Portfolio 2022 Jagat Satriojati S

JAGAT SATRIOJATI SAMODRA

Architecture | Music | Anime | Philosophy Science | Graphic | Design | Photography | Exercise

Trisakti University (GPA 3.30) Bachelor of Architecture

Prgamatis 2017 Architectural Exhibition Head of Creative Division

Architecture Student Association (HMA Adhisthana 18/19) Staff at the Division of Studies & Strategy

Architecture Student Association (HMA Adhisthana 19/20) President

Selasar Arsitektur Supervisor

Academic Scholarship Faculty of FTSP Trisakty University

3rd Winnert Labuan Bajo Cultural Center

Professional IAI NTT Award

Best Final Project Award

Currated & presenting it to professional panelist Best Science Publication Presenter Trisakti University Faculty of FTSP

Top 7 Winner “15 Minute City Design” Architect Regional Council of Asia Award 2021

2nd Winner Pekanbaru Monument & Museum Of Language Professional IAI Riau Award

6111998 | Indonesia

Email/samodramerdeka@gmail com Instagram.com/jagatsmdr Issuu.com/ jagatsatriojatisamodra Linkedin.com/in/jagatsatriojatisamodra Whatsapp/+628128523700

SKILL

Rhinoceros | Revit

currently learning 2,5/5

Archicad | After Effect | Premiere Pro

Cabable 3,5/5

Illustrator | Indesign | Photoshop | Enscape | Lumion | Autocad

Hand Skectch | Maquette

Proficient 4,5/5 Able 3/5

EXPERIENCE

PSPKK FTSP Usakti (Urban Kampoeng Forum Usakti)

Children Park at Kampung Cihuni, Tanggerang | Preliminary

Participant Designer at Bintaro Design District

Sekat Nirmala Installation | Built

Collaborator At LABWORKS

Labuan Bajo Cultural Center | National Competition Submission | On Going

Internship at Atelier Riri

Angsana Townhouse Park, Gate & House Unit | Development Drawing & Construction Drawing

Bogor House | Preliminary

Symphony House | Preliminary

Matang di Pohon Durian Bar | Preliminary - Contruction Drawing - Project Supervisor | Built

Icon House | Construction Drawing

Naraya Townhouse | Preliminary

Ayara Townhouse Gate | Construction Drawing

BRI Apartment Complex | Preliminary - Development Drawing | On Going

Green Cove | Construction Drawing

Discoluvia | Development Drawing & Construction Drawing

Lava House | Development Drawing

M House | Preliminary

Shiji House | Preliminary

Bangka House Extension | Preliminary - Development & Construction Drawing | On Going

Halimun Hospitality, Cijeruk | Preliminary

SFDA (Self Employee)

Limus Micro Office | Built

RF House | On Going

IA Residence | Preliminary

Medan Habitat | On Going

Sanskara Hills Townhouse | Preliminary

SPASIAL

Spectrum of the Colorless Virtual Exhibition | Completed

Our species has finally succeeded in the development of a warp drive engine system that allows travel far greater than the speed of light. After many decade of asking the question "where is everybody?", the first artificial cosmic microwave signal has been established from the nearest galaxy to ours. The intergalactical odyssey have been initiated to find the signal source and make contact with the first detected extraterrestrial life in our universe.

ALL THE PRESENTED CONTENT HAS SPECIFALLY

10.000 YEARS FROM NOW

Partake the journey by Scanning the barcode in the back cover to partake the full story experience of this portfolio

REMADE INDIVIDUALLY FOR THIS PORTFOLIO

HISTORY Academics

Competition Professional

The Curved Clay Mixed Use Studio Architecture 04 Trisakty University

Curving the fate. The rebirth of fortune, wealth & prosperity.

Glodok is known to be one of the busiest business districts in the west of Jakarta, Since the First arrival of Tianghoa people in the 17th century, The Chinese culture has taken place around the surrounding area, creating local wisdom of amalgamation between the colonialism of Batavia & the eastern character of Chinese philosophy in its architecture, the uniqueness of the area not only maintaining its status as a commercial area for more than a century but also developing the area as a tourist destination for the people in & outside Jakarta.

