ARCHITECTURE PORTFOLIO

CONTACT :

JAMAL SIDDIQUE

D.O.B :15-08-1999

+91 9657994253

+91 9325732915

Jamalsiddique177@gmail.com

Jamalsiddique_96

www.linkedin.com/in/jamal-siddique-a17a01285

ABOUT ME ...........

IamagraduateArchitectwith expertiseindesigndevelopment andplanning,withOneyearof practicalexperienceinthefieldof architecture.Ihavedevelopedmy abilitiestoproduceuniqueand practicaldesigns.

Mypassionisbringingoriginal thoughtstolifeusingmyknowledge ofspatialaestheticsandattentionto detail.Ihavefaithinmyabilitiesto completeprojectsthatarevisually appealingandexpertlyperformed whileskillfullyovercomingdifficult obstacles.

EDUCATION:

SSC : VIDYA PRABODHINI PRASHALA, NASHIK

HSC : H.P.T ARTS & R.Y.K SCIENCE COLLEGE, NASHIK

B.ARCH : RIZVI COLLEGE OF ARCHITECTURE, BANDRA (W)

CO-CURRICULAR:

WORKSHOPS

1. BAMBOO WORKSHOP -AREEN ATTARI

2. FLUID ART -PARZAN DARUWALLA

3. RESIN ART -KAPKRAFTS

4. POTTERY - MANISH RANGNEKAR

5. PHOTOGRAPHY -AKBAR RAZA SYED

SEMINARS

1. BUILDING ON WORDS; WORDS ON BUILDING -AR.MASUD TAJ

2. THE PATH LESS TRAVELLED -AR.SWAPNIL BHOLE

3. COMMUNITY IN DIGITAL AGE -PROF.ALEXANDER HEMEDINGER, -AR.IAN BANERJEE

4. APIC ,2020 -RCA

5. WEBINAR SERIES 01,02,03,04 -RCA

LANGUAGES:SKILLS:ANALOGS:

ENGLISH HINDI MARATHI URDU ARABIC

SOFTWARES:

MICROSOFT OFFICE

COMMUNICATION ANALYSIS TEAMWORK LEADERSHIP

REVIT

HAND DRAFTING RESEARCH SKETCHING

TWIN MOTION RHINO

PHOTOSHOP LUMION

1. FREELANCE INTERIOR PROJECT -MIRA ROAD, MUMBAI (NOVEMBER 2022-APRIL 2023)

1. Interior design with material selection.

2. Working drawing and rendering views as per client requirement.

3. Presentation drawings.

4. Co-ordinating with the contractors and workers on site.

2. WORKED AT SWASTIKARCH -NASHIK, MAHARSHTRA (NOVEMBER 2021-MARCH 2022)

1. Performed site appraisals before and after construction.

2. Put together project documentation and submittal packages.

3. Worked within software to complete designs model renderings and specification details.

4.Worked on concept designs and detailing to meet client requests and specifications.

5. Designing architectural details, including precise execution, material selection, to enhance both aesthetics and functionality

6.Created professional, to-scale sketches to communicate and clarity special requirements.

7. Completed calculations of design parameters for accuracy and safety.

8. Evaluated project costs and produced detailed estimates.

9. Produced designs and drafts of project blueprints.

10. Learn to organized and manage project timeline.

11 .Managed work of subcontracton, conveyed updates and managed construction administration and value engineering processes.

NASA LOUIS I. KAHN TOPHY (62NDN.A.S.A)

-ANALYSIS TEAM -(TOP 10 SHORTLISTED)

INTACH HERITAGE ACADEMY

1ST PRIZE“AWARD OF EXCELLENCE-2019” ( NATIONAL LEVEL)

UNCHARTED HAMLET OF JHUNTAMARA

MAHAMARG BUS TERMINAL

SEMESTER: 10

GUIDE: PROBUDDHA MUKHERJEE

Nashik is a city in the state of Maharashtra, India, and it is well-connected by a network of buses that cater to both local and intercity transportation needs.One of the most frequently used public transit system is bus which connects cities with towns and rural areas. Bus terminal are the nodes & point of contact for the users.Present status of the bus terminal in the Nashik city is studied through research and data collection out of which one of the major bus terminal i.e Mahamarg bus terminal has been selected.This thesis aims to redevelop and revitalize the existing bus terminal and improvise facilities for both the passengers and users.

