Portfolio

PORTFOLIO SELECTED WORKS

B. Architecture & B. Interior Architecture

Jackson W. Reece

PORTFOLIO

PORTFOLIO

SELECTED WORKS B. Architecture & B. Interior Architecture

Undergraduate 2020 — 2025

3

PORTFOLIO

ABOUT ME OBJECTIVE With a talent for strong organizational skills, leadership qualities, and extensive security experience, I seek to obtain a full-time position after graduation. Leveraging my five years of dual-degree education, complemented by a minor, and practical experience in Federal and Gover nment projects, I aim to utilize my expertise in architectural design, project management, purchasing and proposal writing, and contractor/vendor selections, contributing to the successful execution of architectural planning and interior architecture initiatives. This combination of skills allows me to create functional, aesthetically pleasing, and secure environments that meet the specific needs of all types of projects.

EDUCATION Concur rent (Five Year) Dual Bachelor De g ree of Architecture + Interior Architecture Aubur n University, Aubur n, AL

2020 - 2025

Bachelor of Architecture

** IN-PROGRESS THESIS : Professional (Five Year) NAAB-accredited De g ree THESIS (BOOK) : How contemporary embassy buildings are not only symbols of power and international relations but also tools of nationalism, advancing a country’s technological innovation, anti-terrorism architecture, environmental sustainability, and national identity.

THESIS (PROJECT) : Proposing an Embassy analysis + renovation in conjunction with an exploration in how Embassies serve as platforms for showcasing a nation’s leadership in cutting-edge technologies, security, and envrionmental responsibilities.

Bachelor of Interior Architecture THESIS (PROJECT) : How “performance” through being “on stage” and “in the audience” can be used in design, specifically through aspects of lighting, sound, and architectural display.

Minor of Environmental (Property) Law Property Law, Environmental Law, Natural Resource Policy Management, (Natural) Energ y Law, Intro to Le gal Profession

Myers Park High School, Charlotte, NC

2016 - 2020

High School Diploma 2020 — 2025

5

COMMITTEE(S) AUBURN UNIVERSITY - OFFICE OF THE PROVOST - ACADEMIC HONESTY COMMITTEE SGA Boards + Committee Member / Representative

August 2024 - PRESENT

AUBURN UNIVERSITY - PRESIDENT’S COUNCIL SGA Representative / Member

August 2024 - PRESENT

STUDENT AFFAIRS STRATEGIC PLANNING - SGA FOCUS GROUP Member

Fall 2024

CADC ADMINISTRATIVE REVIEW COMMITTEE Selected Individual

Fall 2024

DCA INTERNATIONAL CONFERENCE COMMITTEE Member / Volunteer

October 2022

INVOLVEMENT / ORGANIZATIONS PI LAMBDA SIGMA (PRE-LAW HONORS SOCIETY) Undergraduate (Student) Member MORTAR BOARD (HONORS SOCIETY) Officer - Secretary

November 2024 - PRESENT March 2024 - PRESENT

STUDENT GOVERNMENT ASSOCIATION (SGA) : EXECUTIVE STUDENT COUNCIL (ESC) Assistant Vice President (AVP) / Executive Director / Chair

February 2024 - PRESENT

CABINET Liaison + Member - ESC Assistant Vice President (AVP) / Executive Director (ED)

February 2024 - PRESENT

FRESHMAN FORUM MENTOURSHIP Executive Mentour

October 2024 - PRESENT

“BETTER RELATIONS DAY” Selected Individual / Representative

November 2024

COLLEGE OF ARCHITECTURE, DESIGN, AND CONSTRUCTION (CADC) Vice President (VP) of CADC Student Council President (P) of CADC Student Council AUBURN CADC AMBASSADORS Vice President (VP) of Internal Affairs Student Ambassador

February 2024 - PRESENT March 2023 - February 2024 March 2023 - PRESENT March 2021 - March 2023

AUBURN ADMISSIONS DEPARTMENT - RECRUITMENT Student Recruiter

February 2024 - PRESENT

AUBURN ATHLETICS DEPARTMENT - RECRUITMENT Student Athletic Recruiter

August 2023 - PRESENT

PORTFOLIO

RESUME EXPERIENCE ARCHITECTURAL (PM) INTERN DEPARTMENT OF STATE — VIRTUAL STUDENT FEDERAL SERVICE (VSFS) August 2023 – May 2024 Overseas Building Operation (OBO) 6-8 Hours / Week Virtual Location (Remote Work) SUPERVISOR : Mr. Eric Chommanard, (202) - 615 - 2251, ChommanardEB@state.gov, May Be Contacted CDFL ARCHITECTS + ENGINEERS Architecture & Interior Architecture 600 Vestavia Pkwy, Vestavia Hills, AL 35216 SUPERVISOR : Mr. David Burnet, (601) - 832 - 7832, dburnet@cdfl.com, May Be Contacted

ARCHITECTURAL INTERN May 2023 – August 2023 45 Hours / Week

AUBURN UNIVERSITY MARTIN AQUATICS CENTER MAINTENANCE FACILITY SCUBA DIVER Facilities & Maintinance January 2023 – April 2023 15 Hours / Week 664 Biggio Dr, Auburn, AL 36849 SUPERVISOR : Ms. Sarah Stallkamp, (334) - 844 - 9622, ses0032@auburn.edu, May Be Contacted COX ARCHITECTURE & DESIGN Architecture & Interior Architecture 1310 S Tryon St UNIT 111, Charlotte, NC 28203 SUPERVISOR : Mr. Craig Cox, (704) - 351 - 2576, craig@coxarchitecture.com, May Be Contacted

ARCHITECTURAL INTERN July 2022 45 Hours / Week

SCHRADER DESIGN Apprenticeship 7725 Colony Rd Ste E1, Charlotte, NC 28226 SUPERVISOR : Mr. Harry Schrader, (704) - 906 - 9662, May Be Contacted

