Portfolio

APPENDIX - DESIGN EXPLORATIONS DINING CENTER

SELECTED

SELECTED

Chengjie Jacob Li

work sample

January 2021

APPENDIX - DESIGN EXPLORATIONS MAIN CENTERPIECE 185

7/19/2017 170728_WALT 1:34:07 PMProject Gamma Book Revised.indd 185

180

7/19/2017 1:34:05 PM170728_WALT Project Gamma Book Revised.indd 180

7/19/2017 1:33:

SELECTED

Chengjie Jacob Li 3333 Broadway, E14J New York NY 10031 | +1 929 255 8381 | chengjie.li@columbia.edu

education

distinctions

Columbia GSAPP (Class of ‘21) Master of Architecture 09.2018 - 05.2021

Clifford Wong Scholarship in Architecture 2015 McGill University International Entrance Award 2012

McGill University School of Architecture Bachelor of Science (Architecture) 09.2012 - 05.2016

- Assisted studio instructor in the daily operation of the class - Provided feedback to students during desk crits and reviews

Drawing: Revit Rhino Grasshopper Discover AutoCad Processing Python, C++

Toshihiro Oki Architect, NYC 05.2019 - 12.2019 / 8 months Intern - Developed concepts and produced drawing sets for a range of small scale commercial and residential projects in Manhattan

Research: Rapid Prototyping ArcGIS DIVA HOT2000

experience Columbia GSAPP Core I Studio, NYC Teaching Assistant 09.2019 - 01.2020 / 4 months

Chengjie Jacob Li

skills

Dissing + Weitling Architecture ALS, CPH DK Intern 04.2018 - 09.2018 / 6 months - Developed concept designs for various bridge projects and competitions under Design Director Poul Ove Jensen Freelance Architectural Designer/Design Consultant 09.2017 - present Past & current collaborations with BrianBrush.com & RuthOtero.com - Public art installations + architecture competitions - Interior drawings + visualization Bjarke Ingels Group, NYC Design Assistant 09.2016 - 09.2017 / 12 months - Developed concept designs for commercial & private commission/ competition projects across various scales under AgustinPerez-Torres (partner) and Maria Sole Bravo (associate) - Produced visualization and models for multiple projects in SD & DD phases AECOM, PEK CN Intern 05.2015 - 08.2015 / 3 months - Assisted the project team in the schematic design phase of a large scale commercial development in southeast China. 3D modelling, visualization, drafting, research and design studies.

Habitat for Humanity Central Arizona On-Site Volunteer 03.2016

Post-Production: VRay 3ds Max (animation) Adobe . Photoshop . Illustrator . Indesign . Lightroom . Premiere . After Effects

languages English Mandarin French (limited work proficiency)

specialty Embodied Energy Housing Policies Millwork Drawings Acoustics Parametric Design Healthy Building Materials

references Maria Sole Bravo Bjarke Ingels Group 646 284 2439 mabr@big.dk

Jaffer Kolb new-affiliates.us 917 543 7973 jaffer@new-affiliates.us

Toshihiro Oki toshihiro-oki.com 917 362 1263 office@toshihiro-oki.com

David Benjamin thelivingnewyork.com deb2024@columbia.edu

Feb 2021

Chengjie Jacob Li

Table of Content

Professional Work

ADV V Fall 2020 critic: David Benjamin ADV IV Spring 2020 critic: Lindy Roy Core III Fall 2019 critic: Adam Frampton Core II Spring 2019 critic: Toshihiro Oki Core I Fall 2018 critic: Anna Puigjaner Tech III Fall 2018 critic: Sarrah Khan Tech V Fall 2019 critic: Philip Palmgren Generative Design Fall 2019 critic: Danil Nagy

Toshihiro Oki Architect 30 E71st St Water Island Seagram Cheim Reade Gallery Bjarke Ingles Group SHA, DUHA, 205M, EMPO, ALTO, NBCU, WAVE, DISNEY, TSPC, HART, HTTR, KING Dissing+Weitling Aecom Freelance

academic work

work sample After declaring state and national emergency, on March 22, Governor Andrew Cuomo ordered all non-essential workers to stay home; subsequently over 500 million sq of commercial space stood vacant for nearly two months.

Today, only 10% of New York’s 1.2 million office workers have returned to working in person. It makes one wonder: what’s the future of NYC’s commercial office stock?

Indeed, Manhattan’s mostly densely built neighborhoods may just offer a solution to many of the city’s problem with social justice and climate change. As a major part of the city’s stride towards the Green New Deal, Local Law 97 of the Climate Mobilization Act of 2019 demands all buildings larger than 25,000 sqft to meet decarbonization targets by 2024.

Our studio imagines a Climate Design Corps comprised of young people volunteering their time and energy to physically manifest the GND through acts of design and building. And my proposal is focused around Office Building Adaptive Reuse to achieve decarbonization, create jobs, and address New York’s housing crisis all at once.

$500B *GND projection of ANNUAL economic output due to climate change by year 2100

social justice

polycarbonate panels R = 3.0 - 3.7

Median Rent vs. Median House Income (US Census 2014)

particle board [densified wood + paper waste]

terrazzo floor finish [crushed glass + rubble aggregate]

Global Average Surface Temperature (US EPA 2017)

climate change

Global Greenhouse Gas Emission (IPCC AR5 2014) Sea Level Change Projection (NOAA 2017) 1950

‘Architecture is the will of an epoch translated into space. Living, Changing, New. Not yesterday, not tomorrow, only today can be given form.’

Federal Disaster Relief Fund Appropriation 10-year rolling median (Congressional Research Service 2018)

1960

1970

1980

1990

2000

2010

2020

2030

2040

ADV V STUDIO instructor: David Benjamin Fall 2020

As demands for high end office spaces begin to shift from traditional commercial hot zones like midtown to newer developments in Hudson yards and Chelsea, already high tensions between landlords and tenants are made worse by Covid rent strikes. From the mayor’s office to private corporations, leaders are toying with the idea of converting midtown offices into homes, quoting the success of Lower Manhattan, which in recent decades have turned from an almost exclusively office district into a vibrant residential neighborhood.

2050

chengjie.li@columbia.edu

GSAPP

academic work

work sample

shared terrace and communal kitchen

polycarbonate over cladding double facade

existing reinforced conrete and steel structure

15F

DUPLEX APT

existing bronze mullion and window units

sliding door winter garden

15F

DUPLEX APT

upcycled/ flipped furniture

staircase from reclaimed lumber and steel

post consumer recycled glass and concrete terrazzo floor topping

15F DUPLEX APT

PHASE

Design

Demo Construction

TASKS

WORK FORCE

- Survey - Design - Community engagemnt

-Climate Design Corp -Propspective Residents

- Removal - Demolition

- Private contractors - Residents

- offsite manufacturing - transportation - assembly - cleaning - furnishing

-Local lumber industry -Climate Design Corp -Residents -Propspective Residents

- maintenance - financial/ social empowerment

-Social workers -NGOs -Residents

28˚C

clinic

Arbor Realty Trust Strategic Partners Clayton Dubillier Rice MIC Capital Nearwater Capital Temasek Servcorp Vista Holdings SPS Holding Universal Capital L1 Health Banco de Bogota Fintech Lindenmann Capital

26˚C

playground kitchen 24˚C

work space

event space

bathroom

owned 22˚C

temperature

social services

museum

20˚C

amenities

living room

emergency rental

18˚C

bedroom

Wells Fargo 16˚C

circulation

mechanical (closed loop)

14˚C

gym+theatre+lounge

12˚C

Current Condition; 100% offices (97% ‘occupied’); lobby, restaurant on GF;

