2019 Portfolio - Watson - A Collection of Selected Works

WATSON Ar ch itecture Visualiz at i o n

A Collection of Selected Works 1

Building the future and keeping the past alive are one and the same thing.

Experience June 2019

Jack Watson

&

June 2017

Architectural visualization

Environment Design

Profile Highly responsible and versatile designer specializing in architectural visualization and related roles that employ technical and problem-solving skills through study of traditional architecture and planning.

May 2017

May 2017

Instagram

Portfolio

Linkedin

Artstation

@__.jackal

Jackaldraws.com

in/jackisawatson/

odkn

2

Details jackaldraws@gmail.com

05 . 07 . 1993

INTP

March 2013

2011

2002

3D Visualizer Assisted small creative team, developing

various conceptual visualizations consisting of a new lobby and community outreach space for the Starbucks World Headquarters in Seattle, Washington.

Photo by Addie Watson

+1 (541) 510 0905

sketching & conceptualization to creating base files for the final style guide. Tasked with developing design intents, producing 2D drawings, and networking within a diverse range of directors in the Global Retail Design department.

Project Involvement: • New York Flagship - House of Innovation • Shanghai Flagship - House of Innovation • Melrose for the Nike Live Concept • Harajuku • Guangzhou

Second Story Interactive Studios

June 2016

Adobe Photoshop Adobe Indesign Adobe Illustrator Sketchup Pro Autodesk Revit Autodesk AutoCAD Choas Group V-Ray Podium Enscape Render Maxwell Render Bluebeam Revu

Retail Experience Designer I Collaborated on various projects from initial

Dec 2013

June 2017

His skills range from traditional mediums such as drafting with felt-tip pens, oil portraiture and landscape painting, to digital expertise in matte-painting and 2D/3D design visualization. He is very intrigued by story telling through urban & space planning, architectural history, cultural relevancy, and critical regionalism.

Skills

NIKE Inc. - Brand Design Retail

e-mail

Mobile

Birthday

Oct 2016

March 2016

CLIMATE Arch, LLC

Archi tectural Intern Worked as sole draftsman,

procuring architectural visualization, site research, and organizing construction documents for permitting and client discussion. Observed client meetings, discussed needs and worked to improve the usage and well-belling of each inhabitant.

Sarrazin in office and furniture design mainly for a mobile office for job hosting site, Coroflot.

As seen on: • Interior Design Magazine • Designboom • Contract Design • Curbed • Portland Design Week 2016 & 2017

Administrative Assistant

Contributed to monthly announcement posters and monthly brochures. Collaborated in auditing guest lists for academic events.

Focused on effective communication skills and teamwork and was trusted with confidential information, data entry and a variety of tasks that required constant improvisation.

WW Autowerks Inc.

Porsche Technical Assistant

Working with my father handling sensitive diagnostic industrial equipment for engine reconstruction and tune-ups. Fostered relationships with clients, understood the need for fast turn-arounds and restorations.

Tasked with inventory, sales and assisting on complete restorations from vintage to late model Porsches. I continue to assist on Porsche parts sales on Ebay.

Recognition 2017

Portland State Architecture Department

Architecture Design Studio Guest Critic 2015

Ernest Publishing - C3: Initiative (2013-2015)

2014

AIA: Traversals

Demos: Wapato Correctional Facility

In the Gallery _ End-of-Year Student Exhibition

Los Osos

Environmental Design Intern Collaborated closely with designer Laurence

THE ART INSTITUTES - Student Services

Present

Architectural Heritage Center Member

Education 2016 2014 2014 2012

Portland State University

Bachelors of the Arts in Architecture The Art Institute of Portland - Transfer

3d Animation & 2d Design

MBTI

3

01 02 03 04

Contents

05 06 07 08 09 10 11 12

4

Professional Nike New York Flagship Coroflot Mobile Office Tomahawk House Seventh - Day Adventist Church

Personal Portland Old Town Front Street MICHIGAN Central Station - Concourse Family coastal Residence Pavillion of the ceramic union

Academic Arbiter Townhouses Urban Decay / Gaea Salve Boat Building School For Youth

Appendix Selected Works 2011 - 19

5

Professional

6

01 02 03 04

Nike New York Flagship Coroflot Mobile Office Tomahawk House Hood View Church

7

01

Nike New York Flagship House of Innovation 650 5th Ave, New York City, NY

Client NIKE Inc. Completion Date Fall 2018 5th Ave & W 52nd St, NYC Location Project Size 69,000 sq ft Company Nike Inc. Department.

Global Retail Design Design Team Andy Thaemert Sr. Creative Director

Ryan Lingard Design Director

James Austin Retail Designer II

Laurence Sarrazin Retail Designer I

Jack Watson Retail Designer I

W5

4th

W5

3rd

St

St

W5

ve nA

1st

St

St

diso

W5

Ma

5th

Ave

2nd

House of Innovation is the location where the shopping experience is personalized around all aspects of the customer’s sport goals and product needs in a synthesis of immersive digital and analogue experiences.

During this project, I contributed to every aspect of the design process and specifically focused on 4 major areas. The athlete* breakroom, athlete* service entry, and the Speedshop.

8

Eddie Lee / Hypebeast

9

Athlete* Service Door

Decorative Stair in Atrium

Lead the design development of the service threshold and conceived various options for the door handle and trim treatment.

Developed visuals and drawings for design intent presentations and contextual material analysis.

Service Door Concept Render - Lisa Jarnell Design Development - Jack Watson

10

Flagship Exterior - Service Door Design Render by Lisa Jarnell Design Development - Jack Watson

Atrium Stair Render - Terrazzo Tread Detail Design Direction - Ryan Lingard, James Austin Design Support - Jack Watson

11

DETAIL 01

Expert Home Initiative Tunnel

Arena Service Desk

Collaborated on the Service desk over multiple schemes as this floor requires constant flux. These designs 2'-2 1/4" TYP 3'-0" TYP1 1/2" influenced the customization desk on opening day.

Collaborated in designing an immersive, storytelling space that prepared Nike Members as they ascend towards the Nike Expert Studio.