ARCHITECTURAL INTERN June 2019 40 Hours / Week

PROFESSIONAL ASSOCIATIONS AMERICAN INSTITUTE OF ARCHITECTURE STUDENTS (AIAS) Student Member

August 2020 - PRESENT

AIAS (AUBURN) MENTORSHIP PROGRAM Student Mentor / Mentee

August 2020 - PRESENT

ASID + IIDA Student Member

August 2022 - PRESENT

HONORS & AWARDS DEAN’S LIST Spring 2023

Auburn University, Auburn, AL

NATIONAL HONORS SOCIETY 2018 - 2020

Myers Park High School, Charlotte, NC

NATIONAL ART HONORS SOCIETY 2018 - 2020

Myers Park High School, Charlotte, NC

NATIONAL FEDERATION OF MUSIC - SUPERIOR AWARD 2013 - 2020

Charlotte, NC

2020 — 2025

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PORTFOLIO

TABLE OF CONTENTS 1

ABOUT

4

1.1 About Me

4

1.2 Resume

6

2

THESIS

10

2.1 B. Architecture T hesis — U.S. Embassy (Analysis + Proposal)

12

2.2 B. Interior Architecture T hesis — Confession Session

18

3

34

INTERIOR ARCHITECTURE

3.1 Fabrication of the Lost Arts — T he Box

36

3.2 Selma, AL — Adaptive Reuse Housing Renovation

46

4

68

ARCHITECTURE

4.1 Mass Timber Competition Center — Pavilion & Lear ning Center

70

4.2 Chicago Infill — Multiuse Commercial Property

80

5

90

CREATIVE WORKS

5.1 Artwork

92

5.2 Photog raphy

100

6

OTHER

126

6.1 Timeline — Project Chronolog y

126

6.2 Cholophon

128

2020 — 2025

9

THESIS 2

10

2.1 B. Architecture T hesis — U.S. Embassy (Analysis + Proposal)

12

2.2 B. Interior Architecture T hesis — Confession Session

18

B. Architecture Thesis U.S. Embassy (Analysis + Proposal)

This presentation is a thesis proposal for a NAAB accredited professional 5-year degree in Bachelor of Architecture and Bachelor of Interior Architecture. All information contained herein has been gathered from public sources. Sources are appropriately cited and documented to ensure transparency and adherence to academic standards.

The proposed analysis and design for an embassy renovation and construction are theoretical and statistical in nature.

The research was conducted solely for the purpose of documentation of a thesis. It was not conducted on behalf of or in any official capacity with the federal government. The views, opinions, and findings expressed herein are those of the author(s) and do not reflect the official policy or position of any federal agency, governemnt, or national entity.

Fall 2024 - Spring 2025

THESIS — B. ARCHITECTURE

U.S. EMBASSY ANALYSIS & PROPOSAL B. Architecture Thesis IN-PROGRESS THESIS — Professional (Five Year) NAAB-accredited De g ree

RESEARCH PROBLEM By bridging architectural design with national political goals, the research will offer insights into how embassy buildings act as multipurpose spaces — being headquarters of national pride, technological advancement, security, and sustainability — consequently recontextualizing the role of embassies as dynamic, multifaceted structures within the global architectural and diplomatic landscape.

THESIS STATEMENT How contemporary embassy buildings are not only symbols of power and international relations but also tools of nationalism, advancing a country’s technological innovation, anti-terrorism architecture, environmental sustainability, and national identity. Exploring how embassies serve as platforms for showcasing a nation’s leadership in cutting-edge technologies, security, and environmental responsibility.

To view full Thesis Proposal, scan QR code above : 14

JACKSON REECE

U.S. EMBASSY — ANALYSIS + PROPOSAL COUNTRY Afghanistan Albania Algeria

CAPITAL Kabul Tirana Algiers

Andorra

Andorra la Vella

Angola

Luanda

Antigua & Barbuda

St. John's

Argentina Armenia

Buenos Aires Yerevan

Australia

Canberra

Austria

Vienna

CITY Kabul Tirana El-Biar

EC / CC

OG CON.

NEW CON.

EC 2005 EC 1991 2024 EC 1962 1974 *U.S. Embassy & Consulate in Spain and Andorra*

STATUS

TRVL ADVSR

Non-Op - 2021 Operational Operational

Level 4 Level 2 Level 2

Luanda EC 2011 Operational Level 2 *U.S. Embassy to Barbados, Antigua and Barbuda, Dominica, Grenada, Saint Kitts and Nevis, Saint Lucia, and Saint Vincent and the Grenadines* Buenos Aires EC 1952 2018 Operational Level 1 Yerevan EC 2005 Operational Level 2 Canberra EC 1964 2018 Operational Level 1 Melbourne CC 2010 Operational Level 1 Perth CC 2021 Operational Level 1 Sydney CC 2019 Operational Level 1 Vienna EC 1960 2013 Operational Level 1 Vienna CC 2003 Operational Level 1

YRS BTWN CON 0 33 12

YRS SINCE CON 20 1 51

0

14

66 0 54 0 0 0 53 0

7 20 7 15 4 6 12 22

* Austrian Empire

Azerbaijan U.S. Mission to ASEAN U.S. Mission to the African Union

Baku

Baku Jakarta Addis Ababa

Nassau Manama Dhaka

Nassau Manama Dhaka Bridgetown Grenada

Level 2

0

20 12 15

EC 2013 2024 Operational Level 2 EC 2002 2017 Operational Level 2 EC 1964 1998 Non-Op - 2024 Level 3 EC 1967 2017 Operational Level 1 CC 2018 Operational Level 1 *U.S. Embassy to Barbados, Antigua and Barbuda, Dominica, Grenada, Saint Kitts and Nevis, Saint Lucia, and Saint Vincent and the Grenadines*

11 15 34 50

1 8 27 8 7

Minsk Brussels Belmopan Cotonou Hamilton La Paz Santa Cruz Sarajevo Gaborone Brasília Belo Horizonte Porto Alegre Recife Rio de Janeiro Sao Paulo Bandar Seri Begawan

