Kinghams Auctioneers

FINE & DECORATIVE ARTS

Thursday 23rd & Friday 24th May 2024

FINE AND DECORATIVE ARTS

To be held at: 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ

THURSDAY 23RD & FRIDAY 24TH MAY 2024

Viewing

Tuesday 21st May – 10.00am to 5.00pm Wednesday 22nd May – 10.00am to 5.00pm

Day of the Sale

Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

SPECIALISTS

Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com together with a fully illustrated catalogue.

Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd

10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection.

Telephone: 01608 695695 Mobile: 07976 919836

Email: enquiries@kinghamsauctioneers.com Website: www.kinghamsauctioneers.com

John Keightley Associate Director Senior Valuer and Cataloguer

Adrian Rathbone Associate Director

Allison White Auctioneer, Valuer and Photographer

George Kingham Director

Mark Oliver Consultant Decorative Arts Specialist

Geoff Shepherd Associate Director Office Manager

Steven Bruce Consultant Valuer

Eric Belgrave Photographer

MAP AND DIRECTIONS

Our auction centre is located in the historic Cotswold market town of Moreton-in-Marsh.

By Car

We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42

By Rail

Moreton-in-Marsh’s train station is less than a mile from the auction site

By Plane

The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles

Accomodation

www.cotswolds.com/accommodation

DELIVERY SERVICES FOR BUYERS

We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation.

For Furniture:

Stephen Morris Shipping PLC, 9 Ockham Drive Greenford, London, UB6 0FD Tel: 02088 322222

USEFUL INFORMATION FOR BUYERS

Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.

Bidding in Person

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

Commission Bids

Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids

Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding

Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com Various charges apply, please check with your bidding platform.

Condition

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Buyer’s Premium

There is a buyer’s premium of 25% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Payment

Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared.

Payment Methods - We accept payment by:

• Cash - up to £9,000 (subject to money laundering regulations).

• Cheques - following 5 working days clearance.

• Debit/Credit Cards - American Express or Diners Club not accepted. We accept maxiumum payments of £200 on credit card.

• Bank transfer to:

HSBC Bank, 32 Bridge St., Evesham, WR11 4RU Account No.: 51655345

Account Name: Kinghams Auctioneers Ltd Sort Code: 40-20-27

IBAN: GB91MIDL40202751655345

SWIFTBIC: MIDLGB22

Please note that a fee of £15 will be added for international bank payments

CONTENTS

Day One

Jewellery and Watches

Day Two Oriental

– 494

Glass 495 – 589

Continental Ceramics

Moorcroft and Art Pottery

British Ceramics

590 – 602

603 – 685

686 – 744

DAY ONE

JEWELLERY AND WATCHES

1 A late Victorian gem-set pendant, with chain £100 - £200

2 An early Victorian gilt metal chatelaine belt hook, five carabiner hooks suspended on six chains from a chased foliate engraved plaque, 15cm long

£40 - £70

10 A George III gold coloured metal and chalcedony seal fob, circa 1800, the canted hardstone plaque intaglio engraved with a coat of arms and crest, 4.5cm high

£100 - £200

11 Regency gold and pearl clasp

£200 - £300

£60 - £80

3 A malachite bead necklace, with silver spring ring clasp

4 Two 9 carat gold ladies wrist watches, including Dennison and Rotay, circa 1930s, on leather straps (2)

£80 - £120

5 An aquamarine bead necklace, with silver clasp and spacers £100 - £200

6 A pair of 18 carat gold and blue topaz earrings, oval single stones, 3.2g £80 - £120

7 An 18 carat go;d and blue topaz pendant on chain, the oval cut stone in a claw setting, 7.8g £200 - £300

8 A pink sapphire floral clustre pendant, 1.1cm diameter, 1.6g

£100 - £150

9 A George V silver pendant locket photo frame, Cohen and Charles, Chester 1917, rectangular form, engine turned barley corn texture, on chain, 4.5cm x 3.7cm, 32g £40 - £60

12 Regency silver and pearl clasp

£400 - £600

13 A Chinese green jade bangle bracelet, moss veined, 8cm diameter

£100 - £150

14 A Chinese amethyst carving of a rat on a peach, mounted in an Art Deco silver lapel clip, 4.5cm

£50 - £80

15 A Chinese green jade bangle bracelet, moss veined, 8cm diameter

£100 - £150

16 A Chinese 14ct gold jade brooch, bamboo bar with jade cabochon leaves, 6cm long £60 - £80

17 A Chinese green jade bangle bracelet, opaque pale green, 8cm diameter

£100 - £150

18 A Portuguese gold charm pendant, modelled as Belem Castle, Lisbon, 2cm long, 5.2g £100 - £150

19 An 18 carat gold and amethyst cluster ring, the central purple stone within a band of diamonds, approx 5g

£100 - £150

20 An antique circular portrait brooch, 18th Century lady in profile wearing a hat with pink feathers, on ivory, in a yellow metal brooch mount, 3cm diameter.

Note: Ivory Exemption Certificate No: YMRRC84D. £200 - £300

21 A 9 carat gold and garnet ring, two rows of three white stones between three facet cut red stones on a wide band, approx 8g £100 - £200

22 A Yellow metal bangle bracelet, twisted wire form, 7cm diameter, 4.4g £60 - £100

23 A pair of 14 carat gold and synthetic colour change sapphire earrings, screw fixing, 1cm diameter, 4.4g £60 - £80

24 A pair of 9 carat gold earrings in the form of swallows, Birmingham 1992, realistically modelled in relief, 2.6g

£40 - £70

25 A 9 carat gold citrine single stone ring, approx 2.1cm long, size M, 6.1g £50 - £70

26 A gold coloured metal wedding band, apparently unmarked, probably 9 carat, size O, 6.1g £50 - £80

27

A Victorian 9 carat gold bangle, Birmingham 1899, chased floral decoration, 6.5cm diameter, 10.5g £100 - £150

28 A Byzantine Revival silver gilt and gem set ring, the band with ropetwist borders, set with a rectangular green stone flanked by split pearls and square cut red stones, size Q, 4.7g £80 - £120

29 An Arts and Crafts silver and enamelled brooch, G E Walton and Co., Birmingham 1909, circular with embossed ribbon and reed border, blue green enamel centre, 2cm diameter, 2.5g £30 - £50

30 An Arts and Crafts silver gilt and enamelled button and brooch set, James Atkinson, Birmingham 1905, including three buttons, ogee bordered and decorated with blue and white guilloche enamel, in a fitted case, brooch 3.5cm long, 8.4g £40 - £60

31 Queensway for Liberty and Co., an Arts and Crafts silver and enamelled brooch, in the form of a Tudor rose, with dark blue and pale green enamel petals, 2.5cm diameter, 5g £50 - £80

32 An Arts and Crafts silver and enamelled bracelet, seven links, each with stylised leaves within ogee cartouches, in green and brown enamel, 17.5cm long, 6.6g £50 - £100

33 An Arts and Crafts Ruskin silver mounted cabochon pendant, the oval crystalline cabochon within a ropetwist frame surmounted by stylised leaves, on a chain, stamped marks, 6cm long £50 - £100

34 Charles Horner, an Arts and Crafts silver and enamelled brooch, Chester 1903, or symmetrical open knotted tendril design with blue green enamel, 3.5cm long, 4.4g £100 - £150

35 An Arts and Crafts silver and enamelled pendant for the Royal Society of St George, Spencer, Birmingham 1915, modelled as St George and a dragon within a wreath of red and white enamel roses, suspended from a Tudor rose, on chain, 27.2g £80 - £120

36 A pair of Arts and Crafts silver and mother of pearl buttons, circular form applied with coiled C scrolls and beads within beaded borders, around a central mother of pearl plaque, 3cm diameter, 13.2g (2) £20 - £40

37 An Arts and Crafts silver and coral necklace, formed of knotted ropetwist quatrefoil and ring links alternating with chain and wire rosettes, between single coral beads and pearls, 44.5cm long, 11.7g £100 - £150

38 Murrle Bennett, an Arts and Crafts 9 carat gold and amethyst brooch, the central oval facet cut stone within open knotted tendril and leaf setting, 3.5cm long, 3.2g £80 - £120

39 Charles Horner, an An Arts and Crafts silver and enamelled pendant necklace, Chester circa 1908, embossed interlocking roundels with budding tendril motif on blue green enamel ground, suspended from a circular roundel, 5.5cm long, 6.4g £80 - £120

40

40 Murrle Bennett, an Arts and Crafts gold and amethyst bar brooch, the central oval facet cut stone wthin a coiled wing plaque encircled with a wire tendril, on a horizontal bar, with a box, 4cm long, 2.7g £80 - £120

41 Lalique, a blue glass cabochon bracelet and earring set, hemispherical roundels in white metal plated mounts, 21cm long the clip on earrings 2.5cm diameter £80 - £120

42 Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1914, the central oval plaque in blue, purple and green enamel within a cartouche of heart shaped leaves with triangular drop below, 4cm long, 3.4g £150 - £250

43 Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1908, the open heart shaped body with champleve green yellow enamel, set with a central pink cut stone, a drop below, suspended from a triangular panel link, 6cm long, 5.5g £150 - £250

44 A Scottish Iona style silver brooch, Robert Allison, Edinburgh 1965, in the form of a broad sword and Celtic shield, cast in relief, 7.5cm long, 8.6g £30 - £50

45

45 Jessie M King for Liberty and Co., an Arts and Crafts silver and enamelled pendant, circular form, cast and reticulated with stylised leaves around a central blue green enamel roundel, 3cm diameter, 5g £150 - £250

46 An Arts and Crafts silver and enamelled pendant, John Millard Bank, Chester 1902, cast in relief in the form of three poppy or tulip heads, blue green enamel between the stems, 3cm wide, 7.8g £150 - £250

47

47 Murrle Bennett (attributed), an Arts and Crafts silver and enamelled pendant, the quatrefoil bodu of interlocking discs and open rings, with drop below, in blue green enamel, 4.5cm long, 7.5g £180 - £220

48 Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1909, fuchsia form with blue green enamel panels and drop below, set with a moonstone cabochon to the top, 5cm long, 6g £180 - £220

49 Charles Horner, an Arts and Crafts silver and enamelled necklace, Chester 1909, the central pendant with open knotted tendril and blue green enamel panels, suspended from a triangular link panel, 6cm long, 6.7g £200 - £300

50 Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1911, geometric winged shield form with central oval green blue enamel plaque, with three fan shaped drops, suspended from a coiled roundel, 6cm long, 5.5g £200 - £400

51

51 Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1914, circular form with crescent in blue, green and turquoise enamel, three open bars set with a split pearl, two fan drops below, suspended froma triangular plaque, 7cm long, 5.8g £200 - £300

52 Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1912, in the form of a winged scarab, blue and green champleve enamel, suspended from a triangular plaque, 4.5cm wide £200 - £300

53 Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1909, modelled as a winged insect, champleve panels of guilloche enamel, the body textured in basse taille, a single pear shaped drop below, suspended from a roundel link, 6cm long £200 - £300

54 Murrle Bennett and Co., an Arts and Crafts silver and enamelled pendant, the pear form plaque cast in relief with a forget me not plant with eart shaped leaves, on a purple, blue and green enamel ground, suspended from a chain, a drop below, 5cm long, 11.1g £200 - £300

55 Bernard Instone, an Art Deco silver, marcasite and amethyst necklace, the ope foliate pendant with graduated leaves and rose cut stones, suspended on two further links and a chain, 3.5cm long, 13.7g £150 - £250

56 Art Deco silver and marcasite jewellery including Salamander brooch, pair of geometric panel earrings and a bow brooch, 29.9g £40 - £70

57

57 A Norwegian silver and enamelled butterfly brooch, Marius Hammer, circa 1920, purple basse taille wings and lilac body, 6.5cm wide, 16.1g £180 - £220

58

58 An Arts and Crafts silver and enamelled butterfly brooch, John Atkins, circa 1920, turquoise basse taille enamel wings with green and black bands, blue body, 6cm long, 8.1g £120 - £180

59

59 Einar Modal, a Norwegian Modernist silver and enamelled necklace, coiled spiral links in green basse taille enamel, suspended from a chain, 40.5cm long, 22.7g £50 - £100

60 A Modernist 9 carat gold and amethyst cabochon ring, the oval stone in a bark textured nest of knotted twigs, size N, 5g £60 - £100

61

61 Ernest Blyth for George Tarratt, a Modernist silver ring, Birmingham 1973, bisected triangular talon form on wide band, size P, 12.1g £50 - £100

62 A George III silver pair cased pocket watch, George Crane, Worcester, single fusee movement, chased and engraved with grotesque mask and foliate scrolls, numbered 4508, white enamelled dial with Roman numerals and gilt hands, in integrated outer case, 5.5cm diameter £100 - £200

63 A 9 carat gold ladies wristwatch on spring link bracelet, 26mm diameter

£50 - £80

64

64 A 14 carat gold ladies fob watch, full hunter, chased and set with diamond chips, white enamelled dial with Roman numerals, 32mm diameter £100 - £200

65

65 Langendorf, an Art Deco Swiss enamelled 9 carat gold watch ring, case made by Jung et Fils, import marks for Glasgow 1930, canted rectangular form with champleve floral motifs in polychrome enamel, between chased border, ring size M, 21mm long, 7.2g £100 - £200

66 An Art Deco silver cased travel watch, Sapho Swiss movement square dial with subsidiary seconds dial, engine turned cushion form case marked for Birmingham 1936, 4cm square £100 - £200

67 A gold coloured metal and amethyst set propelling pencil, circa 1880, hexagonal section with seal top, engraved floral and foliate decoration, 5.5cm long £50 - £80

68 Parker Junior Duofold fountain pen, green , with 14 carat gold nib

£30 - £50

69 Conway Stewart, a Conway 150 fountain pen, teal green, 14 carat gold nib with integrated press filler, in original box, possibly never inked £30 - £50

70 Guinea, James II, 1686, Second Bust, no stops on Reverse. S.3402 £1,200 - £1,500

71 Guinea, William and Mary, 1689, Elephant and Castle. S.3427 £1,100 - £1,300

72 Guinea, William III, 1695. S.3458 £900 - £1,100 73 Guinea, Anne, 1713. S.3574

- £600

Guinea, George I, 1722, Fourth Bust. S.3631 £700 - £900

Guinea, George I, 1726. S.3633

Guinea, George II, 1748. S.3680

Guinea, George II, 1756. S.3680 £500 - £600

Guinea, George III, 1766. S.3727

Guinea, George III, 1794. S.3729

84 Guinea, George III, 1798. S.3729 £400 - £500

85 Half Guinea, George III, 1775, Fourth Laureate Head. S.3734 £300 - £400

86 Half Guinea, George III, 1793. S.3735 £300 - £400

87 Half Guinea, George III, 1801. S.3736 £300 - £400

87A Guinea, George III half guineas, 1801 and 1804 (2) £300 - £500

88 Half Guinea. George III, 1804, Iverson variety Obverse, Reverse C. S.3737 £350 - £450

89 Third Guinea, George III, 1810. S.3740 £180 - £200

IV, Sovereign, 1837. S3829B

Sovereign, 1842, open 2 in date. S3852

George III, Sovereign, 1818, ascending colon after

Sovereign, 1863, Die No. 15. S3853

106 Victoria, Sovereign, 1864, Die No. 52. S3853

£300 - £350

107 Victoria, Sovereign, 1864, Die No. 81. S3853, and an unassociated mount (2)

£300 - £350

108 Victoria, Sovereign, 1865, Die No. 20. S3853

£300 - £350

109

109 Victoria, Sovereign, 1866, Die No. 75. S3853

£300 - £350

110 Victoria, Sovereign, 1868, Die No, 3 or 5. S3853

£300 - £350

111 Victoria, Sovereign, 1869, Die No. 3. S3853

£300 - £350

112 Victoria, Sovereign, 1869, Die No. 37. S3853

£300 - £350

113 Victoria, Sovereign, 1870, Die No. 88. S3853B

£300 - £350

114 Victoria, Sovereign, 1871, Die No. 2. S3853B

£300 - £350

115 Victoria, Sovereign, 1872, Die No. 56. S3853B

£300 - £350

116 Victoria, Sovereign, 1872, Die No. 57. S3853B

£300 - £350

117

117 Victoria, Sovereign, 1872, St George reverse. S3856A

£300 - £350

118 Victoria, Sovereign, 1872, St George reverse. S3856A

£300 - £350

119 Victoria, Sovereign, 1875M. S3857 £300 - £350

120 Victoria, Sovereign, 1876. S3856A

122

122 Victoria, Sovereign, 1877M, horse with long tail. S3857 £300 - £350

123 Victoria, Sovereign, 1879M, horse with long tail. S3857

£300 - £350

124

124 Victoria, Sovereign, 1880M, horse with short tail. S3857

£300 - £350

125 Victoria, Sovereign, 1882M, no BP clearly visible. S3857A

£300 - £350

126 Victoria, Sovereign, 1882M, no BP clearly visible. S3857A

£300 - £350

127 Victoria, Sovereign, 1884S. S3858E £300 - £350

128 Victoria, Sovereign, 1885M, no BP clearly visible. S3857A

£300 - £350

129 Victoria, Sovereign, 1885M, no BP clearly visible. S3857A

£300 - £350

130 Victoria, Sovereign, 1887S. S3858E £300 - £350

131

131 Victoria, Sovereign, 1893S. S3868C £300 - £350

132 Edward VII, Sovereign, 1903. S3969 £280 - £320

£300 - £350

121 Victoria, Sovereign, 1876M. S3857 £300 - £350

133 Edward VII, gold sovereign, 1908, 8.0g £300 - £350

134 George V, Sovereign, 1915. S3996 £280 - £320

135 George V, Sovereign, 1925. S3996 £280 - £320

136 Elizabeth II, Sovereign, 1957. S4125 £280 - £320

137 Elizabeth II, Sovereign, 1958. S4125 £280 - £320

138 Elizabeth II, Sovereign, 1959. S4125 £280 - £320

139 Elizabeth II, Sovereign, 1959. S4125 £280 - £320

140 Elizabeth II, gold sovereign, 1968, 8.0g £300 - £350

141 George III, Half Sovereign, 1817. S3786 £300 - £350

142 George III, Half Sovereign, 1820, rare. S3786 £250 - £300

143

143 George IV, Half Sovereign, 1821, very rare. S3802 £2,000 - £2,500

144 George IV, Half Sovereign, 1825. S3803 £200 - £250

145 George IV, Half Sovereign, 1825. S3803 £200 - £250

146 George IV, Half Sovereign, 1828. S3804 £180 - £220

147

149 Victoria, Half Sovereign, 1842. S3859 £150 - £180

150 Victoria, Half Sovereign, 1855, second 5 double struck. S3859 £150 - £180

151 Victoria, Half Sovereign, 1867, Die No. 5. S3860

£150 - £180

152 Victoria, Half Sovereign, 1884. S3861 £150 - £180

153 Victoria, Half Sovereign, 1885. S3861 £150 - £180

154 Victoria, Half Sovereign, 1886, Sydney, rare. S3862E £180 - £220 155

155 Victoria, Half Sovereign, 1887, Sydney, rare. S3862E £200 - £250

156 Victoria, Half Sovereigns,1894,1898 & 1900. S3878 (3) £450 - £550

157 Edward VII, Half Sovereigns, both 1905. S3974 (2)

£300 - £350

158 Edward VII, Half Sovereigns, 1909 & 1910. S3974 (2)

£300 - £350

159 George V, Half Sovereign, 1911. S4006 £150 - £180

160 George IV, Crown 1821, SECUNDO. S3805 £50 - £80

161 Victoria, Crowns (9), 1845 Cinquefoil, 1887,1888,1889,1891,1892,1893,1895 & 1897. George V, 1935, Rocking horse crown & 1889 Double Florin. S3882,3921,3937,4048 & 3923 £180 - £220

