salaman, Birmingham 1890, rectangular fluted form, a Russian one with maker’s mark AK possibly for Aleksandr Karpov, St Petersburg circa 1905, length 16cm, a Maltese one with maker’s mark CG, plus an unmarked silver handled roller blotter. (4) £300-400

Provenance: A Private Collection (Part II).

1264 A silver pen tray and stamp case, maker’s mark worn W??, Birmingham 1910, of trough form with two window stamp compartments to either end, on four ball feet, length 25.4cm, plus a Victorian silver propelling ink pen by John Sheldon, Birmingham 1847, with two propelling ink nips and a propelling pencil, total approx. weighable 2.6oz. (2) £150-200

Provenance: A Private Collection (Part II).

1265 A collection of Dutch silver stamp boxes, comprising: one with pseudo marks, with a tavern scene cover, one with worn maker’s marks N? with a tavern’s scene cover on four paw feet, and a pair with no apparent maker’s mark, both with embossed naval scenes and scroll foliate decoration, length 10cm, total approx. weight 11.1oz. (4) £150-200

Provenance: A Private Collection (Part II).

1266 A collection of silver stamp boxes, comprising: one by Sampson Mordan & Co., London 1893, plain rectangular form, one by Deakin & Francis, Birmingham 1900, raised rectangular form, one by Levi & Salaman, Birmingham 1899, trough form with ball feet, one with worn maker’s marks, Birmingham 1898, trough form with scroll feet and a Austro-Hungarian stamp box, maker’s mark JB, Vienna circa 1890, total approx. weight 9.7oz. (5)

Provenance: A Private Collection (Part II).

£200-300

1267 By Tiffany & Co., an American silver stamp box, raised rectangular form with an engraved leaf border, engraved initials to the cover, length 11.6cm, approx. weight 5.7oz £200-300

Provenance: A Private Collection (Part II).

1268 An early-20th century French silver stamp box, by Elie Lévy, Paris circa 1913, rectangular form with a foliate bud border and engine-turned decoration, plus a French silver stamp box by Paul Devaux, Paris circa 1915, plain rectangular form with an applied armorial to the cover, length 9.6cm, total approx. weight 5.9oz. (2) £200-300

1270 A collection of antique silver stamp moisteners, comprising: one by Joseph Gloster Ltd, Birmingham 1920, plain cylindrical form with a rope-work border, an American one by Revere Co., Brooklyn circa 1955, with a stamp dispenser body, and two unmarked ones, cylindrical form with seal bases, one engraved with a crest to the seal, one is gilded with a crest engraved to the side, height 6.3cm, total approx. weighable 1.8oz. (4) £200-300

Provenance: A Private Collection (Part II).

£300-400

1269 A collection of antique silver stamp boxes, comprising: one by Henry Matthews, Birmingham 1902, rectangular form with a gadrooned border, one by William Walter, Birmingham 1901, one by William Aitken, Birmingham 1902, one by James Deakin & Sons, Birmingham 1902, one by S Blanckensee & Son Ltd, Birmingham 1902, and one by Stokes & Ireland, Birmingham 1914, all of trough form with ball feet, length 9.1cm, total approx. weight 6.6oz. (6)

Provenance: A Private Collection (Part II).

1271 A Victorian silver sealing wax holder, by Samuel Jacob, London 1892, cylindrical form with embossed chased scroll foliate decoration, with a clown finial on the hinged cover, length 23cm, plus a silver sealing wax holder with importer’s mark of Robert Friederich, London 1905, total approx. weight 2.7oz. (2) £150-200

Provenance: A Private Collection (Part II)

1272 An Edwardian novelty silver inkwell and stamp box, by Walker & Hall, Birmingham 1906, knife box form, the interior with a stamp compartment and a fitted glass inkwell, pull-out drawer to the base, height 8.5cm, approx. weight 6.6oz.

Provenance: A Private Collection (Part II).

£200-300

1273 A novelty silver stamp moistener, by Harrods Stores Ltd, Sheffield 1912, modelled as a tied scroll, embossed with the face of David Lloyd George, on a circular base, height 7.4cm.

£200-300

Provenance: A Private Collection (Part II).

1274 A late-Victorian silver novelty inkwell and stamp box, by Joseph Rodgers & Sons, Sheffield 1900, also with trade mark, in the form of a coal scuttle, the hinged cover with the handle reveals the inkwell, and the front hinged cover reveals the stamp compartment, on four pad feet, length 7.6cm, approx. weight 4.4oz. £150-200

Provenance: A Private Collection (Part II).

1275 A matched pair of novelty silver stamp boxes, by A & J Zimmerman, Birmingham 1909 and 1911, modelled as lowboys, with hinged covers and gilt interiors, length 6cm, total approx. weight 3.3oz. (2) £200-300

Provenance: A Private Collection (Part II)

1276 A collection of continental silver miniatures, comprising: one with importers’ marks of Theodor Hartmann, London 1904, in the form of a carriage with three horses, a Dutch drop leaf table with a pierced cover and a stamp compartment, a Dutch bookcase cabinet with pseudo marks, with pierced and embossed rural scenes, a German stamp box modelled as an Alpine chalet, and a German sedan with embossed foliate decoration, total approx. weighable 12.9oz. (5)

Provenance: A Private Collection (Part II).

£300-400

1277 Two American silver stamp boxes, one by Marshall Field & Co., Chicago circa 1910, rounded rectangular form with chased scroll foliate decoration, the other by Gorham, rectangular form with beaded and gadrooned borders, embossed foliate decoration, length 8.4cm, total approx. weight 9.7oz. (2)

Provenance: A Private Collection (Part II).

£200-300

1278 An Edwardian silver calendar inkstand, by Grey & Co, London 1909, shaped rectangular form, semi-circular shaped turning calendar back, with a stamp compartment, inkwell and pen rest, height 12.5cm. £200-300

Provenance: A Private Collection (Part II).

1280 A late-Victorian silver-mounted glass inkstand, by John Grinsell & Son, London 1895, rounded rectangular form with a pireced decorated gallery, with two silver-mounted inkwells, a stamp compartment, a pen rest, an engraved monogram plaque, length 23.2cm, plus a silver ink pen by Villiers & Jackson, Chester 1909. (2) £150-200

Provenance: A Private Collection (Part II).

1282 An Edwardian silver inkwell and stamp compartment, by George Betjemann & Sons, London 1904, plain rectangular-shaped form, stamp compartment to the underside of the hinged front, glass liner to the inkwell, plus a Russian silver-mounted glass inkwell and stamp box, maker’s mark AOM, Moscow circa 1915, length 10.8cm. (2) £200-300

Provenance: A Private Collection (Part II).

1279 An Edwardian silver-mounted glass inkwell and stamp box, by John Grinsell & Son, Birmingham 1905, stepped rectangular form with a pen tray to the front, a pocket watch to the inkwell cover, cut glass base, length 10.8cm, plus a silver-mounted glass stamp box by Robert Pringle, London 1901. (2) £200-300

Provenance: A Private Collection (Part II).

1281 A late-Victorian silver inkstand, by Gibson & Langman, London 1898, rectangular form with scroll foliate borders, with a front pen tray, two hinged compartments one for stamps, and a central silvermounted cut-glass inkwell, length 16.8cm. £150-200

Provenance: A Private Collection (Part II).

1283 A collection of silver capstan inkwells/stamp holders, comprising: two by William Harrison Walter, Birmingham 1905 and 1906, with a shield-formed stamp compartment cover to the hinge inkwell cover, larger diameter 12.8cm, one by Charles S Green & Co Ltd, Birmingham 1920, with a scroll handle pull-out drawer, and one possibly by Saunders & Shepherd, Birmingham 1907, with a ball handled pull-out drawer. (4) £150-200

Provenance: A Private Collection (Part II).

£200-300

1284 A pair of Edwardian silver letter scales, by Sampson Mordan & Co., London 1901, plain oval platforms on a scale frame, on a raised wooden base with matched silver-mounted weights, length 21.7cm.

Provenance: A Private Collection (Part II).

1286 An Edwardian novelty silver Sedan chair, by William Comyns & Sons, London 1903, modelled as a Sedan Chair with a hinged top, pull-out carrying poles, engraved with foliate decoration, on a carved wooden plinth, height 12cm.

Provenance: A Private Collection (Part II).

£150-200

1285 An Edwardian silver calendar inkstand, by Grey & Co, Chester 1908, shaped rectangular form, semi-circular shaped turning calendar back, with a stamp compartment, inkwell and pen rest, height 12.2cm.

Provenance: A Private Collection (Part II).

£300-400

1287 An American silver inkwell, by Gorham & Co., rectangular form with pierced scroll foliate decoration, with two silver-mounted cut glass inkwells and a central engraved hinged stamp compartment, on four scroll feet, length 24cm, approx. weight 16.5oz.

£250-300

Provenance: A Private Collection (Part II).

1288 A late-Victorian desk calendar and inkwell, by Wright & Davies, London 1899, retailed by Percy Ewards & Co., Picadilly, raised rectangular form, a hinged calendar to the front with three stamp compartments to the interior and pen to the underside of the cover, a pen tray to front of the silver-mounted cut glass inkwell, length 17.6cm.

Provenance: A Private Collection (Part II).

£150-200

1289 An early-20th century French silver-mounted green glass desk set, by Abit & Loposgich, Paris circa 1900, the glass engraved with the initial ‘B’, with an acanthus leaf border, comprising: a pen tray, a stamp compartment, an inkwell, a seal, a dish and an inkwell mounted on a marbled base, length 15.8cm. (6)

Provenance: A Private Collection (Part II).

£300-500

1290 A silver desk calendar stamp box, by Mappin & Webb, Birmingham 1912, rounded rectangular back with a floral border and sphere switches to the sides, a compartment for celluloid month cards, a stamp box to the front, the cover engraved ‘Stamps’, on a loaded base, height 9.3cm. £150-200

Provenance: A Private Collection (Part II).

1292 A Victorian silver desk blotter and stamp box, by Deakin & Francis, Birmingham 1889, rectangular form with fluted decoration with a hinged stamp and vesta compartments, length 9.4cm, plus a silver desk blotter by George Edward & Sons, Chester 1910. (2) £200-300

Provenance: A Private Collection (Part II).

1291 Four silver-mounted glass stamp moisteners, one by Robert Pringle, Chester 1902, rectangular form with a scroll and foliate border, on four ball feet, another by Robert Pringle, London 1908, one by Boots Pure Drug Company, Birmingham 1909, and one with worn maker’s marks, London 1906, length 7.2cm. (4) £200-300

Provenance: A Private Collection (Part II).

1293 A late-Victorian enamel one penny stamp pendant, unmarked, in a gilt metal frame surmounted by a crown and ring attachment, plus an unmarked stamp box, of square form with inscribed hinged sides ‘Hattie M Whitaker 1916’ and ‘W’, length 3cm. (2) £150-200

Provenance: A Private Collection (Part II).

1294 A silver desk stand, maker’s mark worn W?, Birmingham 1913, oval form with a pen rest to the hinged cover, the interior with two stamp compartments and two inkwells, on four claw feet, length 15.1cm, plus a silver-mounted glass inkwell and pen tray, marks worn, circa 1910. (2) £200-300

Provenance: A Private Collection (Part II).

1295 Two American silver stamp boxes, one by George W. Shiebler & Co., New York circa 1900, rectangular form with pierced scroll foliate decoration, engraved ‘Eleanor’ to the underside, the other by Merwood & Jaccards, rectangular form with an engraved foliate cover, length 11.7cm, total approx. weight 7oz. (2) £200-300

Provenance: A Private Collection (Part II).

1296 A silver desk calendar and stamp box, by Henry Matthews, Birmingham 1922, rectangular-shaped back with sphere switches to the sides, a compartment for celluloid month cards, a stamp box to the front, the cover engraved ‘Stamps’, on a loaded base, plus a silver desk clip and notepad, by W & G Neal, London 1906, length 10cm. (2)

£200-300

1297 An Edwardian silver stamp moistener and stamper, by William Hornby, London 1902, a tapering circular form moistener on a cylindrical stem, push-action stamper in the rectangular base, height 8.5cm, plus a Victorian stamp moistener by Sampson Mordan & Co., London 1894. (2)

Provenance: A Private Collection (Part II).

Provenance: A Private Collection (Part II).

1298 A set of four American silver stamp dispensers, by Black, Starr & Gorham, New York circa 1940, and one by Gorham, rectangular-shaped form with pull-off covers, three with engraved covers ‘KW’, ‘LEW’ and ‘RED’, total approx. weight 7.9oz. (5)

Provenance: A Private Collection (Part II).

£300-400

1300 Two pairs of American silver letter scales, by Gorhams, one of a wall pendulum form with scroll foliate decoration and a dove holding a letter, the other with a swing arm and plain circular platform, on a rounded square base, height 12.1cm. (2) £200-300

Provenance: A Private Collection (Part II).

£200-300

1299 A small collection of silver stamp dispensers, comprising: one by Stuart Clifford & Co, London 1906, with butterfly clasped centre, one by Henry Brown, London 1903, of rectangular form with two pierced slots, an American one by R.Blackinton & Co, circular form, and one unmarked one with a hinged floral enamel cover, total approx. weighable 1.2oz. (4) £250-300

Provenance: A Private Collection (Part II).

1301 An Edwardian silver-mounted glass inkwell and stamp box, by John Grinsell & Sons, Birmingham 1904, rectangular form with a front pen tray, the hinged cover to the inkwell is set with a pocket watch, length 11cm, plus a silvermounted stamp roller by Goldsmiths & Silversmiths Co. London 1907, and a silver inkwell and stamp box with worn maker’s mark, London 1903, total approx. weighable 4.1oz. (3) £300-400

Provenance: A Private Collection (Part II).

1302 An Edwardian silver-mounted glass inkwell and stamp box, by John Grinsell & Sons, Birmingham 1904, rectangular form with a front pen tray, the hinged cover to the inkwell is set with a pocket watch, length 10.8cm. £200-300

Provenance: A Private Collection (Part II).

1303 A late-Victorian novelty silver pillar box, by Deakin & Francis Ltd, Birmingham 1899, in the form of a pillar box with a pull-off cover, height 11cm, approx. weight 3.4oz. £200-300

Provenance: A Private Collection (Part II).

1304 An Edwardian silver-mounted horse’s hoof stamp box, by Robert Pringle, London 1907, the mounts with textured hair, the hinged cover engraved ‘Pope 1907’, on a horseshoe base, length 14.2cm. £300-400

Provenance: A Private Collection (Part II).

1306 An Edwardian silver stamp box, by Goldsmiths & Silversmiths Co., London 1906, rectangular form with foliate bud borders and engine-turned decoration, length 10.2cm, approx. weight 6.2oz. £150-200

Provenance: A Private Collection (Part II).

1305 A collection of tartan and Mauchline ware stamp boxes, of rectangular form, the Mauchline covers depicting The Bunker Hill Monument and The Mount Pisgah Plane, the tartan ware boxes are that of Caledonia and Maclean, and MacKenzie tartan stamp wallet. (5) £150-200

Provenance: A Private Collection (Part II).

1307 An early-20th century French silver stamp box, by The Keller Brothers, Paris circa 1920, plain rectangular form with moulded border edges, length 14.6cm, approx. weight 12.6oz. £150-200

Provenance: A Private Collection (Part II).

1308 A silver pair of letter scales, by George Betjemann & Sons, London 1915, retailed by Asprey, rectangular platforms on a scale frame, on a raised wooden base, with five silver-plated weights, length 15.3cm. £150-200

Provenance: A Private Collection (Part II).

1309 Two gilt metal stamp boxes, unmarked, rectangular form with engraved scroll foliate decoration, the cover with three windowed glass stamp compartments, length 9.2cm, the other of cube form with glass hinged compartments to each side. (2)

Provenance: A Private Collection (Part II).

1310 A collection of tartan ware stamp boxes, of circular and rectangular forms, all with stamps to the covers, three of Maclean, one of Cameron and one Caledonian tartan, diameter 5.4cm. (5) £150-200

Provenance: A Private Collection (Part II).

1312 Two early-20th century postage stamp dispensers, by The British Stamp & Ticket Automatic Delivery Company Ltd, Queen Anne’s Chamber, London circa 1930, rectangular form, both painted ‘Postage Stamps’, one with painted instructions (a.f), the other with brass plaques, length 28.5cm. (2)

Provenance: A Private Collection (Part II).

£200-300

1311

£200-300

Two Edwardian silver letter scales, one by Levi & Salaman, Birmingham 1905, rectangular form, circle platform with a pull-out wooden stamp compartment, on four ball feet, the other by Henry Matthews, Birmingham 1905, circular-shaped form with a rectangular platform, height 10.3cm. (2)

Provenance: A Private Collection (Part II).

£150-250

1313 An Edwardian silver novelty stamp box, by Goldsmiths & Silversmiths Co., London 1904, in the form of a cigar case with a central carry handle, two hinged covers, on four bun feet, length 6.9cm.

Provenance: A Private Collection (Part II).

£150-200

1314 A late-Victorian silver travelling desk set, by William Hornby, London 1898, plain rounded rectangular form, to the interior hinged candle and taperstick holders, a sprung miniature glass inkwell, a match compartment with a striker cover and a pull-out stamp compartment, length 7.8cm, approx. weight 10.2oz. £600-800

Provenance: A Private Collection (Part II).

1316 A silver presentation inkstand, by Mappin & Webb, London 1935, plain rectangular form with engine-turned decoration to the cover, to the interior are two glass inkwells and a covered stamp compartment, to the underside of the cover is engraved two armorial shields, inscribed ‘The High Sheriff of Sussex, Mr C.W. Shelford to his Under Sheriff, Mr E.R. Lawrence 1954-55’, length 19.5cm. £300-400

Provenance: A Private Collection (Part II).

1315 An Edwardian silver travelling desk set, by William Hornby, London 1905, plain rectangular form, the interior with two stamp compartments and three others and striker, the bases with a recess for a taperstick, height 8.5cm, approx. weight 7.8oz. £300-400

Provenance: A Private Collection (Part II).

1317 A novelty brass desk stand, unmarked, modelled as a book on stand, the cover engraved with foliate decorations and set with turquoise beads (a.f), to the interior a taper sitck, a vesta compartment, stamp compartment, an inkwell and pot, length 19.5cm. £200-300

Provenance: A Private Collection (Part II).

1318 A late-Victorian novelty gilt metal trunk desk stand, unmarked, in the form of a trunk with blue buckles, to the underside of the cover a white enamelled dial watch, to the interior a taperstick, an inkwell, stamp and match compartment, the covers engraved ‘Lights’, ‘Ink’ and ‘Stamps’, length 17.8cm. £300-400

Provenance: A Private Collection (Part II).

1320 A late-19th century German silver desk stand, by Carl Büsch, Hannover circa 1880, rounded rectangular form, two hinged covers, one engraved with a crowned monogram, to the interior a inkwell, a stamp slot and a pen compartment, length 27cm, approx. weight 19.9oz. £200-300

Provenance: A Private Collection (Part II).

1319 A Victorian novelty metal combination pillar box, by T.W. Hopkins, 22 New Bond Street, London circa 1880, pillar post box form, a stamp compartment to the hinged top, the hinged top reveals a candlestick with a spring interior base, the front opens to reveal a swivelling candlestick and a card compartment, to the interior side of the door is a matchstick slot and striker, the base swings open to reveal an inkwell, on later felt stand, height 19.2cm.

£300-400

Provenance: A Private Collection (Part II).

1321 An Edwardian silver inkstand, by Mappin & Webb, London 1903, rectangular form with scroll reeded borders, two lion mask ring handles, the cover engraved with a crest and motto, to the interior two glass inkwells, a pen tray and stamp compartment, length 25.8cm, approx. weight 41.9oz.

Provenance: A Private Collection (Part II).

£600-800

1323 A novelty silver money box/stamp dispenser, by S Blanckensee & Son Ltd, Chester 1932, in the form of a pillar box, with a pull-off base, height 10.3cm, approx. weight 3.9oz.

£200-300

£150-200

1322 An Edwardian silver perpetual desk calendar and stamp box, by J Batson & Son, London 1903, rectangular form with rotating knobs, showing date, month and day of the week, two glass window compartments to the top, with a loaded base, height 10cm.

Provenance: A Private Collection (Part II).

Provenance: A Private Collection (Part II).

1324 An Edwardian silver desk blotter and stamp box, by Cohan & Charles, Birmingham 1905, rectangular form with a moulded edge, with a hinged stamp compartment and a windowed stamp compartment, plus another of similar form with worn maker’s marks, Birmingham 1905, length 13.8cm. (2)

Provenance: A Private Collection (Part II).

£200-300

1326 An Edwardian silver desk stand, by Stokes & Ireland Ltd, Chester 1902, oval form with a gadrooned border, inscribed with a presentation inscription, plus a silver-mounted pocket watch stand and stamp compartment by Henry Matthews, Birmingham 1903, total approx. weighable 6.9oz. (2) £200-300

Provenance: A Private Collection (Part II).

1325 A collection of capstan inkwells/stamp holders, comprising: by William Walter, Birmingham 1905, with a shieldformed stamp compartment cover to the hinged inkwell cover, one by Henry Matthews, Birmingham 1905, diameter 12.8cm, of the same form, the other two with worn marks, Birmingham 1909 and Chester 1908, both with pull-out stamp drawers. (4) £150-200

Provenance: A Private Collection (Part II).

