Jamie Littlewood Architectural Assistant Portfolio - 2024

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Render from Mayflower Terminus Project. Showing the inviting approach created by radial walls.

Architecture Portfolio, Selected Works 2024 Part 1 Architectural Assistant jamie.p.littlewood@gmail.com 07592988309 JL Jamie Littlewood.
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Model from Shattered Waters Project. Showing context and entrances to site. 1. Mayflower Terminus. 11. Shattered Waters. 15. A Clearing in the Woods.
Contents.
19. Miscellaneous Work.
1.
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Exterior View from “Stitch” Path Render. Showing the building’s seamless blend between station, accommodation and park.

Final Year Major Design Project.

The project assigned was to work in groups to propose an urban intervention in that worked alongside an individually designed building within Southampton that responded to the city’s ‘lost edge’.

The Mayflower Terminus changes how people arrive at and move through Southampton, creating a stitch between the city and its forgotten coast that culminates at a regenerated Mayflower Park. Large concrete walls splinter from the train line out toward the park, setting boundaries within which the station and diverse dwelling blocks inhabit.

Serving as a much needed arrival point, the train station connects visitors to the historically significant yet mostly inaccessible coast. It offers relaxing spaces, including a public cafe, restaurant, and bar with stunning views of the sea and park.

The ground floor houses a versatile event space, which can be adjusted to accommodate one large room or three smaller rooms. Designed for corporate events and meals, it features a private bar and picturesque sea views, making it ideal for weddings and other private functions.

The dwelling blocks on the upper levels provide a diverse range of accommodations, including 27 accommodation style rooms, 18 hotel style rooms, 9 family flats and 3 luxury flats, catering to the needs of the community.

Mayflower Terminus. 2.
Entrance Render. Highlighting light and form at the public space entrance.

Train Station, Event Space, Cafe and Restaurant.

Section A.

Showing the vertical relationship between Public and the Private

3. 30m 1. 2. A A A A
0 2 4 6 8 10m 4. N Plans. 1. Ground
2.
3.
0 10 20m 3. A A
Dwelling Blocks.
Floor Plan.
First Floor Plan.
Second Floor Plan.

Olympic Archery Range

The ‘Pods’.

The dwelling towers were inspired by the Nakagin Capsule Tower designed by Kisho Kurokawa. Three central ‘cores’ rise out from the ground level, through the station and public areas, to provide access to the private dwelling blocks. Varying styles of dwelling surround these cores, offering a diverse range of options to fulfill the needs of the development area. Unlike the Nakagin Capsule Tower, the blocks do connect via a corridor on each level, providing multiple exits and bringing the building in line with UK fire escape regulations.

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Enric Miralles and Carme Pinos. Nakagin Capsule Tower. Kisho Kurokawa. Chitgar Complex. CAAT Studio. Development Showing
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Southampton Original Coastline. Prior to land reclamation projects. Exploring the

Radial Walls.

The organisation and layout of this project started at the arrival point of the newly proposed train line into Mayflower Park as part of the ‘move’ strategy. The repurposing of old train lines meant that visitors would arrive from the East of the site. Inspired by the Olympic Archery Range by Enric Miralles and Carme Pinos segmenting walls radiate out from this arrival point. This created sturdy, load-bearing concrete walls upon which the rest of the building rests. These walls also define the sections of the building that inhabit the spaces in between.

Development Plans and Overlayed Sketches. Showing the development of the radial walls.

The ‘move’ strategy had two parts to it, the first was a renovated train line providing a new entry point to the city. The second was a pedestrianised path connecting the old entry point to the new and connecting the city with its old coastline. This path culminated at Mayflower Park with the ‘Stitch’ Path. Informed by the Chitgar Complex proposal by CAAT Studio and the form of Southampton’s original coastine, the ‘Stitch’ connects the old city boundary to the new, reclaimed coastline, bridging the motorway that separates the lived parts of the city from the coastline. This pathway informs the shape of the Mayflower Terminus and helps it to blend seamlessly into its context.

Mayflower Terminus.
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The ‘Stitch’. Final Physical Model. Highlighting the massing of the project in its immediate context. Development Massing Model. the building’s connection with the ‘Stitch’ path.

“Stitch” Path Render. Illustrating the ‘Stitch’ pathway that bridges the old city to the new, encompassing the Mayflower Terminus building.

7.

Multi-Floor Composite Plan. Showing organic paths, including the ‘Stitch’ and inorganic radial walls.

N 8.
1 2 9.
Platform Render. Showing the quality of space and materiality of the platform.
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Curtain Wall Render. Construction technique to flood the platform

Extensive green roof.

130mm gravel bed.

18mm protective drainage filter.

Plastic waterproofing membrane.

150mm XPS thermal insulation. Vapour barrier.

22mm OSB sheeting.

80/220mm timber battens.

50mm service void.

40mm cavity insulation.

10mm plasterboard.

2. Concrete Wall.

100mm reinforced concrete. Vapour barrier.

150mm XPS thermal insulation.

Vapor barrier.

50mm service void.

200mm load bearing reinforced concrete.

with light. 300 400 500mm
1. Green Roof.
Mayflower Terminus. 10.
Luxury Apartment Render. Showing quality of space and natural lighting. Load Bearing Wall Plan. Showing concrete radial walls. Green Roof Junction Detail.