162 George IV, Maundy Set, 1822. S3816 £100 - £150

163 Elizabeth II, Maundy Set, 1958, boxed. S4131 £100 - £150

164 Elizabeth II, Year Sets (9) 1960,1963,1964(2),1965, 1966(2) & 1967(2) £10 - £20

147 William IV, Half Sovereign, 1834, rare. S3830 £400 - £500 148

148 William IV, Half Sovereign, 1837. S3830 £300 - £350

165

165 Australia, Victoria, Sovereign, 1866 £300 - £350

166 Canada, George V, 5 Dollars, 1912 £280 - £320

167 Canada, George V, 5 Dollars, 1913 £280 - £320

168

168 Canada, Newfoundland, Victoria, 2 Dollars, 1888 £300 - £350

169

169 France, Napoleon I, 40 Francs, 1811 £500 - £600

170 Isle of Man, Elizabeth II, Sovereign, 1973 £300 - £350

171 Isle of Man, Half Sovereigns, 1973 (2) £300 - £350

172 Peru, Republic, 1 Libra, 1917, Lima £200 - £250

173 South Africa, Paul Kruger, Pond, 1892, Double Shaft £350 - £400

174 South Africa, Paul Kruger, Pond, 1893 £350 - £400

175 South Africa, Paul Kruger, Pond, 1895 £350 - £400

176

176 South Africa, Proof Pound & Half Pound, 1960 (2) £400 - £500

177 Sweden/Norway, Oscar II, 20 Kronor £300 - £350

178 USA, 10 Dollars, 1901, Liberty Head

5 Dollars, 1898, Liberty Head

USA, 2.5 Dollars, 1908, Indian Head

183 USA, Dollars, 1886,1899,1920,1921 & 1922 (5) £100 - £120

184 A 22 carat gold commemorative medal for Winston Churchill, 1974, 8.5g £350 - £400

185 A twentieth-century Continental silver-coloured metal parcel-gilt cased dessert service, in the Aesthetic style, comprising strainer, nutcrack, serving knife and slotted spoon, the handles of the strainer and nutcrack marked, ‘800’, ensuite with a fitted presentation case with Paris retailer’s mark, length of serving knife 28.2cm approx £80 - £120

186 A George V silver quadruple sovereign case, of rounded square form with central push button release, opening to reveal four internal sprung recesses to take sovereigns, Goldsmiths & Silversmiths Co., Birmingham 1911, length 6.3cm, weight 76g/2.44ozt gross approx £250 - £350

187 A George III neoclassical silver swing handle basket, of navette form, the body with bead edge border, pierced with scrolls and decorated with floral garlands, ensuite with blue glass liner, sponsor’s mark effaced, London 1787, height (with handle lowered) 9.3cm, weight (sans liner) 125g/4.01ozt approx £200 - £300

188 A George III silver snuff box, of rounded rectangular form and curved to rest against the body, the exterior decorated with diaper work and flowerheads, the hinged cover opening to reveal a gilt interior, Samuel Pemberton, Birmingham 1806, length 6.8cm, weight 34g/1.09ozt approx £150 - £200

189 An Edwardian silver novelty pepperette, modelled in the form of ‘The Chauffeur’, the detachable head with pierced hat to allow the pepper to be dispensed, atop a weight circular form base, fully hallmarked to the rim of the base, with corresponding part marks struck to the flange on the cover, Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, Chester 1906, height 8.6cm approx £400 - £600

190 A George V silver tea strainer on stand, of semi-spherical form, the pierced strainer section with opposing fretwork style handles, atop a stand with three pad feet, Sanders & Mackenzie (Ernest Wilfred Sanders & Henry Arthur Mackenzie), Birmingham 1931, length (across handles) 9.3cm, weight 47g/1.51ozt approx £100 - £150

191 Christopher Dresser (attributed), an Aesthetic Movement silver claret jug, Mappin and Webb, London 1891, baluster gourd form with banded collar, on three conical peg feet, hollow loop handle and angled rim with hinged flat lid, gilt interior, 21cm high, 18.29ozt £400 - £600

192 A pair of Gothic Revival silver plated knife rests, circa 1860, in the style of A W N Pugin, each with pierced quatrefoil clusters of trefoil tracery, on plain rod stems, 7.5cm long (2) £40 - £70

193 An American Art Nouveau silver overlay glass perfume bottle and stopper, ovoid form, chased with reticulated stylised cornflower motifs within arcading, the stopper similarly decorated, stamped marks Sterling Silver, 14cm high £80 - £120

194 An American Art Nouveau silver overlay scent bottle, circa 1900, bulbous form with hollow spherical stopper, pierced and chased foliate scroll lattice, stamped marks Sterling Silver, 9cm high £30 - £50

195 Kate Harris for William Hutton and Sons, an Arts and Crafts silver and enamelled mug, London 1903, footed barrel form, embossed to the upper half with a band of stylised leafy trees with turquoise purple enamel between the branches, the handle of organic angled form, 9.5cm high, 5.76ozt £800 - £1,200

196 Kate Harris for William Hutton, an Arts and Crafts silver dish, London 1903, square section with inward folded edges, embossed to the centre with the profile bust of a woman in a bonnet, 10cm square, 2.32ozt £100 - £150

197 William Hutton and Sons, an Arts and Crafts silver and gem set box, London 1902, cushioned triangular form, the hinged lid with applied blind fretted organic cartouche set with a blue cabochon stone, gilt interior, 7.5cm wide, 3.34ozt £500 - £800

198 William Hutton and Sons, an Arts and Crafts silver tea caddy, London 1903, waisted cuboid form with corner buttress straps, embossed in relief with teardrop motifs on planished bands, the hinged and domed lid with similar decoration, gilt interior, 8.5cm wide, 8cm high, 6cm deep, 6.26ozt £450 - £550

199 A pair of Arts and Crafts silver mounted green glass whisky flagons, William Hutton and Sons, Birmingham 1900, optic ribbed cylidrical domed bdies, star cut to the bases, with applied loop handles, the silver collars with crimped petal rims, hollow spherical stoppers, 22cm high (2) £120 - £180

200 Oliver Baker for Liberty and Co., a pair of Arts and Crafts silver salt cellars, Birmingham 1900, planished and wide brimmed twin handled squat urn form, 7cm long, 2.04ozt (2) £100 - £150

201 A pair of Arts and Crafts silver sugar tongs, Mappin and Webb, Birmingham 1906, planished with naturalistic wavy tendrils rivetted at one end, the terminals bisected and applied to ovoid bowls, 9cm long, 0.61ozt £20 - £40

202 An Arts and Crafts silver grapefruit spoon, Winifred King, Birmingham 1926, the deep elongated ovoid bowl planished, on a knopped and turned stem with banded pellet finial, 14.5cm long, 0.91ozt £40 - £60

203 Ashbee, C R, 1909 and 1974, Modern English Silverwork, new edition with facsimile of the original, cloth bound £40 - £60

204 Charles Robert Ashbee for the Guild of Handicraft, an Arts and Crafts silver plated muffin dish and cover, circa 1905, the planished and domed cover with wire open baluster finial mounted with an agate cabochon, the broad rimmed bowl with hot water cavity and beaded inner rim, 24.5cm diameter £1,000 - £1,500

205 C R Ashbee for the Guild of Handicraft, an Arts and Crafts silver and chrysoprase set condiment stand, London 1902, the planished shallow sweeping base with three open wire tendril leaves supporting a ring above, each set with a green cabochon stone, 7.5cm diameter, 1.63ozt £500 - £700

206 A set of five Arts and Crafts style silver and garnet set spoons, marked Ag.999, planished with plain square section stems and cabochon set terminals, 11cm long, 2.07ozt (5) £40 - £60

207 An Arts and Crafts silver jug, Henry Hobson and Son, Birmingham 1909, bulbous conical form with angled lip and rattan textured demilune strap handle, in the Revivalist style of Christopher Dresser, 7.5cm high, 1.92ozt £40 - £70

208

208 Jessie M King for Liberty and Co., an Arts and Crafts silver and enamelled crumb brush, Birmingham 1911, T bar paintbrush form with long bristles, set with two stylised loral quatrefoils in blue champleve enamel, 17cm long £180 - £220

209 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled cigarette case, William Hair Haseler, Birmingham 1919, hip fitting cushioned rectangular form, pinstipe decoration with central stylised bud roundel plaque in blue green and ochre enamel, 8cm x 7.8cm 2.6ozt £250 - £350

210 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled vesta case, William Hair Haseler, Birmingham 1921, cushione rectangular form, pinstriped and set with a central roundel plaque of internal interlocking leaves on a blue green enamel ground, 5cm long, 4cm wide, 0.88ozt £150 - £250

211

211 An Arts and Crafts silver caddy spoon, Winifred King and Co., Birmingham 1932, planished pear shaped bowl on an plain open handle with coiled ropetwist motif, 7.5cm long,0.49ozt £50 - £80

204 205

212 Omar Ramsden and Alwyn Carr, an Arts and Crafts silver and enamelled pen tray, London 1913, twin handled rectangular form, planished and embossed with plain scrolling banners to each side, the ogee handles with green metallic enamel roundels overlaid with pierced foliate monograms within ropetwist borders, on six ball feet, 28cm long, 6.93ozt

£1,500 - £2,000

213 Bernard Cuzner for Liberty and Co., an Arts and Crafts silver lidded glass preserve jar and spoon, Birmingham 1912/1913, the bulbous body, probably by Stuart and Sons, optic moulded with roundels over concentric wavy bands, in the Secessionist style, the lid planished and ogee domed, incised with a geometric zigzag band, the spoon with similar diaper decoration to the finial, 13cm high

£200 - £400

214 An Arts and Crafts silver twin handled bowl, Henry Hobson and Sons, Birmingham 1909, squat ovoid form, in the Archaic Bronze Age revival, two rattan effect loop handles, 10cm diameter, 2.40ozt £50 - £80

215

215 A E Jones, an Arts and Crafts silver shaker, Birmingham 1941, planished tubular turret form with ball knopped domed lid, above a frieze of cast foliate bosses, ropetwist band to the foot, 17.5cm high

Note: inscription for Captain and Officers of 9th Submarine Flotilla, 7th August 1943

£300 - £500

216 Michael Bolton, an Arts and Crafts style silver spoon, London 1998, the oval form bowl planished and gilded, on a square section stem applied with beads, incised line decoration, 23.5cm long

£100 - £200

217 A Scottish Arts and Crafts silver spoon, Bernard Harrington, Edinburgh 1959, the planished bowl on a square section stem with open coiled tendril apple form finial, 10.5cm long, 0.25ozt £30 - £50

218

218 Sidney Reeve, an Arts and Crafts silver caddy spoon, Birmingham 1935, the planished oval bowl on a short stem pierced with a fruiting holly sprig, 8.5cm long, 0.77ozt £100 - £150

219

219 Henrik Moller, a Norwegian Dragestil silver belt buckle, embossed in relief as grotesque medieval gargoyle creatures, 7.5cm long, 1.0ozt £80 - £120

222 An Art Deco silver cocktail shaker, Adie Brothers, Birmingham 1929, shouldered milk churn form with ogee domed lid, beaded borders and internal strainer, 22cm high, 14.58ozt

£500 - £800

220 A pair of Norwegian Dragestil silver salt and pepper pots, Magnus Aase, Bergen circa 1920s, modelled in the form of drinking horns with bracket supports, embossed and chased with zoomorphic Celtic knot motifs, removable caps, 6.5cm high, 1.18ozt (2)

£50 - £80

221

223

223 A large Art Deco silver plated cocktail shaker, William Suckling, Kingsway Plate, circa 1930, conical form with ogee shoulder and domed cylindrical lid, integrated strainer and ice guard, 1.5 pint capacity, 22.5cm high

£70 - £100

224

224 Keith Murray for Mappin and Webb, an Art Deco silver plated bowl, circa 1935, W27688, conical form, with incised concentric ring banding to the rim and root, 10.5cm diameter

£40 - £60

£80 - £120

221 A large Jugendstil silver plated four arm candelabrum, circa 1925, conical form with embossed reeded body, four fluted scroll arms with seeded foliate terminals, supporting thistle headed sconces and drip trays in the Scandinavian skonvirke style, 72.5cm high

225

225 Vanpoulle of Westminster, a pair of Gothic Revival brass candlesticks, cylindrical sconces, knopped stems, domed bases, struck marks, 33cm high (2 £50 - £80

226 WMF, a Jugendstil ceramic and metal mounted teapot, straight sided oval form, decorated with a geometric band in grey with stylised rosettes of green and blue dots, rattan side handle and top swing handle, impressed and printed marks, 17cm high £20 - £40

METALWARE

227 WMF, a large pair of Jugendstil silver plated twin handled vases, elongated inverse baluster form, relief moulded with sinuous maidens and knotted flowers, open tendril whiplash handles, 50cm high (2)

£2,000 - £2,500

228 Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter coffee pot, model 0231, tapered cylindrical form, cast with knotted tendril motifs and looped rattan handle, on skate feet, conical domed lid, 22cm high £60 - £80

229 Archibald Knox for Liberty and Co., a large Tudric Arts and Crafts pewter biscuit barrel, model 0194, bowed cuboid form, relief moulded with chequered stylised leaf design, 14cm high £300 - £500

230 Archibald Knox for Liberty and Co., a Tudric pewter teapot, 0231, squat form with rattan handle and skate feet, impressed marks, 25cm £80 - £120

231 Archibald Knox for Liberty and Co., a pair of Tudric Arts and Crafts pewter candlesticks, model 0222, the oganic open square section bases with four fluted obelisks supporting a bullet form sconce with wide brim, stamped marks, 10cm high (2) £600 - £800

232 Archibald Knox for Liberty & Co, a Tudric pewter tray, circa 1905, oval form with integral handles and stylised peapod border, impressed No.0311, 36cm x 25cm £100 - £150

233 Archibald Knox for Liberty and Co., a pair of Tudric Arts and Crafts pewter and turquoise cabochon set trays, model 0163,, bread rimmed circular form, cast in relief with knotted tendril and leaf motifs above an off centre stone, 25.5cm diameter (2)

£150 - £200

234 Archibald Knox for Liberty and Co., a Tudric three piece teaset, 0231, squat form with rattan handle and skate feet, impressed marks, comprising teapot, milk jug and twin handled sugar bowl, 25cm (3)

£180 - £220

235 Archibald Knox for Liberty & Co, a Tudric pewter tray, circa 1905, with integral handles, embellished in the corners with entwined entralacs and berries, 0376, 49.5cm wide

£180 - £220

236

236 An Arts and Crafts pewter and enamelled box, circa 1920, planished cuboid form, the lid inset with a landscape plaque in blue and green enamel, cedar lined interior, stamped English Pewter, Sheffield, 17.5cm wide, 5cm high, 13cm deep

£250 - £350

237

237 Edgar Brandt (attributed), an Art Deo wrought iron table lamp base, circa 1920s, four sweeping uprights united on a ring base, between tooled coils, below leaf and spiral motifs, 20.5cm high

£40 - £70

238

238 Louis Comfort Tiffany, an Art Nouveau enamelled mixed metal Favrille dish, the shallow ogee bowl in textured brass, the copper rim with applied ropetwist panels and quatrefoils on pink purple enamel ground, stamped marks, 20cm diameter

£300 - £500

239 W H Mawson for Keswick, an Arts and Crafts copper box, cuboid form, repousse embsosed with Celtic knot panels, the hinged lid with quatrefoil and petal motifs, cedar lined, stamped marks, KHI, 13.5cm wide, 7cm high, 8cm deep £80 - £120

240 Three Arts and Crafts copper vessels, including a Newlyn style vase embossed with panels of fish in aquatic scenes, an inkwell with relief moulded shell and crustacean lid and a Continental vase with stylised birds, 13cm high (3)

£60 - £100

241 Birmingham Guild of Handicraft, four Arts and Crafts copper and brass dishes and trays, circular and domed form, possibly A S Dixon, together with another (5)

£50 - £80

242

242 De Courcy Lewthwaite Dewar (attributed), a Glasgow School Arts and Crafts copper and enamelled tea caddy, the heptagonal section shouldered pot with waisted cylindrical neck, planished, the circular lid painted with radiating leaves and white flowers, highlighted in gilt, on a red woven ground, 12cm high

Note: born in 1878, Dewar studied at the Glasgow School of Art where she worked alongside Jessie King and Peter Davidson amongst others. Many of her designs were illustrated in the Studio Yearbooks during the 1900s through to the 1920s, featuring bold enamelled designs similar to the one on this caddy. £500 - £800

WORKS OF ART

243 Kitchenalia, four Victorian copper jelly moulds by Benham & Froud, Nos.531, 295, 615, and 331, orb and sceptre marks, largest 11cm high, and a Victorian country house copper covered pan with crimped seams and twin handles, 24cm high (5) £150 - £200

244

244 Kenrick and Sons., a Gothic Revival cast iron letter flat door knocker, surmounted by a bat with outstretched wings, Celtic knot border and foliate swing handle, 24.5cm long £70 - £100

245 Two Aesthetic Movement painted panels, gilt ground, with owls in naturalistic grounds, ebonised frames (2) £100 - £200

246 Two Aesthetic Movement leaded glass panels, painted with birds in flight over wetlands, within concentric frames of foliate scroll panels and textured glass, 38cm x 44cm (2) £200 - £400 247

247 Jean Garnier, a French Art Nouveau novelty pewter jug, circa 1900, modelled as a chick emerging from a cracked shell, mouth open, signed in the cast J Garnier, stamped marks Eatain Garnier, Paris, 17.5cm high £50 - £80

248

248 Alexander Ritchie, an Iona Arts and Crafts copper and walnut box, sarcophagus form set with repousse decorated panels Celtic knot and foliate tendrils, the lid with Viking longboats in full sail between knotted borders, 33cm wide, 8cm high, 15cm deep £200 - £400

249

249 Edith McDermott for the Irish Art Workers Guild, an Irish Arts and Crafts Gaelic House Warming bowl, turned walnut, set with three enamelled roundels in pewter mounts, bewteen Celtic zoomorphic panels, the rim studded with wire inscription Atas ar do Teac ‘Happiness on your home’, signed to the underside Edith McDermott, Belfast, 27.5cm diameter

£100 - £200

250 A Rowley Gallery Arts & Crafts pier mirror, the top panel with a specimen marquetry mill scene, gilt frame, label remnants verso, 54 by 27cm

£80 - £120

251 Albert James Rowley (British, 1899-1931), In The Wood, titled on Gallery and The New Venture W.M. Weeks, Keswick labels verso, specimen wood marquetry plaque, 15 by 15cm, integral frame

£50 - £80

252 A Penelope Arts and Crafts ‘Jacobean’ crewel work embroidery kit, the large panel with drawn design, half finished, together with a collection of wools, two further smaller panels, 226cm x 182cm

£100 - £200

253 A Rowley Gallery Arts & Crafts pier mirror, gitt and blue frame with interspaced silvered squares, paper label verso, 50 by 34cm

£50 - £80

254 William Arthur Chase (British, 1878-1944), Repose, titled on Rowley Gallery label verso, specimen wood marquetry plaque, 15 by 15cm, framed.

Note: one of the first and most prolific of The Rowley Gallery artists was William Chase, who as well as creating many designs for inlay panels was also responsible for the distinctive Pan label used by Gallery from 1912.

£100 - £150

255 A French Art Deco gilt metal and marble desk stand, the black and white veined oval slab with pen trough and two hexagonal section inkwells, 22cm long

£50 - £80

256 A wax impression of the Seal of the City of Durham, the original probably before 1350, 6cm diameter

£30 - £50

257

257 Masonic interest, a George III paste star badge, the central vellum roundel painted with the arms of the Bristol section ot the Loyal Imperial United Lodge of Odd Fellows, within an eight pointed steel star pave set with facet cut glass, 8cm diameter

£40 - £70

258 A Roman intaglio, carved with two figures flanking a goat type animal, red hardstone, 1.5cm long

£40 - £70

259 Am Imperial Russian lacquered papier mache tea caddy, Vishniakov, circa 1900, cuboid form, the hinged lid painted with a woodland troika scene, tin lined interior with warrant mark, 18cm wide, 9.5cm high, 11cm deep

£60 - £80

260

260 Enamelled portrait plaques of Atilla and Crocus, a chalcedony intaglio seal with the arms of Wright of Scotland, mourning plaque, cameo etc.

