The Armchair Art Fair

TARMCHAIRARTFAIRHE AUTUMN/WINTER 2022/23

Dear Clients and Friends,

We always aim to include a wide variety of dealers and a fresh selection of pictures in the catalogue so that there are always different choices of works and genres. For this issue, we’re joined for the first time by: Gwen Hughes Fine Art who specialises in Modern British paintings, drawings and original limited edition prints; Haynes Fine Art, the largest provincial fine art dealers in the UK, selling quality 19th-21st century paintings, drawings and sculpture; Hartnoll and Daughters, selling an eclectic mixture from Victorian to Contemporary British art as well as 20th century French Naïf paintings; and, not least, The Swan Gallery of Sherborne, who sell a wide variety of oils, watercolours and drawings as well as antique maps and prints. And, of course, many of the dealers that you’ll be familiar with are once again displaying their latest works here. If you’re tempted by anything displayed here, please don’t hesitate to call the relevant dealer as soon as possible – there can be numerous and rapid sales from these catalogues. Indeed Kaye Michie sold 18 pictures from the last catalogue! Enjoy the show!

John and Felicity Rae-Smith The Rae-Smith Gallery Organisers of The Armchair Art Fair Catalogues raesmithg@aol.com

Well, it was a long, hot summer – sometimes too hot! – but we hope this, the latest issue of The Armchair Art Fair, brings some extra cheer before the grey clouds arrive. It’s been great to see some seasonal normality return to our lives such as travel, sporting events, meeting up with friends and, not least of course, the fairs re-opening. On the other hand, one only needs to watch the news to see that all is not perfect with the world. So, for a short while at least, cut yourself off from any looming gloom and enjoy the fabulous artworks displayed here!

TARMCHAIRARTFAIRHE

AUTUMN/WINTER 2022/23

Gwen Hughes Fine Art London SW18 by +44appointment(0)208874 www.gwenhughesart.co.ukinfo@gwenhughesart.co.uk8568 John Noott Galleries Broadway, Cotswolds by appointment only +44 (0) 1386 852787 +44 (0) 7802 www.john-noott.comjon@john-noott.com454888 GALLERY INFO RMATION & CONTACT DETAILS The Hunt Gallery 33 Strand Street Kent,SandwichCT13 9DS +44 (0) 1304 www.thehuntgallery.cominfo@thehuntgallery.com612792 Hartnoll & Daughters +44LondonArtmonger(0)7775 89 www.hartnollanddaughters.cominfo@julianhartnoll.com3842 Manning Fine Art London SE1 by appointment +44 (0) 7929 info@manning749056 fineart.co.uk manningfineart.co.uk Kaye Michie Fine Art Richmond, Surrey +44 (0) 7973 www.kayemichie.co.ukwatercolours@kayemichie.co.uk113126 @gwen_hughes_art @johnnoottgalleries @thehuntgallery/thehuntgallery @hartnollanddaughters_art @manningfineart @kayemichiefineart

John Iddon Fine Art Richmond, Surrey +44 (0) 208 940 7741 +44 (0) 7901 www.johniddonjohn.iddon@tinyworld.co.uk671939 fineart.com Haynes Fine Art LONDON & COTSWOLDS Head Office: Picton House 42 High Street, Broadway, Worcestershire WR12 7DT London Gallery: 70 Pimlico Road, Belgravia, London SW1W 8LS +44 (0) 1386 email@haynes852649 fineart.com www.haynesfineart.com Instagram www.instagram.com Facebook www.facebook.com The Swan Gallery 51 Cheap www.swangallery.co.ukswangallery@aol.com+44Dorset,SherborneStreetDT93AX(0)1935814465 Karen Taylor Fine Art karen@karentaylor+44+44byLondonappointment(0)7881581275(0)2087439207 fineart.com www.karentaylorfineart.com Sarah Colegrave Fine Art London and Oxfordshire by appointment only +44 (0) 7775 www.sarahcolegrave.co.uksarah@sarahcolegrave.co.uk943722 John Robertson Fine Paintings +44 (0) 7860 www.jrobertsonjohn_bourne@hotmail.com571799 fineart.com @sarahcolegravefi @theswangallerysherborne/SarahColegraveFineArtneart @karentaylorfineart @haynesfi /HaynesFineArt/neart

4 THE ARMCHAIR ART FAIR A NOTE TO CUSTOMERS Should you wish to find out further information about any specific item in this catalogue, or indeed make a purchase, please contact the relevant dealer who will also be able to provide details regarding payment, delivery and terms and conditions of sale. The descriptions of the items on sale are the responsibility of the dealers concerned and are guaranteed by them.

Gwen Hughes Fine Art John Noott Galleries The Hunt Gallery Hartnoll & Daughters Manning Fine Art Kaye Michie Fine Art John Iddon Fine Art Haynes Fine Art The Swan Gallery Karen Taylor Fine Art Sarah Colegrave Fine Art John Robertson Fine Paintings118–127108–11798–10788–9778–8768–7758–6748–5738–4728–3718–278–17 CONTENTS

6 THE ARMCHAIR ART FAIR

If you missed previous editions you can still access the turn-page catalogues online with the following links: SUMMER 2021 www.bit.ly/ArmchairArtFair21 WINTER 2020/2021 www.bit.ly/ArmchairArtFair20-21 WINTER 2022 www.bit.ly/ArmchairArtFair2022

8 THE ARMCHAIR ART FAIR +44 (0) 20 8874 info@gwenhughesart.co.uk8568 www.gwenhughesart.co.uk EDWARD BAWDEN (1903-1989) IVES FARM, 1956 Signed,41cmLinocut.x61.5cm.titledand dated. Artist’s proof 3/35. £7,500 Printed by the artist at his studio in Great Bardfield. (Greenwood cat. 45) JULIAN TREVELYAN (1910-1988) BENARES (from the India Suite), 1968 Etching with 35cmaquatint.x47cm. Signed and titled; numbered from the edition of 75. £1,300 (Turner cat. 201) www.gwenhughesart.co.uk

9 +44 (0) 20 8874 8568 | www.gwenhughesart.co.uk GWEN HUGHES FINE ART THE ARMCHAIR ART FAIR ALISTAIR GRANT (1925-1997) FISHING IN KENSINGTON GARDENS, 1957 Etching with 30cmdrypoint.x40cm. Signed; Artist’s proof, aside from the edition of 25. £850 ANTHONY GROSS (1905-1984) SUNDAY, CAMBRILS,Etching.1933 17cm x 24.5cm. Signed, numbered from the edition of 50. £1,600 (Herdman cat. 3303). ALISTAIR GRANT (1925-1997) LE TOUR D’ÉTAPLES, 1956 Etching with drypoint. 12.5cm x 17.5cm. Signed; Artist’s proof, aside from the edition of 25. £750

10 THE ARMCHAIR ART FAIR GWEN HUGHES FINE ART www.gwenhughesart.co.uk | +44 (0) 20 8874 8568

FREEDMAN (1901-1958) PEOPLE,

BARNETT Signed74cmLithograph.1946/47x99cm.intheplate. series of Signed74cmLithograph.x99cm.intheplate. series of

Lyons Lithographs. EDWARD ARDIZZONE (1900-1979) THE RAILWAY STATION, 1946/47

£2,000 unframed From the first

£1,200 unframed From the first

Lyons Lithographs.

11THE ARMCHAIR ART FAIR LILL TSCHUDI (1911-2004) EISLAUF (SKATING) Colour linocut. 49cm x 35.5cm. Signed and titled; numbered from the edition of 300. £2,500 VINCENT LINES (1909-1968) SKATING, Signed;67cmLithograph.1938x50.5cm.froman unnumbered edition of c.400. From the second series of Contemporary Lithographs. £650 RAOUL DUFY (1877-1953) THE BAND, Signed50cmLithograph.1949x77cm.intheplate. £900 From the third (European) series of School Prints. +44 (0) 20 8874 8568 | www.gwenhughesart.co.uk GWEN HUGHES FINE ART

POPPY

12 THE ARMCHAIR ART FAIR JOHN NASH (1893-1977) WINDOW PLANTS, 1946 Signed50cmLithograph.x77cm.intheplate. £850 From the first series of School Prints. GWEN HUGHES FINE ART www.gwenhughesart.co.uk | +44 (0) 20 8874 8568

CAROLYN SERGEANT (1937-2018)

POPPY STUDY 2, 1990 Oil on board. 31cm x 37cm. Signed and dated verso. £550

CAROLYN SERGEANT (1937-2018) STUDY 1, 1990 Oil on board. 25cm x 25cm. Signed and dated verso. £550

13 +44 (0) 20 8874 8568 | www.gwenhughesart.co.uk GWEN HUGHES FINE ART THE ARMCHAIR ART FAIR

MARY POTTER (1900-1981) FIGURES ON A BEACH Watercolour and pencil on paper. 16cm x 18cm. £1,200 With Thompson’s Gallery, their label verso. MARY POTTER (1900-1981)

KITES ON THE BEACH Watercolour and pencil on paper. 14cm x 14.5cm. £1,200 Exhibited: Thompson’s Gallery, ‘Mary Potter’s Sketchbooks’, 2007.

14 THE ARMCHAIR ART FAIR JOSEPH PENNELL (1857-1926) DARK DAY ON THE EMBANKMENT,Aquatint.1909 25cm x 29.5cm. Signed and inscribed “Thames in Winter from my Window”; edition probably of 40. £2,200 (Wuerth cat. 507). Pennell had a studio in Buckingham Street, off The Strand. THEODORE ROUSSEL (1847-1926) BATHERS AND TENTS, 1923/24 Etching with drypoint. 23cm x 35cm. Signed in lower margin (also in the plate). £950 (Hausberg cat. 134) GWEN HUGHES FINE ART www.gwenhughesart.co.uk | +44 (0) 20 8874 8568

VICTOR PASMORE (1908-1998) BLUE DEVELOPMENT, 1974 Initialled44cmScreenprint.x38cm.anddated; numbered from the edition of 60. £2,850 (Bowness & Lambertini cat. 44)

TWO STANDING FIGURES, 1949 Signed36.5Lithograph.x29cm.anddated; edition unknown, probably very small. £2,750 Exhibited: “Original French and English Lithographs and Monotypes in Colour”, Redfern Gallery, London, December 1949.

BEN NICHOLSON (1894-1982) TURKISH FORMS WITH LEAF, 1967 Etching with drypoint. 32cm x 28cm. Signed and dated; numbered from the edition of 50. £4,200 From the series “Greek and Turkish Forms”. (Lafranca cat. 71)

15THE ARMCHAIR ART FAIR +44 (0) 20 8874 8568 | www.gwenhughesart.co.uk GWEN HUGHES FINE ART

HENRY MOORE (1898-1986)

EIGHT RECLINING FIGURES, 1958 Signed30cmLithograph.x24cm.anddated; unnumbered edition of 300. £1,850 (Cramer cat. 40)

ROBERT ADAMS (1917-1984)

16 GWEN HUGHES FINE ART www.gwenhughesart.co.uk | +44 (0) 20 8874 8568 THE ARMCHAIR ART FAIR RODGRIGO MOYNIHAN (1910-1990) CLIFFS, ST MARGARET’S BAY, 1946 Oil on board. 26cm x 34cm. £3,800 ROBERT BUHLER (1916-1989) GROOMBRIDGE FARM, c.1950s Oil on board. 34.5 x 49.5cm. £3,000

17THE ARMCHAIR ART FAIR +44 (0) 20 8874 8568 | www.gwenhughesart.co.uk GWEN HUGHES FINE ART DICK LEE (1923-2001) RICHMOND BRIDGE, 1957 Oil on board. 30.5cm xSigned.37cm. £1,200 DICK LEE (1923-2001) PUTNEY EMBANKMENT, MARCH, c.1960 Oil on board. 17cm x 26cm. Titled verso. £950 DICK LEE (1923-2001) RANELAGH AVENUE, BARNES, c.1960 Oil on Signed.14.5cmboard.x18.5cm. £850

18 THE ARMCHAIR ART FAIR +44 (0)1386 852787 +44 (0) 7802 gallery@john-noott.com454888 www.john-noott.comJohn nooTT GALLERIES After fifty years of enjoying the art business and putting together website.towhichcollection,selectionareonsamplesRepresentativemyreducingdecidedcollection,myIhavetostartit,beforechildrenhaveto!areshownthesepagesandonlyasmallfrommymanyofareavailableviewonthe BERNARD FLEETWOOD-WALKER RA PPRBSA ROI NEAC (1893-1965) ‘AMY AND BERYL’ EXHIBITED BERNARDMEMORIALFLEETWOOD-WALKEREXHIBITION1965 Oils. 28” x 16” / 34” x 22” framed. £4,950 GEORGE DERVILLE ROWLANDSON (1861-1930) ‘WAITING’ Oils. 10” x 8” / 16” x 14” framed. £2,450 PAUL SEGUIN BERTAULT (1869-1964) ‘SORTIE DE L’OPERA, PARIS’ Watercolours.14” x 21” / 24” x 31” framed. £3,500

19THE ARMCHAIR ART FAIR +44 (0) 7765 966256 | www.mooregwynfineart.co.uk HARRY MOO RE-GWYN BRITISH ART(0)1386 852787/07802 454888 | www.john-noott.com JOHN NOOTT GALLERIES ARTHUR WARDLE (1864-1949) ‘STUDY FOR A MAJOR WORK’ Watercolours. 21” x 14” / 26” x 20” framed. £2,450 RAPHAEL KIRCHNER (1876-1917) ‘THE RED-HEADED MODEL’ Watercolours. 20” x 13” / 31” x 24” framed. £3,450 DORIS PUSINELLI (1900-1976) ‘THE GOLDEN SCARF’ Watercolours. 25” x 20” / 32” x 27” framed. £2,950 RALPH MIDDLETON TODD (1891-1966) ‘STANDING MODEL’ Pastels. 22” x 15” / 31” x 24” framed. £1,950

Karl Hagedorn, born in Berlin but settled in Manchester in 1905., ultimately becoming a leading figure in the Manchester arts scene. An Exhibition, Manchester’s First Modernist, was held at the Whitworth Art Gallery, Manchester in 1994.

20 THE ARMCHAIR ART FAIR JOHN NOOTT GALLERIES www.john-noott.com | +44 (0)1386 852787/07802 454888 KARL HAGEDORN (1889-1969) ‘WESTMINSTER 1956’ Oils. 20” x 30” / 26” x 36” framed. £2,850 KARL HAGEDORN (1889-1969) ‘TROIS AMIS, TOULON Oils. 20” x 13” / 29” x 20” framed. £2,250 KARL HAGEDORN (1889-1969) ‘CANON STREET STATION 1956’ Oils. 20” x 30” / 26” x 36” framed. £2,850

21THE ARMCHAIR ART FAIR +44 (0)1386 852787/07802 454888 | www.john-noott.com JOHN NOOTT GALLERIES ‘SUBURBAN VIEW 1931’ Watercolours. 14” x 20” / 21” x 27” framed. £1,950 ‘TEDDINGTON BOAT BUILDER’S YARD 1948’ Ink and wash. 15” x 22” / 22” x 29” framed. £1,750 ‘THAMES ROWING BOATS UNDER REPAIR 1939’ Ink and wash. 13” x 20” / 21” x 25” framed. £1,750 ‘ROSS - ON - WYE MARKET HALL 1953’ Ink and wash. 14” x 21” / 20” x 27” framed.‘GATEWAY£1,750 1921’ Watercolours. 14” x 20” / 21” x 27” framed. £2,250 The following five works are from the collection of the artist’s wife.