LOCATION

LOCATION: NASHIK, MAHARASHTRA

PROJECT: MAHAMRG BUS TERMINAL

LONGITUDE: 73.7825° E

LONGITUDE: 19.9872° N

SITE AREA: 30090 SQ.M

SITE ANALYSIS

TRAFFIC ANALYSIS ROAD ANALYSIS

CLIMATIC ANALYSIS

ZONING & CONCEPT

• ALIGNING THE STRUCTURE HORIZONTALLY

MAJOR ENTRANCES

INFERENCE:

• The harsh we receive between 10 am to 4pm

• Primary winds flow from South-West Direction

EXISTING SITE CONDITION

• SEPERATING THE STRUCTURE INTO TWO BUILDING FOR PROPER MOVEMENT

• CONNECTING STRUCTURE

• DEVELOPING SMOOTH MOVEMENT PATTERN FOR BUSES

Transport Condition in Nashik

• ARRANGING THE FIRST FLOOR WITH MULTIFUNCTIONAL SPACES

CONCEPT WAS DEVELOPED ACCORDING TO THE MOVEMENT PATTERN OF INTERCITY & INTRACITY BUSES .

24M WIDE TWO WAY ROAD

24M WIDE TWO WAY ROAD

GROUND FLOOR PLAN (SERVICE AREA)

GROUND FLOOR PLAN (INTERCITY)

GROUND FLOOR PLAN (SERVICE AREA)

3D VIEW OF BUS TERMINAL

SEMESTER: 07

GUIDE: PROBUDDHA MUKHERJEE

Nashik is a city in the state of Maharashtra, India, and it is well-connected by a network of buses that cater to both local and intercity transportation needs.One of the most frequently used public transit system is bus which connects cities with towns and rural areas. Bus terminal are the nodes & point of contact for the users.Present status of the bus terminal in the Nashik city is studied through research and data collection out of which one of the major bus terminal i.e Mahamarg bus terminal has been selected.This thesis aims to redevelop and revitalize the existing bus terminal and improvise facilities for both the passengers and users.

PROBLEMS FACED BY WORKERS

1. DORM.

2. HEALTHCARE.

3. SCHOOL.

4. HOUSING UNIT.

5. PLAYPARK.

6. MARKET.

7. PUBLIC TOILET.

8. SUBSTATION.

9. CO-OPERATIVE OFFICE.

10. PICKEL PRODUCTION.

11. MAIDAN.

WIDE ROAD

SECTION BB’

WORKING DRAWING

BUNGLOW/WEEKEND HOME

SEMESTER 06

GUIDE : AR.MASROOR ANSARI

SECTION CC' @SCALE 1:25

RCC COPPING

230MM THK BRICK WALL

20MM THK ANTI-SKID STONE GREY MOSAIC TILES 300x300 150 MM SUNK SLAB

18MM THK EXTERNAL PLASTER

12MM THK INTERNAL PLASTER

150MM THK RCC LINTEL

12MM THK WALL MOUNTED TILE 450X300 MM

900X600 MANUAL WHITE UPVC LOUVERED WITH 2MM THK GLASS LOUVERES

50MM THK RCC JALI

10MM THK ANTI-SKID KAJARIA CUBIX GREY TILES 450x300

50MM SCREEDING PLINTH PROTECTION GROUND LINE 40MM THK PAVER BLOCK 230MM THK DRY RUBBLE PACKING RAMPED EARTH

ELEVATION

DETAILS

MR. CHAND SHE R PATIL

PROJECT : BUNGLOW DESIGN LOCATION: NASHIK,MAHARASHTRA

Worked on plans ,presentation drawing,3D renders and model

GROUND FLOOR PLAN FIRST FLOOR PLAN

SECTIONS

PROJECT : SHOWROOM DESIGN LOCATION: NASHIK,MAHARASHTRA

Worked on plans ,presentation drawing,3D renders and model

MERSEL COLDSTO GE

PROJECT : INDUSTRIAL DESIGN LOCATION: NIPHAD,MAHARASHTRA

Worked on plans ,presentation drawing,3D renders and model

ADMINISTRATION PLAN

GROUND FLOOR

SRI AUROBINDO NIVAS ,VADODARA , GUJARAT

LOUIS I. KAHN TOPHY (62 nd N.A.S.A) (TOP 10 SHORTLISTED)