£70 - £100

261 A carved agate cameo of Marcus Aurelius, in the Roman style, possibly of the period or later, modelled in relief with full beard and parted fringe, 2.5cm long £80 - £120

262

and crosshatched design, 100cm long. Provenance: from a Cotswold estate £500 - £800

268 A Victorian learning or teaching aid, the hinged wooden box containing alphabetical, numerical, and punctuation tiles, grid slot to the inner cover with a retractable strut, with brass presentation plaque ‘Presented to Mrs Cockerell as a Memento of Esteem by the Teachers of the Little Ebenezer Sunday School, North End Fulham’, 45cm wide, 26cm deep closed £100 - £150

262 A Regency tortoiseshell tea caddy, circa 1820, of sarcophagus form, silver wire strung, white metal escutcheon, monogrammed plaque and ball feet, fitted interior with twin lidded compartments, ivory finials and lined, 16cm high, 18cm wide, 11cm deep.

Note: Ivory Act Exemption Certificate No. PGY28TLZ £100 - £150

263 A court sword and patent leather dress shoes of a High Sheriff, the steel blade marked for Hammond and Co., cut steel studded grip and hilt, in leather scabbard, the pump shoes with paste buckles, approx size UK 7 £100 - £200

264 A Caucasian Pepedril tribal rug £200 - £400

265 A Rowland Ward leopard skin taxidermy rug, brown felt backing, original label, circa 1900 £200 - £300

266 Taxidermy, an early 20th Century armadillo, 16cm high, 36cm long £200 - £300

269

269 A Victorian rosewood gentleman’s toilet box or dressing box, circa 1860s, brass inlaid with fretted foliate edges and cartouched, flush carrying handles, the fall front and hinnged lid opening to reveal a baize lined interior of compartmented tray and pigeon holed undercroft for brushes and boxes, various tortoiseshell razors and tools infront of a mirror, 25cm wide, 12.5cm high, 21cm deep £150 - £250

270 A 19th century speciemn parquetry sewing box with extensive contents, including etched mother of pearl spools and ribbon winders, with orignal fabrics and ribbons, gold thread, rosewood and Tunbridgeware spools and boxes, white metal thimbles, pin cushions, Victorian lace, needle cases, rosewood retractable pencil etc., 27cm wide, 10.5cm high, 21.5cm deep

£150 - £250

271 A 19th Century mahogany and brass banded metamorphic companion writing slope/secretaire, the tambour domed lid opening mechanically by the drawer, revealing pigeon holes and compartments to the interior, the fall front slope resting on the drawer, 53cm wide, 28cm high, 43cm deep

£200 - £400

272 A Victorian Japanned papier mache dressing/stationery box, rectangular section platform form with hinged lid, inset with mother of pearl flroal motifs and rose garlands in gilt, opening to reveal a pen tray, inkwell cavity and trayed interior, on bracket feet, 37cm wide, 32cm deep

£100 - £150

273 A Japanned papier mache stationary box, cuboid form with hinged piano lid, painted and inset with mother of pearl floral bouquets within gilt cartouches, the sectioned interior with Moroccan leather edged dividers, 21cm wide, 12.5cm deep, 13cm high

£70 - £100

277

£100 - £200

274 Two albums of early 20th century postcards, Mabel Lucie Attwell, Louis Wain, Lawson Wood etc.

275

275 A Regency tortoiseshell tea caddy, circa 1820, of bowfronted sarcophagus form with silver wire inlay, ivory bun feet, fitted interior with twin lidded compartments, ivory finial and border, 17cm high, 23cm wide, 14cm deep.

Note: Ivory Act Exemption Certificate No. ABW3YHT2 £200 - £300

276 A George III sampler, by Ann Hammond, aged 9, dated 1812, embroidered with the alphabet, numbers and verse, 28cm x 25cm, unframed

£100 - £200

277 An 18th century George II sampler, dated 1748, embroidered in white, yellow, green and purple with the alphabet, royal cyphers, numbers and crown and lion passant motifs, 17cm x 11.5cm, unframed

£150 - £250

278 An 18th century sampler, embroidered in green with alphabet and numbers in four rows, 17cm square, unframed

£50 - £80

279 An 18th or 19th century sampler, embroidered with alphabet and initials in different coloured thread, borders and motifs, named Fran, 24cm x 14cm, unframed £80 - £120

280 A 17th century style lace pillow case, in the Mannerist style with faun type figures flanking a caryatid within foliate ground, bordered with geometric C scroll panels, edged in open knotted foliate fringes,100cm long, 34cm wide £200 - £300

281

281 A 17th century William and Mary sampler, dated 1693 and 1694, embroidered in shite, blue, green, red and purple with the alphabet above various monogram initials, dates and numbers, 10cm x 16.5cm, unframed

£200 - £400

282 A 17th century gilt embroidered velvet religious hanging, red ground with foliate scroll and acanthus design within entwined ribbon borders, gilt tasselled ends, 98cm long, 27cm wide

£100 - £200

283 A large stumpwork embroidered panel, probably 17th or 18th century, decorated with an extensive tapestry style Biblical scene, in ebonised frame, 48cm x 67cm

£800 - £1,200

284

284 Royal Interest, a pair of porcelain profile portrait plaques in high relief, George V, King of Hanover, 1878 and Christian VII, King of Denmark, 1769, both with gilt titled and presentation plaques, ‘Given to the Sub-Dean of the Chapels Royal & Mrs Edgar Sheppard by The Prince and Princess of Wales, April 28th 1903’, in glazed box frames surmounted with gilt coronets, 35 by 29cm (2).

285

285 A pair of George IV Thomas Messenger bronze colza rhyton oil lamps, circa 1820, each in the form of a boar’s head supporting the reservoir, on acanthus stepped rectangular plinths, both stamped ‘Messenger’, 15cm high, 21cm wide, (incomplete and later converted to electricity) (2).

Note: these distinctive lamps are closely related to a pair stamped Messenger now in the Birmingham Museum and Art Gallery. A further un-stamped ormolu pair once owned by the Duke of Newcastle is in the Leeds City Art Galleries at Temple Newsam. The design originates from the ancient rhyton of the sepulchral monument to Augustus Urbanus on the Appian Way in Rome, illustrated by G.B. Piranesi and published in ‘Vasi, Candelabri, Cippi, Sarcofagi...’(1778). Thomas Messenger & Sons advertised as ‘Manufacturers of Chandeliers, Tripods and Lamps of every description in bronze and ormolu’. The rhyton features on the firm’s trade-card of the 1830s (see C. Gilbert and A Wells-Cole, The Fashionable Fire Place, 1660-1840, Temple Newsam House, Leeds, 1985, pp.145 and 140, fig. 95).

£300 - £500

286

£500 - £800

Note: James Edgar, known later in life as Canon Edgar Sheppard (1845-1921), was a doctor of divinity who became Sub-Dean of the Chapels Royal and Chaplain to Queen Victoria, Edward VII, and George V. He lived at St James’s Palace and in the cloisters at Windsor Castle. For his services to the three monarchs he was appointed a Knight Commander of the Victorian Order in 1914 by King George V. He died at Windsor. Provenance: inherited by the current vendor.

286 Italian School, late 19th Century, a classically draped female nude, modelled standing against a rockface, 65cm high (s.d) £200 - £300

287

287 French School, early 20th Century, study of a hound on the scent, bronze, all-over dark brown patina, mounted on a green veined marble plinth, bronze 15cm high, 23cm wide £150 - £200

288 Louis Ernest Barrias (1841-1905), a bronze figure group, mother and child, modelled embracing, on a red marble base, signed in the cast E Barrias, foundry mark F Barbedienne, 31.5cm high £400 - £600

289 Two cold-painted bronze models of a pheasant and a cock pheasant, early 20th Century, in the manner of Franz Bergman, realistic plumage, each mounted on oval green onyx plinths, width of largest 20cm (2) £150 - £200

290

290 A..Gentili (?) (Italian, early 20th Century), bust of a Pierrot, signed verso, white marble, mounted on a canted veined marble plinth,19cm high £70 - £100

291

291 Bruce Bairnsfather, a novelty bronze car mascot, modelled as Old Bill, in helmet and scarf, signed in the cast, on a removable plinth, 14cm high £500 - £800

292 Henri Honore Ple (French, 1853-1922), Courtship, signed, bronze, all-over dark brown patina, 66cm high, on a plinth £700 - £1,000

293 Ray Lonsdale (British, 1965), screaming human bust leaning forward with hair swept back, black anodised metal, on an integral stand, 125cm high.

Note: Artist Resale Rights apply

£1,000 - £1,500

294 Ray Lonsdale (British, 1965), human bust, rusted finish, on a stand, 181cm high.

Note: Artist Resale Rights apply £1,000 - £1,500

295

295 J. Brandl, an 18th-century portrait miniature painted to depict a young bewigged woman with striking blue eyes, indistinctly signed, on ivory, 6.7 by 8.6cm, framed in gilt metal, Ivory Act Exemption Certificate No: A17XWAH5 £80 - £120

296

296 A pair of 19th-century portrait miniatures, finely painted to depict young women, one in the pre-raphaelite manner with flowing red hair, on ivory, 4 by 4cm, framed in gilt metal and blackened wood, Ivory Act Exemption Certificate No: LJNLBNGP (2) £80 - £120

297

297 An early 19th century portrait miniature painted to depict a man in a high-collared blue coat, on ivory, 4.8 by 4.8cm, framed in a gilt metal and wood, Ivory Act Exemption Certificate No: H8D48JDH £50 - £80

298 E.E., a 19th century portrait miniature painted to depict a young woman in 16th century dress, signed, on ivory, 4.3 by 5.5cm, framed in a gilt metal and ivory octagonal frame, 11.3 by 9.4cm, Ivory Act Exemption Certificate No: D8QHSGG7 £80 - £120

299 An 18th century portrait miniature painted to depict a young bewigged woman with black ostrich feather hat, on ivory, 6.4 by 8.1cm, in a gilt metal and ivory frame with engraved and inlay decoration, 11.6 by 13.6cm, Ivory Act Exemption Certificate No: 8PRX1BZB £80 - £120

300

300 A pair of 18th-century portrait miniatures finely painted to depict a bewigged man in a purple velvet jacket and a young man with free-flowing red hair, on ivory, 3.7 by 4.6cm, in gilt metal, piano key ivory and wood inlay frames, 8.5 by 9.7cm, Ivory Act Exemption Certificate No: MR2EPQ9K (2) £100 - £150

301 A collection of three portrait miniatures painted to depict a family, circa 1800, on ivory, 6.2 by 8.3cm, framed in a git metal, piano key tortoiseshell and ivory frame, 12.7 by 14.7cm, Ivory Act Exemption Certificate No: FF28YCV3 (3) £200 - £300

302 Richard Cosway R.A. (British, 1742 821), portrait of Miss Rosewell Preston painted in 1789, signed, on ivory, 7.3 by 5.8cm, black wood and gilt metal framed, Ivory Act Exemption Certificate No: 7PW92Z28. £600 - £1,000

MILITARIA AND MEDALS

303 A French M1886 Lebel modified sword bayonet, cruciform blade, brass grip, quillon removed, housed in steel scabbard, frog stud marks, blade 52cm long

£40 - £60

304

304 Aller Vale, Military Interest, an Art Pottery miniature twin handled tig, 1900, relief moulded with a Boer War soldier, the reverse with motto God bless you Tommy Atkinson Heres your countrys love to you, South Africa 1899-1900, 4.5cm high

£40 - £70

305

305 A Victorian First Sussex Artillery Volunteers helmet, ball finial, with helmet plate incorporating Royal Arms and ‘First Sussex Artillery Volunteers’, Hobson & Sons, London inner label, 26cm high

£60 - £100

306 A French M1886 Lebel sword bayonet, cruciform blade, white metal grip and quillon, housed in steel scabbard, quillon marked 25927, blade 52cm long £70 - £90

307 A WWI Ross of London sighting telescope, blackened brass barrel with ‘Change of Power’ adjustment, No.57658, 73cm long extended £100 - £120

308 A World War I 1827 pattern Rifle Brigade officers sword, with black sharkskin handle, in leather scabbard, 103cm long £150 - £250

309 A Gulikers Maquinay percussion pistol, steel barrel and plate with integrated tamper rod, brass fittings, 40cm long, barrel 23cm long

£150 - £250

310

310 A World War II and later medal group, 7590523 WO CL 1 Anthony Cecil Rogers REME, including France and Germany Star, Defence Medal, Royal Electrical and Mechanical Engineers General Service Medal with Malaya bar, Long Service and Good Conduct Medal, together with a Malaysia Active Service Medal, regular army certicifates of service, various badges etc

£200 - £300

311 A German Third Reich Hitler Youth knife, nickel pommel and crossguard, diced grip with inset enamel lozenge-shaped logo, the Hartkopf blade engraved with motto ‘Blut und Ehre’, black painted metal scabbard with leather belt loop and retaining strap, 25cm long

£300 - £500

312

312 A German Third Reich Naval Officer’s dagger, gilt eagle finial, wire-bound white plastic grip, anchor crossguard, W.K.C. blade, gilt metal scabbard with twin ring suspension hooks, 41cm long

£550 - £650

313 A German Third Reich Army Officer’s dagger, ribbed orange plastic grip, eagle crossguard, metal scabbard with twin ring suspension hooks with straps and silver knot, 39cm long

£550 - £650

318 An Elizabeth II Golden Jubilee Medal, 2002, in box, issued to 25022147 Sgt CD Aspinwall, together with a large collection of military cap badges and buttons £80 - £120

319 A World War I and II medal group, 205098 Pte A Rowley, Labour Corps, Great War pair and 1939-45 star, together with Royal Antidiluvian Order of Buffaloes medals and a cap badge (7) £80 - £120

£600 - £800

314 A German Third Reich Luftwaffe dagger, 2nd Model, wire bound orange plastic grip, eagle crossguard, Puma blade, metal scabbard with twin ring suspension hooks, strap and silver knot, 42cm long

315 A German Third Reich RAD officer’s presentation dagger, awarded to Ernst Lambeck, eagle head hilt with celluloid grips, the Alcoso blade engraved ‘Arbeit Adelt’, the metal scabbard engraved with the recipient’s name, 40cm long, in a fitted red presentation case with suspension straps, enamel stick pin and photographs of the recipient

320 A World War I medal pair with citation, DM2 - 168324 Pte A Atkins ASC £80 - £120

£3,500 - £4,500

316

321 A World War II and Palestine medal group, 5250763 Pte F Dugmore E Worcestershire Regiment, Burma Star, France and Germany Star, Defence Medal etc., together with a WWI medal pair, badges and a whistle £100 - £200

322 A Military Cross medal group, Major Roger James Hartley, 2/6th London Regt. 1915-1916, 199th Machine Gun Company 1916-1919, Ceylon Planters Rifle Corps, including WWI medal pair Defence and Great War, George VI Coronation Medal 1937 and Ceylon medal, together with miniatures

316 A 15 carat gold and enamelled Royal Artillery bar brooch, cast and pierced emblem with blue enamel banners, 5cm long, 5g

£130 - £180

317 A 9 carat gold and enamelled Roal Army Service Corps bar brooch, applied 8 pointed star on plain bar, 4.5cm long, 2.1g £50 - £80

Note: from the Ceylon Roll of Honour Pt 1: HARTLEY, Roger James; born London Oct 28 1893 educated Elstree and Aldenham address C/o Geo Steuart & Co Colombo unmarried arrived in England Mar 31 1915 commissioned Apr 30 1915 Regt 2/6th London Regt at Norwich Apr 30 1915 War History East Coast Defence Apr 30 1915 to Aug 1916, transferred MGC France Dec 1916, Passchendaele Oct 1917, Italy Nov 1917 to Mar 1918, Retreat at Belagines and Bapaume etc, wounded Mar 1918, MC, A/Major, Passchendaele Apr to May 1918, Capture of Courtrai, Army of Occupation, Cologne, demobbed Jun 9 1919 English address The Forteas Fortune Elstree Herts

£800 - £1,200

FURNITURE

323 An 18th Century carved gilt wood picture frame, the pediment in the form of two winged cherubs beside a flaming urn, Greek key border, opening 57 by 47cm

£80 - £120

324 A George III mahogany framed porters chair, high barrel back, raised on tapered block legs terminating in brass capping and castors, 110cm high, 75cm wide

£200 - £300

325 A 17th Century Welsh oak child’s armchair, Monmouthshire, panel back with carved lozenge within a border, scroll terminal arms, plank seat, baluster front supports, stretcher, 71cm high, 52cm wide, 42cm deep

£80 - £120

326 A Regency rosewood work and games table combined, circa 1820, fold-over top with green baize lining, frieze drawer with a retractable implement well below, S-shaped side supports, 60cm wide, 40cm deep, (key)

£100 - £150

327 A Chinoiserie black lacquer and penwork games table, mid-19th Century, square tilt-top with chess board within exotic birds amongst foliage border, reeded and knopped pedestal base, trefoil plinth, lobed feet, 52 by 52cm.

Note: Ivory Exemption Certificate No. V3JZBP8Z £100 - £150

328

328 An Aesthetic Movement Thebes corner chair, Oetzman and Co., circa 1880, the square rush seat on bobbin turned and tapered mushroom footed legs, the two back panels with dowelled angled dowel gallery in the style of E W Godwin, 66.5cm high

£100 - £200

329

329 Liberty and Co., an Arts and Crafts walnut Medina writing bureau, circa 1880, in the Moorish style, the fall front below a formerly curtained gallery supporting a shelf with mashrabiya panels, four Persian arches below a single drawer, on four square section tapered legs with brass caster feet, the reverse with further pigeon holes for books, 63cm wide, 126cm high, 41cm deep

Note: illustrated in the Liberty and Co catalogue circa 1890, priced at £8 8s, and marketed as the Medina Ladies’ Writing Bureau. The side panels would have had fabric pockets £200 - £400

330

330 Liberty and Co., a pair of Aesthetic Movement Moorish design oak occasional tables, circa 1890s, hexagonal tops on turned legs united by Persian ogee arches, low shelves below, 40.5cm diameter 55cm high (2) £200 - £400

331 George Jack for Morris and Co. (attributed), an Arts and Crafts walnut occasional table, circa 1880, the ogee moulded circular top on eight cabriole legs with pad feet, united by a low shelf on stretchers, 69cm diameter

334

334 Gerard van den Berg (Dutch, 1947), for Montis, a blue leather lounge chair and ottoman, on aluminium disc feet, 'Montis' label, the chair 75cm wide (2) £300 - £500

£100 - £200 332

332 Hans Wegner (Danish, 1914-2007), for Fritz Hansen, a pair of beech and teak ‘heart’ stacking chairs, with labels (2) £100 - £200

333 A 1960s Gordon Russell oak sideboard W: 183 cm D: 50 cm H: 73 cm £150 - £250

335

335 A contemporary Mufti dining table, of industrial design with a patinated brass top and wrought iron base with an nverted strut, 73cm high, 95cm deep, 200cm wide.