1327 By Tiffany & Co., an American silver moistener, plain cylindrical form with a pierced cover, with original packaging, plus an American silver and enamel stamp dispenser by Abercrombie & Fitch Co., cylindrical form with four slots above enamelled 2¢, 3¢, and 6¢ plus a red and black enamelled ‘Via Air Mail’, length 10.5cm, total approx. weight 5.2oz. (2) £150-200

Provenance: A Private Collection (Part II).

1328 A late-19th century Austro-Hungarian silver stamp box, maker’s mark BF, Vienna circa 1890, casket form with scroll and shell decoration, stylised flame finial to the cover, on four scroll feet, plus an early-20th century French silver-gilt stamp box by The Keller Brothers, Paris, circa 1920, length 10cm, total approx. weighable 4.6oz. (2)

Provenance: A Private Collection (Part II).

£200-300

1329 A late-Victorian silver inkwell and stamp box, by Henry Stuart Brown, London 1895, rectangular form with a swing-handled guard that forms into a pen rest, three hinged covers with push-button clasps, the inkwell covers inlaid with blue and red glass and the stamp compartment with clear glass cover, length 12.3cm.

£300-400

1330 A modern silver stamp box, by Spink & Son, London 2004, plain circular form with a reeded bottom edge, to the interior six gilded stamp slots with a central moistener slot, diameter 9.8cm, approx. weight 12.2oz.

£150-200

Provenance: A Private Collection (Part II).

1331 A novelty silver money box/stamp dispenser, by Deakin & Francis Ltd, Birmingham 1916, in the form of a pillar box, pierced letter slot and a twist-off cover to the underside of the base, height 9.5cm, approx. weight 2.9oz.

£150-200

Provenance: A Private Collection (Part II).

1332 A pair of silver letter scales, by George Betjemann & Sons, London 1918, rectangular platforms engraved ‘1919’ and ‘1898’ on a scale frame, on an alabaster base, with four silver-plated weights, length 16.2cm.

Provenance: A Private Collection (Part II).

£200-300

Provenance: A Private Collection (Part II).

1333 An Edwardian silver-mounted glass inkwell and stamp box, by John Grinsell, Birmingham 1907, stepped rectangular form with a stamp compartment to the front, a gilded enamel pocket watch to the cover of the inkwell, plus a silvermounted notepad and stamp box by Levi & Salaman, Birmingham 1907, with two windowed compartments to the hinged cover, on a rectangular base, length 13.7cm. (2) £300-400

Provenance: A Private Collection (Part II).

1334 A William IV silver inkstand, by Joseph Willmore, Birmingham 1835, rectangular form with a pierced foliate border, inscribed ‘A Token of Gratitude and Esteem From C.R.’, with two silver-mounted glass inkwells, on four leaf bracket feet, length 20.4cm, total approx. weighable 8.1oz. £200-300

Provenance: A Private Collection (Part II).

1336 By Herbert Maryon, an Arts & Crafts silver inkstand, Chester 1910, rectangular form with spot-hammered decoration, two silvermounted inkwells and stamp compartment with stylised covers, with a pen tray to the front, on four bun feet, length 21.6cm, approx. weight 13.2oz. £300-400

Provenance: A Private Collection (Part II).

Herbert Maryon (1874-1965) was the first Director of The Keswick School of Industrial Arts, being an accomplished designer and craftsman himself, previously studying under Alexander Fisher, Herny Wilson and C.R. Ashbee. Under Maryon’s leadership, the school expanded in its learning and creative designs, leading to significant commissions for the school. He left after four years and went on to teach at the Storey Insititute in Lancaster and the Universcity of Reading. He would later join the British Museum and lead the reconstruction of the Sutton Hoo Helmet.

1335 A silver inkstand, by Robert Chandler, Birmingham 1912, rectangular form with a pierced decoration, a central stamp box, two silver-mounted glass inkwells and a pen rest, on five bun feet, length 19.2cm, approx. weighable 8.5oz.

£150-200

Provenance: A Private Collection (Part II).

1337 Three late-Victorian electroplated desk stands, by Hukin & Heath, rectangular form, the inkwells modelled as a pen nibs and one of cube form, a stamp box, the hinged cover two inscribed ‘Stamps’, a vesta holder, two with desk seals and a taper sticks, on a rectangular bases, with a curled page motif, on four bun feet, length 18.8cm. (3)

Provenance: A Private Collection (Part II).

£200-300

λ 1338 A Victorian silver-mounted ink blotter pad, by William Leuchars, London 1889, rectangular form with pierced chased scroll foliate decoration, the cartouche engraved with a monogram, plus a silver-mounted ink blotted pad by William Comyns & Sons, London 1902, and a silvermounted tortoiseshell ink blotter pad by William Comyns & Sons London 1895, length 29.6cm. (3)

£300-400

1339 A early-20th century walnut country house letter box, unmarked, hexagonal form, painted with the royal coat of arms and ‘ROYAL MAIL’, the pull-off cover with a letter slot and built-in lock, height 38.5cm.

Provenance: A Private Collection (Part II).

£500-800

Provenance: A Private Collection (Part II).

1340 An Edwardian silver novelty inkstand, by Goldsmiths & Silversmiths Co., London 1903, in the form of a pillar box with an applied crown and ‘GR’, the hinged front reveals an interior inkwell with a pen rest to the front of the pillar box, on a square base with four bracket feet, height 17.4cm, approx. weight 12.4oz.

Provenance: A Private Collection (Part II).

£600-800

1341 An early-20th century country house letter box, unmarked, rectangular form with a moulded top, the front with a brass hinged letter slot engraved ‘Letters’, and a hinged door with a central glass window, height 30cm.

£200-300

Provenance: A Private Collection (Part II).

END OF COLLECTION

1342 A set of four George IV silver knife rests,

1344 A George III silver meat skewer, by George Smith, London 1774, tapering form, with a Rocco scroll cartouche and ring handle, with engraved decoration, length 33.2cm, approx. weight 4.2oz. £80-120

Provenance: A Private Collection.

1343 An Arts and Crafts silver Tree of Life Caddy spoon, by H. G. Murphy, London 1929, also marked with the Falcon mark, pierced tree handle, fig-shaped bowl, length 10.1cm, approx. weight 0.9oz.

Provenance: A Private Collection.

£200-300

1345 A George III silver stilton scoop, by John Shekleton, London 1802, Thread handle, engraved with a crest, length 25.3cm. £80-120

Provenance: A Private Collection.

1346 An 18th century silver mote spoon, maker’s mark worn, circa 1720-50, the bowl pierced with scroll decoration and with a later crest, length 13.5cm, plus a mid-18th century silver mote spoon, unmarked circa 1740, the oval bowl with plain piercing and a plain rat-tail, engraved ‘R’, length 14cm, plus a George III elongated Fiddle pattern teaspoon, by Alice and George Burrows, London 1806, length 15.4cm, approx. total weight 1.1oz. (3)

Provenance: A Private Collection.

1347 A collection of old Sheffield plated and electroplated flatware, comprising: a small cucumber saw, a serving slice/fork, a pair of sugar crushers, four salt spoons, two sets of six teaspoons, a pair of sugar tongs, three tablespoons, and various spoons. (qty) £80-120

Provenance: A Private Collection.

£100-150

1348 An Arts and Crafts silver Tree of Life Caddy spoon, by H. G. Murphy, London 1929, also marked with the Falcon mark, pierced tree handle, fig-shaped bowl, length 10cm, approx. weight 0.9oz.

£200-300

Provenance: A Private Collection.

1350 A collection of four Russian silver and silver-gilt spout hanging tea strainers, comprising: three of bucket form, one with engraved decoration and one with engine-turned decoration, and one of circular form, beaded border, all with spout clips, weight 2.8oz. (4)

Provenance: A Private Collection.

£150-200

1352 An American silver tea infuser, by Gorham, circular form, swirl fluted and pierced decoration below a foliate border, hinged cover with a chain and ring, plus an American silver tea infuser of ball form, also with a chain and ring, approx. total weight 1.6oz. (2)

Provenance: A Private Collection.

£100-150

1349 A late-19th century French silver-gilt mounted clear glass scent bottle, circa 1880, compressed tear-drop form, the pierced mounts with engraved decoration, hinged cover, with a stopper in a fixed position, length 11.3cm.

Provenance: A Private Collection.

£100-150

1351 A collection of four continental silver spout hanging tea strainers, comprising: a Norwegian one modelled as a mythical bird, two American ones, one with chased foliate decoration, and a continental one, pierced foliate decoration, approx. weight 4.2oz. (4)

Provenance: A Private Collection.

£150-200

1353 A metalware tea infuser, unmarked, panelled circular form, the hinged cover with a ring a chain and a clip, plus an electroplated infuser of barrel form, possibly for spices, screw-off cover with a chain, length 6cm. (2)

Provenance: A Private Collection.

£100-150

1354 An Indian silver tea infuser, by Hamilton and Co., Calcutta, pierced ovoid form, hinged cover, with a chain attachment, length 7cm, approx. weight 1.5oz. £80-120

Provenance: A Private Collection.

1356 A William IV silver ‘castle-top’ card case, Abbotsford House, by Taylor and Perry, Birmingham 1835, rectangular form, with a scene of the house, the reverse inscribed ‘Mary Seymour from S.A.S’, within chased foliate scroll decoration, length 8.8cm, approx. weight 2.3oz. £150-200

Provenance: A Private Collection.

1358 A 19th century silver filigree card case, unmarked, rectangular form, pierced scroll decoration, with a shield cartouche, hinged cover, length 8.8cm, approx. weight 1.5oz. £80-120

Provenance: A Private Collection.

1355 A late-18th/early-19th century silver pipe tamper, unmarked circa 1800, ring handle, tapering sheaf, the interior with a later spike and the circular base initialled, length 8cm, approx. weight 0.2oz. £70-100

Provenance: A Private Collection.

1357 A 19th century silver filigree card case, unmarked, shaped rectangular form, with fish and foliate decoration, length 9.7cm, approx. weight 1.5oz. £70-100

Provenance: A Private Collection.

1359 A novelty gilded metalware and enamel parrot, marked silver, filigree and textured feather decoration, the pull-off head with enamelled beak and central plume, the eyes set with tiger’s eye stones, the interior gilded, height 16.5cm. £300-400

Provenance: A Private Collection.

1361 A Victorian silver Ancient Order of Forester’s badge, by E. Lowerstark, London 1869, star form, with a central gilded medallion under glass, chased foliate scroll decoration, length 8.5cm, plus another Forester’s badge of star form, engraved decoration, with a central stag head issuing from a crown, by William Briggs, Sheffield 1842, with a stag’s head and horn, length 10cm, approx. total 2oz. (2) £100-150

£100-150

1360 A Victorian silver Ancient Order of Foresters Jewel of Office, by Abraham Loewenstark, London 1860, the cross with a central glazed and gilt medallion, horn and crossed arrows suspended below, and mounted with a stag head issuing from a crown above shaking handles, the reverse inscribed ‘Presented to Bro. F.A. White by the Officers and Brethren of Court 3109 for his services as CR, March 20th, 1861’, length 19cm, approx. weight 3oz.

Provenance: A Private Collection.

Purchased from Christie’s New York, 21 October 2003.

1362 An 18th century silver filigree patch box, unmarked, circular form, foliate decoration, plus an electroplated snuff box, of shield form, flush-hinged cover, with initials. (2) £80-120

Provenance: A Private Collection.

1364 A 19th century red lacquer composition snuff box, circa 1820-40, circular form, the body and base simulated to represent stone, the pull-off cover with engraved foliate decoration, (cover loose), diameter 8.3cm. £70-100

Provenance: A Private Collection.

Purchased from Christie’s South Kensington, 7 July 1999.

Provenance: A Private Collection.

Purchased from Bonhams, Knightsbridge, 9 December 2003, lot 158.

1363 A French silver box, maker’s mark of G.K, in a lozenge, plain circular form, the screw-off cover initialled, plus a circular box made out of Portuguese coins, approx. total weight 2.3oz. (2) £100-150

Provenance: A Private Collection.

1365 An early-19th century French silver snuff box, maker’s mark partially worn, oval form, engraved decoration, length 9cm, approx. weight 2.6oz. £100-150

Provenance: A Private Collection.

1366 A George IV silver vinaigrette, by John Shaw, Birmingham, no date letter, rectangular form, engraved decoration, the cover initialled ‘M.B’, the interior with a pierced and engraved foliate grille, length 3.7cm, approx. weight 0.6oz. £80-120

Provenance: A Private Collection.

1367 A collection of three antique silver vinaigrettes, comprising: one by Cocks and Bettridge, Birmingham 1806, rectangular form, canted corners, plus one by Thomas Shaw, Birmingham 1839, rectangular form, engine-turned decoration, and another, Birmingham 1836, approx. total weight 1.2oz. (3)

Provenance: A Private Collection.

£150-200

1368 A 19th century gilt-metal watch vinaigrette, unmarked, engine-turned decoration, foliate border, the interior with a pierced and engraved foliate scroll grille, plus another gilt-metal watch vinaigrette, the reverse with a compartment. (2)

Provenance: A Private Collection.

£100-150

1369 A small collection of three antique silver vinaigrettes, comprising: a French silver-gilt and enamel one, engraved foliate decoration, blue and white enamel, grille (a.f), and with a later striker to side, a Victorian one by Thomas Johnson, London 1869, rectangular form, engraved decoration, and another by E. Smith, Birmingham 1852, approx. total weight 1.4oz. (3) £150-200

Provenance: A Private Collection.

1370 A George III silver vinaigrette, maker’s mark worn, Birmingham 1813, shaped rectangular form, reeded decoration, the hinged grille pierced and engraved with a swan, length 3.5cm, plus an early-19th century silver vinaigrette, unmarked, rectangular form, the hinged cover with foliate scroll decoration, approx. total weight 1.2oz. (2) £150-200

Provenance: A Private Collection.

1371 A William IV silver-gilt ‘castle-top’ vinaigrette, Abbotsford House, by Taylor & Perry, Birmingham 1836, rectangular form, the hinged cover with a scene of the house, engine-tuned base and sides with a vacant cartouche, with a pierced and engraved silver-gilt foliate scroll grille, length 4.5cm, approx. weight 1oz. £400-600

Provenance: A Private Collection. Purchased from Christie’s South Kensington, 7 July 1999, lot 23.

1372 A George III silver purse vinaigrette, by John Shaw, Birmingham 1819, rectangular form, engraved decoration, foliate borders, the interior with a pierced and engraved foliate scroll grille, length 2.5cm, plus a George III silver patch box, by Samuel Pemberton, Birmingham 1796, approx. total weight 0.7oz. (2) £150-200

Provenance: A Private Collection.

1373 A George III silver vinaigrette, by John Bettridge, Birmingham 1818, rectangular form, applied with a central foliate motif and foliate straps, engraved decoration, the interior with a pierced foliate scroll grille, length 3cm, plus an early-Victorian silver vinaigrette, by Edward Smith, Birmingham 1838, rectangular form, with cross-hatched engraved decoration, initialled, the interior with a pierced and engraved grille, length 3.4cm, approx. weight 1oz. (2)

Provenance: A Private Collection.

£150-200

1374 A George III silver vinaigrette, by Thomas Willmore, Birmingham 1798, rectangular form, canted corners, engraved decoration, the interior with a pierced silvergilt grille, length 2.9cm, plus a George III silver vinaigrette, by Samuel Pemberton, Birmingham 1818, rectangular form, reeded sides, the cover with engine-turned decoration, length 3.7cm, approx. weight 1.2oz. (2)

Provenance: A Private Collection.

£100-150

1375 A silver betel nut box, unmarked, horn-shaped, engraved decoration, the hinged cover with two compartments, with chains and hanging bells, length 3.8cm, approx. weight 1.3oz. £100-150

Provenance: A Private Collection.

1376 A George III silver nutmeg grater, by Phipps and Robinson, London 1800, rectangular form, canted corners, the hinged cover with a crest and initials, hinged base, the interior with a grater, length 4.7cm, approx. weight 1.6oz. £200-300

Provenance: A Private Collection.

The crest is that of Powney or Vipont.

1377 A collection of six George III silver patch boxes, comprising: one by Roger Biggs, London 1792, one of oval fluted form and five of circular form, approx. weight 1.2oz. (6)

£300-400

Provenance: A Private Collection.

1378 A George III silver nutmeg grater, no apparent maker’s mark, Birmingham 1795, oval, the hinged cover with initials, hinged base, engraved borders, the interior with a grater, length 4.7cm, approx. weight 1.1oz. £150-200

Provenance: A Private Collection.

1380 A George III silver nutmeg grater, by Phipps and Robinson, London 1795, rectangular form, canted corners, the hinged cover with a vacant cartouche, hinged base, engraved borders, the interior with a grater, length 4.5cm, approx. weight 1.4oz. £200-300

Provenance: A Private Collection.

1379 A George IV silver snuff box, by John Linnit, London 1824, rectangular form, chased foliate decoration on a matted background, the interior gilded, length 8.1cm, approx. weight 5.6oz.

Provenance: A Private Collection.

£200-300

1381 A George III silver patch box, by Joseph Taylor, Birmingham 1802, oval form, engraved decoration, together with another George III silver patch box of oblong form, Birmingham 1796, approx. weight 0.4oz. (2)

£100-150

1382 An unusual patent silver teapot, ‘THE HYGENIA’, by The Barker Brothers, Birmingham 1936, marked with patent number 257541, shaped oval form, scroll handle, domed hinged cover, the spout with a pull-out strainer, length 28cm, approx. weight 19oz.

£300-400

Provenance: A Private Collection. Woolley and Wallis, Salisbury, Silver Sale, 28 April, 2010, lot 945.

1383 A George III silver swing-handled basket, by William Plummer, London 1782, oval form, pierced and engraved with scroll decoration, urns and slats, beaded borders, on a raised oval foot pierced with slats, length 34cm, approx. weight 24oz.

£600-800

Provenance: A Private Collection. Phillips, New Bond Street, Fine Silver, 30 July 1993, lot 130.

1384 A George III silver argyle, by Henry Green, London 1792, vase form, wooden scroll handle, reeded borders, the pull-off cover with an urn finial, on a raised circular foot, engraved with an armorial, the interior with a hot water compartment, height 17cm, approx. weight 11oz.

Provenance: A Private Collection. Purchased from Sotheby’s, London 28 April 1999, lot 269.

£600-800

1385 A George III silver argyle, by Robert and Samuel Hennell, London 1805, vase form, tapering spout, wooden scroll handle, gadroon borders, the pull-off cover with a knop finial, on a raised circular foot, the interior with compartment for a heating rod, height 20cm, approx. weight 17.7oz. £800-1,200

Provenance: A Private Collection. Purchased from Christie’s, London 13 June 2001, lot 92.

OTHER PROPERTIES

1386 A pair of George III silver and parcel gilt shell salts, by Samuel & George Whitford, London 1806, scallop shell form on three shell feet, length 10.5cm, total approx. weight 6.6oz. (2)

£150-200

1388 A George III silver mug, by Hester Bateman, London 1782, baluster form, scroll handles, engraved initials, height 9.6cm, approx. weight 5.6oz.

£150-200

1387 A pair of silver cruet sets, by C.S. Harris & Sons, London 1913, of trefoil form with gadrooned borders and pierced scroll decoration, with silver-mounted pepper and mustard pots and associated mustard and salt spoons, the stands on three claw and ball feet, one salt with a liner, length 14.8cm, total approx. weighable 20.8oz. (2)

£200-300

1389 A George III silver swing-handled sugar basket, by Aldrige & Green, London 1770, circular form with a pierced rural scene, engraved crest to the cartouche, rope-work swing handle and foot rim, on a circular foot, with a blue glass liner, diameter 10.6cm, approx. weight 3.8oz.

£150-200

1390 A pair of silver salts cellars, by Pairpoint Brothers, London 1913, raised octagonal form, the stem with a central reeded girdle, the capital with two scroll arms, on stepped octagonal bases, height 9.5cm, total approx. weight 19.2oz. (2)

£250-300

1391 A set of four George III silver salt cellars, by William Abdy, London 1804, oval form with scroll handles, beaded borders and embossed foliate decoration on oval feet, length 14cm, plus a matched set of four silver salt cellars by Nathan & Hayes, Chester 1897 and 1899, total approx. weight 20.4oz. (8)

£300-400

1392 A modern silver jug, by RAL, Sheffield 1988, plain circular bellied form, scroll handle, pierced sieve to the spout, height 15.2cm, approx. weight 25.1oz.

£450-500

1394 A silver toast rack, by Goldsmiths & Silversmiths Co., London 1911, rounded rectangular form, wire-work frame with a central ring handle, on four ball feet, length 16cm, approx. weight 9.6oz.

£150-200

1393 A pair of George IV silver sauceboats, by Emes & Barnard, London 1824, oval from with gadrooned border, on three shell-capped hoof feet, length 17.8cm, total approx. weight 20.5oz. (2) £300-400

1395 A George IV silver toast rack, by Emes & Barnard, London 1823, rounded rectangular form, rounded reeded wire-work frame, engraved with crests to the carrying ring handle, on four foliate and shell bracket feet, length 16.4cm, approx. weight 10.6oz. £200-300

1396 A George III Irish silver cream jug, maker’s mark worn I.?, Dublin 1806, oblong bellied form with engraved decoration, on four paw feet, plus a modern silver cream jug by Carrington & Co., London 1957, and another modern silver cream jug by Courtman Silver Ltd, London 1971, height 15.9cm, total approx. weight 14.3oz. (3)

£300-400

1397 A George III silver wine coaster, by Thomas Daniell, London 1783, circular form with a beaded edge, pierced border with engraved garlands and initials, on a turned wooden base, diameter 12.8cm.