1/4"

1'-6" 3'-4" TYP

6 01

12'-0"

11'-1"

9'-1 3/4"

6 02

DETAIL 02

DETAIL 01

6 02

6 03

ELEVATION AA

3/4" Detail 01 Arena Service Desk Concept Design Direction - Ryan Lingard, Taylor Quinn Design Development - Jack Watson, Andre Brown

DETAIL 01

Detail 02

Detail 03

DETAIL 02

DETAIL 03

3/4"

DETAIL 02

3"

1 1/2"

3"

Entry Tunnel to Expert Studio- Composite Render Design Lead - Ryan Lingard, Ben Kaplan Design Development & Render - Jack Watson

3"

1 1/2"

3"

1 1/2"

ELEVATION BB

1/4"

12

Tunnel to Expert Studio- Composite Render Design Lead - Ryan Lingard, Ben Kaplan Design Development & Render - Jack Watson

Arena Service Desk Concept Design Direction - Ryan Lingard, Taylor Quinn Design Development - Jack Watson, Andre Brown

1 1/2"

3"

DETAIL 03

13

Athlete* BreakRoom Developed most efficient breakroom layout, handling all 2D & 3D components in its realization.

Provided base visualizations for assisting in procuring Environmental Graphic Design functions.

Athlete Fuel Hub Design Development - Ryan Lingard , Jack Watson, Matt Geiger Environmental Graphic Design - John Dunn

14

Lounge Design Development - Ryan Lingard , Jack Watson, Matt Geiger Environmental Graphic Design - John Dunn

Group Work Area Design Development - Ryan Lingard, Jack Watson, Matt Geiger Environmental Graphic Design - John Dunn

Quiet Room Hall with Partition Design Development - Ryan Lingard , Jack Watson, Matt Geiger Environmental Graphic Design - John Dunn

15

House of Innovation - NYC Photography

Sneaker Bar - Speedshop Photo by Michael Wells

16

Wall Fixture - Speedshop Photo by Eddie Lee / Hypebeast

Retail Floor - Speedshop Photo by Michael Wells

Lockers - Speedshop Photo by Eddie Lee / Hypebeast

17

House of Innovation - NYC Photography

18

The Arena - First Floor Photo by Michael Wells

Footwear Salon Photo by Michael Wells

Retail Space - Women’s Floor Photo by Eddie Lee / Hypebeast

Expert Studio Tunnel Photo by Michael Wells

19

Entrance & Conference Area Photography by Josh Partee

02

Firm Design Team

Coroflot Mobile Office Client Completion Date Project Type Project Size 20

Los Osos Laurence Sarrazin Principal

Eric Ludlum Associate Principal

COROFLOT Spring 2016 Office 280 sq ft

Hand-Eye Supply 714 NW Glisan St Portland, Oregon

Visualization

Jack Watson

Graphic Identity

Jack Watson Jonah Ross The Collected Works

Experiential Designer

Design Build

Caleb Roach James Woodhead Joshua Dugi

Photography

Christine Taylor Jim Golden Studio Josh Partee

21

Interactive Assets

Axon for Submission in the Portland Design Week Tour

Layout A

Work

1

22

Components Laid Out Photography by Jim Golden Studio

Components Assembled Photography by Jim Golden Studio

MEET

Option 01 June 22, 2016

Layout C2

Coroflot Mobile Office Interior Layout Layout B2

Work

Respite

Work

2 Option 02 June 22, 2016

MEET

Roof: Square

Coroflot Mobile Office Interior Layout Layout B2

Work

MEET

3 Option 03 June 22, 2016

Coroflot Mobile Office Interior Layout Layout B3

23

Exterior Membrane & Workshop Context Photography by Josh Partee

24

Lounge & Conference Area Photography by Josh Partee

Structure & Membrane Detail Photography by Josh Partee

Food Prepping Station Photography by Josh Partee

Work Area Photography by Josh Partee

Work Stations Photography by Josh Partee

25

03

Tomahawk House Tudor Style Home (b. 1929) 1625 NE Marine Dr Portland, Oregon

Client Mr. & Mrs. John Cooney Completion Date Spring 2017 Project Type Residential Project Size 4,801 sq ft Firm Design Team

CLIMATE Arch, LLC John Cooney Principal

Amy Cooney Principal

Brian Kimura

Principal

Jack Watson Architectural Intern

Columbia River NE Marine Drive

This charming project consists of a 1929 Tudor Style house, located in North Portland and sits directly beside the Columbia River. It was bought by my firm’s principal architects with the intention to update many of the gathering spaces and eventually throughout the whole site. I was asked to plot the existing plans and sections in AutoCAD and proceed to model it in Sketchup. These plans and models would be used in future permitting and additions by the owners.

The drawings and model required a quick turnaround and provided me with the opportunity to recreate an existing structure from period drawings.

26

Living Room Rendering

27

Enkindling a Gem Context & Conditions

The property sits on the waterfront of the Columbia, which includes a sandy beach and plenty of room for a yacht or sail boat. The interior space boasts glossy mahogany doors, base trim, crown moulding, and windows which are in excellent condition. A second kitchen and guest quarters are located in the daylight basement.

Although the quality of the original gathering spaces were in fantastic condition, the Spanish Revival style of the interior thresholds didn’t coexist with the English Tudor scheme. Bringing some artistic liberties into my visualizations, I included a coffered ceiling on both the living room and upper hall. Using an art deco revival wallpaper, brings a hip and contemporary backdrop to the warm tones exhibited in the furnishings.

Existing Conditions - Front Elevation

Render - Dining Room

Existing Conditions - Living Room

Servant Quarters WC

Patio

Bedroom

Kitchen Hall Utility

Living Room

Family Room

WC

-1 Basement Floor Plan 1

WC

Dining Room

Hall

Ground Floor Plan

Sun Room

Master Bedroom Bedroom

2 Second Floor Plan Render - Upper Hall

28

29

04

Hood ViEw Church Hood View Seventh-DayAdventist 26775 SE Kelso Rd Boring, Oregon Client

Hood View Seventh-Day Adventist Church Completion Date Spring 2017 Location 26775 SE Kelso Rd Boring, OR Year Built 1929 Project Size 10,799 sq ft Total Restrooms - 279 Sq Ft (Phase I) Narthex 4187 Sq Ft (Phase II) Sanctuary 6342 Sq Ft (Phase III) Firm Design Team

CLIMATE Arch, LLC John Cooney Principal

Amy Cooney Principal

Brian Kimura

Principal

Jack Watson Architectural Intern

Hwy 174 SE 268th Ct

N Fork Deep creek

SE 262th ave

SE Kelso Rd

SE Amisgger Rd

The Mid-Century, low profile church of Hood View needed renovations to their aged Sanctuary, Narthex, and west wing restrooms.