Phase I s on iti . nd ly co on na d tion ns rma o nf ri

Post-occupancy

Phase II

Phase III

Phase IV

CDC conducts survey and design, begins renovating office floors into

CDC implements shared kitchen, museum, and closed loop energy

amenities, health clinic, event space, family space and emergency housing

chengjie.li@columbia.edu

Office leases end (~50%) and relocate; Climate Design Corp moves in and sets

ADV V STUDIO instructor: David Benjamin Fall 2020

waste-based fiberglass laminate partition boards

0%

10%

20%

30%

40%

50%

60%

70%

80%

90%

GSAPP 100%

relative humidity

academic work

work sample l

rce Fo

Fe ee U br n .S ua N . C ry e on 7 w gr , 20 D es 1 e s 9 a

Climate Design Corps

G

r

*national service

Affordable Homes

n za ti o ni Cle an

En

La

erg

yF

w 97

shared spaces

As is the case in most enduring concentrated metropolis, New York’s opportunity of evolution lies the Anthropocene of existing built forms. Buildings constructed in the postwar boom often out live their designed life cycle; maintaining and upgrading them is appropriate given the structures were built to resist once in 500 year environmental loads, with safety redundancy of 20%.

However, it is pathetic and agonizing how they are operating today. 2020’s Energy Star Rating report put buildings made in this era in the worst performing tier, worse than the typical masonry high-rises from the 30s, as well as the more technologically advanced and

chengjie.li@columbia.edu

ina

nci

ng

L Wi ocal nd La En w 9 erg 8 y

environment-minded skyscrapers of the 80s.

All of International Style’s signature moments, the full height glazing, metallic envelope structure, hermetic and stable indoor climate, inevitably lead to extremely high consumption of both embodied and operational energy. The Seagram building uses an overhead HVAC system, as well as perimeter heaters to mitigate the immense thermal bridging through its single glazed curtain wall and all bronze exterior finishing. On the other side of energy inefficiency, we find that the building has a chronic vacancy from proxy offices set up by high profile financial institutions and law firms, who’s more total absence from the office space might be guaranteed by the new and more lenient work from home model.

So the proposal to convert the office building into housing can simultaneously reduce its energy use intensity, and sequester its embodied carbon by avoiding demolition and building from scratch. How do we design not just housing, but affordable, green, stable, and just homes, for those who are most in need, while preserving the legacy of a modern icon?

ADV V STUDIO instructor: David Benjamin Fall 2020

L Pro ocal pe Law r ty -As 96 ses sed

bo

g

ar

din

ec

Gra

Showcase for Green Materials and Building Strategies

D

al

c Lo

Inspired by the success of Comedores Populares in Peru and other similar models in Japan, Mexico, and Canada, Collectivity is addressed by the elimination of in-unit kitchens for communal kitchens, enabling more natural sharing of domestic labor and resources.

bedrooms, bathrooms

Construction Jobs

Cl L En ocal erg La yE w9 ffic 5 ien cy

Climate justice is social justice. Climate change becomes a ligitable issue for architects through us addressing the housing crisis - the two challenges are inherently one, and urgent. The existing solutions we have to address low income housing in the US is corrupt and ineffective, and simply cannot undo decades of systematic oppression. As a stagnant system and extreme weathers continue to exacerbate the ongoing crisis, we are forced to look for immediate solutions that can solve high consumption of low performing buildings and shortage of housing stock at once.

Duplex arrangement is instituted in the units to achieve a more sensible distribution of thermal comfort zones, as well as flexibility of apartment sizes. Minimized private space, more semi-private space for sharing of domestic labor and resources

Office Building Adaptive Reuse

B

L Gre ocal en Law Ro ofs 92, 9 4

ct

m clim obil ate ize s cha tate ng an ea dc nd ity eco po no licie mi s c in to equ add alit ress y;

A im p N ril at ew 1 e 8 Yo , 2 M rk 01 ob Ci 9 ili ty za Co ti un on ci l A

ew

N en Gre 016 2

ask al T De

GSAPP

academic work

work sample

Energy Star Rating 2020 median score : 78 (B-Office)

*Via Verde 96

740 Park Avenue 20

Manhattan House 53

The Plaza 1

601 Lexington Ave 66

Trump Tower 51

Trump Hotel 23

Lipstick Building 48

The Osborne 18

550 Madison Ave 89

Lever House 20

ADV V STUDIO instructor: David Benjamin Fall 2020

432 Park Ave 6

Riverh

Chrysler Building 68 Seagram Building 3

444 Madison Ave 77 building age

operating energy

Macy’s Herald Sq 30

chengjie.li@columbia.edu

GSAPP

work sample

academic work

As a fairly new form of artistic expression, urban projective multimedia installation has the power to engage and reconceptualize buildings in the urban environment. Artists such as Refik Anadol and Michel Lemieux often use it to celebrate technology, recall neglected history, and voice political ideologies. The question of quarry reclamation is one example of such contested grounds, where advances in technology, willful neglect of history, and conflict between political parties converge.

The program of the residency, which is an incubator and facility for projections, therefore seeks to engage massive amounts of inorganic material through the process of ‘photo-morphosis’, and perpetuate the purpose of the quarry as a place of production, except instead of exporting mineral material to the metropolis, the product is the mobilization of the quarry pit itself as an immersive mirage. It might even help us contemplate on a global scale and across geological time, how we are intimately living with and using up mineral material that took scores of millions of years to create.

The artists will live and work both individually and collaboratively within the tower leaning against the pit wall. Individual living/working pods attaches to, and draws from the central spine that is simultaneously structure, MEP, and circulation.

chengjie.li@columbia.edu

ADV IV STUDIO instructor: Lindy Roy Spring 2020

Anthropocenery is a short-term residency for a group of New Media artists who are encouraged to explore projected visual installation using the pit walls and other elements within Tomkins Cove Quarry, and transform them into performative objects.

GSAPP

academic work

ADV IV STUDIO instructor: Lindy Roy Spring 2020

work sample

chengjie.li@columbia.edu

GSAPP

academic work

ADV IV STUDIO instructor: Lindy Roy Spring 2020

work sample

chengjie.li@columbia.edu

GSAPP

academic work

work sample

FAMILY UNIT 1

+

NEIGHBORS FROM TWO FLOORS BELOW (OR ABOVE)

FAMILY UNIT 3

Creating a flexible structure that would be easily adaptable to different post-nuclear family structures. In the vein of that interest, we also wanted that flexibility and freedom of layout to allow the structure to be able to have a long building lifetime.

To avoid alienating the neighborhood, we decided to take two typologies that were already familiar to New York - the tower and the rowhouse - and invert the populations that usually live in those spaces.

FAMILY UNIT 4

SHARED SPACE WITH OTHER UNITS

SHARED SPACE WITH OTHER UNITS

SHARED SPACE WITH OTHER UNITS

GROUP OF MICRO-UNITS

SHARED SPACE WITHIN UNIT

GROUP OF MICRO-UNITS ON FLOOR BELOW

PUBLIC SPACE WITHIN NEIGHBORHOOD

TYPICAL FLOOR PLAN SCALE: 1/8” = 1’

Instead of the tower representing gentrification and the new, it houses seniors and their nurses as well as families who want to live together in the same proximity. The layout of the tower focuses on the unit of the room, and allows families to adapt the rooms as needed to their living situation. A balcony acts as secondary circulation, but allows allows for a more domestic scale within an urban structure. In contrast, the rowhouse, when assembled in a series of units, becomes a slab building that houses a more transient population in a series of micro-units. The two volume types overlap and co-exist and where they overlap, communal program is created to service both buildings.

Adjacent to the communal program on the street side within the slab buildings, public spaces are created that serve both the communities within the block and the communities in the vicinity.