Physical Form

Thar desert; therefore

The arrangement by floral of heights the shade for flower

The ‘l’ form of structure creates pressure difference, by acting as an partial obstruct for south- west winds. Thus, creating pressure zones and wind movement. The courtyard has been placed on the eastern side, to receive morning sunlight.

flora, also it Wind direction during summer (above)and winter (below).

consists of different gardens to the structure. A reflection

protects the courtyard from North-East winds

to height, also openings on

South-Western sides

utch and

area comprising the

The mass (photogallery) on the eastern side protects the courtyard from North-East winds during winter. On the other hand the mass on the western side(main structure) is more due to height, also openings on South-Western sides receive cool air during summer nights.

The floral bushes and trees enchant the sacredness of , cuts off heat during Deciduous tree, cuts off heat

The effective shed leaves They direct we by enhancing

Known for its effectiveness in alleviating

The effective shading by neem, sacred fig and other shed leaves during winter thereby letting in winter They direct air into the building or deflect it away. (above)and

1.Sri Aurobindo Nivas

2. Jaisingh Rao library

6. Mama Ni Pol 7. Tambekar wada

Fig. 2h. Form and placement of courtyard

Fig. 2i

Neem

Hibiscus Tube Rose

Fig. 2i. Massing

protects the courtyard from North-East winds to height, also openings on South-Western sides C

species of flora, also it Wind direction during summer (above)and winter (below). E