Note: this table currently retails for £4,175 £800 - £1,200

CLOCKS

336 A Gothic Revival carved oak wall clock, in the style of A W N Pugin, the 12 inch white enamelled dial with Roman numerals within an ogee foliate decorated pediment, and C scroll border with quatrefoil and trefoil tracery, 69cm long £200 - £400

337 An Arts and Crafts copper and enamelled bracket clock, in the style of CFA Voysey, rivetted cuboid form, repousse embossed with planished chapter ring of Arabic numerals above a stylised tulip and knotted tendril plaque with heart shaped cabouchon in blue green enamel, shallow domed wide pediment above, 35cm high, 25.5cm wide (key) £800 - £1,200

338 An Art Deco oak wall clock, Northern Goldsmiths Company, Newcastle Upon Tyne, convex circular form with stepped frame and gilt Arabic numerals, 33.5cm diameter £80 - £120

339 A Black Forest ‘whistling’ automaton, early 20th Century, in the manner of Karl Griesbaum, in the form of a man standing cross-legged beside a wall clock, 35cm high £150 - £200

340 A Black Forest ‘whistling’ automaton, early 20th Century, in the manner of Karl Griesbaum, in the form of a tramp with a bottle standing beside a lampost, 47cm high £150 - £200

341 T. Wheeler, London, an early 20th Century Compensated brass military marine barometer, silvered dial, No.2152, broad arrow mark to the rear, 11.5cm diameter £40 - £60

341A A J. Lancaster 1891 Instantograph Patent concertina Field camera, mahogany with brass fittings, blue bellows, with two sheet film holders, a larger version, and velvet dark sheet. Ivory Exemption Certificate No. NEPVSVFM £150 - £200

341B An Eastman Kodak Cartridge concertina camera, brown bellows, with ivorine Sands Hunter plaque, 16cm high, 21cm wide. £50 - £80

341C A Sanderson 4x5 Field concertina camera, red bellows, brass, and mahogany fittings with a C.P. Goerz lens, ivorine plaques, 16cm high, 16cm wide, with double-side sheet film holders

£80 - £120

341D A Rollei Rolleiflex 2.8F camera, Franke & Heidecke, DBP Serial No. 2434078, in an outer protective case with spare lens £100 - £150

342. Camerden & Forster, New York, (retailer), a late 19th Century repeating alarm carriage clock, gilt metal corniche case, swing handle, visible platform lever escapement, inset ceramic Arabic numerals, subsidiary alarm dial, double gong striking mechanism,14cm high excluding handle, (key) £300 - £400

343 Cliff of Hull, a George III flame mahogany and inlaid longcase clock, arched caddy top with brass urn finials, brass dial with name in the arch, silvered chapter ring with Roman numerals, subsidiary date and seconds dials, scroll spandrels, serpentine strung trunk door, bracket feet, 227cm high, (two weights, winding key, door key and pendulum).

Note: Ivory Exemption Certificate No. T38CJ6TY. £500 - £800

344 Atelier H. Sandox Perrin, Chaux-de-Fonds, a large French balloon-shaped boulle work bracket clock, of Louis XV design, 19th Century, cast brass Rococo mounts, winged bearded classical figure holding a scythe, brass dial with inset Roman enamel numerals and seconds markers, raised on scroll feet, the backplate signed, chiming movement, 90cm high, with the associated ogeeshaped wall bracket (pendulum) (2) £700 - £900

345 Ellicott & Company, Royal Exchange, London, a Regency mahogany bracket clock, arched case with brass swing handle, 20cm convex white enamel dial with Roman numerals, concealed brass seconds dial and strike/silent lever, the front door and sides with brass fretwork sound grilles, double fusee movement striking on a bell, the backplate signed ‘Ellicott & Co, London’, raised on brass bracket feet, 48cm high, 32cm wide, 21cm deep, (pendulum and rear door key)

£800 - £1,200

346 John Clark, London, a George II ebonised bracket clock, caddy top with a brass swing handle, arched brass dial with a subsidiary date dial in the arch, scroll and mask spandrels, silvered principal chapter ring with Roman numerals and pendulum aperture, oval plaque signed ‘John Clark, London’, double fusee movement striking on a bell, bright-cut engraved scrollwork backplate, side sound grilles, bracket feet, 47cm high, 28cm wide, 18cm deep, (pendulum)

£1,000 - £1,500

DAY TWO

ORIENTAL

347 A Chinese famille verte dish, Ming, circular form, painted with a central landscape within an iron red seal and foliate cartouche border, 38.5cm diameter £300 - £500

348

348 A Chinese blue and white dish, Ming, painted with a bird on rock with peony design, within a pannelled border of peaches and chrysanthemums, 25.5cm diameter £300 - £500

349 Two Chinese export blue and white platters, each of elongated octagonal form, one with a Willow type design within trellis and cartouche border, the other with lotus flowers and bamboo, 42.5cm long (2) £80 - £120

350 A set of five Chinese famille rose plates, 18th century, octagonal form, painted in the Cantonese style with a boy presenting a box to two elders in a garden landscape, within diaper ground cartouche set border, 23cm diameter (5) £400 - £600

351

351 A set of four Chinese famille rose soup plates, 18th century, octagonal form, painted in the Cantonese style with a boy presenting a box to two elders in a garden landscape, within diaper ground cartouche set border, 23cm diameter (4) £300 - £500

352 A Chinese reticulated jade inset brass box, the central pendant roundel carved and pierced with foliage, within an engraved peony ground, cedar lined interior, 13.5cm wide, 5cm high, 9cm deep £20 - £40

353

353 A matched pair of Chinese reticulated vases and covers, hexagonal section inverse baluster form, with internal blue and white cavities, the panelled sides of pierced honeycomb form, painted in Imari colours, 28.5cm high (2) £600 - £800

354

354 A Chinese famille verte bowl, painted with panels of prunus and chrysanthemums, the trellis border punctuated with lotus flowers, 20cm diameter £150 - £250

355 A Chinese famille rose jar and cover or tea caddy, Canton, cylindical form, painted in the round with courtly figures in a garden landscape, 12cm high £30 - £50

356 A Chinese Doucai Gu vase, cylindrical flared form, painted in the round with three bands, scholarly figures in a garden landscape, above a wetlands scene with ducks, chrysanthemums and lotus, the lower section with boys playing, 46cm high £800 - £1,200

357 A Chinese blue and white jar, Kangxi mark, shouldered cylindrical form, painted with panels of figures between ogee cartouches of geese, within a prunus ground, 15cm high £30 - £50

358 A Chinese famille rose teapot, 18th century, spherical form, painted with figures beneath pine trees, 19cm long £40 - £60

359 A Chinese Yixing four piece tea set, pewter overlaid redware, chased dragon design below Chinese characters, including kettle, teapot, jug and covered bowl, 15.5cm high (4) £400 - £600

360 A Chinese sang de boeuf monochrome vase, shouldered form with flared rim, 40cm high £200 - £300

361 A pair of Chinese turquoise ground vases, shouldered rolo form, painted with deity figures in polychrome enamels, 40cm high (2) £1,200 - £1,800

362

362 Two Chinese famille rose plates, one painted with a garden landscape of figures beneath a prunus tree, the other with cockerel and peony pattern, within floral and foliate cartouche borders, 22.5cm diameter (2) £50 - £80

363 A pair of Chinese famille verte vases, shouldered form, applied with lizards to the necks and shishi dog handles, painted with panels of populated garden landscapes, between floral vases and scholars table still life scenes, 44cm high (2) £800 - £1,200

364 A Chinese celadon ginger jar and cover, elongated shouldered form, deocorated in relief with a band of foliate scrolls and chrysanthemums, between ruyi head and lappet borders, underglaze blue Qianlong mark, 23cm high £600 - £800

365

365 A Chinese blue and white ginger jar and cover, painted with prunus blossom on a blue wavy ground, concentric blue ring mark to underside, 12cm high £50 - £80

366

366 A Chinese famille rose brush pot on integrated platform stand, hexagonal section with relief moulded panels of dolphins flanking auspicious symbols within floral trellis borders of alternating colours, the overhanding rim of zoomorphic key design, on a ruyi bracket footed hexagonal platform base painted with wood effect texture, enamelled chrysanthemum roundels to the top, 17.5cm high £600 - £800

367

367 A pair of Chinese famille rose plate and another, two with ogee petal borders, each painted with a figure in a garden landscape with chickens, 19cm diameter and 22cm diameter (3) £80 - £120

368 A Japanese gilt lacquer cigarette case, circa 1900, rectangular cushioned form, three coloured gold Mount Fuji vignette with cranes and temples, within a millefiori chrysanthemum ground, the reverse with a cartouche of irises and wetland birds, 9cm x 7cm £80 - £120

369

369 A Chinese cinnabar lacquer box, ogee oval form, the lid carved in relief with a farmyard landscape scene with figures on a veranda watching geese, geometric hexagonal rosette ground, 15.5cm wide, 12cm deep, 5.5cm high £80 - £120

370 A large Chinese monochrome vase, bulbous form with cylindrical neck, streaky turquoise glaze, 43cm high £600 - £800

375 Two Chinese blue and white plates, lotus mark, painted in the Kangxi style, circular ogee moulded rims, the central roundel of cracked ice and prunus design overlaid with a four ogee petal flower, each with a rocky landscape within, radiating lappets of alternating peony and prunus motifs within a hexagon border of alternating chrysanthemums and peonies, the cavities with prunus and leaf motifs, concentric ring and lotus flower marks, 25.5cm diameter (2) £100 - £200

376 A Chinese blue and white plate, Kangxi, everted rim, painted with scholars and attendant in a rocky garden landscape, 27.5cm diameter £80 - £120

377 Three Chinese monochrome glazed vases, Qing Dynasty, shouldered ovoid form, black glazed, of varying heights, 29cm high (3)

£150 - £200

371 An Oriental blue and white vase, teardrop bottle form, painted with chrysanthemums and lotus flowers on a rocky outcrop, 13.5cm high

£80 - £120

372 A Chinese stained and lacquered wood low table or stool, probably 19th century or earlier, rectangular with flute edged square section legs and spade feet, united by stepped high stretchers, 51cm wide, 51cm high, 33cm deep

£60 - £100

373 A Chinese famille rose brush pot, Qianlong mark, canted cuboid form with relief moulded bamboo edges, each side painted with boys playing, between verses, concentric key borders, turquoise glazed interior, 11.5cm high

£600 - £800

374 A Japanese blue and white painted plaque, decorated with ducks flying over a wetland scene, framed in Oriental hardwood, 24cm x 37cm £100 - £200

378

378 A Chinese famille rose dish, enamelled with deer in a garden landscape, within geometric and foliate panel border, 22cm diameter £60 - £100

BOOKS AND MAPS

384 Two late Victorian sepia photograph albums, dated 1880 and 1886, UK and Continental Europe topography, to include churches, cathedrals, country houses, seaside resorts, a below-stairs staff group photograph etc (2) £400 - £600

385 A mid Victorian missionaries book £200 - £300

386 An album of photographs relating to stars of the screen, 1930’s to 1940’s, some signed, some with facsimile signatures, those signed include Sylvia Welling, Harry Roy, Dorothy Lamour, Richard Attenborough, Robert Ryan etc £80 - £120

379 A pair of Chinese famille rose enamelled metal vases, footed baluster form, painted in the Qianlong style with lotus flowers and foliate scrolls, banded with ruyi head and lappet borders, 20.5cm high (2)

£200 - £300

387 Art & Design Exhibition catalogues and leaflets, including Picasso Etchings 1930-1936, St George’s Gallery Prints, 1955, Eric Gill, ‘Art and Manufacture’, New Handworkers’ Gallery’, Peter Potworowski, ‘5 Letters’, 1947-48, Stefan Themerson, ‘The Lay Scripture’, 1947, ‘Colour Lithographs & Etchings’, St Georges’ Gallery Prints, 1956, ‘Alexander Calder, Sculptures & Mobiles’, The Arts Council, 1962, ‘Aerial Flowers by Paul Nash’, 1947, ‘Traditional and Modernity in Metalwork by Sir Lawrence Weaver’, and two 1951 Festival of Britain catalogues, London and Birmingham/Leeds (11) £80 - £120

380 A Chinese porcelain vase, Guangxu period, (1875-1908), profusely decorated with court scenes and attendants, and warriors to the reverse, 63cm high

£400 - £600

381

388 Royal Interest, an archive of ephemera and correspondence relating to the late director of the disability movement (Spinal Injuries Association) Stephen Bradshaw, including 1988 and 1990 Christmas cards from Prince Charles and Lady Diana Spencer, a 1990 letter from Prince Charles stating his gratitude over the years for work of his Advisory Group on Disability, three Christmas cards from Princes Anne as well as a letter dated 2001 and photographs, late 1980’s/early 1990’s correspondence and a Christmas card from Lord Snowdon, three Royal invitations to events at Kensington Palace, Windsor Castle and Buckingham Palace, a group photograph and note from Jeffrey Archer stating that he is ‘otherwise detained’, (parcel) £400 - £600

389 Swindells, T (illustrator), ‘Manchester Streets and Manchester Men’, 1906-1908, five volumes, J.E. Cornish Ltd, Manchester, green cloth bindings (5) £30 - £50

390 Wilde, Oscar, ‘The Ballad of Reading Gaol by C.3.3.’, 1898, 7th edition, Leonard Smithers, London, rough-cut endpapers, cream and tan cloth binding £30 - £50

391 Churchill, Winston S, ‘The Second World War’, 1948 to 1954 first editions, six volumes, Cassell & Co, black cloth bindings (6) £50 - £80

392 Frazier, Charles, ‘Cold Mountain’, 1997 USA first edition, Atlantic Monthly Press, New York, print error on page 25, ‘manwoman’ instead of ‘madwoman’, hardback with just jacket £50 - £80

381 A Chinese blanc de Chine figure of Guanyin, modelled with child on its knee, two further figues and dragons below, 37cm high

£100 - £150

382 A pair of Chinese famille rose enamelled metal vases, lobed baluster form, painted with naturalistic chrysanthemum bushes to one side, blue ground, 20.5cm high (2)

£100 - £150

383 Chinese famille rose ceramics including a miniature altar garniture of five vases, in the Canton style, together with a brown exterior glazed tea bowl and saucer and a figural tea bowl, 11cm high (s.d) (7)

£80 - £120

393 Russell, John, ‘G. Braque’, 1959, Phaidon Press, London, with Philippe, Soupault, ‘William Blake’, 1928, Duchamp, Marcel, ‘The Bride Stripped Bare by Her Bachelors Even’, Wallis, L.W., ‘Leonard Jay’, 1963, Betjeman, John, ‘Summoned By Bells’, 1960 first edition and Smith, Stevie, ‘Not Waving but Drowning’, 1957 first edition (6)

£60 - £100

394 Maritime Interest, Cunard White Star Limited, R.M.S. Franconia, a 1938 Log Book, Northern and Southern Hemisphere World Cruise, binder containing extensive ephemera relating to the cruise, including menus, telegrams, itineraries, telegrams, clippings etc

402 John Speed (British, 1552-1629), map of Herefordshire (1610), coloured engraving, published by John Sudbury and George Humble, 38 by 51cm, framed. Provenance: The Old Master Galleries, London £80 - £120

£80 - £120

395 Frazier, Charles, ‘Cold Mountain’, 1997 UK first edition, signed by the author and film producer Anthony Minghella, Hodder & Stoughton, print error on page 25, ‘man-woman’ instead of ‘madwoman’, hardback with dust cover

403 John Speed (British, 1552-1629), map of Derbyshire (1610), coloured engraving, published by John Sudbury and George Humble, 38 by 51cm, framed. Provenance: The Old Master Galleries, London £80 - £120

£80 - £120

396 Dexter, Colin, ‘The Wench is Dead’, 1989 first edition, ‘Death is Now My Neighbour’, 1996 first edition, signed, ‘The Daughters of Cain’, 1994 first edition, ‘The Remorseful Day’, 1999 first edition, signed, ‘Morse’s Greatest Mystery and Other Stories’, 1993 first edition, ‘The Way Through the Woods’, 1992 first edition, signed and ‘The Jewel That Was Ours’, 1991 first edition (7)

£100 - £150

404 John Speed (British, 1552-1629), map of Dorsetshyre, coloured engraving, 38 by 51cm, framed. Provenance: The Old Master Galleries, London £80 - £120

405 John Speed (British, 1552-1629), map of Buckingham (1610), coloured engraving, published by George Humble, 38 by 50cm, framed. Provenance: The Old Master Galleries, London £80 - £120

406 John Speed (British, 1552-1629), The Counti of Warwick, coloured print, 38 by 51cm, framed £80 - £120

£100 - £150

397 Churchill, Winston S, ‘A History of The English-Speaking Peoples’, 1956/57 first edition, four volumes, Cassell & Co, London, red cloth hardback bindings, dustwrappers (4)

398 Buffon (George Louis le Clerc comte de), ‘Buffon’s Natural History’, 1810 etc, eight volumes, H.D. Symonds etc, full leather bindings, with ‘Paston Letters’ (9)

£200 - £300

399 Tolkien, J.R.R. ‘The Fellowship of The Ring’, 1965, ‘The Two Towers’, 1965 and ‘The Return of The King’, 1965, George Allen & Unwin, London, red cloth bindings with dust jackets (3)

£100 - £150

400 Tolkien, J.R.R. ‘The Hobbit, or There and Back Again’, 1st ed, 1st impression, pub Allen & Unwin, 1937, ten uncoloured illustrations, map endpapers printed in red and black, original green cloth covers and spine with wraparound dark blue illustration of mountains, moon, and sun at top, upper cover with Smaug illustration looking left, first impression dust jacket with ‘Dodgeson’, (better known as Lewis Carroll) manual correction on lower flap. Provenance: inherited by a Berkshire-based private client

£7,000 - £10,000

401 Robert Morden (British, c.1650-1703), map of Barkshire, map of Oxfordshire, coloured engravings, largest 43 by 37cm, framed (2). Provenance: The Old Master Galleries, London £50 - £80

PRINTS AND PICTURES

407 Paul Berthon (French, 1872-1909), Sa trs gracieuse Majest la Reine Wilhelmine, lithograph in colours, 39cm x 41cm, framed

£100 - £200

408

415 Mackenzie Thorpe (British, 1956), ‘Sheltering’, signed l.r., titled l.c., colour lithograph No.195/850, Washington Green blind stamp l.l., certificate of authenticity verso, 35 by 50cm, framed.

Note: Artist Resale Rights apply £100 - £150

416 Graham Clarke (British, 1941), Very Great Western, signed l.r., titled l.l., limited edition colour etching No.45/300, 35 by 44cm, framed £100 - £150

408 Paul Iribe (French, 1883-1935), Nicolas - Je N’Entends Pas Ce Que Je Bois, mono lithographic print on card, 30 by 23cm, framed

£100 - £150

417

417 Alberto Giacometti (Swiss, 1901-1996), Femme en BustAtelier Mourlot, lithograph, 25 by 19cm, framed. Provenance: with William Weston Gallery, London £100 - £150

£100 - £150

409 George Algernoon Fothergill (British, 1868-1945), The Man Who Belongs to the Elbow Division..., The Man Who Follows the Veterinary Profession... and The Man Who is a Country Doctor, facsimile signatures and dated 1901, colour lithographs, 35 by 38cm, oak frames (3)

410 Peter Reddick (British, 1924-2010), landscape with trees, signed and dated 1971 l.l., woodcut, edition No.18/25, 18 by 45cm, with Derek H. Wilkinson (British, 1929-2001), Snow in the Park II, signed and dated 1979 l.r., blind stamp l.l., colour etching No.17/25, 27 by 34cm, both framed (2)

£50 - £80

411 Jeno Gabor (?) (Hungarian,1893-1968), ‘Chamber Music’, signed l.r., titled l.l., color etching No.21/175, 60 by 60cm, framed.

Note: Artist Resale Rights apply

£100 - £150

412 Alan Fearnley (Brtiish, 1942), ‘Fangio’s Victory at Monaco’, signed l.r., signed by Fangio l.l., limited edition colour print, No.31/500, 36 by 54cm, framed.