The ambition is to create housing that is easy to grow into, adaptable as families and their structures change, and create living spaces that are a part of the neighborhood and not against what already exists.

HOUSING STUDIO instructor: Adam Frampton Fall 2019 (partner: Adela Locsin)

FAMILY UNIT 2

UNIT LAYOUT AXONOMETRIC

chengjie.li@columbia.edu

GSAPP

academic work

HOUSING STUDIO instructor: Adam Frampton Fall 2019

work sample

chengjie.li@columbia.edu

GSAPP

academic work

HOUSING STUDIO instructor: Adam Frampton Fall 2019

work sample

chengjie.li@columbia.edu

GSAPP

academic work

HOUSING STUDIO instructor: Adam Frampton Fall 2019

work sample

chengjie.li@columbia.edu

GSAPP

academic work

SITE AXONOMETRIC

0

24’

48’

HOUSING STUDIO instructor: Adam Frampton Fall 2019

work sample

72’

1 : 2.7 SKY EXPOSURE PLANE

17 F ROOF

16 F AFFORDABLE MULTI-FAMILY HOUSING

15 F SHARED LIVING

14 F AFFORDABLE MULTI-FAMILY HOUSING

13 F AFFORDABLE MULTI-FAMILY HOUSING

12 F SHARED LIVING

13 F AFFORDABLE MULTI-FAMILY HOUSING

13 F AFFORDABLE MULTI-FAMILY HOUSING

8F SHARED LIVING

9F AFFORDABLE MULTI-FAMILY HOUSING

8F AFFORDABLE MULTI-FAMILY HOUSING

7F SHARED LIVING

6F AFFORDABLE MULTI-FAMILY HOUSING

5F AFFORDABLE SENIOR HOUSING

4F

4F

MEZZANINE AND ROOF GARDEN

ROOF GARDEN

3F

06

SHARED FLOOR

2F

’

12’

18’

3F MICRO-UNIT HOUSING

2F

AFFORDABLE SENIOR HOUSING

MICRO-UNIT HOUSING

1F

1F

AFFORDABLE SENIOR HOUSING

MICRO-UNIT HOUSING

MEZZANINE RETAIL

GF

06

EAST 151st STREET ELEVATION

’

12’

18’

SCALE: 1/8” = 1’

chengjie.li@columbia.edu

GSAPP

academic work

work sample

PARAPET 1” THK GLASS RAILING ALUMINUM PARAPET CAPPING BRICK VENEER W/ MORTAR JOINT 3/4” PLYWOOD SHEATHING METAL FLASHING RETENTION TEE

ROOF ASSEMBLY R=49.2 SOIL RESERVOIR LAYER MOISTURE-RETENTION LAYER AERATION LAYER 6” RIGID INSULATION AVB CONCRETE ON METAL DECK

WALL ASSEMBLY

BRICK VENEER 1” AIR GAP AVB 2” THK RIGID INSULATION BRICK TIE 5/8” GWB 2X6 CFS STUD WALL BATT INSULATION 6” CFS STUD WALL

TILT AND TURN WINDOWS WITH COMPOSITE FRAME RADIATOR UNIT

FLOOR ASSEMBLY 3/4” TONGUE & GROOVE FLOORBOARD 4” CONCRETE ON METAL DECK LIGHT GAUGE STEEL BEAM INTUMESCENT PAINT

R=51.0 1” INSULATING SHEATHING 6” RIGID INSULATION CAST IN PLACE WAFFLESLAB 14X14 RC COLUMN PILE FOUNDATION

chengjie.li@columbia.edu

HOUSING STUDIO instructor: Adam Frampton Fall 2019

R=22.0

GSAPP

BRONX, NY 40°49’05.40” N TEMPERATURE

D EG ° F

AVG HIGH MEAN AVG LOW

1 0 ,0 0 0

100

9 ,0 0 0

90

8 ,0 0 0

80

7 ,0 0 0

70

6 ,0 0 0

60

5 ,0 0 0

50

4 ,0 0 0

40

3 ,0 0 0

30

2 ,0 0 0

20

10

JAN

F EB

M AR

AP R

M AY

JU N

JU L

AU G

DIRECT NORMAL DAYLIGHT

FC

11 0

SEP

O CT

NOV

GIFU PREFECTURE 岐阜県

D EC

KITAGATA E X ISTING CON D IT ION 2ND HIGHEST TEMPERATURE RECORDED IN JAPAN: 41.0°C (105.8°F) IN AUG 2018

AVG HIGH MEAN AVG LOW

1 ,0 0 0

0

JAN

FEB

MAR

A PR

M AY

J UN

J UL

AU G

SEP

O CT

NOV

D EC

35°26’00.50” N C H . R 4 C O MPL I AN C E & H O T T E R CLIMAT E A DA P T ION CLIMATE ZONE: 3B (WARM, DRY)

COMPARED TO NEW YORK, GIFU HAS MORE DIRECT SUNLIGHT EXPOSURE IN THE WINTER MONTHS, AND LESS IN THE SUMMER.

EN C L O SED C O R R I D O R AS BA RRIE R LAY E R - CONT INUOUS INS ULAT ION - HIGH P E RF ORMAN C E G L AZI N G - SO L AR GA IN DE F LE CT ION - IMPA CT RE S IS TA NCE

chengjie.li@columbia.edu

HOUSING STUDIO instructor: Adam Frampton Fall 2019

on dela Locsin

academic work

work sample

GSAPP

academic work

HOUSING STUDIO instructor: Adam Frampton Fall 2019

work sample

chengjie.li@columbia.edu

GSAPP

work sample

sashino Art University Library 2010

academic work

TU Delft Library 1998

symbol

enment

elitism

circulation

symbol

storage

mocracy

living room

Stacks as stage

structure

Phillip Exeter Library 1971

Bibliotheque Nationale 1854

Before 1850s, ever expanding archive; ‘todo el mundo’ in one room.

Laurentian Library 1571

Philips Exeter Library 1971

NYPL 1911

St. Genevieve Library 1850

Musashino Library 2010

TU Delft Library 1998

STACKS READING SPACE

Early 20th c, 300ft

0

battle between books and public space;

100m

TYPOLOGIES OF THE IDEAL LIBRARY

With every passing day the contemporary library is increasingly taking on a motley of functions, often picking up the slacks from other public institutions. As one of the last free public spaces in the city, the library provides free access to the internet, and shared amenities such as event spaces, volunteer resources, and even shelter; and therefore is making the transition from an archive of knowledge into social infrastructure.

Tucked under one floating canopy that extends the width of the park from sidewalk to sidewalk, the programmed rooms scatter from north to south. These rooms are at angles with each other and are enclosed by another layer of full height structural glazing, therefore creating in-between conditions that form a continuous communal space with a variety of reading and working niches. The canopy

is further populated by customized skylights; on one hand providing adequate natural lighting for the programmed rooms, and on the other hand accentuating the active spaces, and acting as an inviting beacon that encourages passersby to engage with the building. The juxtaposition of physical and mental activities is further fractured by the overlaying of the urban context reflected on different curvature of glazing, and natural light piercing out from inside the building. The level of reflections and transparency fluctuates throughout the day from morning to night, and varies between different seasons of the year.