EC EC EC EC CG EC CC EC EC EC EC - BO CG CG CG CG EC

1994 1960 2008 1964 1906 1928 2007 1997 2001 1964 1995 1961 1949 1976 1952 1996

19 56 17 15 22 17 18 11 11

Sofia Ouagadougou Rangoon Bujumbura Praia Phnom Penh Yaounde Ottawa Calgary Halifax Montreal Quebec Toronto Vancouver Winnipeg

EC EC EC EC EC EC EC EC CC CC CC CC CC CC CC

1930 1961 1955 1963 1999 1960 1960 1959 1970 1940 1952 1942 1931 1957 1961

Bangui

EC

1962

N'Djamena Santiago Beijing Guangzhou Shanghai Shenyang Wuhan Bogotá Barranquilla

1964 1963 1959 1930 1924 1999 1993 1964 1961

American Corner Moroni

EC EC EC CG CC CC CG EC CC V - EC M

EC EC EC EC CG EC EC

EC M M

2005 2013 2010

Operational Operational Operational

* Baden

Bahamas, The Bahrain Bangladesh U.S. Embassy to Barbados, Antigua and Barbuda, Dominica, Grenada, Saint Kitts and Nevis, Saint Lucia, and Saint Vincent and the Grenadines

Barbados

Bridgetown

* Bavaria

Munich

Belarus Belgium Belize Benin (Dahomey) Bermuda

Minsk Brussels Belmopan Porto-Novo Hamilton

Bolivia

Sucre

Bosnia & Herzegovina Botswana

Sarajevo Gaborone

Brazil

Brasília

Brunei

Bandar Seri Begawan

Non-Op - 2022 Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational

Level 4 Level 2 Level 2 Level 2 Level 1 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 1

12 9

Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational

Level 1 Level 4 Level 4 Level 3 Level 1 Level 1 Level 2 Level 1 Level 1 Level 1 Level 1 Level 1 Level 1 Level 1 Level 1

74 33 41 44 25 31 31 40

Operational

Level 4

Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational

Level 3 Level 2 Level 3 Level 3 Level 3 Level 3 Level 3 Level 3 Level 3 Level 2 Level 2

53 48 57 78 79 4 7 52 55

8 14 9 17 22 22 25 9 9

Operational Operational Operational Operational Operational Operational Operational

Level 2 Level 2 Level 1 Level 2 Level 1 Level 1 Level 1

24 50 7 54 144 13 80

31 11 22 10 65 55 14

EC 1960 2015 Operational Level 3 EC 1910 1961 Operational Level 2 CC 1940 2009 Operational Level 2 EC 1986 1999 Operational Level 2 *U.S. Embassy to Barbados, Antigua and Barbuda, Dominica, Grenada, Saint Kitts and Nevis, Saint Lucia, and Saint Vincent and the Grenadines* Santo Domingo EC 1956 2013 Operational Level 2

55 51 69 13

10 64 16 26

2006 1969 2010 2003 2008 2014 2014 ** UNDER CON.

2019 2005

46 97 80 0

17 13 60 0 0 0

43 53 0

0

30 64 76 6 20 29

* Brunswick & Lüneburg

Bulgaria Burkina Faso (Upper Volta) Burma Burundi Cabo Verde Cambodia Cameroon

Sofia Ouagadougou Naypyidaw Gitega Praia Phnom Penh Yaounde

Canada

Ottawa

Cayman Islands, The

George Town Bangui

Central African Republic

2004 1994 1996 2007 ** UNDER CON. 1991 1991 1999 1962

22

21 31 29 18 0

34 34 26 55 63 73 83 94 68 64 63

* Central American Federation

Chad Chile

N'Djamena Santiago

China

Beijing

Colombia

Bogotá

*Antananarivo, MDG*

Comoros

Moroni

* Congo Free State, The Cook Islands

Avarua

Costa Rice Cote d'Ivoire (Ivory Coast) Croatia Cuba Curacao Cyprus Czechia (Czech Republic)

San José Yamoussoukro Zagreb Havanna Willemstad Nicosia Prague

San José Abidjan Zagreb Havanna Willemstad Nicosia Prague

Kinshasa

Kinshasa Copenhagen Nuuk Haramous

2017 2011 2016 2008 2003 2003 2000 2016 2016

* U.S. Embassy in Madagascar & Comoros *

2019

1970 1964 1996 1961 1816 1957 1931

1994 2014 2003 2015 1960 1970 2011

6

* Czechoslovakia

Democractic Republic of the Congo Denmark

Copenhagen

Djibouti

Djibouti City

Dominica

Roseau

Dominican Republic

Santo Domingo

57

12

Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational

Level 2 Level 2 Level 3 Level 2 Level 2 Level 2 Level 1 Level 2 Level 3 Level 2

49 44 48 45 48 18 52 54 57

10 61 25 23 23 30 7 7 6 8

Operational Operational Operational

Level 1 Level 1 Level 1

52 26 44

6 26 10

Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational

Level 1 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 1 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2

55 76

* Duchy of Parma, The * East Germany (German Democratic Republic)

Ecuador

Quito

Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia U.S. Mission to the EU

Cairo San Salvador Malabo Asmara Tallinn Mbabane Addis Ababa

Quito Guayaquil Cairo San Salvador Malabo Asmara Tallinn Mbabane Addis Ababa Brussels, BEL

EC CC EC EC EC EC EC EC EC M

1966 1920 1952 1957 2002 1947 2000 1966 1965 1960

2015 1964 2000 2002 1995 2018 2018 2019 2017

0

* Federal Government of Germany (1848-49)

U.S. Embassy to Fiji, Kiribati, Nauru, Tonga, and Tuvalu

Suva Nuku‘alofa Punaauia

Fiji

Suva

Finland

Helsinki

France

Paris

Gabon Gambia, The Georgia

Libreville Banjul Tbilisi

Germany

Berlin

Ghana

Accra

Suva, FJI Nuku‘alofa, TO Punaauia, PYF Helsinki Paris Bordeaux Lyon Marseille Rennes Strasbourg Libreville Banjul Tbilisi Berlin Düsseldorf Frankfurt Hamburg Leipzig Munich Accra