£200-300

1398 A small collection of silver pepperettes, comprising: a pair by Samuel Welder, London 1732, one by Ralph Maidman, London 1731 and one by Carrington & Co., London 1959, total approx. weight 12oz. (4)

£300-400

1400 A pair of Edwardian silver bonbon dishes, by James Dixon and Sons, Sheffield 1905 and 1907, circular form, pierced foliate scroll and trellis decoration on three feet, with green glass liners, diameter 10.4cm, approx. weight 5.8oz. (2)

£80-120

1402 A Victorian silver swing-handled sugar basket, by Henry Holland, London 1869, oval form with engraved foliate and garland decoration, beaded borders and swing-handle, oval base, length 15.9cm, approx. weight 6.9oz.

1399 A George III silver cup, by Solomon Hougham, London 1810, barrel form with reeded bands of decoration, with a later inscription, height 8.7cm, plus another George III silver mug possibly by William Stroud, London 1791, and a Victorian christening mug by George Richards, London 1849, total approx. weight 16.2oz. (3)

£300-500

1401 A matched set of four silver salt cellars, three by S. C. Younge and Co, Sheffield 1811/12, and one by J T Younge, Walker & Co., Sheffield 1810, circular form, with garlands of flowers, rope-work borders, on three lion mask hoof feet, gilded bowls, engraved with a crest, approx. weight 21.5oz. (4)

£500-700

Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

1403 A modern silver cream jug and sugar bowl, by Garrard and Co. Ltd., London 1959, circular bellied form, central girdle, scroll handles, approx. weight 21oz. (2)

£300-400

£150-200

1404 A George III silver mustard pot, possibly by Robert & Samuel Hennell, London 1809, rectangular form with part-fluted decoration, hinged cover with a fluted knop finial, on four ball feet, length 10.6cm, approx. weight 5.2oz.

£100-150

1406 A pair of modern silver wine coasters, by John Henry Odell, London 1975, plain circular form on turned wooden bases, diameter 13.5cm. (2)

£100-150

1408 A pair of Queen Anne silver trencher salt cellars, by John Smith, London 1702, tapering oval form, with engraved foliate decoration, length 8.9cm, total approx. weight 5.7oz. (2)

£150-200

1405 A George III silver wine funnel, by John Emes, London 1807, circular form, gadroon border, the side clip with a crest, length 13.3cm, approx. weight 4.2oz.

£150-200

1407 A Victorian silver swing-handled sugar basket, by Richards & Brown, London circa 1863, circular form with pierced scroll decoration, pierced swing-handle with beaded decoration, on a raised circular foot, with a blue glass liner, diameter 12.4cm, approx. weight 7oz.

£150-200

1409 A George III silver swing-handled sugar basket, by Solomon Hougham, London 1793, tapering rectangular form with fluted canted corners, engraved foliate border and an engraved crest and initials to the cartouche, reeded border and swing-handle, on a raised rectangular shaped foot, length 14.5cm, approx. weight 6.9oz.

£100-150

1411 A modern silver three-piece coffee set, by Blackmore & Fletcher Ltd, London 1938 and 1939, comprising: a coffee pot, sugar bowl and cream jug, plain baluster form, scroll handles, height 21cm, total approx. weight 20.7oz. (3)

£250-300

1410 A matched three-piece silver tea set, by William Hutton and Sons, London 1908 and Henry Wilkinson, Birmingham 1913, oval and oblong form, part-fluted decoration, approx. weight 22.5oz. (3)

1412 A silver teapot and matching sugar bowl, two makers, Birmingham 1905 and 1919, oval fluted form, the teapot lid (a.f), approx weight 23.2oz. (2)

£300-400

£300-400

1413 A three-piece silver bachelor tea set, by Hobson, James & Gilby, Birmingham 1924, plain circular bellied form, comprising: a teapot, sugar bowl and cream jug, length handle to spout 20.6cm, total approx. weight 15.2oz. (3)

£200-300

1414 A modern silver café au lait set, maker’s mark C.E, London 1938, plain baluster form, hinged covers with acorn finials, height 22.6cm, total approx. weight 42.7oz. (2)

£500-700

1415 A silver coffee pot, by Asprey & Co Ltd, London 1937, tapering circular form with a leaf border, height 19.7cm, plus a silver hot milk pot by Barker Brothers Silver Ltd, Birmingham 1935, total approx. weight 25.8oz.

1416 A silver teapot, by Thomas Leversley, Sheffield 1911, oblong bellied form, plus a late-Victorian silver teapot, by Nathan and Hayes, Chester 1896, foliate scroll decoration, approx. total weight 21oz. (2) £250-300

£250-300

1417 An Edwardian silver hot milk pot, by James Parkes, London 1906, plain baluster form, hinged cover with a knop finial (a.f), on three pad feet, height 17.4cm, plus a silver hot water pot by Carrington & Co., London 1913, total approx. weight 24.5oz. (2) £300-500

1418 A George III silver hot water pot, probably by William Holmes, London 1769, baluster form, leather-clad scroll handle, gadroon borders, the hinged cover with a flame finial, height 28cm, approx. weight 24.5oz.

£300-400

1420 A George III silver coffee biggin, by Michael Starkey, London 1812, circular form, scroll handle, the hinged cover with a knop finial, on a circular foot, engraved with an armorial shield within foliate mantling, height 20.5cm, approx. weight 20oz. £300-400

1419 An Edwardian silver hot water pot, by Henry and Arthur Vander, London 1907, tapering circular form, wooden scroll handle, hinged cover with an urn finial, height 20cm, approx. weight 19.4oz. £200-300

1421 A George III silver lidded jug, John Wakelin & Robert Garrard, London 1798, circular bulbous form, scroll handle, flush hinged cover with a fluted wooden finial, height 18.5cm, approx. weight 30oz. £600-800

λ 1422 A George III silver teapot, by Thomas Hayter, London 1806, hexagonal form with fluted decoration, the hinged cover engraved with a crest, scroll handle with ivory insulators, length handle to spout 26.4cm, approx. weight 21.8oz.

£200-300

Ivory registration number: VGXEX86M.

λ 1424 A George IV silver teapot, by George Burrows, London 1824, circular form with part-fluted and foliate decoration, engraved with a crest, scroll-handle with ivory insulators, length handle to spout 27.4cm, approx. weight 21oz.

Ivory registration number: AD3Z2VG1.

£300-400

1423 A George III silver teapot, by Samuel Wood, London 1780, circular fluted form, the hinged cover with an engraved crest, length handle to spout 21cm, approx. weight 8.6oz.

£400-600

λ 1425 A William IV silver teapot, by Charles Gordon, London 1830, compressed circular form, the scroll handle with ivory insulators, the hinged cover with a recumbent greyhound, length 25.7cm, approx. weight 19.8oz.

Ivory registration number: 66LW2J5E.

£250-300

1426 A silver teapot, by Edward Barnard & Sons Ltd, London 1925, circular bellied form with a gadrooned border, length handle to spout 26.2cm, approx. weight 17.6oz.

£200-300

1427 A silver teapot, by Mappin & Webb, London 1934, circular bullet form, flushed hinged cover with a wooden knop finial, on a circular foot, length handle to spout 22.6cm, approx. weight 13.5oz.

£200-300

λ 1428 A Victorian silver teapot, by The Barnards, London 1865, tapering circular form, engine-turned decoration, scroll handle with ivory insulators, initialled, length 22.3cm, approx. weight 24oz. £300-400 Ivory registration number: RBZQ7MUM.

1429 An Edwardian silver three-piece tea service by Nathan & Hayes, Chester 1908, baluster form with moulded borders, length handle to spout 23cm, total approx. weight 19.4oz. (3) £250-300

λ 1430 A Victorian silver teapot, by A B Savory & Sons, London 1858, circular bellied form with embossed foliate decoration, scroll handle with ivory insulators, engraved initials and inscribed ‘A Wedding Present from Prof. Sedgwick March 1859’, length handle to spout 23.4cm, approx. weight 19.6oz.

Ivory registration number: 87CMYTJN.

£300-400

λ 1432 A Victorian silver coffee pot, by John James Keith, London 1837, lobed baluster form, the hinged cover with a floral finial, ivory insulators to the scroll handle, on four shell and scroll bracket feet, height 22.2cm, approx. weight 26.3oz.

Ivory registration number: X9P3JY4P.

£500-700

1431 A modern three-piece silver coffee set, by Harman and Lambert, London 1962, baluster form, gadroon borders, composition scroll handle, on circular bases, height of coffee pot 26.8cm, approx. weight 36.5oz. (3)

£500-700

1433 An Edwardian silver coffee pot, by Roberts & Belk Ltd, Sheffield 1908, urn form with part-fluted decoration, hinged cover with a wooden knop finial, on an oval foot, inscribed, height 24.5cm, approx. weight 17.1oz.

£200-300

1434 A matched modern silver café au lait set, by John Henry Odell, London 1972 and 1975, tapering circular form, engraved with a crowned crest and motto, scroll wooden handles, height 22.4cm, total approx. weight 31.6oz. (2)

The crest is that of Hervey (Marquess of Bristol).

£500-700

λ 1436 A small Victorian silver kettle on stand, by William Cumming, London 1844, inverted pear form, engraved foliate scroll decoration, with two crests, the scroll hinged handle with an ivory section, the stand on three legs and webbed feet, height 24cm, approx. weight 22oz.

Ivory registration number: 67S4NJV9.

£500-700

1435 A George II silver coffee pot, no apparent maker’s mark, London 1739, tapering fluted and lobed form, scroll handle, the hinged cover with a fluted finial, shell capped spout, height 21.5cm, approx. weight 22.9oz.

£600-800

Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

1437 A George II silver coffee pot, by Thomas Mason, London 1734, plain tapering form, faceted spout, scroll handle, the hinged cover with a knop finial, engraved with a crest, height 22.5cm, approx. weight 27.5oz.

£700-900

Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

1438 A silver two-handled presentation cup, by Ollivant & Botsford, London 1912, circular form with two scroll handles, inscribed ‘Presented by C.F.Worrall 1912’, height 16cm, approx. weight 18oz.

£200-300

1439 An Edwardian silver caster, by Daniel & John Wellby, London 1907, urn form with fluted decoration, pierced pull-off cover with a knop finial, on a square foot, plus a modern silver waiter by Viner’s Ltd, Sheffield 1961, diameter 20.7cm, total approx. weight 20.9oz. (2)

£250-300

1440 A George III silver salver, by Robert Jones & John Scofield, London 1776, circular form, beaded border, the centre with later foliate decoration, on three claw and ball feet, diameter 28cm, approx. weight 22oz.

£300-400

1441 A late-Victorian silver waiter, by H. Atkins, Sheffield 1893, circular form, engraved foliate decoration, beaded border, diameter 22.5cm, plus a small silver rose bowl, by Thomas Levesley, Sheffield 1907, embossed decoration, approx. total weight 22.3oz. (2)

£300-400

1442 A pair of Edwardian silver candlesticks, by Martin, Hall & Co, Sheffield 1904, plain octagonal stems, beaded borders, on raised loaded square bases, height 23.4cm. (2)

£300-400

1443 A silver chalice, by Hayes & Finch Ltd, Birmingham 1913, plain tapering form, knopped stem foliate decoration on a matted background, on a raised hexafoil base set with a red cabochon and engraved decoration, height 20.5cm, approx. weight 12.6oz.

£300-400

1445 A George III silver salver, by Crouch & Hannam, London 1796, circular form with a reeded border, a later engraved armorial, on four bracket feet, diameter 36cm, approx. weight 38.8oz. £500-700

£200-300

1444 A pair of Edwardian silver-mounted glass decanters, by William Hutton and Sons, Birmingham 1902, hourglass form, the mounts with lobed decoration, engraved with a crest and with four lips, plain stoppers, heights 30cm and 30.5cm. (2)

1446 An Edwardian silver-mounted decanter, by Hukin & Heath Ltd, Birmingham 1909, rectangular form with a cut glass stopper, the mount and stopper with lockable loops, height 25.8cm.

£200-300

1448 A George III silver salver, by Richard Rugg, London 1762, circular form with a foliate panelled border, engraved crest and motto, on three scroll foliate feet, diameter 31.5cm, approx. weight 34oz.

£500-700

1447 A modern silver-mounted glass claret jug, by J A Campbell, London 1986, tapering vase form, the mounts with a hinged cover with a pierced thumb-piece, scroll handle, and beaded borders, height 27.5cm. £150-200

1449 A pair of modern silver candlesticks, by D J Silver Repairs, London 1974, fluted Corinthian columns with beaded borders, on loaded stepped square bases, height 30.3cm. (2) £300-400

1450 A George III silver swing-handled basket by Charles Aldridge, London 1788, oval form, pierced and engraved decoration, beaded swing-handle and borders, on a pierced oval foot, engraved with an armorial, length 33.5cm, approx. weight 22.4oz.

£600-800 The arms are those of Wright with Ameridith, Blaney, Bowen, Fitzgerald, Morrice, Thomas, Beddoes, Cadogan and Lloyd in pretence.

1451 A pair of George III silver wine coasters, by George Ashforth, Ellis, Hawksworth and Best, Sheffield 1805, circular form, rope-work borders, turned wooden bases set with crested buttons, diameter 14.2cm. (2)

£400-600

1452 A three-piece silver tea set, by Walter H Willson Ltd, London 1937, circular form with a reeded girdle, scroll handles, length handle to spout 24cm, total approx. weight 32.7oz. (3) £300-400

1453 A late-Victorian silver dish, by Harrison Brothers & Howson, Sheffield 1900, oval form with pierced and embossed scroll foliate decoration, length 32.5cm, plus a silver salver by Robert Pringle & Sons, London 1939, total approx. weight 32.1oz. (2)

£400-600

1453 (2)

1454 A pair of George III silver wine coasters, by William Abdy, London 1779, circular form with pierced foliate and slat decoration, a beaded border, engraved with crests, on wooden bases and clear glass liners, diameter 12cm. (2)

£500-700

1455 A pair of silver sauceboats, by A J Zimmerman Ltd, Birmingham 1925, oval form with gadrooned edges, on three leaf-capped hoof feet, length 17.5cm, total approx. weight 11.8oz. (2)

£150-200

1456 A Victorian presentation silver salver, by Stephen Smith, London 1879, circular form, engraved decoration, with a worn inscription, beaded border, on three scroll bracket feet, diameter 40.8cm, approx. weight 65oz.

£800-1,200

1457 A pair of Edwardian silver strawberry dishes by Theodore Rossi, London 1907, circular fluted form with a wavy-edge border, diameter 20.9cm, total approx. weight 26.6oz. (2)

£300-500

1458 A pair of Victorian silver wine coasters, by Robinson, Edkins & Aston, Birmingham 1839, circular form with pierced scroll decoration and a moulded border with flower motifs, on turned wooden bases, diameter 16.5cm. (2)

£300-400

1459 A pair of Victorian silver sauceboats, by Susanah Brasted, London 1890, oval form, leaf capped scroll handles, wavy-edge borders, on three fluted hoof feet, engraved with armorial shields, length 20.5cm, approx. weight 29oz. (2)

£500-700

The armorial is that of Wickham or Wyckham.

1461 A George III silver pedestal bowl, by Peter Podio, London 1803, circular form with fluted decoration and gadroonded borders, on a circular foot, diameter 28cm, approx. weight 27.6oz.

£600-800

£400-600

1460 A matched set of eight modern silver nut dishes, by Richard Comyns, London 1961, 1973 and 1974, plain circular form engraved with crowned crests, diameter 11.6cm, plus two modern silver dishes by Asprey & Co Ltd, London 1959, total approx. weight 31.9oz. (10)

1462 A George IV silver inkstand, by Joseph Angell, London 1825, shaped rectangular form with a gadrooned shell and foliate border, with two moulded pen trays and three silver-mounted glass inkwells, on four scroll foliate bracket feet, length 24cm, approx. 21.1oz. £400-600

1463 A Victorian silver butter dish, by Henry Wilkinson and Co., Sheffield 1864, circular form, staved decoration, frosted simulated tub glass body, the cover with a standing cow finial, engraved with a crest, diameter of base 18.3cm, approx. weight 10.5oz.

£400-600

1464 A silver salver, by Wilson & Gill, London 1913, shaped circular form with a gadrooned border, on four claw and ball feet, diameter 25.2cm, approx. weight 19.6oz.

£250-300

1465 An Edwardian silver two-handled trophy cup, maker’s mark possibly CS, London 1901, circular form, swirl fluted decoration, scroll handles, on a circular foot, on an ebonised plinth, total height 28.4cm, approx. weight 15.6oz.

£200-300

1466 A George III silver teapot and an associated stand, by Robrt Sharp, London 1797, the stand by Peter and Ann Bateman, London 1799, plain oval form, wooden scroll handle, reeded borders, initialled, the stand of oval form on four bracket feet, in a fitted wooden box, length handle to spout 26.2cm, approx. weight 23.3oz. (2) £400-600

1467 A silver two dragon handled bowl, by Charles Edwards, London 1911, circular form with part-fluted decoration, the handles modelled as dragons, on four shell capped claw and ball feet, length 33cm, plus a matched set of four smaller similar bowls by Munsey & Co, London 1911, total approx. weight 61.5oz. (5) £1,000-1,500

1468 A pair of silver saucepans and covers, by Sydney Harman, London 1913, circular form with spot-hammered decoration, with plain cylindrical tapering handles, length 32.5cm, total approx. weight 54.8oz. (2) £700-900

1466

1468

1467

DAY TWO THURSDAY 1ST MAY 2025, AT 10AM

A PRIVATE COLLECTION OF SILVER NUTMEG GRATERS (PART II)

1469 A 19th century French silver nutmeg grater, Paris circa 1840, cylindrical form with embossed cherub and ribboned foliate decoration, the pull-out grater cover with a ring attachment, height 8.3cm, approx. weight 1.9oz. £200-300

Provenance: A Private Collection.

1470 A George III silver nutmeg grater, by Joseph Willmore, Birmingham 1805, oval form, engraved borders, pull-off cover and base, the interior with a steel grater, plus an unmarked oval nutmeg grater, the hinged cover inscribed ‘From Louisa to Clara’, hinged base, the interior with a steel grater, approx. total weight 1.2oz. (2)

Provenance: A Private Collection.

£150-200

1471 A mid-19th century silver-plated nutmeg grater, unmarked, oval form with engine-turned decoration, the cover engraved with a cartouche with ‘B’, hinged base and a steel grater to the interior, length 5.9cm, plus an unmarked oval locket with a grater to the interior. (2)

Provenance: A Private Collection.

£150-200

1472 A late-17th century silver nutmeg grater, unmarked, circa 1690, tear-drop form, hinged cover and base, the interior with a grater, length 3.9cm, approx. weight 1oz. £400-600

Provenance: A Private Collection.

1473 A 19th century Dutch silver nutmeg grater, probably by Martinus Van Leeuwen, Amsterdam 1854, egg form with fluted decoration, an engraved flower to the underside of the base, gilded interior and a pull-out steel grater, length 5.4cm, approx. weight 1.1oz.

Provenance: A Private Collection.

£200-300

1474 A George III Scottish silver nutmeg grater, by Jonathan Millidge, Edinburgh circa 1815, cylindrical form, the hinged cover engraved with a crest and motto, hinged side with a steel grater to the interior, length 8cm, approx. weight 1.6oz. £300-400

Provenance: A Private Collection. The crest is that of Mackay.

1475 A 19th century Dutch silver nutmeg grater, maker’s mark worn, rounded rectangular form with engraved scroll decoration, hinged cover and base with a steel grater to the interior, length 5.1cm, approx. weight 1.1oz. £200-300

Provenance: A Private Collection.

1476 A George III silver nutmeg grater, apparently unmarked, circa 1760, acorn form, screw-off base and cover with a knop finial, the interior with a steel grater, length 4.5cm, approx. weight 0.4oz. £200-300

Provenance: A Private Collection.

1477 A 19th century nutmeg grater, unmarked, plain rectangular form with canted corners, hinged cover and base with a grater to the interior, length 5.2cm. £200-300

Provenance: A Private Collection.

1478 A George III silver nutmeg grater, by Samuel Meriton, London 1817, egg form, screw-off cover with an engraved crest, the interior with a pull-out steel grater, length 4.6cm, approx. weight 0.5oz. £200-300

Provenance: A Private Collection.

1479 A George III silver nutmeg grater, maker’s mark of Joseph Taylor, circa 1815, cylindrical form with reeded borders, screw-off cover and base, the interior with a steel grater 3.7cm, plus a similar George III silver nutmeg grater, no apparent marks, total approx. weight 0.6oz. (2) £200-300

Provenance: A Private Collection.

1480 A Victorian silver nutmeg grater, by Alfred Taylor, Birmingham 1856, rounded rectangular form, the hinged cover initialled, hinged base, the interior with a steel grater, length 5.8cm, approx. weight 1.2oz. £150-200

Provenance: A Private Collection.