The intangible and immaterial thus becomes as integral a part of the architecture as the steel columns or the concrete floors.

chengjie.li@columbia.edu

LIBRARY instructor: Toshihiro Oki Winter 2019

e France

Reading Room as

GSAPP

academic work

LIBRARY instructor: Toshihiro Oki Winter 2019

work sample

chengjie.li@columbia.edu

GSAPP

academic work

LIBRARY instructor: Toshihiro Oki Winter 2019

work sample

chengjie.li@columbia.edu

GSAPP

work sample

a

a’

b

b’

c

c’

d

Graphic Exercise

d’

chengjie.li@columbia.edu

GSAPP

academic work

BROADWAY STORIES instructor: Anna Pugjaner Fall 2018

work sample

chengjie.li@columbia.edu

GSAPP

academic work

ROADWAY STORIES instructor: Anna Pugjaner Fall 2018

work sample

chengjie.li@columbia.edu

GSAPP

academic work

BROADWAY STORIES instructor: Anna Pugjaner Fall 2018

work sample

chengjie.li@columbia.edu

GSAPP

academic work

work sample F

E 20' - 0"

20' - 0"

220' - 9"

H

G

20' - 0"

J

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20' - 0"

20' - 0"

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K

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20' - 0"

A

20' - 9"

B

C

20' - 0"

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20' - 0"

F

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20' - 0"

20' - 0"

20' - 0"

220' - 9"

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20' - 0"

140' - 0"

J

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20' - 0"

20' - 0"

COUNTER

COUNTER

STORAGE 560 SF

STAR DRESSING ROOM 1 392 SF

COUNTER

COUNTER

STAR DRESSING ROOM 2

151' - 11 13/16"

6

347 SF

15' - 0"

5 15' - 0"

5

STAR DRESSING ROOM 2

6

347 SF

STAR DRESSING ROOM 2 347 SF

1856 SF

LOBBY / PRE-FUNCTION

7

5572 SF

BACKSTAGE 15' - 0"

1856 SF

75' - 0"

BACKSTAGE 15' - 0"

BACKSTAGE

7

5572 SF

427 SF

427 SF

15' - 0"

8

15' - 0"

15' - 0"

8

ENSEMBLE DRESSING ROOM 1

15' - 0"

ENSEMBLE DRESSING ROOM 1

15' - 0"

427 SF

1856 SF

LOBBY / PRE-FUNCTION

5572 SF

ENSEMBLE DRESSING ROOM 1

15' - 0"

L 20' - 9"

COUNTER

5

8

K 20' - 0"

15' - 0"

15' - 0"

15' - 0"

20' - 0"

4

COUNTER

15' - 0"

20' - 0"

15' - 0"

392 SF

4

151' - 11 13/16"

J

I

20' - 0"

205 SF

3 STAR DRESSING ROOM 1

15' - 0"

15' - 0"

392 SF

75' - 0"

H

G

246 SF

15' - 0"

15' - 0"

3

LOBBY / PRE-FUNCTION

220' - 9"

20' - 0"

COAT CHECK

560 SF

205 SF

STAR DRESSING ROOM 1

4

15' - 0"

F

E 20' - 0"

BOX OFFICE

2 STORAGE

COAT CHECK

560 SF

205 SF

16' - 11 25/32"

246 SF

STORAGE

15' - 0"

BOX OFFICE

2

COAT CHECK

7

D 20' - 0"

140' - 0"

16' - 0"

16' - 11 25/32"

16' - 0"

246 SF

3

C 20' - 0"

1

BOX OFFICE

2

B 20' - 0"

1 16' - 11 25/32"

1

6

A

20' - 9"

140' - 0"

1

9

2075 SF

2075 SF

CONCESSIONS

OFFICE

OFFICE

10

459 SF

GAS METER ROOM

I.T. / ELEC INCOMING

182 SF

147 SF

100 SF

981 SF

FIRE PUMP ROOM

UP

328 SF

UP

WATER METER ROOM

GAS METER ROOM

I.T. / ELEC INCOMING

182 SF

147 SF

100 SF

UP

D

E

F

G

H

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K

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A

C

B

D

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Audtorium Roof 60' - 0"

TERRACE

W.C.

BACKSTAGE

LOBBY

F

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20' - 0"

220' - 9"

H

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20' - 0"

J

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20' - 0"

20' - 0"

20' - 0"

Roof 50' - 0"

TERRACE

W.C.

BACKSTAGE

LOBBY

Level 2 23' - 11 5/8" CIRCULATION RAMP

Office Level 11' - 0"

DRESSING ROOM

L

CABARET 310 SEATS A

3

B

C

20' - 0"

D

20' - 0"

F

E

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20' - 0"

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220' - 9"

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20' - 0"

20' - 0"

K

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20' - 0"

A

16' - 11 25/32"

16' - 0"

16' - 11 25/32"

16' - 0"

COUNTER

COUNTER

6

347 SF

STAR DRESSING ROOM 2 347 SF

BACKSTAGE

1856 SF

LOBBY / PRE-FUNCTION

7

15' - 0"

75' - 0"

15' - 0"

5572 SF

ENSEMBLE DRESSING ROOM 1

15' - 0"

427 SF

9 BOH CORRIDOR

15' - 0"

15' - 0"

BOH CORRIDOR 2075 SF

2075 SF

CONCESSIONS

OFFICE

2075 SF

OFFICE

10

459 SF

459 SF

981 SF

182 SF

147 SF

981 SF

UP

328 SF

UP

100 SF

11

WATER METER ROOM

FIRE PUMP ROOM

15' - 0"

15' - 0"

I.T. / ELEC INCOMING

GAS METER ROOM

182 SF

147 SF

I.T. / ELEC INCOMING UP

E

F

G

H

I

K

J

L

A

C

B

D

E

F

G

H

I

K

J

L

A

Audtorium Roof 60' - 0"

DRESSING ROOM

G

I.T. / ELEC INCOMING

147 SF

100 SF

H

UP

I

K

J

L

Roof 50' - 0"

Roof Terrace 41' - 1"

CIRCULATION RAMP

DRESSING ROOM

TERRACE

CIRCULATION RAMP

CONCESSION

TERRACE

Level 2 23' - 11 5/8"

CONCESSION

Level 2 23' - 11 5/8"

Level 2 23' - 11 5/8"

CIRCULATION RAMP

CIRCULATION RAMP

Office Level 11' - 0"

Office Level 11' - 0"

DRESSING ROOM

LOBBY

Roof Terrace 41' - 1"

BLACK BOX THEATER

CIRCULATION RAMP

W.C.

F

Audtorium Roof 60' - 0"

BLACK BOX THEATER

BACKSTAGE

E

VIEWING DECK

Roof Terrace 41' - 1"

CONCESSION

STADIUM 450 SEATS

D

Roof 50' - 0" VIEWING DECK

BLACK BOX THEATER

LOBBY

C

B

Audtorium Roof 60' - 0"

Roof 50' - 0"

CIRCULATION RAMP

GAS METER ROOM

182 SF

11

VIEWING DECK

DRESSING ROOM

328 SF

UP

100 SF

11

WATER METER ROOM

FIRE PUMP ROOM

15' - 0"

981 SF

BACKSTAGE

W.C.

Office Level 11' - 0"

DRESSING ROOM

LOBBY

BACKSTAGE

W.C.