Note: Artist Resale Rights apply

£100 - £150

413 Pam Carter (African, 1952-2022), A Room with a View, Isle of Skye, signed l.r., colour print No.366/850, 55 by 55cm, framed £60 - £100

414 Mackenzie Thorpe (British, 1956), ‘Winter Romance’, signed l.r., titled l.c., Washington Green blind stamp l.l., colour lithograph No.279/550, certificate of authenticity verso, 38 by 37cm, framed.

Note: Artist Resale Rights apply

£100 - £150

418

418 John Piper (British, 1903-1992), Travel Notes: Castle Ashby Avenue, signed l.r., screenprint in colours No.6/70, 75 by 52cm, framed.

Note: Artist Resale Rights apply

£400 - £600

£60 - £100

419 Nicholas Condy (British, 1793-1857), a rustic interior with a family group playing cards, signed l.r., watercolour, 18 by 21cm, framed

429 Arts & Crafts School, circa 1900, ‘Monochrome’, a stylised panel of foliage, titled below, E.S.K. blind stamp l.l., watercolour with arched top, 42 by 20cm, framed £50 - £80

420 British School, portrait of William III, pen and ink on vellum parchment, bust length oval within a caligraphic foliate scroll border, 24.5cm x 23cm

£80 - £120

421 British School, late 19th Century, a classically draped and blindfolded maiden in the Pre-Raphaelite style, pastel, 41 by 34cm, framed

£150 - £200

422 Joseph William Milliken (British, 1865-1945), a Breton street scene with market stalls and women, apparently signed under mount, watercolour, 25 by 34cm, gilt frame

£80 - £120

423 Joseph Nash (British, 1808-1878), Barfreston Church, a set of three, signed and dated 1866, titled verso, watercolour heightened with white, 42 by 32cm, gilt frames (3) £100 - £150

424 William Lee Hankey (British, 1869-1952), a fashionable young lady, full-length in a white dress holding a staff in a garden landscape, watercolour, 54 by 32cm, gilt frame

£150 - £250

425 Walter Herbert Allcott (British, 1880-1951), Venice, signed and dated 1905 l.l., indistinctly titled verso, watercolour, 31 by 35cm, a view of Castel Sant’Angelo from the Tiber, signed l.r., watercolour, 26 by 38cm, a portrait of a lady, signed l.r., pencil and pastel, 48 by 37cm, a moorland landscape, signed and dated 1916 l.r., watercolour, 24 by 30cm, a smaller landscape, watercolour, portrait of a young lady, pencil, 15 by 14cm and an unassociated watercolour of figures in a wooded landscape, 25 by 35cm, all framed (7) £100 - £150

426 Arts & Crafts School, circa 1900, ‘Polychrome’, a roundel of stylized foliage, titled below, E.S.K blind stamp l.c., watercolour, 22cm diameter, framed

£50 - £80

427 Arts & Crafts School, circa 1900, ‘Chivalry’ - a knight in armour guarding a maiden, titled l.c., E.S.K blind stamp l.l., watercolour, 65 by 35cm, framed

£150 - £250

428 Alfred East A.R.A. (British, 1849-1913), Unloading the Catch, signed l.r., titled on sales invoice verso, watercolour, 40 by 60cm, framed

£300 - £500

430 A.C. Weathxxxxxxx, two classically draped maidens and a cat on a marble seat, coastal view beyond, indistinctly signed l.l., watercolour, 50 by 75cm, gilt frame

£80 - £120

431

431 Ludwig Koch (Austrian, 1866-1934), Our for a Ride, signed and dated 1919 l.l., pen and wash heightened with white, 28 by 30cm, framed £200 - £300

432 Leslie Moffat Ward (British, 1888-1978), Coniston Water, signed and dated 1952 l.r., titled l.c., watercolour and ink, illustration No.5/20, 18 by 38cm, mounted £70 - £100

433 Gordon King (British, 1939-2022), Soft Nude - Painting of Caroline, signed l.r., signed, titled, dated 1998 and inscribed verso, watercolour, 19 by 25cm, framed. Provenance: with Castle Galleries, Nottingham £80 - £120

434

434 Lucy Pittaway (British, 20th/21st Century), Sara and Tom Walking into the Sunset, signed l.l., titled verso, mixed media, 38 by 49cm, framed £100 - £150

435 Gordon C. Davies (British, 20th Century), No.2 Alfa Romeo, No.4 Ferrari, No.33 Talbot Lago, signed l.l., titled and artist label verso, 28cm diameter, with a collectors’ plate printed with the same scene, both framed (2). Provenance: Lot 155, Sotheby’s London, Automobilia Sale, 23rd September 1998 £100 - £150

436 Michael Aubrey (British, 20th Century), Backwater in Venice, signed l..r, titled verso, watercolour, 35 by 22cm, framed £50 - £80

437 Karl Hagedorn (German, 1889-1969), Ross on Wye, signed and dated 1953 l.l., titled on the mount below, watercolour and ink, 38 by 54cm, and another work, Hall Farm, titled, signed and dated 1932 l.l., watercolour and ink, 27 by 46cm, framed (2).

Note: Artist Resale Rights apply £100 - £150

438 Louis William Wain (British, 1860-1939), Cat Tale - a cat on a deck chair smoking a cigar and reading a book whilst another cat throws carrots from behind a fence, signed l.l., watercolour, 48 by 38cm, framed £3,500 - £4,500

439 Jeremy Houghton (British, 1974), The Old Marylebone Town Hall, signed, titled and dated 2007, pen and watercolour, 32 by 22cm, framed

£150 - £200

440 Marjorie Cox (British, 1915-2003), Rhoda of Rossarden, signed and dated 1957 l.r., titled l.l., pastel, 28 by 23cm, framed

£40 - £60

441 Edward Hynes (British, 1897-1982), ‘Gwenn Dear, Do You Think Love is Blind?’ - ‘Yes Love’, illustration, signed l.r., titled below, watercolour heightened with white, 34 by 23cm, framed

£100 - £150

444 Paul Colin (French, 1892-1985), ‘Josephine Baker’, titled, signed and dated 1928 l.r., watercolour, 35 by 24cm, framed.

£200 - £300

442 Leonard Leslie Brooke (British, 1862-1940), drawings for ‘Johnny Crows Party’ 1907, a pair, one signed with initials l.l., pencil, 23 by 17.5cm, framed (2)

443 Charles Frederick Tunnicliffe R.A. (British, 1901-1979), designs for stained glass windows, a pair and a single panel with depictions of Adam and Eve, one signed, pencil on paper, largest 68 by 16cm, framed (3). Provenance: from the collection of A.P. Nyle.

Note: Artist Resale Rights apply

£300 - £400

Note: Artist Resale Rights apply

£400 - £600

445 Charles Frederick Tunnicliffe R.A. (British, 1901-1979), The Shorthorn Bull, 1940, titled verso, ink heightened with white, 23 by 31cm, framed. Provenance: from the collection of A.P. Nyle.

Note: Artist Resale Rights apply

£500 - £800

446

446 Charles Frederick Tunnicliffe R.A. (British, 1901-1979), The White Horse, 1927, titled verso, ink and wash, 20 by 25cm, framed. Provenance: from the collection of A.P. Nyle.

Note: Artist Resale Rights apply

£500 - £800

447

447 Charles Frederick Tunnicliffe R.A. (British, 1901-1979), Cheshire Plain, 1925/6, titled verso, ink, 20 by 25cm, framed. Provenance: from the collection of A.P. Nyle.

Note: Artist Resale Rights apply

£500 - £800

448

448 Charles Frederick Tunnicliffe R.A. (British, 1901-1979), horses and foals in pastureland, signed l.r., watercolour heightened with white, 44 by 57cm, framed.

Note: Artist Resale Rights apply £600 - £800

449

449 Laura Knight R.A. (British, 1877-1970), Behind the Scenes at the Old Vic, (Richard III), signed l.l., titled verso, charcoal, 35 by 25cm, framed.

Note: Artist Resale Rights apply

£600 - £800

450

450 Laura Knight R.A. (British, 1877-1970), Gentlemen of Fashion, signed l.r., pencil, 27 by 18cm, framed.

Note: Artist Resale Rights apply £1,000 - £1,500

451 Terry Frost R.A. (British, 1915-2003), Figure Study, signed l.r., pencil, 17 by 12cm, framed.

Note: Artist Resale Rights apply

£500 - £600

452 Rick Lewis (British, 1965), At the Turn, signed l.l., watercolour, 35 by 45cm, framed.

£100 - £150

453 Mackenzie Thorpe (British, 1956), My Blue Car - Never Drive the Car in Hail Stones, Never when God is Throwing Stones’, signed with initials l.r., signed, titled and dated 1994 verso, pastel, 63 by 91cm, framed.

Note: Artist Resale Rights apply

£2,000 - £3,000

Note: Artist Resale Rights apply

£1,500 - £2,000

Note: Artist Resale Rights apply £4,000 - £6,000

454 Mackenzie Thorpe (British, 1956), Stormy Bike Ride, signed with initials and dated 1993 l.r., signed and dated 1994 verso, pastel, 31 by 49cm, framed. Provenance: Halcyon Gallery.

455 Mackenzie Thorpe (British, 1956), Industrial Gathering, signed with initials l.r., pastel, 80 by 140cm, framed. Provenance: Halcyon Gallery.

454

456

458

458 After Jean-Marc Nattier, portrait of Francis Greville, Baron Brooke, Later 1st Earl of Warwick (1719-1773), oil on panel, 14 by 12cm, gilt frame

£150 - £200

456 French School, 19th Century, portrait of Mary Daughtes(?), bust-length wearing a white dress, indistinctly titled verso, oval, oil on panel, 19 by 16cm, framed

£150 - £200

457

457 Attributed to Sir John Baptist Medina (Belgian, 1655/601710), James Douglas, 4th Duke of Hamilton (1658-1712), bust-length wearing a green sash over armour, titled c.r., oval, oil on canvas, 71.1by 63.5cm, in a carved gilt-wood frame

£2,000 - £3,000

459

459 After Pierre Mignard, portrait of Cardinal Jules Mazarin (1602-1661), bust-length, oil on canvas, 68 by 55cm, gilt frame

£600 - £800

460 Style of J.M.W. Turner, a Venetian canal scene, oil on board, 21 by 26cm, gilt frame

£70 - £100

461 J..Williams (British, late 19th Century), Harvest Time, Conway Valley, N. Wales, titled and dated 1882 on a plaque below, inscribed verso, oil on canvas, 40 by 60cm, gilt frame

£150 - £200

462 Thomas Faed R.S.A. (Scottish, 1826-1900), A Highland Lass with Sticks, oval, oil on board, 19 by 15cm, gilt frame

£200 - £300

463 British School, circa 1920’s, An Exotic Dance, a frieze design with figures, oil on panel, 30 by 60cm, framed £60 - £100

464 Attributed to Narcisse Virgile Diaz de la Pena (French, 1807-1876), The Storm, oil on canvas, 70 by 84cm, unframed

£3,000 - £5,000

465 Charles Sillem Lidderdale (British, 1831-1895), portrait of a country girl, half-length wearing a shawl and a scarf, signed with monogram l.l., oil on canvas, 50 by 40cm, gilt frame

£1,000 - £1,500

466 Robert William Wright (British, act.1870-1906), The Restrung Violin, signed l.r., titled verso, oil on panel, 30 by 40cm, gilt frame £150 - £200

467 Philip Naviasky (British, 1894-1983), portrait of a young girl, bust-length wearing a white dress and pink ribbon in her hair, signed l.r., oil on board, 58 by 48cm, gilt frame.

Note: Artist Resale Rights apply

£1,000 - £1,500

464

468

468 British School, mid-19th Century, an estuary scene with sailing boats, oil on canvas, 35 by 50cm, gilt frame £150 - £200

469 Peter J. Ashmore (British, 1923), 1902 Model K. Renault, Marcel Renault winning the 1902 Paris Vienna race, signed l.l., titled and dated 1923 verso, gouache, 28 by 31cm, framed £100 - £150

470 Circle of Walter Crane, circa 1880, a stork standing amongst waterlilies with frogs in the Aesthetic Movement style, oil and gilt paint on canvas, 58 by 48cm, framed £100 - £150

471

471 Style of Albert Anker, portrait of a young boy, bust-length wearing a tricorn hat and matching tunic, bears signature l.r., oil on canvas, 18 by 15cm, gilt frame £150 - £200

472 Walter Herbert Allcott (British, 1880-1951), The CircusWey Hill, titled and signed verso, oil on board, 25 by 34cm, another work by the same artist titled Harlech, signed and dated 1915 l.r., oil on board, 28 by 34cm and J..Duggan (British, early to mid 20th Century), a pastoral scene with cattle and sheep, signed l.r., oil on board, 35 by 42cm, all framed (3) £80 - £120

473 Attributed to Charles Sillem Lidderdale (British, 18311895), portrait of a young lady, bust-length wearing a green velvet hat and lace collar, oil on canvas, 60 by 50cm, in the original gilt frame £150 - £200

474 Stuart Beck (British, 1903-2000), Urban Building Construction at Night with a Steam Bulldozer, signed l.r., oil on board, 52 by 72cm, framed £150 - £200

475

475 Anthony Devas A.R.A. (British, 1911-1958), portrait of Kynaston and Hilary Verschoyle, bust-length, signed u.r., oil on canvas, 45 by 30cm, gilt frame.

Note: Artist Resale Rights apply £150 - £200

476 Giovanni Bragolin (Italian, 1911-1981), Little Boy, signed u.r., oil on canvas, 68 by 50cm, gilt frame. Provenance: purchased from Bottega D’Arte, Venice, 1977, with paperwork including receipt of purchase and shipping documents £200 - £300

474

477

477 Isaac Henzell (British, 1823-1875), Anticipation, signed and dated 1859 l.l., oil on canvas, 45 by 35cm, gilt frame

£200 - £300

478

478 P..Fortunato (Italian, 20th Century), still life of three oranges, signed l.r., oil on canvas, 60 by 80cm, gilt frame

£300 - £500

479 Sebastian Chaumeton (British,1996), ‘Fuzzy Futures - Bird Feed’, signed and titled verso, oil on canvas, 50 by 50cm, unframed

£300 - £500

480

480 Daniel van der Putten (Dutch, 1960), Changing Light at Cutsdean, Cotswolds, signed l.l., titled verso, oil on panel, 35 by 45cm, gilt frame

£300 - £500

481

481 A. De Groote (Dutch, 1892-1947), Busy Winter Scene, signed l.r., oil on panel, 70 by 90cm, gilt frame

£300 - £500

482 Barbara Mackay (British, late 19th/early 20th Century), portrait of a young lady, bust-length wearing a white dress seated at a table with a letter, flowers, a fan and a cup, signed and dated 1896 u.r., oil on canvas, 95 by 100cm, gilt frame

£1,000 - £1,500

483 Bernard Dunstan R.A. (British, 1920-2017), ‘Nude with Pink Bedspread’, signed with initials l.l., oil on board, 20 by 35cm, framed.

Note: Artist Resale Rights apply

£500 - £800

484 Gordon King (British, 1939-2022), The Artist’s StudioModel and Cat, signed l.l., oil on canvas, 90 by 60cm, framed

£700 - £900

485

485 Maiju Tirri (Finnish, 1970), Reflections, signed and dated 2011 l.r., titled verso, oil on canvas, 100 by 180cm, unframed

£500 - £800

486 Anna Hornby (British, 1914-1996), Evening, Joucas, Provence, signed with initials l.l., titled verso, oil on canvas, 25 by 30cm, framed

£80 - £120

487

487 Maiju Tirri (Finnish, 1970), Moment, signed and dated 2010 l.r., titled verso, oil on canvas, 100 by 200cm, unframed

£500 - £800

488

488 Maria Luisa Hernandez (Chilean, 1966), Silver Light, a set of four, all signed and titled verso, oil on canvas, 210 by 50cm each, unframed (4)

£800 - £1,200

489 Alicia Dubnyckyj (British, 1979), Night Skyline, San Francisco, signed verso, oil on board, 152 by 122cm, unframed.

Note: Artist Resale Rights apply £500 - £800

490 Sam Toft (British, 1964), A Nice Day for It, signed l.r., titled verso, mixed media, 80 by 83cm, gilt frame. Provenance: with John Noott.

Note: Artist Resale Rights apply

£1,200 - £1,500

491 Mr Brainwash (Thierry Guetta) (French, 1966), ‘Popeye’, signed u.r., signed, dated 2020 and No.Z67014798A verso, mixed media on paper, 77 by 56cm, framed. Provenance: with Maddox Gallery.

Note: Artist Resale Rights apply

£3,000 - £5,000

492 Mr Brainwash (Thierry Guetta) (French, 1966), ‘Never Give Up’, signed u.r., mixed media on paper, 55 by 55cm, framed.

Note: Artist Resale Rights apply

£3,000 - £5,000

491

492

493 Mr Brainwash (Thierry Guetta) (French, 1966), ‘Love is the Answer’ (Albert Einstein), signed u.l., signed, dated 2020 and No.U11495476H verso, mixed media on paper, 76 by 57cm, framed.

Note: Artist Resale Rights apply

£4,000 - £6,000

494 Mr Brainwash (Thierry Guetta) (French, 1966), ‘Love is the Answer - Keep it Real’ (Charlie Chaplin), signed u.r., signed, dated 2020 and No.H07186473A’ verso, mixed media on paper, 76 by 56cm, framed.

