The Armchair Art Fair

ARMCHAIR ART FAIR THE

Welcome to the 5th Armchair Art Fair!

Once again, here is another incredible array of artworks on sale from dealers with years of expertise and knowledge of their chosen genres. The extraordinary diversity of art on offer spans such styles, periods and specialist subjects as French Naif paintings, 18th/19th Century watercolours, Art Deco, Modern British, Oxford & Cambridge, Sporting, Maritime & Wildlife … the list goes on!

Why, you may ask, is it such a good idea to purchase art from such a dealer?

Our participants have many years of experience and have built up a profound knowledge of their particular areas of specialisation, their works of art and artists. As Derek Newman has commented, “Those of us exhibiting our stock here have cultivated relationships over time across the art world, our customers, collectors and other dealers providing access to all sorts of private sources of artworks, many of which haven’t been on the open market before.” Also important, where applicable, are professional relationships with major artists – as an example, for many years, John Iddon was great friends with Mary Fedden, and has a vast amount of knowledge about her and her work and the inspiration behind them.

Luckily for us, as well as their expertise, most dealers have the instincts of a keen collector, and get a huge amount of pleasure from the act of buying and selling. As Julian Hartnoll says, “Once bought, it is ‘my’ picture and always will be even if it is now hanging in The Tate (five at the last count).” Of course they have to resist temptation to purchase pictures or works of art for themselves, sometimes frustratingly. Julian added: “If I had kept one great picture – Lempicka’s Auto Portrait or indeed any of the great Burne Jones’s that I have owned, I would be a rich man now. I would be enjoying The Armchair Art Fair as a reader not a dealer!” C’est la vie!

As per the previous catalogues, we do hope you’re tempted by all the fine treasures in this year’s Armchair Art Fair.

John and Felicity Rae-Smith The Rae-Smith Gallery Organisers of The Armchair Art Fair Catalogues raesmithg@aol.com

ARMCHAIR ART FAIR THE

AUTUMN 2023

GALLERY INFORMATION & CONTACT DETAILS

Rountree Tryon Galleries

The Old Tavern Market Square

Petworth GU28 0AH

+44 (0) 1798 344 207 info@rountreetryon.com

www.rountreetryon.com

@rountreetryongalleries

Newman Fine Art

Painswick, Gloucestershire by appointment only

+44 (0) 7802 436621

derek@newmanfineart.co.uk

www.newmanfineart.co.uk

Sarah Colegrave Fine Art

London and Oxfordshire by appointment only

+44 (0) 7775 943722

sarah@sarahcolegrave.co.uk

www.sarahcolegrave.co.uk

Jeroen Markies Art Deco

The Pantiles Arcade

49 Lower Walk Royal Tunbridge Wells

TN2 5TE

Jeroen: +44 (0) 7703 328 562

Jacob: +44 (0) 7455 216 322

deco@jeroenmarkies.com

www.jeroenmarkies.co.uk

@jeroenmarkiesartdeco

/JeroenMarkiesArtDeco

@sarahcolegravefineart

/SarahColegraveFineArt

John Iddon Fine Art

Richmond, Surrey

+44 (0) 208 940 7741

+44 (0) 7901 671939

john.iddon@tinyworld.co.uk

www.johniddonfineart.com

John Robertson

Fine Paintings

Redhill, Surrey

+44 (0) 7860 571799

john_bourne@hotmail.com

www.jrobertsonfineart.com

Instagram www.instagram.com

Kaye Michie Fine Art

Richmond, Surrey

+44 (0) 7973 113126

watercolours@kayemichie.co.uk

www.kayemichie.co.uk

Facebook www.facebook.com

Hartnoll & Daughters

Artmonger London

+44 (0) 7775 89 3842

info@julianhartnoll.com

www.hartnollanddaughters.com

@kayemichiefineart

Haynes Fine Art

LONDON & COTSWOLDS

London Gallery: 70 Pimlico Road, Belgravia, London SW1W 8LS

Head Office: Picton House, 42 High Street, Broadway, Worcestershire WR12 7DT

+44 (0) 1386 852649

email@haynesfineart.com

www.haynesfineart.com

@haynesfineart

/HaynesFineArt/

Manning Fine Art

London SE1 by appointment

+44 (0) 7929 749056

info@manningfineart.co.uk

manningfineart.co.uk

@manningfineart

@hartnollanddaughters_art

John Davies Gallery

The Old Dairy Plant Stratford Road Moreton-in-Marsh Gloucestershire GL56 9NQ

+44 (0) 1608 652255

+44 (0) 7785 736636

gallery@johndaviesgallery.com

www.johndaviesgallery.com

@johndaviesgallery

The Hunt Gallery

33 Strand Street Sandwich

Kent, CT 13 9DS

+44 (0) 1304 612792

info@thehuntgallery.com

www.thehuntgallery.com

@thehuntgallery

/thehuntgallery

A NOTE TO CUSTOMERS

Should you wish to find out further information about any specific item in this catalogue, or indeed make a purchase, please contact the relevant dealer who will also be able to provide details regarding payment, delivery and their terms and conditions of sale. Accurate descriptions of the items on sale are the responsibility of the dealers concerned and are guaranteed by them.

CONTENTS

Rountree Tryon Galleries

Sarah Colegrave Fine Art

Newman Fine Art

John Iddon Fine Art

Jeroen Markies Art Deco

John Robertson Fine Paintings

Kaye Michie Fine Art

Hartnoll & Daughters

Haynes Fine Art

John Davies Gallery

Manning Fine Art

The Hunt Gallery

If you missed previous editions you can still access the turn-page catalogues online with the following links:

Formerly by Royal Appointment, 2018-2023

+44 (0) 1798 344 207 info@rountreetryon.com www.rountreetryon.com

FLORENCE MABEL HOLLAMS (1877-1963)

STUDY OF A BAY HUNTER - DAVID Oil on panel.

12” x 16” (30.5cm x 41cm).

Signed ‘F.M.Hollams’ (lower right), and inscribed ‘DAVID’ (upper left).

£3,950

LIONEL DALHOUSIE ROBERTSON EDWARDS, R.I. (1878-1966) POINT TO POINT Gouache.

13½” x 19½” (34.3cm x 49.5cm).

Signed and dated ‘Lionel Edwards 22’ (lower left), and titled and inscribed ‘The Optimist ! (Hunt Pt. to Pt.)/Lionel Edwards’ (on a gallery label attached to the reverse).

£3,950

LIONEL DALHOUSIE ROBERTSON EDWARDS, R.I. (1878-1966) THE WATER JUMP Gouache.

19” x 13¾” (48.2cm x 34.9cm).

CHARLES FREDERICK TUNNICLIFFE, R.A. (1901-1979) WILTSHIRE WAGON Watercolour.

7¾” x 11½” (19.6cm x 29.2cm).

Signed ‘C F Tunnicliffe’ (lower right).

£3,500

Signed ‘Lionel Edwards’ (lower right), and inscribed and titled ‘The Water ! (Hunt Steeplechase)/Lionel Edwards’ (on a gallery label attached to the reverse).

£2,950

TANIA STILL LOOKOUT

Oil on canvas.

27½” x 35½” (70cm x 90cm).

Signed and dated ‘Tania/22’ (on right hare’s off hind).

£4,950

TERRIER

Charcoal.

6¼” x 5” (16cm x 12.7cm).

Signed ‘Cecil Aldin’ (lower right).

£1,100

OVER THE RAIL Oil on canvas.

20” x 24” (50.8cm x 61cm).

Signed and dated ‘Peter Biegel ’67’ and inscribed ‘Surrey Union’ (lower left).

£5,500

RODGER MCPHAIL RAINBOW TROUT

Oil on paper.

7¼” x 10¼” (18.4cm x 26cm).

£1,750

RODGER MCPHAIL WOODCOCK

Oil on paper.

17¼” x 14” (43.8cm x 35.5cm).

Signed ‘R.McPhail’ (lower right).

£4,950

CECIL CHARLES WINDSOR ALDIN (1870-1935)

PETER BIEGEL (1913-1988)

JOSEPH EDWARD SOUTHALL, R.W.S., N.E.A.C., R.B.S.A. (1861-1944)

TWO LADIES

Pencil and coloured chalks.

9¼” x 7” (23.5cm x 17.8cm).

Signed with monogram and dated ‘10.VIII.1918’ (lower right).

£1,400

DAME LAURA KNIGHT, D.B.E., R.A., R.W.S. (1877-1970) HIC! CHRISTMAS AT COMPTON PARK Charcoal.

14½” x 10½” (37cm x 26.7cm). Inscribed, dated, and signed ‘hic!/ Xmas 1932/Compton Park/L.K.’ (lower right).

£2,100

CLAUDE GRAHAME MUNCASTER, P.R.S.M.A., R.W.S., R.O.I., R.B.A. (1903-1974)

VIEW FROM UPPERTON TOWARDS CHANCTONBURY RING, WEST SUSSEX Oil on board.

18¼” x 32¼” (46.3cm x 82cm).

Signed ‘Claude Muncaster’ (lower right).

£4,950

CLAUDE GRAHAME MUNCASTER, P.R.S.M.A., R.W.S., R.O.I., R.B.A. (1903-1974)

VIEW FROM THE 5TH TEE AT COWDRAY GOLF CLUB, 1927 Watercolour.

8½” x 11¼” (21.5cm x 28.5cm).

Signed ‘Claude Muncaster’ (lower right) .

£1,150

NORMAN WILKINSON, C.B.E., S.M.A., P.R.W.S., R.I. (1878-1971)

STUDY FOR THE L.M.S. POSTER THE ‘CORONATION SCOT’

ASCENDING SHAP FELL, CUMBRIA, 1937

Oil on canvas board.

12” x 15½” (30.5cm x 39.3cm).

Signed ‘Norman Wilkinson’ (lower right).

£4,950

NORA DAVISON (FL. 1881-1905)

COMMON LANE HOUSE, ETON COLLEGE Watercolour.

8¼” x 12½” (21cm x 32cm).

Signed ‘NORA DAVISON.’ (lower left).

£880

NORA DAVISON (FL. 1881-1905)

THE HOPGARDEN, ETON COLLEGE Watercolour.

7¾” x 5½” (19.5cm x 14.2cm).

Signed ‘NORA DAVISON.’ (lower left).

£480

NORA DAVISON (FL. 1881-1905)

THE BURNING BUSH WITH A CONSTABLE NEARBY, ETON COLLEGE Watercolour.

6½” x 5½” (16.5cm x 14cm).

Signed ‘NORA DAVISON.’ (lower right).

£650

NORA DAVISON (FL. 1881-1905)

THE LONG WALK, ETON COLLEGE IN AUTUMN Watercolour.

9½” x 14” (24cm x 35.3cm).

Signed ‘NORA DAVISON.’ (lower left).

£680

NORA DAVISON (FL. 1881-1905)

GODOLPHIN HOUSE, ETON COLLEGE Watercolour.

12¾” x 10¾” (32.5cm x 27. 5cm).

Signed ‘NORA DAVISON’ (lower left).

£950

NORA DAVISON (FL. 1881-1905)

THE LONG WALK, ETON COLLEGE IN WINTER Watercolour.

10” x 15¾” (25.5cm x 39.8cm).

Signed ‘NORA DAVISON’ (lower right).

£680

NORA DAVISON (FL. 1881-1905) ST FRANCIS STATUE IN A GARDEN Watercolour.

Signed ‘NORA DAVISON’ (lower left).

13” x 8¼” (33cm x 21cm).

£740

CHEVALIER EDUARDO DE MARTINO (1838-1912)

THE CORVETTE URUGUAY IN THE ANTARCTIC PASSING ICEBERGS

Oil on board.

4½” x 7½” (11.3cm x 19cm.).

Signed ‘E de Martino’ (lower right).

£3,500

THOMAS LUNY (1759-1837)

THE BRIG VIXEN OFF HALIFAX, NOVA SCOTIA

Oil on panel.

9” x 12” (22.5cm x 30.5cm).

Signed and dated ‘T. Luny 1833’. Inscribed on a label attached to the reverse, ‘Vixen - Brigcommanded by Geo. Tobin on the coast of Nova Scotia Dec. 28 1797 facing in shore of Sambro Lighthouse in a thick snowstorm - Wind N.N.E.’.

£6,750

ALFRED HERBERT (1818-1861)

SAINT-MALO FROM THE HARBOUR Watercolour.

4¼” x 7½” (10.5cm x 19cm).

£2,200

EDWARD AUGUSTUS INGLEFIELD (1820-1894)

HMS BREADALBANE AND HMS PHOENIX CAUGHT IN THE ICE OFF BEECHEY ISLAND, 1853

Pencil, watercolour and bodycolour.

15” x 24½” (38.1cm x 62.2cm).

£1,950

JAMES WEBB (1835-1895)

HARBOUR MOUTH

Oil on panel.

11¾” x 13¾” (30cm x 35cm).

Signed ‘James Webb’ (lower right).

£2,500

GEORGES EDMOND DARGOUGE (1897-1990)

A NAVAL OFFICER

Charcoal and watercolour.

7¾” x 6½ (19.5cm x 16.2cm).

Signed ‘G Dargouge’ (lower right), inscribed ‘H.R.H. Duke of Edinburgh on board the Royal Yacht’ on the reverse.