EC 1967 2019 EC 1973 1999 CA 1971 2015 *U.S. Embassy to Fiji, Kiribati, Nauru, Tonga, and Tuvalu* EC EC CC CC CC CC CC EC EC EC EC CG CG CC CG CG EC

1962 1931 1818 1962 1962 1949 1792 1971 1961 1993 1964 1951 1957 1952 1913 1983 1957

2017 2007 2017

1959

2005 2008 2004

1993 1964

7

8 18 207 8 63 76 66 54 64 20 17 21 68 73 32 42 61

31 46

64 65

62

2 63

55

167

12 44 53

80

* Grand Duchy of Tuscany, The

Greece

Athens

Grenada

Saint George's

Guatemala Guinea Guinea-Bissau Guyana Haiti

Guatemala City Conakry Bissau Georgetown Port-au-Prince

Athens Thessaloniki

EC 1930 1961 Operational Level 1 CG 1914 1960 Operational Level 1 *U.S. Embassy to Barbados, Antigua and Barbuda, Dominica, Grenada, Saint Kitts and Nevis, Saint Lucia, and Saint Vincent and the Grenadines* Guatemala City EC 1961 2023 Operational Level 3 Conakry EC 1962 Operational Level 3 * U.S. Embassy in Dakar, Senegal * *Dakar,SEN* M Operational Level 3 Georgetown EC 1966 Operational Level 3 Port-au-Prince EC 1954 Operational Level 4

59 71

* Hanover * Hanseatic Republics * Hawaii * Hesse

Holy See Honduras Hong Kong and Macau Hungary Iceland

Vatican City Tegucigalpa Hong Kong Budapest Reykjavík

India

New Delhi

Indonesia

Jakarta

Iran

Tehran

Iraq

Baghdad

Ireland Isreal

Dublin Jerusalem

Italy

Rome

U.S. Mission to the ICAO Jamaica

Kingston

Rome Tegucigalpa Hong Kong Budapest Reykjavík New Delhi Hyderabad Chennai Kolkata Mumbai Jakarta Surabaya Medan Bali *EC of Switzerland, Tehran*

Baghdad Erbil Dublin Jerusalem Rome Florence Milan Naples Montreal Kingston

EC EC CG EC EC EC CG CG CG CG EC CG CC CA EC EC CG EC EC EC CG CG CG M EC

1994 1981 1950 1934 1947 1959 2008 1969 1792 1838 1953 1918 1949 2007 1951 1957 2011 1964 1949 1946 1819 1865 1953 1947 2006

2015 2024 2013 2020 ** UNDER CON. 2023 2010 2011 2019 2012 ** UNDER CON.

2009 ** UNDER CON. ** UNDER CON. 2018 2015 ** UNDER CON.

2023

Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational Non-Op - 1979 Operational Operational Operational Operational Operational Operational Operational Operational Operational Operational

Level 1 Level 3 Level 1 Level 1 Level 1 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 4 Level 4 Level 4 Level 1 Level 3 Level 2 Level 2 Level 2 Level 2 Level 1 Level 3

21 43 79 73

31 44 75 91 78 0

218 173 66 94

15

17 56 233 187 72 107

52

18 74 68

0

0 0

69 69

76 79 206 0

17

72 78 19

U.S. Embassy + Consulate Building Analysis - IN PROGRESS

5TH YEAR SPRING — 2025

15

THESIS — B. ARCHITECTURE

LITERARY REVIEW(S) Department of State - 2022 Department of State Sustainability Plan 2.A. 100 Percent Carbon Pollution-Free Electricity

§ “The Bureau of Overseas Buildings Operations (OBO) has installed 46

renewable energy installations with over 10 MegaWatts (MW) of power capacity worldwide. In FY22, an additional 1.6 MW will be contracted, and there are currently 20 installations under construction or in planning that will result in an additional 15 MW of solar power capacity.”

2.C. Net-Zero Emissions Buildings, Campuses, and Installations

§ “Since 2007, 57 new construction projects have been certified - 20 Silver, 20 §

Gold, and 3 Platinum. Overseas Buildings Operations (OBO) continues to evaluate opportunities to achieve net-zero.”

“The Department is committed to increasing energy efficiency to reduce exposure to volatile energy prices and conserve financial and natural resources. We are retrofitting lighting with LEDs, improving HVAC efficiency, and designing to maximize daylight inside with minimal solar-heat gain.”

3.-Reducing Waste and Pollution

§ “Embassy New Delhi was recognized for instituting its first waste recycling center, which diverted over 100 tons of waste in 2021.”

GAO Report number GAO-04-100: Entitled ‘Embassy Construction

§ “As of September 30, 2003, State had started construction of 22 projects to

replace facilities at risk of terrorist or other attacks. Overall, 16 projects have encountered challenges that have led or, if not overcome, could ultimately lead to extensions in the completion date or cost increases in the construction contract.”

§ “After the 1998 attacks, State identified facilities at about 185 posts

that would need to be replaced to meet security standards. OBO plans to construct the replacement facilities on embassy and consulate compounds that will contain the main office building, all support buildings and, where necessary, a building for USAID.”

§ “According to the latest version of the plan, State plans to start replacing

facilities at 75 vulnerable posts from fiscal year 2003 to fiscal year 2008 at an estimated cost of $7.4 billion.”

Department of State - Functional Bureau Strategy

Construct, maintain, and manage facilities that represent American § “Vision: values and balance the best in American architecture, design, engineering,

§

16

technology, sustainability, art, culture, and construction execution.”

“With the ongoing commitment of Congress, the Department, and our interagency partners, OBO is committed to supporting our nation’s diplomatic corps in achieving U.S. foreign policy by implementing the Secure Embassy Construction and Counterterrorism Act (SECCA) 2022 in a manner that will increase OBO’s ability to rapidly deliver results for all stakeholders.”