Note: Artist Resale Rights apply £4,000 - £6,000

493

495 A facet stem wine glass, circa 1780, the rounded bowl with silvered rim, half cut to the lower section, on a teardrop facet stem and conical foot, 12cm high, foot 6.5cm diameter, rim 5.2cm diameter

£40 - £70

496 A facet stem wine glass, circa 1775, the rounded bowl engraved with a band of fruiting vines and flowers, on a cut plain stem and conical foot, 12.6cm high, foot 6.6cm diameter, rim 4.9cm diameter

£50 - £80

497 A Dutch wine glass, circa 1760, the bucket bowl on an inverse baluster stem and folded conical foot, 12.2cm high, foot 6.6cm diameter, rim 5.8cm diameter

£40 - £70

498 A set of six George III glass rinsers, double lipped rounded bell form with annulated straps, 14.5cm wide (6) £60 - £80

499 A facet stem wine glass, circa 1790, the ogee bowl on plain cut stem and conical foot, 13.5cm high, foot 7cm diameter, rim 5.7cm diameter £40 - £70

GLASS

500 Two early Victorian Masonic charging glasses, circa 1840, engraved with symbols and lodge numbers for Camden Lodge and Derby Lodge, including heavy beaker form glass and thistle form example, 9cm high (2) £60 - £100

501 An Essex Crystal type enamelled glass paperweight, circa 1880, carved with the bust of a dog, foil backed, 6.5cm diameter £80 - £120

505 A Continental pink cased enamelled and gilt glass twin handled vase, probably Ludwig Moser, circa 1880, inverse footed baluster form, decorated with raised paste and polychrome foliate scroll and leafy tendril motifs, 19.5cm high £150 - £250

502 A large novelty glass tankard, 19th century, possibly Scottish, cylindrical form bubbled glass with hollow pulled handle, 19cm high

£80 - £120

503 A pair of Bohemian cased and cut glass vases, 19th century, inverse baluster form, decorated with ogee quatrefoil and lens cur roundels on a coral gilt blue over white ground, denticulated ogee rim, 31cm high (2) £150 - £250

504 A Bohemian heraldic cameo glass vase, circa 1835, heavy slice cut chalice form with petal base, the central intaglio engraved roundel of a coat of arms and crest within the motto and collar of the Hanoverian Royal Guelphic Order, between alternating amber glass and ruby enamelled panels of intaglio engraved floral specimens, 12cm high £60 - £100

506

506 An early 19th century Barfatan enamelled and cased opaline glass casket, French or Bohemian, cuboid form, pink centred cameo layered glass, fluted and decorated with raised and tooled gilt floral and foliate scroll designs, brass mounts and lock, 16cm wide, 12.5cm high, 11cm deep £300 - £500

507 A 19th century Baccarat cut glass scent bottle, cuboid form, with swagged decoration, facet cut spherical stopper, 16cm high £30 - £50

508

508 James Powell and Sons for Hale Thomson, a silvered glass bowl, circa 1850s, lustred internal decoration, plain rounded form, button seal to the underside, 18cm diameter

Note: the Whitefriars glass company produced the blanks for the patented silvered glass vessels produced by E Varnish and Co and Hale Thomson; see Evans W, et al, 1995, Whitefriars Glass, p.28 and 30 for a description and illustration of the process £40 - £70

509 A large Arts and Crafts glass floor standing lily vase, footed trumpet form, green amber, 106cm high £100 - £200

510

510 A Stourbridge engraved glass goblet, probably Richardson circa 1840, the rounded bowl decorated with Moorish figures and a camel, resting and drinking in an oasis landscape with palm trees and temple ruins, on a hollow slice cut waisted baluster stem and plain foot, 17.5cm high

Note: see Hajdamach, C, 1991, British Glass 1800-1914, p.90, plate 7, for an example of a similar design engraved by Thomas Wood £60 - £100

511

511 A Stourbridge glass strawberry vase, circa 1880, optic ribbed ovoid form on three pulled bracket feet, pink opaline draining to amber, applied with a strawberry and leaves in tooled high relief green and red glass, 12.5cm high £80 - £120

512

512 A Stourbridge cased glass bowl, possibly Stuart, circa 1870, inverted ruffled rim, white opaque over blue, on colourless leaf moulded bracket feet, raspberry prunt pontil, 10.5cm diameter £30 - £50

513

513 A Stourbridge threaded and combed triple cased glass vase, Richardson, circa 1860s, the ovoid body in amber with opaque combed swags, applied with pink threaded spiral decoration to the exterior, on three colourless coiled bracket feet, raspberry prunt pontil mark, 9cm high £100 - £150

514

514 James Powell and Sons, Whitefriars, an etched liqueur glass, circa 1855, the conical bowl with slice cut lower section, engraved with a band of fruiting grape vines, on a plain hexagonal stem and foot engraved with the same decoration, 9.5cm high

Note: the design appears in the 1855 Powell catalogues, illustrated in Evans, W et Al, 1995, Whitefriars Glass, p.251, pl.338

£40 - £50

515 James Powell and Sons, Whitefriars, an etched wine glass, circa 1855, the conical bowl with slice cut lower section, engraved with a band of fruiting grape vines, on a plain hexagonal stem, 13cm high

Note: the design appears in the 1855 Powell catalogues, illustrated in Evans, W et Al, 1995, Whitefriars Glass, p.251, pl.338

£80 - £120

516

516 A half size Stourbridge Etruscan Revival glass ewer, circa 1860, optic ribbed footed Grecian helmet form with hollow handle, intaglio engraved with foliate band of coiled ruff tendril and floral motifs, below a geometric border, grduated bea decoration to the handle, 18.5cm high

£50 - £100

517

517 James Powell and Sons, Whitefriars, an Etruscan Revival cranberry and colourless wine glass, circa 1860, the rounded tulip bowl etched with beaded borders above arcaded corn ear band, on a plain stem with flat foot etched with a beaded band, 12.5cm high

Note: illustrated in Evans, W et al, 1995, Whitefriars Glass, p.253, showing a similar if not identical wine service, model 1047, in the 1860s catalogue £100 - £200

518

518 James Powell and Sons, Whitferiars, an Etruscan Revival glass Champagne saucer, circa 1860, the hemispherical bowl engraved with Vitruvian scroll and beaded border, 10.5cm high

Note: see Evans, W et al. 1995, Whitefriars Glass, p.254, plate 355, for an illustrated example of this design in the 1860s catalogue £40 - £60

519

519 James Powell and Sons, Whitefriars, a Victorian Neoclassical wine glass, circa 1860, model 1027, the tulip form bowl engraved with star motifs below a laurel wreath border, on plain stem and conical foot, 12cm high £30 - £50

520 An Aesthetic Movement Stourbridge engraved glass wine goblet, circa 1860s, the large rounded bowl etched with ferns, on a plain stem and beaded foot, 16.5cm high £50 - £100

521 James Powell and Sons, Whitefriars, an Aesthetic Movement fern etched glass, circa 1860, engraved with wild grasses on a plain stem and foot, 11.5cm high See: Evans, W et al. 1995, Whitefriars Glass, p.253-255 for similar examples from this period £20 - £40

522

522 A Stourbridge engraved glass wine goblet, circa 1880, the large rounded bowl decorated with festoons and foliate C scroll borders, graduated lens cut beaded swags, on an open trumpet stem and foot etched with foliate lappets, 19cm high £60 - £100

523

523 Northwood for Thomas Webb and Sons, an Aesthetic Movement / Gothic Revival engraved pale pink glass vase, circa 1870, optic wrythen banded bulbous beaker form, point engraved and etched with a band of naturalistic wildflowers, above a Gothic foliate band, polished pontil, 11cm high

Note: the form and quality of the glass is typical of the major Arts and Crafts manufacturers, most notably James Powell and Sons at the Whitefriars works, which this vase closely resembles, in terms of the shape, optic moulding and the quality of the pontil. However, Thomas Webb in Stourbridge and also John Walsh Walsh in Birmingham produced similar quality glass in the Arts and Crafts style, with Webb manufacturing a wider range of colours and decorative patterns. Webb is also known to have collaborated with the engraving firm of John Northwood, also in Stourbridge, who almost certainly executed the applied decoration on this piece which combines the transitional styles of Aesthetic Movement and Gothic, both popular at the time £50 - £80

524 Northwood for Thomas Webb and Sons, an Aesthetic Movement / Gothic Revival engraved glass vase, circa 1870, optic wrythen banded bulbous beaker form, engraved and etched with a panel of birds in branches within a rectangular frame, surrounded by prunus blossom and leaves, above a machine engraved Gothic foliate band, polished pontil, 11cm high £50 - £80

525 Thomas Webb and Son, an Aesthetic Movement intaglio engraved rock crystal glass decanter, circa 1870, shouldered conical form with four panels of relief carved water lilies in various stages, between chevron cut vertical bands, the stopper with teardrop inclusion, 29cm high £50 - £80

526

526 A pair of Stourbridge jewelled and engraved glass vases, circa 1870, tapered barrel form, decorated with foliate swags of ivy and trailing plants, between pendulum drops, below a band of turquoise beaded borders, 9.5cm high (2) £70 - £100

527 Thomas Webb, an Edwardian crest engraved wine glass, circa 1905, the plain bowl with a crest and motto For Right and Reason, on plain stem and star cut foot, 13.5cm high £40 - £70

528

528 James Powell and Sons, Whitefriars, a Neoclassical liqueur glass, circa 1890, the shallow rounded bowl engraved with frosted festoons and lens cut beaded swags below stylised rosettes, 8cm high £40 - £70

529

529 John Northwood for Thomas Webb, an etched green vaseline wine glass, circa 1880, the rounded bowl with stylised laburnum festoons below a beaded border, 11cm high

Note: the Northwood workshop’s technique of etching even the thinnest and finest wine glasses was perfected during the 1870s and became a popular method of decorating services by the major Stourbridge factories. The petal motifs and style are distinctively by Northwood, while the shape and manufacture of this glass is by Thomas Webb. £40 - £60

530 A set of four Arts and Crafts wine glasses, probably John Walsh Walsh circa 1900, the cylindrical bowls etched with bands of foliage, on plain stems and feet, 11cm high (4) £80 - £120

531 An Arts and Crafts glass bowl, in the style of George Walton for James Couper, Clutha, optic diamond moulded, flared and crimped, bubbled with amber streaks on a pale green ground, 30cm diameter £20 - £40

532

532 Antonio Salviati, a Venetian Murano glass goblet, pink mottled wrythen moulded with applied aventurine trails to the bowl, on a plain stem and sweeping trumpet foot, 15.5cm high £70 - £100

533

533 Harrach, a Bohemian enamelled glass jug, circa 1890, ovoid bulbous form, decorated with a bird in branch above a waterlily, highlighted in gilt on smoky ground, 14.5cm high £50 - £80

534

534 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1890, the optic ribbed bell shaped bowl on an inverse baluster stem and conical foot of radiating wrythen ribs, 12.5cm high £40 - £70

535

535 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Roman revival glass beaker, circa 1880, plain waisted baluster form with four dimples, 11cm high £50 - £80

536 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Champagne saucer or wine glass, circa 1878, the slightly tapered bucket bowl on plain stem and conical foot, 11.5cm high

Note: examples from this service, including this glass, along with glass by T G Jackson, are illustrated in Mrs Loftie’s Dining Room, 1878, as examples of good contemporary glass; reproduced in Jackson, L, 1996, Whitefriars Glass, p.28, fig.71 £40 - £60

537

537 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1880, plain conical ‘Martini’ form, on slender stem and shallow conical foot, 12.5cm high

Note: the simplicity and elegance of this design is typical of Powell’s innovative reaction to taste and artistic trend in the late 19th century; a design which 45 years later became adopted as the Martini cocktail glass, first introduced at the 1925 Paris Exhibition, and one which continues to be a timeless staple of classic glassware £40 - £60

538

538 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine or Champagne glass, circa 1870, waisted cylindrical drum form, on plain stem and conical foot, in the style of Philip Webb, 8.5cm high £40 - £60

539

539 Stevens and Williams, an Edwardian Stourbridge intaglio cut hock wine glass, circa 1905, the flared bell shaped bowl etched and engraved with a band of thorny roses between Rococo foliate borders above wrythen lappets, on a knopped double baluster stem and garland cut foot, 19cm high £50 - £80

540

540 Thomas Webb and Sons, an Edwardian Stourbridge Intaglio engraved rock crystal wine glass, circa 1905, the large bell shaped bowl cut and etched with floral sprigs above Rococo scroll anpron and relief carved coiled fern tendrils, in an inverse baluster stem and garland cut foot, 17.5cm high £50 - £80

541 Baccarat, an extensive Nancy cut glass wine service, designed circa 1909, including ten punch cups, eight port glasses, decanter, ten bowls, ten plates, four salt cellars and three large pint beakers, original paper labels to some (46) £200 - £400

542

542 Thomas Webb and Sons, an iridescent glass Bornze Ware vase, circa 1880, textured spherical form with everted rim, 11cm high £100 - £150

543

543 An Arts and Crafts vaseline glass pendant light shade, cylindrical form with flared rim, optic moulded with opaque lappets, in a brass fitting with ribbon and reed border, 41cm high £80 - £120

544 John Walsh Walsh, an Arts and Crafts straw opal glass pedestal vase, circa 1900, the swagged satin finish bowl with everted crimped rim on a knopped stem and conical foot, 14cm high £80 - £120

545

545 Loetz, a Secessionist silver overlay glass Metallin vase, baluster form, decorated thoughout with a sinuous band of interlocking tendrils between chased flower heads, 11cm high

£300 - £500

546

546 Loetz, a Secessionist iridescent silver overlay glass vase, poppy head chalice form, Russian Green oilspot decoration, applied with stylised knotted trailing plant and vacant cartouche, 13cm high

£500 - £800

547 Loetz, a Secessionist iridescent glass and silver plate mounted Candia Papillon vase, twisted square section form, the rim and base with embossed and reticulated nasturtium borders, 31cm high

£800 - £1,200

548 Loetz, a small Secessionist silver overlay iridescent glass vase, Crete Papillon, banded inverse baluster form with crimped rim, applied with a chased flower to one side, 9.5cm high £300 - £500

549

549 Loetz (attributed), a Secessionist iridescent glass and pewter mounted vase, the elongated barrel form body of ribbed and controlled bubble Metallin design, within a cage of stylised flower heads and berries, on four organic bracket feet, 30.5cm high

£800 - £1,200

547

550

550 Loetz for Mermod and Jaccard, a Secessionist iridescent silver overlay glass vase, double gourd form with Russian Green oilspot decoration, applied with stylised irises, 11.5cm high

£400 - £600

551

551 Theresienthal, a set of four Jugendstil enamelled floral wine glasses, circa 1900, the vertically optic ribbed tulip form bowls painted with stylised petals and leaves highlighted in gilt, on bowed green stems and feet, 21.5cm high (4) £200 - £400

552 Theresienthal, a Jugendstil enamelled floral liqueur glass, circa 1900, the ogee tulip bowl painted with stylised denticulated carnation petals in yellow, pink and purple, with green foliage, highlighted in gilt, on a plain slender green stem and foot, 14.5cm high

£50 - £80

553

553 Theresienthal, a Jugendstil enamelled floral wine glass, circa 1900, the optic ribbed ogee tulip bowl painted with stylised denticulated carnation petals and foliage highlighted in gilt, on a bowed green stem and foot, 21cm high

£80 - £120

554 Theresienthal, a Jugendstil enamelled floral wine glass, circa 1900, the optic ribbed ogee tulip bowl painted with stylised denticulated poppy petals in yellow and white, with green foliage, highlighted in gilt, on a bowed green stem and foot, 21cm high

£80 - £120

552

555 A Secessionist amber flashed and teched glass bowl and cover, Haida, circa 1915, pedestal ogee form engraved with line and bead cut arcading, stained in amber, the lid with stylised geometric floral motifs, amber glass knop finial, 13cm high £60 - £100

556 A Bohemian gilt engraved glass dressing table set, circa 1900, including tray, candlesticks, ring tree etc., each with Neoclassical style decoration of floral and foliate swags £80 - £120

557

557 Charles Schneider, a Le Verre Francais Art Nouveau cameo pate de verre glass pendant light shade, parabolic domed form orange draining to blue, carved with stylised fruiting trees, suspended from three chains, 21cm diameter

Note: examples of this design on vases and other pieces appear in the collection of the Sainsbury Centre for Visual Arts £100 - £200

558 Josef Rindskopf, a Secessionist iridescent glass vase, high necked baluster form cased green over opaque with combed bronze swags, 17cm high £70 - £100

559 Verlys, an Art Deco Cluthra art glass bowl, model 248, circa 1925, shallow everted form, internally cased opaque crackled ice decoration with red splashes and rim, incised mark Verlys and paper label 248, 25.5cm diameter

£80 - £120

560 Elizabeth Graydon Stannus, an Art Deco Graystan glass vase, bulbous based form with elongated flared neck, marbled and clouded green and white opaque decoration, signed, 30cm high

£60 - £100

561

561 Monart, an Art Deco glass vase, model DIII, green speckled over blue, with detachable light fitting, 30cm high

£100 - £200

562

562 Monart, an Art Deco glass ginger jar and cover, circa 1930, model shape JE VII, colour 366, shouldered ovoid form, crackled blue, black and green, original paper label, 17cm high

£100 - £200

563 A large Art Deco marbled art glass vase, possibly Murano circa 1930, pedestal chalice form, with internal bubbles marbling in grey and black, ground pontil, 25cm high

£80 - £120

564 Ludwig Kny for Stuart, an Art Deco cut glass vase, circa 1930s, oval section trumpet form, decorated with stylised wheat or grass design, etched mark, 17cm high

£40 - £70

565

565 Ludwig Kny for Stuart, an Art Deco cut glass bowl, circa 1930, conical form with radiating starburst design in deep comet form and shallow mitre cuts, etched marks, 30cm diameter

£50 - £100

570 Herbert Webb for Webb Corbett, a set of four Art Deco cut glass drinking glasses, circa 1930, conical form with concentric wave cut decoration above a facet mitre cut stem and plain foot, acid marks to some, 11cm high (4) £70 - £100

571 Tom Hill for James Powell and Sons ,Whitefriars, an Art Deco five sided glass bowl, circa 1937, model 9090, sapphire blue with folded rim, 30cm diameter £40 - £70

572 John Walsh Walsh, an Art Deco Waterlily, Iris and Bullrush glass beaker, circa 1925, flared form, etched and engraved with a watery scene of flowers and foliage, 9cm high £30 - £50

£50 - £80

566 Stuart and Sons, an Art Deco cut glass and enamelled cocktail shaker, circa 1930, shouldered form, ribbed to the lower section, incised concentric bands in blue enamel below beaded lens cut borders, etched marks, 22.5cm high

567 Stevens and Williams, an intaglio flash cut glass pedestal dish, circa 1935, cased pink over colourless, etched and engraved with floral basket swags and beaded festoons, on an inverse baluster stem and radial cut foliate foot, 10.5cm high

573 A Mid Century enamelled glass cocktail decanter, Bohemian circa 1950, spherical form, decorated with crosshatch and dot design in black and white enamel, gilt concentric line design to the rim, 17cm high £30 - £50

£70 - £100

568 Herbert Webb for Webb Corbett, an Art Deco glass drinking suite, circa 1930, including six cocktail glasses, five liqueur, six beakers, bitters shaker and sugar pot, each with concentric zigzag mitre cut bands, the stemmed glasses with flared conical bowls, 11.5cm high

574 An Italian Murano glass vase, crimped handkerchief type opaque with red roundels and aventurine marbling, polished pontil, 14cm high £40 - £60

£80 - £120

569 Herbert Webb for Webb Corbett, an Art Deco cut glass decanter, circa 1930, conical form, decorated with concentric bands of zigzag mitre cuts, below a slice cut neck and flat disc stopper, 24.5cm high £80 - £120

575 Irene Stevens for Webb Corbett, a Modernist cut glass decanter, slender tapered form decorated with sylised daisies between lens headed vertical bands, etched mark, 34cm high

£60 - £100

571

566

567

569

576 A Bohemian tooled gilt and enamelled blue glass vase and cover, circa 1940s, footed form decorated with a frosted band of birds in blooming branches, the lid with concentric gilt rings, 21.5cm high £40 - £60

577 Richard Sussmuth (attributed), a pair of Art Deco engraved glass highball glasses, each etched with an image of a Continental nightwatchman with lanterns, 16cm high £60 - £100

578 Jacob Bang (attributed) for Holmegaard, a Kluk Kluk glass decanter, circa 1940s, of triangular gourd form, with three buttress arms, tricorn lipped rim and hollow dimpled disc stopper, 28cm high £40 - £70

579 Ernest Gordon for Afors, a Scandinavian Modernist glass decanter, circa 1950s, shouldered and footed form in smokey green, with teardrop stopper, 29.5cm high £40 - £60

580 Domhnall O’Broin for Caithness, a Scottish Modernist glass Stroma decanter, circa 1965, slender conical form with cylindrical neck and pulled spout, the stopper of angled baluster beaker form, smoky teal blue, 36cm high

Note: contemporary with the Scandinavian designs of Kaj Franck and Timo Sarpaneva, Caithness, along with Dartington and Kings Lynn led the way for the British glass industry, in a move toward a more modern Mid Century design outlook, competing with and catering for the increasing demand for the ever popular imported glass from Finland, Denmark and Sweden. An example of this decanter is in the collection of the Victoria and Albert Museum, London £50 - £80

581 Ronald Stennett Willson for Kings Lynn, Wedgwood, a collection of Modernist coloured glass candlesticks, circa 1960s, including one and three disc Sheringham examples in amethyst and amber, two green Brancaster sticks and six Sandringham in blue, amber and colourless, original labels to some, 27.5cm high (10) £80 - £120

582 A pair of Royal Brierley studio range glass vases, shouldered form, mottled iridescent blue, green and amber, 10cm high (2) £40 - £60

583 Sabino, an opalescent glass bowl, modelled in relief with a band of children holding hands, moulded marks Sabino Paris, 16.5cm diameter

CONTINENTAL CERAMICS

£200 - £300

584 Rene Lalique, a Coquilles opalescent glass plate, model 3009, designed circa 1924, engraved mark R Lalique, France, 29.7cm diameter