£620

EDWARD GEORGE HOBLEY (1866-1916)

ASSAULT BY THE FRENCH CAVALRY AT THE BATTLE OF WATERLOO, 18 JUNE 1815

Watercolour and bodycolour.

18½” x 26¼ in (47cm x 67cm).

Signed and dated ‘E Hobley/1906’ (lower left).

£1,750

CHARLES EDWARD DIXON, R.I. (1872-1934) THE MOORINGS OFF ITCHENOR Watercolour.

12” x 20½” (30.5cm x 52cm).

Signed, dated and inscribed ‘The moorings off Itchenor./ Charles Dixon. 1917.’ (lower left).

£3,950

PAMELA DREW (1910-1989)

AN AVRO SHACKLETON BOMBER IN FLIGHT OVER ADEN Oil on panel.

16” x 25” (38.3cm x 63.8cm).

Signed and dated ‘Pamela Drew/1958’ (lower right).

£1,200

CHARLES E. TURNER (1893-1965)

BRITANNIA Oil on board.

18½” x 29 ¼” (47cm x 74.3cm).

Signed ‘C E Turner’ (lower right).

£1,750

RODGER MCPHAIL MOORHENS

Oil on paper.

6½” x 11¼” (16.5cm x 28.5cm).

Signed ‘R.McPhail’ (lower left).

£2,250

EMMA FAULL WINTER GOLDFINCHES

Watercolour and gouache.

14¾” x 11” (37cm x 28cm)

Signed and dated

‘Faull 2020’ (lower right)

£1,950

JOHN CYRIL HARRISON (1898-1985)

BARNACLE GEESE ON ISLAY

Watercolour.

13 x 18½” (33 x 47cm).

Signed ‘J.C.Harrison’ (lower right), with title inscribed on a label attached to the reverse

£3,250

RODGER MCPHAIL WOOD PIGEON

Oil on paper.

7½” x 5¼” (19cm x 13.3 cm)

Signed R.McPhail’ (lower right)

£1,250

ARCHIBALD THORBURN (1860-1935)

BOTTLENOSE DOLPHIN Pen and ink.

5¾” x 7” (14.5cm x 17.8cm).

Signed and dated ‘A. Thorburn 1920’ (lower left).

£950

TAMARINS

Oil on board.

14” x 18” (35.6cm x 45.7cm).

Signed and dated ‘Keith Shackleton 85’ (lower right).

£3,750

26” x 18¼” (66cm x 46.3cm).

Signed and dated ‘Michael Jackson. 1996.’ (lower left).

£3,950

LONDOLOZI MOTHER

Oil on canvas board.

5” x 6” (12.7cm x 15.3cm).

Signed ‘E.L’ (lower right).

£850

KENYAN SKIES

Oil on canvas board.

7” x 4½” (17.8cm x 11.5cm).

Signed ‘E.L’ (lower right).

£495

PURPLE GALLINULES

Oil on canvas.

20” x 40” (50.8cm x 101.6cm).

Signed and dated ‘BASIL EDE ‘96’ (lower right). £4,500

Oil on canvas board.

6½” x 5” (16.5cm x 12.8cm).

Signed ‘E.L’ (lower right).

£725

KEITH HOPE SHACKLETON, M.B.E. (1923-2015)

MICHAEL JACKSON BLUE AND GOLD MACAWS Gouache.

EMILY LAMB

EMILY LAMB

EMILY LAMB COPPER LIONESS

BASIL EDE (1931-2016)

ROBERT GLEN ELEPHANT Bronze on marble base.

14½” x 21” x 13” (36.9cm x 53.3cm x 33cm).

Signed, numbered and dated ‘ROBERT GLEN 6/6 ’70’ (on base by the elephant’s near hind).

£3,950

DOMENICA DE FERRANTI WOMAN WITH A BASKET Bronze.

CAMILLA LE MAY SUDAN, THE LAST MALE NORTHERN WHITE RHINO Bronze.

9¼” x 18” x 6¼” (23.5cm x 45.7cm x 15.8cm).

Signed ‘Camilla Le May’, inscribed ‘Sudan 1973’ and numbered 4/12 (on base).

£6,890

DYLAN LEWIS LEOPARD LYING ON ROCKS II, MAQUETTE Bronze.

9½” x 11½” x 9½” (24.2cm x 29.2cm x 24.2cm).

Signed and numbered ‘Dylan Lewis 1/15’ (on rear of rock).

£5,950

20½” x 10” x 7” (52.1cm x 25.4cm x 17.8cm).

Signed with initials and numbered ‘3/9’ (on base).

£3,600

DOMENICA DE FERRANTI WATER CARRIER, BURMA Bronze.

15½” x 5” (39.5cm x 13cm).

Signed with initials and numbered ‘1/9’ (on base).

£3,250

STEPHEN HENDERSON

GREY PLOVER WITH EGGS

Eastern white pine on driftwood.

9¼” x 15¼” x 16” (23.5cm x 39cm x 41cm).

Stamped with monogram and inscribed beneath.

£795

HOLLY HICKMORE ROSE IN A MULLION

Bronze.

8½” x 13” (21.5cm x 33cm).

Numbered 6/9.

£3,750

HOLLY HICKMORE PHEASANT II

Bronze.

33½” x 6” x 19” (85cm x 15cm x 48cm).

Signed ‘HICKMORE’, dated ‘21’, and numbered 1/9 (base).

£6,750

STEPHEN HENDERSON PREENING CURLEW

Eastern white pine on driftwood base with shell.

23½” x 21¼” x 7” (60cm x 54cm x 18cm).

Stamped with monogram and inscribed beneath.

£1,950

S ARAH C OLEGRAVE F INE A RT

+44 (0) 7775 943722

sarah@sarahcolegrave.co.uk www.sarahcolegrave.co.uk

£1,500

Provenance: Agnew.

Pencil. 12cm x 20.5cm.

Signed with monogram.

£1,850

THE FAMILY AT REST Oil on canvas.

20.5cm x 25.5cm.

Signed.

£2,500

PAUL SANDBY (1731-1809) A YOUNG LADY WITH TWO BEAUX Pencil and brown wash. 11cm x 13.5cm.

SIR JOHN EVERETT MILLAIS, PRA (1829-1896) HUNTING SCENE

ARTHUR BOYD HOUGHTON (1836-1875)

Signed.

Watercolour, unframed.

Signed.

£280

Signed

GEORGE DENHOLM ARMOUR, RSA (1864-1949) MODERN COACHING – IN THE SHOW RING Watercolour on linen. 26.5cm x 47cm.

£3,500

WILLIAM EDWARD FROST, RA (1810-1877) ECHO

16.5cm x 10.5cm.

GEORGE ELGAR HICKS (1824-1914) PORTRAIT OF A YOUNG GENTLEMAN Watercolour. 30cm x 25cm.

and dated 1858. £1,500

ALFRED ADALBERT BOESE (1875-1923)

THE POLAR BEAR AT HOME

Watercolour, unframed.

35.5cm x 25.5cm.

Signed, inscribed and dated 1902.

£750

HAROLD SPEED (1872-1957)

STUDY FOR “LOVE LEAVING PSYCHE” Black chalk. 41.5cm x 27cm.

Signed.

£1,800

EGON JOSEF KOSSUTH (1874-1949)

NYMPH AND SATYR

Oil on canvas.

32.5cm diameter.

Signed and dated 1904.

£2,250

JAMES JOSHUA GUTHRIE (1874-1952)

THE SOWER

Watercolour.

21cm x 15.5cm.

Signed. £2,800

LIONEL DURIEU AFTER WALTER CRANE

THE TOURNAY OF THE LILY AND THE ROSE

Watercolour and gold and silver paint.

19cm x 31cm.

Signed and dated 1898.

£875

BERNARD SLEIGH (1872-1954)

THE HORNS OF ELFLAND

Chiaroscuro woodcut.

22cm x 39cm.

Signed, inscribed and dated 1935.

£650

THEODORE ROUSSEL (1847-1926)

THE STREET, CHELSEA EMBANKMENT Etching. 15cm x 20.8cm.

Signed on tab.

£950

CHARLES MARCH GERE, RA (1884-1963)

THE CASTLE AT SION

Watercolour. 24.5cm x 34.5cm.

Signed, inscribed and dated 1945.

£1,800

JULES LESSORE (1849-1892)

THE DUCAL PALACE, VENICE

Watercolour.

24.5cm x 17cm.

Signed.

£1,250

HENRY WOODS, RA (1846-1921) ARCHITECTURAL STUDY

Oil on panel. 31cm x 20cm.

Signed.

£950

JULES LESSORE (1849-1892)

THE BRIDGE OF SIGHS, VENICE

Watercolour. 24.5cm x 17cm.

Signed.

£1,250

Signed.

£4,750

REX VICAT COLE (1870-1940) RUPERT COURT, BETWEEN WARDOUR STREET AND RUPERT STREET, SOHO Oil on panel. 51cm x 35cm.

JOHN WHITLOCK CODNER (1913-2008)

THE NEW HAT Oil on canvas.

91.5cm x 71cm.

Signed and dated 1949. £6,800

ARTHUR WARDLE (1864-1949)

WATER HYACINTH

Watercolour.

33.5cm x 23cm.

Signed.

£1,200

WILLIAM SHACKLETON (1872-1933)

KNIPHOFIA – RED HOT POKERS

Watercolour.

37cm x 18.5cm.

Signed.

£980

JOHN DRONSFIELD (1900-1951) DESIGN FOR A THEATRE POSTER

Watercolour.

43cm x 37cm.

Signed. £1,500

RANDOLPH SCHWABE, RWS (1885-1948)

AUSTIN’S STORES, BREWER STREET, SOHO

Grisaille watercolour and pen and ink.

32cm x 24.5cm.

Signed and dated 1936.

£875

SIR CECIL BEATON (1904-1980)

BALLET COSTUME DESIGN FOR LE PAVILLON – 1936

Watercolour.

49cm x 39cm.

Signed.

£3,800

SIR CECIL BEATON (1904-1980)

BALLET COSTUME DESIGN FOR LE PAVILLON – 1936

Watercolour.

49cm x 39cm.

Signed.

£3,800

OLIVER MESSEL (1904-1978)

COSTUME DESIGN FOR CAESAR AND CLEOPATRA – 1945

Watercolour.

36cm x 24cm.

Signed.

£1,200

OLIVER MESSEL (1904-1978)

COSTUME DESIGN FOR CAESAR AND CLEOPATRA – 1945

Watercolour.

36cm x 24cm.

Signed and inscribed.

£1,200

JOHN SERGEANT (1937-2010)

THE LIFE CLASS

Sepia ink, unframed. 35cm x 20.5cm.

£380

MARY ADSHEAD (1904-1995)

PORTRAIT OF STEPHEN BONE, THE ARTIST’S HUSBAND Pencil and watercolour. 45cm x 32cm.

£2,800

FRANK DOBSON, RA (1886-1963)

STUDY TOWARDS CORNUCOPIA

Watercolour and pencil. 51cm x 35.5cm.

£4,500

JOHN SERGEANT (1937-2010)

PORTRAIT – POSSIBLY THE ARTIST’S WIFE

Pencil and watercolour, unframed. 33cm x 21.5cm.

£450

THE MOUNTAIN CLIMBER

Oil on board.

26cm x 36cm.

Signed.

£950

GLASSES, BRANCHES AND PAPER

Watercolour, pencil and pen and ink. 47cm x 63cm.

Signed and dated 1960.

£4,500

TRAFALGAR SQUARE

Watercolour.

25.5cm x 34cm.

Signed, unframed.

£450

Watercolour and bodycolour. 34cm x 48.5cm.

Signed and dated 1952.

£750

THE GOLDEN CLOUD

Oil on paper.

30cm x 37cm.

Signed and inscribed.

£950

Watercolour and gouache. 44cm x 88cm.

Signed and dated 1973.

£1,200

JOHN STANTON WARD, RA (1917-2007)

FREDERICK GEORGE SWAISH (1879-1931)

JOHN PADDY CARSTAIRS (1910-1970) BOATS AT TEDDINGTON

AUSTIN TAYLOR (1908-1992)

IAN HAY (BORN 1940) CARS RUSTING

WILLIAM SHACKLETON (1872-1933)

+44 (0) 7802 436621

derek@newmanfineart.co.uk

www.newmanfineart.co.uk

ALFRED AUGUSTUS GLENDENING JNR. RWS (1861-1907)

THE FLOWER MAIDEN Watercolour heightened with white 29” x 19.5”.

Signed with monogram, dated 1897. £2,750

MILKING TIME

Watercolour.

10.75” x 16.5”.

£1,850

Provenance: Ruskin Gallery, Stratford-on-Avon.

Watercolour heightened with white.

10.25” x 14.5”.

Signed, inscribed verso.

£2,250

Provenance: Martyn Gregory, London SW1.

ROBERT HILLS OWS (1769-1844)

JOHN VARLEY OWS (1778-1842) “GOODRICH CASTLE, HEREFORDSHIRE”

“LIMEHOUSE

Watercolour heightened with white .

7.25”

Signed, titled verso.

“GREENWICH”

Watercolour heightened with white.

4” x 5.5”.

Signed with monogram. £3,500

MYLES BIRKET FOSTER RWS (1825-1899)

FRANK WILLIAM SCARBOROUGH (1860-1939)

REACH, LONDON”

x 15”.

£1,650

LOADING

Watercolour

9” x 20”. Signed.