DRESSING ROOM

Level 1 0' - 0"

Level 1 0' - 0"

Level 1 0' - 0"

Ext. Ground -4' - 0"

Ext. Ground -4' - 0"

Ext. Ground -4' - 0"

5

RECITAL 315 SEATS

West Elevation View

BOH CORRIDOR CONCESSIONS

OFFICE

10

459 SF

427 SF

9 15' - 0"

9

ENSEMBLE DRESSING ROOM 1

8

15' - 0"

15' - 0"

8

15' - 0"

15' - 0"

ENSEMBLE DRESSING ROOM 1

1856 SF

LOBBY / PRE-FUNCTION

7

5572 SF 15' - 0"

15' - 0"

75' - 0"

392 SF

BACKSTAGE

1856 SF

427 SF

4

STAR DRESSING ROOM 1

15' - 0"

15' - 0" 151' - 11 13/16"

15' - 0" 151' - 11 13/16"

6

347 SF

BACKSTAGE

TERRACE

560 SF

5

STAR DRESSING ROOM 2

5572 SF

328 SF

L 20' - 9"

15' - 0"

15' - 0"

15' - 0"

COUNTER

5

STAR DRESSING ROOM 2

8

K 20' - 0"

COUNTER

5

GAS METER ROOM

20' - 0"

STORAGE

15' - 0"

15' - 0"

392 SF

COUNTER

WATER METER ROOM

20' - 0"

4

COUNTER

FIRE PUMP ROOM

J

I

20' - 0"

246 SF

STAR DRESSING ROOM 1

4

CONCESSIONS

H

G

205 SF

3

15' - 0"

392 SF

4

220' - 9"

20' - 0"

15' - 0"

16' - 11 25/32" 15' - 0" 15' - 0"

STAR DRESSING ROOM 1

D

20' - 0"

COAT CHECK

560 SF

205 SF

3

UP

F

E 20' - 0"

BOX OFFICE

2 STORAGE

COAT CHECK

560 SF

C

D 20' - 0"

1

246 SF

STORAGE

205 SF

B

C 20' - 0"

140' - 0"

BOX OFFICE

2

A

B 20' - 0"

1

10

FLEA MARKET 460 SEATS

20' - 9"

We were asked to imagine a fully functional contemporary theatre space in Brooklyn’s Greenpoint, comprising of a 500-700 seats main auditorium, a black box theatre, front & back of house, landscape, and connection to the urban fabric as well as energy grid. Many of the city’s successful new theatres, such as St.Ann’s Warehouse and the National Sawdust, provided clues for us to solve Jake Li DESIGNERS Erin Biediger the issue of the relavence of creating a theatre Jake Li Audrey Dandenault space Erin in Biediger the neighborhood.

We decided that not De Jesus Ubri AudreyNelson Dandenault Nelson De Jesus only should theUbri auditorium be able to host a wide range of events from big productions, to small independent shows, but also be utilized during the off-hours of the performance-realm, as vessel for a gala, or perhaps a flea market. Further more, taking cue from avant garde trends such as immersive performance, we propsed to suspend the black box theatre above the main stage to inspire interactions between the two spaces - two simultaneous performances.

2

Level 1 0' - 0" Ext. Ground -4' - 0"

140' - 0"

LOBBY / PRE-FUNCTION

DRESSING ROOM

Level 1 0' - 0"

20' - 9"

COAT CHECK

W.C.

BACKSTAGE

LOBBY

Ext. Ground -4' - 0"

246 SF

7

CONCESSION

Level 1 0' - 0"

BOX OFFICE

3

Roof Terrace 41' - 1"

CIRCULATION RAMP

Ext. Ground -4' - 0"

1

6

Audtorium Roof 60' - 0"

DRESSING ROOM

CONCESSION

140' - 0"

2

L

Office Level 11' - 0"

DRESSING ROOM

K 20' - 0"

K

J

16' - 0"

D 20' - 0"

UP

I

Level 2 23' - 11 5/8"

2 C

100 SF

CIRCULATION RAMP

ARENA 460 SEATS

20' - 0"

I.T. / ELEC INCOMING

147 SF

H

BLACK BOX THEATER

Office Level 11' - 0"

B

GAS METER ROOM

182 SF

G

BLACK BOX THEATER

CONCESSION

20' - 0"

F

Roof Terrace 41' - 1"

CIRCULATION RAMP

Level 2 23' - 11 5/8"

A

E

VIEWING DECK

DRESSING ROOM

CIRCULATION RAMP

1

D

Roof 50' - 0" VIEWING DECK

Roof Terrace 41' - 1"

CIRCULATION RAMP

BLACK BOX THEATER

TERRACE

C

B

Audtorium Roof 60' - 0"

Roof 50' - 0" VIEWING DECK

DRESSING ROOM

WATER METER ROOM

328 SF

UP

11

151' - 11 13/16"

C

FIRE PUMP ROOM

15' - 0"

WATER METER ROOM

15' - 0"

15' - 0"

328 SF

11

B

459 SF

981 SF

FIRE PUMP ROOM UP

11

A

2075 SF

OFFICE

10

459 SF

981 SF

BOH CORRIDOR CONCESSIONS

75' - 0"

10

BOH CORRIDOR

15' - 0"

15' - 0"

BOH CORRIDOR CONCESSIONS

North Elevation View

9 15' - 0"

9

ARCHITECT Stephan Potts ARCHITECT Stanev Potts Architects 1103 Spruce Street Stephan Potts PA 19107 StanevPhiladelphia, Potts Architects 1103 Spruce Street Philadelphia, PA 19107CONSULTANT STRUCTURAL Shinjinee Pathak STRUCTURAL Silman CONSULTANT 32 Pathak Old Slip Shinjinee Silman New York, NY 10005 32 Old Slip New York, NY 10005 MECH., ELEC., & PLUMBING ENGINEER Sarah Sachs MECH.,BuroHappold ELEC., & PLUMBING ENGINEER 100 Broadway #23 Sarah Sachs New York, NY 10005 BuroHappold 100 Broadway #23 New York, NY 10005 ENVELOP CONSULTANT Alex Barmas ENVELOP CONSULTANT DeSimone Consulting Engineers 140 Broadway, 25th Floor Alex Barmas NewConsulting York, NY 10005 DeSimone Engineers 140 Broadway, 25th Floor New York, NY 10005 DESIGNERS

6

GALA 460 SEATS

Five AHU distribute air to the spaces through overhead variable air volume systems to the five distinct climate zones we identified in the buildBrooklyn, NY 11222 Brooklyn, NY 11222 ing, separating back-of-house from auditorium, black box theatre, circulation ramp, and frontof-house spaces.

On the West side, the facade FLEXIBLE THEATRE is a double skin glazing system, manifested in ARRANGEMENTS a catwalk, roller blinds, and passive ventilation assembly to mitigate glare and heat gain/loss.

NTS

FLEXIBLE THEATRE ARRANGEMENTS

1 M-300 M---

NTS

FLEXIBLE THEATRE ARANGEMENTS

M-300

A R C H I T E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107 ST R U CT UR AL CONSU LT AN T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005 M E CH AN ICA L C O N SU L T AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005 E N CL O S U R E CO N S U L T A N T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005 DESIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu

NO.

DATE

In order to integrate our design toCLits site, we decided to include 3 ‘green’ areas to the building’s immediate perimeter, buffering the border between our building and Transmitter Park. These green zones are used for bioswales to mitigate storm runoff as well as for rainwater collection.

REVISION

01

1 OCT 2019

SD SUBMISSION

02

22 OCT 2019

DD SUBMISSION

03

26 NOV 2019

CD SUBMISSION

Greenpoint Theatre 1 8 G r e e n p o i n t Av e B ro o k l y n , N Y 1 1 2 2 2

chengjie.li@columbia.edu MASSING

GREENPOINT THEATRE instructor: Sarrah Khan Fall 2019

D 20' - 0"

16' - 0"

C 20' - 0"

151' - 11 13/16"

B 20' - 0"

75' - 0"

A

GSAPP

academic work

work sample

15 A

B

C

D

E

F

G

H

I

J

K

15 A

L

AIR GAP TO HELP COOL FACADE AND LOWER SOLAR HEAT GAIN

220' - 9" 40' - 0"

20' - 0"

20' - 0"

100' - 0"

20' - 0"

20' - 9"

FINISH METAL PLATE

140' - 0"

-

A-200 -

F-100

1-

1

METAL BRACING FOR OUTER SKIN

2 A-301

EXTERIOR SHADING SYSTEM

---

AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107

14' - 3"

15' - 11 3/4"

1

BOX OFFICE

14 2 15' - 0"

A-300

DN

UP

STORAGE

COAT CHECK

RAMP ZONE

3

PERSONAL HOSTING SPACE

15' - 0"

COUNTER

A-400

2 A-700

1 Interior ELE Ramp

SHOWER

CHANGE/ MAKEUP SPACE

392 SF

ø 5'

- 0"

- 0"

15' - 0"

ø 5'

5

COUNTER

2

Lobby

7

A-400

VERTICAL CIRCULATIONS

F-101

1

A-201

STAGE

BACKSTAGE

2166 SF

2250 SF

DOUBLE PANE GRAZING

NO.