£300 - £400

585

590 A French Aesthetic Movement faience enamelled vase, probably Gien circa 1870, in the Persian style, flattened squat oval form on four bracket feet, decorated with geometric foliate motifs and leafy tendrils, the top border with ogee ruyi heads on a gilt textured ground, raised monogram mark and painted D214, 30cm wide

£80 - £120

591 A Meissen figure of a goat on a teacup, model V.107, later 20th century, 14.5cm high £40 - £60

585 Rene Lalique, a Strasbourg wine glass, model 5086, designed circa 1926, polished and frosted, etched mark R Lalique, 12.8cm high

£80 - £120

586 Rene Lalique, an Ondines opalescent glass plate, model 3003, designed circa 1921, frosted and polished, engraved mark R Lalique France, 28cm diameter

£900 - £1350

587 Rene Lalique, an Ondines opalescent glass bowl, model 380, designed circa 1921, frosted and polished, moulded mark R Lalique, 21cm diameter

592 A Meissen floral painted cup and saucer, rattan moulded borders, decorated with floral bouquets and sprays including tulip and roses, foliate scroll handle, underglaze marks, 13.5cm diameter

£600 - £900

£80 - £120

£600 - £900

588 Rene Lalique, an Ondines opalescent glass bowl, model 380, designed circa 1921, frosted and polished, moulded mark R Lalique, incised Lalique, 21cm diameter

589 Rene Lalique, an Ondines opalescent glass plate, model 3003, designed circa 1921, frosted and polished, moulded mark R Lalique, incised R Lalique France, 27.6cm diameter £900 - £1,350

590

592

593

593 Four Meissen blue and white plates, piecrust ogee rims, painted with central floral bouquets of tulips and other flowers within borders of insects and sprigs, underglaze blue marks, 24cm diameter (4)

£200 - £300

594 A Meissen figure of a Bolognese dog, model 78528, early 20th century, after J J Kaendler, modelled scratching its chin, incised and painted marks, 20cm high £200 - £300

595 A pair of Meissen figural and florally encrusted mirror frames, oval form, acanthus lappet and foliate borders, surmounted by winged putti with garlands, blue marks, 34cm long (2)

£200 - £400

596 Heinrich Schwabe for Meissen, a figure of a winged putto, model L111, Cupid as a Coquette, late 19th century, modelled with a fan and bonnet, on simulated marble socle base, incised numbers, blue mark, 22cm high

£300 - £500

597 A pair of Meissen type figures, probably late 18th century, model 137, modelled as a seated woman with a rose and a man reading a book, on reticulated Rococo scroll bases, underglaze blue marks and incised numbers, 16cm high (2)

£300 - £500

598 Three 19th century Meissen relief moulded dishes, each with floral cartouches around a central painted bouquet, green and blue grounds, 25cm diameter (3)

£500 - £700

599 A Sevres porcelain tea cup and saucer, interlace L mark with Q, 1769, gobelet Bouillard form, the cup painted by Louis Jean Thevenet, with floral garland swags suspended by raised gilt rings from an entwined ribbon and thread band, the outer rim with a blue ground speckled border between gilt lines, the saucer probably by the same hand, 6cm high, 13cm diameter

600

600 A Vincennes type cream jug, designed circa 1752 and probably of the period, pot a eau a la Romaine shape, footed baluster ewer form with foliate handle, teal green ground, painted with a floral bouquet within raised paste gilt Rococo floral cartouche, 11cm high See the Metropolitan Museum New York accession number 50.211.177.178 for an example of this shape

£200 - £400

£300 - £500

Note: Thevenet worked at the Sevres factory from around 1750 until 1778 and painted tea services including the well known set for David Garrick now at the Victoria and Albert Museum, London. See: Dauteman, C C, 1986, Sevres Porcelain; Makers and Marks of the Eighteenth Century, New York: Metropolitan Museum of Art, p.153, and the Louvre Museum, Paris, accession TH1232 for examples of the artist's mark

601 A Vincennes porcelain candlestick, 1745-50, conical hyacinth vase form with ogee rim, the body painted in the round with a Meissen style Kauffahrtei scene of Moorish and European traders in a coastal encampment with ships in the distance, the external rim decorated with a Rococo border of foliate scrolls and diaper panels, the interior with floral sprigs, incised marks A M to underside, 11cm high

Note: see the Metropolitan Museum of Art, New York, accession number 54.147.27, for an example of this form with similar border and painted decoration, also bearing the same incised marks to the underside; the French Royal Porcelain Works operated outside Paris in Vincennes from 1740 until its relocation to Sevres in 1756. The mark is illustrated in Dauteman, C C, 1986, Sevres Porcelain; Makers and Marks of the Eighteenth Century, New York: Metropolitan Museum of Art, p.174 and 218, 219 £2,000 - £4,000

602 A Vincennes porcelain candlestick, 1745-50, conical hyacinth vase form with ogee rim, the body painted in the round with a Meissen style Claudian landscape of ruins with courting shepherd and shepherdess, figure on horseback and attendant overlooking a coastal view of ships, the external rim decorated with a Rococo border of foliate scrolls segmented rosettes, the interior with similar border, incised marks A M to underside, 10.6cm high

Note: see the Metropolitan Museum of Art, New York, accession number 54.147.27, for an example of this form with similar border and painted decoration, also bearing the same incised marks to the underside; the French Royal Porcelain Works operated outside Paris in Vincennes from 1740 until its relocation to Sevres in 1756. The mark is illustrated in Dauteman, C C, 1986, Sevres Porcelain; Makers and Marks of the Eighteenth Century, New York: Metropolitan Museum of Art, p.174 and 218, 219 £3,000 - £5,000

MOORCROFT AND ART POTTERY

603 William Moorcroft for Liberty and Co., a Pomegranate vase, circa 1911, shouldered form, ochre ground, printed mark and underglaze green signature, 30cm high £600 - £800

604 William Moorcroft, a Leaf and Berry jug, circa 1925, blue matt glaze, together with a small Flambe Leaf and Berry jug, circa 1930, impressed marks and underglaze monograms, 18cm and 13cm high (2) £100 - £200

605 William Moorcroft, a Moonlit blue vase, circa 1925, shouldered form, impressed marks and underglaze green signature, 15.5cm high £800 - £1,200

606 William Moorcroft, an Eventide vase, circa 1925, slender inverse baluster form, impressed marks and underglaze blue monogram, 18.5cm high £800 - £1,200

607 William Moorcroft, a Moonlit blue vase, circa 1925, shouldered form, impressed marks and underglaze green signature, 21cm high £1,200 - £1,800

608 An Aesthetic Movement Minton panel, circa 1870s, painted in the PreRaphaelite style, possibly after E W Godwin, of a Classical woman picking primroses, impressed marks, 34cm x 17cm, framed £200 - £300

609 Christopher Dresser for Minton, an Aesthetic Movement Kensington Gore vase and cover, 1871, flattened ovoid form on four bracket feet, painted in polychrome enamels with Kingfisher and butterfly amongst peonies, bamboo and chrysanthemums, the feet with Etruscan decoration, impressed and printed marks, 31cm high

£400 - £600

610 A Minton majolica Aesthetic Movement Chinaman teapot, circa 1860s, modelled in relief with turquoise jacket and green trousers, impressed marks, 20cm long £200 - £300

603

606

607

611 J Gould, a pair of Aesthetic Movement plaques, painted with Shakespearian scenes from Alls Well That Ends Well, 41cm x 20cm

£100 - £200

612 H Arnold for Minton, a PreRaphaelite plaque, painted with an Egyptian girl and two tortoises in a courtyard garden scene, signed, impressed Minton mark, 23cm x 45cm

£80 - £120

613 Henry Stacy Marks for Minton Hollins, two Arts and Crafts tile panels, in the PreRaphaelite style, circa 1880s, each of three tiles, painted with Renaissance peasant guard figures, impressed marks, 21cm square (6)

£100 - £200

614 An Aesthetic Movement blue and white jug, Keeling and Co., in the style of Christopher Dresser, spherical form with pulled conical neck, printed with a prunus and crackled ice design, 24cm high

£60 - £100

615 Christopher Dresser for Linthorpe, an art pottery plate, dust pressed in relief with a bird and foliage, within marbled green over brown rim, impressed Henry Tooth marks and facsimile signature, 353, 19.5cm diameter

£100 - £200

616 Christopher Dresser for Linthorpe, an Aesthetic Movement art pottery twin handled vase, circa 1885, of moonflask form, modelled in relief with quartered roundels of stylised honeysuckle motifs within beaded borders, the conical neck flanked by two curved buttress handles, streaky green ochre glaze with iridescent striations, impressed marks and facsimile signature, incised 337, 20cm high £500 - £800

617 Peter Gardner for Dunmore Pottery, an art pottery vase, circa 1880, ovoid baluster form, marbled tortoiseshell glaze, piecrust rim and impressed marks, 10.5cm high

Note: influenced by the work of Christopher Dresser at Linthorpe at the same time, the Scottish pottery of Dunmore developed a range of contemporary designs and glazes to match the trend and demand for the new Arts and Crafts forms. £20 - £40

618 Peter Gardner for Dunmore Pottery, an art pottery jug, circa 1880s, gourd form with stranded ropetwist handle, green glazed, impressed marks 17cm high £40 - £60

619 An art pottery iridescent jug, conical barrel form with incised concentric bands and bisected knotted tendril handle in the Arts and Crafts style, streaky lustre glaze, 19cm high £30 - £50

620

623

623 William De Morgan, an Arts and Crafts blue and white tile, circa 1880, painted with a large characterful fish with spiny fins and pronounced scales and shoal of smaller fish below, 15.5cm square

£2,000 - £3,000

£1,000 - £1,500

620 William De Morgan for Merton Abbey, an Arts and Crafts red lustre tile, circa 1885, painted with a boar, on plain white ground, impressed marks, 15.5cm square

621

621 William De Morgan, an Arts and Crafts green Long Clawed Bird tile, circa 1900, painted with a cormorant on tufted ground, impressed De Morgan, Iles, Passenger mark, 15.5cm square

Note: see Greenwood, M, 1989, The Designs of William De Morgan, p.127, design 990, for an example of this bird in reverse

£2,000 - £3,000

622 William De Morgan for Sands End pottery, a red lustre vase, circa 1890, bulbous form, later silver plated rim, impressed marks, 21cm high £200 - £300

624

624 Joe Juster for William De Morgan, an Arts and Crafts lustre vase, Fulham, circa 1890, bottle gourd form, the bulbous body painted in underglaze blue with alternating griffon and grotesque lion motifs in a foliate scroll ground, highlighted in iridescent yellow, the knopped neck with geometric lappets and concentric double lustre roundels, painted marks, 28cm high £4,000 - £6,000

625 Martin Ware-related literature, including Haslam, Malcolm, ‘The Martin Brothers Potters’, Sinai and Sons catalogue, Jackson, Holbrook, ‘Martinware’, and auction catalogues (9)

£80 - £120

626 Charles R. Beard, A Catalogue of the Collection of Martinware Formed by Mr Frederick John Nettlefold, Together with a Short History of the Firm of R.W. Martin and Brothers of Southall, 1936, privately printed for the Owner by Waterlow & Sons, London, brown linen boards with gilt tooled borders, rough end cut papers

£150 - £250

627

629

627 Robert Wallace Martin for Martin Brothers, a salt glazed stoneware foliate vase, 1886, squat ovoid form with angular neck, sgraffito decorated with stylised flower heads in a foliate scroll ground, in the Mannerist revival, incised marks 4-1886, R W Martin & Bros London + Southall, 19cm high

£400 - £600

628

628 Edwin Martin for Martin Brothers, a stoneware vase, 1879, shouldered and footed form with cylindrical neck, sgraffito decorated with naturalistic birds in branches with a partridge below, the neck carved and tooled with Aesthetic leaf pattern, incised marks 163 11.4.79, RW Martin London + Southall, 27cm high

£200 - £300

629 Edwin Martin for Martin Brothers, a large stoneware Wildflower vase, 1886, shouldered footed form with cylindrical neck, sgraffito decorated with butterflies amongst bleeding heart and daisies, tooled geometric collar to the neck, incised marks 5.1886 R W Martin + Bros, London + Southall, 48cm high

£2,000 - £3,000

630

630 The Martin Brothers, a stoneware Aquatic Gourd vase, 1904, square section ovoid baluster form, sgraffito and relief decorated with grotesque and characterful fish and and crustaceans in an underwater habitat, incised marks 2-1904 Martin Bros London + Southall, original paper retail labels Martin Bros Potters, High Holborn, London, 24cm high

£3,000 - £4,000

631

631 Edwin Martin for Martin Brothers, a stoneware brambles and birds vase, 1899, footed and shouldered ovoid form, sgraffito decorated with finches in a fruiting blackberry bush of scrolling tendrils, on a blue lava textured ground, incised marks 9-1899, Martin Bros London + Southall, 24.5cm high

Note: see Haslam, M. 1978, Martin Brothers Potters, p.157, fig. 255 for an illustration of this vase; exhibited in the Richard Dennis exhibition 1978, number 369 £1,500 - £2,500

632 A Doulton and Watts relief moulded stoneware hunting jug, modelled to each side with dogs attacking a boar and stag in forest scene, moulded marks, 21cm high £100 - £150

633

633 A Doulton Lambeth stoneware three handled sprigged bowl, salt glazed squat ovoid form, applied with three figural handles of Toby type figures, between low relief tavern and hunting scenes, impressed marks, 31cm diameter £150 - £250

634 A Doulton stoneware lemonade jug, 1882, conical form, relief moulded with bands of repeating foliate motifs in blue, brown and green, impressed marks, 23cm high £150 - £200

635 A Doulton and Rix Marqueterie ware bowl, square rim with diamond panel corners painted with chrysanthemums, the marbled agate body below geometric diaper marquetry border, 27.5cm diameter £80 - £120

636

636 Isabella Miller for Doulton Lambeth, a stoneware oil and vinegar cruet in silver plated stand, each od Grecian ewer form sgraffito decorated with floral and foliate bands, 23.5cm high

£100 - £200

637 A Doulton Lambeth stoneware three piece cruet in silver plated stand, 1878 ,shouldered form, beaded chevron bands with incised lappet design, 12cm high £100 - £150

638 A Doulton Lambeth stoneware jug, shouldered bulbous form, sgraffito decorated and relief moulded with scaled lappet design and a band of pellets and beads punctuated by rosettes, 16cm high £30 - £50

639 A Doulton Lambeth decorative stoneware pipe section, circa 1870s, sgraffito decorated with geometric floral and foliate design in blues and greens, incised marks possibly Arthur Pearce, 45.5cm long, 23cm diameter £100 - £200

640 Political Interest, a Doulton Lambeth salt-glazed stoneware pitcher commemorating the life of Benjamin Disraeli (1804-1881), Earl of Beaconsfield, the friese with mottos and a cameo bust surmounted by a coronet, impressed marks, lozenge registration mark and John Morlock retailer mark, 22cm high

£100 - £150

641 A Doulton Lambeth stoneware advertising barge, printed for Downey of Lambeth, treacle glaze, impressed marks, 17.5cm long

£300 - £500

642

642 A Doulton Lambeth advertising novelty tug boat, glazed stoneware, impressed marks, printed logos, 17.5cm long

£100 - £200

643

647

647 Loisa Davis for Doulton Lambeth, a stoneware jug, 1877, conical form, sgraffito decorated with alternating stylised foliate fronds and forget me not branches, incised marks, 23.5cm high

£100 - £200

648 George Tinworth for Doulton Lambeth, a silver mounted stoneware beaker, 1875, conical form, sgraffito decorated and modelle din relief with foliate seaweed design, raised prunts and beaded tendrils, retailed by Leuchars of London and Paris, 13cm high

£80 - £120

643 A Doulton stoneware novelty time piece, 1884, modelled as a longcase clock, moulded foliate panels of repeating leaf motifs within raised beaded and hobnail borders, with arched pediment, 30.5cm high

£600 - £800

644 Edith Lupton for Doulton Lambeth, a stoneware vase, 1880, cylindrical brush pot form with silver plated rim, sgraffito decorated with foliate panels between raised rosettes and incised lappet borders, 14.5cm high

649

£100 - £150

645 Francis Pope for Royal Doulton stoneware vase, square section, relief moulded to each side in the Art Nouveau style with birds in foliate branches, impressed and incised marks, 23cm high

£40 - £70

646 Florrie Jones for Royal Doulton, a pair of stoneware vases, shouldered from with a frieze of stylized fruit and leaves, impressed and incised marks, and No.5507, 23cm high (2)

£100 - £150

649 George Tinworth for Doulton Lambeth, a stoneware seaweed jug, 1879, conical flagon form, sgraffito decorated and relief moulded with foliate tendrils, rosettes and strapped beaded bands, silver mounted, incised monogram, 24.5cm high

£400 - £500

650 George Tinworth for Doulton Lambeth, a sprigged stoneware surprise frog jug, circa 1870, shouldered form with relief moulded tavern and hunting scenes to the exterior, the interior with a model of a frog, stamped marks, 14cm high

£250 - £350

651

651 George Tinworth for Doulton Lambeth, a stoneware figural menu holder, modelled as a child playing the fiddle, sitting in a throne, rectangular base, incised monogram, 10.5cm high £800 - £1,200

652 Hannah Barlow for Doulton Lambeth, a stoneware handled serving spoon, circa 1870s, sgraffito decorated with sheep grazing, the plated bowl and stem by Mappin Brothers ,etched in the Aesthetic style, 28cm long £100 - £200

653 Hannah Barlow for Doulton Lambeth, a stoneware jug, 1874, shouldered ovoid form, sgraffito decorated with a horse in a field of goats, below a scrolling tendril border, blue salt glaze, impressed marks and incised monogram, 18.5cm high £500 - £700

654 Hannah Barlow for Doulton Lambeth, a Carrara Ware vase, ovoid bottle form, painted and slip decorated with a hunting scene of dogs chasing a stag, below a pate sur pate neck of birds and foliage, printed and incised marks, 30cm high £200 - £300

655 Florence Barlow and Bessie Newbery for Doulton Lambeth, a pair of pate sur pate vases, shouldered and footed form, decorated with pairs of mallard ducks in wetland scenes, between tubelined Art Nouveau poppies, impressed and incised marks, 35cm high (2) £2,000 - £3,000

656 Mark V Marshall for Doulton Lambeth, a stoneware and brass oil lamp, egg form, carved in relief with four zoomorphic foliate scroll panels, between lappet bands, the reservoir with foliate cartouches, in a scrolled strap frame and tricorn base, Hinks patent burner, incised marks, 42cm high £200 - £400

657 Ada Fimister for Doulton Lambeth, a faience painted biscuit barrel, circa 1882, decorated with three sepia roundels of birds within a monochrome ground of stylised maple leaves, plated mounts and handle, impressed Pinder Bourne marks, printed Doulton marks and painted monogram, 23cm high overall

Note: exhibited in the Richard Dennis Exhibition of Doulton Pottery, Part II, Fine Art Society, London 1975, lot 8; purchased directly by the current owners £200 - £400

658 Ada Fimister for Doulton Lambeth, a faience plaque, circa 1882, depicting a woman with shepherd boy and her daughter feeding chickens, printed and painted marks, 19.5cm x 15.5cm, framed £200 - £400

659 Kate Rogers for Doulton Lambeth, a pair of Carrara Ware painted vases, slender necked baluster bottle form, decorated with clematis highlighted with gilt tubing, below relief moulded foliate knops, printed and painted marks, 37cm high (2)

£400 - £600

660 Mary Butterton for Doulton Lambeth, a faience oil lamp, ovoid urn form, painted with daisies between stylised floral lappet borders, mounted in gilt brass, with cranberry moulded shade, 36cm high to fitting

£400 - £600

661 Ruskin Pottery, a small High Fired reticulated ginger jar and cover, circa 1905, pierced with six petal rosettes to the lid and shoulder, graduated speckled green over purple fading to blue, impressed Howson Taylor mark, 9.5cm high