£1,450

Watercolour over

10.5” x 14”. Signed, dated 1853.

£2,950

Provenance: Vixseboxse Galleries, Cleveland, Ohio, USA.

ALFRED HERBERT (1818-1861)

BOATS ON THE DUTCH COAST

heightened with white on tinted paper.

WILLIAM CALLOW RWS (1812-1908) “BRUGES”

pencil

RAINBOW

Watercolour with scratching out.

10” x 15.5”.

Signed.

£1,650

SHEPHERD

Watercolour heightened with white.

10.25” x 14.25.

Signed, dated 1866.

£1,500

Provenance: Abbey Antiques, Hemel Hempstead.

ANTHONY VANDYKE COPLEY FIELDING POWS (1787-1855)

OVER A RURAL CHURCH

GEORGE SHALDERS RI (1825-1873)

WITH HIS FLOCK

Watercolour.

9”

Signed, dated 1875, titled on original mount.

Watercolour heightened with white.

15”

Signed, dated 1860. £1,650

JOHN CALLOW NWS (1822-1878)

“ON THE CLYDE”

x 19.5”.

£2,200

HENRY JUTSUM NWS (1816-1869)

DRIVING SHEEP BY A RIVER

x 26”.

CHARLES SIM MOTTRAM RBA (1852-1919)

SEAGULLS ON THE SHORE

Watercolour heightened with white. 17.25” x 29.25”.

Signed. £1,450

RUDOLF HELMUT SAUTER (1895-1977)

BODINNICK FERRY, FOWEY Watercolour over pencil. 14.5” x 20.5”.

Signed. £950

Provenance: Gordon Hepworth Gallery, Devon.

WAITING AT THE STILE

Watercolour heightened with white.

13.5” x 10.75”.

Signed, dated 1883. £1,750

DRYING THE NETS - CLOVELLY

Watercolour heightened with white.

10” x 8.5”.

Signed with monogram. £1,250

“IRIS”

Watercolour over pencil. 19” x 11.5”.

Signed, inscribed. £1,450

Provenance: The Rembrandt Gallery, London W1.

GIRL

Watercolour heightened with white.

10.25” x 7”.

Signed with initials, dated 1872. £1,950

EDITH MARTINEAU ARWS (1842-1909)

KATHERINE CAMERON RWS RE (1874-1965)

CHARLES ROBERTSON RWS (1844-1891)

FREDERICK JOHN SKILL RI (1824-1881)

GATHERING ROSES

Watercolour

GEORGE ARTHUR FRIPP RWS (1813-1896)

“CAVERSHAM BRIDGE NEAR READING”

Watercolour over pencil.

13.75” x 19.5”.

Signed, dated 1830, part titled on original label verso. £1,250

JOHN SKINNER PROUT NWS (1805-1876)

“PEMBROKE CASTLE”

heightened with white.

13” x 19.25”. Signed, inscribed verso. £1,150

LOW

Watercolour heightened with white.

14” x 20.75”. Signed.

£2,500

Provenance: The West Foundation, Athens, Georgia, USA.

YACHTING

Watercolour heightened with white.

9.75” x 20”. Signed, dated 1876.

£1,100

Provenance: David James, London SW3.

GEORGE WOLFE (1834-1883)

TIDE, THE MUMBLES, SWANSEA BAY

CHARLES TAYLOR JNR. (FL: 1841-1883)

OFF THE COAST

JOHN IDDON FINE ART

+44 (0) 208 940 7741

john.iddon@tinyworld.co.uk

www.johniddonfineart.com

Mary Fedden was keen on the Newlyn School of painters, especially those that featured women whose men had been lost at sea (as in Walter Bramley’s ‘A Hopeless Dawn’). After her husband Julian Trevelyan died the Newlyn influence perhaps reflects her sadness here: in the mirror you can see a tear in her eye, and through the window, the sea.

MARY FEDDEN (1915-2012) BLACKBIRD Watercolour. 22cm x 23cm. £13,000

MARY FEDDEN (1915-2012) WOMAN AT THE MIRROR Oi on canvas. 80cm x 70cm. POA

MELISSA SCOTT MILLER ST JAMES’S SQUARE Oil.

74cm x 54cm. £3,250

MELISSA SCOTT MILLER VIEW FROM UNDER BLACKFRIARS BRIDGE Oil.

80cm x 61cm. £3,250

MELISSA SCOTT MILLER VIEW FROM TOWER BRIDGE WALKWAY LOOKING WEST ON RAINY DAYS Oil. 65cm x 54cm. £3,250

Melissa painting in St James’s Square.

ELEANOR FEIN GOLDFINCH Oil. 43cm x 43cm. £2,200

ELEANOR FEIN TIGER: ‘I’M WATCHING YOU’ Oil. 46cm x 39cm. £2,200

ELEANOR FEIN BIRD OF PARADISE Oil. 30cm x 30cm. £900

ANNE SWANKIE ESTUARY Acrylic. 100cm x 100cm. £2,200

ANNE SWANKIE HARBOUR LIGHTS Acrylic. 100cm x 100cm. £2,200

JOHN PIPER (1903-92) FURNESS ABBEY Watercolour and Ink. 52cm x 36cm. £7,500

HENRY MOORE (1898-1986) SCULPTURAL OBJECTS Lithograph on Paper (One of the School Print Series). 74cm x 39cm. £1,750

MARK HEARLD GEESE Watercolour and Collage. 76cm x 70cm. £4,000

RICHARD BAWDEN THE GREAT MARTELLO TOWER, ALDEBURGH Linocut, edition of 85. 47cm x 67cm. £550

RICHARD BAWDEN A JUBILATION OF JUGS Watercolour. 50cm x 30cm. £650

RICHARD BAWDEN APPLE PICKING Linocut, edition of 85. 35cm x 45cm. £400

JENNY SAVILLE

REPRODUCTION DRAWING IV

Edition of 50, Signed by the Artist (After the Leonardo cartoon ‘Virgin and Child’ in Burlington House). 40cm x 53cm.

£1,500

DAVID NASH

OLIVE TREE, BARTOLI, ITALY Nash is famous for his work with wood and trees in the natural environment. Mixed Media. 40cm x 30cm.

£600

NICHOLAS HELY-HUTCHINSON CONSERVATIVE PARTY CONFERENCE, BOURNEMOUTH

Watercolour.

58cm x 72cm.

£2,000

DAVID HOCKNEY RA

A BOUNCE FOR BRADFORD

A limited edition photolithograph which was included in the Bradford ‘Telegraph and Argus’ in March 5th 1987 in order to help Bradford recover from its economic decline.

36cm x 56cm.

£650

FELIKS TOPOLSKI RA (1907-89)

INAUGURATION OF THE LORD MAYOR OF LONDON

Signed Print.

32cm x 22cm.

£250

RUSKIN SPEAR (1911-90) IN THE WATNEYS PUB Artist’s Proof. 30cm x 30cm. £375

COLIN MCMASTER RECLINING NUDE Oil. 72cm x 80cm. £1,850

OSMUND CAINE (1914-2004) LIFE CLASS STUDY Watercolour. 40cm x 30cm. £600

JIM WOODMAN BLACKFRIARS BRIDGE Oil.

38cm x 23cm. £500

JIM WOODMAN RICHMOND RIVERSIDE Oil.

40cm x 30cm. £475

JIM WOODMAN GOLDEN COURT, RICHMOND Oil.

30cm x 28cm. £475

CAROLINE ASSHETON IONA Watercolour. 18cm x 13cm. £250

CAROLINE ASSHETON CAMBERWELL HOMEWORK Watercolour. 18cm x 15cm. £300

VERA JEFFERSON

PEAR TREE IN MOONLIGHT

A contemporary oil on canvas painting depicting a stylised pear tree in moonlight. Signed V Jefferson to lower right. H 62.5cm W 72.5cm.

English, Contemporary. £1,850

RENÉ

LALIQUE (1860-1945)

CEYLAN

A frosted and opalescent glass vase. Hand etched R Lalique France to underside. H 24cm D 13.1cm.

French, Circa 1930.

£5,850

Literature: Marcilhac, R Lalique Catalogue Raisonné de L’Œuvre de Verre, p.418, Model number 905.

HEALS OF LONDON

ART DECO EIGHT SEATER EXTENDABLE DINING SUITE

An Art Deco extendable dining table and chairs comprising of six dining chairs and two carver armchairs. Burr walnut veneered on solid mahogany throughout. Table H 76.5cm W 99cm L 168cm – 213cm – 260cm.

English, Circa 1935.

£13,800

JD GUIRANDE (1869-1950)

THYRSUS DANCER

An Art Deco silvered bronze sculpture of a Thyrsus dancer. Signed ‘Guirande’ to bronze.

H 56.5cm W 36cm D 9cm.

French, Circa 1925. £5,900

DEMÉTRE CHIPARUS (1886-1947)

EGYPTIAN DANCER

A cold painted enamel and gilt bronze sculpture of a dancer dressed in Egyptian style scantily clad costume. Set over a marble base with plaque.

H 73cm W 15cm D 15cm.

French, Circa 1925, Signed ‘D H Chiparus’ to base.

£26,500

HARRY & LOU EPSTEIN

PAIR OF ART DECO CLOUD ARMCHAIRS

A pair of Art Deco armchairs of cloud design by Harry & Lou Epstein. Burr walnut wraparound veneers with brown leather re-upholstery H 88cm W 60cm D 50cm. English, Circa 1935. £4,850

HARRY & LOU EPSTEIN

ART DECO SIX SEATER DINING SUITE

Art Deco six seater dining suite comprising of six ‘cloud design’ dining chairs and dining table. Satinwood veneered on solid mahogany with cream leather upholstery.

Table H 77.5cm W 96.5cm L 213.5cm.

English, Circa 1935.

£8,900

ELISABETH FRINK (1930-1993)

HORSE AND RIDER

‘Horse and Rider’ A bronze sculpture by Dame Elisabeth Frink.

H 51cm W 48cm D 15cm.

English, 1970 Signed and dated ‘Frink’ edition 3/7.

POA

Literature: Elisabeth Frink Sculpture, Peter Schaffer for Harpvale Books, 1984, pp. 178-179, illustration no. 193. Edition of 7. 3/7.

PAIR OF ART DECO CLUB CHAIRS

A Pair of Art Deco club chairs with a mahogany curved frame and scrolled arms. Re-upholstered in chestnut red leather. H 71cm W 68.5cm D 65cm. French, Circa 1925. £3,850

HEALS OF LONDON

ART DECO DRINKS CABINET

An Art Deco drinks cabinet with satin birch veneers and figured walnut banding.

H 115cm W 129.5cm D 29cm.

English, Circa 1935.

£2,650

PAIR OF ART DECO DOME LAMPS

A pair of Art Deco style dome lamps. Fluted tube of marbled yellow bakelite set over a chromed metal base with chromed metal mushroom shades. Re-wired-re-chromed with some replacement parts.

£2,950

HERBERT TERRY & SONS

ANGLEPOISE DESK LAMP

‘Three-spring’ 1930’s prototype Anglepoise desk lamp by Herbert Terry & Sons designed by George Carwardine (1887-1947).

Refurbished, re-wired, with some replacement parts.

Base W 14cm D 14cm Arm extended 74cm.

English, Circa 1935

£685

HERBERT TERRY & SONS

ANGLEPOISE DESK LAMP

Two step green painted Anglepoise desk lamp by Herbert Terry & Sons. Original design by George Carwardine (1887-1947).

Refurbished, re-wired and re-chromed with some replacement parts.

W 14cm D 14cm Arm Extended 74cm.

English, Circa 1950

£435

ohn Robertson J

FINE BRITISH PAINTINGS

+44 (0) 7860 571799

john_bourne@hotmail.com www.jrobertsonfineart.com

WILLIAM WALCOTT R.B.A., R.E. (1874-1943)

ST. PAULS FROM LUDGATE HILL, LONDON. C.1910

Watercolour and body colour. Signed. 21” x 15”.

MYLES BIRKET FOSTER R.W.S. (1825-1899) A WAYSIDE ENCOUNTER

Watercolour and body colour. Signed with monogram. 5” x 8”.

MARY ANN FIELDING (NEE WALTON) (ACTIVE 1820-1834)

STILL LIFE WITH ROSES IN A GLASS VASE

Oil painting on panel. Signed and dated 1838. 13” x 10”.

Mary Ann Walton painted studies of flowers and fruit, exhibiting at the British Institution and the Old Watercolour Society between 1820 and 1834. She was married to the artist Theodore Henry Fielding.

£4,800

£4,800

£2,800

GERALD HALE BROWN (20TH CENTURY BRITISH, DIED 1967)

SELF PORTRAIT OF THE ARTIST AT WORK

Oil painting on canvas. 24” x 20”.

Inscribed verso ‘Gerald Hale Brown…by himself’.

£2,200

KATE C. BROWN (20TH CENTURY BRITISH)

GHILLIE & KELPIE

Ink and watercolour. Signed and inscribed. Dated 1940. 15” x 20”.

£1,200

PAMELA KAY R.W.S. (BRITISH, BORN 1939)

STILL LIFE WITH DAMSONS AND EGGS

Watercolour. 16” x 18”. Signed.

£1,800

Exhibited at the Royal Watercolour Society.

GRAHAM UNDERHILL (20TH CENTURY BRITISH, BORN 1946) THE CHAMPION SOW

Oil on linen laid on board. Signed. 12” x 9”.