1481 A George III silver nutmeg grater, by Joseph Taylor, Birmingham circa 1800, barrel form with band decoration, screw-off cover and to the interior a pull-off steel grater, height 2.8cm, approx. weight 0.5oz. £200-300

Provenance: A Private Collection.

1482 A late-17th century silver nutmeg grater, maker’s mark I.A, circa 1690-1700, tear-drop form, the cover engraved with a simple tulip, engraved border, hinged cover and base with a grater to the interior, length 4.4cm, approx. weight 1oz. £400-600

Provenance: A Private Collection.

1483 A George III silver nutmeg grater, unmarked circa 1800, cylindrical form, engraved decoration, vacant shield cartouche, pull-off cover and pull-out steel grater, length 7.9cm, approx. weight 1.4oz. £150-200

Provenance: A Private Collection.

1484 A George III silver nutmeg grater, by Joseph Willmore, Birmingham 1811, rounded rectangular form with engraved decoration, the interior with a hinged steel grater, length 3.6cm, approx. weight 0.5oz.

Provenance: A Private Collection.

£200-300

1485 An 18th century silver nutmeg grater, marks worn, circa 1770, urn form with embossed scroll foliate decoration, screw-off pierced cover with a pull-out grater to the interior, height 4.6cm, approx. weight 0.5oz. £200-300

Provenance: A Private Collection.

1486 A William IV silver nutmeg grater, by Reily & Storer, London 1832, rectangular form with engine-turned decoration, the cover with engraved crowned initials, hinged base, the interior with a steel grater, length 6.6cm, approx. weight 2.8oz.

Provenance: A Private Collection.

£300-500

1487 A 19th century continental silver nutmeg grater, semi-circular form, the hinged cover and side engraved with scroll foliate decoration, with a steel grater to the interior, length 6.8cm, approx. weight 2.1oz.

Provenance: A Private Collection.

£300-400

1488 A late-17th century silver nutmeg grater, maker’s mark worn ?D, circa 1690, cylindrical form with scratched decoration, the base with scratched initials ‘AC’, the pull-out grater is stamped with S with a quatrefoil below, length 6cm, approx. weight 0.6oz.

Provenance: A Private Collection.

£300-500

1489 A George III silver nutmeg grater, unmarked, circa 1800, vase form, hinged front, the hinged cover with a reeded border and ball finial, with a steel grater, height 7.3cm, approx. weight 1oz.

Provenance: A Private Collection.

£150-200

1490 A George III silver nutmeg grater, by James Phipps, London circa 1790, cylindrical form, hinged cover (a.f) and side with a steel grater to the interior, length 7cm, approx. weight 1.5oz. £150-200

Provenance: A Private Collection.

1491 A novelty nutmeg grater, unmarked, modelled as a walnut with textured decoration, the interior with a pull-out grater, length 3.5cm. £300-400

Provenance: A Private Collection.

1492 A George III silver nutmeg grater, by John Reily, London circa 1810, acorn form, the screw-off cover with a Greek key border and ring handle finial, the interior with a pull-out grater, length 5cm, approx. weight 0.7oz. £200-300

Provenance: A Private Collection.

1493 A George III silver nutmeg grater, maker’s mark worn ?.B, London 1782, cylindrical form with an engraved decorative border, pull-off base and pull-out steel grater, length 9.1cm, approx. weight 1.8oz. £300-400

Provenance: A Private Collection.

1499 A George III silver nutmeg grater, by Samuel Meriton, London circa 1780, barrel form, with bands of fluted decoration, the base and cover engraved with initials, pull-out steel grater to the interior, height 3.5cm, approx. weight 0.5oz. £150-200

Provenance: A Private Collection.

1500 A George III silver nutmeg grater, unmarked circa 1780-1800, cylindrical form, engraved decoration, the ends initialled ‘C.R’, pull-off cover and pullout steel grater, length 5.2cm, approx. weight 0.9oz. £100-150

Provenance: A Private Collection.

1501 A George III silver nutmeg grater, by Hester Bateman, London 1788, oval for, the cover engraved with a decorative border and acres, hinged base with a steel grater to the interior, length 4.7cm, approx. weight 1oz. £300-500

Provenance: A Private Collection.

1502 An early-19th century silver nutmeg grater, unmarked, cylindrical form with reeded bands, the base and pull-off cover set with shillings, to the interior a grater set with sixpences to the pull-off cover and base, height 2.3cm, approx. weight 0.7oz. £200-300

Provenance: A Private Collection.

1503 A late-17th century silver nutmeg grater, unmarked, circa 1690, tear-drop form, hinge base and cover, to the interior a steel grater, length 3.3cm, approx. weight 0.7oz.

Provenance: A Private Collection.

£200-300

1504 An early-18th century silver nutmeg grater, by David Fox, London circa 1730, cylindrical form, the pull-off cover inscribed ‘Aemez Vous la Muscade’ with an image of a nutmeg, with a pull-out steel grater, length 6.4cm, approx. weight 1.2oz.

Provenance: A Private Collection.

£300-400

1505 A mid-19th century French silver nutmeg grater, maker’s mark worn, urn form with worn engine-turned decoration, plain screw-off cover, to the interior a pull-out steel grater, diameter 4.4cm, approx. weight 1.7oz.

£150-200

Provenance: A Private Collection.

1506 A Victorian silver kitchen nutmeg grater, by Rawlings & Summers, London 1842, semi-circular form, reeded borders, flushhinged base, engraved crest to the back, length 14.5cm.

Provenance: A Private Collection.

£500-800

1503

1504

1505

1511 An 18th century and later silvergilt desk seal, unmarked, the terminal modelled as a seated monkey with a fruit basket, sitting on two mythical beast heads, tapering stem with foliate decoration, with a later carved armorial matrix seal, height 9.2cm

£800-1,200

The armorial is that of Curzon-Howe family.

1512 An early-19th century continental three-coloured gold novelty vinaigrette, unmarked, book form, the cover with an applied vase with flowers, the back with similar decoration, with a ring attachment, to the interior a geometric pierced grille, length 3.7cm, approx. weight 22.5g.

£500-700

1513 An early-19th century continental gold and enamel vinaigrette, unmarked, probably Swiss, rounded rectangular form with scroll borders, the hinged cover with a painted enamel scene of a lake and city scape, probably Lausanne, the interior with a pierced foliate grille, length 3.7cm, approx. weight 18.9g.

£800-1,200

1514 A George IV silver vinaigrette, by Ledsam and Vale, Birmingham 1822, rectangular form, the hinged cover and base with a central flower on a matted background, foliate border, the interior with a pierced and engraved foliate grille, with a ring attachment, length 3cm, approx. weight 0.4oz.

£150-200

1515 A George III 18ct gold vinaigrette, maker’s mark P.D, probably by Phineas Daniell, (of Bristol), London 1799, circular form with engine-turned decoration, to the interior a pireced grille and inscribed under the cover ‘Je souhaite que la sante et la rejoui france me rendent aupries de vous une Vraie bagatelle’, diameter 2.9cm, approx. weight 17.9g.

£800-1,200

1522 A mixed lot of silver items, comprising: a swing-handled sugar bowl, by J. Rodgers, Sheffield 1904, a silver-mounted inkwell, a table cigar lighter modelled as an antique oil lamp, Birmingham 1909, and a modern wine taster, London 1970, approx. weight 9.5oz. (4) £150-200

Provenance: The Richard Stagg Collection.

1523 A mixed lot of silver items, comprising: a waiter, Birmingham 1964, shaped circular form, a three-piece condiment set, two spoons, plus two Indian pepper pots, one modelled as a castle turret, chased foliate scroll decoration on a matted background, approx. total weight 12oz. (8) £200-300

Provenance: The Richard Stagg Collection.

1524 A mixed lot of silver items, various dates and makers, comprising: a circular box, London 2000, an 18th century salt cellar, three napkin rings, an electroplated salt cellar and a pair of novelty horse and fence knife rests, approx. weighable 4oz. (qty) £100-150

Provenance: The Richard Stagg Collection.

1525 A George III silver cream jug, by The Batemans, over-struck with maker’s mark of George Gray, London 1792, helmet form, bright-cut decoration, scroll handle, beaded border, on a raised square foot, height 14.5cm, approx. weight 3.5oz. £100-150

Provenance: The Richard Stagg Collection.

1526 A George II provincial silver sweet meat basket, by Samuel Thompson II, Newcastle circa 1755, oval form, pierced intertwined simulated wicker body, rope-work handle, length 10.5cm, approx. weight 2.5oz. £150-200

Provenance: The Richard Stagg Collection.

1527 By A.E. Jones, an Arts and Crafts silver cream jug, Birmingham 1923, circular form, spot-hammered decoration, foliate border, height 8.3cm, plus two further silver cream jugs, Sheffield 1951 and Chester 1928, approx. total weight 7.9oz. (3) £150-200

Provenance: The Richard Stagg Collection.

1528 By A.E.Jones, and Arts and Crafts silver preserve pot and spoon, Birmingham 1926, the spoon 1925, cylindrical form, spot-hammered decoration, applied with rope-work and Tudor rose motifs, clear glass liner, height 12cm, approx. weight 5oz. (2)

Provenance: The Richard Stagg Collection.

£300-400

1530 A Queen Anne silver two-handled porringer, by Robert Peake, London 1707, circualr form, part-fluted decoration below a rope-work girdle, scroll mounted cartouche, engraved with a crest, height 10.3cm, approx. weight 8.3oz.

Provenance: The Richard Stagg Collection.

£250-300

1529 A George II silver two-handled porringer, by J. Payne, London 1754, circular form, part-fluted decoration below a rope-work girdle, scroll handles, engraved with an armorial, height 10.5cm, approx. weight 8oz.

Provenance: The Richard Stagg Collection.

£200-300

1531 A George II provincial silver waiter, by Isaac Cookson (maker’s mark twice), Newcastle 1740, circular form, moulded border, on three hoof feet, diameter 15.3cm, approx. weight 5oz.

Provenance: The Richard Stagg Collection.

£200-300

1532 A George III provincial silver cream jug, by Dorothy Langlands, Newcastle circa 1805, oblong bellied form, reeded girdle, scroll handle, plus a George II provincial silver salt cellar, by Robert Makepeace I, Newcastle 1749, plain cauldron form, scratch initials, approx. total weight 5.2oz. (2)

Provenance: The Richard Stagg Collection.

1533 A George IV provincial silver mug, by Reid and Son, Newcastle 1828, tapering circular form, reeded bands, scroll handle, initialled, height 9cm, plus a George III silver caster, by John Delmester, London 1758, baluster form, with a crest, approx. total weight 9.2oz. (2)

£150-200

1534 A George III provincial silver swing-handled basket, by David Crawford, Newcastle 1780, oval form, pierced and beaded border, rope-work handle with an oval cartouche, initialled, on an oval beaded foot, length 17.5cm, approx. weight 7.3oz.

Provenance: The Richard Stagg Collection.

£180-220

Provenance: The Richard Stagg Collection.

£200-300

1535 A George III provincial silver swing-handled basket, by David Crawford, Newcastle circa1780, oval form, pierced and beaded border, rope-work handle with an oval cartouche, engraved with a crest, on an oval beaded foot, length 15.5cm, approx. weight 5.4oz.

Provenance: The Richard Stagg Collection.

£180-220

1540 A William IV provincial silver mustard pot, by Barber, Cattle and North, York 1835, circular form, gadroon borders, leaf-capped scroll handle, engraved with a crest, with a blue glass liner, height 7.5cm, approx. weight 5oz.

Provenance: The Richard Stagg Collection.

£200-300

1541 A William IV provincial silver waiter, by Barber, Cattle and North, York 1834, circular form, gadroon border, the centre with Greek Key decoration, on three shell bracket feet, diameter 17.5cm, approx. weight 8.6oz.

Provenance: The Richard Stagg Collection.

£300-400

1542 A George IV provincial silver wine funnel, by James Barber and Co., York 1824, circular bellied form, shell and gadroon border, length 14.5cm, approx. weight 4.2oz.

Provenance: The Richard Stagg Collection.

£400-600

1543 A George III provincial silver cream boat, maker’s mark only, S.B, for Stephen Buckle, York circa 1745, oval form, wavy-edge border, scroll handle, the underside scratch initialled, on three hoof feet, length 13.4cm, approx. weight 3oz.

£300-500

Provenance: The Richard Stagg Collection.

END OF COLLECTION

A PRIVATE COLLECTION OF SCENT BOTTLES

1544 A late-19th century French gold-mounted scent bottle, possibly by Gustav Lespinasse, shaped rounded, rectangular baluster form, applied gold cage-work decoration of maidens and cherubs in foliate scroll decoration, the frosted glass body with a waterfall, the interior with a stopper, length 9.8cm.

£1,000-1,500

Provenance: A Private Collection of Scent Bottles.

1545 A 19th century French gold-mounted ‘gorge de pigeon’ scent bottle, maker’s mark of J.L with a heart above, fluted oval form, the hinged cover with reeded decoration, length 5cm.

Provenance: A Private Collection of Scent Bottles.

1546 A 19th century gold and banded agate scent bottle, unmarked, compressed baluster form, the plain mount with a hinged cover, length 4cm.

Provenance: A Private Collection of Scent Bottles.

£300-500

£200-300

1547 A 19th century French silver-gilt and gold-mounted glass scent bottle, unmarked, oval navette form, the silver-gilt mount with engraved decoration, the glass body encasing gold foliate scroll work, the interior with a glass stopper, length 12.7cm.

£800-1,200

Provenance: A Private Collection of Scent Bottles.

1548 An early-19th century Swiss gold and enamel vinaigrette, by Jean-Georges Remond and Co., Geneva circa 1810, rectangular form, the cover enamelled with two cherub heads and with a seed pearl border, the sides and base with dark blue and white enamel decoration, the interior with a filigree grille, length 3.2cm, approx. total weight 20g. £1,000-1,500

Provenance: A Private Collection of Scent Bottles.

1549 A 19th century French gold-mounted scent bottle, unmarked, tapering rounded oblong body, the mounts with engine-turned and foliate decoration, in a fitted case, the cover initial ‘J De F’, length 8.8cm. £200-300

Provenance: A Private Collection of Scent Bottles.

1550 An 18th century French gold-mounted scent bottle, circa 1780, compressed baluster form, the mounts with engraved foliate decoration, the foliate and wire-work stopper with a chain, in a silk case, (case a.f), length 10.3cm.

£200-300

Provenance: A Private Collection of Scent Bottles.

1551 A late-19th/early-20th century French gold-mounted glass scent bottle, circa 1900, cylindrical form, spiral fluted cylindrical form, the hinged cover with chased foliate decoration, with a glass stopper, length 7cm. £200-300

Provenance: A Private Collection of Scent Bottles.

1548 open

1552 A French silver-gilt mounted enamel scent bottle, maker’s mark of A.G in a lozenge, circa 1900, cylindrical form, decorated with flowers on a white ground, hinged cover with a stopper, length 5.5cm. £150-200

Provenance: A Private Collection of Scent Bottles.

1553 A 19th century French silver-gilt mounted scent bottle, marked with a control mark, in the Gothic manner, baluster and faceted form, with applied strap-work with engraved decoration and set with turquoise stones, hinged cover, with a stopper, height 8.4cm.

£200-300

Provenance: A Private Collection of Scent Bottles.

1554 An early-19th century gilt-metal mounted continental enamel scent bottle, upright tapering oblong form, painted with figural scenes of ladies with cupids, on a yellow ground, the stopper of circular form, enamelled with Neptune and Cupid’s face, height 9.5cm. £300-500

Provenance: A Private Collection of Scent Bottles.

1555 A 19th century French silver-gilt and enamel scent bottle, in the Limoges manner, baluster form, decorated in white enamel on a purple ground with birds and branches, hinged cover, the circular matrix base with a monogram, in a fitted blue case, initialled, A. Trighaud, Marseille, height 8.3cm.

£400-600

Provenance: A Private Collection of Scent Bottles.

1556 A Victorian silver-gilt mounted tiger’s eye scent bottle, by George Unite, Birmingham 1897, baluster form, engraved decoration, hinged cover with a stopper, height 8.3cm.

Provenance: A Private Collection of Scent Bottles.

£200-300

1557 An 18th century French gold-mounted green glass scent bottle, circa 1780, faceted compressed baluster form, the mounts with reeded borders, wire-work stopper, length 11.2cm. £150-200

Provenance: A Private Collection of Scent Bottles.

1558 A George III gilt-metal mounted scent/bonbonniere, circa 1780, baluster form, the glass body with cut decoration, screw-off cover, the base with a hinged cover, height 11.2cm. £150-200

Provenance: A Private Collection of Scent Bottles.

1559 An 18th century French gold-mounted red glass scent bottle, circa 1780, faceted compressed baluster form, the mounts with reeded borders, wire-work stopper, length 11.6cm. £150-200

Provenance: A Private Collection of Scent Bottles.

1560 An early-18th century silver-gilt scent flask, unmarked, probably French or German, baluster form, chased with female masks and foliate scroll decoration, the screw-off cover with a screwoff ring finial, on an oval foot, height 9.7cm, approx. weight 3oz.

Provenance: A Private Collection of Scent Bottles.

£800-1,200

1561 An early-18th century silver scent flask, unmarked, probably French or Flemish, baluster form, chased with classical figures in landscape settings, the screw-off cover with a screw-off compressed ring finial, on a circular foot, with traces of gilding, height 11cm, approx. weight 3oz.

£800-1,200

Provenance: A Private Collection of Scent Bottles.

1562 A late-17th/early-18th century amber glass scent bottle, attributed to Bernard Perrot at Orleans, circa 1700, flattened baluster form, pewter mount, one side decorated with three fleur-de-lis, the reverse with three flaming hearts and foliate decoration, height 9.1cm.

£300-400

Provenance: A Private Collection of Scent Bottles.

1563 An early-18th century iron and silver flask, probably French, baluster form, decorated with figures and foliate scroll decoration on an iron body, screw-off ring cover, length 10.1cm.

£300-500

Provenance: A Private Collection of Scent Bottles.

1564 An 18th century French gold-mounted amber glass scent bottle, circa 1780, faceted compressed baluster form, the mounts with reeded borders, wire-work scroll stopper, with a chain, length 11.8cm. £100-150

Provenance: A Private Collection of Scent Bottles.

1565 A late-18th century gilt metal and aventurine scent bottle, unmarked, baluster form, the mount with simple decoration and with a stopper and chain, the body with brown decoration on a blue ground, height 6.5cm. £100-150

Provenance: A Private Collection of Scent Bottles.

1566 A mid-18th century continental silver scent bottle, marked with assay scrapes, possibly German, circa 1750, compressed baluster form, screw-off cover, the body with initials, height 10.5cm, approx. weight 2oz. £200-300

Provenance: A Private Collection of Scent Bottles.

1567 An 18th century German pomander/scent flask, unmarked, octagonal baluster form, chased decoration, the screw-off cover opens to reveal a pierced cover, the raised circular base opens to reveal a compartment, height 5.3cm, approx. weight 0.8oz. £300-500

Provenance: A Private Collection of Scent Bottles.

1560

1561

1573 An early-19th century glass scent bottle, vase form with a spiral scroll base and textured edges, engraved with a thistle, the reverse inscribed ‘Sarah Burns, 1830’, with a handwritten damaged note which reads ‘A smelling bottle which belonged to a daughter of the great Scotch Bard Robert Burns’, and written ‘E .Archard’, length 9cm. £200-300

Provenance: A Private Collection of Scent Bottles.

None of Robert Burn’s twelve children was called Sarah. He did have a granddaughter called Sarah (1821-1909). However there is no concrete evidence that this scent bottle belonged to her.

Provenance: A Private Collection of Scent Bottles. open

fully open

1574 A metalware pomander, unmarked, in the 17th century manner, ball form, the three hinged segments with a sliding cover, central ball and ring finial, rope-work borders, the pierced exterior with applied fleur-de-lis motifs, length 6cm. £800-1,200

1576 Three 19th century carved nut scent flasks, including: one with pierced bird and foliate scroll decoration, (lacking liner), one carved as an urn of flowers, and one of circular form, with an urn of flowers and two birds, length of longest 8.1cm. (3) £200-300

Provenance: A Private Collection of Scent Bottles.

λ 1577 An 18th century French green shagreen scent etui case, rectangular form, canted corners, the hinged cover opens to reveal two silvermounted scent bottles, a bodkin, an ear cleaner and another implement, plus an ivory writing tablet and a mirror, case (a.f), height 7.8cm.

£200-300

Provenance: A Private Collection of Scent Bottles.

Ivory registration number: TVKPUHXZ.

1575 An 18th century French Vernis Martin necessaire a parfum, the cover with a seated lady in foliate surroundings on a brown ground, also with a cornucopia and musical instruments, the hinged cover opens to reveal four silver-mounted glass scent bottles, a funnel, a beaker and a fluted saucer, the interior fitted with a mirror, length 13.2cm.

Provenance: A Private Collection.

£800-1,200

1576

1578 A late-18th/early-19th century continental glass scent bottle, circa 1800, teardrop form, engraved with a lady and gentleman, curled scroll edges, with an unmarked stopper, length 11.3cm. £150-200

Provenance: A Private Collection of Scent Bottles.

1580 A late-19th century Dutch silver novelty mandolin scent bottle, also with a French import mark, with foliate decoration, with a stopper and chain, length 6.7cm, approx. weight 0.6oz. £200-300

Provenance: A Private Collection of Scent Bottles.