F D

opography of Gujarat shows a wide range of physical features

difference N Roof Plan 01510m A ADMIN OFFICE ADMIN OFFICE MULTI-PURPOSE ROOM TOILET EMPORIUM ADMIN OFFICE ADMIN OFFICE ADMIN OFFICE PHOTO GALLERY BACKYARD STORAGE LIBRARY COURTYARD OFFICE CONFERENCE HALL VERANDA LIBRARY PORCH 2970X2920 4550X4670 5700X5450 2000X4670 4000X9800 2400X9650 4800X9650 4550X7200 5400X4250 5300X4850 2600X4450 9700X6700 19200X4650 10900X18900 4600X4600 4600X4700 4600X4000 5300X5400 3850X4700 STORAGE 5400X1550 TOILET TOILET HALLWAY UP UP UP DOWN UP UP UP +0.05M 0.65M +0.45M +0.65M +0.30M +0.13M +0.45M +0.15M +0.30M +0.45M +0.50M +0.65M UP UP UP +0.0 0.65M 0.65M +0.65M PASSAGE DOWN +0.65M 4950 2880 2860 2900 2920 5195 5140 5040 D1+S D1+S D1+S D2 D2 D2 D1 D1 D1 D1 D1 D3 D4 D3 D2 D2 D2 D2 D6 D5 D1 D7 D9 D10 D2 D2 D11 D12 D13 D14 D16 D15 D1 D17 D18 W1 W1 W2 W11 W11 W3 W3 W3 W3 W4 W5 W5 W6 W7 W7 W7 W7 W7 W7 W7 W7 W7 W7 W7 W7 W7 W7 W8 W8 W8 W8 W8 W9 W9 W10 W11 W11 W11 W11 W11 W11 W11 W11 W11 W12 W4 W4 W9 W8 W11 W11 W6 W6 +0.64M INACCESSIBLE INACCESSIBLE DOOR TYPE WIDTH HEIGHT DOORSCHEDULE D1+S D4 D2 D3 D1 1200 900 1200 900 1200 2100 2100 2100 2100 2100 D5 740 2100 D7 950 1100 2100 2100 D6 D8 800 1500 D92300 2100 D10900 2100 D11 1200 2100 D12 900 2100 D13 1200 2100 D14 1200 2100 D15 1150 2100 D16 1200 2100 D21 1200 2100 D22 1300 2100 D23 800 2100 D17 1000 2100 D18 900 2100 HEIGHT TYPE WIDTH SILL LEVEL W1 W2 W3 W4 W5 W6 W7 100013401000 270018001200 14001400900 10501340900 10001200900 1200800900 4001800400 W8 W9 W10 W11 750 530 800 900 1800 1400 750 1350 300 1000 1550 750 W1290012001200 W1310001050900 W14 10001450900 W15 16501930900 W1613502850600 W17 900 W7 900 SCHEDULE WINDOW HEIGHT TYPE WIDTH WINDOW SILL LEVEL SCHEDULE WIDTH DOOR TYPE HEIGHT DOOR SCHEDULE D24 900 2100 WINDOW WINDOW DOOR TYPE WIDTH HEIGHT DOORSCHEDULE D1+S D4 D2 D3 D1 1200 900 1200 900 1200 2100 2100 2100 2100 2100 D5 740 2100 D7 950 1100 2100 2100 D6 D8 800 1500 D92300 2100 D10900 2100 D11 1200 2100 D12 900 2100 D13 1200 2100 D14 1200 2100 D15 1150 2100 D16 1200 2100 D17 1000 2100 D18 900 2100 HEIGHT TYPE WIDTH SILL LEVEL W1 W2 W3 W4 W5 W6 W7 100013401000 270018001200 14001400900 10501340900 10001200900 1200800900 4001800400 W8 W9 W10 W11 750 530 800 900 1800 1400 750 1350 300 1000 1550 750 W1290012001200 SCHEDULE WINDOW WIDTH DOOR TYPE HEIGHT DOOR SCHEDULE WINDOW 0136m Ground Floor Plan N Fu Aurobindospent14yearsinBaroda ostensibly as in brainbehindtheemergingnational radical movement.The bungalow of platform for Sri associate with the local p including his students and fellow professors of Baroda. helped spirituality and Nationalism within the native people. However present neglected from followers of Sri are aware about the existence and purpose of this structure. 4. V Aurobindo nivas has an influence of both, wada architecture and vernacular architecture of Gujarat.The spaces on the ground floor and first floor follow mass enclosing the planning of wadas. The typical layout of a vernacular house of Gujarat is placed to follow hierarchy of public to private linearly.The design of wada was influenced by social and cultural factors and is similar to the forts with an open space in the center and massing on all the four sides along with indigenous lattice fig. 3a SP fig. 3b. fig. 3d. LOCAL eflection of fig. 3c. +0.0 +0.15M +0.30M MEMORIAL DOOR TYPE WIDTH HEIGHT DOORSCHEDULE D1+S D4 D2 D3 D1 1200 900 1200 900 1200 2100 2100 2100 2100 2100 D5 740 2100 D7 950 1100 2100 2100 D6 D8 800 1500 D92300 2100 D10900 2100 D11 1200 2100 D12 900 2100 D13 1200 2100 D14 1200 2100 D15 1150 2100 D16 1200 2100 D21 1200 2100 D22 1300 2100 D23 800 2100 D17 1000 2100 D18 900 2100 HEIGHT TYPE WIDTH SILL LEVEL W1 W2 W3 W4 W5 W6 W7 100013401000 270018001200 14001400900 10501340900 10001200900 1200800900 4001800400 W8 W9 W10 W11 750 530 800 900 1800 1400 750 1350 300 1000 1550 750 W1290012001200 W1310001050900 W14 10001450900 W15 16501930900 W1613502850600 W17 900 W7 900 SCHEDULE WINDOW HEIGHT TYPE WIDTH WINDOW SILL LEVEL SCHEDULE WIDTH DOOR TYPE HEIGHT DOOR SCHEDULE D24 900 2100 WINDOW WINDOW DOOR TYPE WIDTH HEIGHT DOORSCHEDULE D1+S D4 D2 D3 D1 1200 900 1200 900 1200 2100 2100 2100 2100 2100 D5 740 2100 D7 950 1100 2100 2100 D6 D8 800 1500 D92300 2100 D10900 2100 D11 1200 2100 D12 900 2100 D13 1200 2100 D14 1200 2100 D15 1150 2100 D16 1200 2100 D17 1000 2100 D18 900 2100 HEIGHT TYPE WIDTH SILL LEVEL W1 W2 W3 W4 W5 W6 W7 100013401000 270018001200 14001400900 10501340900 10001200900 1200800900 4001800400 W8 W9 W10 W11 750 530 800 900 1800 1400 750 1350 300 1000 1550 750 W1290012001200 SCHEDULE WINDOW WIDTH DOOR TYPE HEIGHT DOOR SCHEDULE WINDOW Aurobindo nivas has an influence of both, wada architecture and vernacular architecture of Gujarat.The spaces on the ground floor and first floor follow a hierarchy of public to private linearly.The design of wada was influenced fig. 3a fig. 3b. fig. 3d. eflection of fig. 3c.