This included providing individual restrooms, experimenting with lighting attitudes, and providing a space that accomidated both the elderly generations while inviting future generations to join, worship, and find counsel.

CLIMATE met with the congregation, hosted community organizations to gauge their needs, then began negotiating conservative means of bringing life back into their church.

30

Rendering - Sanctuary Modernization Proposal

31

1'-9"

19" MAX

60" MIN

60 FL " CL R R MIN

48" MIN 48" MIN

60 FL " CL R R MIN

1'-9" 48" MIN 48" MIN

19" MAX

60 FL " CL R R MIN 60 FL " CL R R MIN

60" MIN

ADA DOOR CLR FLR

ADA DOOR CLR FLR

ADA DOOR 2'-8" MIN CLR FLR

ADA DOOR CLR FLR

ADA DOOR CLR FLR

ADA DOOR CLR FLR

Climate Architecture + Landscape, LLC 4033 N Willamette Blvd, Portland, OR 97203 CONTRACTOR: TBD

Climate Architecture + Landscape, LLC 4033 N Willamette Blvd, Portland, OR 97203 CONTRACTOR: TBD

PROJECT: Hood View Seventh-day Adventist Church LOCATION: 26775 SE Kelso Rd; Boring, OR 97009

ARCHITECT:

1 16 " 1 16 "

1'-9"

= =

1'0" 1'0"

10'-0"

3'-44"

2'-0"

30" MIN. 2'-8" MIN

ARCHITECT:

11'-0"

3

SANCTUARY SANCTUARY

PROJECT: Hood View Seventh-day Adventist Church LOCATION: 26775 SE Kelso Rd; Boring, OR 97009

821"

3'-0"

7

59"

40" MAX

3'-4"

2'-10"

2'-421"

2'-10"

2'-1121"

1'-821"

5'-1041"

4'-2" Rendering - West Wing

SANCTUARY SANCTUARY SANCTUARY

SANCTUARY

SANCTUARY

WING WING

CLASSROOM CLASSROOM CLASSROOM WING WING CLASSROOM CLASSROOM WING WING WING

ENTRY ENTRY

12"ENTRY MAX

59"

ENTRY

40" MAX

1'-6"

NARTHEX

NARTHEX

1'-0"

3'-0"

2'-10"

8"

1 16"

1'-5"

NARTHEX NARTHEX

1'-578"

SCALE:

PROJECT LOCATIO

DOOR SCH RCP & ELEC ACCESSIBIL ACCESSIBIL

PROJECT EXTENTS: EXTENTS: (1 2 PER 2 75) PROJECT 2 2 59 SQ FT BATHROOM 59 SQ FT BATHROOM ER2 200) 2 1 2 RENOVATION RENOVATION PROJECT EXTENTS: PROJECT EXTENTS: PROJECT PROJECT EXTENTS: EXTENTS: PROJECT EXTENTS: ENTRY ENTRY FT BATHROOM 259 SQ BATHROOM FT BATHROOM 259 259259 SQ SQ FT SQ BATHROOM FT BATHROOM 259 SQ FT RENOVATION RENOVATION RENOVATION RENOVATION RENOVATION

NARTHEX

59"

NARTHEX NARTHEX 1'-9"

10'-0"

2

2

821"

40" MAX

2'-0"

1'-3"

10'-0"

1'-0"

3'-441"

3'-4"

1'-6"

2'-10"

OCC LOAD 71 72

A3.0 A4.0 A5.0 A5.1

FIXTURES PROVIDED 2 1 2

EX EX

18" MIN

ADA DOOR ADA SINK CLR CLR FLR FLR

30" MIN.

3'-1181" ADA DOOR ADA SINK CLR FLR CLR FLR

18" MIN 12" MIN

ADA SINK CLR FLR

= 1'0"

CLASSROOM CLASSROOM

CLASSROOM WING

R REA USE AREA OCC OCC LOAD FLOOR LOAD FACTOR FACTOR AREA OCC OCC OCC LOAD LOAD LOADFACTOR SQ FTA-3 FT 30 30 3997 SQ FT 71 71 30 SQ FTA-3 FT 30 30 3997 SQ FT 72 72 30

1

1'-0"

ADA SINK CLR FLR

8"

1 SCALE: 1 1 16" "SCALE: = 1'0" SCALE: 16 16" = 1'0"

1'-6"

SCALE: 1'-3" 1 SCALE:

1'-5"

Archival Rendering from original architects

2'-421"

Phase III

HIP -3. PLACES OF WORSHIP , cludes ded g, tended forassembly worship, for worship, recreation uses recreation intended or amusement orforamusement worship,including, recreation including,or amusement including, ommunity ,galleries, community halls, bowling halls, courtrooms, alleys, courtrooms, community dance dance halls, halls, halls, funeral courtrooms, funeral dance halls, funeral laces p. WING of religious worship.

M OM WING

SFIXTURES FIXTURES FIXTURES PROVIDED PROVIDEDREQ'D (1 2 PER 2 150) 2 1 1 0 ER 2 200) 2 1

12" MIN

architecture+landscape LLC

CODE DIAGRAM

Sanctuary Modernization

PROJECT EXTENTS: 259 SQ FT BATHROOM RENOVATION

NAME COVER SHEET DEMO PLAN PLAN INTERIOR ELEVATIONS SECTION & DETAIL DETAILS DETAILS TYP. WALL DETAIL ADA SINK SECTION WALL TYPES

N UNCHANGED

Cafe Addition Phase II

3

3'-1181"

CLIMATE

BATHROOMS SERVE CLASSROOM WING (SHADED AREA)

SHEET INDEX

SHEET A0.0 A1.0 A1.1 A2.0 A2.1 A2.2 A2.3 A2.4 A2.5 A2.6

Climate Architecture + Landscape, LLC 4033 N Willamette Blvd, Portland, OR 97203 TBD

Phase I YODE ECHANICAL CODE (OMSC) (OMSC) SPECIALTY CODE (OMSC) LECTRICAL CODE DE (OESC) (OESC) SPECIALTY CODE (OESC) LUMBING ODE E SPECIALTY CODE Narthex Modernization & EACH CODE