JACKSON REECE

U.S. EMBASSY — ANALYSIS + PROPOSAL

DESIGN REQUIREMENTS Environmental 2022 Department of State - Sustainability Plan - OBO

§ “The Department takes seriously the need to lead by example on climate and

sustainability in our operations as part of our role in tackling the climate crisis.

We are building institutional capacity to drastically expand our sustainability efforts to meet the objectives of Executive Order 14057, with emphases on data, training, policies, and process improvement.”

U.S. Embassy Colombo Achieves LEED Gold Certification - OBO

§ “To ensure that Department of State facilities and operations advance the

conservation of natural resources and highlight U.S. environmental technology and policy, OBO requires that all new office buildings on overseas diplomatic property achieve a minimum of LEED® Silver Certification by complying with detailed standards in areas such as carbon, energy, and water-use, waste, transportation, materials, health, and indoor environmental quality.”

Anti-Terrorism Does Architectural “Excellence” Put Embassies at Risk? - ARCHDAILY

§ “As the meeting point for diplomacy, embassies serve as the face of America

abroad. Embassy location and architectural design have the potential to promote inclusion and openness, but when tucked behind tall fences and bunker-style architecture they can convey exclusion and hostility.”

Diplomacy and Security - DLR Group

§ “Of 126 facilities identified by the panel as inadequately secure, only 49 of

those were replaced or rebuilt to meet the new standards. Following the 1998 embassy bombings in Nairobi, Kenya and Dar es Salaam, Tanzania, Congress mandated the Secure Embassy Construction and Counterterrorism Act and ushered in a major new embassy building program. Under this program, the Overseas Buildings Operations built over 150 new secure embassies around the world.”

Nationalism Diplomatic design: New US embassies make an architectural statement - CNN

§ “The government now wants embassies to represent the best of American

architecture while respecting the culture of the host country. Officials try to place them in more central, urban locations, and to meet environmental targets without sacrificing functionality or security.” ... ... “The new cube in London ushers in the first wave of self-consciously architectural embassies since the Cold War. It remains to be seen how successful they will be at their extraordinarily difficult task: holding beauty, security, and cost-efficiency in a careful balance.”

Designing for Global Diplomacy - DLR

§ “For each embassy, our designs respond to the architectural history of that

location; implement the most environmentally sustainable standards for the local area; and embody U.S. diplomatic ideals.”

5TH YEAR SPRING — 2025

17

B. Interior Architecture Thesis Confession Session

Summer 2024

THESIS — B. INTERIOR ARCHITECTURE

CONFESSION SESSION B. Interior Architecture Thesis RESEARCH PROBLEM “The studio will emphasize the development of a design methodology that uses drawings, physical and digital models, mixed media compilations and other methods as necessary to determine interior effects. The development of a material imagination through the selection and arrangement of programmatic furniture, acoustic surfaces and the visualization of designed lighting are important objectives.” - Interior Architecture Cohort Research Problem

THESIS STATEMENT PERFORMANCE AS AN ASPECT OF DESIGN : How “performance” through being “on stage” and “in the audience” can be used wdisplay.

To view full Thesis Proposal, scan QR code above : 20

JACKSON REECE

CONFESSION SESSION

Site Location + Context

Triptych - Beginning Conceptual Material Selection SUMMER — 2024

21

THESIS — B. INTERIOR ARCHITECTURE

Precedents - Boston, MA

Precedents - Charlotte, NC + Birmingham, AL 22

JACKSON REECE

CONFESSION SESSION

THE MENU CONFESSION SESSION

10

Confession Session is a place where individuals, friends, couples, and more can go to “experience a performance”. This cocktail lounge is not the typical bar, it is where the drink itself is a performance, and the bartenders are the extras in the show. With live demonstrations, and (10 zones for) explinations as to what the audience will be seeing, tasting, smelling, and feeling.

THE STAGE

4

Upon entering Confession Session, the patron is immetdiately an actor/actress on the stage(s - 4). On display for all the people outside on the street, driving by, and those who look in. The idea is a social gathering space that is public of individuals to gather, talk, and drink is a open setting like a set on a stage.

ROLL THE DICE

1

Once inside, the individual may not realize there is a “back” zone of interest. With an archway and patina door (1), individuals will see the host take the patrons back or watch people leave. If you want to “roll the dice”, individuals can be taken to their private booth in the back. Realizing there is a whole different experience once walking through the doorway separating the front and back zones.

SPOTLIGHT EXPERIENCE

8

Confession Session is designed to where the light source is never seen, but the light is always dim forcing the patron to be out of focus. This causes the focus to be on the drink and bartender. Having a specific LED light around the archway of the booth (8), for the bartender to be “performing” the beverage service. Causing the patrons to be “the audience” in the background.

FOREST OF EMERALD & GOLD

2

The materiality was chosen specifically to relate to that of a dark speakeasy which would have been seen during the 1920s and 1930s. This speakeasy style meets both neolcassicalism and modern design choices with a golden flair. Creating the “forest of emerald and gold”, with groin vault ceilings and mahogany + golden paint, tiling, and accent pieces. Within these “forests” (2) the floor is lit from the tiling, causing the walls and ceiling to be illuminated as one walks through.

REFLECTIONS

8

In addition to the materiality, the reflections of the patina mirrors (8) and archways create the sense of “peeking” and curiosity. When walking by or looking past, this sense of reflection allows the individuals to see what is happening without distrupting the privacy of the “booth of secrets”.

SHOW & TELL

1

When choosing a cocktail or beverage, the service will be tableside (1) - with the bartenders bringing a cart to the booth/table. The rolling cart allows for the individuals to have the bar be brought the them, and the service to be catered to the individual and their experience and drink of choice.

CHESHIRE CAT

4

The central corridor - painted black like a backdrop to a set - in designed to that bartender (4) seem to move throughout the interior without ever being seen. Coming and going - popping up and appearing out of thin air like the chesire cat.