Unfortunately, this development creates an increase in population density & modernism to Glodok, a bland cubicle conventional building with only a single function which is served as a commercial tenant & retail center mass produced without any consideration to the surrounding local wisdom, Replacing the rich value of Chinese heritage of its area. Not only decrease the green and public space around the area, The organic spread of a single-function conventional building also disables the area’s ability to adapt to changes in the future development of commercial climate & community, potentially flunking the development of Glodok as a business district & tourism place in West Jakarta.

SINGLE FUNCTION FOCUSED

CONVENTIONAL MODERNISM ORGANIC GROWTH

1700 2018 GREEN AREA LOSS

UNNADAPTIVE TO PROGRESS

ENDANGERING IDENTITY

The Curved Clay is a statement of a supposedly ideal architectural development in Glodok, located in Jalan Hayam Wuruk, the mixed use building consist of Offices, Retail, Amenities & Hospitality function that work as an adaptable incentive toward the unpredictable development of social & commercial climate in the business district of Glodok. The Building form is an attempt to move forward with the existing local wisdom not by simply tracing Chinese architecture pragmatically, but applicating the forming of porcelain, a crafted cultural object that took a deep root in Tianghoa people to the building. While porcelain practically function as a container, its phylosophycal value and concept are linked to a vessel of rebirth, fortune, wealth & prosperity, the three porcelain-curved shape creates a new dynamic around the area, opens up a public space & green area that allow harmony between people to the area. The Curved Clay are formed not only work as a container of a commercial & social activity, but also a reflection of Glodok’s fading identity that rebirth as a new local wisdom, curving the uncertainty fate to a future of fortune, wealth & prosperity.

SCULPTING THE FORM

Curved & divided into three mass to allow gap inbetween the building for activity support & natural engagement

The two mass rotated 15 & 30 degree each for visual orientation & wider gap to contain activity support & Circulation

The verticality of each mass pulled with different height each to repair the cityscape around the area

Sculpting the detail, adding terrace to each floor as a tropical climate response & sucked the community to the building

Elevating Foreground to define & strengthen the project area

Site Location in Jln Hayam Wuruk, Glodok, West Jakarta

Pool Perspective

Innercourt Perspective

Balcony Longue Perspective

Entrance Retail Area Perspective

Roof Park Perspective

Roof Park Terrace Perspective

SCAN ME

Kemang Past Fragment Community Center & Urban Farm Asian Young Designer Award 2021 Entry

In the late 80’s, Kemang, an area located in South of Jakarta shifted its image from Betawi local establishment & plantation to an expatriate community. most of its residents moved out, and in 1998, the government change the activity of Kemang from a residential to a commercial area, the violation of the construction rule on its expansion not only reduce the public & green area, but it was also mass-produced a commercial modernist building & marginalized the environment between the remaining residential area & the commercial district of Kemang, minimizing chances of an encounter between people from each area, creating a social gap around the community. Kemang also has a high density of the informal sector, creating a micro slum around the pedestrian corner & building. Although one of the ways to raise Indonesia’s GDP is by incentivizing people from the informal sector to embrace the agricultural realm of work, there haven’t been any agencies around the area that solely focuses on developing people from the micro slum of kemang to the agriculture realm of work. The question is, how to solve all of it? The naive but realistic promising answer is none other than integrating all the issue above with one medium of solution, another question, how?

Kemang Past Fragment is an attempt to solve the problem of an over-generalized commercial building as a product of modernism, solving the micro slum crisis by people from the informal sector, and generating a sense of community around the area by taking the past elements of Kemang, defragmenting it into one single medium, a community center & urban farm. The building form taken from the old Betawi traditional establishment called Kabaya house, it creates a singular identity that reshapes Kemang’s local wisdom in architecture and its sociocultural progress, the community center consists of retail, market, public space & event amenities, giving the right infrastructure that could increase the intensity of social encounter between people around the area, creating a brand new sense of community, the urban farm & library work as a training center by the government to provide programs & education for people on the informal sector about the promising career of being a modern farmer to be prepared for stationed in. As a medium that works as a catalyst to reduce or even, clearing the present problem while also gathering different community from various backgrounds, Kemang Past Fragment are defragmented into the present scene to create a timeless scenario of community welfare & development.

Defragmanting a Fragment of the Past, Creating a Timeless Fragrance of the Future.