£1,200 - £1,500

662 Lewis Foreman Day for Pilkington, a set of four floral tiles, painted with red lilies, on a blue ground, impressed marks, 15.5cm square (4)

£80 - £120

663 Richard Joyce for Pilkington, a Royal Lancastrian lustre bowl, circa 1920s, relief moulded shallow form, the central rosetted within a band of tulips, streaky red, gold and green iridescent glaze, painted marks, 27.5cm diameter

£250 - £350

664 Pilkington, a pair of Royal Lancastrian curdled opalescent glazed vases, 1911, squat bulbous form with wide trumpet flared necks, streaky blue over turquoise, impressed marks, 11.5cm high (2)

£80 - £120

665 Pilkington (attributed), an Arts and Crafts six tile panel, circa 1900, tubelined, depicting a peacock and poppies in landscape, 36cm x 52cm overall

Note: see the Victoria and Albert Museum collection C.187-1976, for an example of this tile panel

£200 - £400

666

669

669 Clarice Cliff for Newport Pottery, an Original Bizarre Bonjour tea for two set, including teapot, jug and bowl, two conical cups and saucers, each with concentric orange, yellow and brown decoration, Bizarre marks, 16cm (8)

£250 - £350

666 Charles Vyse for Chelsea Pottery, Bacchus on a Goat, 1921, modelled as a Classical boy on a leaping mountain goat, encrusted with grapes, the base painted as a flower meadow, painted marks, 28.5cm high

£1,200 - £1,500

667

670

670 Clarice Cliff for Newport Pottery, a Fantasque Melon plate, orange border, printed Fantasque Bizarre marks, 23cm diameter

£100 - £200

671

£150 - £250

667 Dean for Minton, an art pottery pate sur pate commemorative jardiniere, 1911, shouldered form, slip decorated with naval ships on an open seascape, above tubelined inscription for the coronation of George V and Queen Mary, incised signature, printed marks, 34cm diameter

668 Dean for Thomas Forester and Sons, an Art Pottery slip decorated vase, circa 1910, waisted form, decorated with magnolia flowers on a teal blue ground, signed, printed marks, 28.5cm high

£40 - £70

671 Shelley, an Art Deco Mode shape tea set of six harlequin cups and saucers, Spring Flowers design 2160-2166, the conical cups with solid triangular handles, the rims and edges in yellow, green and blue, decorated with crocus, daffodils, iris, bluebells and buttercups in meadow landscapes, 12cm diameter (12)

£200 - £400

672 Ernest Proctor for Foley, a Harrods Exhibition jug, circa 1934, barrel form, painted with multi coloured wavy bands, bordered with silver lustre, printed marks and facsimile signature, 9cm high

£40 - £70

673

673 Keith Murray for Wedgwood, an Art Deco lime green vase, circa 1934, shouldered conical form, turned concentric stepped banding, facsimile signature, 29cm high £100 - £200

674

674 John Skeaping for Wedgwood, an Art Deco figure, Tiger with Buck designed circa 1927, glazed sage green, impressed marks,J Skeaping Wedgwood, 33cm long £100 - £200

675 Linda Taylor for Troika, an art pottery cuboid vase, square section, textured and incised to each side with geometric block designs and tribal masks, painted marks Troika Cornwall, 22.5cm high £150 - £250

676

676 Marilyn Pascoe for Troika, an art pottery cuboid planter, textured in relief and incised with block and geometric designs in black and ochre on a muddy blue ground, painted marks Troika Cornwall England, 15cm high £100 - £150

677 Jane Hamlyn, a pair of studio pottery salt glazed stoneware mugs, wide footed cylindrical form, with coiled reeded handles, blue and green, impressed seal marks, 7.5cm high (2) £40 - £70

678 Mary Rich, two studio porcelain vases, circa 1995, squat ovoid and barrel forms, each with concentric gilt bands of chevrons and crescents, iridescent green and blue, impressed marks, 9.5cm high (2) £60 - £100

679 Jane Hamlyn, a studio pottery teapot, salt glazed stoneware, wide domed form with coiled handle and finial, mottled green over blue, together with a jug, impressed marks to all, 23cm long (2) £80 - £120

680 Jane Hamlyn, a studio pottery salt glazed stoneware teapot, domed conical form with reeded top handle and coiled side handle, blue and green, impressed mark, 17cm high £80 - £120

681 Mary Rich, a studio porcelain vase, elongated shouldered bottle form, painted with concentric bands of gilt and turquoise with chevron and cheque panels, impressed seal mark, 18.5cm high £80 - £120

682 A salt glazed stoneware studio pottery pail or basket, impressed seal mark, 19cm high £40 - £70

683 Steve Harrison, a studio pottery salt glazed stoneware jar and cover, 1995, cylindrical caddy form with concentric banding, brown green glaze, impressed marks and date, 11cm high £100 - £200

684

684 Steve Harrison, a studio pottery salt glazed stoneware teapot, circa 1996, ovoid baluster form with flat domed lid and fluted spout, green glaze, impressed marks and date, 13cm high £100 - £200

685

685 Walter Keeler, a studio pottery sculptural vase, ash glazed stoneware, the bell form body with applied coiled cylinder handles and cylindrical neck, concentric ring marks, 17.5cm high £150 - £250

BRITISH CERAMICS

686 A Royal Doulton figure, Spring Flowers, model HN1807, in a green skirt and purple corset, printed marks, 18.5cm high £40 - £70

687 A Royal Doulton figure, Maisie, HN1619, in pink ruffled dress, painted marks, 15.5cm high £90 - £150

688 A Doulton figure of a Pointer dog, HN 2624, modelled alert in thicket with a tree stump, 30cm long £100 - £150

689 A Royal Doulton limited edition Flambe character jug, Aladdin’s Genie, model D6971, yellow glaze, printed marks and signature, unnumbered, 19cm high £600 - £800

690 A Royal Doulton Tiny character jug, John F Kennedy, red tie and blue jacket, printed mark, 4cm high £100 - £150

691 A Royal Doulton Tiny character jug, Oliver Twist prototype, blue hat, printed mark, 4cm high £100 - £150

692 A Royal Doulton Tiny character jug, Bill Sykes, green hat, printed mark, 4cm high £100 - £150

693

693 A Royal Doulton John Bull prototype character jug, black hat and overcoat, printed mark Property of Royal Doulton, 14.5cm high £450 - £550

694 A Royal Doulton character jug, the Gardener, model D6630, in red scarf, printed Registration Applied For mark, 20.5cm high £120 - £180

695 Charles Noke for Royal Doulton, An Orange Vendor, model HN 72, designed circa 1917, modelled in green cloak, painted marks, 17cm high £250 - £350

696 C Beresford Hopkins for Royal Doulton, a farm scene painted vase, twin handled pedestal urn form, painted in the round with a woman feeding cows in a woodland meadow, the neck and foot with raised gilt Rococo foliate scroll decoration, signed, 22.5cm high £300 - £500

697 A collection of Wemyss Plicta ware, including two pig money boxes painted with cabbage roses, four miniature pigs, a biscuit barrel, rectangular box and cylindrical pot, 15cm high (10) £150 - £200

698

698 Jan Plichta, a Wemyss Ware painted pig, decorated with cabbage roses, modelled sitting printed marks, together with another example, 31cm long (2) £200 - £300

695

699 Cuthbert Gresley for Royal Crown Derby, a pair of floral painted twin handled vases and covers, 1907, pedestal urn form, decorated with bouquets of roses within geometric and foliate scroll raised gilt and jewelled cartouches, the open acanthus handles united at the neck, 32cm high (2) £600 - £800

700 W Mosley for Royal Crown Derby, a floral painted twin handled Campana Urn, 1903, decorated with a continuous garland of floral bouquets, above a knotted foliate scroll beaded gilt and blue ground band, relief moulded arcading, 26.5cm high

£400 - £600

701 A Victorian Copeland and Garrett majolica dessert service, circa 1870s, six leaf moulded plates and two dishes with naturalistic handles, impressed Copeland marks, 26cm diameter (8)

£40 - £70

702 An 18th century Caughley soup plate, impressed Salopian mark, circa 1790, basket weave border, painted with Chantilly Sprig design, together with an original French Chantilly plate of the same design, hunting horn mark, 22cm diameter (2) £40 - £70

703

706

706 A Worcester black and white transfer printed cylindrical mug, circa 1765, printed with the Whitton Angler to one side, the reverse with Gardner Grafting a Tree, 8.5cm high £100 - £150

£40 - £70

703 A small Worcester blue and white teapot, unmarked, circa 1758-60, printed with the Plantation pattern

704 An 18th century Wedgwood creamware plate, ogee fluted border, printed in Liverpool with the Fancy Birds pattern, 18cm diameter

£40 - £70

705 A Worcester relief moulded sauce boat, circa 1765, the interior decorated in blue and white with the Sauceboat Peony Pattern, the exterior in high relief with floral bouquets

£50 - £70

707 A Worcester black and white printed tea cup and saucer, circa 1765, printed with the Milkmaid pattern, black borders, 12cm diameter (2)

£80 - £120

708 An English porcelain coffee cup, Liverpool printed in black and white by Sadler, circa 1770, with the Tea Drinker pattern, 6.5cm high

£60 - £100

705

707

708

709 A Lowestoft blue and white tea bowl and saucer, circa 1770, painted in the Scholars Rock and Floral pattern, 12cm diameter

£50 - £70

710 Three items of Caughley, including a small helmet cream jug, double ogee form, in the FitzHugh Border Pattern, a pickle leaf dish in the Fisherman pattern, S mark, and a Fence and House tea bowl, S X mark (3)

£60 - £100

711 A 19th century Worcester muffin dish and cover, circa 1840, painted in the Royal Lily pattern, acorn knop finial, 23cm diameter

£60 - £100

712 A Worcester blue and white teapot and cover, open crescent mark, circa 1770, bullet form painted decorated in the Rock Strata Island pattern

£70 - £100

717

£40 - £60

713 A Derby porcelain figure of a putto, circa 1765, modelled holding a floral basket, standing infront of a bocage stump, crowned with a floral wreath, patch marks, 11cm high

714

717 A Bristol porcelain coffee cup, cross mark, circa 1770, rattan moulded border above blue monochrome painted floral bouquets, double C scroll handle, highlighted in gilt, 6.5cm high

£80 - £120

718

£70 - £100

714 A Worcester tea bowl and sacucer, circa 1765, painted in the Meissen style with puce floral decoration within gilt Rococo cartouches

718 A Worcester blue and white sauce boat, circa 1765-70, reeded form, painted with the Donut pattern to the interior, 18.5cm long £100 - £200

715 A Worcester sucriere and cover, circa 1765, painted in the Meissen style with puce floral decoration within gilt Rococo cartouches

£80 - £120

716

719

719 A Worcester scale blue cup and saucer, square seal mark, circa 1770, painted with chrysanthemums in the Rich Kakiemon pattern, within Rococo gilt scroll cartouches, 13cm diameter

£100 - £200

£80 - £120

716 An early Worcester blue and white tea bowl, workmans mark, circa 1755, finely potted and painted in the Warbler pattern (BFS 1.C4)

720 A Worcester polychrome large double leaf dish, circa 1765, relief moulded and painted with floral bouquet and sprigs, 36cm long £100 - £150

721 A Worcester polychrome floral strawberry dish, square seal mark, circa 1775, ogee heart shaped, the kidney form central cartouche decorated with floral bouquets and festoons, within a gilt interlace foliate C scroll border, on blue ground, 26cm wide Provenance: Stoner and Evans, King St, London label to underside £80 - £120

722 Two Liverpool porcelain tea bowls and saucers, one by James Pennington, circa 1760s, painted with a variation of the Plantation Pattern, the other with a Profile Bud pattern, 13cm diameter £80 - £120

723 A Champions of Bristol porcelain jug, large baluster form with sparrow beak, painted with a swagged floral vine suspended from a gilt band, between floral sprigs and sprays, blue B mark, 17cm high Provenance: A Trapnell paper label to underside £100 - £200

724 An English porcelain relief moulded Bee and Goat jug, Chelsea triangle mark to the underside, polychrome decorated with flowers and insects to the baluster body, naturalistic branch handle, 11.5cm high

£100 - £150

725 A pair of Staffordshire porcelain dog figure groups, modelled as resting poodles with dead ducks, on blue cushioned bases, 10cm long (2)

£50 - £100

726 Two pairs of Staffordshire dogs, one with family groups of poodles and puppies on blue bases, the other pair modelled as seated poodles on rectangular slab bases, 11cm high (4)

£60 - £100

727 A Staffordshire porcelain cat and kitten figure group, modelled as tortoiseshell cats on a green rectangular base, 6cm high Provenance: Jonathan Horne label to underside £60 - £100

728 Two pairs of Staffordshire dog figures, one pair modelled as spaniels holding floral baskets, the other as spaniels with puppies, on blue bases, 20cm high (4)

£60 - £100

729 A pair of Staffordshire porcelain dog figures of King Charles spaniels, brown patination, modelled seated with red collars and lockets, 11cm high (2)

£60 - £100

730 A pair of Staffordshire porcelain figures of dogs, modelled standing on gilt tufted bases, mouths open, brown patination, 11.5cm high (2)

£70 - £100

731 A collection of Staffordshire dog figures, 19th century, including a pair of black spotted spaniels, a flatback brown spaniel, and two others, one on a blue base, 24.5cm high (5)

£70 - £100

732

732 A Whieldon gourd teapot, spherical form with naturalistic knotted branch handle, spout and finial, mottled tortoiseshell glaze, 19cm long

£80 - £120

733

733 A Staffordshire four branch Prattware tulip vase, circa 1790, modelled as a piping shepherd with flock, beside a tree of nesting birds, sponge decorated, 21cm high £100 - £200

734

734 A pair of Staffordshire pottery cats, mid 19th century, modelled seated, on blue bases, black sponge patination and painted features, 14cm high (2) £100 - £200

735 A pair of Staffordshire pottery figures of greyhounds, modelled standing, holding rabbits, on tufted bases, together with two dog figure groups, one with a barrel, the other as a family of spaniels on a pen stand base, 19cm high (4) £100 - £150

738 A pair of Staffordshire pottery figures of Ariadne and Dionysus, modelled semi nude standing next to tree stumps, on sponge decorated square bases, 21cm high (2) £300 - £500

739

739 A Staffordshire porcelain novelty dog whistle, 19th century, modelled in the form of a spaniel’s head, painted with black patches, gilt band to the mouthpiece, 5cm long £200 - £400

740

740 A Leeds pearlware Mocha teapot and cover, circa 1780, pedestal squat urn form, half reeded and moulded with artichoke finial, 26cm long £150 - £250

736

736 A Staffordshire porcelain novelty dog whistle, 19th century, modelled in the form of a spaniel’s head, painted with brown patches, 5cm long

£200 - £400

737 A Staffordshire pearlware pottery bull baiting figure group, circa 1820, sponge decoration with dog, 13.5cm high

£100 - £150

741

741 Two Lambeth Delft blue and white plates, circa 1760, each decorated with pairs of rabbits and flowers, together with a floral pancake plate, 23cm diameter (3) £200 - £300

742 A London Delft blue and white dish and bowl, the large shallow dish painted with weeping willow and peony, the bowl with chequered borders, 30.5cm diameter (2) £150 - £250

743 A William and Mary Bristol Deflt posset pot and cover, circa 1690, twin handled squat baluster form, painted in blue and white with peacock and other birds in floral landscapes, with low spout, lidded, 20cm high £1,200 - £1,500

744 An English slipware dish, circa 1780 with elaborate slip trail decoration. 38 cm diameter. £600 - £800

TERMS & CONDITIONS OF SALE AND BUSINESS

These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms.

CONDITIONS OF SALE

1. DEFINITION

In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’.

2. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.

3. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment.

4. DESCRIPTIONS AND CONDITION OF LOTS

Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot.

5. ATTRIBUTION OF PICTURES

(a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist.

(b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work.

(c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date.

(d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.

(e) All other terms are self-explanatory.

6. FORGERIES

Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium.

7. THIRD PARTY LIABILITY

Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur.

8. DISPUTES

Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams.

9. GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

English law applies to the interpretation of these Conditions.

TERMS OF CONSIGNMENT FOR SELLERS

1. INTERPRETATION

In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd.

2. WARRANTY

The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same.

3. COMMISSION

Commission is charged to sellers at a flat rate of 15% plus VAT on each lot. There is a lotting charge of £2.50 plus VAT per lot.

4. REMOVAL COSTS

Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

5. LOSS AND DAMAGE OF GOODS

a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold.

b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable.

6. ILLUSTRATIONS

The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

7. MINIMUM BIDS AND OUR DISCRETION

Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

8. RESERVES

a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}.

b) A reserve once set cannot be changed except with our consent.

c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

d) Reserves are not usually accepted for lots expected to realise below £50.

9. ELECTRICAL ITEMS

These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. SOFT FURNISHINGS

The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request.

11. DESCRIPTIONS

Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

12. UNSOLD ITEMS

If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

13. WITHDRAWN AND BOUGHT IN ITEMS

These are liable to incur charges on being bought in or withdrawn after being catalogued.

14. CONDITIONS OF SALE

You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST

You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

17. STORAGE

We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT

Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale.

INFORMATION FOR BUYERS

1. INTRODUCTION

The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand.

2.

AGENCY

As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller.

3. THE BUYER

The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid.

The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots.

4. REGISTRATION

Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.

5. BUYER’S PREMIUM - COMMISSION CHARGES

There is a buyer’s premium of 25% plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001.

6. VALUE ADDED TAX

Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon.

7. AUCTIONEERS MARGIN SCHEME

This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice.

8. PAYMENT

Buyers must pay in full before items can be removed from the premises (please see “payment methods” below).

Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

Payment Methods

We accept payment by:

Cash – up to £9,000 (subject to money laundering regulations). Cheques – bankers draft, cashiers cheque, personal cheques and travellers cheques are all accepted.

Credit cards – Visa or Mastercard (American Express or Diners Club not accepted).

Debit cards – Visa, Delta, Switch, Connect

Please note that we are unable to accept any card payments where the cardholder is not present.

Bank transfer to:

HSBC Bank, Bridge St, Evesham WR11 4RU

Account no.: 51655345

Account name: Kinghams Auctioneers Ltd

Sort code: 40-20-27

IBAN: GB91MIDL40202751655345

SWIFTBIC: MIDLGB22

Please note that a fee of £15 will be added for international bank payment.

9. LIVE INTERNET BIDDING

Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com

We ask that you register for the sale a minimum of 24 hours before the auction.

When you have registered, you can watch the auction in real time; simply click the bid button to place a bid.

If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details.

10.

TRANSFER OF RISK

Each lot is the buyer’s sole responsibility from the fall of the hammer.

11. COMMISSION BIDS

If instructed, Kinghams will execute bids and advise prospective buyers. This service is free.

Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk.

Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name

Address

Email address

Contact telephone numbers

The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards

Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid.

We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.

12. TELEPHONE BIDS

Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.

13. DATA PROTECTION

Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE AND COLLECTION

Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office.

15. ELECTRICAL GOODS AND SOFT FURNISHINGS

These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations.

16. EXPORT OF GOODS

Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

17. PACKING AND DESPATCH

We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office.

18. DROIT DE SUITE ROYALTY CHARGES

A picture or work of art by an applicable living artist, or those who have died within the last 70 years, which costs more than £1,000 hammer price will incur a royalty charge paid by the buyer. We pass this payment on to the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments.

The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub and can be found on the DACS website.

The royalty charge for pictures and works of art that achieve a hammer price of more than £1,000, but less than that of £50,000 is 4%. On pictures and works of art that achieve a hammer price of more than £50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website.

The royalty charge is added to invoices and must be paid before purchases are removed. VAT is not paid on royalty charges.

19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY

Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling.

Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.