CIES (OSSC A-2)

After meeting, it was apparent the church required an increase in community restrooms, including two private ADA restrooms. This called for Climate to reimagine their existing cramped stall filled restrooms, while providing an external niche that didn’t interrupt the foot traffic going through the Sunday School wing. This niche also provided a space for parents to wait on their children while in the restroom as needed and provided adequate space for the once lacking ADA requirements

by Oregon code. Working through this process with our principal, we found this arrangement to be the best for their needs.

architecture+landscape LLC

CODE DIAGRAM CODE DIAGRAM CODE CODEDIAGRAM DIAGRAM CODE DIAGRAM

2

Ada Restroom Addition

CLIMATE

1 1SERVE 1 1 OMS = " = 1'0" 1'0" SCALE: SCALE: = 1'0" SCALE: SCALE: 16" 16 16" = 16"1'0" OMS SERVE OOM WING OOM WING SIS DED AREA) M FORM TANDARDS STANDARDS TO THE OFMINIMUM OF THETHE FOLLOWING FOLLOWING STANDARDS OF THE AREA) FOLLOWING DED BATHROOMS SERVE BATHROOMS BATHROOMS BATHROOMS SERVE SERVE SERVE BATHROOMS SERVE CLASSROOM WING CLASSROOM CLASSROOM CLASSROOM WING WINGWING CLASSROOM WING Y TRUCTURAL ODE CODE (BASED (BASED SPECIALTY ONON 2012 2012 INT'L CODE INT'L BLDG BLDG (BASED CODE) CODE) ON 2012 INT'L BLDG CODE) (SHADED AREA) (SHADED (SHADED (SHADED AREA) AREA) AREA) (SHADED AREA) 117.1-2009 .1-2009 LITY STANDARD: ICCA117.1-2009 ADA Restroom Addition in IECC) NERGY ECIALTY ALTY CODE EFFICIENCY CODE (BASED (BASED SPECIALTY ONON 2009 2009 IECC) CODE IECC)(BASED ON 2009 West Wing NROTECTION ION (NFPA) (NFPA) ASSOCIATION (NFPA)

1

M STANDARDS OF THE FOLLOWING

OCC LOAD 71 72

Existing Condition - The Sanctuary

Existing Condition - The Narthex RAM RAM

MARY

CODE (BASED ON 2012 INT'L BLDG CODE) 117.1-2009 ECIALTY CODE (BASED ON 2009 IECC) ION (NFPA) Y CODE (OMSC) CODE (OESC) ODE

OCC LOAD FACTOR 30 30

ARCHITECT:

CONTRACTOR:

HIP tended for worship, recreation or amusement including, , community halls, courtrooms, dance halls, funeral p.

R AREA SQ FT SQ FT

S

HOOD VIEW SEVENTH-DAY ADVENTIST CHURCH 26775 SE KELSO RD, BORING OR 97009

N

MUNICIPALITY CLACKAMAS TRI COUNTIES

FIXTURES PROVIDED 2 1 2

2 2

LLC Existing Condition - The Sanctuary

Facilities

ENTRY

AP

32

SHEET SHEET INDEX SHEET INDEX INDEX SHEET INDEX SHEET INDEX

= 1'0"

A3.0 DOOR SCHEDUL 2'-1121" 1'-821" 5'-1041" A3.0 DOOR SCHEDUL A4.0 RCP & ELECTRIC EET 12" A4.0 RCP & ELECTRIC EET A5.0 ACCESSIBILITY R N MAX 4'-2" A5.0 ACCESSIBILITY R N A5.1 11'-0" Plan - Main Floor Interior Elevations - ADA Restroom Rendering - ADA Restroom 0 DOOR DOOR SCHEDULE 3 A3.0 A3.0 DOOR DOOR SCHEDULE SCHEDULE A3.0 A3.0 DOOR SCHEDULE DOOR SCHEDULE SHEET NAME SHEET SHEET NAME NAME SHEET NAME MECHANICAL MECHANICAL PERMIT PERMIT SUBMITTAL SUBMITTAL A5.1 ACCESSIBILITY R MECHANICAL MECHANICAL PERMIT PERMIT SUBMITTAL SUBMITTAL MECHANICAL PERMIT SUBMITTAL MECHANICAL PERMIT SUBMITTAL ELEVATIONS A3.0 DOOR SCHEDULE SHEET NAME MECHANICAL PERMIT SUBMITTAL HOOD HOOD VIEW VIEW SEVENTH-DAY SEVENTH-DAY HOOD VIEW SCHEDULE SEVENTH-DAY 5'-11" 5'-4 " 4 0 RCP RCP & & ELECTRICAL ELECTRICAL A4.0 A4.0 RCP & ELECTRICAL & ELECTRICAL A4.0 A4.0 RCP & ELECTRICAL RCP & ELECTRICAL A0.0 COVER A0.0 A0.0 COVER COVER SHEET SHEET SHEET A0.0 COVER SHEET RCP PLUMBING PLUMBING PERMIT PERMIT SUBMITTAL SUBMITTAL ELEVATIONS PLUMBING PLUMBING PERMIT PERMIT SUBMITTAL SUBMITTAL PLUMBING PERMIT & SUBMITTAL PLUMBINGPLUMBING PERMIT SUBMITTAL & DETAIL A4.0 RCP ELECTRICAL A0.0 COVER SHEET ADVENTIST ADVENTIST CHURCH CHURCH ADVENTIST CHURCH PERMIT SUBMITTAL 0 ACCESSIBILITY ACCESSIBILITY REQ REQ A5.0 A5.0 ACCESSIBILITY ACCESSIBILITY A5.0 A5.0 REQ REQ ACCESSIBILITY REQ ACCESSIBILITY REQ A1.0 DEMO A1.0 A1.0 DEMO PLAN DEMO PLAN PLAN A1.0 DEMO PLAN ELECTRICAL ELECTRICAL PERMIT PERMIT SUBMITTAL SUBMITTAL & DETAIL ELECTRICAL ELECTRICAL PERMIT PERMIT SUBMITTAL SUBMITTAL ELECTRICAL PERMIT SUBMITTAL ELECTRICAL PERMIT SUBMITTAL A5.0 ACCESSIBILITY REQ A1.0 DEMO PLAN 26775 26775 SE SE KELSO KELSO RD,RD, BORING BORING 26775 ORSE ORKELSO RD, BORING OR ELECTRICAL PERMIT SUBMITTAL 1 ACCESSIBILITY ACCESSIBILITY A1.1 PLAN A1.1 A1.1 PLAN PLAN REQ A1.1REQ PLAN A5.1 A5.1 ACCESSIBILITY ACCESSIBILITY A5.1 A5.1 REQ REQ ACCESSIBILITY REQ A1.1 PLAN A5.1 REQ ACCESSIBILITY ACCESSIBILITY REQ 97009 97009 97009