KABAYA HOUSE PLANTATION BACKGROUND

REMNANT OF KABAYA HOUSE

The site is land belonging to the regional government which is closed and not utilized, turning off the potential of the land to become active space and access connecting commercial and residential areas

Base mass configuration that allow a penetration of a walkable active access between residential & commercial area

An imaginary kabaya house from the existing site are used to create a neo local identity that rooted from Betawi culture

The kabaya house than sculpted to create a more contemporer morphology, adding 2 more mass as melting point of community & container for activity support

The mass than defragmanted adding more rectangular area that provide an extra space for the activity & by connecting every segment of the building with sky bridge

Kemang Past Fragment as a community center & urban farm that sucked inside people from commercial and residential area, becoming the melting point that generate sense of community

Urban Forest Pathway Perspective

Multi Purpose Hall Perspective

Plaza Perspective

Classroom Area Perspective

Chicken Ranch Perspective

Aquaponic Area Perspective

Aquaponic & Hidroponic Ranch Area Perspective

Aquaponic & Hidroponic Area

Groundplantation Area Perspective

Goat Ranch Area Perspective

Hydroponic Attic Perspective

SCAN ME

Para Nusa Cultural Center

IAI East Nusa Tenggara National Competition Entry

Located at the western point of Flores, East Nusa Tenggara, Labuan Bajo is geographically an attraction for Indonesian shipping & tourism. This position brings a meeting between sea and mountain along with their respective values, an axis can be drawn based on the midpoint of the two shipping lanes, making a connection between the two elements of the earth. Labuan Bajo are also a gateway to tourism in East Nusa Tenggara & Komodo National Park which is one of the UNESCO cultural heritages. An urban legend that connect the two archipelago, are the legend of the Dragon Princess which states that Komodo is the next brother of the original human of the island of Komodo, Si Gerong in the form of a human and Ora in the form of a Komodo dragon. As Labuhan (Entrance) between the archipelago sea and the island of Flores, Labuan Bajo is formed by elements that have various differences, one of which is the Bajo tribe and the Flores tribe that in the process experienced an acculturation with each other and succeeded in uniting the differences in nature, background , and culture with the aim to exist and live together.

Para Nusa are entities created using a simple semiotic approach, using multiple factor of geographic, context & legend that works as a starting point for the design approach to describe Labuan Bajo and its social, cultural, and community values in it into a single building, Para (gate) Nusa (Nusa Tenggara Archipelago) are expected to be the gateway between mountain and the sea & a melting point between multiple culture as a messages to convey the value of coexistence “to exist and live together in differences”. from Labuan Bajo

Laying two different building masses which divides the orientation with an imaginary axis towards the sea and the mountainthe

The difference between the masses is reinforced by the its scale, One is monumental and the other is horizontally humanist scale.

GATE = PARA NUSA = NUSA TENGGARA

Adapting the shape of Manggarai house roof on the vertical & Baboroh house on the horizontal mass.

OCEANS MOUNTAINS BABOROH KOMODO

MOUNTAINS MANGGARAI HUMAN

Plaza Air Perspective

Plaza 2 Perspective

Plaza 1 Perspective

Lobby Perspective

Restaurant Perspective

Multi Function Hall Perspective

Museum 2 Perspective

Museum 1 Perspective

Museum Entrance Perspective

SCAN ME

Climbing The Language Language Monument IAI Riau National Competition Entry

“We, sons and daughters of Indonesia, uphold the language of unity, the Indonesian language.” – The 3rd verse of Indonesia Youth Pledge.

Riau is an entry place of melayu language to the archipelago of Indonesia, it is also a catalyst for trade in Southeast Asia. Located between the islands and the Indian Ocean sea zone, the area has been a hub of international trade route since the era of the Sriwijaya kingdom, the crossing of social phenomena between various local communities also plays a huge role on influencing on the development of Indonesian Language. Its not overly excessive to say Riau, is a birth womb of Indonesian language before the Youth Pledge. Climbing the Language transforms the abstractness of the unified language into a physical entity with representation using historical, demographic and cultural narratives of Riau, as a forum that brings together all elements of society to be polite, cultured and to speak, to become a civilized medium that serves as reminder for every indonesian generation of their oath to the language of unity, the Indonesia language.