SUMMER — 2024

23

THESIS — B. INTERIOR ARCHITECTURE

Plan - Floor 1 (Ground) 24

JACKSON REECE

Plan - Floor 2

CONFESSION SESSION

Section A

Section B

Section C SUMMER — 2024

25

THESIS — B. INTERIOR ARCHITECTURE

26

JACKSON REECE

CONFESSION SESSION

Diagram - Spacial Layout SUMMER — 2024

27

THESIS — B. INTERIOR ARCHITECTURE

Diagram - Circulation 28

JACKSON REECE

CONFESSION SESSION

Diagram - Lighting SUMMER — 2024

29

THESIS — B. INTERIOR ARCHITECTURE

30

JACKSON REECE

CONFESSION SESSION

SUMMER — 2024

31

THESIS — B. INTERIOR ARCHITECTURE

32

JACKSON REECE

CONFESSION SESSION

Model Photographs SUMMER — 2024

33

INTERIOR ARCHITECTURE 3

34

3.1 Fabrication of the Lost Arts — T he Box

36

3.2 Selma, AL — Adaptive Reuse Housing Renovation

46

Fabrication of the Lost Arts The Box

Fall 2022

INTERIOR ARCHITECTURE

FABRICATION OF THE LOST ARTS THE BOX

A link between text, image, and collage elements is created as a method of thinking about interior architecture. A subtle distinction between “containing” and “contained” was discovered, for example, by studying quotations from Gaston Bachelard’s Poetics of Space on “containing or being contained.” Based on our own interpretation of a pair of quotations, collage diptychs were created. Each drawing contains some hand drafted marks as well as collaged elements. Color, texture, or graphic elements are all represented through reassembled photography.

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With the inspiration from the collages, each student was randomly assigned an Artist and “Lost Art.” New 2D and 3D collages took inspiration, materials, colors, etc. from the previous work as well as visual and conceptual features of the Artist and Lost Art. For example, the Lost Art of Calligraphy reveals itself through an interaction with the interior. The final work merges Artist and Lost Art with an evolving personal design sensibility into a single piece. While the complex associations are somewhat random, they relate to the process of collage which often combines disparate elements into one composition.

FABRICATION OF THE LOST ARTS — THE BOX

3RD YEAR FALL — 2022

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INTERIOR ARCHITECTURE

“The sunny room is buzzing in the head of the dreamer” - Donlyn Lyndon & Charles W. Moore (From Chambers for a Memory Place)

Collage inspired by the quote above

“A Lock is a physical threshold” - Donlyn Lyndon & Charles W. Moore (From Chambers for a Memory Place)

Collage inspired by the quote above

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FABRICATION OF THE LOST ARTS — THE BOX

Collage under a UV Blacklight

Collage under a UV Blacklight

3RD YEAR FALL — 2022

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INTERIOR ARCHITECTURE

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FABRICATION OF THE LOST ARTS — THE BOX

The intent is to create an exquisitely crafted interior artifact that holds interior space and carries or embodies information about both the artist and the lost art into the future by 100 years.

By combining elements and inspiration about the assigned artist with the unrelated lost art, the cabinet participates in collage literally and figuratively. By interacting with the piece, the viewer will learn.

With the inspiration from the previous collages, each student was randomly assigned an Artist and “Lost Art”. The design for the new collage must take inspiration, materials, colors, etc. from the previous collages as well as provide information in relation to the Artist and the

“Lost Art”. I was assigned Victoria Topping, an artist and illustrator from Bath, South West England with creative practices combining digital and traditional techniques. Specializing in vivid color, bold forms, recurring motifs, and more. She uses paint, foil, prints, plotters, etc to create different 2D materials to further create 3D like pieces. In contrast to the artist, the assigned “Lost Art” is Calligraphy. Through the design of the artifact, the calligraphy element must teach aspects such as ancient/historical contexts, cultural significances, biblical and storytelling techniques, rituals behind it, and remnants today. Together, representing a new type of interactable collage element.

3RD YEAR FALL — 2022

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INTERIOR ARCHITECTURE

English Calligraphy / Manuscript

Chinese Calligraphy

Greek Calligraphy

“Teaching” Calligraphy Space

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FABRICATION OF THE LOST ARTS — THE BOX

3RD YEAR FALL — 2022

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Selma, AL Adaptive Reuse Housing Renovation

Fall 2023

INTERIOR ARCHITECTURE

SELMA, AL ADAPTIVE REUSE Housing Renovation

Selma, AL not only has a deep historical significance, but it also has a desperate need for assistance. The Good Samaritan Hostpial once housed the wounded during the Civil Rights movement, led by Dr. King in the 1950s-1960s. Since it’s operational occupancy, the hospital now lies dorm ant. The Structure has been stripped throughout the interior with little to no remains. Currently serving as unofficial housing for the homeless of Selma. Our assignment was to create housing designed for the senior community of Selma, that may not have a home or be able to purchase a property.

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This project is being presented by Professor Moore and Professor Smith to Congress. This project is expected to be funded by the City of Selma, and the government. The program includes adaptable housing for 1 Bedroom / 1 Bathroom units. To prepare for the individuals living in the units. The units are “adaptable” by having a “shared wall” in which an individual can put-up or take-down a wall to create either 1BD/1BA or 2BD/2BD units. There are a total of 11 bedrooms and bathrooms per floor, with 33 in the building.