3. Vadodara abhilekhagar

In order to prevent dampness from affecting efficient

Form

• Previously furnitures were placed towards the wall to provide easy circulation within the space. This was possible because of the rectangular shape of the space as it provides larger perimeter.

• Segmental Arch: Considered as one of the strongest arches,is able to resist thrust. It has a rise equal to a minimum of one-eighth of the span’s width in order to prevent failure.

• A combination of hip and gable roof can withstand strong windstorms due to their self-bracing design and shape.

Fig. 6a.

furniture and flooring

The floor has marble and granite finishing that reflects light and makes the space bright. The panels describing the life of Sri Aurobindo act as a movement guide for the reader.

Meditation Halls

. Heat transfer through walls.

DOORS DOORS DOORS DOORSDOORS DOORS

Wooden flooring is easier to install. Teak wood

Balcony and use of slits.

: A fine grained variety of : Indian patent stone flooring caused by foot traffic or heavy machinery.

Meditation Hall 1

Fig. 6e.

The floor has marble and granite finishing that reflects light and makes the space bright. The panels describing the life of Sri Aurobindo act as a movement guide for the reader.

The first-floor comprises of 5 rooms that function on the idea of into sole units with multiple connections. Diffused light emphasizes on the space by scattering evenly which makes the space . The diffusion of light is done by the incorporation of louvers, fluted glass and clerestory windows.

Section DD’

Soft colours (majorly white) helps increasing the brightness of diffused light. As activities are carried out in permanent contact with the floor, timber is used as a flooring material because of low U value. The fluctuation of temprature is slow thus making the user comfortable. The carpets act as a movement guide and also facilitates in sound proofing. of flowers and incense sticks, of chirping along with continuous due to cross-ventilation drives one’s attention inwards and makes the atmosphere serene.

The first-floor comprises of 5 rooms that function on the idea of into sole units with multiple connections. Diffused light emphasizes on the space by scattering evenly which makes the space . The diffusion of light is done by the incorporation of louvers, fluted glass and clerestory windows. Soft colours (majorly white) helps increasing the brightness of diffused light.

As activities are carried out in permanent contact with the floor timber is used as a flooring material because of low U value. The fluctuation of temprature is slow thus making the user comfortable. The carpets act as a movement guide and also facilitates in sound proofing. of flowers and incense sticks, of chirping along with continuous due to cross-ventilation drives one’s attention inwards and makes the atmosphere serene.

The first-floor comprises of 5 rooms that function on the idea of into sole units with multiple connections. Diffused light emphasizes on the space by scattering evenly which makes the space The diffusion of light is done by the incorporation of louvers, fluted glass and clerestory windows. Soft colours (majorly white) helps increasing the brightness of diffused light. As activities are carried out in permanent contact with the floor timber is used as a flooring material because of low U value. The fluctuation of temprature is slow thus making the user comfortable. The carpets act as a movement guide and also facilitates in sound proofing. of flowers and incense sticks, of chirping along with continuous due to cross-ventilation drives one’s attention inwards and makes the atmosphere serene.

on the idea of into sole units with multiple connections. Diffused light emphasizes on the space by scattering evenly which makes the space The diffusion of light is done by the incorporation of louvers, fluted glass and clerestory windows. Soft colours (majorly white) helps increasing the brightness of diffused light. As activities are carried out in permanent contact with the floor timber is used as a flooring material because of low U value. The fluctuation of temprature is slow thus making the user comfortable. The carpets act as a movement guide and also facilitates in sound proofing. of flowers and incense sticks, of chirping along with continuous due to cross-ventilation drives one’s attention inwards and makes the atmosphere serene.