£1,100

Exhibited: Portal Gallery 1980.

MARCUS ARTHUR BOSS (BRITISH, 1891-1981)

OUT ON THE HEATH

Watercolour and body colour. 12.5” x 10”.

Signed and dated 1917.

£850

The artist studied at Heatherley Art School from 1908 to 1911 and at the Royal Academy Schools between 1911 and 1916. He became a successful illustrator and portrait painter.

HARRY WATSON R.W.S, R.O.I, R.W.A. (1871-1936)

A DISTANT SAIL

Watercolour. 15” x 22”.

Signed. Painted circa 1925.

£4,250

Born in Scarborough and educated at the Royal College of Art, Watson became a distinguished member of many London societies. He taught life drawing at the Regent Street Polytechnic and had work acquired by major collections.

MADELEINE JEANNE LEMAIRE (FRENCH, 1845-1928)

STILL LIFE WITH ROSES AND IRIS

Watercolour. Signed. 21” x 14”.

£1,800

Lemaire was a friend of Marcel Proust, a painter and hostess. She presided over one of the most fashionable ‘belle epoch’ salons in Paris.

£1,450

Provenance:

THREE STUDIES OF A YOUNG MAN Oil painting on panel. 11.5” x 14.5”. Bears monogram ‘JP’.

£1,800

The artist frequently visited Spain and became known as ‘Spanish Phillips’. He used many different monograms to sign his pictures.

£1,450

The artist lived in Edinburgh and exhibited 54 times at the Royal

£850

Just as today’s television is obsessed with period drama, so the Victorians looked back with nostalgia to medieval times. Fancy dress parties were de rigueur at country houses.

SAMUEL JOHN LAMORNA BIRCH R.A. R.W.S. (1869-1955) THE MILL AT WOODSIDE, PERTHSHIRE Watercolour. 9” x 12.75”. Signed. Dated 1948.

The Fine Art Society

JAMES LITTLE (SCOTTISH, ACTIVE 1875-1910) THE LUXOR OBELISK AND TUILERIES FOUNTAINS, PARIS Watercolour. 13” x 20”. Signed and dated 1888.

Scottish Academy.

ATTRIBUTED TO JOHN PHILLIP R.A. (1817-1867)

DAVID COX JNR. (1809-1885) ‘A FETE CHAMPETRE’ Watercolour with body colour. 6” x 4.5”.

DIANNE FLYNN (20TH CENTURY BRITISH, BORN 1939) TWO LADS ON THE SHORE AT TEIGNMOUTH Watercolour and body colour. Signed. 7” x 10.5”. £825

JOHN YARDLEY R.I. (20TH CENTURY BRITISH, BORN 1933) ARTISTS IN THE PIAZZA Watercolour. 11” x 15.5”. Signed. £1,450

ANNIE FRENCH (SCOTTISH, 1873-1965)

MARY!

Pen, ink and wash. 5.75” x 4”. Inscribed: “My early years”.

£550

Exhibited: Pyms Gallery, London: “Small drawings done whilst listening to the radio”.

Exhibition label verso.

SAMUEL ATKINS (BRITISH, ACTIVE 1787-1808)

‘A THREE MASTER IN FULL SAIL’ Pen, ink and watercolour. 11” x 15.5”. Signed.

£1,650

HARRY BROOKER (BRITISH, ACTIVE 1876-1902)

THE RAIDING PARTY

Oil painting on canvas. 14” x 21”. Signed.

£6,500

Brooker painted narrative, genre pictures in the tradition of the Cranbrook Colony of artists in Kent.

HENRY REDMORE (BRITISH. 1820-1887)

DUTCH BARGES AND OTHER SHIPPING OFF THE COAST

Oil painting on canvas. 14” x 24”. Signed and dated 1863.

£4,800

Provenance: With Richard Green, London. His label verso.

PAUL EDOUARD RISCHGITZ (1828 (GENEVA)-1909 (LONDON))

HYDE PARK CORNER, LONDON

Watercolour. 7” x 10.5”. Signed.

£1,450

The artist was an illustrator and designer for Minton porcelain. Kensington Library hold a painting by him of Kensington Gardens.

GEORGE EDWARDS HERING (BRITISH, 1805-1879)

THE ISLE OF ARRAN WITH BRODICK CASTLE AND GOAT FELL Oil painting on canvas. 16” x 26”. Signed with initials and inscribed verso.

£4,250

Provenance: The estate of Sir John Errington.

CHARLES MARESCO PEARCE (BRITISH, 1874-1964)

A STREET IN DIEPPE, FRANCE

Watercolour. 15” x 10”. Signed and dated 1909.

£2,100

HUGH BERRY SCOTT (BRITISH, 1854-1940)

A SHEPHERD AND HIS FLOCK CHANGING PASTURES

Oil painting on board. 11” x 15” Signed.

£900

The artist was born in Preston, Lancashire. He had numerous jobs including that of Station Master, Tax Assessor and Scene Painter for the local theatre.

CHRISTOPHER JOHN HARRISON (BRITISH, BORN 1945)

TROMPE L’OEIL WITH NORWEGIAN FOLK FIDDLE

Oil painting on panel. 30” x 20”.

Signed with initials.

£8,500

The eight stringed Hardanger Fiddle is considered the national instrument of Norway. They are often richly inlaid with bone or ivory.

RAYMOND CAMPBELL (BRITISH, BORN 1956)

THE OPEN BOTTLE: MOUTON ROTHSCHILD, 1874

Oil painting on panel. 16” x 24”.

Signed.

£4,250

Watercolour. 10.5” x 14.5” Signed. Inscribed verso. In fine, original gilt swept frame.

£4,800

Peter McEwan writes in his Dictionary of Scottish Artists: “Her use of broad, translucent washes produces a luminosity in her treatment of water and the dappled, shifting sunlight of Venice”

NB: In my opinion this as one of the finest watercolours I’ve owned. JR.

Watercolour. 6.5” x 18.5”. Signed and dated 1895. £2,400

The artist studied at the Royal Academy Schools alongside her cousin William de Morgan and his future wife, the artist Evelyn De Morgan. In 1889 she declared her support for women’s suffrage and joined the London Suffrage Society. She lived in Hampstead with her sister Agnes and their mother who died aged 102.

Watercolour on tinted paper. 6.75” x 9.5”.

Signed with monogram.

£1,600

Watercolour and body colour. 4.5” x 6.5” Signed and inscribed.

£900

EMILY MURRAY PATTERSON R.S.W. (SCOTTISH,1855-1934) NOON-TIDE, VENICE

CONSTANCE PHILLOT (BRITISH, 1842-1931) IN ARCADY

MYLES BIRKET FOSTER R.W.S. (BRITISH, 1825-1899) BELLAGIO, LAKE COMO, ITALY

ALBERT GOODWIN R.W.S. (BRITISH, 1845-1932) THE TRUMMELBACH FALLS AT LAUTERBRUNNEN, SWITZERLAND

Provenance: Chris Beetles: Albert Goodwin Exhibition 1996. Cat. No 22.

CHARLES E. TURNER (BRITISH, 1883-1965)

PORTSMOUTH HARBOUR FROM THE DECK OF HMS RAMILLIES, 1946.

Black pencil, watercolour and white heightening. 17” x 29”.

Signed and inscribed lower right.

£3,850

Provenance: Commissioned for The Illustrated London News. (Stamped verso).

HMS Ramillies was a Revenge Class Battleship. Her armaments included 15 inch MK1 Guns, the heaviest ever developed by the Royal Navy and in use from 1915 to 1959. One of her guns is preserved and on permanent display at the entrance to the Imperial War Museum, London.

The present picture features a surrendered German Destroyer and a captured German ‘E’ Boat, seen speeding to the right. On the far right is HMS NERRISA, later sold to the Polish Navy and renamed PIORUN meaning ‘Thunderbolt’. The vessels present are recorded in the Admiralty ‘pink list’ which was issued daily showing the whereabouts of all Royal Navy vessels.

HENRY THOMAS DAWSON (BRITISH, C.1842-1918)

EARLY MORNING: LOW TIDE AT SOUTHWICK, SUSSEX

Oil painting on canvas. 16” x 24”. Signed and dated 1874.

£4,250

The view is looking east towards Shoreham and Brighton. The artist was a specialist marine painter and the grandfather of Montague Dawson.

ARTHUR SPOONER (BRITISH, 1873-1962) STUDY OF A YOUNG WOMAN WITH A FLORAL HEADBAND Oil painting on millboard panel.

19.5” x 11.5”.

£2,800

Provenance: A family friend of the artist in Wells-Next-The-Sea, Norfolk.

An early work reflecting the high Victorian manner in which the artist was trained. His work rapidly became more modern in subject and execution.

THE ARTIST’S

Pencil and coloured chalk on tinted paper. 13” x 17”.

£3,800

Presented in a fine quality, lockable wood cabinet to protect from fading.

Provenance: Madresfield Court, Worcestershire.

The child is Thomas Knyvett Richmond aged six. Thomas was born in 1833 which suggests this drawing was done in 1839 shortly after the artist returned from Rome where he had accompanied Samuel Palmer.

THE EDDYSTONE LIGHTHOUSE

Watercolour. 12” x 20”. Signed and dated 1873.

£850

The lighthouse shown was built in 1759 by John Smeaton. It stood for 120 years before cracks developed in the rock foundations. It was replaced by the Douglas tower in 1882 which stands today.

CHANGING PASTURES: A SHEPHERD AND FLOCK ON A SURREY HEATH

Oil painting on canvas. 12” x 20”. Signed with initials and dated 1890.

£2,800

Provenance: With Nathan Mitchell Fine Art then the Bourne Gallery in 1974, where purchased by the late Professor Merry.

AUTUMN PLOUGHING

Watercolour. 15” x 21” Signed.

£1,250

Provenance: With the Bourne Gallery, Reigate in 1986, thence the collection of Dr. Arthur and Jean Blyth.

GEORGE RICHMOND R.A. (BRITISH, 1809-1896)

SON SLEEPING

GEORGE STANFIELD WALTERS R.B.A. (BRITISH, 1838-1924)

ALFRED AUGUSTUS GLENDENNING (BRITISH. 1840-1921)

GEORGE SOPER R.I. (BRITISH, 1870-1942)

+44 (0) 7973 113126

watercolours@kayemichie.co.uk www.kayemichie.co.uk

Provenance : The New Grafton Gallery

KEN HOWARD (1932-2022)

STUDIO NUDE

Oil on Canvas. 24” x 20”. £9,800

MARY FEDDEN OBE RA (1915-2012) BUNCH OF GRAPES Oil on Canvas. 24” x 19.5”. £19,800

MARY FEDDEN OBE RA (1915-2012) JULIAN WITH A CHAFFINCH Gouache on Paper. 7” x 6.25”. £6,200

MARY FEDDEN OBE RA (1915-2012) SLICE OF MELON Oil on Canvas. 24” x 20”. £15,800

SIR KYFFIN WILLIAMS RA (1918 -2006)

RUNNING SHEEPDOG

Watercolour, Wash and Pencil. 11” x 16.5”. £3,800

SIR KYFFIN WILLIAMS RA (1918 -2006) STANDING SHEEPDOG

Pencil and Wash. 11.5” x 16.5”. £3,800

DONALD HAMILTON FRASER RA (1929-2009) A BALLET DANCER Charcoal and Watercolour. 24” x 18”. £3,200

DONALD HAMILTON FRASER RA (1929-2009) A BALLET DANCER Charcoal and Watercolour. 24” x 18”. £3,200

SEAN JEFFERSON (B. 1957) THE GOLDEN EGG Oil on Board. 24” x 4.5”. £2,800

SEAN JEFFERSON (B. 1957) ARISTOCRATIC HARE Oil on Board. 14.5” x 12”. £4,800

SEAN JEFFERSON (B. 1957) RUNNING HARE Oil on Board.14.5” x 12”. £4,800

SEAN JEFFERSON (B. 1957) NORTHERN LIGHTS DISTILLATE AURORA SCOTCH WHISKEY Oil on Panel. 8” x 5.5”. £750

SEAN JEFFERSON (B. 1957) OWL HOVERING Oil on Board. 12” x 10”. £3,800

KEITH HOOKER (B. 1964) DAVID BOWIE – ZIGGY STARDUST Watercolour and Gouache on Paper. 6” x 10”. £1,200

ROBERT CRAIG WALLACE (1886-1969) FORE THE BYE Watercolour. 19” x 29”. £9,800

ALBERT GOODWIN RWS (1845-1932) CANTERBURY CATHEDRAL Watercolour on Paper. 7” x 10”. £3,800

£1,450

Provenance:

‘JOHN’

Watercolour

£1,200

SMALL

Pencil

£2,800

Provenance: from the Ruskin Collection Maas Gallery.

SIR GEORGE CLAUSEN RA (1852-1944) KITTY THE ARTIST DAUGHTER Watercolour on Paper. 8” x 5”. £2,800

JOSEPH SOUTHALL RWS NEAC RBSA (1861-1944) HEAD OF A BOY Pencil and Watercolour on Paper. 7” x 4” .

Piccadilly Gallery and Campbell Wilson.

ARTHUR GASKIN (1862-1928)

on Paper. 6” x 4.5”.

KATE GREENAWAY (1846-1901)

GIRL IN A MOP CAP

and Watercolour on Paper. 4” x 3”.