SELMA, AL — ADAPTIVE REUSE HOUSING RENOVATION

4TH YEAR FALL — 2023

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INTERIOR ARCHITECTURE

Existing Conditions - Front Exterior Entrance

Existing Conditions - Front Exterior Landscaping

Existing Conditions - Interior Window

Existing Conditions - Interior Stairwell

Existing Conditions - Aerial View

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SELMA, AL — ADAPTIVE REUSE HOUSING RENOVATION

Existing Conditions - Exterior Facade

Existing Conditions - Exterior Facade

4TH YEAR FALL — 2023

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INTERIOR ARCHITECTURE

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SELMA, AL — ADAPTIVE REUSE HOUSING RENOVATION

N Site Plan

4TH YEAR FALL — 2023

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INTERIOR ARCHITECTURE

Ground Floor Plan

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SELMA, AL — ADAPTIVE REUSE HOUSING RENOVATION

Floors 2-4 Plan

4TH YEAR FALL — 2023

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INTERIOR ARCHITECTURE

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SELMA, AL — ADAPTIVE REUSE HOUSING RENOVATION

2 BD / 2 BA UNIT (NOT ADAPTABLE)

1 BD / 1 BA UNIT (NOT ADAPTABLE)

2 BD / 2 BA UNIT (ADAPTABLE)

1 BD / 1 BA UNIT (ADAPTABLE)

SHARED SOCIAL SPACES

Floors 2-4 Unit Diagram

4TH YEAR FALL — 2023

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INTERIOR ARCHITECTURE

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SELMA, AL — ADAPTIVE REUSE HOUSING RENOVATION

4TH YEAR FALL — 2023

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INTERIOR ARCHITECTURE

Single Unit Layout

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SELMA, AL — ADAPTIVE REUSE HOUSING RENOVATION

Double Unit Layout

4TH YEAR FALL — 2023

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INTERIOR ARCHITECTURE

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SELMA, AL — ADAPTIVE REUSE HOUSING RENOVATION

Unit Section

Floor Section

4TH YEAR FALL — 2023

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INTERIOR ARCHITECTURE

North Elevation (New Design)

East Elevation (New Design)

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SELMA, AL — ADAPTIVE REUSE HOUSING RENOVATION

South Elevation (Preserved)

West Elevation (New Design)

4TH YEAR FALL — 2023

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INTERIOR ARCHITECTURE

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SELMA, AL — ADAPTIVE REUSE HOUSING RENOVATION

4TH YEAR FALL — 2023

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ARCHITECTURE 4

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4.1 Mass Timber Competition Center — Pavilion & Lear ning Center 70 4.2 Chicago Infill — Multiuse Commercial Property

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Mass Timber Competition Pavilion & Learning Center

Spring 2022

ARCHITECTURE

MASS TIMBER COMPETITION PAVILION & LEARNING CENTER

My design was inspired and based off of light direction and air movement. Such as how it can be directed throughout the day as the sun moves and the atmosphere changes.

The gathering point locations, such as the boardwalk and the interior spaces, open onto a green space where the environment was focused on and was reinforced with large windows and aperatures to blend the two interior and exterior environments. The analysis of the sun’s and wind’s movements helped influence the design of the structure on site. This included cross ventilation and open roods that protect it from the heat, as well as large pitched roofs with skylights for heat to escape and light to filter through. As visitors move through the structure, they will experience a flow between the surrounding landscape and the built structures (with views from one level to another from the inside out.

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The movement between the shadows of the boardwalk weaves the buildings together with the surrounding environment in a fluid and dynamic way. At night, the glowing structures of the office and interior classrooms provide an inviting transparency, drawing visitors to events and acitvities. These lenses of light such as the frosted glass and polycarbonate materials, gather, diffuse, and refract light to the interior spaces. During the day the paeratures allow different qualities of light into the conditioned spaces, while at night the buildings “glow” like a lantern screen.

The unconditioned spaces have a similar language with their screen paneled walls.

The panels allow for different amounts of light to seep through while air circulation can act and move through the structure. The buildings are organized in sequence to support the progression of movement across the site, gradually stepping into the topography.

MASS TIMBER COMPETITION — PAVILION & LEARNING CENTER

EXTERIOR FINISHED WOOD

I N S U LAT E D PO LYCAR B O NATE ROOFING ROOF DECKING

INTERIOR FINISHED WOOD

INTERIOR FINISHED WOOD I N S U LAT E D PO LYCAR B O NATE WALL FRAMING / STRUCTURE EXTERIOR FINISHED WOOD

FLOOR ASSEMBLY

WOODEN STRUCTURAL BEAM

WOODEN STRUCTURAL COLUMN

M ETAL J O I NT CONCRETE F O U N DATI O N

WOODEN STRUCTURAL COLUMN

F O U N DATI O N SYSTE M

EXPLODED FLOOR ASSEMBLY

FINISHED FLOORING SUBFLOORING / DECKING I N S U LAT I O N VAPOR BARRIER FLOOR STRUCTURE / BRACING

REBAR

Exploded Axon

2ND YEAR SPRING — 2022

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ARCHITECTURE

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Site Plan

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MASS TIMBER COMPETITION — PAVILION & LEARNING CENTER

Section Perspective Axon

Section Perspective Axon

Floor Plan (Rendered)

2ND YEAR SPRING — 2022

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ARCHITECTURE

Panel Wall - Interior - Closed

Panel Wall - Interior - Open

Panel Wall - Exterior - Closed

Panel Wall - Exterior - Open

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MASS TIMBER COMPETITION — PAVILION & LEARNING CENTER

Panel Wall - Interior

Panel Wall - Exterior

2ND YEAR SPRING — 2022

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ARCHITECTURE

NW Axon

NE Axon

SW Axon

SE Axon

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MASS TIMBER COMPETITION — PAVILION & LEARNING CENTER

Boardwalk View

Classroom Space - Interior

Event Space - Interior

Terrace View

Exterior Section Perspective Render

2ND YEAR SPRING — 2022

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Chicago Infill Multiuse Commercial Property

Fall 2021

ARCHITECTURE

CHICAGO INFILL

Multiuse Commercial Property

The chicago infill project is a seven story multi-use building, designed to be an eye-catching strcture that redefines “terra cotta”. After visiting the site in Chicago, the idea that sparked the project was the weaving of ivy growing around the buidings.

This led to the facade structure system of concrete “weavings” of different scales. The intent behind the use was for display, such as a Frontgate furniture, ABC Furniture & Home, or the AmericasMart in Atlanta. These multi-level buildings, with each floor being a different showroom, was what the idea was.

Each floor was to have a main stairwell, a hearth, main elevator, service elevator, three ADA compliant restrooms, fire stair, and maintenance closet. These programs were pushed to the back of the plan providing space on each floor. With each floor being different, not one has the same plan or the same shape of stair.