22 THE ARMCHAIR ART FAIR JOHN NOOTT GALLERIES www.john-noott.com | +44 (0)1386 852787/07802 454888 MABEL HOLLAMS (1877-1963) ‘TINY’ – A POMERANIAN Oils. 14” x 18” / 16” x 20” framed. £2,250 ARTHUR WARDLE (1864-1949) ‘SPANIELS’ Oils. 22” x 14” / 29” x 21” framed. £5,500 INDISTINCT SIGNATURE ‘TAKING IT EASY’ Pencil and wash. 11” x 18” / 22” x 28”. Indistinct signature, dated 1930. £950 ALFRED DUKE (1836-1915) ‘A TERRIER AND HER PUPS’ Oils. 16” x 13” / 21” x 18” framed. £6,950 JAMES WILLIAM COLE (ACT.1849-1889) ‘SCRUFF’ Oils. 15” x 12” / 21” x 17” framed. £2,250 HUGH GEORGE SHAW (ACT.1880-1895) A KING CHARLES SPANIEL Oils. 20” x 14” / 27” x 20” framed. £2,850 Dogs A dog lover all my life I have found it difficult to turn away some wonderful examples of both domestic and sporting canines.

23THE ARMCHAIR ART FAIR +44 (0)1386 852787/07802 454888 | www.john-noott.com JOHN NOOTT GALLERIES WILLIAM HENRY HUNT OWS (1790-1864) ‘READY FOR SOME SPORT’ Watercolours. 18” x 21” / 25” x 30” framed. £4,950 ERIC MEADE-KING (1911-1987) ‘SPANIELS PUTTING UP A PHEASANT’ Watercolours. 17” x 13” / 26” x 21” framed. £1,250 JOHN EMMS (1843-1912) ‘AT THE WELL’ Oils. 18” x 24” / 24” x 30” framed. £4,950 ERIC MEADE-KING (1911-1987) ‘PARTRIDGE SHOOTING’ Watercolours. 10” x 15” / 18” x 23” framed. £950

24 THE ARMCHAIR ART FAIR JOHN NOOTT GALLERIES www.john-noott.com | +44 (0)1386 852787/07802 454888 BOB RICHARDSON PS (BORN 1938) ‘RESTAURANT, ST TROPEZ’ Pastels.18” x 20” / 25” x 30” framed. £2,250 CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) ‘AFRICAN DUSK’ Watercolours. 26” x 15” / 37” x 25” framed. £3,950 BOB RICHARDSON PS (BORN 1938) ‘LAKESIDE DINING’ Pastels.18” x 20” / 25” x 30” framed. £2,250 BERESFORD EGAN (1905-1984) ‘YOU ARE NOT FORGOTTEN’ Watercolours. 20” x 14” / 30” x 23” framed. £1,950

WILLIAM HENRY BARRIBAL (1874-1952) ‘DOING HER HAIR’ 14”Watercolours.x12”/20” x 18” framed. £2,250 WILLIAM HENRY BARRIBAL (1874-1952) ‘NEW SHOES’ 17”Watercolours.x13”/25” x 20” framed. £2,250 25THE ARMCHAIR ART FAIR RAPHAEL KIRCHNER (1876-1917) ‘A GOOD SHOT!’ 12”Watercolours.x14”/18” x 20” framed. £675 RAPHAEL KIRCHNER (1876-1917) ‘THOUGHTS’ Pencil and watercolour. 10” diameter” / 18” x 18” framed. £1,450 HAROLD HOPE READ (1881-1959) ‘ON THE BEACH’ 9”Watercolours.x12”/18”x 21” framed. £325 +44 (0)1386 852787/07802 454888 | www.john-noott.com JOHN NOOTT GALLERIES

26 THE ARMCHAIR ART FAIR NORMAN NEASOM RWS RBSA (1915-2010) ‘THE TEMPTATION OF ST ANTHONY’ 13”Watercolours.x19”/23” x 29” framed. £2,250 K S KANG ‘NICKS’ (1964-2007) ‘EMMA’ Mixed media. 8” x 6” / 21” x 17” framed. £750 K S KANG ‘NICKS’ (1964-2007) ‘GOLDEN SPOTS’ Mixed media. 10” x 9” / 20” x 17” framed. £750 FELIKS TOPOLSKI (1907-1989) ‘OLD WOMAN’ 11”Watercolours.x13”/13” x 16” framed. £450 IMRE GOTH (1893-1982) ‘PORTRAIT STUDY’ Red chalk. 10” x 7” / 13” x 10” framed. £195 JOHN NOOTT GALLERIES www.john-noott.com | +44 (0)1386 852787/07802 454888

27THE ARMCHAIR ART FAIR +44 (0)1386 852787/07802 454888 | www.john-noott.com JOHN NOOTT GALLERIES ‘HOOK’ 13” x 10” / 20” x 16” framed. £750 ‘WENDY’ 13” x 10” / 20” x 16” framed. £750 ‘PETER’ 13” x 10” / 20” x 16” framed. £750 ‘SUITOR’ 14” x 10” / 16” x 13” framed. £450 ‘WIDOW TWANKY’ 14” x 10” / 16” x 13” framed. £650 ‘GENIE’ 14” x 10” / 16” x 13” framed. £450 ‘VIZIER’ 14” x 10” / 17” x 13” framed. £450 ‘COURTIER’ 14” x 10” / 17” x 13” framed. £450 ‘COURT LADIES’ 14” x 10” / 17” x 13” framed. £450 Joan Jefferson Farjeon(1913-2006) was from a literary and theatrical family, and post-war was a highly regarded set and costume designer. The exquisite and detailed costume designs as shown here were all in watercolours with gilt enhancement, were from Fifties performances ofPeter Pan and Aladdin. From the artist’s studio, we believe that they, and many othersto hand, have not before been offered to purchase.

28 THE ARMCHAIR ART FAIR +44 (0) 1304 info@thehuntgallery.com612792 www.thehuntgallery.com THEHUNTGALLERY MICHAEL JOHN HUNT THE COURTYARD Acrylic on panel. 16” x 12”. £5,500 MICHAEL JOHN HUNT THE DAPPLED DOOR Acrylic on panel. 16” x 12”. £5,500 MICHAEL JOHN HUNT THE PIANIST Acrylic on panel. 16” x 12”. £5,500 MICHAEL JOHN HUNT THE 16”AcrylicBUREAUonpanel.x12”. £5,500

29THE ARMCHAIR ART FAIR +44 (0) 1304 612792 | info@thehuntgallery.com THE HUNT GALLERY MICHAEL JOHN HUNT PERSPECTIVE Acrylic on panel. 16” x 12”. £5,500 MICHAEL JOHN HUNT TWO TINS Acrylic on panel. 16” x 12”. £5,500 MICHAEL JOHN HUNT ROSES Acrylic on panel. 16” x 12”. £5,500 MICHAEL JOHN HUNT THE PORTFOLIO Acrylic on panel. 16” x 12”. £5,500

30 THE ARMCHAIR ART FAIR THE HUNT GALLERY info@thehuntgallery.com | +44 (0) 1304 612792

MICHAEL JOHN HUNT SHENANDOAH VALLEY Acrylic on canvas. 40” x 60”. £30,000 31THE ARMCHAIR ART FAIR +44 (0) 1304 612792 | info@thehuntgallery.com THE HUNT GALLERY

32 THE ARMCHAIR ART FAIR THE HUNT GALLERY info@thehuntgallery.com | +44 (0) 1304 612792 MICHAEL JOHN HUNT THE HEARTH Acrylic on canvas. 30” x 26”. £21,000 MICHAEL JOHN HUNT SHUTTERS Acrylic on38”canvas.x30”. £25,000

33THE ARMCHAIR ART FAIR +44 (0) 1304 612792 | info@thehuntgallery.com THE HUNT GALLERY MICHAEL JOHN HUNT SAN GIORGIO MAGGIORE Oil on canvas. 24” x 22”. £12,500 MICHAEL JOHN HUNT FIRE DOGS 16” x Acrylic12”.on panel. £5,500 MICHAEL JOHN HUNT THE COVERLET Acrylic on canvas. 20” x 24”. £12,500

34 THE ARMCHAIR ART FAIR THE HUNT GALLERY info@thehuntgallery.com | +44 (0) 1304 612792 MICHAEL JOHN HUNT RED ROOF BARN Oil on paper. 12” x 18.5”. £1,800 MICHAEL JOHN HUNT FAIRFIELD BARN Oil on paper. 12” x 18.5”. £1,800 MICHAEL JOHN HUNT WHITE POST RAILWAY CROSSING Oil on paper. 12” x 18.5”. £1,800

35THE ARMCHAIR ART FAIR +44 (0) 1304 612792 | info@thehuntgallery.com THE HUNT GALLERY MICHAEL JOHN HUNT MURPHY ROOM Acrylic on canvas. 20” x 34”. £23,000 MICHAEL JOHN HUNT THE BLACK WALNUT Acrylic on canvas. 32” x 46”. £25,000

36 THE ARMCHAIR ART FAIR THE HUNT GALLERY info@thehuntgallery.com | +44 (0) 1304 612792

37THE ARMCHAIR ART FAIR +44 (0) 1304 612792 | info@thehuntgallery.com THE HUNT GALLERY MICHAEL JOHN HUNT BLUEBELLS Acrylic on canvas. 40” x 56”. £30,000

EMILE CROCIANI (1902-1978) FLEURS DANS UN VASE Oil on plywood. 65cm x 50cm; 25” x 19“. Signed on the vase. £5,500 Below: FRENCH FABRIC DESIGNS designer gouache, various sizes. Mid 20th century from our extensive collection of drawings by the designer Louis Lang and from the archives of Bianchini archive. £150 - £350 JOHN BRATBY RA (1928-1992) INTERIOR WITH TELEVISION AT HARDY ROAD, BLACKHEATH Soft pencil. 35cm x 30cm; 14” x 12 ½“. Signed and dated June 59, lower left. £1,850 38 THE ARMCHAIR ART FAIR Hartnoll and Daughters is now the name under which Julian Hartnoll, his wife Fiona Hartnoll and their daughter Beatrice trade. Julian Hartnoll has been in Duke Street St James’s and Masons Yard throughout his career, starting at M.Newmans limited in Thereafter1962.working in partnership as Hartnoll & Eyre and then, as a sole trader, from 1975. He was joined by his late daughter Lizzie in 2008 and now his youngest daughter Beatrice is part of the team. Fiona has worked with him for thirty years. He has handled the PreRaphaelites, the Symbolists, Kitchen Sink painters, John Bratby and more recently French Naïve painters of the 20th century artists. All these schools are represented here. Also, and not least, we have a collection of decorative French fabric designs of the mid twentieth century. They are difficult to see on line so we will be holding an OPEN HOUSE to show them,; several will be reduced in price. Please do come and see them; On Friday 11th, Saturday 12th and Sunday 13th of Novemberby appointment with fi oronahartnoll@gmail.comtext07788663842 1. +44 (0)7775 89 info@julianhartnoll.com3842 www.hartnollanddaughters.com

39 +44 (0)7775 89 3842 | www.hartnollanddaughters.com HARTNOLL & DAUGHTERS THE ARMCHAIR ART FAIR HENRY RYLAND (1856-1924) PEARLS Lithograph published in colour by Franz Hanfstaengl Munich, London and New York 1898 stamped no 12. Image 53cm x 36cm; 21” x 14”. Signed by the artist and with additional colouring. £1,900 The Victorians

40 HARTNOLL & DAUGHTERS www.hartnollanddaughters.com | +44 (0)7775 89 3842 THE ARMCHAIR ART FAIR

HENRY MOORE RA (1831-1895) EVENING EAST COAST 27cmWatercolour.x37cm; 10 ½” x 14 ¾“. Inscribed on an old label to Miss Clodd on the occasion of her marriage with congratulations and all good wishes from Henry Moore September 27th 1892 and on a further label Henry Moore 39 Maresfield Gardens Hampstead NW. £3,200 Miss Clodd was the daughter of Edward Clodd, (1840 – 1930) a banker, writer and philanthropist. He kept a house at Aldeburgh where his talent for friendship allowed him to entertain his many friends – and it was here that Henry Moore would stay to paint his rare East Anglian seascapes. It requires little imagination to understand how Moore was affected by the beauty of the sea off Aldeburgh in the same manner as Benjamin Britten.

Janet and her husband, who suffered from TB, visited Switzerland many times, staying at Davos. Janet led a quiet life often accompanied by her daughter on their trips to the Alps where together they collected specimens to be drawn in England. Her exquisite botanical drawings were never exhibited and remain in pristine condition.

JANET CATHERINE SYMONDS (1837-1913), RHODODENDRON FERRUGINEUM, CIRCA 1890 35cmWatercolour.x24cm; 14” x 9 ½“. Inscribed R. feruginuem £850 Provenance: The Furze family, immediate descendants of the artist.

There are six illustrated in Among the Hills by Reginald Farrer, 1900.

MYLES BIRKET FOSTER (1825-1899) A VIGNETTE LOOKING THROUGH TREES TO A DISTANT RIVER – THE MOON RISING. Grey washes and white 7cmheightening.x9.5cm; 2 ¾” x 3 ¾“. Signed with monogram. £1,200 Provenance: Mrs Beryl Moulton (my grandmother). You may not have heard of Janet Symonds – her husband John Addington Symonds (1840 – 1893) and her sister Marianne North (1830 – 1890), on the other hand, merit substantial entries in Wikipedia. Her husband “although married with children, supported male love …. referring to it as l’amour de l’impossible “. His book A Problem in Greek Ethics, written in 1873 is credited with the first use of the word homosexuality. Her sister Marianne North was a prolific biologist and botanical artist. Those of you who have visited Kew Gardens will have been amazed by her extraordinary pavilion hung from ceiling to floor with her work.

The Victorians

An anecdote told to me by Phyllis Marshall, L.S.Lowry’s long-term friend. Lowry was in an art dealers shop in Manchester, observing as was his habit. The salesman was engaged in selling a Birket Foster to an eager customer. The client no ticed that the watercolour was not signed and on pointing this out to the salesman he was told “Oh don’t worry, Mr Foster is coming in this lunchtime and we will ask him to sign the picture – come back in the afternoon and it will be signed for you” Lowry couldn’t resist returning to watch the satisfied client leaving with his signed “Birket Foster”.

