Critical Construction

Page 6

WITH ME AND ADAM STILL DESIGNING AS PARTNERS IN THIS STAGE OF THE PROJECT, WE CREATED 5 MORE DESIGNS USING THE 25X25 SQAURE CANVAS. THIS DESIGN IS CREATED TO HAVE CREATE AN AWKWARD FEEL, USING CONFLICTING ANGLE AND AWKWARD SHAPES. BOTH SIDES OF THE ARGUMENT ARE SPLIT INTO THEIR OWN PARAGRAPHS, AND ARE HIGHLIGHTED WITH THEIR OWN QUOTES.

FURTHER INITIAL DESIGNS

I THINK THIS DESIGN WAS QUITE EXPERIMENTAL, BUT WAS INFLUENTIAL ON MY USE OF ANGLES LATER IN THE PROJECT. I ALSO LIKED THE TYPE FACES USED, AND THE COLOUR OVERLAYS.

but in most cases, the music isn’t melodic, and you can’t interpret the lyrics. at least in hop, you can listen and understand the story they’re talking about. it’s easy listening, and can have entertaining lyrics. but it seems rediculous having to study a song to know what the words are even hinging upon. in hip hop, it’s more spoken word, so it’s pretty much poetry. it’s much funner to listen to. see what people have to say, rather than someone torturing their tonsils to make a sound which sounds like a pig squeeling. why does the whole following seem to dress in all black too? what’s up with that? i don’t think it is less talent though, there’s a level of lyricism, and the selection of words and content in each song. the majority of people who rap are from poor and deprived backgrounds. having come from being disobedient at school, and through p the culture which separated them from the more talented in academic areas, have risen hi p o to become self taught in something which a lot of people look up to. h as for the flat peaks, in the US that is probably true, but british hip hop s k i d, n hi ic scene, I wouldn’t say that statement is relevant. o go I t mus ore m y t bu vier uch usl ood m m a io he so obv at h s w , ha rgy ds ve n e ha s, th en depe n. n wi ong nd c a i i c e r s s a it ’re es ly tim he d u ic g d t i e yo h s nin th ow yr an l s n’t n he t tai of c k o b er t g. p op ri es ot you et hi t c, n e ly do i r n ip h usi en a l ce n t p ea a h i r h t m n d t e t , h d an al o int e m and ngs x n a lo o d le ings rou t an th rst s p lk e m a d f c om tim ckg t’s ta e i u stan und t o ’s b e c y a o e o y er lo it mor and er b ide do int th d an’t a s e o v n n s a l t d , e u c of mea lo ent ng o it op ar go y u pe ho s a ate wh ? yo ning ily y a trum lki ng f i , r w o w d p r me a yi . sl ins op ea ec ta hi an e me essa iou ot kno t y ppr t stud to p h e ti l l t f s e v p r o a i i u c n l a o a I f ne s ob tip h j nt, ste t h l th e le ns he pe ier ce t o n’t s i u c i l l e u ’ i v t e g a o t p u la a u h i it , mu y m tal to l ab s a ne. eca peo ou o c or m t , b he f p nt, t k b h d w t e p a s s e o n e o e so sc ust ost gre e w ho pret les ing sai tpe th fr tim n i nd fer ju al is l m c t a j y f i e s d g p e r I i s an it’ the app e k di wa nd ums nin yme is much ere d b r fl mus k, es, k o peo c e t m h m h . r r l c a o t a a m o a f l s r t a d d u a d we the bl ne so e in co le to bl nde r i ici tel t o n’t e s a l sa ces nd d g e h s o r a n i a e e n o f r n n h s mo sam t a t o ari very wor ow m l we e ly usly a l doe om t und n t fere tar tha arnt a e i re ui er le l. o r t y o h l r e r e ar o d g th e th t p e w an eve nar sti t t bvi tor tha s f t s le p l me e us op nt ng har , I cho s k o c n s k p m e e e u li s j peo ’t her th els esp can eep hin co p j pe ere rni ot yme y s o o t t d r r h l y a t f n ’ it e as oes ei onl ing ly you a to c, i ip h ks t dif le a o r ima s m t pr h ul , k en d al s m a h i l t n h sa it, met it’ any I f hop tel see mus as spe wit thi oft how in

ROCK VS HIP HOP


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