DEFERRED DEFERRED SUBMITTALS SUBMITTALS DEFERRED DEFERREDSUBMITTALS DEFERRED SUBMITTALS SUBMITTALS DEFERRED SUBMITTALS DEFERRED SUBMITTALS

33

Community

Worship

Narthex enhancements

Sanctuary Modernization

The congregation felt the it was imperative that for their church to continue its operations, it needed to change the way they thought of their narthex. Originally, the space was used as a temporary seating area with some small gathering areas that weren’t completely defined. As we began conceptualizing the space we found ways to subtly call out certain areas by changing the carpeting, by choosing a type that distorted its pattern or included another pattern overlay as an option.

Another idea that was worth including was a means of getting more people to stay in the narthex as it would be seen as a communal space. Knowing this, a cafe was fashioned in the west side of the space which would enhance the atmosphere with rich aromas and provide a service that inticed people to loiter. Finally, the lighting needed a remedy as this corridor was dark, so adding a linear track system that was parallel with the length felt most natural to encourage foot traffic flow.

Render - Upper Hall

34

Render - Upper Bathroom

The Sanctuary in its existing condition was dark, uncomfortably cramped, and shuttered from decades of opposing renovations. A variety of materials were present but it seemed like the best option to strip the interior to its bare roots.

As the ceiling and girders in the roof were of a lighter wood, a modern look could easily be achieved by exposing the existing Mid-Century qualities. Originally, the stage featured a second floor stage that was framed out in a black painted box. Although theatrical, this made the stage feel unreasonably heavy so white gypsum was used to achieve the most efficient angled walls for keynote presentations and song lyrics. A baptistery was placed under the stage as the original tub was tucked inside the existing black box and needed to be the center of the church’s initiative. Lastly, new LED recessed lights with decorative pendants were hung throughout to bring delicacy to the now well-lit sanctuary.

Render - Upper Hall

Render - Upper Bathroom

35

Personal

05 06 07 08

Portland Old Town on Front Ave Michigan Central Station - Concourse Single Family Residence Pavillion of the ceramic union

W Burnside

Portland Old town on front Ave

SW Ash St

SW pine St

38

Tom Mccall Park

Old commercial district Naito Parkway, Tom McCall Park Portland, Oregon

SW 1stAve

October 2018 Historic Architecture 6 City Blocks

SW 2nd Ave

Start Date Project Type Project Size

SW Ankeny St

Naito Pkwy (FrontAve)

05

SW Ash & Front Street (From left to right) Lewis & Flanders Block, Central Block

Willamette River

Portland has lost many wonderful architectural gems over the last century, especially regarding the cast iron buildings that lined the center of commerce of what was once Front Ave, (now Naito Parkway). I’ve begun a personal project to bring awareness to what that street could have looked like if we had preserved these historically significant buildings.

39

Facing West on Front Street

1 Kamm Block (1884)

Demolished

2 Smith Block (1872)

Saved

3 Lewis & Flanders Block, Ankeny Block (1869)

Demolished

Facing East on Front Street

4 Ankeny & Watson BLDG (1868)

Demolished

40

5 Central Block (1879)

Demolished

6 Oregon Steam Navigation Company Block (1865 & 1870)

Demolished

41

Details

Experiential Renders & Historical Conditions

Historical Conditions - Overall View looking North

42

Historical Conditions - Overall View looking North

Rendering - Overall View looking North

Rendering - Overall View looking North

43

44

Rendering - Corner Detail of Central Block

Rendering - Elevation Detail of Kamm Block

Rendering - Corner Detail of Kamm Block

Rendering - Overall View looking South

45

Rendering - Concourse from Ticket Booths

06

Michigan Central Station - Concourse Original Architects

Completion Date Location Project Type Project Size 46

Reed & Stem Warren & Wetmore

Jan. 4, 1914 Detroit, Michigan Transit 500,000 sq ft

North Corktown

Michigan Central Station 2405 West Vernor HWY Detroit, Michigan

downtown Corktown Financial District

Like much of Detroit, Michigan, the Central Station has seen better days. I felt it would be enjoyable to recreate what the depot could be like if it was still in use today. The Beaux-Arts Classical style provides the waiting area and lobby with a fruitful abundance that filled the ambient spaces with life.

Complimentary to this, the concourse curated an elegant, but orderly, appearance that balanced the bustle of the thousands of travelers that passed through its gates each day.

47

“Nothing symbolizes Detroit’s grandiose rise and spectacular fall like Michigan Central Station. No other building exemplifies just how much the automobile gave to the city of Detroit — and how much it took away.”

-Dan Austin of Historicdetroit.org During its construction, Central Station was an object of great civic pride, as the design echoed a return to classicism and romanticized transportation. It’ s grand proportions set a grand atmosphere that most riders were not accustomed to in 1913. The original concourse featured 20 huge, copper skylight windows that provided a flush of natural light. The walls that surrounded this space were a playful array of brick and concrete that was reflected in the pink marble tile floors.

Historical Condition - Exterior, (1920s)

Historical Condition - Interior Concourse, (1960s) Photograph by Normal Hammerl

48

Historical Condition - Interior Concourse, (1960s)

Existing Condition - Interior Concourse, (2015)

49

Render - Photobooth & Shoe Polishing corner

Render - Arrival at the Concourse

Render - Overhead Detailing

50

Render - Hat Shop & Seating

Render - Gate Detailing

51

07

Single Family Residence

Original Build Date 1890 Project Size 1295 sq ft Project Type Residential

The original victorian ’farmer’s house’ design was featured in the Details of Victorian Architecture booklet, showcasing various ornate plans, sections, details, & perspectives from quaint residences to the Palace of Fine Arts of the 1889 Paris Exposition.