EUGENE JANSSON (1862-1915)

STUDY OF A YOUNG MAN HOLDING A POLE IN THE STOCKHOLM BATHHOUSE Black chalk. 81cm x 45cm; 31 ¾” x 17 ¾“. £3,500 Provenance: Claes Moser.

Eugene Jansson – Self portrait. The National Swedish Art Museums.

YVONNE(1906-1968)MOTTET STILL LIFE OF TWO LOBSTERS AND A LEMON Oil on cradled panel 12cm x 35cm; 5” x 14“. £1,200 Collection: Fleur Cowles Fleur Cowles was an American author, socialite and taste maker having a set in Albany, Piccadilly where this picture hung. Her auto-biography has the charming title She made friends and kept them.

Jansson & Mottet 41 +44 (0)7775 89 3842 | www.hartnollanddaughters.com HARTNOLL & DAUGHTERS THE ARMCHAIR ART FAIR

I held an exhibition of paintings and drawings by Eugene Jansson BathHouse Period - Badhusperioden in 1983. This example, as one of the best, I put to one side and did not offer for sale. How I lost the handling of the major paintings is another story and can wait for my autobiography. Jansson was a pioneer in the Swedish realism and symbolism movement of 1880 -1920, giving pictorial reality to the pathos of the grim Stockholm of the end of the 19th century. But by the early years of the 20th century his art had changed from dark and moody townscapes. With the success of his career he could express his fine taste ”he goes around in his white clothes and in brown sandals, still elegant”. To counter the ill health he had suffered from since childhood he had become a regular and proficient swimmer at the Bath-house. Here he found the young men who became the models for his enormous and superb paintings of divers and weight lifters. He spent a great deal of time in his studio drawing from volunteer models – mainly from the Navy. Producing large masterly drawings such as this.

BRATBY (1926-1992)

ST MARKS SQUARE 1989 Oil on canvas. 122cm x 91cm; 48” x 36“. Signed and dated 1989. £14,000 Collection Humphrey Avon until 2021.

Terence Mullaly, then the art critic of the Daily Telegraph, from 1985: “an old warhorse like John Bratby can still when inspired by Venice surprise us with what spirit he can paint”. This indeed is an inspired painting – a wild capriccio – the fac ¸ ade of the Doges Palace painted in colours it has never seen, its reflection shimmering with patterns, the dome of the Salute, repositioned, painted with a red roof. Gondolas and traghettos confused in the rising water of an acqua alta. It is a riot of imagination an assault on the English tradition of viewing Venice in muted tones.

Bratby in Venice 1988 John Bratby

42 HARTNOLL & DAUGHTERS www.hartnollanddaughters.com | +44 (0)7775 89 3842 THE

Professor Maurice Yacowar (author of the Great Bratby, 2008) wrote to me in 2021: Unusual for a self-portrait, at least spatially the face is secondary to the support. The pattern, a flurry of vertical rectangles, appears less like fabric than like some edifice. My first take was a construction of vertical bricks. But it might better be read as an abstract shelving of books. Bratby emerges from or towers over or hides behind a collection of generic book-spines.. It’s Bratby’s writing world, not his painting one. The date is one year after his last published novel, Break 50 Kill, so it may depict his withdrawal from that arena – or reassert his position there. The droop in the lids and the sag of the pipe suggest a resigned Bratby, tired, withdrawing. ARMCHAIR ART FAIR

JOHN BRATBY (1926-1992) RED FULL-FACED PORTRAIT 1961 Oil on 122cmcanvas.x30cm; 48” x 12“. Signed lower right and dated (later) 1964. £14,000 JohnProvenanceConstable, Fosse Manor by 1990.JOHN

I was 17 when the portrait was painted and yes, the PVC coat (and the ghastly hat) were mine! I hated the picture because I thought it looked far more like (I think it was) Gloria, who he was painting a lot at the time. The sittings were done in an attic room at his house in Blackheath and he chain smoked the whole time. I used to leave with my eyes streaming... it was not pleasant!! It is one of the earliest commissioned portraits. Zena’s father had seen and admired one of the many paintings of Gloria Bishop, she had modelled for fifty, and contacted Bratby to paint his art- school daughter. Zena and her family never took to the painting.

Zena Tibbenham writing to me in 2021 recounts

PORTRAIT OF ZENA TIBBENHAM AGED 17 , 1961 54” x 15”; 137cm x 38cm. Signed top left. £10,800 Provenance the Tibbenham family until 2018.

LUNA HOTEL & LUGGAGE BARGE 1988 Oil on canvas. 48” x 36 “. Signed lower right. £12,000 Collection Humphrey Avon until 2021.

43 +44 (0)7775 89 3842 | www.hartnollanddaughters.com HARTNOLL & DAUGHTERS THE ARMCHAIR ART FAIR

JOHN BRATBY (1926-1992)

JOHN BRATBY (1926-1992)

Zena at the time of the portrait John Bratby

Oronzo Gasparo born in Italy in 1903 settled in New York in 1916 where he studied at the National Academy of Design under the American precisionist Preston Dickinson. They became lifelong partners. When the two artists were painting similar subjects, still lives in particular, their work complements each other – one a precisionist the other a romantic. One can imagine them painting together. Not however in recording the human form which Gasparo interwove with machine elements and rhythmic play. Sybel no 2 is clearly Gasparo’s masterpiece as asked for it to be given to his native city; by contrast the Daphne is a tiny jewel.

RODNEY WINFIELD (1925-2017)

American Magic Realism & Neo-romanticism 44 HARTNOLL & DAUGHTERS www.hartnollanddaughters.com | +44 (0)7775 89 3842 THE ARMCHAIR ART FAIR

METAMORPHOSES OF FRANZ KAFKA Oil on panel. 30cm x 40cm; 12” x 16“. Signed, and inscribed with title verso. £2,800 Painted in 1950 : exhibited Galerie Creuze Paris. Rodney Winfield was an artistic polymath, painting, drawing and primarily designing stained glass, as well as being a trained classical musician. He was a professor at Maryville Unversity, St Louis, Missouri for over twenty years. His drawings and in particular this painting have a whimsicality which is close to the English Neo-Romantics of the mid twentieth century.

ORONZO GASPARO (1903-1969) SYBEL NO 2 Oil on canvas. 80cm x 70cm; 32” x 28“. Signed and dated 1947. On the back of the canvas the artist has written this poignant inscription: If this painting never sells it is my personal wish that it will be given to my own native town Rutigliano Prov. Di Bari Italy Sybel no 2 1946 by Oronzo Gasparo 167 ½ e 115 St New York I was born Oct 16 –£9,5001903.

ORONZO GASPARO (1903-1969) DAPHNE Oil on board. 16cm x 24cm; 6 ½” x 9 ½“. Signed and dated 1961 and inscribed verso with the title and the address as on the Sybel£1,400no2.

In the spring of this year I published my catalogue Unjustly Forgotten French Naif Paintings of the 20th century. I didn’t include Nina Barka as I concentrated on landscape and still life painings. But Nina Barka is one of the thirteen artists selected for France (in company with Rousseau & Bombois) by Anatole Jakovsky in his seminal book Naïve Painting, Phaidon 1979. Barka was born in Russia but fled the country at the time of the October revolution aged 9. She arrived in Paris and became the manager of a haute-couture fashion house. Quoting Jakovsky “Hers is a very strange and rather formal, fairy-tale-like world, an image of a lost paradise full of luxury, peacefulness and voluptuousness”. NINA BARKA (1908-1986) real name Nina Smirsky LES SYRENESCANCERLEOVIRGO Oil on panel. each 38cm x 30cm; 15” x Unframed.12“. £850 each JEAN EVE (1900-1968) PETITS SOLEILS, 1961. 41cm x 27cm. Signed. Inscribed verso: no 554 –Jean Eve – 1957 Fleurs petit soleils et Marguerittes Blanches. £2,200 Provenance: Atelier Jean Eve, Chayette Cheval 1.6.2012 (stamped).MICHELE

French Naïf Paintings of the Mid 20th Century 45 +44 (0)7775 89 3842 | www.hartnollanddaughters.com HARTNOLL & DAUGHTERS THE ARMCHAIR ART FAIR

DANON (WORKING CIRCA 1950-1990) LE CHAT Oil on board. 42cm x 32cm; 16 ¼” x 13“. £850 Jean Eve was heavily featured in my exhibition French Naif Paintings of 2022; I wrote his biography in the catalogue which is available through the website . artnollandaughters. There is not much to be found about Michele Danon-Marko other than the fact that she was a prolific book illustrator.

French Naïf Paintings of the Mid 20th Century 46 THE ARMCHAIR ART FAIR HARTNOLL & DAUGHTERS www.hartnollanddaughters.com | +44 (0)7775 89 3842

LE MOULIN DE BERTHENOVILLE Oil on canvas. 50cm x 61cm; 20” x 24“. Signed. Illustrated: plate 44 Jean Eve by Maximilien Gauthier, Geneve 1971. £4,800

LA AUTO-STOPPEUSE Oil on canvas. 27cm x 41cm; 10 ½” x 16“. Painted c. 1965. Exhibited: Unjustly Neglected, Julian Hartnoll 2022 no 40 £1,600 These three painters are all represented in my exhibition Unjustly Neglected, Julian Hartnoll 2022 the catalogue for which can be ordered at www.Hartnollanddaughters.com. Therein are their full biographies. In brief - Jean Eve had been a tax collector; Emile Blondel worked throughout his career as a Parisian bus driver; Rene Guilleminot was a professional wrestler.

JEAN EVE (1900-1968)

NOTRE DAME AND THE SEINE Oil on canvas. 38cm x 46cm; 15” x 18“. Signed and dated 1953 £4,500 Exhibited: Unjustly Neglected, Julian Hartnoll 2022 no 22. RENE GUILLEMINOT (1900-1975) LES SOEURS, SAINT MAXIME Oil on canvas. 38cm x 46cm; 15” x 18“. Inscribed verso St Maxime. £1,600 Exhibited: Unjustly Neglected, Julian Hartnoll 2022 no 41. RENE GUILLEMINOT (1900-1975)

EMILE BLONDEL (1893-1970)

HEW LOCKE (BORN 1959) ENGLISH PATIENT Charcoal, paint on paper. 38cm x 32cm; 15” x 12 ½“. £4,800 + artist’s resale rights 4% Acquired at the Hales Gallery 19.10.03. Hew Locke’s magnificent large scale installation The Procession is currently filling the central hall of Tate Britain.

Collage of mixed found objects. 46cm x 46cm; 18” x 18“. £1,800 + artist’s resale rights 4% In order to attract the attention of his students at Camberwell, where he taught from 1953 –1982, Dick Lee would, instead of the normal posters, make collages from found objects. This is of Henry Inlander who was presumably showing at the Aldeburgh Festival in ANTONY1975.

Contemporary British Art 47THE ARMCHAIR ART FAIR +44 (0)7775 89 3842 | www.hartnollanddaughters.com HARTNOLL & DAUGHTERS

DICK LEE (1923-2001) PORTRAIT OF HENRY INLANDER (1925 – 1983)

DONALDSON (BORN 1939) PARIS BY NIGHT NO 12 Acrylic lacquer on beauty board. 61cm x 42cm; 24” x 16“. Signed verso inscribed with title and dated 1976 £12,800 + artists resale rights 4% Donaldson was encouraged by Alain Bernardin to work at the Crazy Horse Saloon in Paris. For another from the resulting series see page 184 Tony Donaldson by Faroux and Livingston 2020.

JOHN PIPER (1903-1992) MOUTOU (1968) Silkscreen print, 64cm x 43cm. Signed in crayon and numbered in pencil from the edition of 70. Framed. £2,350

48 THE ARMCHAIR ART FAIR +44 (0)7929 info@manning749056 fineart.co.uk www.manningfineart.co.uk

MANNING

JOHN PIPER (1903-1992) BULLSLAUGHTER BAY (c. 1955) Watercolour, gouache and pastel on paper, 27.5cm x 35.5cm. Signed lower right. Framed. £7,450 Piper spent a considerable amount of time in Pembrokeshire, frequently returning to the landscape of Bullslaughter Bay; this painting was probably produced there in the mid-1950s. The artist captures an animated, capricious bay, characterised by a distinctive colour palette and stamped with irregular rock formations. (N.B. Pronounced Bulls’ Laughter.)

JOHN PIPER (1903-1992) GARN FAWR (1969) Watercolour and gouache on paper, 37cm x x 54cm. Titled and dated lower left ‘Garn Fawr 12 VIII 69′; signed lower right. Framed. £13,500 Having lived in various parts of Wales during the post-war period, John Piper and his wife bought a cottage by Garn Fawr, on the Pembrokeshire Coast, in 1962. Here, Piper paints the surrounding wet Welsh countryside. Each of the fields is complete with its own crop; the different plants and flowers are designated by characteristic splashes of dark colour.

FINE ART

JOHN PIPER (1903-1992)

JOHN PIPER (1903-1992)

Gouache, 14.5cm x 11.5cm. Framed. £2,150 Provenance: P Manzareli (who built the fibreglass murals for Piper), gift from the artist; Milne & Moller Fine Art; Katharine House Gallery; private collection, Scotland. This study is a fascinating part of London’s architectural history - the Piper Building is a mid-century architectural icon in Fulham. Piper was commissioned to produce the murals surrounding the building. Scheduled for demolition in the 1990s, the building was instead converted into seventy apartments and renamed the Piper Building.

JOHN PIPER (1903-1992) REIMS CATHEDRAL (c.1960) Ink, watercolour and gouache, 21cm x 35cm. Inscribed ‘Reims’ lower left and signed ‘John Piper’ lower right. Framed. £7,350 Piper loved all things France, and all things Cathedral; here he paints the cathedral of Reims, where France’s monarchs were crowned.

LAON CATHEDRAL, FRANCE (c. 1970)

Pencil, watercolour and gouache on paper, 35cm x 21cm. Titled in pencil lower left. Framed. £8,350 Provenance: Bohun Gallery; Private Collection. The mediaeval district of Laon is dominated by the cathedral; Piper paints its west front, which features a highly gothic rose window from the 1200s. The combination of pencil and gouache over a watercolour wash is typical of the artist.

49THE ARMCHAIR ART FAIR +44 (0)7929 749056 | www.manningfineart.co.uk MANNING FINE ART

STUDY FOR THE PIPER BUILDING MURAL (1962-3)

Ingham was a Yorkshireman who studied at St Martin’s School of Art, and then the RCA where he was awarded a Royal Scholarship. Most of his working life was spent living in a remote cottage in Cornwall, where he also taught art. Only when he established a commercial relationship with Francis Graham-Dixon in the late 1980s did his paintings reach a wider audience - and appropriate prices!

Far left: BRYAN INGHAM (1936-1997) EROTISCHE BILD (1988) Oil on board, 62cm x 11cm. Titled and dated to backboard and inscribed ‘Für Aysel’. Framed. £11,300 Provenance: Francis Graham-Dixon gallery. Left: BRYAN INGHAM (1936-1997) UPRIGHT JUG (1993-5) Pencil and oil on board, 64cm x 19cm. Signed, titled and dated to backboard. Framed. £14,750 Provenance: Bohun Galleries, Paintings in Hospitals.