MARY LOUISA GOW (1851-1929)

MOTHER AND DAUGHTER

Watercolour

MARY LOUISA GOW (1851-1929)

MOTHER AND DAUGHTER

Watercolour on Paper. 14” x 7.5”.

DAME LAURA KNIGHT RA (1877-1970) IN A COTTAGE IN STAITHES Oil on Canvas. 18” x 21”. £18,500

on Paper. 14” x 7.5”. £3,800

£3,800

DAVID HUNT (B.1974) KESTREL STUDY Oil Painting. 8” x 6”. £995

DAVID HUNT (B.1974) HARRIS HAWK Oil Painting. 16” x12” £2,000

DAVID HUNT (B.1974) SPARROW HAWK Oil Painting. 24” x 24” £3,000

Hartnoll opened his gallery in Masons Yard in 1977. His sign remains in place; the portrait was drawn by Anthony Bream in 1988. Shades of Dorian Gray

1. FRENCH NAÏF PICTURES

In the spring of 2022 we published Unjustly Forgotten French Naïf Paintings of the 20th century to coincide with our exhibition at the Maas Gallery in Duke Street St James’s. This was an introduction to those painters termed Naïf who followed Douanier Rousseau and who became immensely popular in France and the USA between the wars. Rousseau had been promoted by Wilhelm Uhde (1874-1947) before the first war; Uhde left France for Germany during that war and when he returned Rousseau was no longer affordable, his prices higher than those of Cezanne. Uhde’s collection had been confiscated and sold off before his return to Paris. Uhde, therefore, looked for successors to Rousseau. At the top of the list of these painters was Bauchant (see opposite)

Anatole Jakovsky (1907-1988) took over the leading role of protagonist for the second generation of Naïf painters and those I now exhibit Desnos, Crociani, Lagru, Fous, Eve and Dechelette (pages 84-85) were enthusiastically promoted by Jakovsky. I have written extensively on the artists, critics and dealers who were the main figures in the movement in my catalogue of the 2022 exhibition at Maas Gallery. This is available from www.hartnollanddaughters.com.

2. FOUSSA ITAYA

This year we held another exhibition at the Maas Gallery showing a further selection of French Naïf paintings but also introducing the Japanese artist Foussa Itaya. (1919-1972) Brief details of his life appear in this catalogue on page 86. We published a Foussa Itaya catalogue for the 2023 exhibtion at the Maas Gallery which is available at www.hartnollanddaughters.com.

3. THE KITCHEN SINK

We have concentrated on Kitchen Sink painting since our inaugural show The Kitchen Sink Painters at the Mayor Gallery in 1991. In this Art Fair we are showing the seminal painting Kitchen Sink With Tap by Jack Smith (1928-2011) (page 87). We are the pre-eminent dealers in the work of John Bratby (1926-1992), as well as being owners of his archive and the copyright in his paintings. Please contact us at info@julianhartnoll.com for available works.

FOUSSA ITAYA (1919-1972)

BRIN DE MUGUET Oil on canvas. 21½” x 18¼”. Signed F. ITAYA.

£6,500

Muguets, lilies of the valley, are the symbol of purity. In France they are given on Labour Day, May 1st, as tokens of love.

We are promoting three themes in this Art Fair:

Foussa Itaya

Andre Bauchant fulfils the necessary qualifications for a Naïf painter. He had had an earlier career as a gardener, just as Rousseau had been a douanier; he had no formal artistic education; his talent was natural. His initial exhibit at the Salon d’Automne was in 1921 where his work caught the eye of CharlesEdouard Jeannert. (aka Le Courbusier) who had heard the comment of another visitor “it looks like a Douanier Rousseau touched up by Marie Laurencin”. Le Courbusier became Bauchant’s first champion and collector.

Vase of Roses on a Wall is an early example of a subject which became a favourite of the Naïf painters. Rousseau had often painted vases set centrally within the canvas but always against curtains or wallpaper - Bauchant developed this by setting his vases against a landscape. It is a quintessential and simple statement - to compare in size and scale the vase of flowers and the trees which frame our view of the landscape. The current example is dated 1926, a prime period.

Three Birds - a pied wagtail, a grey wagtail and a robin although painted 26 years later than Vase of Roses on a Wall continues the juxtaposition of scale - the birds too large for the flowers, the trees too small. It is a typical work by the artist - a painting where nothing follows the rules, yet nothing disturbs. Bauchant had no rules to follow and thus no rules to break.

ANDRE BAUCHANT (1873-1958)

VASE OF ROSES ON A WALL Oil on canvas.

22” x 16”.

Signed and dated 1926.

£6,400

ANDRE BAUCHANT (1873-1958)

THREE BIRDS-A PIED WAGTAIL, A GREY WAGTAIL AND A ROBIN Oil on board.

15” x 19”.

Signed and dated 1952.

£5,800

French Naïf Artist : Andre Bauchant

Reference: Andre Bauchant Catalogue Raisonne by Dina Vierny, no 26.53.

Reference: Andre Bauchant Catalogue Raisonne by Dina Vierny, no 52.01.

Andre Bauchant

Portrait of Le Courbusier by Andre Bauchant 1924

FERDINAND DESNOS (1901-1958)

LA VIELLE BERGERE AUX CHEVRES Oil on board.

15” x 22”.

£5,200

Collection: Musee du Petit Palais, Geneve.

Exhibited: Ferdinand Desnos, Musée Jakovski, Nice 1980.

Bibliography; 629 Ouevres de Renoir a Picasso, Musée du Petit Palais, Geneve.

Verso: landscape by another hand (?) signed Francis Desnos 1937.

Of the 9 artists included in the superb exhibition at the Musée Maillol du Douanier Rousseau a Seraphine, 2019, Desnos is perhaps the strangest (the others were Bauchant, Bombois, Eve, Seraphine, Peyronnet, Rimbert, Rousseau & Vivin). Desnos had a difficult life constantly plagued by ill health and never settling either in Paris or in his home town of PontLeroy, Loire; he worked as an odd-job man, an electrician and other metiers. His family were boulangerie owners (his cousin the surrealist poet Robert Desnos’s father was a butcher). He painted from 1931 but did not exhibit until 1943 - which he later viewed as a mistake as he was criticised for trading during the occupation. Pessimism set in, enhanced by the death in Auschwitz of his cousin Robert. By 1948 he had achieved a few admirers including Andre Breton, of whom he made a portrait. He is strange in the range of his subject matter - from fighting animals, cats accompanying portraits, still lives, religious subjects, nudes and landscapes - these latter described by the distinguished critic Bernard Dorival (1914-2003) - the hillsides and rivers, the meadows and the woods, the old medieval villages and the light blue skies of his native Touraine, all the more dear to his heart as exiled in Paris he understood the silence of the fields, the calms of the early hours, the solitary dialogue with reality, the framework of his childish existence nuanced with nostalgic memory (Ferdinand Desnos Musée Beaux Arts de Tours 1963).

FERDINAND DESNOS (1901-1958)

LE PONT Oil on cardboard (from a book binding).

10½” x 15¾“.

Signed and dated 1936 verso; inscribed B … (le loir).

£3,500

Ferdinand Desnos The poet Rose self portrait c 1950

French Naïf Artist : Ferdinand Desnos

CHATEAU CHAUMONT-SUR-LOIRE

Oil on canvas.

18” x 23”.

Signed lower right and inscribed lower left Touraine Chateau de Chaumont le matin.

£6,800

It has not been possible to locate Le Pont (opposite); clearly it is one of the many bridges which criss-cross the Loire. It dates from after 1936 when Desnos had returned home after his first spell in Paris had been cut short by tuberculosis.

When Desnos includes animals in his pictures they are exaggerated in scale; in La Vielle Bergere aux Chevres the cat and two goats, are large in comparison with the pollarded trees and the old bergere. Here in Chateau Chaumont-sur-Loire the two rabbits and the bird are disproportionally large. Desnos does not do this in a schematic sense as Bauchant does; his animals pop up wherever he chooses. They appear as spectators to the scene he is painting.

The Chateau of Chaumont-sur-Loire as it is today situated 11 kilometres north of PontLeroy where Desnos lived; his family were boulangerie owners, and he would often return to his beloved Touraine. The magnificent castles of the Loire enchanted Desnos who painted them accurately and lovingly.

Ferdinand Desnos Portrait of Andre Breton 1954

FERDINAND DESNOS (1901-1958)

French Naïf Artist : Ferdinand Desnos

French Naïf Artist : Emile Crociani

EMILE

CONTES

Oil on canvas.

25¼” x 19“.

Signed and inscribed Conte.

£3,800

EMILE

COMBAT NAVAL A VILLEFRANCHE

Oil on canvas.

19” x 25¼“.

Signed and titled.

£3,800

Emile Crociani fills all the qualifications necessary to be called a naïf artist. His entire career, after a brief spell as a miner, was as a lorry driver for a gas plant in Nice where he lived with his wife who worked at Galerie Lafayette. He left his job in 1953 and retired to Vallauris above Nice. There he started painting. He was not prolific - his subjects being either flowers, imaginary scenes of the harbour at Nice and in Venice and some landscapes of the hill towns around where he lived. The first of his pictures which we are exhibiting is entitled Combat Naval a Villefranche; although the title suggests a battle there are no specific historical events which Crociani may be depicting. While we have described Desnos’s work as strange, Crociani’s is always happy. We are supposed to be witnessing a battle but here it is fought out by flag waving children in decorated boats, their only weapons are flowers; one boat is unmanned. It is reminiscent of a Venetian carnival, another favourite subject in Crociani’s work.

The second painting inscribed Conte is a view of the hilltop hamlet of Contes. It is a joyful picture ; in the foreground a girl feeds her ducks and chickens, a boy tends to his pigs, the ascending path is festooned with flowers - it must be a festival day as the church of Sainte MarieMadeleine is festooned with flags.

Emile Crociani. This is a press image and was accompanied by the text: Emile Crociani, le retraite du Gaz installle a Nice depuis 40 ans, est-il un nouveau Douanier Rousseau… 27.2.1960

CROCIANI (1902-1978)

CROCIANI (1902-1978)

Contes

(Alpes Maritimes)

as it is today

EMILE CROCIANI (1902-1978)

FISHING BOATS IN THE BAY OF NICE Oil on panel. 15” x 23¾“. Signed and dated 1961.

£3,200

Crociani had to use his imagination to recreate a scene showing the old pier La Jetee-Promenade at Nice as by the time this picture was painted in 1961 the pier no longer existed. The Jetee was built in 1883 and was burnt down three days after its opening; it survived American occupation in the first World War but in the second was stripped by the Germans of all copper, bronze, statues, electrical wiring and other metals. At the end of the war the government ordered its destruction, everything was demolished and the remains left to rot in their watery grave. Hence Crociani is giving us a picture of happier times. While we know Crociani had no formal training in art practice he surely must have seen this lithograph by Henri Riviere made in 1902. Dufy also made many images of the Jetee in its heyday.

EMILE CROCIANI (1902-1978)

FLEURS DANS UN VASE Oil on plywood. 25¾” x 20“. Signed on the vase. £5,500

The Fleurs dans un Vase was actually included in the last Armchair Art Fair but we are showing it again as it is better understood in the company of other works by Crociani. Francis, the artist’s son, became a potter establishing a business in Vallauris - this vase is most likely one of Francis’s creations. His son Gerard now continues this distinguished artisan potier at Vallauris. Crociani was the subject of an exhibition Emile Crociani at the Musee International d’Art Naïf Anatlole Jakovsky, Nice 1986.The Museum holds a significant collection.

La Jetee-Promenade, Nice c 1930

Les bateaux au Mouillage a Trebouil lithograph by Henry Riviere 1902

French Naïf Artist : Emile Crociani

French Naïf Artists: Dominique Lagru, Jean Fous & Jean Eve

DOMINIQUE LAGRU (1873-1960)

LE FENAISON

Oil on canvas.

9½” x 13“.

Signed and dated 1953.

£3,200

This is an unusually calm painting by Lagruwho, born the son of a butcher, did not touch a paint brush until 1943 at which date he was 70. Thereafter he produced a large body of work mainly expressing his political and historical views; he was a radical tradeunionist, extremely well-read, yet his life was described as one of misery, illness and sorrow. This painting can be read in terms of his political views, the noble workers or simply as an observationit has something of Van Gogh in it.

JEAN FOUS (1901-1971)

EVE GIVING THE APPLE TO ADAM Oil on canvas.

18” x 22“.

Signed. c 1948.

£4,200

In contrast to Lagru Jean Fous, by all accounts, was a happy and jovial man. He had been “discovered” by the critic Anatole Jakovsky working in the Clignacourt

flea market; initially he painted very tight views of the various Parisian flea markets but these became increasingly loose and less powerful. There is no record in his biography of the few arcadian subjects that we have seen but they have all the elements of his market scenes : ordinary figures, wandering animals and of course no cars, aeroplanes or telegraph poles! Whether the Garden of Eden had so many wonderful animals is debatable.

JEAN EVE (1900-1968)

PAYSAGE DU PRINTEMPS-SUR BRIONNE PRES DU LUCARNO Oil on canvas.

16” x 13“.

Signed and dated 1949 and inscribed with title verso.