ENSEMBLE DRESSING ROOM 1

6538 SF

DATE

REVISION

1 OCT 2019

SD SUBMISSION

02

22 OCT 2019

DD SUBMISSION

03

26 NOV 2019

CD SUBMISSION

AIR GAP TO HELP COOL FACADE AND LOWER SOLAR HEAT GAIN

Office Level 17' - 5 7/8"

MECHANICAL CONSULTANT Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005

A-700

440 SEATS

01 CURTAIN WALL FOOTING

GIRDER BEYOND

DROPPED CEILING TIE

SIGHTLIN E

NE SIGHTLI

1

AUDITORIUM

8

SINGLE PANE PUT GLAZING

RIGID INSULATION

2

7806 SF

COUNTER

15' - 0"

75' - 0"

1 A-300

1

347 SF

STEEL COLUMNS

DE SIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu

15 A

CONCRETE SLAB ON METAL DECKING

NO. DATE REVISION STRUCTURAL CONSULTANT 01 1 OCT 2019 SD SUBMISSION Shinjinee Pathnak 02 22 OCT 2019 DD SUBMISSION Silman 03 Slip 26 NOV 2019 CD SUBMISSION 32 Old New York, NY 10005

COUNTER

2

F-101

WARDROBE RACKS

A-201

Interior ELE Lobby

SHEAR WALLS

15' - 0"

165' - 11 3/4"

6

PILE FOUNDATIONS

PERSONAL HOSTING SPACE

SIGHTLINE

E N CL OSU R E CON S U L T AN T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005

Level 2 (Terrace) 19' - 11 3/4"

Nelson De Jesus Ubri - nd2584@columbia.edu

CHANGE/ MAKEUP SPACE

SHOWER

STAR DRESSING ROOM 2

WARDROBE RACKS

15' - 0"

A-503

3 F-200

M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005

E N CL OSU R E CON S U L T AN T

SIGHTLINE

UP

TERRACE PAVERS

Alex Barmas ARCHITECT DeSimone Consulting Engineers 140 Broadway, 25th Floor Stephan Potts New York, NY 10005 Stanev Potts Architects DSpruce E SIG N E R S 1103Jake Street Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Philadelphia, PA 19107 Audrey Dandenault - amd2291@columbia.edu

STAR DRESSING ROOM 1

1

S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005

INSULATED HEAD MULLION

M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005

896 SF

4001 SF

4

AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107

RIGID INSULATION

S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005

2

CURTAIN WALL CMU FOOTING WITH FURRING

STRUCTURAL BEAM

FLOOR FINISH

DROPPED CEILING

Level 4 1 0' - 0" HHAC SYSTEM BEYOND

CONCRETE FLOOR SLAB

CONSULTANT ENCLOSURE Greenpoint Alex Barmas Theatre Engineers DeSimone Consulting 18 Gree25th npoint AveFloor 140 Broadway, B ro o k l y n , N Y 1 1 2 2 2 New York, NY 10005

SHOWER

2 A-503 3

4

A-700

A-700

UP

10

SINGLE PANE OUT GRAZING

11 15' - 0"

258 SF

FIRE PUMP ROOM

2

A-711

3

12

5

GAS METER ROOM

AIR HANDLING UNIT 800 SF

2

A-200

F-100

SYSTEM 1 DETAIL

A-100 1

WEST FACADE BASE DETAIL 1 1/2" = 1'-0"

DESIGNERS 0001 Jake Project Li -number cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Date 191021 Audrey Dandenault - amd2291@columbia.edu Scale 1'0" Nelson De Jesus 3/32" Ubri -= nd2584@columbia.edu

LOADING ZONE

A-503 2

2

LEVEL 1

A-700

WATER METER ROOM 215 SF ELECTRICAL INCOMING SERVICES ROOM 1 IT INCOMING SERVICES ROOM

CMU CURTAIN WALL FOOTING

1 8 G re e n po in t Av e B ro o k l y n , N Y 1 1 2 2 2 WEST FACADE PARAPET DETAIL 1 1/2" = 1'-0"

*Level 1 3/32" = 1'-0"

DATE

NO.

0001

Project number

191021

Date

1-1/2" = 1'-0"

Scale

12/13/2019 3:46:26 PM

15' - 0"

GENERATOR

Greenpoint Theatre

INNER FACADE MULLION

1

CONCESSIONS

DOUBLE SKIN CURTAIN WALL CAVITY

INTERIOR SHADING SYSTEM

12/13/2019 3:54:36 PM

SHOWER

30' - 0"

HVAC SYSTEM BEYOND

9

F-210

REVISION

01

1 OCT 2019

SD SUBMISSION

02

22 OCT 2019

DD SUBMISSION

03

26 NOV 2019

CD SUBMISSION

14

15 A

FRAMING - LEVEL 2

15 A

FRAMING - LEVEL 3

B C FRAMING - LEVEL 4

D

E

F

G

H

I

J

PARAPET

K FRAMING - ROOF LLEVEL

2 A-301

1 F-210

Audtorium Roof 57' - 0"

AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107

AUDITORIUM

M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005

Level 4 1 0' - 0" Ext. Ground -4' - 0"

DROPPED CEILING

S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005

HVAC SYSTEM BEYOND 9' - 10"

DRESSING ROOM

BACKSTAGE

AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107

SLAB BEYOND

18 Greenpoint Ave Brooklyn, NY 11222

Level 1.5 (Offices) Level 5 14' - 11 7/8"

---

LOBBY

RIGID INSULATION

CONCRETE SLAB ON METAL DECKING

4' - 11"

S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005

Level 2 (Terrace) 19' - 11 3/4"

DRESSING ROOM

E N CL OSU R E CON S U L T AN T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005

FACADE GRAZING

STRUCTURAL 3D VIEW

OUTER FACADE LAYER

DE SIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu

COLUMN BEYOND

M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005 E N CL OSU R E CON S U L T AN T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005 DE SIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu

CAT WALK BEYOND

NO.