External Render.

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Showing the building’s materiality and its five entrances, inspired by Winchester’s rich history.

Second Year Design Narratives Project.

The assignment was to design an ecology center in Winchester that provided the public with a useful space to help stimulate community thinking while staying true to the city’s rich history.

The final project looks to bring together the different generations in Winchester, taking inspiration from the elderly home to the east of the site as well as the trades that developed as the lifeline of the city due to the prominence and importance of the River Itchen. An expansive public garden, an accessible tool shed and classroom areas provide the elderly with an opportunity to engage with gardening and the community. In addition, the two specialized learning areas inspire active exploration of two of the oldest uses for the power of the river, grinding grain and fulling cloth.

The site is dissected by five straight paths that provide entrances to the building on both levels, representing the five gateways of the ancient city.

Flint makes up the heavier walls on the lower levels which forms a link to the materiality in the rest of the city. To further this connection the first floor is made of timber and its supports reach down through the lower level, inspired by the design of Le Corbusier’s “Dom-Ino House”.

Shattered Waters. 12.
Hand Drawn Ground Floor Plan. Showing ground floor entrances and specialised learning rooms.
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Courtyard Render.
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Showing how the materiality of the building was inspired by that of the surrounding city.

Massing Development.

The site was segmented into 5 main entryways based upon surrounding context, inspired by Winchester’s 5 ancient gates. The massing then filled in the negative space left by these paths, angular segments sliced through the terrain in a way inspired by Carlos Ferrater’s Barcelona Botanical Garden and a first floor balanced atop to ensure natural light flooded the library and classrooms.

Winchester Sketch. Pen sketch showing the materiality of the city of Winchester.

Shattered Waters. 14.
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1. 2. 3. 4. 5.

Entrance Render. Conveying the inviting yet secluded duality of the building.

15.
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A Clearing in the Woods.

Second Year Design Exploration Project.

The brief was to design a Maggie’s Center for Portsmouth, a space for those affected by cancer to gain some respite and receive counselling.

Schematically designed to be both protective and relaxing, a stone wall wraps around the building, embracing the internal spaces and courtyard, sheltering them from the outside world.

Dynamic architecture is implemented in order to create a flexible space. Metal fins in the outside wall, inspired by brise soleil, can be rotated in order to provide views of the dog park and nature or to shut it out and create a more enclosed, private environment. The large kitchen can be opened up to the courtyard or closed off via sliding glass panels which can also be positioned to create a separation between the sitting areas and library.

The private and public functions of the building are split to the east and west respectively, providing a sense of privacy during counselling sessions and private conversations.

The entire building is surrounded by nature, in order to allow the users of the space to feel connected to it and embrace its healing qualities.

16. Hand Drawn Ground Floor Plan. Exhibiting the thick, perimeter stone wall. N 0 5 10 15m

Roof Junction Detail.

Displaying construction detailing.

1. Roof Section.

10mm corten steel sheeting.

50mm battens with cavity.

25mm cross battens with cavity.

Breather membrane.

20mm plywood sealing layer.

145mm rigid foam insulation with battens.

Breather membrane.

10mm corten steel sheeting.

2. Stone Wall Section.

200mm rubble limestone with mortar.

25mm cavity with vertical battens.

Breather membrane.

75mm rigid foam insulation with vertical battens.

Breather membrane.

200mm rubble limestone with mortar.

South Elevation.

Communicating the Center’s connection with nature and with those outside it.

1 2 17.
0 50 100 150mm

Programmatic

18.
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Plan. Illustrating the layout of the project and its landscaping.

Watercolour South Elevation of Luthier’s Workshop. Showing the facade in context of a Luthier’s Workshop painted for a first year design project.

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Assorted Other Works.

A collection of other assorted works that weren’t part of the previous projects. These include works from other university projects and A-level art projects as well as personal projects.

Matchstick Models.

Exploring the connection between form and light for an A-level project.

Miscellaneous Work.
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Serial Views.

Part of a first year communications project, these serial views follow a path through Salisbury. The views are designed to be a stylistic interpretation of the locations, isolating colours to draw emphasis. The main focus was looking at composition and perspective. It was also useful for learning how to tell a narritive and convey space through illustration.

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The Foundations of Architecture.

This A-level final piece looked at the development of architecture throughout history. It splits prominent architectural works into four sections: Ancient, Gothic, Brutalist and Contemporary.

Each panel has an Op art inspired painting as a background that architectural examples are collaged atop. Key lines are chosen from these examples and extended out along all four sections. The lines taken from older buildings run underneath the photos and lines of more modern architecture, adding depth and showing how modern architecture builds atop of what has come before.

Meditation Space.

This meditation space was hand constructed and designed by a group of 5 students from the University of Portsmouth on site at the Whitelands Project. It was built over the course of a week and provided a sanctuary to those in the forest, the curved planks of wood designed to mimic the canopy above. Getting hands on, on site experience with a building project was an eye opening experience and was an opportunity to work on team-working and organisation skills.

Miscellaneous Work.
22.

Mayflower Terminus Development Sketch.

Showcasing a finalisation of ideas on a ground floor plan.

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