304* Rosenberg (Charles). Harwich, published Mr. Huggins, 1841, aquatint after W.J.Huggins with contemporary hand colouring, some dust soiling, repiared closed tears, 380 x 555mm, mounted, framed and glazed in a fine near contemporary ‘birds-eye’ maple frame (1)
£100-150
305* Say (William). Cupid and Psyche, 1816, mezzotint with contemporary colour after Sir Joshua Reynolds, 445 x 500mm, mounted, framed and glazed (1)
£70-100
302* Reynolds (Samuel William I). The Country Butcher’s Shop, published Jeffryes & Co, 1798, mezzotint after James Ward with contemporary colouring, closed tear affecting image, skillfully repaired, 610 x 485mm, mounted, framed and glazed in a modern burl walnut frame (1)
£120-180
306* Sayer (Robert and Bennett J., publishers). Snipe shooting, The Flushing of the Woodcock [and] Cock shooting, 1775, three uncoloured mezzotoints after Thomas Burford, laid on card, each approximately 255 x 360mm, framed and glazed in early ‘Hogarth’ frames with verre eglomisé mounts (3)
307* Sherwin (John Keyse). The Happy Village [and] The Deserted Village, published D.Orme [1793 or later], stipple engravings published in colour, occasional repaired marginal closed tears, each approximately 480 x 595mm, mounted, framed and glazed in uniform modern gilt mouldings
303* Roberts (David). Temple at Esneh, published F.G.Moon, 1846, hand coloured lithograph, 395 x 495mm, mounted, together with [The Pronaos of the Temple of Edfou], published F.G.Moon, 1846, tinted lithograph, slight spotting, 335 x 495mm, mounted, framed and glazed, with Dancing girls at Cairo, published F.G.Moon, 1849, hand coloured lithograph, 265 x 365mm, mounted, framed and glazed (3)
£150-250
(2)
£150-200
80
£100-200