1582 A 19th century silver-gilt scent bottle, unmarked, possibly French, rectangular baluster form, pull-out stopper with a chain, on a raised rectangular fluted foot, height 5.2cm, approx. weight 1oz. £100-150

Provenance: A Private Collection of Scent Bottles.

1579 A 19th century silver-gilt and gilt metal mounted novelty violin-shaped scent bottle, unmarked, the hinged cover with foliate decoration, gilt metal strings, length 8.4cm. 100-150

Provenance: A Private Collection of Scent Bottles.

1581 A 19th century French silver-mounted and gold inlaid leather/composition scent bottle, circular form, hinged cover, the circular body inlaid with urn and foliate scroll decoration, with a gold chain, diameter 3.7cm. £100-150

Provenance: A Private Collection of Scent Bottles.

1583 A late-18th century continental silver-gilt mounted scent bottle, unmarked, shaped compressed baluster form, the mounts with a pierced border and embossed with two hearts, the reverse with the number ‘3’, the stopper (a.f), length 8cm. £100-150

Provenance: A Private Collection of Scent Bottles.

1584 A metalware scent flask, unmarked, probably Middle Eastern, baluster form, long neck, chased decoration, applied with hanging beads, the screw-off cover on a chain, height 8.5cm. £200-300

Provenance: A Private Collection of Scent Bottles.

1586 An 18th century gilt-metal and mother-of-pearl scent bottle, shaped compressed baluster form, the mother of pearl engraved with squirrels and scroll decoration, and with two pink-foiled glass discs of a pierced heart, oval foot, later cover, height 7.9cm.

Provenance: A Private Collection of Scent Bottles.

£100-150

1588 Two USSR metalware scent flasks, soviet period, post 1958, shaped baluster form, one gilded, both with a scene of a mother and child, with chains, no stoppers, heights 6.3cm and 6cm.

£100-150

1585 An early-19th century continental silver-gilt scent bottle, unmarked circa 1820, slender rectangular form, canted corners, engraved swag and foliate decoration, the screw-off cover with a chain, length 11.8cm, approx. weight 1.5oz. £100-150

Provenance: A Private Collection of Scent Bottles.

1587 A 19th century French gold-mounted glass scent bottle, maker’s mark of I.C with a bird above, circa 1870, shaped oval form, the applied mounts with engraved decoration, the hinged cover set with a stone, with a stopper, in a fitted case, initialled ‘M.P’, length 9.4cm.

£400-600

Provenance: A Private Collection of Scent Bottles.

1589 A collection of various scent bottles, comprising: a Venetian one with flowers on a black ground, a glass one with a monogram, a set of four glass ones, (one a.f), five further ones and a carved nut. (12) £150-200

Provenance: A Private Collection of Scent Bottles.

Provenance: A Private Collection of Scent Bottles.

1590 A small collection of scent bottle cases, comprising: an 18th century black shagreen case, the interior with two gilt-metal mounted glass scent bottles, (no stoppers), plus a green shagreen scent bottle case, two other cases, an Asprey box and a shagreen fan case. (6) £100-150

Provenance: A Private Collection of Scent Bottles.

1592 A Russian silver and niello work scent bottle, compressed baluster form, with scroll decoration and lettering, screw-off cover, with a chain and circular belt clip, length 5.3cm, approx. weight 0.7oz. £80-120

1594 A mixed lot of silver and metalware items, comprising: four reticulated fish, two with hinged heads, plus a silver-mounted and banded agate scent bottle, the ball stopper with a chain, an Aesthetic movement scent bottle, mounted with two bees, (no stopper), various others, and base metal scent bottles, plus a novelty hazelnut propelling pencil. (qty) £400-600

OTHER PROPERTIES

1591 A George III silver scent flask, by Joseph Willmore, Birmingham 1805, oval form with engine-turned decoration, length 5.7cm, plus a Portuguese silver-gilt scent flask, marks worn, in the form of a mid18th century Portuguese Reiss, with a leather bound case, total approx. weight 1.5oz. (2) £200-300

1593 An early-19th-century Scandinavian parcel-gilt silver hovenvandsaeg, unmarked circa 1810, heart form, with a crown finial, chased decoration and initials and dated ‘1810’, height 6.5cm, approx. weight 1.2oz. £80-120

1595 A set of six late-Victorian silver-mounted liqueur/tot cups, by William Comyns, Birmingham 1898, circular form, embossed with cherubs and foliate decoration, clear glass liners, in a fitted case, plus a Victorian silver-mounted red glass scent bottle, and a gilt-metal mounted double-ended blue glass scent bottle, (a.f). (3) £120-180

1596 A gilded metalware combination comb and scent flask, unmarked, probably Middle Eastern, 19th century, shaped rectangular form, the two combs joined with a central flask with two screw-out covers, engraved and gilded with a female head to one side and a male head to the reverse, length 9.5cm. £100-150

1597 A continental silver-gilt and enamelled snuff box, importer’s marks of Stockwell & Co, London 1930, rectangular form with canted corners and scroll foliate decoration, the hinged cover set with an enamel scene of a man giving a present to a woman in a rural scene, length 7.8cm, plus a French silver-gilt and enamel pill box and a continental silver and enamel box. (3) £300-400

1598 An Edwardian silver ring box, by Adie & Lovekin Ltd, Birmingham 1904, rounded rectangular form with embossed scroll foliate decoration to the cover, felt and silk-lined interior, length 8.7cm, plus continental silver and enamel compact, importer’s marks of Cohen & Charles, London 1930 and another silver compact with importer’s marks of Stockwell & Co, London 1930. (3) £150-200

1600 A set of four Victorian silver-gilt mounted glass travelling toilet jars and boxes, by John Harris, London 1854/55, rectangular and panelled circular and oval form, the covers with pierced and engraved foliate decoration, central initialled cartouche, length of largest 10.1cm. (4) £200-300

1599 Four continental silver and enamel guilloche powder and compact boxes, comprising: one with French import marks, circular form purple enamel with white borders, one with importer’s marks of Stockwell & Co, London 1928, circular form with yellow enamel, plus two others, total approx. weighable 5oz. (4) £300-500

1601 A small collection of vertu items, comprising: a pair of silver owl seals by Sampson Mordan & Co., London 1920, an unmarked egg thimble container with a gilt thimble, an unmarked rabbit, a continental silver bird and two gilt fob seals set with engraved bloodstones and other vertu items, total approx. weighable 1.4oz. (qty)

£300-400

1602 A Victorian silver tray, by Hawksworth Eyre and Co., Sheffield 1866, circular form, rope-work border, engraved decoration, diameter 25.7cm, plus a smaller silver tray, by Saunders and Shepherd, Chester 1906, initialled, diameter 21cm, approx. weight 24oz.

£300-400

λ 1604 An early-20th century travelling crocodile toilet case, retailed by The Army & Navy Store Co-Operative Society Limited, mounts by Thomas Jones Watson, London 1913, the mounts with engine-turned decoration and a central cartouche inscribed ‘Stella’, comprising: four jars, two scent bottles, two hair brushes, a hand mirror, two brushes, a shoe horn, a button hook, a comb, a glove stretcher, leather bound ink box and match box, a letter writing set, a manicure set, a crocodile gladstone bag and a tortoiseshell mounted celluloid desk calendar, total approx. weighable 6.7oz.

£300-500

1603 A silver photograph frame, by Barker Brothers Silver Ltd, Birmingham 1951, shaped rectangular form with engine-turned decoration and applied gilt eagle, height 36cm.

£150-200

1605 A Victorian silver-mounted and velvet dressing table mirror, by George Heath, London 1887, rounded rectangular form, ribbon-tied mounts with intertwined monogram, on a blue velvet backing, height 77.5cm.

£400-600

THE J. AND V.A. ROCYN-JONES COLLECTION OF WINE AND SAUCE LABELS (PART I)

1606 A collection of ten late-18th and early-19th century mother-of-pearl wine labels, unmarked, various designs including one with a running fox and one with a bird, titled ‘ Grape’, ‘Punch’, ‘Whisky’, ‘Gin’, ‘Shrub’, ‘Elder’, ‘Whiskey’, ‘Claret’, and ‘Brandy’ and ‘Madeira’. (10) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1608 Five George III silver wine labels, by Susanna Barker, London circa 1780-90, oval navette form, one with a pierced border, one engraved and three with reeded borders, one pierced ‘Hollands’, the others incised ‘Lisbon’, ‘Port’, ‘Claret’ and ‘Sherry’, approx. total weight 1.7oz. (5)

£200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1607 A collection of silver wine labels, comprising: a George IV silver label, by Thomas Freeman, Birmingham 1828, shaped rectangular form, pierced and engraved vine decoration, incised and blackened ‘Madeira’, plus one by Joseph Willmore, Birmingham 1825, incised ‘Rum’, one by Cronin and Wheeler, Birmingham 1847, incised ‘Gin’, plus a Chinese label, retailed by Wang Hing, crescent form mounted with a dragon and pierced ‘Port’. and a pierced electroplated label, ‘Claret’, approx. total weighable 1.5oz. (5) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1609 Four George III silver wine labels, by Susanna Barker, London circa 1780-90, comprising: two of escutcheon form, one pierced ‘Claret’, the other incised ‘Sherry’, one of oblong form, pierced border and pierced ‘Hollands’, and one incised ‘Port’, approx. total weight 1.5oz. (4)

£200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1610 Four George III silver wine labels, by Susanna Barker, London circa 1780-90, rectangular form, three with pierced scroll and bead borders, incised ‘Burgundy’, ‘ Sherry’ and ‘Rum’, plus a plain one incised ‘Sherry’, approx. total weight 1.3oz. (4) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1611 Four George III silver wine labels, by Susanna Barker, London circa 1780-92, rectangular form, one with a pierced border, incised ‘Sherry’, plus three others, all with a crest and incised ‘Claret’ (x2) and ‘Madeira’, approx. total weight 1oz. (4)

£200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1612 A William IV silver armorial wine label, by William Knight, London 1835, rectangular form, pierced and engraved with swags and scrolls, and with a dove with ears of corn in its beak, pierced ‘Port’, length 4.8cm, approx. weight 0.3oz.

£250-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1614 A George III silver wine label, by Susanna Barker, London circa 1790, rectangular form, reeded borders, pierced ‘Santa’, length 4.9cm, approx. weight 0.4oz.

£150-200

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1616 A William IV silver ‘Lady Bountiful’ wine label, by Charles Rawlings, London possibly 1833, with a vine and grape border, and with a leopard’s head, pierced ‘Claret’, length 7cm, approx. weight 1.1oz.

£200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1613 A George IV provincial silver armorial wine label, the Corporation of Newcastle, by Thomas Watson, Newcastle 1827, escutcheon form, mounted with a lion issuing from a castle, incised ‘Sauterne’, the reverse inscribed ‘1827’ length 5.8cm, approx. weight 0.9oz

£300-400

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1615 A George III silver wine label, maker’s mark twice, JT script, circa 1790, oval navette form, bright-cut borders and pieced raised pediment with a Bacchanalian cherub astride a barrel, incised ‘Claret’, length 5.4cm, approx. weight 0.2oz.

£300-500

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1617 A George III provincial silver armorial wine label, by Ann Robertson, Newcastle circa 1800, crescent form, mounted with the crest of an engraved swan, incised ‘Brandy’, length 4.3cm, approx. weight 0.2oz. £150-200

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1618 A small collection of three antique silver wine labels, comprising: an early-Victorian vine leaf label, by Benjamin Smith, London 1838, pierced ‘Port’, plus a part-marked label, with two reclining cherubs, and vine leaves, pierced ‘Claret’, plus one by Emes and Barnard, London circa 1825, of pierced trailing vine leaf form, pierced ‘Madeira’, approx. total weight 2.4oz. (3) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1619 A pair of George III silver wine labels, by Susanna Barker, London circa 1790, banner form, bright-cut borders, raised pierced oval pediment with foliate decoration and engraved with a crest, pierced ‘Hock and ‘Claret’, plus another George III silver wine label by the same maker, similar form, incised ‘White Wine’, engraved with a crest, approx. total weight 1oz. (3) £250-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1620 A small collection of three George II/III silver wine labels, comprising: one by Thomas and James Phipps, London 1817, shaped form, with Bacchus and a cherub and trailing grapevines, pierced ‘Sherry’, plus one by Thomas, Edward Robinson and James Phipps, London 1813, incised ‘Sauterne’, and one with maker’s mark only, that of John Harvey, London circa 1750, incised ‘Madeira’, approx. total weight 2.7oz. (3)

£200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1621 A pair of George III silver wine labels, by Susanna Barker, London circa 1790, rectangular form, canted corners, bright-cut decoration, incised and blackened ‘Champagne No.1’ and ‘Claret No.2’, plus another George III silver wine label of goblet form, bright-cut borders, incised ‘Champaign’, approx. total weight 0.9oz. (3)

£200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1622 Three George III silver wine labels, by Susanna Barker, London circa 1780-90, crescent form, pierced zig-zag borders, engraved decoration incised ‘Sherry’, plus one of oblong form, pierced border, incised ‘Madeira’, and one of rectangular form, pierced ‘Raisin’, approx. total weight 1oz. (3)

£200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1623 A collection of three George III silver wine labels, pierced bright-cut zig-zag borders, comprising: one by Hester Bateman, London 1785, scroll banner form, incised ‘Madeira’, plus another by Hester Bateman, crescent form, incised ‘Port’, and another similar by William Turton, inscribed ‘Madeira’, approx. weight 0.8oz. (3)

£250-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1624 A Victorian novelty silver ‘cut-out letter’ wine label, Mr Punch, by Rawlings and Summers, London 1847, modelled as the letter ‘P’, with foliate borders, with Mr. Punch sitting in the centre of the ‘P’, and Toby the dog on his hind legs at the base of the letter, height 4.7cm, approx. weight 0.8oz. £300-400

1625 A George III Irish silver wine label, by George Nagle, Dublin circa 1790, banner form, with pierced and engraved swags and with central Prince of Wales feathers issuing from a crown, incised ‘Port’, length 4.6cm, approx. weight 0.2oz. £150-200

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1626 A George III silver armorial wine label, unmarked, circa 1800, modelled as a crest of three arrows, scroll decoration, pierced ‘Mountain’, length 4.3cm, approx. weight 0.3oz. £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1628 A George IV silver cut-out letter wine label, by Paul Storr, London 1824, modelled as the letter ‘P’, foliate scroll decoration, height 3.8cm, approx. weight 0.6oz. £300-400

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1627 A rare George III silver wine label, by Boulton and Fothergill, Birmingham 1774, possibly designed by Robert Adam, scroll form with drapery decoration, feather-edge border, incised and blackened ‘White Wine’, length 5.8cm, approx. weight 0.3oz. £150-200

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1629 A George III Irish silver wine label, by William Law, Dublin circa 1790, banner form, with pierced and engraved decoration, with a raised oval pediment engraved with a crest, and with feathers above, incised ‘Sherry’, length 5.5cm, approx. weight 0.2oz. £150-200

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1630 Five George III silver wine labels, by Susanna Barker, London circa 1780-90, crescent form, feather-edge, bright-cut and beaded borders, incised ‘Hermitage’, ‘Mountain’, ‘Claret’ (x2), and ‘W. Port’, approx. total weight 1.5oz. (5) £250-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1631 A collection of four antique silver wine labels, comprising: one by Ann Robertson, Newcastle, rectangular form, canted corners, engraved decoration, incised ‘Port’, plus one of disc form, London 1811, incised and blackened ‘Madeira’, plus one of crescent form by James Hyde, London circa 1780, beaded border, incised ‘Madeira’ and one by John Whittingham, oblong form, pierced and engraved decoration, incised ‘Madeira’, approx. total weight 1.3oz. (4) £300-400

1632 Four George III silver wine labels, by Susanna Barker, London circa 1790, oval navette form, pierced borders, one with mounted with a crest, incised ‘Madeira’, and two others incised ‘Port’ and ‘Madeira’, plus one with bright-cut borders and a pierced raised pediment initialled ‘S’ below a coronet, incised ‘Calcavlla’, approx. total weight 1.4oz. (4) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1634 Four George III silver wine labels, by Susanna Barker, London circa 1780-92, comprising: one of banner form, with a pierced urn pediment, engraved with a crest, bright-cut borders, incised ‘Claret’, plus one of pierced rectangular foliate scroll form, incised ‘Sherry’, plus one with a pierced pediment incised ‘Brandy’ and one incised ‘Rum’, approx. total weight 1.4oz. (4) £250-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1633 A collection of four antique silver wine labels, comprising: one by Lewis Hamon, London circa 1750, pierced with scroll and vine decoration, incised ‘Madeira’, plus one with a cherub, vine leaves and a goblet, pierced ‘Claret’, plus one with a boar’s head London 1823, incised ‘Port’, plus another with cherubs and foliate scroll decoration, pierced ‘Claret’, approx. total weight 3oz. (4)

£250-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1635 A collection of four antique silver wine labels, comprising: a George III one by Peter and Ann Bateman, London 1792, pierced ‘Port’, a George III one by John Emes, London 1807, incised ‘Madeira’, one by John Whittingham, London 1794, incised ‘Sherry’, and a Victorian one by Rawlings and Summers, London 1842, shaped form, incised ‘Madeira’, approx. total weight 1.5oz. (4)

£200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1636 A small collection of three George III silver wine labels, comprising: one by Peter and Ann Bateman, London 1811, bright cut decoration pierced with Prince of Wales feathers incised ‘Currant’, length 5.2cm, plus one by John Rich, circa 1790, with a pierced raised pediment with a crest, bright-cut borders, pierced ‘Madeira’, and a pierced label by Margaret Binley circa 1770, foliate scroll decoration, incised ‘Marsala’, approx. total weight 1.1oz. (3)

£200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1637 A collection of four Art Deco silver and enamel wine labels, by Turner and Simpson, Birmingham 1933 and 1935, geometric forms with varicoloured enamel, comprising: two titled ‘Sherry’, one ‘Rum’ and one ‘Gin’, approx. weight 2oz. (4) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1638 Four George III silver wine labels, by Susanna Barker, London circa 1785, crescent form, pierced ‘Carcavello’, ‘Bucellos’ and ‘Port’, plus one with a pierced and engraved zig-zag border, incised ‘Claret’, approx. total weight 1.3oz. (4)

£250-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1640 A small collection of three antique silver wine labels, comprising: one by Phipps and Robinson, London circa 1790, rectangular form, pierced pediment with initials, incised ‘Claret’, plus one London 1791, banner form, pierced cone and foliate pediment, incised ‘Madeira’, and a William IV label, by Charles Fox, London 1830, shaped oval foliate form, pierced ‘Madeira’, approx. total weight 1.2oz. (3) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1639 Four George III silver wine labels, by Susanna Barker, London circa 1785-93, comprising: one of crescent form, incised ‘Sherry’, plus one of shaped rectangular form, feather-edge border, incised ‘Calcavella’, plus two others ‘Paxarette’ and ‘Madeira’, approx. total weight 1oz. (4) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1641 A George III silver wine label, by Hester Bateman, London circa 1770, escutcheon form, chased decoration, incised ‘Brandy’, length 5cm, plus another silver wine label by Hester Bateman, Circa 1780, shaped rectangular form, pierced foliate scroll decoration, incised ‘Port’, approx. total weight 0.8oz. (2) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1642 A George III silver sauce label, unmarked, circa 1790, closed crescent form, incised ‘Coratch’, plus a George III silver sauce label, by James Long, London circa 1790, crescent form, pierced urn pediment, bright-cut borders, incised ‘Elder’, approx. total weight 0.1oz. (2) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1644 A collection of four George III silver sauce labels, by Susanna Barker, London circa 1780-90. comprising: a pair of crescent form with oval pediments, initialled and crested, incised ‘Elder’ and ‘Soy’, bright-cut borders, plus a rectangular label incised ‘Tarragon’, engraved with a crest, plus one incised ‘Soy’, approx. weight 0.4oz. (4) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1646 A collection of four George III silver sauce labels, by Susanna Barker, London circa 1780-90, oval navette form, bead and bright-cut borders, incised ‘Quin’, ‘Tarragon Vin’, ‘Kyan’, and ‘Lemon’, approx. weight 0.4oz. (4) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1643 A collection of four antique silver sauce labels, comprising: one by Hester Bateman, circa 1780, crescent form, pierced zig-zag border, incised ‘Lemon’, one by T.L incised ‘Elder’, rope-work border, one of banner form, by Charles Rawlings, London 1824, pierced ‘Harvey’, plus one of vine leaf form, unmarked, pierced ‘Anchovy’, approx. weight 0.5oz. (4)

£200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1645 A collection of five George III silver sauce labels, by Susanna Barker, London circa 1780-90, crescent form, feather-edge, bead and bright-cut borders, incised ‘Ginger’, ‘Elder’, ‘Ketchup’, ‘Soy’ (x2), approx. weight 0.5oz. (5)

£250-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1647 A collection of four George III silver sauce labels, by Susanna Barker, London circa 1780-90, crescent form, bright-cut and reed borders, incised ‘Soy’, ‘Tarragon’ (x2) and ‘Kyan’, approx. weight 0.3oz. (4) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1648 A George III silver sauce label, by Paul Storr, London 1816, oval-shaped form with a shell and scroll border, applied ‘Lemon’ on a matted background, length 3.8cm, approx. weight 0.4oz. £400-600

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1650 A George IV silver wine label, by William Knight, London 1828, rectangular form, canted corners, incised ‘Ciercial’, length 4.2cm, approx. weight 0.2oz. £150-200

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1652 A pair of George III silver wine labels, by Hester Bateman, London 1784-85, scroll form, with a raised pierced pediment, vacant cartouche, bright-cut borders, incised and blackened ‘Geneva’ and ‘Calcavella’, length 4.2cm, approx. weight 0.6oz. (2) £300-400

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1649 A George III silver wine label, by Susanna Barker, London circa 1790, twelve-pointed star form, engraved border, engraved with a crest and initials and incised ‘Port’, approx. weight 0.4oz. £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1651 A Victorian silver armorial wine label, by George Unite, Birmingham 1857, modelled as a horn with a rope-work mount, incised ‘Port’, length 5.8cm, approx. weight 0.2oz. £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1653 A George III silver twelve-pointed star wine label, by Phipps and Robinson, London circa 1790, incised ‘Calcavella’, diameter 3.9cm, approx. weight 0.3oz. £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1654 A George III silver wine label, by Susanna Barker, London circa 1792, barrel form, incised ‘Madeira’, length 3.6cm, approx. weight 0.3oz. £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1656 Two George III silver wine labels, by Hester Bateman, London circa 1785, pierced urn form, bright-cut decoration, with ribbon-tied swags and with a pierced lower swag border, incised ‘Hollands’ and ‘Port’, length 4.6cm, total approx. weight 0.7oz. (2) £250-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1658 A George III silver wine label, maker’s mark J?, London 1804, shaped rectangular form, with two rows of pierced decoration, pierced ‘Shrub’, length 5cm, plus a George III wine label, maker’s mark ST three times, possibly for Samuel Teare, Dublin circa 1800, with similar decoration, incised ‘Claret’, approx. total weight 0.7oz. (2) £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1655 A late-Victorian regimental silver wine label, the 9th Bengal Native Infantry, by Charles Stuart Harris, London 1890, banner form with the regimental badge, incised ‘Claret’, length 6cm, plus a Victorian silver wine label, by Richard Sibley, London 1846, scroll and shell form, pierced ‘Hollands’, length 8cm, approx. total weight 2.5oz. £200-300

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1657 A George III cast silver wine label, by Digby Scott and Benjamin Smith, London 1806, modelled as a shell, applied with a banner and incised ‘Vin de Grave’, length 5.2cm, approx. weight 1.2oz. £300-400

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1659 A George III silver clover leaf wine label, by Benjamin Smith, London 1807, in the form of a four-leaf clover, textured decoration to the leaves, ball finial, pierced ‘Madeira’, total length 7cm, approx. weight 1.2oz. £600-800

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

1660 A rare George III silver armorial wine label, by Edward Farrell, London 1815, modelled as an elephant in a standing position, incised ‘Madeira’, length 7.9cm, approx. weight 0.8oz.