50 ARMCHAIR ART FAIR MANNING FINE ART www.manningfineart.co.uk | +44 (0) 7929 749056

THE

MOONLIGHT AT CAPPADOCIA (1970)

51THE ARMCHAIR ART FAIR

Watercolour, 18cm x 13cm. Signed and dated lower left. Framed. £4,800 Lonely Planet says of Cappadocia, “As if plucked from a whimsical fairytale and set down upon the stark Anatolian plains, Cappadocia is a geological oddity of honeycombed hills and towering boulders of otherworldly beauty.”

JULIAN TREVELYAN (1910-1988)

JOHN (1905-1983)ALDRIDGE STILL LIFE PAINTED AT EL PORCHE, DEJA, MAJORCA, 1932 Oil on board, 74cm x 62cm. Signed ‘John Aldridge’ lower right and titled to reverse. Framed. £8,800 Aldridge was a member of the artistic group at Robert Graves’s Deja house.

JAMES GOWAN FRIBA (1923-2015)

CHARLES PULSFORD ARSA (1912-1989)

ABSTRACT FIGURE IN YELLOW AND BLUE Watercolour and ink, 56cm x 38cm. Signed lower right. Framed. £1,130 Provenance: the artist, the residual stock of William Hardie. Pulsford, along with other prominent Scottish artists Alan Davie, William Turnbull, William Gear, and Eduardo Paolozzi, embraced modernism and abstraction following the end of the war. The National Galleries of Scotland have described Pulsford as the ‘fifth man’ of the group. +44 (0)7929 749056

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CRETAN WINDMILLS (1964) Oil on canvas, 61cm x 77cm. Signed lower right. Framed. £18,200 The windmills Trevelyan saw in Crete proved a great inspiration for him. Here, they dominate the shoreline, with peasants on their donkeys travelling before them. The composition is substantially made up of triangular forms; the inverted floating pyramid communicates with the flashing blades of the windmills. Combined with the donkey and human figures in the foreground, the pyramid detail suggests that the picture might be a depiction of Mary and Joseph’s Flight into Egypt.

THE BLUE MILL AT BACKBARROW Oil on canvas, 62cm x 52cm. Signed and sealed lower left. Framed. £3,850 Architect partner of James Stirling, together they created one of the most radical practices, and designed the first post-modernist building at Leicester University.

MARY FEDDEN (1915-2012)

CLIFFORD CHARMAN (1910-1993) BREWERY AND RUINED CASTLE, COCKERMOUTH Oil on canvas, 38cm x 55cm. Signed lower left. Framed. £1,850 Provenance:the artist’s studio sale, Bonhams (1993); Peter Constant Fine Art. CLIFFORD CHARMAN (1910-1993) LANDSCAPE WITH FARMHOUSES Oil on canvas, 38cm x 55cm. Framed. £1,850 Provenance: the artist’s studio sale, Bonhams (1993). CLAUDE MUNCASTER (1903-1974) LANDSCAPE WITH HARVEST FIELD AND COTTAGES Pen and watercolour, 22cm x 29cm. £440 Provenance: Martin Muncaster, the artist’s son. CLAUDE MUNCASTER (1903-1974) LANDSCAPE NEAR SHREWSBURY Watercolour, 26cm x 36cm. Signed lower left. Framed. £650 CLIFFORD ELLIS (1907-1985) HENS BY A CHICKEN SHED AT CORSHAM COURT Watercolour, 37cm x 56cm. £1,150 Provenance: the family of the artist. KEN MORONEY (1949-) THE FENS, NORFOLK (c. 1990) Oil on canvasboard, 48cm x 58cm. Framed. £2,150 Provenance: Bonhams (2003). LIONEL BULMER (1919-1992) THE EDGE OF THE FIELD (c. 1950s) Oil on board, 43cm x 51cm. Signed lower right. £3,800 WILLIAM ALISON MARTIN (1878-1936) THE MENAI STRAITS Oil on board, 44cm x 59cm. Signed lower right. Framed. £1,150 BRENDA KING (1934-2011) BERKSHIRE VILLAGE (1974) Oil on board, 16.5cm x 20.5cm. Signed and dated lower right. Framed. £475 BRENDA KING (1934-2011) VENETIAN SCHOOLCHILDREN (1974) Oil on board, 16.5cm x 20.5cm. Signed and dated lower right. Framed. £475 BRENDA KING (1934-2011) NEAR HENLEY (1974) Oil on board, 16.5cm x 20.5cm. Signed and dated lower left. Framed. £475 CLIFFORD ELLIS (1907-1985) CADBURY CASTLE, WILTSHIRE (c. 1940s-1950s) Gouache, 8cm x 16cm. Framed £1,950 Provenance: the family of the artist. 52 THE ARMCHAIR ART FAIR MANNING FINE ART www.manningfineart.co.uk | +44 (0)7929 749056

53THE ARMCHAIR ART FAIR +44 (0)7929 749056 | www.manningfineart.co.uk MANNING FINE ART

GWYNETH JOHNSTONE LG WIAC (1915-2010)

A GARDEN BELOW THE SOUTH DOWNS Oil on canvas, 51cm x 61cm. Signed lower right. Framed. £2,250 Rawlins studied at the Slade and in Newlyn. She moved to Hassocks in Sussex in the early 1920s, moving to Ditchling in the 1930s. She exhibited widely including the RA, RBA, RE, RHA, and Walker Art Gallery. Many of her paintings are of Sussex.

ETHEL RAWLINSLOUISEWIAC SWA (1877-1962)

THE RAILWAY BRIDGE Mixed media, 64cm x Framed.83cm. £3,650 Provenance the artist’s Johnstonestudio. was the illegitimate daughter of Augustus John and the musician Nora Brownsford. She studied at the Slade 1933-1938 and was vice president of the WIAC. Her paintings reflected her Bohemian lifestyle, being romantic modern containinglandscapes figures –often shepherds, fishermen, or lovers.

TEMPLE CHURCH AFTER BOMBING Oil on canvas, 38cm x 55cm. Framed. £1,850 the artist’s studio sale, Bonhams (1993).

Gouache on paper, 52cm x 66cm. Signed and dated lower right. Framed. £4,200 trained as an architect and was unrivalled as a perspectivist in the post-war era.

Harvey

FROM LONDON COLLECTION,

ROY WHITTENBURY (active 1920-1955) POOL OF LONDON (1952) Oil on canvasboard, 29cm x 39.5cm. Signed and dated lower left. £1,450

54 THE ARMCHAIR ART FAIR JOHN DEAN MONROE HARVEY (1895-1978) ARCHITECTURAL PERSPECTIVE DESIGN FOR A MODERNIST BUILDING (1965)

OUR

CLIFFORD CHARMAN (1910-1993)

Provenance:

THE

PLEASE SEE THE WEBSITE FOR MORE MANNING FINE ART www.manningfineart.co.uk | +44 (0)7929 749056

CYRIL FAREY (1888-1954) BERNERS STREET, W1 Pencil and watercolour, 39.5cm x 23.5cm. Signed lower left and inscribed ‘Proposed New Premises Nos 3 & 4 Berners Street London W.’ upper left. Framed. £2,150 PETER COLLINS ARCA (1923-2001)

THE COMMERCIAL SALE ROOMS, MINCING LANE, CITY OF LONDON (c. 1841) Published as engraving 1815 by Whittle & Laurie. Pencil, pen, ink & watercolour, 25cm x 42cm. Framed. £2,050

55THE ARMCHAIR ART FAIR +44 (0)7929 749056 | www.manningfineart.co.uk MANNING FINE ART

RICHARD BEER (1928-2017)

THE TOWER OF LONDON Watercolour, 33cm x 42cm. Framed. £960 Provenance: The Arthur Andersen Collection, The Deloitte Collection. ROBERT BLEMMELL SCHNEBBELIE (1781-1847)

VIOLET HILDA DRUMMOND (1911-2000)

ST MARY LE STRAND CHURCH Watercolour, 17cm x 21cm. Signed lower right. £220 Provenance: The artist’s studio. Collins studied at the RCA becoming a commercial artist designing posters for British Railways, ICI, and Shell.

ST AUGUSTINE’S CHURCH, WATLING STREET Coloured etching and screenprint, 63cm x 43cm. Signed lower right, numbered lower left. £350 From Ten Wren Churches published with text by Betjeman.

56 THE ARMCHAIR ART FAIR MANNING FINE ART www.manningfineart.co.uk | +44 (0)7929 749056 ELIJAH ALBERT COX (1876-1955) PAGEANT OF LONDON (1926) Lithograph, 102cm x 127cm. £1,650 JAMES HART (active 1950s) FESTIVAL OF BRITAIN (1951) Lithographic poster, 45cm x 58cm. £250 GAYNOR1. CHAPMAN (1935-2000) NINE HUNDRED YEARS AGO (1966) Lithographic poster, 101cm x 63.5cm. £325 FRED2. TAYLOR (1875-1963) HAMPTON COURT BY TRAM (1929) Lithographic poster backed to linen, 75cm x 50cm. £1,725 CLIFFORD3. AND ROSEMARY ELLIS (1907-1985 and 1910-1998) SHOP EARLY (1935) Lithographic poster, 101cm x 63.5cm. £2,450 Provenance: the family of the artist, by descent. CLIFFORD4. AND ROSEMARY ELLIS (1907-1985 and 1910-1998) TRAVELS IN TIME ON YOUR DOORSTEP (1937) Lithographic poster, 101cm x 63.5cm. Framed. £2,950 Provenance: the family of the artist, by descent. CLIFFORD5. AND ROSEMARY ELLIS (1907-1985 and 1910-1998) WEST END MAP OF LONDON (1935) Lithographic poster, 101cm x 63.5cm. £1,950 Provenance: the family of the artist, by descent. BRENDAN6. NEILAND (b. 1941) KINGS CROSS INTERCITY (1991) Lithographic poster, 101cm x 63.5cm. £345 1. 2. 3. 4. 5. 6. FOR HIGHER RESOLUTION PHOTOGRAPHS AND MORE POSTERS PLEASE SEE THE WEBSITE WWW.MANNINGFINEART.CO.UK

PARIS, FRANCE – FRENCH RAILWAYS Lithographic poster, 101cm x 63.5cm. £450 HUGO11. WETLI (1916-1972) NORDWEST-SCHWEIZ (1960) Lithographic poster. £625 SALVADOR12. DALI (1904-1989) NORMANDIE, FRANCE – FRENCH RAILWAYS Lithographic poster, 101cm x 63.5cm. £450 12.

1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 57THE ARMCHAIR ART FAIR +44 (0)7929 749056 | www.manningfineart.co.uk MANNING FINE ART 11. DANISH1. SOCIETY OF ARTS AND CRAFTS ‘VORT HJEM’, “OUR HOME” POSTER (C. 1950) Lithographic poster, 80.5cm x 57cm. Framed. £485 AR2.NE UNGERMANN (1902-1981) DEN PERMANENTE’, “THE PERMANENTE EXHIBITION” (1956) Lithographic poster, 84cm x 61cm. Framed. £685 Hans Christian Andersen’s ‘Little Mermaid’ story is immortalized with a statue on Copenhagen’s ANONYMOUS3.promenade. (20TH CENTURY) SWITZERLAND OF TOMORROW WELCOMES YOU TODAY (1964) Lithographic poster, 152cm x 63.5cm. £485 ANONYMOUS4. (20TH CENTURY) BERLIN (1955) Lithographic poster, 84cm x 61cm. £850 IB5. ANTONI (1929-1973) DENMARK, FAMOUS FOR FINE FURNITURE (1964) Lithographic poster, 99cm x 62cm. Framed. Image shows Hans Wegner with his famous Y chair. £950 ALBERT6. HERNDL (ACTIVE 1950S) ÖSTERREICH (1950S) Lithographic poster, 61cm x 43cm. £300 ENTE7. NAZIONALE ITALIANO PER IL TURISMO (THE ITALIAN GOVERNMENT TOURIST BOARD)

PISA - ITALY - LAND OF YOUR DREAMS Lithographic poster, 101cm x 63.5cm. £850 SAMIVEL8. (PAUL GAYETTANCRÈDE) (1907-1992) LE PARC NATIONAL DE LA VANOISE, ALPES DE SAVOIE Lithographic poster, 99cm x 62cm. £1,190 SASSI9. (20TH CENTURY) ITALIAN LINE: “ITALIA” - SOCIETA DI NAVIGAZIONE (1950s) Lithographic poster, 97.5cm x 61cm. £750 SALVADOR10. DALI (1904-1989)

58 THE ARMCHAIR ART FAIR +44 (0) 7973 watercolours@kayemichie.co.uk113126 www.kayemichie.co.uk FREDERICK GORE RA CBE (1913-2009) SUNFLOWERS BY A WINDOW Oil on Canvas. 36” x 30”. £16,000 Exhibited RA 2006.

59 +44 (0) 7973 113126 | www.kayemichie.co.uk KAYE MICHIE FINE ART THE ARMCHAIR ART FAIR SIR WILLIAM RUSSELL FLINT RA ROI (1880-1969) STUDY OF NUDES Red7.5”Chalk.x8” £3,800 Provenance Sotheby’s Gleneagles. RAYMOND CAMPBELL (B.1956) PORK PIE WITH PICKLED ONION Oil on8”Board.x9.5” £1,750

60 KAYE MICHIE FINE ART www.kayemichie.co.uk | +44 (0) 7973 113126 THE ARMCHAIR ART FAIR MARY FEDDEN RA OBE (1915-2012) THE SHEPHERDESS Watercolour.5”x5.5”. £6,800 Provenance The New Grafton Gallery Gallery. MARY FEDDEN RA OBE (1915-2012) BOWL OF FRUIT Gouache and Watercolour. 8” x 10”. £6,200 MARY FEDDEN RA OBE (1915-2012) PINEAPPLES AND LEMONS 11”Gouache.x10”. £6,500 MARY FEDDEN RA OBE (1915-2012) 3 PEARS Oil on Canvas. 8” x 10”. £9,200 MARY FEDDEN RA OBE (1915-2012) ‘SHELLS’ Study for Christmas Card. 5.5” x 9.5”. £2,400 Inscribed verso ‘To John Happy Christmas 2008 Mary Fedden’.