HISTORICAL

SOCIETY AND GOVERNMENT WATERS OF RIAU ARCHIPELAGO

DEMOGRAPHIC CULTURAL

TANJAK HEADGEAR

From a historical standpoint, 2 imaginary lines taken as axes of society and government, a symbolic manifestation of humans as language-forming elements. the second axis was pulled towards the location where the youth pledge was voiced, as a symbol of the journey of the birth of the Indonesian languag. Water element placed as a demographic of Riau waters which work also as away in for melayu language, Tanjak (Climbing) which have the Cultural standpoint & value of unity is taken as a base shape to translate the abstractness indonesian language in a tangible way. All the narratives combined to create a simpler concept to perceive the abstractness in a different way, to climb the the development of vIndonesian language, to Climbing the Language.

LOCAL

Intersecting 2 Axis of Riau DPRD office & the youth pledge location in Jakarta as manifestations that symbolize the community and government who swear to uphold the Indonesian language in the 3rd verse of the youth pledge.

The monumental scale vertically and horizontally is placed on the youth pledge axis to strengthen the narrative of the unified language with landmarks that served as a contemplation space.

The form acculturated from Tanjak hat which has a philosophical value of unity in Riau culture, provide emphasis and a physical manifestation of the unified language in a tangible way

YOUTH PLEADGE SOCIETY

Entrance Perspective

Ceremony Field Perspective Sport Area Perspective

Riau Diversity Sculpture Perspective

Contemplation Area Perspective

Museum Interior Perspective

Commercial Area Perspective

Museum Interior 2 Perspective

SCAN ME

The Great Green Buffer Urban Masterplan

Architect Regional Council of Asia Award 2021 Competition Entry

Sewing the Remaining Natural Softscape, Sealing the Fate of its Reservoir.

Situ Ciledug plays an important role as a reservoir and integrator between the natural and artificial environment of Pamulang city. Several studies have shown that the 120000 m2 lake provides a potential ecotourism element from its natural existence quality that invites community activities and a possible linkage from its fabric to each different program that works as an incentive for the area and 2050 TOD development in the neighborhood. Despite the upbringing, there are certain issues that hold its potential, one of it is the setback regulations that have been violated since 1950, making the site border sprout towards the water surface and shrinking the reservoir for up to 1300000m2 from its original form, leading to a vanishing situ natural component followed by a poor connection that separates its surrounding fabrics and program (residential building, commercial building, mosque, school, hospital, cemetery), isolating the social interaction event on the site while also creates inconvenient access to achieve an ideal 15-minute life cycle.

CREATES PRODUCE

The Great Green Buffer offers a solution by sewing the endangered natural area with a softscape and pocket function of eco-friendly amenities to the waterfront community that works as a buffer from a sprawling hardscape expansion of illegal infrastructure and violation of housing regulations. The design offers an integration of pedestrian, cycling network, and recreational water transportation development with pockets of activity space based on the community’s needs. The programs consist of six sequences which are, an Urban forest which connects the spatial experience with flora and fauna, Urban Farming that provides productive land and resources, Sports & Playground which promote a healthier lifestyle, Cultural & Event which accommodate the local event, Fishing Area which maintains the existing local community activity, Research & Educational center as a sustainable strategy to maintain the site that offers information about situ ciledug’s history, present & future development

SEWING THE URBAN FABRICS

LAKE

PEDESTRIAN STAIRS BICYCLE

PROTOCOL BRIDGE

connecting above the lake, and use with 0,13 km pathways, and dirctly integrating the MRT terminal corresponds to Transit Oriented Development

GONDOLA CIRCULATION

repurposing the existing gondola route provides quickker mobility access to each program under 10 minutes of travelling time

COLLECTOR PEDESTRIAN

HIERARCHY

ARTERY RING ROAD

an urban promenade for slower mobility and better spatial experience at each activity zones by moving only through a park & active green area

LANDSCAPE BUFFER

a 7.7 km continuous perimeter pedestrian and cycling path add efficient travelling time to the entire site abd surroundinng urban fabric

overlaying landscape that aimed to be canvas for designed pathways and amenities

The exisiting urban fabric provide unintegrated access from the residential ara to the waterfront, which impacted on less community engagement & social activity

Receiving Area Perspective

Urban Forest Perspective

Cultural Center Perspective

Fishing Area

Urban Farm Perspective

Gondola Dock Perspective

SCAN ME

Halimun’s Guest Hospitality Design Proposal for Atelier Riri

Etiquette on Mannerism & Obligations of Being a Guest.