£1,500-2,000

Provenance: The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels.

OTHER PROPERTIES

1661 A matched pair of Victorian silver wine labels, by Taylor & Perry, Birmingham 1843 and 1846, shaped oval form with vine and grape decoration, incised ‘Port’ and ‘Rum’, length 5.5cm, plus one by Charles Rawlings, London circa 1820, pierced ‘Port’, and an unmarked one of a similar form, pierced ‘Pale Sherry’, total approx. weighable 1.5oz. (4) £100-150

Provenance: The Simon Ward Collection of Wine Labels.

1662 A collection of antique silver wine labels, comprising: a matched set of three by George Unite, Birmingham 1840 and 1842, a pair by John Hutson, London 1792, incised ‘Port’ and ‘Sherry’ and one by Susannah Barker, London circa 1788, incised ‘Madeira’, total approx. weight 1.8oz. (6) £150-200

Provenance: The Simon Ward Collection of Wine Labels.

1663 A small collection of silver wine labels, comprising: one by Hester Bateman, circa 1780, crescent form, with a pierced zigzag border, incised ‘Madeira’, a George III one retitled ‘Jeres’, plus old Sheffield plated and electroplated items: titled ‘Port’, ‘Sherry’, ‘Malmsey’, ‘Whisky’ and ‘Brandy’, approx. weight 0.5oz. (7)

£200-300

1664 A German silver table bell, by Neresheimer of Hanau, with import marks for Berthold Muller, London 1912, modelled as a standing lady in a bonnet, her dress with flowers to the hem, height 11.5cm, approx. weight 4.5oz. £150-200

1660

1665 Three silver models of horses, comprising: one in a standing position, mounted on a wooden plinth, by Wakely and Wheeler, London 1984, height on plinth 14cm, plus one by S.J.W, London 1987, height 6cm, and a foal, London 1973, height 9cm, approx. weighable 10oz. (3) £300-400

1666 A Royal presentation silver cigarette case, by Alfred Clark, London 1904, rounded rectangular form with engine-turned decoration and applied gold bands, the cover applied with crowned monograms for George The Prince of Wales and his wife Victoria Mary, the interior inscribed ‘To Captain Clive Wigram M.V.O from George and Victoria Mary Prince and Princess of Wales in remembrance of their visit to India. 1905-6’, with a leather bound case, length 9.4cm, approx. weight 5.2oz.

1667 A modern silver model of a horse, by Mappin and Webb, London 1969, modelled in a standing position, height 13cm, approx. weight 11oz. £200-300

£1,000-1,500

1668 A continental metalware pig, bearing pseudo Fabergé marks, modelled in a sitting position, with textured decoration and set with red eyes, length 6.2cm. £300-400

1669 A modern silver model of a horse, by S M D Castings, London 1973, modelled in a walking position, on a shaped oval base, height 17.3cm, approx. weight 28oz.

£300-400

1670 A large modern silver fox, by C J Vander, London 1976, modelled in a standing position with one paw raised, textured fur, length 47.4cm, approx. weight 65.7oz.

£3,000-4,000

1671 A Dutch silver model of a cockerel, modelled in a standing position, textured feathers, the hinged head with red eyes, the interior of the head with a pierced grille, height 19.5cm, approx. weight 9.4oz.

£200-300

1669

1670

1671

An early-20th century French silver-gilt owl clock, by Paul Frey, Paris circa 1920, possibly for Lacloche Frères, rectangular form, the front depicting an owl with textured decoration set with tiger’s eyes, the sides and top with weave decoration, the hinged back depicting the owl in verso, on a spinach-green jade base, with an associated case, height 5cm. £1,000-1,500

1672

1673 A Victorian novelty silver gorilla mustard pot, by Thomas William Dee, London 1862, modelled as a seated gorilla holding a bent rifle, the hinged head set with glass eyes, the gilded interior with a clear glass liner, height 12.5cm, approx. weight 8.9oz.

Provenance: A Private Collection.

£2,000-3,000

This design may be based on a story relating to Paul du Chaillu (1837-1903) an American 19th-century explorer, who, in 1856 spent three and a half years exploring a large section of the Gabon coast. On his return to New York he wrote the story of his discoveries; ‘Explorations and Adventures in Equatorial Africa; with accounts of the manners and customs of the people, and of the chase of the gorilla, crocodile, leopard, elephant, hippopotamus and other animals’, published by Harper Bros in 1861. He had been the first white man to see and hunt a gorilla.

One story told was of a hunting expedition and a ‘Killer Gorilla’. Du Chaillu was out with a group of local guides, they split in different directions and after a while he heard the “tremendous roar of the gorilla…. instinctively we made for the spot…. the poor brave fellow who had gone off alone was lying on the ground in a pool of his own blood…beside him lay his gun, the stock broken, and the barrel bent almost double. In one place it was flattened, and it bore plainly the marks of the gorilla’s teeth.....this huge gorilla thought the gun was his enemy, so he had seized it and dashed it on the ground...not satisfied, had taken it up again and given it a tremendous bite…”

A pepper pot of the same design was sold in these salerooms, on 26 October 2016, lot 1249.

A three-piece condiment set of this design was sold at Bonhams, New Bond Street, Fine Silver, 2 July 2008, lot 211.

A

1674 By Omar Ramsden, an Arts & Crafts silver spoon, London 1922, fig-shaped bowl, spot-hammered decoration with an intertwining pierced foliate terminal, length 17cm, approx. weight 1.3oz. £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1676 By Omar Ramsden, an Arts & Crafts silver coronation spoon, London 1937, fig-shaped bowl, spot-hammered decoration, with a crown finial engraved ‘GR VI & E May 12 1937’, length 17cm, approx. weight 1.8oz. £150-200

1675 By Ramsden & Carr, an Arts & Crafts silver spoon, London 1905, spot-hammered decoration with an intertwined foliate stem, length 15cm, approx. weight 1.6oz. £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1677 By Omar Ramsden, an Arts & Crafts silver spoon, London 1936, spot-hammered bowl, a stylised foliate stem with thistle motifs to the terminal, length 17.5cm, approx. weight 2.4oz. £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1678 By Omar Ramsden, an Arts & Crafts silver spoon, London 1919, spot-hammered bowl, the stem with a bunch of grapes and the terminal with stylised foliate designs, length 16.5cm, approx. weight 1.7oz. £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1679 By Omar Ramsden, an Arts & Crafts silver spoon, London 1923, spot-hammered circular bowl, with a pierced stylised floral terminal, length 15.9cm, approx. weight 1.2oz. £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1680 By Omar Ramsden, an Arts & Crafts silver spoon, London 1925, spot-hammered circular bowl, the terminal with intertwining stylised thorns with a central rose motif with pierced elements to the top, length 16cm, approx. weight 1.4oz. £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1682 By Ramsden & Carr, two Arts & Crafts silver spoons, London 1904 and 1912, spot-hammered decorated bowl, both with different intertwining foliate stems and finials, length 15.5cm, total approx. weight 2.3oz. (2) £200-300

1681 By Alwyn Carr, a pair of Arts & Crafts silver spoons, London 1923, spot-hammered fig-shaped bowl, pierced stylised foliate stem and terminal, length 21.3cm, total approx. weight 7.1oz. (2) £300-400

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1683 By Ramsden & Carr, an Arts & Crafts silver spoon, London 1903, spot-hammered circular bowl, with a reeded stem and a foliate bud terminal, length 15.5cm, approx. weight 1.2oz. £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1684 By Omar Ramsden, an Arts & Crafts silver spoon, London 1933, spot-hammered fig-shaped bowl with a shamrock terminal, length 15.7cm, approx. weight 1.4oz. £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1685 By Alwyn Carr, a pair of Arts & Crafts silver spoons, London 1935, circular bowls with spot-hammered decoration, tapering stems and rectangular seal top finials, length 18.4cm, total approx. weight 4oz. (2) £200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1686 By The Artificers’ Guild, an Arts and Crafts silver spoon, London 1936, spot-hammered bowl with a tapering faceted stem with rope-work edges, with a hanging hook to the back, length 22.6cm, approx. weight 2.3oz.

£150-200

1687 By Bernard Cuzner, an Arts & Crafts silver serving spoon, Birmingham 1920, spot-hammered decoration, tapering stem with engraved geometric pattern, length 23.7cm, approx. weight 3.7oz.

£150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1688 By The Guild of Handicraft Limited, an Edwardian Arts & Crafts silver Seal-top spoon, London 1906, fig-shaped bowl, spot-hammered decoration with a cushion Sealtop, length 15.8cm, approx. weight 1.2oz.

£200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1690 By Keswick School of Industrial Arts, a silver Arts & Crafts serving spoon and two coffee spoons, Birmingham 1897 and Chester 1908, spot-hammered circular bowls, the serving spoon with a plain bud finial, the coffee spoons with pierced intertwined terminals with a fish and a bird motifs, length 18.1cm, total approx. weight 2.1oz. (3)

£100-150

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1689 By Kate Allen for William Hutton & Sons, an Arts & Crafts silver spoon, London 1903, circular bowl with spot-hammered decoration, stylised bud finial with green and blue enamel, length 15.5cm, approx. weight 1.2oz.

£150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1691 By The Keswick School of Industrial Arts, two Arts & Crafts silver spoons, Chester 1911 and 1912, spot-hammered decorated bowl, twisting stems, one with a pierced knot terminal, the other with graduating circles decoration, length 15.3cm, total approx. weight 1.9oz. (2)

£200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1692 Designed by Bernard Cuzner for Liberty & Co., a set of six Edwardian silver Arts & Crafts spoons, London 1901, heart-shaped bowls, tapering twist stems with green cabochon finials, in a Liberty case, length 12.7cm, total approx. weight 1.8oz. (6) £200-300

1693 By Liberty & Co., a cased set of six Edwardian Art Nouveau silver coffee spoons, Birmingham 1905, pierced shoulders and engraved bands to the stem, pierced quatrefoil finials set with turquoise stones, length 9.1cm, total approx. weight 1.8oz. (6)

£250-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1694 Designed by Bernard Cuzner for Liberty & Co., an Edwardian silver serving spoon, Birmingham 1902, spot-hammered decoration, knopped faceted stem with engraved foliate decoration, length 22.6cm, approx. weight 4.8oz. £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1696 Designed by Oliver Baker for Liberty & Co., an Edwardian silver Art Nouveau spoon, Birmingham 1901, heart-shaped bowl with pierced intertwined shoulders, with a folded shaped terminal, length 19.3cm, approx. weight 2.2oz. £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1695 Designed by Bernard Cuzner for Liberty & Co., a pair of Arts & Crafts silver serving spoons, Birmingham 1911, circular bowl with a knopped stem with reeded decoration, shaped terminal with engraved foliate decoration, length 21.2cm, total approx. weight 7.1oz. (2)

£250-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1697 By Omar Ramsden, a set of six Arts & Crafts silver teaspoons, London 1923, spot-hammered decoration with a twist to the stem, with an associated case, length 10cm, total approx. weight 2.5oz. (6)

£200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1699 A cased set of eight Arts & Crafts style silver spoons, by Amy Leeming, London 1931 and 1932, retailed by The Alexander Clark Company, spot-hammered decoration, the dessert spoons with engraved geometric and foliate decoration, the teaspoon terminals foliate motifs on matted backgrounds, length 6.4cm, total approx. weight 7.5oz. (8) £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1701 A cased set of six Arts & Crafts silver coffee spoons, by Frederick Smythe-Greenwood, London 1914, stylised chain stems with pierced knot terminals, with an associated case, plus an Edwardian silver spoon by Keswick School of Industrial Arts, Birmingham 1904, spot-hammered bowl with a pierced, stylised terminal, length 22cm, total approx. weight 3.5oz. (7) £200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons

1698 A cased pair of Arts & Crafts style silver spoons, by Alice Mabel Camwell, Birmingham 1929, shaped oval bowls with spot-hammered decoration, faceted stems with fluted knop finials, length 14.3cm, total approx. weight 1.5oz. (2) £100-150

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1700 A set of six Arts & Crafts silver teaspoons, by Winifred King & Co, Birmingham 1938, spot-hammered circular bowl with squirrel and foliate terminals, in a fitted case, length 11.2cm, total approx. weight 2oz. (6) £200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1702 A cased set of six Scottish provincial silver-gilt coffee spoons, by Alexander Ritchie, also marked Iona Celtic Arts, Birmingham 1933, the stem with Celtic decoration with a bud finial, length 7.9cm, total approx. weight 1.3oz. (6) £200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1698

£250-300

1703 A cased pair of Scottish provincial silver spoons, by Alexander Ritchie, also marked Iona Celtic Art, Birmingham 1935, circular-shaped bowl with a pierced longboat terminal and Celtic motifs, length 13cm, total approx. weight 1.5oz. (2)

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1705 A set of six Scottish Arts & Crafts silver coffee spoons, by Norah Creswick, Edinburgh 1945, circular bowls with three Celtic motifs to the stems, with an associated case, length 8.6cm, total approx. weight 1.4oz. (6) £200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1707 By A.E.Jones, a set of six Arts & Crafts silver teaspoons, Birmingham 1908 and 1909, spot-hammered bowls with different stylised foliate terminals, one set with a green cabochon, with an associated case, length 12cm, total approx. weight 2.4oz. (6) £200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1704 A Scottish provincial silver teaspoon, by Alexander Ritchie, Iona, with Saunders & Shepherd, Chester 1908 marks, the terminal of a Knight’s grave on a matted background, length 11.5cm, approx. weight 0.5oz.

£100-150

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1706 A set of six Edwardian Arts & Crafts silver teaspoons, by Morecambe Higher Education College, Birmingham 1909, twisting stems with pierced terminals, length 13.7cm, total approx. weight 3.1oz. (6) £100-150

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1708 By A.E. Jones, two Arts & Crafts silver spoons, Birmingham 1919 and 1925, spot-hammered circular bowls, one with a twisted stem and a lobed sphere finial, the other with a pierced circular terminal set with a central ball, length 14.5cm, total approx. weight 1.3oz. (2) £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1709 By Adrian Harlaar, two Arts & Crafts silver spoons, maker’s mark only, circa 1909, spot-hammered decoration, one with an applied floral motif with handing bell flowers, the other with a split terminal, length 20cm, total approx. weight 2.9oz. (2)

£150-200

1710 By George Hunt, an Arts & Crafts silver tablespoon, Chester 1948, spot-hammered bowl, with a plain tapering handle, length 21cm, plus an Arts & Crafts silver teaspoon by A H Darby & Son, Birmingham 1946, total approx. weight 3.3oz. (2)

£150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1711 By Winnifred King & Co., an Arts & Crafts silver serving spoon and teaspoon, Birmingham 1924, spot-hammered bowls, the serving spoon with a pierced stylised foliate terminal, the teaspoon with a fleur-de-lis finial, length 22.4cm, total approx. weight 3.4oz. (2)

£200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1712 By Pierre Marchand, an Arts & Crafts style silver and enamel caddy spoon, London 1964, rounded rectangular bowl, with a purple and pink enamel terminal, length 13cm, plus a matched pair of heron silver spoons by WH Collins & Co, Birmingham 1937 and Glasgow 1930, total approx. weight 1.7oz. (3)

£150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1713 By The Sandheim Brothers, an Arts & Crafts silver spoon, London 1921, fig-shaped spot-hammered bowl with a twisting stem, length 15.3cm, plus a silver Arts & Crafts spoon by Frances Harling, London 1928, total approx. weight 1.3oz. (2)

£180-220

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1714 Three Arts & Crafts silver spoons, one by George Hunt, Chester 1929, spot-hammered decoration with an engraved Celtic motif, length 19cm, plus one by Hugh Wallis, Chester 1923, with a pierced scroll terminal, and one by Dryad Metal Works, Birmingham 1918, total approx. weight 3.1oz. (3)

£200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1715 By Sybil Dunlop, a pair of Arts & Crafts silver teaspoons, London 1924, spot-hammered bowls, with pierced stylised foliate motifs, length 10.8cm, plus an Art Nouveau silver teaspoon by Hukin & Heath, Birmingham 1900, total approx. weight 1oz. (3) £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1717 By H.G.Murphy, two Arts & Crafts silver spoons, London 1935 and 1937, fig-shaped bowls with tapering stems, rectangular pierced terminals one with a daffodil and a stylised rose motifs, length 13.8cm, total approx. weight 1oz. (2) £200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1719 By Sybil Dunlop, an Arts & Crafts silver caddy spoon, London 1937, spot-hammered decoration, the terminal with a pierced Celtic-styled dog, length 14.2cm, plus an Arts & Crafts silver teaspoon by Amy Stewart, Chester 1923, total approx. weight 1.9oz. (2) £200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1716 By Bernard Instone, an Arts & Crafts silver spoon, Birmingham 1931, circular bowl with spot-hammered decoration, pierced leaf motif terminal, length 15.9cm, plus an Arts & Crafts silver spoon by Sibyl Dunlop, London 1926, total approx. weight 2.6oz. (2) £200-300

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1718 By Noral Creswick, an Arts & Crafts style silver teaspoon and coffee spoon, Edinburgh 1965 and 1971, spot-hammered bowls, the teaspoon has a bee-formed terminal with pierced decoration and set of an orange cabochon, length 13.3cm, the coffee spoon with scroll and leaf terminal with a blue cabochon, total approx. weight 1.3oz. (2)

£150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1720 By Amy Sandheim, an Arts & Crafts silver caddy spoon, London 1929, pierced circular bowl, with Celtic pierced cross decorations, length 12.7cm, approx. weight 1.3oz. £150-200

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1721 A cased set of six Edwardian Art Nouveau silver and enamel teaspoons, by William Hair Haseler, Birmingham 1907, pierced sinuous deep blue and green enamel terminals, with pierced shoulders, length 11cm, total approx. weight 2.5oz. (6)

£300-400

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

OTHER PROPERTIES

1723 Two 20th century German silver caddy spoons, by Ferdinand Richard Wilm, Berlin circa 1920, spot-hammered decoration, one with engraved foliate decoration, plus a pair of sugar tongs, length 9.1cm, total approx. weight 1.6oz. (3) £150-200

1725 By Enid Kelsey, a set of six Arts & Crafts silver salt spoons, London 1937, shovel-formed bowl with twisting stems, plus a set of six silver sealtop teaspoons probably Cooke & Kelvery, Calcutta, stamped silver, both in fitted cases total approx. weight 2.9oz. (12) £100-150

1722 Designed by Oliver Baker for Liberty & Co., a pair of lateVictorian Art Nouveau silver serving spoons, Birmingham 1900, heart-shaped bowl with spot-hammered decoration, pierced twisted and intertwining stem, length 20cm, total approx. weight 4.3oz. (2)

£300-400

Provenance: A Private Collection of Arts and Crafts Silver Spoons.