61 +44 (0) 7973 113126 | www.kayemichie.co.uk KAYE MICHIE FINE ART THE ARMCHAIR ART FAIR BERNARD DUNSTAN RA RWA NEAC (1920-2017) BALCONY ROOM IN SAN GIMIGNANNO, 1976 Oil on Canvas. 13.25” x 15.25”. POA BERNARD DUNSTAN RA RWA NEAC (1920-2017) SUMMER EVENING Pastel. Dated 1986. 18” x 17.5”. £4,800 JOHN PIPER CH (1903-1992) HOLLAND RIDGE WOOD, DATED 11-11-66 Oil, Watercolour and Pen on paper. 14” x 21“ (image size). £19,800

62 KAYE MICHIE FINE ART www.kayemichie.co.uk | +44 (0) 7973 113126 THE ARMCHAIR ART FAIR LIONEL PERCY SMYTHE (1839-1918) GOINGHOME Watercolour on Paper. 17” x 10”. £3,800 SAMUEL JOHN LAMORNA BIRCH RA RWS (1869 -1955) A LAKE SEEN THROUGH TREES. 10”Signed.Watercolour.x14”. £3,800 Provenance Christopher Wood.

63 +44 (0) 7973 113126 | www.kayemichie.co.uk KAYE MICHIE FINE ART THE ARMCHAIR ART FAIR GABRIEL EMILE NICOLET FRENCH SWISS (1856-1921) A WELCOME CUP Pencil and Coloured Chalk. 18” x 12”. £1,250 GILBERT HOLIDAY (1879-1937) POLO MATCH AT NIGHT. Charcoal and Chalk. 15” x 12”. £2,200 SAMUEL JOHN LAMORNA BIRCH RA RWS (1839 -1913) HOUSE BY THE RIVER 12”Signed.x9”. £1,800 Provenance with David Messum.

64 KAYE MICHIE FINE ART www.kayemichie.co.uk | +44 (0) 7973 113126 THE ARMCHAIR ART FAIR UNA HOOK (1889-1978) SEVEN SISTERS - A GAME OF CHESS Provenance7.5”Watercolour.x19.75”.Campbell Wilson. £2,750 DAME LAURA KNIGHT RA (1877-1970) STUDY OF LAMBS. 8”Pencil.x10”. £2,800

65 +44 (0) 7973 113126 | www.kayemichie.co.uk KAYE MICHIE FINE ART THE ARMCHAIR ART FAIR PAUL DELAROCHE (1797-1856) EMIL BERANGER (1814-1833) CHARLES BERANGER (1818-1853) THE VISION OF CECILIA. 27”Watercolour.x24”. £9,800 Provenance Campbell Wilson. A large oil version of this painting is hanging in the V&A.

66 KAYE MICHIE FINE ART www.kayemichie.co.uk | +44 (0) 7973 113126 THE ARMCHAIR ART FAIR SEAN JEFFERSON (B. 1957) THREE FAYES Oil on Board. 13” x 5.5”. £2,200 SEAN JEFFERSON (B. 1957) HUMMINGBIRD Oil on Board. 4.25” x 11.25”. £3,800 SEAN JEFFERSON (B. 1957) A STORMCOCK Oil on Board. 13” x 12.5”. £3,800 SEAN JEFFERSON (B. 1957) NIGHT FLIGHT Oil on Board. 16” x 11”. £4,800

67 +44 (0) 7973 113126 | www.kayemichie.co.uk KAYE MICHIE FINE ART THE ARMCHAIR ART FAIR SEAN JEFFERSON (B. 1957) LIGHTS ACROSS THE RIVER Oil on Board. 7” x 12”. £2,800 SEAN JEFFERSON (B. 1957) DOUBLE METEORITE Oil on Board. 12” x 7”. £2,800 SEAN JEFFERSON (B. 1957) BATTENBERG UNCERTAINTY Oil on Board. 11” x 16”. £3,800 SEAN JEFFERSON (B. 1957) A PRISONER IN FAIRYLAND [Based on Starlight Express] Oil on Board. Dated 2001. 19” x 15” £3,800 SEAN JEFFERSON (B. 1957) EAST FARLEIGH TWILIGHT NO 1 Oil on Board. 9.5” x 11”. £2,800 SEAN JEFFERSON (B. 1957) EAST FARLEIGH NO 2 Oil on Board. 13” x 11”. £2,800

68 THE ARMCHAIR ART FAIR ARTFINEIDDONJOHN +44 (0) 208 940 john.iddon@tinyworld.co.uk7741 www.johniddonfineart.com MELISSA SCOTT MILLER CANAL AT ISLINGTON 100cmOil. x 78cm. £5,000 MELISSA SCOTT MILLER GREAT RUSSELL STREET (AND BRITISH MUSEUM) 80cmOil. x 80cm. £3,000 MELISSA SCOTT MILLER MOUNT STREET GARDENS, MAYFAIR 75cmOil. x 50cm. £2,000

69THE ARMCHAIR ART FAIR +44 (0) 208 940 7741 | john.iddon@tinyworld.co.uk JOHN IDDON FINE ART ANNE SWANKIE EVENING RAIN, PICCADILLY CIRCUS 50cmAcrylic.x 50cm. £1,200 ANNE SWANKIE HEADING FOR TEA AT THE RITZ 50cmAcrylic.x 50cm. £1,200 ANNE SWANKIE FESTIVAL HALL, WINTER 50cmAcrylic.x 50cm. £1,200 ANNE SWANKIE TEMPLE BAR, RED UMBRELLA 50cmAcrylic.x 50cm. £1,200

RICARDO CINALLI (1948- ) LA JAULA Tempera on board with an intrinsic box frame with painted internal sides; 105cm x 23cm x 4.5cm. £1,200 Cinalli was born in Argentina but is now based in his studio in Spitalfields. Brian Sewell described him as ‘this generations true master’. He has completed a large fresco, The Mystic Net, at the Duomo di Terni in Umbria, Italy. Cinalli has exhibited extensively throughout South and North America, Europe and Russia and his work is in the collection of St Paul's Cathedral.

ERIC GILL (1882-1940) STAY ME WIH FLOWERS Ltd Ed woodcut 12cm x 18cm. £275

70 THE ARMCHAIR ART FAIR JOHN IDDON FINE ART john.iddon@tinyworld.co.uk | +44 (0) 208 940 7741 ROLAND MASCART COLETTE (1950) £67560cmCharcoal.x40cm. KEN HOWARD (1932- ) SEATED NUDE 40cmOil. x 30cm. £4,000 MARIE LAURENCIN (1883-1956) ESTHER (1936) Lithograph in colours. 61cm x 50cm. £1,200

71THE ARMCHAIR ART FAIR +44 (0) 208 940 7741 | john.iddon@tinyworld.co.uk JOHN IDDON FINE ART HAROLD HOPE READ (1881-1959) WAITING FOR THE HARRODS SALE 40cmWatercolour.x40cm. £550 BERTRAM NICHOLLS (1883-1974) STUDY FOR HORSE GUARDS (1939) Pencil, Pen and Wash. 36cm x 54cm. £350 DENYS WELLS (1881-1973) LAMBETH PALACE IN THE 1930s 40cmWatercolour.x60cm. £900 CHARLES HERN (1848-94) FLEET STREET WITH ST BRIDES CHURCH Oil. 13cm x 22cm £375 GORDON HALES (1916-77) CHELSEA CREEK AT LOTS ROAD POWER STATION Oil on Canvas. 26cm x 36cm. (Lots Road Power Station closed in 2004 and is currently being re-developed) £650

72 THE ARMCHAIR ART FAIR JOHN IDDON FINE ART john.iddon@tinyworld.co.uk | +44 (0) 208 940 7741 JACK BUTLER YEATS (1871-1957) A BROADSIDE A series of forty-two of the leaflets published by the Cuala Press for the Yeats family. They played an important role in the Celtic Revival of the early 20th century. They range from June 1908May 1909 (first year), June 1909 - May 1910 (second year), June 1913 - May 1914 (sixth year) and June 1914 - May 1915 (seventh and last year), each comprising four sheets containing poems and three woodcuts (both black and white and coloured) by Jack Yeats. Only 300 were published for each edition. Some examples are illustrated above. Each measures at 28cm x 19cm. £5,500 for this set of 42 editions 1. Nov 1909 2. May 1910 3. March 1914 4. Two Tinkers 5. Camelopard 6. The Race 7. The Tatooers Shop 8. The Regatta 9. Horse Auction 10. Greenford Races 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.

73THE ARMCHAIR ART FAIR +44 (0) 208 940 7741 | john.iddon@tinyworld.co.uk JOHN IDDON FINE ART THE REST ARE SKETCHES OF FEDDEN’S TRAVELS IN TUSCANY WITH JULIAN TREVELYAN IN THE 1960s PENCIL AND INK Each one 27cm x 22cm. £900 each 1. Boy in Tree 2. Shepherd and Sheep 3. Oxen 4. San Gimignano 5. Stendhal’s House in Vignano 6. Tuscan landscape 1. 2. 3. 4. 5. 6. MARY (1915-2012)FEDDEN STILL LIFE WITH LEMON AND AURICULAS (AuriculasWatercolour.were her favourite flowers). 22cm x 27cm. £9,500 MARY FEDDEN (1915-2012) THE HOUSE BY THE SEA 22cmWatercolour.x18cm. £6,500 MARY FEDDEN (1915-2012) A CHRISTMAS LETTER (WITH CAT!) 23cm x 20cm. £950 MARY FEDDEN (1915-2012) SKETCHBOOK EXPERIMENTS OF IDEAS FOR HER ‘CATS CHRISTMAS GREETING CARDS’ 14cm x 25cm. £1,200 A FLURRY OF FEDDENS

74 THE ARMCHAIR ART FAIR JOHN IDDON FINE ART john.iddon@tinyworld.co.uk | +44 (0) 208 940 7741 EDWARD AND RICHARD BAWDEN EDWARD BAWDEN (1903-1989) THREE ILLUSTRATIONS FOR ‘MORTE D’ARTHUR Linocuts (edition of 50). 33cm x 25cm. £1,300 for the set of three. 1. Fie on thee, false recreant knight! said Sir Gawain 2. And then all the kings and all the knights prayed Sir Lancelot to search Sir Uppy 3. It shall not be said the kings ‘have pity on Sir Blamore’s knighthood RICHARD BAWDEN THE BEDROOM 50cmWatercolour.x35cm. £950 1. 3.2.

THREE ORIGINAL ILLUSTRATIONS BY WILLIAM STOBBS for the Whole World Storybook (Oxford University Press, 1983). Each inscribed with titles and printing notes. Pen and ink and watercolour. Each 28cm x 36cm. £450 for the set of three 1. Suddenly the Great Crocodile Appeared 2. Seemingly Suspended from the Clouds, The Princess Sat in the Swing 3. Huts on the Edge of the Forest 1. 2. 3.

WILLIAM STOBBS (1914-2000)

75THE ARMCHAIR ART FAIR +44 (0) 208 940 7741 | john.iddon@tinyworld.co.uk JOHN IDDON FINE ART

DAVID CHARTERIS

THE TITANIC AT SOUTHAMPTON 85cmWatercolour.x58cm. £3,500 The Titanic pulled away from White Star Dock in Southampton at the start of her maiden voyage on 12th April 1912. Three days later she sank with great loss of life after striking an iceberg.

ADRIAN HILL (1895-1977)

RHYL PIER IN THE 1940’S Pen and wash. 40cm x 30cm. £500 Adrian Hill presented the popular BBC TV programme ‘Sketch Club’ in the 1950s.

76 THE ARMCHAIR ART FAIR JOHN IDDON FINE ART john.iddon@tinyworld.co.uk | +44 (0) 208 940 7741 ELEANOR FEIN THE GOOD LIFE 80cmOil. x 50cm. £3,300 ELEANOR FEIN BLACKBIRD IRRITATED BY BUTTERFLIES 30cmOil. x 26cm. £1,300 MARK HEARLD JAY Ltd Ed print. 45cm x 35cm. £475 NORMAN CLARKE (1913-99) FAMILY AT THE BEACH (1962) 30cmWatercolour.x23cm. £500 ELEANOR FEIN FREEDOM 50cmOil. x 40cm. £2,200

77THE ARMCHAIR ART FAIR +44 (0) 208 940 7741 | john.iddon@tinyworld.co.uk JOHN IDDON FINE ART CAROLINE ASSHETON GIRL IN A STREAM 40cmWatercolour.x30cm. £500 CAROLINE ASSHETON ‘DID YOU HEAR WHATSAID!’SHE Pastel. 20cm x 25cm. £375 ANNE WOODHAM OBSESSION Pen and wash. 25cm x 20cm. £475 JIM WOODMAN PUMPHOUSE, BUSHY PARK 40cmWatercolour.x38cm. £500 JEREMY BLIGHTON LIVERPOOL STREET STATION- A CONFLUENCE OF TRAVELLERS Linocut (Ed of 50). 60cm x 45cm. £475 BILL BELCHER VALENTINE’S DAY (AnWatercolouroriginalcartoon for the Oldie Magazine). 15cm x 9cm. £200 ERIK BLEGVAD ‘HURRY, HURRY, MARY DEAR’ ThisWatercolour.istheoriginal illustration for pages 8 and 9 of the children’s book ‘Hurry, Hurry, Mary Dear’ published by McElderry Books (USA) in 1997. 43cm x 22cm. £525

BRIAN SHIELDS (BRITISH 1951-1997)

78 THE ARMCHAIR ART FAIR +44 (0) 1386 email@haynes852649 fineart.com www.haynesfineart.com Haynes Fine Art

OFF TO SCHOOL Mixed media. Board size: 8” x 11”. Framed size: 22” x 25”. Signed and inscribed “ANN” lower right. £14,950 REF: 16064

ARTHUR MCEVOY DELANEY (BRITISH 1927-1987) NORTHERN LIFE Oil on board. Board size: 10.5” x 8.5”. Framed size: 18.5” x 16”. Signed lower right. £7,950 REF: 15984

79 +44 (0) 1386 852649 | email@haynesfineart.com HAYNES FINE ART THE ARMCHAIR ART FAIR JOHN LOWRIE MORRISON “JOLOMO” (SCOTTISH BORN 1948) FLOWERS AND SKETCH BOOKS Oil on canvas. Canvas size: 30” x 30”. Framed size: 39.75” x 39.75”. Signed lower right; further signed, inscribed and dated 2021 verso. £8,950 REF: 15993 JOHN LOWRIE MORRISON “JOLOMO” (SCOTTISH BORN 1948) CROFTS AT HARLOSH, ISLE OF SKYE Oil on canvas. Canvas size: 16” x 30”. Framed size: 25" x 39.25". Signed lower right; further signed, inscribed and dated 2020 verso. £6,900 REF: 15534

NESTLING AT THE QUAYSIDE, RIVER TAGUS

BLACKLOCK (BRITISH 1897-1924)

THE DERELICT MILL Oil on board. Board size: 12” x 16”. Framed size: 18.25” x 22”. Signed and dated 51 lower left. £27,500 REF: 15340 EDWARD BRIAN SEAGO RBA, RWS (BRITISH 1910-1974)

EDWARD BRIAN SEAGO RBA, RWS (BRITISH 1910-1974)

80 HAYNES FINE ART email@haynesfineart.com | +44 (0) 1386 85 649 THE ARMCHAIR ART FAIR

PaperWatercolour.size:10.5” x 14.5”. Framed size: 24.25” x 29.5”. Signed lower left. £12,950 Ref: WILLIAM15958KAY