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The Stairs were created to rotate 15 degree clockwise on every floor with a 90 degree bend in the middle, with a wooden railing system to reflect the light down the stairwell from the skylight. The roof also has a set of program such as having occupiable space, a rooftop-bar, along with a balcony overlooking the sidewalk. Though the structure was the have views of the outside, the “instagrammable” moments were to be captured and focused on the interior. With the concrete facade creating shadow patterns and apetures of light coming in each floor differently throughout the day, each hour will have a unique display of shadows across the interior.

CHICAGO INFILL — MULTIUSE COMMERCIAL PROPERTY

Street Level Rendering

2ND YEAR FALL — 2021

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ARCHITECTURE

Longitudinal Section

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Transverse Section

CHICAGO INFILL — MULTIUSE COMMERCIAL PROPERTY

Floor 2 Plan

Roof Plan

Floor 1 Plan

Floor 7 Plan

2ND YEAR FALL — 2021

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ARCHITECTURE

Side Elevation View

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CHICAGO INFILL — MULTIUSE COMMERCIAL PROPERTY

Front Elevation View

2ND YEAR FALL — 2021

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ARCHITECTURE

Ground Floor - 3:30pm (Natural Lighting)

Ground Floor - 3:30pm (Heat Mapping)

Floor 7 - 3:30pm (Natural Lighting)

Floor 7 - 3:30pm (Heat Mapping)

With the views on the ground floor, I am showing the complexity of the voids along with their location in the building. The voids are positioned into the back of the building, where the fire stairs are to the far left in the images, in the middle - on both sides of the empty spaces - are two bathrooms on each side, a mechanical room to the right of the empty space, along with a service elevator to the far right. There is also a glass elevator in the middle of the building. With these views you can see the location of each void space, along with the interaction between space and lighting conditions that is created around it.

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With the views on floor 7, I am showing the complexity of the facade from the 7th floor meeting the roof level, while showing how the structural beams meet the facade. The facade also provides shading and lighting conditions that change throughtout the day that can be seen to the left in the images.

I showed the four different times because it helps show the facade being cast down onto the floor. It is also important to note that the 7th floor has an enclosed staircase, because the 7th floor is open to the environment, creating an open patio like plan where c ompanies can showcase outdoor furniture or seating areas.

CHICAGO INFILL — MULTIUSE COMMERCIAL PROPERTY

Floor 7 - 6:00am (Natural Lighting)

Floor 7 - 6:00am (Heat Mapping)

2ND YEAR FALL — 2021

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CREATIVE WORKS 5

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5.1 Artwork — Fine Art, Painting, & Sculpture

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5.2 Photog raphy — Architecture, Photojour nalism, Portrait, & etc.

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Artwork Fine Art, Painting, & Sculpture

2016 - 2025

CREATIVE WORKS

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ARTWORK — FINE ART, PAINTING, & SCULPTURE

2016 — 2025

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CREATIVE WORKS

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ARTWORK — FINE ART, PAINTING, & SCULPTURE

2016 — 2025

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CREATIVE WORKS

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ARTWORK — FINE ART, PAINTING, & SCULPTURE

2016 — 2025

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Photography Architecture, Photojournalism, Portrait, & Digital Work

2016 - 2025

CREATIVE WORKS

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PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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CREATIVE WORKS

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PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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CREATIVE WORKS

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PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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CREATIVE WORKS

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PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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CREATIVE WORKS

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PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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CREATIVE WORKS

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JACKSON REECE

PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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CREATIVE WORKS

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PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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CREATIVE WORKS

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PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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CREATIVE WORKS

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PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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CREATIVE WORKS

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PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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CREATIVE WORKS

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JACKSON REECE

PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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CREATIVE WORKS

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PHOTOGRAPHY — ARCHITECTURE, PHOTOJOURNALISM, PORTRAIT, & DIGITAL WORK

2016 — 2025

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PORTFOLIO

TIMELINE FIRST YEAR § Glass House + Brick House (& Welcome Center) § Textile Histor y Museum

2021 2021

SECOND YEAR § Aubur n, AL — Afterschool Center § Chicago Infill — Multiuse Commercial Property § Osher Lifelong Lear ning Institute Center § Mass Timber Competition Center

2021 2021 2022 2022

THIRD YEAR § Fabrication of the Lost Arts § Nashville Infill — Adaptive Reuse Multiuse Commercial Property § I-85 Cor ridor Center & LEED Study

2022 2022 2023

FOURTH YEAR § Selma, AL — Adaptive Reuse Housing Renovation § Huntsville, AL — Perfor mance Dance Center § B. Interior Architecture Thesis — Confession Session

2023 2024 2024

FIFTH YEAR § Columbus State University — Mar ried Housing Dor mitor y § B. Architecture Thesis — U.S. Embassy (Analysis + Proposal)

2024 2025 2020 — 2025

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Designer & Editor: Jackson Reece, 2025 Typeface: Avenir Next Regular Avenir Next Italics Avenir Next Demi Bold Avenir Next Demi Bold Italics Avenir Next Bold Avenir Next Bold Italics Baskerville Baskerville Italics Baskerville Semibold Publisher: Blurb https://www.blurb.com/magazine

Showcase of Undergraduate Work from Auburn University in Architecture and Interior Architecture. The 2025 Portfolio, embodies the theme of “Formal Minimalism and Creative Design.” This theme eloquently captures the evolution of architectural design through the educational journey, emphasizing the harmonious blend of natural earth tones and the timeless principles of classical architectural symmetry, form, and scale over the span of five years.

All photographs were taken by Jackson Reece; and all drawings, diagrams, models, and renderings were created by Jackson Reece.

The portfolio was set by Blurb Publishing. Cover: 80# Semi-gloss (216 GSM) for heft and protection. Paper: 80# Matte text (118 GSM) paper. The book is a 8.5”×11” in (22×28 cm) size magainze layout.