1724 By George Hart for the Guild of Handicraft, four Arts & Crafts silver Seal-top spoons, London 1968 and 1969, spot-hammered fig-shaped bowls with a plain rat-tail, cushion Sealtop, length 15.5cm, total approx. weight 5.8oz. (4)

£200-300

1726 By Omar Ramsden, an Arts & Crafts silver three-piece Christening set, London 1932 and 1933, spot-hammered decoration with stylised reeded handles with applied monograms, length 21.5cm, total approx. weight 6.4oz. (3)

£300-400

1727 By Ramsden and Carr, an Edwardian Arts and Crafts silver sugar caster, London 1908, also engraved ‘Omar Ramsden et Alwyn Carr Me Fecerunt MCMVIII’, baluster form, spot-hammered decoration, rope-work borders, on a circular foot, height 15.7cm, approx. weight 7.7oz.

£400-600

1728 By Omar Ramsden, an Arts and Crafts silver sugar caster, London 1934, also engraved ‘Omar Ramsden Me Fecit’, tapering circular and octagonal baluster form, pierced pull-off cover, on a raised octagonal foot, height 22.8cm, approx. weight 20oz.

£600-800

1729 By Omar Ramsden, a pair of Arts & Crafts silver wine labels, London 1937, shaped rectangular form with a stylised grape and vine border and spot-hammered decoration, incised ‘Sherry’ and ‘Port’, length 4.7cm, total approx. weight 0.9oz. (2)

£200-300

1731 By John Walker, an Arts & Crafts silver two-handled quaich, Sheffield 1925, circular form, spot-hammered decoration, the side handles pierced with scroll decoration and two stone cabochons, on a circular foot, length handle to handle 15.6cm, approx. weight 4.5oz.

£150-200

1730 Leslie Durbin Interest, a brass and copper armorial printing block, unmarked, rectangular form, in a paper wrapping written ‘Davidson’ and ‘Asprey Ord. No. 2403’, with a compliment slip signed ‘Greetings and All Good Wishes Leslie’, with an envelope addressed to Leslie Durbin from the Goldsmiths Company, length 8.3cm, plus an American silver hunting medallion, by Gorham, circular form, with a hound above ‘NORFOLK’ above a hunting horn, diameter 8.2cm, and a gilt metal hunting button, approx. weighable 5oz. (7) £150-200

1732 An Edwardian silver-mounted glass quaich, by William Hutton & Sons, London 1904, circular form with shaped stylised foliate handles, red glass body with dark stylised stripes, length handle to handle 15.6cm. £150-200

£100-150

1733 By Gerald Benny, a modern silver paperknife, London 1967, tapering form with a textured handle, length 15.5cm, approx. weight 1.7oz.

1734 A pair of modern silver tumbler cup, by Payne & Son, London 1974, circular form with textured decoration to the sides, diameter 4.9cm, total approx. weight 3oz. £150-200

1735 By Stuart Devlin, a pair of modern silver-gilt knives, London 1977, tapering form with textured silver-gilt handles, steel blades, length 24.2cm. (2) £100-150

1737 By Patrick Mavros, two silver wine drip rings and two silver cocktail spoons, with London marks, the drip rings with elephant and hippo decoration, the cocktail spoons with an owl and mouse finial and chameleon finials, with London marks, length of spoon 23cm, approx. weight 5oz. (4) £200-300

1736 By Patrick Mavros, a modern Zimbabwean silver beaker, signed Patrick Mavros, also with his initials and Zimbabwean hallmarks, circular form, with an applied family of elephants going a rocking mountainside, with a loaded base, height 8.7cm. £600-800

1738 By Patrick Mavros, a modern Zimbabwean silver model of a Sable antelope, also with Zimbabwean hallmarks, modelled in a standing position (a.f) with textured decoration, on a wooden base, length of stand 8.7cm, approx. weight 2.3oz. £200-300

A SMALL PRIVATE COLLECTION OF MICHAEL BOLTON SILVER (PART II)

1739 By Michael Allen Bolton, a modern silver salt cellar, London 1994, modelled as an oyster shell with a frog sitting to the edge, the base made up of shells and starfish, length 9cm, approx. weight 15.4oz. £250-300

Provenance: A Private Collection.

1741 By Michael Allen Bolton, a large modern silver letter knife, London 1982, blade form, set with a gold bead with rays of gilded decoration, with a fitted leather case, length 37.9cm, approx. weight 7.9oz. £200-300

Provenance: A Private Collection.

1740 By Michael Allen Bolton, a modern silver platter, London 2004, circular form with a beaten finish, diameter 31.2cm, approx. weight 32.6oz. £1,000-1,500

Provenance: A Private Collection.

1742 By Michael Allen Bolton, a modern silver cream jug and sugar bowl, London 1999, circular form with spot-hammered decoration and rope-work borders, set with gold beads to the centres, length handle to spout 14cm, total approx. weight 14.7oz. (2) £300-400

Provenance: A Private Collection.

1744 By Michael Allen Bolton, a large modern silver beaker, London 2004, tapering circular form, spot-hammered decoration, set with a gold bead, height 15.6cm, approx. weight 18.1oz.

£400-600

£600-800

1743 By Michael Allen Bolton, a modern silver candlestick, London 2002, knopped circular form with rope-work borders and spot-hammered decoration, set with beads and green cabochons, diameter 15.3cm, approx. weight 21.6oz.

Provenance: A Private Collection.

1745 By Michael Allen Bolton, a modern silver-mounted decanter stopper and decanter, London 1981, shaped semi-circular form, with layered textured fragments and set with agate stones and gold beads, on a large heavy blue and red cut glass decanter by Steve Bradley, height including stopper 45cm.

Provenance: A Private Collection.

£400-600

Provenance: A Private Collection.

1746 By Michael Allen Bolton, a modern silver wine coaster, London 2001, circular form with spot-hammered decoration, set with four green cabochons with rope-work edges, on a turned wooden base, diameter 12.4cm.

Provenance: A Private Collection.

£300-400

1747 By Michael Allen Bolton, a modern silver model hummingbird, London 1981, modelled with outstretched wings, the eyes and back set with red stones and two gold beads to the wings, length 34.2cm, approx. weight 8.8oz.

£200-300

1748 By Michael Allen Bolton, a collection of modern silver spoons, London 1996 and 2004, comprising: a pair of salt spoons, a pair of condiment spoons, a spoon with a shell bowl and another condiment spoon, length 13.5cm, total approx. weight 4.4oz. (6)

£200-300

Provenance: A Private Collection.

1749 By Michael Allen Bolton, a modern silver-handled bread knife, London 1994, tapering circular form, set with small beads, with a stainless steel blade, length 39cm.

Provenance: A Private Collection.

£100-150

Provenance: A Private Collection.

OTHER PROPERTIES

1750 A modern silver tumbler cup, by Marlow Brothers, London 2017, plain circular form, with a gilded interior, diameter 7.8cm, approx. weight 5.3oz.

£100-150

1751 By Cartier, a sterling silver two-handled dish, oval form with ball and wire-work handles, engraved with a ‘G’, on a scroll wire-work base, length 22.5cm, approx. weight 9.6oz. £300-400

1753 A modern silver and silver-gilt commemorative ‘Westminster Abbey Jubilee Cup’, by Aurum Designs Ltd, London 1977, circular form, the stem modelled as a rampant crowned lion holding a crown and resting on a shield bearing the arms of St Edward, on a fluted circular foot, with case and certificate of authenticity, height 18.4cm, approx. weight 14oz. £250-300

1752 By Rod Kelly, a modern silver dish, London 2006, also marked GS with a tower, shaped circular form with chased rose, shamrock, thistle and daffodil decoration, set with a commemorative 5 pound coin, length 15.2cm, approx. weight 8.5oz.

£400-600

1754 By Tiffany & Co., an American silver photograph frame rectangular form with wavy lined decoration, height 18.2cm. £200-300

1755 A three-piece silver-mounted oak cruet set, by The Artificers’ Guild Ltd, London 1926, faceted circular form, rope-work borders and engraved foliate decoration, with blue glass liners, height 10.2cm. (3) £300-400

1757 A late-Victorian Arts & Crafts silver vase, by Wakely & Wheeler, London 1900, tapering circular form with spot-hammered decoration, applied with trees and bird decoration, with traces of gilding, engraved ‘188922nd April-1939’ to the base, height 20.7cm, approx. weight 13.9oz. £300-500

1756 By Ralph Rowe, a modern silver Arts & Crafts style casket, London 1996, rectangular form with a band of engraved foliate decoration, the hinged cover with a shaped enamel finial, length 16.1cm, approx. weight 16.1oz. £300-400

1758 A matched pair of Arts & Crafts silver vases, by James Dixon & Sons, Sheffield 1911, tapering square form with strap-work decoration to the edges, on loaded raised square bases, height 20cm. (2) £300-400

1760 A Scottish silver Art & Crafts bowl, by Lawson & Co., Glasgow 1917, circular form with spot-hammered decoration and embossed rose decoration, on three scroll feet, diameter 25.5cm, approx. weight 26.5oz.

£700-900

£300-400

1759 By A. E. Jones, a silver Arts & Crafts presentation box, Birmingham 1911, rectangular form with spot-hammered decoration, rope-work borders with embossed panels of a classroom scene, a sunrise and stylised ballet motif, the cover inscribed ‘Presented to Miss Isabell Jeffcoatt by the member of her dancing class, old school, music and singing pupils, as a token of their esteem and regard. December 18th 1911’, with a green felt line interior, length 17.4cm, approx. weight 14.8oz.

1761 By Paul Belvoir, a pair of modern silver candlesticks, signed, London 1987, plain circular form with notched strips running down the stem, on stepped circular bases with notches, height 20cm, total approx. weight 38.8oz. (2)

£700-900

1762 By Evald Nielsen, a Danish silver centrepiece bowl, Copenhagen circa 1920, retailers’ mark for Kjøbenhan, circular form with spot-hammered decoration, the bowl with bud decoration to the edges, the raised foot with a band of pierced foliate decoration, diameter 30cm, approx. weight 43.9oz.

£1,000-1,500

1763 By Adrian K A Hope, a modern Scottish silver bowl, Edinburgh 1997, plain circular form with a banded edge with a matted finish, diameter 15.3cm, approx. weight 12.3oz.

£200-300

1764 By Veronica Shaw, a modern silver candle centrepiece, London 2007, oval form with a central candle holder, two curved pierced panels filled with coloured resin, height 21cm, approx. weight 37oz.

£600-800

1765 By Leslie Durbin, a modern silver dish, London 1962, shaped circular form, with a raised applied rampant lion holding a dish on a matted background, diameter 33.2cm, approx. weight 40.4oz.

£600-800

1766 By Povl Larsen, a pair of modern silver mother-of-pearl and lapis lazuli candlesticks, London 2008, stylised rectangular formed stems with inlaid panels of mother-ofpearl and lapis lazuli, with domed-shaped capitals and bases, height 26.7cm. (2)

£400-600

1767 By Tiffany & Co., an American silver bowl, plain circular form with a scalloped edge, on a circular foot, diameter 22.5cm, approx. weight 20.1oz.

£500-700

1769 A Victorian silver (tyg) cup, by Frederick Elkington, Birmingham 1883, plain circular form, three scroll handles, on a circular foot, height 18.8cm, approx. weight 28.6oz.

£600-800

1768 An Edwardian silver tazza, by John Round & Son Ltd, Sheffield 1909, oval form with embossed scroll foliate decoration, engraved with a crest to one of the cartouches, on a tapering fluted stem on a circular foot, length 28.5cm, approx. weight 19.2oz. £300-400 The crest is that of Hervey.

1770 An Edwardian Art Nouveau silver three-handled rose bowl, by The Barker Brothers, Birmingham 1906, circular form, spot-hammered decoration, bifurcated scroll handles, with a presentation inscription, diameter 18cm, approx. weight 31oz. £300-500

FROM THE WORKSHOP OF STUART DEVLIN, SOLD BY HIS WIDOW MRS. CAROLE DEVLIN

(LOTS 1771-1801)

1771 By Stuart Devlin, a modern parcel-gilt silver box, London 1980, rounded rectangular form, the hinged cover with relief panel of a hunting scene with hounds, length 9.7cm, approx. weight 5.2oz. £400-600

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1772 By Stuart Devlin, a modern silver-gilt pill box, London 1979, rounded rectangular form, textured decoration, length 5.6cm, approx. weight 2.1oz. £200-300

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1773 By Stuart Devlin, a modern parcel-gilt ‘Scallop’ pattern silver paperknife, London 1980, tapering form, textured and shaped silver-gilt handle, length 30cm, approx. weight 5.8oz. £200-300

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1774 By Stuart Devlin, a modern silver-gilt saccharine/sweetener box, London 1979, circular form, textured decoration, diameter 4.7cm, approx. weight 1.6oz. £200-300

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1775 By Stuart Devlin, a modern parcel-gilt silver box, London 1979, rounded rectangular form, the hinged cover applied with a silver-gilt floral spray, length 9.6cm, approx. weight 5.2oz. £250-300

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1776 By Stuart Devlin, a modern commemorative parcel-gilt silver and enamel caddy spoon, London 1985, circular bowl, the handle with Prince of Wales Feathers, a Tudor rose and enamel flowers, in a fitted case, length 6.2cm, approx. weight 0.7oz.

£100-150

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1777 By Stuart Devlin, a modern commemorative parcel-gilt silver box, London 1981, circular form, the pull-off cover applied with a silver-gilt bas-relief of Charles and Diana, above a garland of flowers, inscribed ‘29 July 1981’, diameter 6.8cm, approx. weight 4.3oz.

£200-300

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1778 By Stuart Devlin, a modern parcel-gilt silver box, London 1980, rounded rectangular form, the hinged cover with relief panel of a steeple chase, length 9.7cm, approx. weight 4.8oz.

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

£400-600

1771

1772

1774

1775

1776

1778

1777

1773

1779 By Stuart Devlin, a modern commemorative silver-gilt prototype surprise egg, London 1981, pierced textured body, with a Royal armorial shield, the pull-off cover opens to reveal bas-relief portraits of Charles and Diana, with a border of enamelled orange blossom decoration, also with radiating silvergilt wire-work to simulate a fountain, on a silver base, height 8cm, approx. weight 5oz. £300-400

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1780 By Stuart Devlin, a commemorative silver-gilt paperweight, London 1977, also with the Jubilee mark, modelled as the bust of Queen Elizabeth II, and engraved ‘Silver Jubilee’, on a rectangular onyx plinth, total height 10.3cm. £200-300

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1781 By Stuart Devlin, a parcel-gilt silver Rolls Royce prototype dish, unmarked circa 1973, pierced silver-gilt filigree/lace border, the centre set with the Rolls Royce logo, diameter 11.5cm, approx. weight 3oz. £300-400

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1782 By Stuart Devin, a modern 18 carat gold mounted rhodonite box, London 1977, in the Turkish manner, cylindrical form, the pull-off cover modelled as a mosque dome with applied three colour gold flowers, height 10.7cm, approx. weight 90.9g. £3,000-5,000

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1779

1782

1780

1781

1783 By Stuart Devlin, a matched set of six parcel-gilt silver and silver-gilt eggs, London 1983 and 1984, five numbered ‘1’, the other one numbered ‘200’, two with pierced textured decoration, the others with textured decoration, in a fitted case, height 6cm, approx. weight 4.8oz. £400-600

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1784 By Stuart Devlin, a set of eight modern parcel-gilt silver Arrow pattern coffee spoons, London 1979, the tapering silver-gilt handles with textured feather decoration, in a fitted case, approx. weight 3.8oz. (8) £200-300

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1786 By Stuart Devlin, a large modern parcel-gilt silver ewer, London 1977, also marked with the Jubilee mark, tapering circular form, spot-hammered decoration and applied with pierced silver-gilt filigree decoration, height 40.5cm, approx. weight 38.6oz. £2,000-3,000

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1785 By Stuart Devlin, a set of six modern parcel-gilt silver rounded-handle coffee spoons, London 1977, also marked with the Jubilee mark, the tapering silver-gilt handles with textured decoration, in a fitted case, approx. weight 2.6oz. (6) £150-200

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1787 By Stuart Devlin, a matched set of six modern large parcel-gilt silver water goblets, London, two 1976, and four 1979, tapering circular bowls, on textured silver-gilt filigree stems on raised circular bases, heights 19.1cm and 18.8cm, approx. weight 58.8oz. (6) £2,000-3,000

Provenance: From the Workshop of Stuart Devlin, Sold by his widow Mrs. Carole Devlin.

1786

1787

1788 By Stuart Devlin, a modern parcel-gilt silver bookmark, London 2018, number 9 of an edition of 25, tapering rectangular form, the terminal with textured filigree decoration and an enlarged Stuart Devlin’s maker’s mark, with a silk tassel, length 19.4cm, approx. weight 1oz., plus a copy of Stuart Devlin, Designer, Goldsmith, Silversmith, edited by Carole Devlin and Victorian Simkin, ACC Art Books Limited, 2018, in a fitted black wooden case, the interior red velvet lined. £200-300

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

This bookmark was the last item of silver that Stuart Devlin designed before his death in 2018.

1790 By Stuart Devlin for The Royal Mint, a modern commemorative parcel-gilt silver paperknife for the De La Rue Company Limited, London 1977, also with the Jubilee mark, tapering form, the silver-gilt terminal with a commemorative medallion for Queen Elizabeth II, in a fitted case, length 17.4cm, approx. weight 2oz. £100-150

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1789 Designed by Stuart Devlin for Viners, a modern gilded stainless steel paperknife, marked Viners, Japan, tapering form, textured gilded handle, in a fitted box, titled ‘The Devlin Collection, Viners, Japan’, length 25.2cm. £40-60

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1791 By Stuart Devlin, a modern parcel-gilt silver double ended ‘Diamond’ pattern paperknife, London 1979, tapering form, textured silver-gilt central handle, length 30.6cm, approx. weight 4.4oz. £200-300

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

£400-600

1792 By Stuart Devlin, a modern parcel-gilt silver cigarette box, London 1977, also with the Jubilee mark, cylindrical form, textured decoration, pull-off silver-gilt cover, height 10.6cm, approx. weight 9.2oz.

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1793 By Stuart Devlin, a modern matched seven piece setting of parcel-gilt silver rounded-handle flatware, London 1970, 1977 and 1985, one knife unmarked, the tapering silver-gilt handles with textured decoration, comprising: a table fork, a table knife, a dessert fork, a dessert knife, a dessert spoon, a fish fork, and a fish knife, approx. weighable 12.2oz. (7)

£300-500

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1794 By Stuart Devlin, a modern parcel-gilt silver paperknife, London 1979, tapering form, textured silver-gilt handle, length 30.2cm, approx. weight 5.3oz.

£200-300

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1795 By Stuart Devlin, a commemorative parcel-gilt silver Prime Warden’s dish, London 1996, circular form, textured decoration, the centre set with a silver-gilt bas relief of The Worshipful Company of Goldsmiths’ leopard’s head, diameter 12.6cm, approx. weight 4oz. £300-400

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1796 By Stuart Devlin, a pair of modern parcel-gilt silver salt and pepper pots, London 1981, onion form, with applied pieced textured silver-gilt filigree decoration, the undersides with bayonet fitting lids for filling, height 9cm, approx. weight 10.4oz. (2)

1797 By Stuart Devlin, a modern silver-gilt surprise egg, London 1981, number 198, textured body, the pull-off cover opens to reveal a butterfly resting on enamelled flowers, on a silver base, height 6.4cm, approx. weight 2.5oz.

£200-300

£400-600

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1798 By Stuart Devlin, a set of sixteen modern silver-gilt place holders, London 1977, rectangular form, pierced and textured filigree decoration, length 4.1cm, approx. weight 5.3oz. (16)

£800-1,200

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1799 By Stuart Devlin, a modern parcel-gilt silver shallow bowl, London 1985, circular form, pierced silver-gilt filigree/lace border, diameter 13.3cm, approx. weight 3.5oz.

£150-200

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1800 By Stuart Devlin, a set of fourteen silver-gilt surprise Easter Eggs, London 1968-1981, number 300 of an edition of 300, comprising: Three Enamelled Flowers, a Rabbit, a Fish, a Mouse and Cheese, a Jester, a head of a Hippopotamus, a Kangaroo, Butterflies, a Robin, a Hummingbird, a Frog on a Waterlily, a Turtle, a Jack-in-a-box, and Lovebirds in a golden cage, with thirteen signed booklets, in fitted cases, height 7.4cm. (14) £3,000-4,000

Provenance: From the Private Collection of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

1801 By Stuart Devlin, a pair of modern parcel-gilt silver nine-light articulated candelabra, unmarked, 1983, tapering circular form terminating in ball motifs, with silver-gilt textured filigree decoration, the interlocking sections can create various combinations, height 60.5cm, approx. weight 196oz. (2) £8,000-12,000

Provenance: From the Workshop of Stuart Devlin, sold by his widow Mrs. Carole Devlin.

OTHER PROPERTIES

1802 A set of four George III silver wine coasters, maker’s mark worn W?, London 1798, plain circular form with gadrooned borders, on wooden turned bases, diameter 12.5cm. (4)

£600-800

1803 A George III silver taperstick, maker’s mark of RH, London 1763, knopped baluster form, fluted shoulders, spool-shaped capital, on a shaped square base with anthemion motifs, height 13.2cm, approx. weight 5oz.