Albeit grand and historically relevant to any Anglo-Saxon inspired residence, the original sandstone ’farmer’s house’ interior lacked natural sunlight, exhibited a vague floor plan and spatial usage, and would need to integrate a more contemporary and playful language for a single family.

With this in mind, I sought to capture all of these functions throughout by opposing the soberness and coldness of the exterior by applying the warmth and softness that natural dark wood paneling would provide when cast with dramatic lighting.

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Rendering - Vestibule & Front Door

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Kitchen

Living Room

UP Existing Condition Elevation - Farmer’s House From ’Details of Victorian Architecture’ Book

Existing Condition Elevation - Farmer’s House From ’Details of Victorian Architecture’ Book

DN

WC

Vesitbule

Closet

Hall

Dining Room

Study

Closet

1 Elevation - Modernized Facade

First Floor Plan

Render - Overall Exterior

Nook

Closet

Master Bed Room

Bed Room Closet

Hall DN

WC

Wash room

Master WC

Nook

2 Second Floor Plan

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Render - Overall Perspective

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Entertainment

Living Room & Kitchen The first floor can be thought of as a showpiece for many families. In this home, I felt it would be fun to experiment with more flamboyant materials, wall coverings and accent pieces that one wouldn’t typically see in a traditionally designed home. As floor space was limited, I felt it necessary to keep the floors less clutterd with larger patterns and overall statement pieces. In this respect, the kitchen was left simplified, with subtle cabinet handles and quiet color scheme.

The gold provides a touch of elegance to remind the eye of the ceiling’s generous height.

The living room was designed to captivate, while serving as an entertainment space, eager to please. The wallpaper was inspired off of many late 19th century hotels and clubs that sported playful tropical themes and typically were named after a wholesome animal.

Render - Living Room

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Render - Living Room

Refuge

Upper Hall & Bathroom In the upstairs hall, one would be surprised to find how light the space feels. Originally this second floor would’ve surely been used as an attic space, but with the main hall radiating through transom window-topped thresholds, the space took on a new quality. I’ve added a shared closet and a seating area that could provide someone a place to take in tranquility that a space like this could provide. One can imagine the type of colors that would seep into this white space over the span of the year.

The second room that is shown is the master bath, feeling glossy, black herringbone tile, a standing shower and a square bathtub. Since the location of this water closet is tucked in the corner of the house, I decided it would be appropriate to include a skylight, allowing the most amount of light while conserving the privacy expected in a restroom.

Render - Upper Hall

Render - Upper Bathroom

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Pavilion of the ceramic union

Completion Date 1878 Location Paris Exposition Universelle Project Size 1295 sq ft The 1878 Paris Exposition Universelle hosted many fascinating national treasures and innovations at the time.

One of the more modest structures, the Pavilion of the Ceramic Union, showcased each nation’s best expressions of the craft.

This building would’ve sat just beside the Eiffel Tower for less than a year, furnished with lavish tropical plants that provided an unexpected oasis in the midst of the world’s fair. I reimagined this pavilion as a coastal landmark, as the overhang and large windows seemed well placed in a different scenic environment.

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Historical Reference - Magazine Advertisement

Conceptual Matte Painting - Coastal Viewpoint Setting

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Render - Entrance

Elevation - Facade

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Render - Rear Outlook

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Academic

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09 10 11

Arbiter townhouses Basketball Court Pavilion Boat building School for Youth

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Arbiter Townhouses Half Block Section between NE Skidmore St, NE Mason St & NE Cleveland Ave

Institution Term Course

Portland State University

Winter 2016 Arch 481: Arch. Design Studio Focus Multi-Family Housing Chris F. Chatto Instructors ZGF Architects

Jason Essel ZGF Architects

N Skidmore St

N Vancouver Ave

I-5 Highway

Fremont Bridge

N Williams Ave

N Shaver St

NE Cleavland Ave

N Mason St

Pressured to bridge the gap between modern multi-family living alongside traditional single-family residences, it was architecture that would either make or break this social dilemma. This anxiety resides between the coexistence of old ways of thinking and new when it comes to living closer to the neighbors.

Located between North Williams and Northeast Mason, this half block site must ensure a smooth and gradual transition from an existing contemporary five-story, multifamily apartment building, and the rest of the opposing neighborhood. The following shows two phases that, I feel, are equally applicable to the existing context & conditions.

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Composite Render - Penthouse Level Entrance

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Context

Initial Approach

Phase I

P h a s e II

Firstly, it was important to establish a context. With a team of other students, we visited our site and gathered as much initial data as we could through photography, some brief neighborhood interviews, and post-visit research. The photos taken, as well a dive into 19th & 20th century home styles, provided us with a good narrative to build upon for our upcoming work.

HI s t o r i c a l A r c h i t e c t u r e i n c o n t e x t Row House Apartments

Tudor (English Cottage)

Bungalow / Craftsman

Ranch House

Row House

Minimal-Tradition / Worker’s Cottage / Vernaculur

Buckman Three Four Square Multi-Family w/ Commerical at Grade

Victorian / Queen Anne Non-Contributing

Design Reference - Inspiration

Site Plan - Ground Floor

Site Plan - Second Floor

Context - Reference Photos

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Composite Render- Initial Design Concept

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P R OJ E C T B Y

Final Design

P O R T L A N D S TAT E U N I V E R S I T Y

P R E CP h ID EeNIII TS as

P R OJ E C T B Y

ARCHITECTURE DESIGN STUDIO 481 W I N T E R 2Using 0 1 6a

J A C K W AT S O N

P O R T L A N D S TAT E U N I V E R S I T Y

ARCHITECTURE DESIGN STUDIO 481 WINTER 2016 T Y P I C A L PA S A D E N A C O T TA G E C O U R T U N I T P L A N

EXTENSIVE GREEN ROOF &

X T E N S I V E G R E E N R O O F & P OT E N T I A L H O R T I C U LT U R A L T H E R A P U T I C U S E S

Design Reference - Inspiration

J A C K W AT S O N

tiered elevation, a new typology can be investigated to address both the monolithic qualities of the apartments against the quaint and subtle elevations of the house across the street. Each unit would comprise of private gardens, a patio, a social gathering space, and a large single-family floor plan. Loosly based upon Pasadena’s cottage courts, the living and dining P OT E N T I A L H O R T I C U LT U R A L T H E R A P U T I C U S E S rooms within each unit are easily accessible from the front door and take up a majority of the unit plan.