SHEPHERDESS Oil on board. Board size: 10” x 14”. Framed size: 17” x 20.5”. Signed lower right. £38,500 REF: 15985

SNOW SCENE Oil on canvas. Canvas size: 13” x 18”. Framed size: 19.5” x 24.25”. Signed lower right. £39,500 REF: 15977

81 +44 (0) 1386 852649 | email@haynesfineart.com HAYNES FINE ART THE ARMCHAIR ART FAIR

SUMMER HOLIDAYS Oil on board. Board size: 10” x 14”. Framed size: 16.25” x 20.5”. Signed lower right. £59,500 REF: 15989

SUNSET Oil on canvas. Canvas size: 13” x 18”. Framed size: 21” x 25.75”. Signed lower right. £39,500 REF: 15976

EDOUARD LEON CORTES (FRENCH 1882-1969)

WILLIAM KAY BLACKLOCK (BRITISH 1897-1924)

EDOUARD LEON CORTES (FRENCH 1882-1969)

82 THE ARMCHAIR ART FAIR HAYNES FINE ART email@haynesfineart.com | +44 (0) 1386 85 649 SIR JOHN KYFFIN WILLIAMS KBE, RA (WELSH 1918-2006) A DOLGELLAU RAM Mixed media. Paper size: 5.75” x 9.75”. Framed size: 20” x 23.5”. Signed with initials lower right. £11,850 REF: 15922 SIR JOHN KYFFIN WILLIAMS KBE, RA (WELSH 1918-2006) HEADLAND NEAR LLANDUDNO, CONWY Ink and wash on paper. Paper size: 11.5” x 17.25”. Framed size: 24.5” x 31.5”. Signed with initials lower right. £11,850 REF: 15875

83THE ARMCHAIR ART FAIR +44 (0) 1386 852649 | email@haynesfineart.com HAYNES FINE ART ERNEST HOWARD SHEPARDMC, OBE (BRITISH 1879-1976) IT’S A DOG’S LIFE! Pencil and crayon on paper. Paper size: 7” x 5.75”. Framed size: 20.75” x 19.25”. £9,850 REF: 15843

DONALD MCINTYRE RCA, RSMA (SCOTTISH 1923-2009) STILL LIFE Acrylic on board. Board size: 8.75” x 6.75”. Framed size: 22.25” x 20”. Signed with initials lower left. £7,450 REF: 16077

WEST COAST AT SUNSET Oil on board. Board size: 9.75” x 10.5”. Framed size: 23” x 23.5”. Signed with initials lower right. £7,950 REF: 16043

84 THE ARMCHAIR ART FAIR HAYNES FINE ART email@haynesfineart.com | +44 (0) 1386 85 649

DONALD MCINTYRE RCA, RSMA (SCOTTISH 1923-2009)

COASTAL CALM, ISLE OF MULL Oil on board. Board size: 20” x 30”. Framed size: 29.25” x 39.25”. Signed lower left. £16,950 REF: DONALD15962MCINTYRE

RCA, RSMA (SCOTTISH 1923-2009)

SUNLIT HARBOUR Oil on board. Board size: 6” x 8”. Framed size: 19.5” x 21.25”. Signed with initials lower right. £6,950 REF: 15947

DONALD MCINTYRE RCA, RSMA (SCOTTISH 1923-2009)

STANDING IN THE SURF Oil on board. Board size: 6” x 8”. Framed size: 19.5” x 21.25”. Signed with initials lower left. £6,950 REF: 15946

BOUQUET SPECTACULAIRE Oil on Canvascanvas.size:28.75” x 23.5”. Framed size: 36.5” x 31.25”. Signed lower right. £23,950 REF: 15821

BALADE DANS LE VILLAGE Oil on Canvascanvas.size:18” x 21.75”. Framed size: 26.5” x 30.25”. Signed lower right. £17,950 REF: 16038

85THE ARMCHAIR ART FAIR +44 (0) 1386 852649 | email@haynesfineart.com HAYNES FINE ART

DONALD MCINTYRE RCA, RSMA (SCOTTISH 1923-2009)

MARCEL DYF (FRENCH 1899-1985)

MARCEL DYF (FRENCH 1899-1985)

Mixed media Paper size: 6” x 8”. Framed size: 20.5” x 22”. Signed lower right. £11,750 REF: 16075

JOHN EGERTON CHRISTMAS PIPER (BRITISH 1903-1992)

MAREUIL-SUR-LAY-DISSAIS, FRANCE

CATHEDRAL OF SAINT GATIANYS OF TOURS

JOHN EGERTON CHRISTMAS PIPER (BRITISH 1903-1992)

Mixed media Paper size: 21.75” x 14.5”. Framed size: 36.5” x 28.75”. Signed lower left. £19,850 REF: 16073

86 HAYNES FINE ART email@haynesfineart.com | +44 (0) 1386 852649 THE ARMCHAIR ART FAIR

MARY FEDDEN OBE, RA, RWA (BRITISH 1915-2012) BUTTERFLIES AND FRUIT Gouache and collage on paper. Paper size: 5.75” x 6”. Framed size: 21” x 21.5”. Signed and dated 1987 lower left. £9,750 REF: 16076

87 +44 (0) 1386 852649 | email@haynesfineart.com HAYNES FINE ART THE ARMCHAIR ART FAIR

MARY FEDDEN OBE, RA, RWA (BRITISH 1915-2012)

STILL LIFE Oil on Canvascanvas.size:16” x 20” . Signed and dated '09 lower right. Framed size: 18.75" x 22.75". £19,850 REF: 15612

CAMPBELL ARCHIBALD MELLON (BRITISH 18781955) GORLESTON SANDS, NORFOLK Oil on board. Board size: 9” x 12”. Framed size: 14.25” x 17.25”. Signed lower right. £16,850 REF: 15881

88 THE ARMCHAIR ART FAIR

HARRY FIDLER (FL.1891-D.1935)

Bi-annual exhibitions of newly acquired paintings. Why not visit our website at www.swangallery.co.uk

THE GOOSE GIRL. Oil on canvas. 20" x 24". Signed. £22,000 +44 (0) 1935 swangallery@aol.com814465 www.swangallery.co.uk

MEN WORKING WITH HORSES Oil on canvas. 14" x 21”. Signed. £2,950 WILLIAM LEE-HANKEY (1869-1952)

89 +44 (0) 1935 814465 | www.swangallery.co.uk THE SWAN GALLERY THE ARMCHAIR ART FAIR HENRY CHARLES BREWER (1866-1950) ST PAUL’S, LONDON 13.5"Watercolour.x19.75”. £1,250 JOHN VARLEY (1778-1842) A HOUSE ON THE THAMES Watercolour.7.75"x10”. Signed & inscribed on reverse. £4,000 NICHOLAS POCOCK (1740-1821) PRINCE RUPERT’S BAY, DOMINICA, WEST INDIES (CIRCA 1770) Inscribed15.5"Watercolour.x23.25”.verso. £4,250

90 THE SWAN GALLERY www.swangallery.co.uk | +44 (0) 1935 814465 THE ARMCHAIR ART FAIR SAMUEL JOHN LAMORNA BIRCH (1869-1955) ONE MORNING IN JUNE. Oil on canvas. 18" x 24”. Signed, inscribed verso. £11,000 WILLIAM MARSHALL BROWN (1863-1936) GATHERING SHELLFISH Oil on canvas. 9.5" x 14”. Signed. £8,500

91 +44 (0) 1935 814465 | www.swangallery.co.uk THE SWAN GALLERY THE ARMCHAIR ART FAIR THOMAS SIDNEY COOPER (1803-1902) SHEEP IN A LANDSCAPE Oil on panel. 16" x Signed,12”.dated 1874. £4,750 ADRIEN WULFFAERT (1804-1873) HENRY, JULIA & CHARLOTTE COAPE AT MIRABLES, IOW Oil on canvas laid on board. 30" x 24.5”. Signed, inscribed verso. £5,500

92 THE SWAN GALLERY www.swangallery.co.uk | +44 (0) 1935 814465 THE ARMCHAIR ART FAIR THOMAS BUSH HARDY (1842-1897) PORTSMOUTH, HAMPSHIRE Watercolour. 13" x 19”. Signed & inscribed. £2,600 CHARLES EDWARD DIXON (1872-1934) SHIPPING OFF TILBURY Watercolour. 12.5" x 20.5". Signed & inscribed on reverse. £3,250 MYLES BIRKET FOSTER (1825-1899) FEEDING THE CALVES Watercolour. 5.75" x 4.25”. £1,750 PETER DE WINT (1784-1849) CHRISTCHURCH BRIDGE, HAMPSHIRE Watercolour. 13.75" x 21”. Inscribed on reverse. £3,750 GEORGE ARTHUR FRIPP (1813-1896) BOLTON ABBEY, YORKSHIRE Watercolour. 13.25" x 19”. Signed, inscribed verso. £2,750 WILLIAM HEATON COOPER (1903-1995) AUTUMN, EASEDALE, LAKE DISTRICT Watercolour. 10.5" x 14”. Signed, inscribed verso. £2,600

93 +44 (0) 1935 814465 | www.swangallery.co.uk THE SWAN GALLERY THE ARMCHAIR ART FAIR HERCULES BRABAZON BRABAZON. VENICE, ITALY Watercolour. 8" x 10.5”. £3,500 Ex Chris Beetles Gallery, London. JOHN VARLEY (1778-1842) VIEW NEAR PONT ABER GLASLYN, NORTH WALES. Watercolour. 11" x 20.75”. Signed & inscribed on reverse. £2,500 GEORGE WOLFE (1834-1890) SAILING SHIPS AT SUNSET Signed.9.5"Watercolour.x12”. £1,250 THOMAS MILES RICHARDSON, JNR (1813-1890) HAYMAKERS RESTING Watercolour. 8.25" x 22”. Signed. £2,250 ROWLAND HILDER, OBE (1905-1993) LAKE AND TREES, SUMMER Signed.11"Watercolour.x14.5". £2,500

94 THE SWAN GALLERY www.swangallery.co.uk | +44 (0) 1935 814465 THE ARMCHAIR ART FAIR MARCEL DYF (1899-1985) LES BLÉS À SAINT-PAUL Oil on canvas. 15" x Signed.18.75”. £6,000 HAROLD HARVEY (1874-1941) STREAM AT LAMORNA Oil on canvas. 18" x Signed.16.5”. £8,500 ALBERT JULIUS OLSSON (1864-1942) BREAKERS ON A SHORE Oil on board. 13.5" x 17.5”. Signed. £3,600

95 +44 (0) 1935 814465 | www.swangallery.co.uk THE SWAN GALLERY THE ARMCHAIR ART FAIR EDWARD SEAGO (1910-1974) WINTER LANDSCAPE Watercolour. 10" x 14”. Signed. £8,750 SIR WILLIAM RUSSELL FLINT (1880-1969) THE YELLOW HOUSE, RIO SAN TROVASO, VENICE, ITALY. Watercolour. 7.5" x 11". Signed, inscribed verso. £6,000

96 THE SWAN GALLERY www.swangallery.co.uk | +44 (0) 1935 814465 THE ARMCHAIR ART FAIR ANTHONY VAN DYKE COPLEY FIELDING (1787-1855) VIEW OF BYLAND ABBEY LOOKING OVER THE VALE OF YORK OVER COXWOLD Oil on canvas. 12" x Signed,18”.inscribed verso. £4,500 WILLIAM WYLD (1806-1889) THE BAY OF NAPLES, ITALY Oil on16"canvas.x24”.Signed. £9,500 JOHN FREDERICK HERRING JNR (1820-1907) WATERING HORSES Oil on canvas. 12" x Signed.18". £5,750

VIEW OF VENICE WITH THE BACINO SAN MARCO Oil on board. 11" x Signed.16”. £5,200 ARTHUR FREIDENSON (1872-1955) NEAR WAREHAM, DORSET. Oil on canvas laid on board 11.5" x 15.5”. Signed, inscribed verso £1,750

ARTHUR JOSEPH MEADOWS (1843-1907)

TERRICK WILLIAMS (1860-1936)

SCENE IN BRITTANY (?) Oil on board. 9" x Initialled.11.5". £3,250

97 +44 (0) 1935 814465 | www.swangallery.co.uk THE SWAN GALLERY THE ARMCHAIR ART FAIR

ARTHUR GEORGE BELL (1849-1916)

VIEW OF CANNES, FRANCE Oil on panel. 7.75" x 11.25”. Signed. £4,200

WithProvenanceSabinGalleries, London; Christie’s, London, 11 November 1997, lot Timothy22; Clowes until 2020.

JOSHUA CRISTALL, P.O.W.S. (1768-1847)

PORTRAIT OF A LADY IN PROFILE WEARING A BONNET Inscribed l.r. (under mount): inscribed lower right: to place a / piece of very / white Paper / under it, but not / to paste it to any / thing – or kept in a book, black chalk, stump and watercolour. 21.5cm x 17.6cm.; 8 ½” x 6 ⅞”. £1,850

PORTRAIT OF THOMAS BROADWOOD HOLDING A GUN, HIS DOG AT HIS FEET, IN A LANDSCAPE Pencil and washes, in its original early 19th century frame with acanthus leaves at the corners. 33cm x 22.1cm; 13” x 8 ¾”. £2,500 This portrait of Thomas Broadwood shows him as a young man of leisure. He was the second surviving son of John Broadwood, and the third generation of the piano manufacturers John Broadwood & Sons, who made upright and grand pianos, where he worked as business manager of the company. He met Beethoven as a young man in 1818 and sent him a newly improved triple stringed piano (which subsequently belonged to Liszt and is now in the National Museum in Budapest). He purchased the Holmbush estate in Lower Beeding, Sussex in 1824-5, and employed Francis Edwards to design a two-storey castellated mansion with octagonal turrets. He grew dahlias in the gardens, which were highly fashionable in the 1820s and 1830s. Thomas Broadwood was High Sheriff of Sussex in 1833. MissProvenanceElizabeth Broadwood, Canterbury, by Coltdescent;Clavier Collection until 2018.

JOHN DOWNMAN, A.R.A. (1750-1824)

98 THE ARMCHAIR ART FAIR KAREN TAYLOR FINE ART +44 (0)7881 karen@karentaylor581275 fineart.com www.karentaylorfineart.com

A GLEANER, HURLEY, BERKSHIRE Signed l.r.: J. Cristall.1816 and inscribed l.l.: Hurley Berks., pencil with brown wash. 38.4cm x 26.8cm; 15 ¼” x 10 ½”. £850 PrivateProvenancecollection, U.K. until 2018.

DavidLiteratureWainwright, Broadwood by Appointment: A History, 1985, London, ill. facing p. 185.

A YOUNG FISHERMAN, CULLERCOATS Inscribed and dated l.r.: At Cullercoats/Augt. 27.1847, watercolour over pencil. 27.8cm x 18.5cm.; 10 ⅞” x 7 ¼”. £2,250 ChristopherP.ProvenancePolak,StJames’s;andRosemary Warren, until 2020.