E-W Section 3/32" = 1'-0"

01

DATE

REVISION

1 OCT 2019

02

22 OCT 2019

DD SUBMISSION

03

26 NOV 2019

CD SUBMISSION

Project number K

J

I

H

G

F

E

D

C

B

15 A

STEEL COLUMNS

FRAMING - PRATT TRUSS VERTICAL CIRCULATIONS

PER DRAWING

Scale

Roof 50' - 0"

DOUBLE SKIN - INNER LAYER

UPPER MEZZANINE

Level 4 (Upper Mezzanine) 37' - 5 3/8"

PRE-FUNCTION

TERRACE

S-100

1 8 G re e n po in t Av e B ro o k l y n , N Y 1 1 2 2 2

RAMP WITH PLANK

RAMP BAR

Greenpoint Theatre

Level 3 (Black Box) 30' - 0"

CIRCULATION RAMP

FRAMING - RAMP

Level 2 (Terrace) 19' - 11 3/4" Level 1.5 (Offices) Level 5 14' - 11 7/8"

---

E-W SECTIONS

CIRCULATION RAMP LOBBY

BOX OFFICE

Greenpoint Theatre 1

WEST FACADE SYSTEM DETAIL ELEVATION 3/4" = 1'-0"

2 F-210

Level 4 1 0' - 0" Ext. Ground -4' - 0"

1 8 G re e n po in t Av e B ro o k l y n , N Y 1 1 2 2 2

CURTAIN WALL FOOTING

COLUMN SHELL

STRUCTURAL COLUMN

Level 1 4 0' - 0"

INNER FACADE MULLION

0001

Project number

0001

Project number

191021

Date

SYSTEM 1 ROADMAP

CONCRETE FLOOR SLAB

STORAGE

MECHANICAL CONSULTANT Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005

DD SUBMISSION CD SUBMISSION

191021

Date Audtorium Roof 57' - 0"

STRUCTURAL CONSULTANT Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005

REVISION SD SUBMISSION

22 OCT 2019 26 NOV 2019

191021

Date CAT WALK

3/32" = 1' -0"

Scale

ENCLOSURE CONSULTANT Alex Barmas DeSimone Consulting Engineers E-W Ramp Section 2 3/32" = 1'-0" 140 Broadway, 25th Floor New York, NY 10005

A-300

1" = 1' - 0"

Scale

12/13/2019 3:54:32 PM

FRAMING - AUDITORIUM ROOF

DATE 1 OCT 2019

02 03

CATWALK

2 A-301

ENTRY TO BLACK BOX

NO. 01

0001

11/24/2019 1:40:52 AM

L

ARCHITECT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107

CURTAIN WALL MULLION

SD SUBMISSION

12/13/2019 3:48:43 PM

1

FOUNDATION FOOTING OUTER FACADE MULLION

F-200

GLAZING AS SPEC'ED

2

WEST FACADE SYSTEM DETAIL PLAN 3/4" = 1'-0"

3

WEST FACADE SYSTEM DETAIL SECTION 3/4" = 1'-0"

DESIGNERS Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu

NO.

DATE

REVISION

01

1 OCT 2019

SD SUBMISSION

02

22 OCT 2019

DD SUBMISSION

03

26 NOV 2019

CD SUBMISSION

F

Audtorium Roof 57' - 0"

D

10

Roof 50' - 0"

FRAMING - LEVEL 4

Roof 50' - 0"

FRAMING - ROOF LEVEL

Fire Stair Landing 2 37' - 5 1/2"

Greenpoint Theatre

Level 4 (Upper Mezzanine) 37' - 5 3/8"

Level 4 (Upper Mezzanine) 37' - 5 3/8"

Level 3 (Black Box) 30' - 0"

Level 3 (Black Box) 30' - 0"

AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107

AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107

S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005

S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005

M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005

M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005

E N CL OSU R E CON S U L T AN T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005

E N CL OSU R E CON S U L T AN T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005

DE SIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu

NO. 01

DATE 1 OCT 2019

DE SIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu

REVISION

NO.

SD SUBMISSION

01

DATE 1 OCT 2019

REVISION SD SUBMISSION

02

22 OCT 2019

DD SUBMISSION

02

22 OCT 2019

DD SUBMISSION

03

26 NOV 2019

CD SUBMISSION

03

26 NOV 2019

CD SUBMISSION

18 Greenpoint Ave Brooklyn, NY 11222

STRUCTURAL 3D VIEW

Fire Stair Landing 1 17' - 5 3/4" Level 1.5 (Offices) Level 5 14' - 11 7/8"

Level 1.5 (Offices) Level 5 14' - 11 7/8"

Greenpoint Theatre

0001 191021

Date

Level 4 1 0' - 0"

Level 1 4 0' - 0"

1 8 G re e n po in t Av e B ro o k l y n , N Y 1 1 2 2 2

EGRESS SECTION

HVAC - 3D VIEW

Level 4 1 0' - 0"

0001

Project number

PER DRAWING

Scale

1

FRAMING - RAMP

RAMP WITH PLANK

Egress Section 1 1/4" = 1'-0"

S-100

11/24/2019 1:40:52 AM

Scale

2

Egress Section 2 1/4" = 1'-0"

3

Egress Section 3 1/4" = 1'-0"

chengjie.li@columbia.edu

Project number

191021

Date

A-503

NTS

Scale

M-107 1

HVAC_Iso

0001 191021

Date

1/4" = 1'-0" 12/13/2019 3:49:33 PM

Project number

Greenpoint Theatre

1 8 G re e n po in t Av e B ro o k l y n , N Y 1 1 2 2 2

12/13/2019 3:56:40 PM

Level 5 14' - 11 7/8"

GREENPOINT THEATRE instructor: Sarrah Khan Fall 2019

Level 3 (Black Box) 30' - 0" PRE-FUNCTION

Level 2 (Terrace) 19' - 11 3/4"

Greenpoint Theatre

Level 4 (Upper Mezzanine) 37' - 5 3/8"

BLACK BOX THEATER

TERRACE

TERRACE PAVERS

TERRACE BEYOND

Roof 50' - 0" UPPER MEZZANINE

GSAPP

work sample

academic work

Bush Terminal Food Distribution Centre advocates for a series of strategies that are synergistic with the conditions of the site and surrounding dependent energy systems and conditions. We have examined and catalogued the existing local food business on-site, urban energy and water infrastructure, and environmental conditions including the location of the site within the floodplain. This proposal preserves and works with existing businesses, siting relevant infrastructure around these and the natural conditions of the site.

chengjie.li@columbia.edu

BUSH TERMINAL FOOD HUB instructor: Philip Palmgren Spring 2019

This project seeks to decentralize the food distribution network in New York City through the implementation of a new food distribution centre on our site in Sunset Park, Brooklyn. Currently, the largest food distribution centre in New York is located in Hunts Point in the Bronx, and commercial truck traffic driven through the Brooklyn-Queens Expressway is contributing to a rapid decay in transportation infrastructure in New York, as goods are delivered northbound through the city in order to reach Hunts Point and other final destinations. Our proposal aims to reduce food-related truck traffic through the city by up to 45%, preserving the longevity of critical infrastructure, reducing carbon emissions in the city, and strengthening the resiliency of New York City’s food systems as a whole.

GSAPP

Water and energy systems are symbiotic, and an on-site wastewater treatment facility is coupled with a closed-loop energy production system that produces biofuel for local transportation and an N+1 redundancy energy storage bank. A large, hollow berm is designed to protect critical infrastructure, and a direct, physical connection to existing buildings provides an opportunity for pedestrian connection to the buildings, plus imaginings of consumer-level offerings that work in tandem with wholesalers on

chengjie.li@columbia.edu

academic work

the site. An existing railway runs adjacent, under the berm, delivering goods to the buildings in conjunction with existing truck routes, now much reduced, and the introduction of a cargo barge terminal. Complete streets, a walkable berm with connection to both the waterfront and businesses, and passenger ferry access, supports a vibrant community overlaid on the industrial programs of the site.

BUSH TERMINAL FOOD HUB instructor: Philip Palmgren Spring 2019

work sample

GSAPP

Gen 8-15

Gen 9-25

Gen 11-35

Gen 18-4

Gen 22-28

Gen 24-17

Gen 29-8

Gen 30-28

Gen 30-35

Gen 32-27

Gen 36-12

Gen 39-16

Gen 42-2

Gen 48-17

Gen 48-31

This class experiments with generative tool Discover developed by Danil Nagy for Autodesk. By iterating with propitious traits/ ‘genes’ in parameters, meanwhile eliminating poor traits, the algorithm utilizes a Darwinian logic to narrow down optimization.