£2,800

Although Jean Eve featured prominently in the Musee Maillol exhibition du Douanier Rousseau a Seraphine, 2019 he himself might reject the title Naïf Painter. He was academically unschooled but he knew and had taken advice from Kisling, Utrillo and Vlaminck. Hence in this charming little painting we see only traces of naivetythe buidings aren’t quite solid, the trees are obsessively detailed but are not arranged as integral to the landscape.

Jean Fous at Clignacourt c 1939

Jean Eve self portrait, 1936

Brionne today

Lagru self portrait, 1953

French Naïf Artist : Louis Dechelette & Emile Blondel

There is not enough room here to go in to the detail of Dechelette’s life. Suffice it to say that he was chosen by Anatole Jakovsky to be one of the thirteen French artists in his seminal (coffee-table) book Naïve Painting (Phaidon) 1976. Should any reader want to have further biographical details please contact us through hartnollanddaughers.com

LOUIS DECHELETTE (1894-1964) POTTED FLOWERS IN BLOOM

Oil on panel 16” x 13“

Signed

£1,200

LOUIS DECHELETTE (1894-1964)

EMBLEME DE SINCERITE

Oil on board.

12” x 9 ½“.

Signed and further signed and dated 2.57 and inscribed verso.

Embleme de sincerite

La Rose belle (meme l’ete)

Donne toujours la note gaie

(Comme le font tous les pinguets)

£950

The buildings in Trois Époques all refer to sites of Paris International Exhibitions. But, as usual with Dechelette, there is a something cryptic about the title. The building on the left is the now demolished Palais de Trocadero, built in 1878 but shown by Dechelette with a variant tower, the Eiffel Tower 1889 in the middle and the Palais de Chaillot, 1937 on the right. Either Dechelette has mistakenly dated The Trocadero or this is a cryptic reference to the Commune of 1870.

LOUIS DECHELETTE (1894-1964)

TROIS ÉPOQUES 1870-1889-1936

Oil on board.18” x 24”.

Emile Blondel

Blondel retired aged 57 from his sole careerthat of a Parisian bus-driver. Thereafter he devoted himself to painting - especially Parisian views which he knew so well. Sacre Coeur with its rising steps seemed to have suited the naïf artists. Blondel was continuing a tradition started by Bombois, Vivin and Eve of painting the Basilica; they had found a ready market for their pictures in the Foires aux croutes of Montmartre. Uhde had called the very first exhibition of Naïf painters Peintres se Coeur Sacre in 1928. But none could quite grasp the perspective and the steps ; Blondel’s attempt is a worthy successor to Vivin, Eve and Bombois.

EMILE BLONDEL (1893-1970)

STEPS LEADING TO THE SACRE COEUR, MONTMARTRE

Oil on canvas. 18” x 21¾“. Signed and dated 1953.

£1,700

Indistinctly signed lower left and inscribed verso L.Dechelette 138 Avenue de Italie and with the title.

£2,200

Louis Dechelette

French Naïf Artist : Foussa Itaya

FOUSSA ITAYA (1919-1972) NAIL PLAYER OR SMALL SPLENDOUR Oil on canvas. 28½” x 23½“. Signed Itaya and dated 1964 £4,500

Foussa Itaya

We have been collecting the work of Foussa Itaya since 2008 and we put on a small exhibition and similarly small catalogue in May (catalogue available from hartnollanddaughters.com.] The facts of his life are sparse. He arrived in Paris aged 33 and lived there until his untimely death twenty years later. He was represented by Gallery Drouant-David (Buffet ’s dealer) and they record sales of 800 pictures - so in a short working span he was immensely prolific. He fits no “ism” - his Japanese roots show, he is hyper realist, he has anthroplogical stories to tell, his Paris views are empty of life. He remains enigmatic.

This is a version of the painting which won Itaya the gold prize at the Salon des Artistes Francais in 1964. It differs in that our version has only one cat to the left and one bird to the right. The two titles are alternative translations from the Japanese

FOUSSA ITAYA (1919-1972) A STREET IN MONTMARTRE, SACRE COEUR IN THE DISTANCE Oil on canvas. 21¾” x 18¼“. Signed ITaYa Paris. £2,800

FOUSSA ITAYA (1919-1972)

A TOWN SQUARE IN WINTER, A FIGURE IN RED SEEN FROM BEHIND Oil on canvas.

10½” x 8“.

Signed ITAYA. £1,800

JACK SMITH (1928-2011)

STILL LIFE WITH TAP Oil on board.

36” x 48”. Signed and dated 1953. Titled verso.

£54,000 + ARR

Exhibited: Sunderland Arts Centre Jack Smith

Paintings & Drawings

1949-1976, January and February 1977, illustrated page 62.

John Berger reviewing the Jack Smith show at the Beaux Arts Gallery in 1954 wrote “At the Beaux Arts Jack Smith is showing some twentyfive paintings. This is his second exhibition and I now think it is possible that Smith is a genius. I do not admire his work as much as I do simply because it is grim, monochromatic and utterly uncompromising … ; nor because it turns its back on everything that is chic; nor because its subject matter of grubby babies and the household objects of working-class kitchens is an indirect comment on poverty… The faith I have in Jack Smith’s work is due to its certainty… His style is something as unconsidered as the sound of one’s voice. How he paints is entirely as a result of what he has seen and felt …. In each picture he achieves a unity - the unity, say, of a room that is lived in. Is it too much for the museums, including The Tate, to think for themselves about this exhibition? There are canvases here which would credit any contemporary gallery anywhere, and which, if unsold will disgrace us all.

The Tate did as Berger suggested and bought Mother Bathing Child in 1955 Their catalogue entry states that this was one of a series of the same subject that Smith made in 1953 and that he destroyed the rest. Smith did not like his early figurative work or the pigeon hole of Kitchen Sink into which he had been put by Berger, Sylvester and the critics. He said Like many artists before me I turned to my own environment for subject matter… I wanted to make the ordinary miraculous. This had nothing to do with social comment. If I had lived in a palace I would have painted chandeliers

In reply to our enquiry as to whether he had any paintings from the fifties he replied that he had none and would we please study his recent paintings. He had moved on and rejected his early work. We own a large panel which he had used as a backboard to a drawing - it is one of his Venice Biennale pictures; it is still covered in the impenetrable black household paint he had used to obscure it; and he refused to allow the reproduction of his 50s pictures in Martin Harrison’s exhibition Transition (Barbican 2002).

Of the four painters Beaux Arts Quartet it fell to Jack Smith to provide the eponymous Kitchen Sink (Martin Harrison Transition, Barbican 2002). Bratby painted a bathroom basin and two toilets. Our painting Still Life with Tap has survived. The Kitchen Sink movement may have been brief but it was very important not only in artistic terms, but also in literature and the theatre. This is an opportunity for any museum to acquire a rare and quintessential example of the movement. As Berger had suggested fifty years ago. Or disgrace us all !

We hope you have enjoyed perusing these images in your armchair.

Jack Smith in his studio 1953

Kitchen Sink School, Jack Smith

Haynes Fine Art

+44 (0) 1386 852649

email@haynesfineart.com www.haynesfineart.com

KEN HOWARD OBE, RA, PNEAC (1932-2022) MIRROR MIRROR Oil on canvas.

Canvas size: 24” x 20”.

Framed size: 29” x 25”.

Signed lower right.

£14,950

REF: 16285

KEN HOWARD OBE, RA, PNEAC (1932-2022) WHITE ROSES IN A VASE Oil on canvas board.

Board size: 10” x 8”.

Framed size: 14.75” x 11.55”.

Signed lower right.

£4,650

REF: 16332

KEN HOWARD OBE, RA, PNEAC (1932-2022) THE TANKARD Oil on board.

Board size: 10” x 8”.

Framed size: 14.75” x 11.55”.

Signed lower right.

£4,650

REF: 16347

EDWARD BRIAN SEAGO RBA, RWS (1910-1974)

THE MOUTH OF THE BOSPHORUS, ISTANBUL Oil on board.

Board size: 22” x 36”. Framed size: 28.75” x 42.5”.

Signed lower left.

£97,500

REF: 16400

EDWARD BRIAN SEAGO RBA, RWS (1910-1974)

BEACH HUTS, NORFOLK Oil on board.

Board size: 11” x 15.75”.

Framed size: 17” x 22”.

Signed lower left.

£28,500

REF: 16340

ANTOINE BOUVARD SNR (1870-1955)

THE SANTA MARIA DELLA SALUTE, VENICE

A Pair. Oil on canvas.

Canvas size: 9” x 12.5”. Framed size: 12.75” x 16.25”. Signed lower left.

£28,500 (pair)

REF: 16352A

ANTOINE BOUVARD SNR (1870-1955)

LOOKING TOWARDS THE DOGES PALACE

A Pair. Oil on canvas.

Canvas size: 9” x 12.5”. Framed size: 12.75” x 16.25”. Signed lower right.

£28,500 (pair)

REF: 16352B

EDOUARD LÉON CORTÈS (1882-1969)

L’ARC DE TRIOMPHE Oil on panel.

Panel size: 6.25” x 8.75”.

Framed size: 11” x 13.5”. Signed lower right.

£21,950

REF: 16404

ANTOINE BLANCHARD (1910-1988)

BOULEVARD DE LA MADELEINE Oil on canvas.

Canvas size: 13” x 18”. Framed size: 18.75” x 23.5”. Signed lower right.

£9,750

REF: 16335

HAIDEE-JO SUMMERS ROI, RSMA (BORN 1971)

VIEW TOWARDS CONISTON

Oil on canvas.

Canvas size: 16” x 18”.

Framed size: 21.5” x 23.5”.

Signed lower right.

£3,650

REF: 16345

HAIDEE-JO SUMMERS ROI, RSMA (BORN 1971)

YELLOW ROSES AND BUNTING

Oil on board.

Board size: 16” x 14”.

Framed size: 20.5” x 18.5”.

Signed lower right.

£3,450

REF: 16344

HAIDEE-JO SUMMERS ROI, RSMA (BORN 1971)

DAHLIAS AT THE ALLOTMENTS

Oil on canvas.

Canvas size: 12” x 18”.

Framed size: 17.5” x 23.5”.

Signed lower right.

£3,650

REF: 15774

DOROTHEA SHARP ROI, RBA, PSWA (1874-1955)

SUMMER RAYS

Oil on board.

Board size: 20” x 16”. Framed size: 25.75” x 21.75”.

Signed lower left.

£23,750

REF: 16186

MARCEL DYF (1899-1985)

CHAMP DE BLÉ CÔTIER

Oil on canvas.

Canvas size: 18” x 21.5”. Framed size: 23” x 26”.

Signed lower right.

£14,950

REF: 16203

DOROTHEA SHARP ROI, RBA, PSWA (1874-1955)

SUMMER HOLIDAY, ST. IVES

Oil on board.

Board size: 12” x 16”. Framed size: 18” x 22.5”.

Signed lower left.

£29,500

REF: 16217

MARCEL DYF (1899-1985)

VOILERS EN PROVENCE

Oil on canvas.

Canvas size: 15.25” x 18.25”. Framed size: 26” x 29.5”.

Signed lower right.

£16,750

REF: 16337

A

Mixed media on paper.

Paper size: 14.5” x 22.5”. Framed size: 27.25” x 36”.

Signed lower right.

£24,750

REF: 16207

Oil on board.

Board size: 20.5” x 24.5”.

Framed size: 28.75” x 32.75”

Signed lower left.

£14,750

REF: 16318

A PEMBROKESHIRE LANDSCAPE

Mixed media on paper.

Paper size: 14” x 21”. Framed size: 28” x 35”.

Signed lower right.

£17,950

REF: 16099

DONALD

ROCKY COAST

Oil on board.

Board size: 17.5” x 33”.

Framed size: 25.5” x 41.5”.

Signed lower left.

£14,750

REF: 16319

JOHN EGERTON CHRISTMAS PIPER (1903-1992)

CHANTRY CHAPEL, LINCOLNSHIRE

JOHN EGERTON CHRISTMAS PIPER (1903-1992)

MCINTYRE RCA, RSMA (1923-2009)

DONALD MCINTYRE RCA, RSMA (1923-2009)

PORT EN CAPLE

Canvas size: 15” x 18”.

Framed size: 23.75” x 26.75”.

Signed lower right.

£24,950

REF: 16383

Paper size: 7.5” x 9”.

Framed size: 17.25” x 19.25”.

Signed lower right.

£9,850

REF: 16384

CARLOS NADAL (1917-1998)

VILLAGE NORMANDE Oil on canvas.

CARLOS NADAL (1917-1998)

PONT DU VILLAGE Mixed media.

TONY KARPIINSKI (BORN 1965) BOND STREET SHOPPING Oil on board.

Board size: 19.75” x 13.25”.

Framed size: 26” x 19.75”.

Signed lower left.

£3,450

REF: 16256

TONY KARPIINSKI (BORN 1965) THE GOLDEN HINDE Oil on board.

Board size: 19.75” x 13.25”.

Framed size: 25.75” x 19.25”. Signed lower right.

£2,950 REF: 16198

TONY KARPIINSKI (BORN 1965) THE KING’S LIFE GUARD Oil on board.

Board size: 19.5” x 26.25”.

Framed size: 28.75” x 35.25”.

Signed lower right.

£8,500

REF: 16253

Paper size: 22.75” x 15.25”. Framed size: 36” x 28.5”.

Signed with initials lower right.

£24,950

REF: 16200

ST.

media.

Paper size: 14” x 19.5”.

Framed size: 23.75” x 28.75”.