HENRY PERLEE PARKER (1785-1873)

HENRY EDRIDGE, A.R.A. (1769-1821)

LADY (MARGARET) ARDEN (C.1762-1851)

SAMUEL HIERONYMUS GRIMM (SWISS 1733-1794) THE BERKSHIRE HOUSE, PUTNEY Signed on rowing boat: S.H. Grimm 1772, pen and grey ink and watercolour over traces of pencil on laid paper, inscribed on original mount with title. Oval, 31cm x 38cm; 12 ¼” x 14 15⁄16”. Frame size 42cm x 50cm.; 16 ½” x 19 ¾”. Grimm was born in Switzerland and moved to London in 1768 having spent three years in Paris. He made views along the Thames shortly after his arrival in the capital. This view is taken slightly upstream from the wooden Fulham Bridge, which is visible in the drawing with a stagecoach crossing. This bridge was opened in 1729 in line with Fulham High Street with a slight curve on the Putney side in front of the church. The British Museum has a sketchbook by the artist of Thames views from Fulham to (1919.7.12.25).Kew £4,200 Provenance Frost and Reed, 9 August 1948; Robert Victor Cooke, AthelhamptonDorchester;House, by descent to Patrick Cooke, until 2019.

YLO R FINE

CHATHAM Inscribed l.l.: Chatham/1810 and inscribed verso: 8th October 1810, watercolour over traces of pencil. 14cm x 22.2cm.; 5 ½” x 8”. £1,650 This is a view from Gillingham Bridge, Chatham. The historic dockyard at Chatham was one of Britain’s most important Royal Dockyards for over 400 years. The daughter of Sir Thomas Spencer Wilson, Bt. of Charlton in Kent, the artist was a pupil of Francis Towne in her youth. Her mother was a Cheney of Badger Hall, Shropshire, where Peter de Wint was a frequent visitor. Lady (Margaret) Arden was a pupil and a patron of David Cox. She married George Compton, Lord Arden (1756-1840) in 1787.

99THE ARMCHAIR ART FAIR +44 (0)7881 581275 | www.karentaylorfineart.com TA ART PAUL SANDBY, R.A. (1725-1809) WINDSOR FROM SNOW HILL Pen and grey ink and watercolour on laid paper watermarked with the Strasburg Lily, a pencil drawing of a landscape, verso. 11.5cm x 24.7cm.; 4 ½” x 9 ¾”. £3,500 Provenance Private collection, U.S.A., untilAgnew’s;1993; Nigel Jaques (1935-2020).

KAREN

TIVOLI Inscribed and dated l.l.: Tivoli May 7 ...1838, pencil and grey wash heightened with white on light grey paper. 18cm x 25cm; 7 1⁄16” x 9 ⅞”. £3,800 From the Estate of Nigel Jaques (1935-2020).

RICHARD COOPER JR. (1740-1820) TIVOLI Signed l.r.: R Cooper d., pen and brown ink and grey wash over pencil on laid paper. Oval 29.5cm x 24cm; 11 ⅝” x 9 ½”. £950 GuyProvenancePeppiatt Fine Art Ltd. From the Estate of Nigel Jaques (1935-2020). CARLO LABRUZZI (ITALIAN 1748-1817) ON THE VIA APPIA, 1789 Watercolour over pencil on laid paper. 37.5cm x 53cm.; 14 ¾” x 20 ¾”. £3,500

ThomasProvenanceAgnew & Sons Ltd. Exhibited Views of Italy: Watercolours and Drawings from the Collection of Nigel Jaques, Lupton’s Gallery, Eton College, 27 May – 10 September 2009, no. 11. From the Estate of Nigel Jaques (1935-2020).

100 THE ARMCHAIR ART FAIR

EDWARD LEAR (1812-1888)

KAREN TAYLO R FINE ART www.karentaylorfineart.com | +44 (0)7881 581275

JOSEPH ARTHUR PALLISER SEVERN (1848-1931) VESUVIUS-SUNRISE Signed and dated l.l.: Arthur Severn R.I./1906, watercolour over traces of pencil. 27cm x 37cm.; 10 ⅝” x 14 ½”. £3,800 TheProvenanceLeicester Galleries, London, Exhibition of Works by Arthur Severn, R.I, June 1906, no. 30.

101 +44 (0)7881 581275 | www.karentaylorfineart.com KAREN TAYLO R FINE ART THE ARMCHAIR ART FAIR WILLIAM CALLOW, R.W.S. (1812-1908) PORTA DELLA CARTA, PALAZZO DUCALE, VENICE Signed and dated l.l.: W Callow 1857, watercolour over pencil heightened with bodycolour. 34cm x 25.5cm.; 13 ⅜” x 10”. £8,500 PrivateProvenancecollection, U.K.

DAVID COX (1783-1859) RAGLAN CASTLE, MONMOUTHSHIRE Watercolour over pencil. 21cm x 29.8cm; 8 ¼” x 11 ¾”. £2,200 JohnProvenanceManning Ltd. DAVID COX (1783-1859) A TERRACE WITH FIGURES IN SEVENTEENTH CENTURY COSTUME Signed and dated l.l.: David Cox.1836, watercolour over pencil with scratching out. 18cm x 26cm; 7 1⁄16” x 9 ¼”. £2,200 102 KAREN TAYLO R FINE ART www.karentaylorfineart.com | +44 (0)7881 581275 THE ARMCHAIR ART FAIR DAVID COX (1783-1859) A DISTANT VIEW OF LANCASTER WITH MORECAMBE BAY IN THE DISTANCE Signed l.l.: David Cox., watercolour over traces of pencil with touches of pen and black ink on buff paper. 29.6cm x 39cm; 11 ¾” x 15 ⅜”. £8,500 Agnew’s,Provenance126th Annual Exhibition, March 1999, no. 63; The Flannery collection, U.K., and by descent until 2018.

103 +44 (0)7881 581275 | www.karentaylorfineart.com KAREN TAYLO R FINE ART THE ARMCHAIR ART FAIR

SHREWSBURY ABBEY, SHROPSHIRE, WITH SHEEP BEING HERDED DOWN THE STREET Signed and dated l.l.: JM Ince 1846, watercolour over pencil with scratching out and touches of gum arabic. 21.6cm x 35cm; 8 ½” x 13 ¾”. £1,850

JOHN VARLEY (1778-1842) HARLECH CASTLE, NORTH WALES Signed and dated l.r.: J. Varley/1823, watercolour over pencil with gum arabic and stopping out. 20.7cm x 27cm; 8 ¼” x 10 ¾”. £4,200 WithProvenanceLegerGalleries, London; With Guy Peppiatt Fine Art; Private collection UK.

THE CADBURY CAMP-LOOKING NORTH TO THE MOUTH OF THE AVON, 1822 Watercolour. 13cm x 22cm; 5 ⅛” x 8 ⅝“. £1,200 Cadbury Camp (National Trust) is an impressive Iron Age hill fort with extensive views of the AndrewProvenancecoastline.Wyld; Private collection, U.K. until 2019.

JOHN WARWICK SMITH (1749-1831) PORTLAND, DORSET

JOSEPH MURRAY INCE (1806-1859)

Inscribed on original mount in pen and brown ink: Portland., watercolour over pencil. 13.3cm x 22.5cm.; 5 ¼” x 8 ⅞”. £3,250 Provenance Cothill Antiques, sold on 1 July 1970 to Thomas Agnew & Sons Ltd., no. 33077, catalogue no. 30; Private collection, U.K. 1971-2021 SAMUEL JACKSON (1794-1869)

AUGUSTUS JOHN, OM, R.A. (1878-1961) GYPSIES Signed in pencil l.r.: John, pen and brown ink and wash on buff paper. 22.6cm x 32cm; 8 ⅞” x 12 ⅝”. £1,900 SirMercuryProvenanceGallery;Geo ffrey Jellicoe, R.A. (1900-1996) and Lady Susan Jellicoe (1907-1986), bt in 1968; Private collection UK. 104 THE ARMCHAIR ART FAIR KAREN TAYLO R FINE ART www.karentaylorfineart.com | +44 (0)7881 581275 DAVID COX (1783-1859) AT DULWICH Inscribed verso: At Dulwich, sepia wash. 15.5cm x 11.3cm.; 6 ⅛” x 4 ⅜”. £1,400 This drawing was executed while Cox was living in Dulwich between 1809 - 1813, in the house beside the windmill on Dulwich 2011,‘BicentenaryDulwichPresent’,‘DulwichDulwichExhibitedCommon.PictureGallery,Pastandsummer1993;PictureGallery,Exhibition’,catalogueno.4. WILLIAM MARLOW (1740-1813) A MERCHANTSHIP UNDER REPAIR Watercolour over pencil, unframed. 22.2cm x 37cm.; 8 ¾” x 14 ½”. £950 CyrilProvenanceandShirley Fry. JOHN CHESSELL BUCKLER (1793-1894) NORTH-EAST VIEW OF LYTE’S CAREY, SOMERSET AND SOUTH VIEW OF LYTE’S CAREY, SOMERSET A pair, each signed and dated l.r.: J.C. Buckler 1834, each inscribed with title on mount, pen and grey ink and grey wash over traces of pencil, in period burr maple frames. Each 30cm x 38cm; 11 ¾” x 14 ⅞”, frame sizes 43.5cm x 55cm; 17” x 21 ¼” and 41.5cm x 49.5cm; 16” x 19 ¼”. £1,200 HartnollProvenanceand Eyre. ENGLISH SCHOOL MID 19TH CENTURY LANDSCAPE WITH A TOWN BY THE SEA WITH FLOWERS Pen and brown ink. 32cm x 52cm.; 12 ½” x 20 ½”. £1,650 EdwardProvenanceCroft-Murray, OBE (1907-1980).

EDITH MARTINEAU, A.R.W.S. (1842-1909)

THE PATH THROUGH THE TREES, A VIEW ON HAMPSTEAD HEATH Signed l.l.: Edith Martineau., watercolour over traces of pencil with scratching out and gum arabic. 29 x 23.5cm; 11 ⅜” x 9 ¼”. £5,200 Edith Martineau, together with her sister Gertrude, was one of a small group of female artists associated with the Pre-Raphaelites.

HELEN ALLINGHAM, R.W.S. (1848-1926)

TheProvenanceLegerGalleries Ltd, ‘An Exhibition of Watercolours by Helen Allingham, R.W.S. 1848-1926’, November – December 1972, no. 153, where purchased by Sir Owen Aisher (1900-1993); The Marley Tile Co. Ltd; The Muro Collection, until 2021.

JOSEPH EDWARD SOUTHALL, R.W.S. (1861-1944)

MYLES BIRKET FOSTER, R.W.S. (1825-1899)

YACHTS AT SEA IN HIGH SUMMER Signed with monogram and dated 1929 l.r, watercolour. 15cm x 24.5cm; 5 ⅞“ x 9 ⅝”. £2,250 TheProvenanceartist’sfamily, by descent.

A ROOF AT BROADSTAIRS, KENT 18cmWatercolour.x9cm.; 7 ⅛” x 3 ⅝”. £3,750

SUNSET STUDY WITH A MACKEREL SKY Watercolour over pencil heightened with bodycolour on thick cream 12.8cmpaper.x17.7cm; 5 ⅛” x 7”. £1,750 FrancesProvenanceFoster, the artist’s second wife.

105THE ARMCHAIR ART FAIR +44 (0)7881 581275 | www.karentaylorfineart.com KAREN TAYLO R FINE ART

APPLE BLOSSOM Signed l.l.: H C Coleman Angell., watercolour over traces of pencil with touches of bodycolour and gum arabic. 23cm x 32.3cm.; 9” x 12 ½”. £4,500 JohnProvenanceAbbott (1937-2011).

ARCHIBALD THORBURN (1860-1935) STUDIES OF A SHELDUCK Signed with initials and dated l.r.; A.T./April 3 1918, watercolour with bodycolour over pencil on green paper, in a period wooden frame. 18.7cm x 14cm.; 7 ½” x 5 ½“. Frame size 33cm x 27cm; 13” x 10 ⅝”. £4,200 Provenance Private collection U.K. until 2021.

Angell became Flower Painter in Ordinaryto Queen Victoria from 1879 until her death, succeeding Valentine Bartholomew. She is said to have been anointed as his successor by William Henry Hunt whose enthusiasm for still life subjects she shared.

106 KAREN TAYLO R FINE ART www.karentaylorfineart.com | +44 (0)7881 581275 THE ARMCHAIR ART FAIR

WILLIAM HENRY HUNT (1790-1864)

PRIMROSES Signed l.r.: W HUNT, watercolour heightened with 16cmbodycolour.x20.3cm; 6 ¼” x 8”. £5,500

HELEN CORDELIA ANGELL (1847-1884)

107THE ARMCHAIR ART FAIR +44 (0)7881 581275 | www.karentaylorfineart.com KAREN TAYLO R FINE ART SIR HERBERT JAMES GUNN, R.A. (1893-1964) A CARRIAGE AT PLACE DE LA CONCORDE, PARIS, 1911-1912 Oil on board, inscribed verso: Grindlay, inscribed on old backing paper by one of Edward Grindlay’s children: An early James Gunn/My father admired it in the/Studio so James framed it/and gave it to him. 22.4 x 14.2cm.; 8 ⅞ x 5 ⅝”. Frame size 38 x 28cm.; 15” x 11”. £25,000 GivenProvenancebythe artist to Edward Grindlay, a lifelong friend; By descent until 2021.