£150-250

1804 A single modern silver three-light candelabrum, by J. Campbell, London 1969, central tapering baluster column, with three scroll arms each supporting a spool-shaped capital, on a raised circular base, height 34.5cm, approx. weight of branch 25oz.

£400-600

1805 A pair of late-Victorian silver two-light candlabra, by Sibray, Hall and Co., London 1898, tapering panelled oval form, reeded borders, scroll branches, central urn capitals, height 35cm, approx. weight of branches 18oz. (2)

£500-700

1806 A George II silver sugar box/tea caddy, by Samuel Taylor, London 1747, plain oval form, the pull-off cover with a knop finial, height 14cm, approx. weight 14.2oz.

£700-900

1808 A George II silver waiter, maker’s mark worn, London 1728, square form, incurved corners, the centre engraved with an armorial within foliate mantling, diameter 13.5cm, approx. weight 4.4oz.

£150-200

1807 A William and Mary silver pin cushion, by Anthony Nelme, London 1691, rectangular form, canted corners, engraved with an armorial shield with feather mantling, on four gnarl feet, length 16.5cm, approx. weight 9.5oz.

£800-1,200

by Anthony Nelme, London 1718, tapering circular form, scroll handle, engraved with an armorial, height 8.8cm, approx. weight 8.6oz.

£300-400

Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

1810 A George III silver toast rack, by Emes & Barnard, London 1817, rounded rectangular form, reeded wire-work arched frame, on four fluted and foliate bracket feet, length 15cm, approx. weight 8.2oz.

£200-300

1811 A George II silver mug, by Thomas Whipham, London 1755, baluster form, scroll handle, on a circular foot, height 10.3cm, approx. weight 6.8oz.

£150-200

1812 A matched pair of George III/IV silver wine coasters, by S C Younge & Co., Sheffield 1817 and 1820, circular form, embossed acanthus leaf decoration foliate scroll borders, turned wooden bases, diameter 16.4cm. (2) £400-600

1813 A Queen Anne two-handled silver cup, by Robert Timbrell and Joseph Bell, London 1710, circular form, beaded scroll handles, part-fluted decoration below a rope-work girdle, with a vacant cartouche, on a circular foot, height 13cm, approx. weight 13oz.

£400-600

Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

1814 A Victorian silver meat dish, by Robert Garrard, London 1864, oval form with a beaded and gadrooned border, engraved with a crest, length 36.4cm, approx. weight 35.4oz. £500-700

1816 A George III silver argyle, by Walter Brind, London 1790, baluster waisted form, scroll handle, gadroon borders, the hinged cover with a flame finial, height 14cm, approx. weight 8oz. £700-900

The arms are that of Way of Denham, quartering Lockey of Homes Hill, Herts. Hill of Pounsford, Somerset and Denham Place, Bucks.

1815 A pair of George III silver sauceboats, by Whipham & Wright, London 1769, oval fluted form with a gadrooned border, acanthus leaf-capped scroll handle, on oval feet, length handle to spout 22cm, total approx. weight 42.1oz. (2)

£1,000-1,500

1817 A George III silver-gilt wine coaster, by Thomas Hayter, London 1806, circular form with an acanthus leaf border, applied scenes of cherubs around reclining female figures, on a turned wooden base set with a button with an engraved crest, diameter 14.2cm.

£300-400

1818 A George III silver naval teapot, by William Grundy, London 1765, inverted pear form, on a circular foot, with chased foliate decoration, scroll handle, the hinged cover with a fluted finial, the front engraved with a ship with an engraved band surround, inscribed ‘Capt. Francis Jefferson to Capt. Wm Gaskin 1764, The Ann’, the reverse with an armorial, length handle to spout 23.2cm, approx. weight 16.4oz. £500-700

The armorial is unknown, probably used for Gaskin impaling Chapman. William Gaskin (c. 1725-1775) married Ann Chapman (1724-1787) at Borthwick, York in 1748. William Gaskin is given as a Master Mariner in his death certificate. William Gaskin was Master of the Mary, and had an association with James Cook.

1819 A pair of George III silver two-light candelabra with associated branches, the columns by John Edwards, London 1796, the branches by Makepeace and Carter, tapering fluted form, acanthus borders, urn capitals, the associated branches with a central urn with ram’s heads, initialled, approx. height 37cm, approx. weight 72oz. (2) £2,000-3,000

1820 A modern silver coffee pot, by Tessiers Ltd, London 1938, circular tapering form, hinged cover with a knop finial and wooden scroll handle, height 23cm, approx. weight 27.3oz. £250-350

1818

1819

1821 A George II swing-handled basket, by William Cripps, London 1744, oval form, pierced with mullets and scroll decoration, with a pierced and chased border of shell and scroll foliate decoration, swing-handle decoration with scroll foliate and capped with female masks, on four lion mask capped paw feet, engraved with an armorial shield within foliate scroll mantling, length 35cm, approx. weight 57.3oz. £2,000-3,000 The armorial is that of Hunt of Ireland (registered to Captain Hunt of Colonel Childry Coote’s Regiment).

1822 An Edwardian silver entreé dish and cover, by John Round & Son Ltd, Sheffield 1901, rounded rectangular form with gadrooned borders, detachable ring handle, length 28.7cm, total approx. weight 48.5oz. £500-700

1824 A silver presentation salver, by Atkin Brothers, Sheffield 1928, circular shaped with a moulded scalloped edge border, engraved with foliate decoration and inscribed ‘Royal Burgh of Wigtown, Presented to Provost Dr Ebenezer Shaw at the inauguration of the scheme water supply from Cairnsmore 20th May 1931’, on four gnarl feet, diameter 31.4cm, approx. weight 30.1oz. £300-400

1823 A Victorian silver-mounted glass butter dish and cover, by Henry Wilkinson and Co., Sheffield 1861, octagonal form, pierced scroll and mullet decoration, frosted glass tub body, the pull-off cover with a recumbent cow finial, engraved with a crest, diameter of base 17.5cm, approx. weight 8.5oz. £600-800

1825 A silver cigarette box, Lusitania Interest, by George Unite, Birmingham 1911, rounded rectangular form, the hinged cover inscribed ‘To Comdr J.T.W. Charles. C.B RD RNR RMS Lusitania from J.J.S, memento of a Record Voyage as passengers, Mersey 4am 28th August 1911, Mersey 7am September 9th 1911’, wooden lining, length 16.6cm. £150-200

RMS Lusitania was a British Ocean liner that was launched in 1906 and was the world’s largest passenger ship for three months. It was sunk on a transatlantic crossing on the 7th of May 1915 by a German U-boat off the southern coast of Ireland.

1826 A George III silver beaker by Henry Chawner, London 1787, tapering circular form with bands of reeded decoration, height 10.2cm, approx. weight 4.6oz.

£250-300

1827 A George I silver mug, possibly by John Wisdome, London 1714, circular tapering form, scroll handle, height 9.6cm, approx. weight 8.1oz.

£300-400

1828 A George III silver salver, by Ebenezer Coker, London 1764, shaped circular form with a gadrooned border, engraved with a crest, on three hoof feet, diameter 25cm, approx. weight 15.3oz.

£200-300

1829 An Edward VII silver-mounted baronial silver coronet, by Walter Thornhill & Co, London 1901, coronet form with six ‘’pearls’’ (two a.f), lined with velvet and ermine, diameter 20.6cm.

£800-1,200

λ 1830 A three-piece George III silver tea set, by Wallis & Hayne, London 1814, circular form with part-fluted decoration, gadrooned scroll foliate borders, ivory insulators to the teapot’s scroll handle, on four ball feet, length handle to spout 29.5cm, total approx. weight 38.7oz. (3)

Ivory registration number: S87G4S64.

£600-800

λ 1832 A three-piece George IV silver tea set, by Charles Fox, London 1825, circular bellied form, embossed foliate decoration, the hinged cover with a foliate finial, the leaf-capped scroll handle with ivory insulators, the underside with a presentation inscription, length of teapot 28cm, approx. weight 46oz. (3)

Ivory registration number: 85R5ZZ6J.

£700-900

1831 A Victorian four-piece silver tea and coffee set, by Walter & John Barnard, London 1880, oval form with part-fluted decoration and bright-cut borders, length of teapot 24.2cm, total approx. weight 50.8oz. (4)

£500-700

1833 A five-piece silver tea and coffee set, by Robert Pringle, London 1936, compressed circular and baluster form, chased scroll and fish scale decoration, leaf-capped scroll handles, height of coffee pot 20cm, approx. weight 95oz. (5)

£1,000-1,500

λ 1834 A matched four-piece George III/IV silver tea set, by Joseph Craddock & William Ker Reid, London 1822, Thomas & Joseph Guest & Joseph Craddock, London 1811 and Daniel Pontifex, London 1810,

rounded rectangular and circular form, part-fluted decoration above a basket-weave girdle, the teapot with a scroll handle with ivory insulators, with a crest and initials, length of teapot 27.8cm, approx. weight 74oz. (4)

Ivory registration number: C73FTJTR.

λ 1835 A four-piece George IV silver tea and coffee set, by Wrangham & Moulson, London 1825, circular form with part-fluted decoration, acanthus leaf decoration, ivory insulators to the scroll handles of the coffee and teapot, length handle to spout of the teapot 26.8cm, total approx. weight 69.7oz. (4)

£1,000-1,500

Ivory registration number: WRQWFA4G.

£1,000-1,500

1833

1835

1836 A pair of Edwardian silver candlesticks, by Thomas Scott, Sheffield 1901, knopped baluster form with scroll decoration, on stepped squareshaped loaded bases, height 24.1cm. (2) £300-400

1838 A pair of George III silver candlesticks, by Ebenezer Coker, London 1764, knopped baluster columns, shell shoulders, spool-shaped capitals, detachable drip pans engraved with crests, on raised square bases with shell motifs, height 21.4cm, total approx. weight 29.6oz. (2) £1,000-1,500

1837 A Victorian Scottish presentation silver bowl, by Thomas Smith and Son, Glasgow 1894, circular form, the handles modelled as stag heads with antlers, embossed thistle decoration, inscribed ‘Presented by the Employees on the Glencripesdale Estate to Miss Ethel Newton on her marriage with the Rev E.A.Knox, Bishop of Coventry 21 February 1895’, diameter 23cm, approx. weight 27oz.

λ

£300-500

1839 A Victorian silver ewer, by Martin, Hall & Co, London 1874, baluster form with beaded borders, engraved with bands of scroll foliate decoration, angular handle with ivory insulators, hinged cover with a knop finial, height 30.2cm, approx. weight 21.6oz. £600-800 Ivory registration number: WA5MSAFX.

1840 A George III ceremonial silver mace finial, maker’s mark worn ?K, London 1770, spherical form with shell and scroll decoration and a shell, scroll and foliate applied cartouche, with a crown and bull’s head finial, on a fluted column with an applied snake wrapped around, length 29.3cm, approx. weight 22.1oz.

1841 A matched set of four Edwardian silver candlesticks, by Thomas Scott, Sheffield 1904, 1908 and 1909, tapering oval form, urn-shaped capitals with oval pull-off drip pans, on loaded oval feet, height 30.2cm. (4) £500-700

£600-800

1842 An Edwardian silver two-handled tray, By Walker & Hall, Sheffield 1904, oval form with a pierced slat border and engraved foliate decoration, on four bun feet, length 50.6cm, approx. weight 46.8oz.

£500-700

1843 A modern silver swan, by C.J. Vander, London 1976, modelled in a swimming position, textured feathers, open body, and with a gilded beak, length 23cm, approx. weight 31.9oz. £700-900

1844 A Victorian silver salver, by The Barnards, London 1877, circular form, engraved decoration, scroll border, on three bracket feet, diameter 25cm, approx. weight 15oz.

£200-300

1846 A Victorian silver swing-handled basket, by The Barnards, London 1850, circular form, pierced and engraved foliate scroll decoration, scroll border, pierced swing handle, on a shaped circular foot, diameter 26.5cm, approx. weight 18oz.

£450-500

1845 A George III silver basket, possibly by Robert Hennell, London 1807, shaped rectangular form, gadroon and shell border, later embossed decoration, the centre with initials, length 33.5cm, approx. weight 29.4oz.

£500-700

1847 A pair of George IV silver wine coasters, by S C Younge and Co., Sheffield 1827, fluted circular form, with hanging bunches of grapes, silver bases, with wood lined undersides, diameter 17cm. (2)

£600-800

1848 A George III silver centre-piece, by William Pitts and Joseph Preedy, London 1796, oval form, pierced border, on four foliate capped legs terminating in lion paw feet, lacking scroll arms, with a cut glass bowl, length 27.7cm, height 21cm, approx. weight 36oz. £800-1,200

1849 A George IV silver dish, by Robert Gainsford, Sheffield 1825, circular form, pierced and embossed foliate scroll and trellis decoration, diameter 26.3cm, plus a Victorian tazza, by Henry Wilkinson and Co., Sheffield 1851, circular form, embossed foliate scroll decoration, on a raised circular foot, height 17.5cm, approx. total weight 34.5oz. (2) £300-400

1850 A silver épergne, by Martin, Hall & Co, Sheffield 1911, oval form, with a central basket and four scrolling arms supporting four hanging baskets with pierced scroll foliate decoration, on an oval base with four bun feet, length of frame 37.3cm, total approx. weight 81.4oz. £1,500-2,000

1848

1849 (2)

1851 A pair of George III silver candlesticks, by John Schofield, London 1789, tapering fluted stem, with acanthus leaf flower motif borders, on loaded circular bases, height 31cm. (2)

£3,000-4,000

1852

1852 A pair of George III silver Neoclassical sauce tureens and covers, probably by Thomas Pitts, London 1785, oval form, with swag and medallion decoration below a chased foliate scroll border on a matted background, ram’s head mounted drop ring handles, on raised oval bases, beaded borders, length 18.4cm, approx. weight 34.5oz. (2)

£1,000-1,200

1853 A pair of George III silver candlesticks, by Peter Gillois, London 1768, baluster columns in the Rococo manner, fluted capitals and circular base with scroll motifs, detachable drip pan, height 27.5cm. (2)

£1,500-2,000

1851

1853

1854 A George III silver two-handled cup and cover, by Richard Sibley, London 1818, campana form, embossed with trailing grapevines and foliate decoration, the reeded side handles with Bacchus masks, the pull-off cover with a foliate finial, engraved with an armorial and crests, height 41cm, approx. weight 124oz. £4,000-6,000

Provenance: A Private Collection

Sotheby’s, Powderham Castle and Seaton Delvall Hall Sale, September 29th 2009, lot 101.

The Armorial is that of William Courtney,10th Earl of Devon (1777-1859) who married Lady Harriet Leslie Pepys (1777-1839) in 1804. He inherited the Earldom in 1835. The future Earl was admitted to Lincoln’s Inn in 1799, patentee of the subpoena office in the Court of Chancery 1800-1852, Commissioner of Bankrupts 1802-1817, MP for Exeter 1812-1826, Master in Chancery 1817-1826, Clerk Assistant of the Parliaments 1826-1835, High Steward of the University of Oxford 1838-1859, Ecclesiastical Commissioner 1842-1850. The couple’s sons were 11th and 13th Earls of Devon.

1856 A pair of George III silver goblets, by Aldridge and Green, London 1777, urn-shaped bowls, bright-cut and engraved foliate decoration, engraved with a crest, height 16.8cm, approx. weight 13.4oz. (2) £700-900

Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

1855 A Victorian silver-mounted claret jug, by Richards and Brown, London 1865, tapering and circular body, the mount with Bacchus masks, foliate scroll decoration, simulated bark scroll handle, the hinged cover with a rampant lion finial holding a crested shield, also inscribed ‘Fives Match E. B. Brackenbury V B.F Watson’, height 27cm. £300-400

1857 A Victorian silver-mounted claret jug, by Horace Woodward, Birmingham 1872, cut glass baluster body with pierced vine and grape decoration, a vacant shield cartouche, the scroll handle in the form of a branch with textured decoration, height 29.8cm. £400-600

1855

1857

1856

1858 A George III silver-gilt three-piece communion set, by Parker & Wakelin, London 1772, comprising: a ewer, chalice and paten, gadrooned borders, the ewer of baluster form, gadroon borders, all engraved with ‘IHS’ within a sun and inscribed ‘Ex dono Georg Ducis de Marlborough A.D 1773’, height of ewer 29cm, height of chalice 20cm, diameter of paten12.3cm, approx. total weight 49oz. (3)

Provenance: Presented by George Spencer, 4th Duke of Marlborough (1739-1817).

£5,000-7,000

1859 A mid-17th century Wessex silver footed waiter, by Thomas Hayward, Salisbury circa 1670, plain circular form, on a tapering circular foot, diameter 16.5cm, approx. weight 7.1oz.

£4,000-6,000 Thomas Hayward was an important Salisbury goldsmith and spoonmaker in the mid-17th century. He was an apprentice to Thomas Thornburgh by 1660 and went on to become a Common-Councillor in 1674. Hayward would later die in 1677, and his second wife, Elizabeth Cornelius carried on his business for several years after his death. His body of work is found on both Church plate of the area and domestic pieces like porringers and spoons.

For his mark see, Kent, T., West Country Silver Spoons and Their Makers, J.H. Bourdon-Smith, 1992, page 98.

1860 A 20th century Columbian silver platter, by Florentina, Bogota, circular form with an engraved chased scroll decoration border, diameter 32cm, approx. weight 14.1oz. £200-300

1859

1861

1861 A pair of William and Mary silver candlesticks, by Anthony Nelme, London 1692, knopped fluted baluster stems, spool-shaped capitals, on raised square bases with canted corners, height 15.5cm, approx. weight 22.2oz. (2) £3,000-5,000

Provenance: A Private Collection.

1862 A George I silver two-handled cup and cover, by Francis Nelme, (Anthony’s mark) London 1728, circular from, central girdle, leaf-capped scroll handles, engraved with a crest within foliate scroll mantling, the pull-off cover with foliate mantling, height 26cm, approx. weight 55.5oz. £1,000-1,500

Provenance: A Private Collection.

1862

1864 An Edwardian silver Corinthian column oil lamp, by Hawksworth, Eyre and Company, Sheffield 1907, fluted columns, on a raised square base, inscribed, with a glass oil reservoir, height 46.5cm. £600-800

1863 A George III silver tankard, maker’s mark unidentified, London 1767, baluster form, central girdle, scroll handle, domed cover with a pierced thumb-piece, engraved with initials, height 21cm, approx. weight 29oz.

£800-1,200

Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

1865 A George II silver tankard, maker’s mark worn, London 1733, tapering circular form, central girdle, scroll handle with a heartshaped motif, domed cover, scratch initialled ‘P’ over ‘D.A’, engraved with an armorial within foliate scroll mantling, height 17.5cm, approx. weight 22oz.

The arms are probably those of Porter.

£800-1,200

1864

1866 A large Victorian silver regimental ewer, by The Barnards, London 1844, baluster form, embossed scroll and rocaille decoration, leaf-capped scroll handle, later inscribed ‘The

15th Regt

won 11 October 1882 at Bangalore

£2,000-3,000

Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

END OF SALE

CUBBAN CUP,

M.N.I,

by Major A.S. Grove, Hav. Hussain Khan, Naigue Adam Khan, Naigue Abdool Guffoor, Naigue Davood Khan, Naigue Govindera Joolloo, L.Naigue Rhymon Khan and L.Naigue Syed Razza’, on a raised shaped circular foot, height 45.3cm, approx. weight 66.5oz.

TO INCLUDE THE MICHAEL BAGGOTT COLLECTION (PART I)

TUESDAY 15TH & WEDNESDAY 16TH JULY 2025

CLOSING DATE FOR ENTRIES FRIDAY 23 MAY 2025

AUCTION INFORMATION

OPENING HOURS

City Centre Salerooms

Monday to Friday 9am – 5pm

Old Sarum Galleries

Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live

You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with client services

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made:

Bacs, debit and credit cards

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3%

1%

0.5%

£50,000.01 ­ 200,000

£200,000.01 ­ 350,000

£350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

INFORMATION FOR BUYERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with client services in advance of the sale if other methods of payment are envisaged.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

Lots marked with a Φ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleys.live

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources: From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE

WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

AUCTION CALENDAR

APRIL

9th & 10th Furniture, Collections & The Age of Oak

15th & 16th Fine Jewellery

29th British and Continental Ceramics & Glass

30th Silver & Objects of Vertu (Day One)

MAY

1st Silver & Objects of Vertu (Day Two)

20th & 21st Asian Art, Chinese Paintings & Japanese Works of Art

JUNE

3rd Medals & Coins, Arms & Armour

4th Modern British & 20th Century Art

18th Fine Arts & Crafts

JULY

1st The Butler Hoard

2nd & 3rd Furniture, Works of Art & Clocks

9th & 10th Fine Jewellery

15th & 16th Silver & Objects of Vertu, including the Michael Baggott Collection (Part I)

SEPTEMBER

2nd British and Continental Ceramics & Glass

3rd Old Masters, British & European Paintings

17th Arts of Africa, Oceania and the Americas

Dates may be subject to change

+44 (0) 1722 424500 info@woolleys.live

51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

*Price includes buyer’s premium