The first meditation space was previously used as family drawing room and is accessible from all the other rooms. being adjacent to the corridor, most users prefer using this hall. The doors behind the portrait and adjacent to it are kept closed to create and make it the of the space which is enhanced by the linearity of the room.

Doors are aligned axially in east-west direction which maintains cross ventilation in the room, making sure that there is a continuous

• The first meditation space was previously used as family drawing room and is accessible from all the other rooms. being adjacent to the corridor, most users prefer using this hall. The doors behind the portrait and adjacent to it are kept closed to create and make it the of the space which is enhanced by the linearity of the room. Doors are aligned axially in east-west direction which maintains cross ventilation in the room, making sure that there is a continuous

The first meditation space was previously used as family drawing room and is accessible from all the other rooms. being adjacent to the corridor, most users prefer using this hall. The doors behind the portrait and adjacent to it are kept closed to create and make it the of the space which is enhanced by the linearity of the room. Doors are aligned axially in east-west direction which maintains cross ventilation in the room, making sure that there is a continuous

This hall is adjacent to the main hall. This is dimmest of all rooms and hence suitable for profound meditation. Darkness embodies a lot of energy and as it restricts our vision, it

This hall is adjacent to the main hall. This is dimmest of all rooms and hence suitable for profound meditation. Darkness embodies a lot of energy and as it restricts our vision, it

This hall is adjacent to the main hall. This is dimmest of all rooms and hence suitable for profound meditation. Darkness embodies a lot of energy and as it restricts our vision, it

This hall is adjacent to the main hall. This is dimmest of all rooms and hence suitable for profound meditation. Darkness embodies a lot of energy and as it restricts our vision, it

Meditation Hall 3

The first meditation space was previously used as family drawing room and is accessible from all the other rooms. being adjacent to the corridor, most users prefer using this hall. The doors behind the portrait and adjacent to it are kept closed to create and make it the of the space which is enhanced by the linearity of the room. Doors are aligned axially in east-west direction which maintains cross ventilation in the room, making sure that there is a continuous

Situated on the southern side, the hall receives Two balconies are placed on the same façade, that diffuse light. Further the cut the glare and spread diffused light evenly. It also compliments the symbol of Sri Aurobindo.

The fluted glass and louvers allow diffused light and directs the Thewesternfaçadehas protruding hexagonal mass, which due to its small area and constant height makes the space south-west summer winds entering through the louvers are cooler due venturi effect

This space does not majorly serve as a meditation hall but as a to store souvenirs of Sri Aurobindo. The room has a swing on which Sri Aurobindo meditated with Prof. Lele for 3 days continuously. The window adjacent is kept closed and the portrait is being highlighted by diffused light coming from the

The fluted glass and louvers allow diffused light and directs the Thewesternfaçadehasaprotruding hexagonal mass, which due to its small area and constant height makes the space south-west summer winds entering

Fig. 7c. The through rebarring.

5. Roofing

Fig. 7a. The offsets provide strength for distributing loads, makes the structure strong and durable.

Fig. 7b. External walls are subjected to horizontal wind loads, hence corners are chamferedto avoid obstruction in air flow especially on eastern and western sides.

Situated on the southern side, the hall receives . Two balconies are placed on the same façade, that diffuse light. Further the cut the glare

1ST PRIZE“AWARD OF EXCELLENCE-2019”

( NATIONAL LEVEL)

UNCHARTED HAMLET OF JHUNTAMARA

1ST PRIZE IN DESIGN CATEGORY

UNCHARTED HAMLET OF JHUNTAMARA

FREELANCING PROJECT LIVING ROOM

MDF JALI WITH ISLAMIC PATTERN ON BEAM

MDF JALI WITH ISLAMIC PATTERN

FREELANCING PROJECT KITCHEN

HAND DONE MODELS