Between each unit there was an opportunity to provide social spaces the entire property. Using this opportunity, a playground and neighborhood garden area seemed to work very nicely for their I S R A E L I P U B L I C H O U S I N G D E V E LO P M E N T B Y C H Y U T I N A R C H I T E C T S ( 1 9 8 0 ) playfulness and incentives to pull neighbors together.

I S R A E L I P U B L I C H O U S I N G D E V E LO P M E N T B Y C H Y U T I N A R C H I T E C T S ( 1 9 8 0 )

Render - Tiered Entries at each Residence

Site Plan - Final Design

4TH FLOOR

I S R A E L I P U B L I C H O U S I N G D E V E LO P M E N T B Y C H Y U T I N A R C H I T E C T S ( 1 9 8 0 )

2069 SQFT

Utility chase

4TH FLOOR

Penthouse

2069 SQFT 3rd Floor Unit

4TH FLOOR Tuck-under parking

2nd Floor Unit

2069 SQFT

1st Floor Unit 68

Diagram - Tiered Unit Arrangement

Render - Tiered Townhouse Approach

3RD FLOOR

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W Burnside St

Burnside Bridge

Urban decay / gaea Salve Institution Term Course Instructors

Portland State University

Fall 2015 Arch 480: Design Studio

Zeljka Carol Kekez

Muricio Villarreal

Dylan Morgan

Miguel Camcho-Serna

Place Architects Place Architects

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Place Architects Place Architects

Tom Mccall Waterfront Park Portland, Oregon

Willamette River Naito Parkway

Tom Mccall Park

This project consisted of an exhibition concerning the Willamette River, a historical and topographical study of the Portland’s interaction with the river, and a proposal for a new architectural intervention. There is a simple way we could begin to change the river for the betterment of itself and people living in a city, specifically by changing how the citizens see their coexistence with the river.

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The River & Convenience 1926

Guild’s Lake

Today

Filled & Developed ”Industrial Sanctuary”

1883

Today

River usered for corporate shipping

Seawall erected in 1928

Industrial Wharf

Portland Waterfront The seawall’s elevation today creates a barrier and although it keeps onlookers safe, the condition of the river’s pollution could be attributed to this lack of daily connection. A dynamic ’draw-barrier’ for the waterfront would mend these severed ties that historical settlers had the privilage to experience.

Exhibition - ’Affecting the River, a Drop at a Time’

The River as an Organic Machine Exhibition at PLACE Architects The exhibition grasped the historical context of the Willamette and how it had been initially used out of convenience.

By early logging and industrial work, the surrounding streams and rivers of the now metropolitan area would be sculpted and in certain zones, eventually covered over. The Seawall along the western waterfront is a prime example of safety through convenient building methods.

Through contemporary capabilities, the people of Portland would begin creating ways to reintegrate the river’s qualities and organic systems back into our now matured urban landscape. But as we arrive at this point, isn’t it time for us to humble ourselves to where it all began?

The River & Capabilities 1996

Today

Spills provoke new strategy for city waste

Overhauling an antiquated wastewater system

Flooding & Sewage

To change our perception of the river, we need to walk on its shores. The main goal of this term was to reestablish intimacy between the community and river within the urban fabric.

Big Pipe

1915

Today

Major depots for freight & passenger trains until the 1980s

Part of the Pearl Redevelopment Plan

Hoyt Street Train Yard

Conceptual Poster - Portland & the River Exhibition

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Located in NW Portland, adjoined to the Willamette and was the wetlands at the foot of the west hills. This swamp naturally filtered the contaminants and sediments while providing a critical wildlife habitat to the west of the Willamette River. After the forming of the city of Portland, this lake would be the canvas for the Lewis and Clark Centennial Exposition in 1905.

Tanner Springs

After a number of aggressive floods and a lackluster sewage system, the city decided to inact a plan to transport our waste water from Portland all the way to the mouth of the Columbia.

There were a number of benefits that increased the communial enjoyment of the river which invited many to indulge in a dip on the Eastside Esplanade, one of the few public access points on the waterfront.

What is now known as the Pearl district was once the center for some of the major freight & passanger terminals and warehouses for the railroad industry in the early 1900s. After the railroad decommisioned the buildings in the 1980s, the city found a means of relating the city back to the natural aspects of the waterfront. Tanner Springs is that concept, executed in the urban fabric.

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The River & Coexistance

A Dynamic Waterfront Solution

A dynamic stitch

Tanner Springs

Lower Position - low / calm tidal level

Existing Path Elevation

Broadway Bridge

Intervention Site

Proposed Path / Activity Space

Existing Path Elevation

Viewpoint for 4th of July Celebrations on the Water Picnic And Lounge Area

Presentation And Play Space

Faster Traffic

Proposed Path / Activity Space

Slower Traffic

Spacial Usages

Steel Bridge

Raised position - high / turbulent tidal Level

Event And Gallary Space

Concert Hall and Community Pool Farmers Market

Food Carts

Crew & Dragon Rowing Dock

Burnside Bridge Intervention Site

Willamette River

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My intervention is located at Tom McCall Park, hugging the contours of the Willamette River. Initially, walking on the path one will encounter tourist attractions that are open to the elements, cyclist traffic, and a disconnection from the river’s surface.The new pavilion I’m proposing would lower tourist attractions, food carts, and general events that consist of slower foot traffic to the grade of the river. The existing path would be left intact for faster bike traffic and as cover for events below. The Tom McCall Park would be altered, becoming tiered for theater spaces, playgrounds, and dining areas.

Render - Urban Waterfront Solution

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Boat building center for Youth 823 Naito Parkway Portland, Oregon

Institution Portland State University Term Fall 2014 Course Arch 381 Design Studio Instructors John Cooney Climate Architecture + Landscaping, LCC

Tom Mccall Park

SW Yamhill St

morrison Bridge

SW TAylor St Willamette River

Naito Parkway

This site is located on the West side of the Willamette River, between SW Yamhill St and SW Taylor St. It sits directly across the street from Tom McCall Park, providing a large area for recreational activities and space for events if necessary. The project consisted of creating a boat building center for youth, so I chose a method called strip planking. This building style allows thin but elongated wooden strips to be laid on top of each other then sealed in place. This method is quick, simple, and can be taught to youngsters very effectively. The following pages illustrate the type of work, space, and equipment needed to create a boat building facility. Then after determining the square footage, these assets would be divided up and arranged in the order necessary for efficiency. But before that, I would need to take a site analysis of whom I am going to be helping. The next page shows a diagram of poverty rates, crime demographics, and local metro conditions.