£22,950

REF: 16284

Paper size: 15” x 12”.

Framed size: 22.75” x 19”.

Signed with initials lower right.

£12,950

REF: 16283

SIR JOHN KYFFIN WILLIAMS KBE, RA (1918-2006) AN OLD ANGLESEY FARMER Mixed media.

SIR JOHN KYFFIN WILLIAMS KBE, RA (1918-2006) SNOWDONIA, THE KINGDOM OF GWYNEDD Mixed media.

SIR JOHN KYFFIN WILLIAMS KBE, RA (1918-2006)

CWYFAN’S CHURCH, ABERFFRAW Mixed

NORTH COTSWOLD

Wednesday - Friday: 10.30am - 4.30pm Saturday: 11am - 3.00pm

+44 (0) 1608 652255

gallery@johndaviesgallery.com www.johndaviesgallery.com

The John Davies Gallery was established in Stow-on-the-Wold in 1977. I had started dealing in fine art to subsidise my own painting activities as early as 1971, having first purchased some 19th Century watercolours in 1968. I first exhibited at the Royal Academy in 1976 but ceased painting on opening the gallery. After thirty years at Stow, I moved the business to a purpose-built exhibition space at Moreton-in-Marsh where we continue to stage Contemporary Exhibitions and show a changing stock of 19th Century paintings and early and mid-20th Century Exhibits. Since lock-down I have returned to my own painting (see last page of our ten) and the Gallery at Moreton-in-Marsh is open Wednesday to Saturday.

SAMUEL PROUT, OWS (1783-1852)

“HER WARS ARE ENDED”

(Almost certainly a study of HMS Victory –research ongoing).

Pencil & watercolour wash.

6.75’’ x 9.5’’.

Bears inscription verso “Her wars are ended. Early study by Samuel Prout – to Henry Acland, John Ruskin. 12th May 1883”.

£2,400

Provenance: Private Collection.

THOMAS BAKER OF LEAMINGTON (1809-1864) AT WHITNASH

Pencil drawing.

7.5’’ x 10’’. Initialled lower left. One of set of six exquisite local studies. Please call.

CHARLES ROBERTSON, RWS, RE (1844-1891)

COTTAGE SCENE WITH THREE GIRLS ON A BRIDGE Watercolour.

10.5’’ x 8’’. Signed lower left.

£3,850

Provenance: Private Collection.

FREDERICK WILLIAMSON (1834-1900)

CATTLE ON BANACLE COMMON, WITLEY, SURREY Watercolour.

13.5’’ x 21’’. Signed lower left.

£3,750

Provenance: Private Collection.

EVENING ON THE TWEED

Watercolour.

9.5’’ x 14’’.

Signed & dated 1878 lower left.

£1,150

LEOPOLD RIVERS, RBA (1852-1905)

A SOUTHERN COUNTIES

HARVEST SCENE

Watercolour.

21.5’’ x 39.5’’.

Signed.

£6,750

CLAUDE HAYES, RI (1852-1922)

SHEPHERD AND HIS DOG MINDING SHEEP

Watercolour.

10’’ x 14’’.

Signed lower left.

£895

THE CARAVAN AT EVENING

Watercolour.

5.25’’ x 8.5’’. Signed lower left.

£850

ESSEX MARSHES

Watercolour.

13.5’’ x 20.5’’.

Signed lower left.

£2,350

WILLIAM LEIGHTON LEITCH RI (1804-1883)

LEOPOLD RIVERS, RBA (1852-1905)

CLAUDE HAYES, RI (1852–1922)

HECTOR CAFFIERI, RBA, RI, ROI (1847-1932) CHILDREN BATHING Watercolour.

17’’ x 28’’

Signed lower left. Please call.

ARTHUR RACKHAM, RWS (1967-1939) COTTAGES, BUCKLAND, SOUTH DEVON Watercolour.

6.75’’ x 10’’. Signed & dated 1909 lower left. Please call

Provenance: Ex. Collection of Mrs Burton, the daughter of Rafael Tuck.

SIR FRANICS POWELL, RWS, PRSW (1933-1914)

LOCH SHORELINE SCENE Watercolour.

14’’ x 20’’. Signed lower left. £2,600

Provenance: Private Collection.

7’’

£2,400

8.75’’ x 14.25’’. Signed & inscribed with title

£7,950

24’’ x 36’’. Signed lower right. £8,500

Provenance: Private Collection.

39.75’’

JEF DUTILLEUX, BELGIAN (1876-1960) AUTUMN Oil on canvas.

x 60’’. Signed lower left. £11,500 + 4% ARR

HARRY FIDLER, RBA, ROI (1855-1935) CHICKENS IN A FARMYARD Oil on canvas.

x 10’’. Signed ‘FIDLER’ lower right.

ARTHUR HUGHES (1812-1915) (THE PRE-RAPHAELITE) STREAM IN THE VALLEY, NEAR CRANTOCK, CORNWALL Oil on panel.

verso in the artist’s hand.

ADAM EDWIN PROCTOR, RBA, RI (1864-1913) WINTER IS PAST Oil on canvas.

ROWLAND HILDER, PPRI, RSMA, OBE (1905-1993) THE GARDEN OF ENGLAND Oil on canvas.

30’’ x 40’’.

Signed & signed again verso with title.

Please call

Provenance: Private Collection.

SAMUEL JOHN LAMORA BIRCH, RA, RWS (1869-1955) CATTLE WATERING IN A CORNISH LANDSCAPE Oil on panel.

13.75’’ x 15.75’’.

Signed lower left.

£2,950 + 4% ARR

Provenance: Private Collection.

CHARLES ERNEST CUNDALL, RA, RWS, RP (1890-1971)

ITALIAN VILLAGE – STUDY SQUARED UP FOR TRANSFER Gouache.

9’’ x 13.5’’.

£780

CHARLES ERNEST CUNDALL, RA, RWS, RP (1890-1971)

TIMBER FELLING IN A SOUTHERN ENGLISH LANDSCAPE Oil on canvas.

20’’ x 33’’.

Signed.

£7,850 + 4% ARR

DONALD

LLIGWY BEACH, ANGLESEY Oil on board.

15’’ x 32’’. Signed, also signed & titled on label verso.

£11,950 + 4% ARR

Provenance: Thackery Gallery, London 1977.

12’’ x 14’’.

Signed & signed again verso ‘Field Workers, Phyllis & Tom Davis –Saundersfoot’.

£4,250 + 4% ARR

12’’ x 23.5’’. Signed lower left.

£2,400

24’’ x 30’’.

Signed & signed again verso with title, and dated 1962.

£15,000 + 4% ARR

McINTYRE, RCA (1923-2009)

WILL ROBERTS, RCA, (1907-2000) FIELD WORKERS Oil on board.

NOPARAT LIVISIDDHI, THAI (B.1932) FIELD WORKERS Oil.

WILL ROBERTS, RCA, (1907-2000) MAN WITH A SPADE Oil on board.

RICHARD THORN SWAc (B.1952) THE FARM ORCHARD

Mixed media.

14.5’’ x 22’’.

£2,950

RICHARD THORN SWAc (B.1952) THE RIVER PATH

Mixed media.

16’’ x 19.75’’.

£2,150

RICHARD THORN SWAc (B.1952) THROUGH THE PINES, JUAN-LES-PINS

Mixed media.

14.5’’ x 22’’.

£2,950

RICHARD THORN SWAc (B.1952) EARLY SPRING BLOSSOM

Mixed media.

15’’ x 17’’.

£1,750

RICHARD THORN SWAc (B.1952) AFTERNOON SHADOWS

Mixed media.

15.25’’ x 17.25’’.

£2,200

RICHARD THORN SWAc (B.1952)

A DAY ON THE SALTY, TEIGNEMOUTH ESTUARY

Mixed media.

12.25’’ x 16.75’’.

£1,250

FRED SCHLEY, NETHERLANDS (B.1957) STAC LEE AND BORARY Oil on canvas.

19.75’’ x 23.5’’ £2,600 + 4% ARR

FRED SCHLEY, NETHERLANDS (B.1957) SQURR DEARG, THE IN PINN, SKYE Oil on canvas.

25.5’’ x 35.5’’. £4,250

FRED SCHLEY, NETHERLANDS (B.1957) CUILLIN PEAKS, SKYE Oil on canvas.

17.75’’ x 27.5’’. £2,300

FRED SCHLEY, NETHERLANDS (B.1957) MOON OVER AN TEALLACH Oil on canvas.

19.75’’ x 27.5’’. £2,600

FRED SCHLEY, NETHERLANDS (B.1957) FROM HIRTA Oil on canvas.

31.5’’ x 63’’. £11,000

HUW WILLIAMS (B.1968)

DOUGLAS GRAY (B.1965) MONTMARTRE Oil on panel. 17.5’’ x 23.5’’. £4,500

DOUGLAS GRAY (B.1965) TWILIGHT CAFÉ Oil on panel. 12’’ x 12’’. £2,250

DOUGLAS GRAY (B.1965) APPROACHING STORM, PICCADILLY Oil on panel. 23.75’’ x 30’’. £6,250

DOUGLAS GRAY (B.1965) CAFÉ CONTI Oil on panel. 12’’ x 20’’. £2,850

HUW WILLIAMS (B.1968) A SLEEPING LIONESS Oil on canvas.

37.75’’ x 60.25’’. £8,500

11’’

Exhibited: The Royal Academy, 1975.

JOHN DAVIES

I started painting seriously in the 1970’s driven by a love for the English countryside as well as being inspired by a good number of British artists, including the Pre-Raphaelites I regularly viewed at Birmingham City Art Gallery while studying technical illustration at Birmingham Art School. I grew up with several David Cox watercolours at home and loved viewing those in Birmingham too; other artists that came to my attention early included figures as diverse as Rowland Hilder, S.R Badmin, Alfred Sisley, Gilbert Spencer and James Bateman to name a few.

My own technique is intensely time consuming, and while I showed successfully at the RBSA, the NEAC and the Royal Academy, because of the time it takes to complete examples I reluctantly abandoned my own painting in favour of dealing full time from 1977. Since the beginning of lock-down I have reverted to my own painting and am presently accumulating work for a (first) exhibition. Many observers of my compositions cite pointillism – one colleague likening it to ‘Seurat on Speed’. Technically it is not pointillism in the classic sense, in which dots of the component colours are placed close together, although I have experimented with this practice and may do so again. The term I use for my own work is High Naturalism.

JOHN DAVIES (B.1946) POND REFLECTIONS NEAR MORETON-IN-MARSH Watercolour.

22’’ x 12’’. NFS

JOHN DAVIES (B.1946) TREES IN A FIELD OF RAPE Watercolour.

16’’ x 12’’. NFS

JOHN DAVIES (B.1946) SURVEYING THE WOODSHED, LITTLE COMPTON Watercolour.

x 17’’.

NFS

M ANNING FINE ART

MODERN BRITISH PAINTING

+44 (0) 7929 749056 info@manningfineart.co.uk www.manningfineart.co.uk

JOHN BARNICOAT ARCA (1924-2013) HARBOUR (1975)

Tempera on card, 26cm x 26cm.

Initialled ‘B’ and dated.

£1,350

Provenance: the artist’s estate. Cornish Artist, head of both Falmouth and Chelsea Schools of Art.

JOHN PIPER (1903-1992)

CARTOON FOR BAPTISTRY CHAPEL WINDOW, COVENTRY CATHEDRAL

Gouache and mixed media art, 127cm x 54cm. Labelled B101 by the artist and initialled.

£14,250

A gouache design for one of the Coventry Cathedral Baptistry Window panels. John Piper was commissioned to design the Baptistry Window in 1955, in partnership with glassmaker Patrick Reyntiens.

ADRIAN HEATH (1920-1992) ABSTRACT STUDY I (1970) Gouache and ink, 35cm x 33cm.

£2,550

TREVOR BELL (1930-2017) WAY OUT BLUE (1961)

Acrylic on paper, 35cm x 43cm. Signed and dated lower right.

£3,800

WILHELMINA BARNS-GRAHAM (1912 - 2004)

CARD FOR SANDRA BLOW’S 75TH BIRTHDAY (1995)

Gouache and collage, 34cm x 21cm. Inscribed to reverse “For Sandra, Happy Birthday, with love Willie, 13/9/95”.

£6,000

Provenance: the Jonathan Grimble Estate; the Sandra Blow Estate.

RICHARD BEER (1928-2017)

EUROPEAN CATHEDRAL

Oil on canvas, 66cm x 76cm.

£1,750

Provenance: artist’s studio sale.

WILHELMINA BARNS-GRAHAM (1912-2004)

MONREALE, SICILY (1955)

Pencil and wash on paper, 48cm x 58cm. Signed and dated lower left.

£11,000.

Barns-Graham Charitable Trust authentication no. 1665.

BERNARD MYERS (1925-2007)

CHISWICK REACH

Oil on paper, 50cm x 72cm.

£1,675

Provenance: New Grafton Gallery.

LADY MARGARET MYDDLETON (1910-2003)

HARBOUR AT MENTON

Oil on canvas, 32cm x 45cm. Signed lower left, and titled on label to reverse.

£950

CHARLES PULSFORD (1912-1989)

ABSTRACT HARBOUR

Watercolour, 36cm x 46cm. Signed lower right.

£1,250

Provenance: the artist; the residual stock of William Hardie Gallery.