The Pavillion is the result of the subdivision of 3 ellipses stacked vertically with 8’ between that change in size and proportion to yield a series of points. The points are moved radially outwards in series to create 3 spirals of points. The points are interpolated to curves that vary in size and cross section. Corresponding to its position on the spiral, the curves are longer and provide more or less overhang. The top of each curve is connected to a ring beam at the center of the installation to resolve the curves from falling forward. Each curve is a continuous metal/wood member.The connecting element is wire and the ring beam is wood/metal.

chengjie.li@columbia.edu

DISCOVER: BURNING MAN PAVILION instructor: Danil Nagy Spring 2019

academic work

work sample

GSAPP

work sample

Graphic Exercise

academic work

chengjie.li@columbia.edu

GSAPP

work sample

undergrad academic work

McGill University chengjie.li@columbia.edu

work sample

undergrad academic work

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 

McGill University chengjie.li@columbia.edu

work sample

professional work

Architect Toshihiro Oki, architect p.c.

2005 Hazen Street East Elmhurst, NY 11370 tel: 917.362.1263 MEP engineer Rosini Engineering, PC 20-02 40th Ave Long Island City , NY 11101 646.747.7475 Lighting Designer Tirschwell & Co., Inc. 21 West 39th Street New York, NY 10018 212.563.0994 Expediter Support for Architects,LLC - Michael Zenreich 149 West 36th Street, 7th floor New York, NY 10018 212.242.7440

Date

Issue

8 / 6 / 19

DOB ISSUE

Toshi was my second semester studio critic at GSAPP. Under Toshi’s supervision, I worked on several small Him and I struck up a friendship and I started helping scale renovation projects from concept proposal to Project out at his office the summer after my first year at design development to construction administration.

UNIT 1A Columbia, and thus began the most valuable learning Besides honing vn model making and working drawing RENOVATION experience of my architecture education. As a mentor skills, I was able to try my hands at business skills such 30 71st Street and supervisor, Toshi teaches and leads1A byEastexample as specfying products, filing for permits, assisting client his tireless diligence, consistant scrutinyNewtoYork, detail, in legal depositions, and working with contractors to NY 10021and Drawingseemingly Title understated style, never failed to produce develop millwork drawings.

DEMOLITION PLAN effortless designs that inspire by their elegant materiality and flawless construction. Date 8 / 6 / 2019 Scale

1 / 4'' = 1' - 0''

Drawn

TO

Drawing No

chengjie.li@columbia.edu

D-100.00 Page No 6 OF 12

_E71 st Renovation (CD + CA)

No

Toshihiro Oki Architect

work sample

professional work Architect

Toshihiro Oki, architect p.c.

34-01 38th Ave Long Island City, NY 11101 tel: 347.639.1961

Contractor Manager Shawmut Design & Construction 3 East 54th Street New York , NY 10022 212.920.8967 MEP Engineer Rosini Engineering, PC 24-02 40th Ave Long Island City, NY 11101 212.904.0422

No

Date

Issue

3 / 9 / 2018 PRICING ISSUE

_E71 st Renovation (CD + CA)

3 / 22 / 2018 BOARD ISSUE

area of work

DOB #

Seal/Signature Project

ART LOFT RENOVATION 35 East 20th Street 7th floor New York, NY 10003 Drawing Title

INTERIOR ELEVATIONS Date

3 / 22 / 2018

Scale

1 / 2'' = 1' - 0''

Drawn

TO

Toshihiro Oki Architect A-407.00 Drawing No

Page No

chengjie.li@columbia.edu

work sample

_Water Island Renovation (Concept)

professional work

Toshihiro Oki Architect chengjie.li@columbia.edu

work sample

professional work

5 3

1

4

6

Dissing + Weitling introduced me to the design of infrastructural scale projects, among some of which we also studied industrial design scale assembly solutions.

While exceptionally specializing in the structure and code of bridge design, D+W emphasizes on the experience and iconic value of bridges as urban architecture. The power of any bridge to instantly become a landmark and affect the urban life quality, pragmatically and emotionally, is fascinating when considered together with the myriad of forms, materials, and agendas it could take.

For the competition entries shown here, I helped the design teams research, sketch, draft, and build through parametric 3D modelling software.

Competition Entries

节点四，园山 - 成功大道

2

96

chengjie.li@columbia.edu

141

Dissing+Weitling

work sample

Type: Commission Project Leader: Lorenz Krisai Year: 2016 Involvement: Design stuidies, physical models, presentation drawings, renders.

Type: Commission Project Leader: Maria Sole Bravo Year: 2017 Involvement: Research, design stuidies, physical models, presentation drawings, renders.

Harlem Central Development (Concept + SD)

King St Condos, Toronto (SD)

professional work

Bjarke Ingels Group chengjie.li@columbia.edu

work sample

Can Anma, Ibiza (Competition)

professional work

Type: Competition Project Leader: Ruth Otero Year: 2017 Involvement: Research, design stuidies, presentation drawings, renders.

Bjarke Ingels Group chengjie.li@columbia.edu

work sample

professional work

DOUBLE HEIGHT ZIG ZAG 63

ZIG ZAG FRENCH BALCONIES

ZIG ZAG BALCONIES 66

12’ x 12’ BALCONIES 64

24’ x 12’ BOXES

12’ x 12’ Boxes 70

5’ x 12’ BOXES 71

65

68

12’ x 12’ Boxes - Deep 67

Facade Design Iterations

STRAIGHT FACET

69

Bjarke Ingels Group chengjie.li@columbia.edu

work sample

Massing Study, Sectional & Kinetic Models

professional work

Bjarke Ingels Group chengjie.li@columbia.edu

,noitpo lwob reit-3 sihT smees ti hguohtla htiw llew krow ot t’nseod ,senalp eht k05 rof llew noitcnuf eht rof dna srotatceps setius eht fo noitacol

1 noitpo lwob reit-3 MOCEA

work sample

professional work

noitpo lwob reit-2 MOCEA

noitpo lwob reit-2 sihT tcapmoc tsom eht si ti tub evah nac ew eht reffo ton seod esruocnoc niam nepo rof gnikool era ew oot era setius eht dna needih

9

snoitces sedis gnol / 2 noitpo lwob reit-3 s’MOCEA rof aedi s’GIB

Sports Bubbles Idea

dluoc lwob reit-3 sihT eht fi krow yllaitnetop eht emoceb reit elddim tub staes sexob/setius sedis gnol eht gnola ylno lliw moceA .muidats eht fo sa siht gnitsujda no krow segap txen eht ni swollof

ylno setius ehT htob no raeppa eht dna sedis gnol ta tuc si reit reppu ot snoitacol eseht ni thgil artxe wolla .sexob eht

2 noitpo lwob reit-3 MOCEA

31

noitces sedis dne / 2 noitpo lwob reit-3 s’MOCEA rof aedi s’GIB

reppu ehT dluow esruocnoc ssecca evig ot krow - staes reppu eht ot k05 gnihcaer nehw sa dna - srotatceps eht rof ytinema na miuidats elohw

11

21

Shanghai Pudong FIFA Worldcup Stadium (competition)

ew dluoC edulcni yllaitnetop rof stnaruatser eht siht ta setius eht esruocnoc-dim dda ton ot level ?saera wen

01

This sketch shows the green area define by a connecting path - for pedestrian and bikes - that connects big opening within the green area - each of them dedicated to a specific sport

Bjarke Ingels Group chengjie.li@columbia.edu

work sample

Shanghai Pudong FIFA Worldcup Stadium (competition)

professional work

Bjarke Ingels Group chengjie.li@columbia.edu