108 THE ARMCHAIR ART FAIR JOHN FREDERICK HERRING, JNR (1820-1907) RIDING THE TEAM HOME Oil on canvas. 18” x Signed24”.and dated 1844. £7,500 GEORGE PRICE BOYCE, RWS (1826-1897) A SURREY COMMON IN NOVEMBER Signed,6Watercolour.¼”x17¼”.inscribed and dated 1866.7. £4,500 S ARAH C OLEGRAVE F INE A RT +44 (0) 7775 sarah@sarahcolegrave.co.uk943722 www.sarahcolegrave.co.uk

109 +44 (0)77 7594 3722 | www.sarahcolegrave.co.uk SARAH COLEGRAVE FINE ART THE ARMCHAIR ART FAIR GEORGE HOWARD, 9TH EARL OF CARLISLE (1843-1911) LANERCOST, CUMBRIA Oil on canvas. 10” x 14“. £3,250 WILLIAM GERSHOM COLLINGWOOD (1854-1932) RAVEN TOR, CONISTON Signed10”Watercolour.x14”.anddated 1912. £2,250 GEORGE HOWARD, 9TH EARL OF CARLISLE (1843-1911) A LINE OF TREES Oil on panel. 10 ½” x 14 ½“. £3,250 ARTHUR JOSEPH PALLISER SEVERN (1842-1931) SUN EFFECT ABOVE WALDNEY SCAR, CONISTON Signed14”Watercolour.x20¼”.anddated 1906. £4,850 WALTER JAMES, 3RD BARON NORTHBOURNE (1869-1932) LANDSCAPE Oil on panel. 8” x 12 ¼”. £1,600 HENRY ARTHUR PAYNE, RWS (1868-1940) NORWEGIAN FIORD Signed.7”Watercolour.x9¼”. £1,800

110 THE ARMCHAIR ART FAIR SARAH COLEGRAVE FINE ART www.sarahcolegrave.co.uk | +44 (0)77 7594 3722 ALBERT GODWIN, RWS (1845-1932) NAPLES Oil on board. 7 ½” x 10 ¼”. Signed with monogram. £4,500 WALTER CRANE, RWS (1845-1915) SHEPHERD’S BUSH Inscribed13Watercolour.¾”x10¼”.and dated 1875. £3,750 CHARLES JOHN WATSON (1846-1927) ROW NO.142, GREAT YARMOUTH 9Watercolour.¼”x3¼”. £750

111THE ARMCHAIR ART FAIR +44 (0)77 7594 3722 | www.sarahcolegrave.co.uk SARAH COLEGRAVE FINE ART FRANCIS WYNNE-THOMAS (1907-1988) GERMAN TRAINING SHIP IN SHADWELL BASIN, 1937 Oil on canvas. 20” x Signed,24”.inscribed and dated 1937. £7,500 MAUD EARL (1863-1943) THE LUCKY BLACK CAT Oil on18”canvas.x14”. Signed and dated 1907. £3,750

112 THE ARMCHAIR ART FAIR SARAH COLEGRAVE FINE ART www.sarahcolegrave.co.uk | +44 (0)77 7594 3722 CHARLES MARCH GERE, RA, (1884-1963)RWS TUSCAN VINTAGE 8Tempera.¾”x12 ½”. Signed monogramwith and dated 1912. £3,000 MARGARET GERE, NEAC (1878-1965) THE ZINALROTHORN Oil on board. 9” x Signed7”. with initials. £2,400 RANDOLPH SCHWABE, RWS, NEAC (1885-1948) THE LAMB Signed.20Watercolour.¼”x9¾”. £1,850

113THE ARMCHAIR ART FAIR +44 (0)77 7594 3722 | www.sarahcolegrave.co.uk SARAH COLEGRAVE FINE ART PAUL FORDYCE(1863-1909)MAITLAND SHOP FRONT, CHEYNE WALK, CHELSEA Oil on panel. 17” x 9 Signed.¼”. £10,500

114 THE ARMCHAIR ART FAIR SARAH COLEGRAVE FINE ART www.sarahcolegrave.co.uk | +44 (0)77 7594 3722 CLAUDE SHEPPERSON,ALLIN ARA, ARWS (1867-1921) PETRUSHKA – SCENE FROM THE BALLETS RUSSES Signed.12”Watercolour.x18“. £2,250 MARY ADSHEAD (1904-1995) MUSIC & SONG A pair, both tempera. 20” x 16” each. Both signed and dated 1927 (2). £6,000 the pair

115THE ARMCHAIR ART FAIR +44 (0)77 7594 3722 | www.sarahcolegrave.co.uk SARAH COLEGRAVE FINE ART AVERIL BURLEIGH, ARWS (1883-1949) NIJINSKY Watercolour.15”x17¾”.Signed. £12,000 JOHN DRONSFIELD (1900-1951) DESIGN FOR A MASK 15”Watercolour.x10”(unframed). £350 JOHN DRONSFIELD (1900-1951) DESIGN FOR A MASK 12Watercolour.¼”x10¼ ” (unframed). £350 JOHN DRONSFIELD (1900-1951) DESIGN FOR A MASK 14”Watercolour.x10¼”Signed (unframed). £350

116 THE ARMCHAIR ART FAIR SARAH COLEGRAVE FINE ART www.sarahcolegrave.co.uk | +44 (0)77 7594 3722 ANNE HARRIET SEFTON “FISH” (1890-1964) VIOLET Signed6”Watercolour.x13”.andinscribed. £750 FRANK DOBSON, RA (1886-1963) NUDE Ink, chalks and watercolour. 19 ¾” x 13 ¾”. Signed. £4,500 JAMES WOODFORD, RA (1893-1976) COCKEREL Red chalk. 12 ¼” x 9 ½”. Signed. £550

117THE ARMCHAIR ART FAIR +44 (0)77 7594 3722 | www.sarahcolegrave.co.uk SARAH COLEGRAVE FINE ART ANNA(1901-1976)ZINKEISEN THE BALLET Oil on board. 17” x 21 Signed.¼”. £5,750 HARRY MORLEY, ARA, (1881-1943)RWS THE ROMANY CAMP 14Watercolour.¼”x20½”. Signed and dated 1927. £1,800

ohn RobertsonJ FINE BRITISH PAINTINGS 118 THE ARMCHAIR ART FAIR +44 (0) 7860 john_bourne@hotmail.com571799 www.jrobertsonfineart.com ANDREW HEMINGWAY. (BORN 1956) “STILL LIFE WITH RED CAN” Pastel. 19” x 25” Signed. £8,500 Provenance: With Brian Sinfield Gallery in 1994. Label verso.

“The remarkable still life pastels of Andrew Hemingway seek out the beauty of ordinary things. Exquisitely rendered and highly detailed, they are paintings of enormous depth and astonishing skill… they are simply mesmerising!”

“Just when you think you’ve seen it all you come across work that takes your breath away. Hemingway’s explorations of surface texture are marvels to behold”

WYNNE(1907-1989)THOMAS ‘THE HOUSE AT NIGHT” Oil on canvas.

£950 PAM MASCO (AMERICAN/BRITISH. 1953-2018) “SILENT SHADOWS WITH SHAFT OF LIGHT: VENICE” Oil

32”. £2,800 Provenance: With the

119THE ARMCHAIR ART FAIR +44 (0) 7860 571799 | www.jrobertsonfineart.com JOHN ROBERTSON FINE PAINTINGS

FRANCIS In original frame behind glass. Signed. 6.5” x 10.5”. on canvas. Signed. 28” x Bourne Gallery, Surrey. Originally from Massachusetts, Pam Masco graduated at the Boston School of Fine Art. She settled in England in 1980, specializing in book illustration. She was married to the artist John Heseltine. on board. Signed. 9.5”

GERALD NORDEN (1912-2000) “STILL LIFE BY CANDLE LIGHT” Oil

x 6.5” £1,250

PIERRE GEORGE JEANNIOT (SWISS/FRENCH 1848-1934)

CHARLES MARTIN POWELL (BRITISH. 1775 - 1824)

“DOLCE FAR NIENTE” Oil on canvas. Signed. 24” x 20”. Presented in French, carved wood, painted frame. £7,500 Jeanniot was an impressionist painter and illustrator of the ‘Belle Epoque’ in Paris.His friends included Manet, Degas and Paul Cesar Helleu, whose influence is reflected in the present work.

“SHIPPING BECALMED” Oil on canvas. Signed. 14.5” x 17.5”. Presented in original carved, gilt wood frame. £8,500

120 JOHN ROBERTSON FINE PAINTINGS www.jrobertsonfineart.com | +44 (0) 7860 571799 THE ARMCHAIR ART FAIR

SIR HENRY RUSHBURY RA. RWS. (1889-1968) “ON THE STEPS OF SANTA MARIA DELLA SALUTE, VENICE” Pencil and watercolour. Signed and dated 1931. 14.5” x 17.5”. £2,100 Henry Rushbury was one of Britain’s finest 20th century draughtsmen. His topographical watercolours, etchings and drawings are greatly under appreciated.

121 +44 (0) 7860 571799 | www.jrobertsonfineart.com JOHN ROBERTSON FINE PAINTINGS THE ARMCHAIR ART FAIR

JOHN VARLEY JNR. (1850-1933) “RAINY DAY AT NIKKO STREET, JAPAN” Watercolour. Signed and dated 1890. 10” x 14”. £1,250 Provenance: With Moss Gallery, London. Label verso. The artist was the son of Fleetwood Varley and grandson of the renowned John Varley (1778-1842). He exhibited views of Japan, Egypt and India at the Royal Academy between 1870 and 1895.

JOHN B. GIBBS (EXHIBITED 1888-CIRCA1918)

ALFRED HUNT (ACTIVE 1853-1874)

‘ROLL UP! ROLL UP!”…A VISIT TO HAYES CIRCUS Watercolour. Painted circa 1860. 14” x 21”. £3,250 The artist is sometimes confused with the Pre-Raphaelite landscape painter Alfred William Hunt. This picture is by Alfred Hunt, whose panoramic, modern-life subjects were regularly featured in the Illustrated London News. He was skilled at depicting crowd scenes such as this and “The Arrival of the Steam Packet, Boulogne”.

122 JOHN ROBERTSON FINE PAINTINGS www.jrobertsonfineart.com | +44 (0) 7860 571799 THE ARMCHAIR ART FAIR

“A BLACKSMITH WORKING AT HIS FORGE” Watercolour. Signed at lower left under the rebate. 17” x 25.5”. £2,800 The artist came from Liverpool but settled in Congleton, Cheshire. The Imperial War Museum hold a painting by him celebrating the women of Congleton’s support for the troops in the First World War.

“FLEET STREET AND LUDGATE HILL VIADUCT WITH SMOKE FROM A PASSING TRAIN’ Watercolour heightened with white and gum arabic. Signed. Circa 1910. 20” x 16.5”. £8,500 Walcot was from a Scottish/Russian family and born near Odessa. He became a renowned architect in Moscow before coming to Britain. He exhibited at the Fine Art Society where he won praise as ‘the best architectural draughtsman in London’.

WILLIAM WALCOT RBA. RE. (1878-1943)

WALTER DELAPLAINE SCULL (EXHIBITED 1886-1890)

“ABBOTS SALFORD NUNNERY, WARWICKSHIRE” Watercolour. Inscribed and dated July 1886. 6” x 8”. £490 Provenance: With David Ker Fine Art, London. Label verso.

123 +44 (0) 7860 571799 | www.jrobertsonfineart.com JOHN ROBERTSON FINE PAINTINGS THE ARMCHAIR ART FAIR

“THE DEPARTURE OF THE FISHING FLEET, RYE HARBOUR” Watercolour. Signed. Inscribed ‘Rye’. 19.5” x 29.5”. £1,800 I’ve sold many watercolours by this artist but this is a real cracker! It shows the fleet being towed out in convoy by steam tug against both wind and tide. Aldridge’s pictures provide a valuable record of vanished craft and maritime practice.

ROBERT CARRICK RI. ROI. (1829-1904)

FREDERICK JAMES ALDRIDGE (1850- 1933)

“WILD FLOWERS BY THE SEA” Watercolour. Signed and dated 1887. 13.5” x 17”. £2,400 Born in Scotland, the brother of James Mulcaster Carrick, he moved to London where his work was admired at the Royal Academy in 1858 by Ruskin. His paintings can sometimes be Pre-Raphaelite in manner. He should not be confused with the Glasgow artist of the same name.

124 JOHN ROBERTSON FINE PAINTINGS www.jrobertsonfineart.com | +44 (0) 7860 571799 THE ARMCHAIR ART FAIR

125 +44 (0) 7860 571799 | www.jrobertsonfineart.com JOHN ROBERTSON FINE PAINTINGS THE ARMCHAIR ART FAIR EDWARD CHARLES BARNES (EXHIBITED 1856-1882) “THE CHILDRENS BEDTIME” Oil on canvas. Signed with his monogram. 30” x 20”. £8,500 Provenance: With Stacey-Marks, Perth, Scotland. Thence a private collection. JOSEPH THORS (1835-1920) “THE OLD FARMSTEAD IN SUMMER” Oil on panel. Signed. 10” x 14”. £1,500

“FISHING BELOW CADER IDRIS, NEAR DOLGELLAU, NORTH WALES” Watercolour. Signed. Painted circa 1850. 16.5” x 23.5”. £1,800

“THE ARTIST AT WORK… A DEMONSTRATION CLASS AT PHILLIPS HOUSE” Watercolour. Signed. 11” x 10”. £950

CHARLES DAVIDSON RWS. (1824-1902) “HAYSTACKS NEAR REIGATE, SURREY” Watercolour. Painted circa 1880. 14” x 20”. £1,650 Davidson lived at “The Laurels”, Redhill and exhibited over 800 pictures in London. Prince Albert purchased “Haymaking in Priory Park, Reigate” as a Christmas present for Queen Victoria in 1856.

JOHN MURRAY THOMSON RSA. RSW. (1885-1974)

126 JOHN ROBERTSON FINE PAINTINGS www.jrobertsonfineart.com | +44 (0) 7860 571799 THE ARMCHAIR ART FAIR

DAVID HALL McKEWAN RWS. (1817-1873)

“BLUE TIT ON SEED HEAD” Watercolour on laid linen. Signed. Inscribed on reverse. 15” x 10.5”. £850 Provenance: With The Fine Art Society, London.

JOHN YARDLEY RI. (BORN 1933)

127 +44 (0) 7860 571799 | www.jrobertsonfineart.com JOHN ROBERTSON FINE PAINTINGS THE ARMCHAIR ART FAIR RAYMOND CAMPBELL (BORN 1956) “THREE FINE WINES” Oil on panel. Signed. 16” x 12”. £2,400 G* ESTIENNE (19TH CENTURY ITALIAN) “THE SOMMELIER” Oil on panel Signed with initials. 8” x 5”. £850 WILLIAM B LAMOND (SCOTTISH. 1857-1924) “RETURNING FROM WORK” Oil on canvas. Signed and dated 1907. 13” x 10”. £1,100 WILLIAM B LAMOND (SCOTTISH. 1857-1924) “SPRING FEEDING” Oil on canvas. Signed and dated 1907. 13” x 10”. £1,100

Gwen Hughes Fine Art +44 (0) 20 8874 info@gwenhughesart.co.uk8568 Hartnoll & Daughters +44 (0)777 589 info@julianhartnoll.com3842 Haynes Fine Art +44 (0) 1386 email@haynes852649 fineart.com The Hunt Gallery +44 (0) 1304 info@thehuntgallery.com612792 John Iddon Fine Art +44 (0) 208 940 7741 +44 (0) 7901 john.iddon@tinyworld.co.uk671939 John Noott Galleries +44 (0) 1386 852787 +44 (0) 7802 jon@john-noott.com454888 John Robertson Fine Paintings +44 (0) 7860 john_bourne@hotmail.com571799 Karen Taylor Fine Art +44 (0) 7881 581275 +44 (0) 20 8743 karen@karentaylor9207 fineart.com Kaye Michie Fine Art +44 (0) 7973 watercolours@kayemichie.co.uk113126 Manning Fine Art +44 (0) 7929 info@manning749056 fineart.co.uk Sarah Colegrave Fine Art +44 (0) 7775 sarah@sarahcolegrave.co.uk943722 The Swan Gallery +44 (0)1935 swangallery@aol.com814465 Design & production by Jamm Design CONTACT DETAILS

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