MODERN BRITISH PRINT

MARY FEDDEN (1915-2012)

THE TABAC JAR (1996)

Lithograph, 26cm x 31cm. Signed lower right and numbered 156/550 lower left, both in pencil; signed and dated 1996 in the plate.

£450

EDWARD BAWDEN (1903-1989)

AESOP’S FABLES: PEACOCK AND MAGPIE (1970)

Linocut, 63cm x 75cm. Signed, numbered 11/50, and titled in pencil.

£2,950

SHMUEL SHAPIRO (1924-1983)

TWO LOVERS (1966)

Lithograph on handmade paper, 34cm x 44cm. Signed, dated, and numbered 75/100 in pencil.

£450

Provenance: acquired directly from the Curwen Archive.

JOHN HOYLAND (1934-2011)

YELLOWS (1969)

Screenprint, 56cm x 94cm. Artist ’s proof, signed and dated in pencil lower right.

£1,950

Lithograph,

Lithograph,

EDWARD

CAFÉ (1928/9 - this edition 1971)

Woodcut, 10cm x 15cm. Numbered 15/45 lower left and initialled EB lower right.

GORDON HOUSE (1932-2004)

CIRCLE E

86cm x 45cm. Signed, numbered 48/75, and titled in pencil below the plate. £950.

GORDON HOUSE (1932-2004)

TRIANGLE D

86cm x 45cm. Signed and titled in pencil below the plate. £950

BURRA (1905-1976)

£1,200

FROM OUR EXTENSIVE OXFORD AND CAMBRIDGE COLLECTION - VIEW MORE ON OUR WEBSITE

JOHN PIPER (1903-1992)

RADCLIFFE CAMERA

Lithograph, 53cm x 35.5cm.

Numbered 110/1150 lower left and signed lower right in pencil.

£5,500

EDWIN LA DELL (1914-1970)

THE HIGH, OXFORD

Lithograph, 49cm x 64cm. Signed, titled, and number 28/80 in pencil.

£1,350

MARGARET SOUTTAR (1914-1987)

SELWYN COLLEGE, CAMBRIDGE III (1961)

Acrylic, 51cm x 70cm. Inscribed left Selwyn Cambridge ‘61, with annotations by the artist concerning colour.

£1,250

WALTER HOYLE (1922-2000)

SENATE HOUSE, CAMBRIDGE (1956-66)

Linocut, 46cm x 70cm. Trial print aside from the series, with different colourway.

£1,950

FRED TAYLOR (1875-1963)

MAGDALEN TOWER FROM MAGDALEN BRIDGE

Watercolour, 25cm x 37cm.

Signed lower left.

£2,950

VALERIE THORNTON (1931-1991)

BODLEIAN QUADRANGLE, OXFORD (1983)

Etching, 24cm x 25cm. Numbered 13/75 lower left, titled below, and signed and dated lower right, all in pencil.

£850

JAMES BOLIVAR MANSON (1879-1945)

ST JOHN’S COLLEGE, CAMBRIDGE

Watercolour, 29cm x 40cm. Signed lower right.

WILLIAM MATTHISON (1853-1926)

NEW COLLEGE, OXFORD

Watercolour, 35cm x 52cm. Signed lower right.

MARGARET WALLER (1916-1997)

THE OXFORD UNIVERSITY BOTANIC GARDEN

Watercolour, 35cm x 51cm. Signed lower left. £895

HUGH CASSON (1910-1999)

TRINITY COLLEGE, OXFORD (1990)

Watercolour, 20cm x 33cm. Titled lower left and signed lower right in pencil. £3,200

DAVID LOGGAN (1634-1692)

TRINITY COLLEGE, CAMBRIDGE (1690)

Engraving, 80cm x 40cm.

£4,200

Many more David Loggan engravings available on our website.

JOHANNES KIP (1652-1722) AFTER ROBERT WHITEHAND PROSPECT OF CAMBRIDGE FROM THE SOUTH WEST (1724)

Engraving, 57cm x 88cm. £6,200

£3,450

£3,300

WESTMINSTER

Lithograph, 49cm x 63cm. Signed lower right and numbered 66/100 lower left in pencil.

£2,725

Westminster School II is also in stock.

ST

Oil

JOHN PIPER (1903-1992)

SCHOOL I

ANGELA STONES (1914-1995)

OLD LONDON BRIDGE FANTASIA (1968) Oil on board, 56cm x 43cm. Signed lower left. £1,350

PAUL AYSHFORD METHUEN (1886-1974)

BARRAGE BALLOONS, REGENTS PARK, 9th MARCH 1940

Oil on board, 36cm x 52cm. Signed lower left, titled and dated. £4,550

KEN HOWARD (1932-2022)

STEPHEN’S CHURCH, HAMPSTEAD

on board, 75cm x 91cm. Signed lower right. £6,800

VIOLET HILDA DRUMMOND (1911-2000)

WESTMINSTER ABBEY

Watercolour, 33cm x 43cm. Signed lower right.

£960

Provenance: the Arthur Andersen art collection.

JULIAN TREVELYAN (1910-1988)

GRAVESEND (1969)

Etching and aquatint, 35cm x 48cm. Signed, titled, and inscribed ‘Artist’s Proof’ in pencil.

£1,650

EDWARD MCKNIGHT KAUFFER (1890-1954)

UXBRIDGE (1919)

Original vintage poster, 76cm x 51cm.

£1,500

Printed by the Dangerfield Printing Co Ltd.

BRENDAN NEILAND (born 1941)

HAMPTON COURT (1981)

Screenprint, 74cm x 51cm. Signed, dated, titled, and numbered 152/250 in pencil.

£295

GERALD MAC SPINK (active 1920-1940) FOR THEATRES &c., TRAVEL BY UNDERGROUND (c. 1930)

Gouache poster design, 30cm x 19cm.

£1,850

GERALD MAC SPINK (active 1920-1940) FOR PLEASURE, TRAVEL BY UNDERGROUND (c. 1930) Gouache poster design, 26cm x 18cm.

£1,950

POSTERS

1.

KEEP CALM AND CARRY ON (1939)

Original vintage poster, 76cm x 50cm. £22,750

Very rare – we have traced copies to the Imperial War Museum collection but no other public collection.

Probably the most famous image to come out of the Second World War campaign of the Ministry of Information.

2.

MARIO PUPPO (1905-1977)

SANTO STEFANO D’AVETO (c. 1955)

Original vintage poster, 97cm x 68cm. £1,050

3.

PER ARNOLDI (born 1941)

COPENHAGEN: JAZZ CENTRE OF EUROPE (1972) Lithographic poster, 99cm x 61cm. £750

4.

GUY GEORGET (1911-1992)

ESPAGNE

Original vintage poster, 100cm x 62cm. £1,150

5.

JOSÉ ORTEGA (1921-1990)

“DON QUIXOTE” ESPAGNE (c. 1960)

Original vintage poster, 99cm x 65cm. £1,150

6.

ERIC FRASER (1902-1983)

FOR PROGRESS IN THE FUTURESAVE NOW (c. 1944)

Original vintage poster, 75cm x 51cm. £750

7.

SALVADOR DALI (1904-1989) NORMANDIE (1969)

Original vintage poster, 100cm x 60cm. Signed and dated in plate. £450

8. ‘SAMIVEL’, PAUL GAYET-TANCRÈDE (1907-1992)

‘FROM LAKE GENEVA TO THE MEDITERRANEAN, LA GRANDE TRAVERSÉE OF THE FRENCH ALPS’

Original vintage poster, 99cm x 62cm. £1,190

9.

CONCORDE (1977)

Original vintage poster, 102cm x 64cm. £850

1.

2.

3.

4.

5.

6. 7. 8. 9.

CYRIL KENNETH BIRD ‘FOUGASSE’ (BRITISH, 1887-1965)

CARELESS TALK COSTS LIVES (c. 1940)

Lithographic posters, 32cm x 20cm each. Set of eight and individual posters available. £650 each; £5,200 for the set of eight

THE HUNT GALLERY

+44 (0) 1304 612792

info@thehuntgallery.com www.thehuntgallery.com

Michael John Hunt’s painting presents a vibrant view of Waals Eiland Gracht, with the historic Montelbaan Tower proudly piercing a clear blue sky. The scene is alive with detailed barges on the canal, flanked by traditional Amsterdam houses with their unique gabled rooftops. Bicycles lean casually against the bridge and freshly budding trees softly frame the cityscape, hinting at the early spring season. Through meticulous attention to light, colour and detail, Michael John Hunt masterfully encapsulates the charm of Amsterdam in this splendid artwork.

MICHAEL JOHN HUNT MONTELBAAN TOWER

Acrylic on canvas. 22” x 26”. £18,000

Michael John Hunt's painting "The Cat and the Quill" transports viewers to a historic room, suffused with the warmth of sunlight. The scene unfolds with a sense of tranquillity as the door stands open, revealing a path that leads to a yew hedge, surrounded by trees and fragrant lavender. Lying lazily across the threshold, a black cat commands attention, observing the world beyond with a calm demeanour.

MICHAEL JOHN HUNT THE CAT AND QUILL Acrylic on canvas. 22” x 28”. £16,000

MICHAEL JOHN HUNT GARDEN VIEW Acrylic on panel. 16” x 12”. £5,500

MICHAEL JOHN HUNT WOODEN POTS Acrylic on panel. 16” x 12”. £5,500

MICHAEL JOHN HUNT PICTURES AND BOOKS Acrylic on panel. 16” x 12”. £5,500

MICHAEL JOHN HUNT SILK EMBROIDERY Acrylic on panel. 16” x 12”. £5,500

MICHAEL JOHN HUNT FIGURINES Acrylic on panel. 16” x 12”. £5,500

MICHAEL JOHN HUNT PARTERRE Acrylic on panel. 16” x 12”. £5,500

MICHAEL JOHN HUNT WISTERIA Acrylic on panel. 16” x 12”. £5,500

MICHAEL JOHN HUNT SETTLE DOWN Acrylic on panel. 16” x 12”. £5,500

MICHAEL JOHN HUNT PEWS Oil on panel. 8” x 11”. £1,950

MICHAEL JOHN HUNT CAMPO SAN GIACOMO DI RIALTO Acrylic on canvas. 16” x 30”. £12,500

MICHAEL JOHN HUNT LAVENDER Oil on panel. 20” x 18”. £9,500

MICHAEL JOHN HUNT OUTLOOK Acrylic on panel. 8” x 6”. £1,500

MICHAEL JOHN HUNT PASSWORD REQUIRED Acrylic on panel. 8” x 6”. £1,500

MICHAEL JOHN HUNT SHAKER STYLE Acrylic on panel. 8” x 6”. £1,500

MICHAEL JOHN HUNT ST. NICHOLAS’ BASILICA Acrylic on panel. 8” x 6”. £1,500

MICHAEL JOHN HUNT QUEEN ANNE BEDROOM, BAYOU BEND Acrylic on canvas. 26” x 36”. £25,000

MICHAEL JOHN HUNT NEWPORT ROOM, BAYOU BEND Acrylic on canvas. 28” x 38”. £25,000

MICHAEL JOHN HUNT IT CAME TO LIGHT Acrylic on canvas. 22” x 16”. £12,500

MICHAEL JOHN HUNT SHEEP WITH LONG EARS Oil on panel.

10.5” x 8”. £1,950

MICHAEL JOHN HUNT THE WAGON SHED Acrylic on panel. 12” x 9.5”. £1,950

MICHAEL JOHN HUNT COTSWOLD LANDSCAPE

12” x 16”.

Acrylic on panel. £4,250

MICHAEL JOHN HUNT SUNLIGHT AND MEMORIES Acrylic on canvas. 25” x 20”. £15,000

LAPADA

26 September - 1 October Stand A21

BRITISH ART FAIR

28 September - 1 October Stand 58

FROM 1 OCTOBER 2023:

6 Mason’s Yard, Duke Street, St.James’s, London, SW1Y 6BU 07968 562499 freya@freyamitton.com www.freyamitton.com

Ken Howard, RA (1932-2022) Piazza San Marco signed, oil on canvas 51cm x 61cm; 20in x 24in

CONTACT DETAILS

Hartnoll & Daughters

+44 (0)777 589 3842 info@julianhartnoll.com

Haynes Fine Art +44 (0) 1386 852649 email@haynesfineart.com

The Hunt Gallery +44 (0) 1304 612792 info@thehuntgallery.com

Jeroen Markies Art Deco +44 (0) 7455 216 322 / 7703 328 562 deco@jeroenmarkies.com

John Davies Gallery +44 (0) 1608 652255 gallery@johndaviesgallery.com

John Iddon Fine Art +44 (0) 208 940 7741 +44 (0) 7901 671939 john.iddon@tinyworld.co.uk

John Robertson Fine Paintings +44 (0) 7860 571799 john_bourne@hotmail.com

Kaye Michie Fine Art +44 (0) 7973 113126 watercolours@kayemichie.co.uk

Manning Fine Art +44 (0) 7929 749056 info@manningfineart.co.uk

Newman Fine Art +44 (0) 7802 436621 derek@newmanfineart.co.uk

Rountree Tryon Galleries +44 (0) 1798 344 207 info@rountreetryon.com

Sarah Colegrave Fine Art +44 (0) 7775 943722 sarah@sarahcolegrave.co.uk

Design & production by Jamm Design

THE ARMCHAIR ART FAIR