Politeness is a mandatory thing that must be applied in visiting a place, the guest must respect or even within a certain limits, implement the customs of the environment that is visited. Located in the outskirts of Mount Halimun that Formed millions of years ago. Trees, contour, nature and established Sundanese culture surrounding the area are the elements that form the mountain’s identity is without a doubt, are the inhabitants of the the project’s construction site. Not only people that came, the recreational building that people visit itself are also a guest, Therefore, it is appropriate for a building that stands in a Halimun environment to pay attention to its natural context, respect the surrounding culture, and apply manners in its architectural elements to respond to the hospitality given by Mount Halimun.

HOST & INHABITANT

GUEST MANNERISM CONTEXT ACKNOWLEGED

SUNDANESE OPENNESS

FACE TO FACE

Halimun’s guest is a hospitality shelter that consist of 3 separate segment of buildings, a restaurant, 5 cabin, and a villa, The building apply manners of a guest as its design approach. The building form is a unity between local hut in the area and a square, the most humble shape in geometry, as a response to applicate the site’s culture to the architecture while still holds the context of a guest that come to establish on mount Halimun. Lightweight structure & the minimal use of partition are an attempt to unite the interior & the exterior of the building as a courtesy of politeness to the Halimun Nature. Thatched roof from local grass & vulcanic stone cladding on the façade are part of a strategy to amalgamate the built environment with mount Halimun’n nature by using it as an architectural element. Halimun’s guest isn’t trying to be an extraordinary breakthrough in the realm of architecture, the building is just trying to be a polite guest that visit something more extraordinary than any other human architecture in the world, and that is, the Halimun mountain, God’s work in its freetime.

INHABITANT

the figure ground configuration are a form of manner & respect from guest to preserve the existing vegetation in the site

A building mass than created by using a two context, one is using the basic shape of the existing buildings around the site to blend with the local morphology , while the other one using a simple cubic shape as a gesture of humbleness from the guest to the surrounding context & inhabitant

The cubicle form that represent the “humble guest” of the site area then rotated by 30 degree following the axis that facing Halimun Mountain, allowing the building express its gratitude & mannerism face to face towards Mount Halimun, the householder

The form then sculpted to meet the space required & support the guest activity, The building mass also raised 600 meters above the ground to preservet the rain water drop area, avoid dredging to the contour and hardening the ground around the site.

Restaurant, Cabin, & Villa then Linked with protocal bridge that penetrate the forest area, as a gesture to appreciate the warmth and hospitality of the house owner, Mount Halimun

VILLA

CABIN

RESTAURANT

Dining Area

Restaurant Side View Perspective

Interior Side View Perspective

Viewing Deck Perspective

Restaurant Perspective

Cabin Side View Perspective Forest Pathway Perspective

Medium Cabin Interior Perspective

Medium Cabin Interior 2 Perspective

Cabin Perspective

Living Area Perspective

Villa Side View Perspective

Living Area 2 Perspective

Large Bedroom Perspective

Villa Perspective

SCAN ME

PROFESSIONAL

From This page onward, the presented content covers experience from a professional work realm & standpoint

WORK & EXPERIENCE

and no longer be part of “To You, 10.000 Years From Now” Story Script”

Sekat Nirmala

BDD 2019

Sekat Nirmala is an attempt to create an open inclusive smoking area for smokers in Menteng Park Bintaro. The installation uses recycled plastic bottle waste that is arranged as a grill on the facade to circulate the air and cigarette into the installation area. A hanged Dutch Betel plant is used as a wall cladding inside the installation to absorb the circulating nicotine and carbon from the cigarette smoke. This 3x2.5x2.1 meters Installation stimulate the user experience to increase their sensitivity to the surrounding environment.

EXHIBITION

Spectrum of the Colorless

SPASIAL

spectrum of the colorless imagines the rawest spiritual and physical condition of a human being when materialism, ornamentation, covering are removed from ownership. the journey begins through the water which is the symbolism of birth, passing through the ephemeral buildings amidst the snow, reflecting the artist’s state of mind and condition seeking ascension, carrying out the eternal cycle of samsara. The bareness of ownership manifested using a 2 monolithic mass with only concrete as its cladding to create an alien feeling when we human, releasing all of our property & assets from our grasp

RF

Sanskara

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