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Render -Cast Off

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.

Demographics & Homelessness As Portland grows, the population, as well as its needs, changes.

Citizens that have lived here their entire lives know this, and have seen their environments change rapidly over the last few decades and the “at-risk� and homeless community have experienced this first hand. For thousands in the metropolitan area, families have not been able to break free of poverty, to a point where many units are unable to keep their children in school, become single parents, or the youth run away from the family entirely. Below is a few charts demonstrating the conditions our city faces, (Data from 2010 Census, and Portland Police Department).

14,008

51% of Metro Population have their bachelorS Degree or Higher

50,139

Population in 2010

Kids Enrolled in school ages 3 - 17 in households 29%, Some College

4,654

10%, High School Degree

Households below Poverty level

10%, No High School Degree

669 Children that are not enrolled Drug Laws

Of the 4,654 Households in the metropolitan area, 5% are a female house holder, without a husband.

And 5% are a nuclear family.

Homicide Larceny Disorderly Conduct

28% are families with children 1% are youth under 18, without family (We are focusing on this group)

Urban Center

Simple Assault

71% of individuals in each family are over the age of 18

Tree cover Lawn / Grass Street / Buildings Parking River Naito Parkway

Hawthorne Bridge

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Morrison Bridge

Burnside Bridge

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Spacial Planning

By addressing the standard dimensions of wood shop tools / machines, I could begin creating adequate spaces for those activities.

Layered ≈ 20,000 sf

5 Student Canoes

Workstations

270 sf

FORM

3 Potential Art Boar Studios 3 Potential Artist Boat Studios

31.3%

Loading Bay

Entry

SF sf 297 297

Egress Stairwell

Senior Director Studio

LiftArea

Lift Area

LiftArea

Work Bay

LiftArea

Lookout Cast Off

Elev

First Floor

Unloading Dock

Second Floor

Third Floor

Penthouse

Third Floor

Unloading Dock

_Sanding _Epoxy Application _Sealant Application 2nd Floor _Final Check

600 SF sf 600

SEAL

3.3%

Open

Open Programatic Programmatic Space Space

22.3%

22.3%

Utilites

28972897 SF sf

Open Programatic Space

43.1%

LAUNCH

2nd Floor Sanding and Epoxy application

Sanding and Epoxy application

Program

Program

Second -Form Setup andFloor

Utilites

1st Floor

1st Floor -Form Setup and Strip Fitting -Form Removal and Trimming

3.3%

_Form Setup Strip Fitting _Wood Strip Fitting -Form Removal _Form Removal and Trimming _trimming

Open Programatic Space

43.1%

First Floor

Ground Floor -Lumber Delivery -Strip & Form Cutting

_Lumber Delivery Ground Floor _Precision Cutting -Lumber Delivery _Project Overview -Strip & Form Cutting _Newcomer Initiative

Min. Space Dimensions Student Workshop

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LiftArea

Up

General Offices

Egress

31.3% 240 SF

Work Bay

240 sf

Workstations

Naito Parkway

Work Bay LiftArea

240 SF

PrepArea

DN

DN

Lookout

5 Student canoeS

120 sf

Top Floor -Accesory Installation -Final Examination -Storage -Awaiting Christening

Lounge

Lounge

Work Bay

5 Student 5 Student canoe FormsCanoe Forms

-Accesory Installation _Accessory installation -Final Examination _Final Examination -Storage _Storage _Awaiting Christening -Awaiting Christening

Up

DN

Egress

120 SF

TopTopFloor Floor

LiftArea

Tool Storage

Preparea Below Willamette River

Work Area

LiftArea

60 sf

200 SF sf 200

Tool Storage

PREP

60 SF

Up

Observation Path

Perimeter

Lockers

Boat Building Stages

120 SF sf 120

Perimeter Workbenches Workbenches

Up

Showcase Up

SF sf 112 112 2424 SF sf 6060 SF sf

Observation Path

3 Band saw 2 Table Saw w/

2 miter saws outfeed table 3 Bandw/ Saws tables 2 Miter saws w/ Consolidated Consolidated tables Lumber Lumber (Upright) (Upright) 5 Mobile 5 Mobile Workstations Workstations

DN

Layered ≈ 20,000 WC sf

LiftArea

5,000 sf

Egress

Layered Floors = 20,0000 5,000 sf sf

5,000 SF

Table saw w/ outfeed table

Work Bay

5,000 sf

Proportions of Space Min. Space Divisions Dimensions for Student Woodshop

Proportions of Space Divisions

Layered Program Layered Program Consolidation Consolidation

Layered Program Consolidation

Section Model - North View

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Appendix

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12

Misc. Jobs & Personal Works

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10

3

4

11

12

5

6

13

14

7

8

15

16

view

1. Project A.S.H. - Main Character Overview - Personal (2015) 2. Project A.S.H. - First Level Initiative - Personal 3. UKEN Games - Sky Tactics by Cloud Breakers - Professional [2015] - Boss Starship States 4. Project A.S.H. - Level Initiative - Personal 5. Project VALERIE - Gun Concept - Art Institute Club Project (2013) 6. Project VALERIE - Gun Concept - Art Institute Club Project (2013) 7. Last Stand - Personal (2015) 8. A Little Lost - Personal (2015)

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9. A Brief Struggle - Evangelion Neon Genesis Fan Art - Personal (2016) 10. Underground Restroom - Personal (2018) 11. Zebra Sketch - Day at the Zoo Personal (2013) 12. Crab Sketch - Day at the Zoo - Personal (2013) 13. “Delivery Boy” Overview - Industrial Design Final @ Art Institute (2013) 14. “Delivery Boy” Arm Construction - Industrial Design Final @ Art Institute (2013) 15. Inca Temple Composite Sketch - Design & Layout Class @ Art Institute (2013) 16. Bug-Inspired Industrial Forklift - Quicksketch Class @ Art Institute (2013)

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Thank YOu

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Jack Watson jackaldraws.com US MOBILE +1 541.510.0905 jackaldraws@gmail.com

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