Michael doolan caution and reassurance

MICHAEL DOOLAN caution and reassurance 8 to 28 November 2013 www.bettgallery.com.au

MICHAEL DOOLAN caution and reassurance I guide readers to the entrance of toy land and usher them through its gates, but then keep asking the members of my tour group to consider whether, having found it an attractive and exciting place to visit, would they really want to live there forever. ...Lois Kuznets, When Toys Come Alive New Haven and London, Yale University Press, 1994, p. 20

My work, inspired by popular culture and finding expression in a “world of the toy” de- and reconstruct childhood imagery. They engage the viewer with this world. Intentionally set up to be viewed through the eyes of an adult while still allowing us to participate childlike, in this “world of the toy”.

My aim is to capture and reveal the invisible, hidden qualities of the miniature.

Their featureless countenance employed to subvert “my” subject’s visually-friendly nature. A major feature of these works is their high gloss reflective finish.

This mirror-like finish will force the viewer to engage with the work as an active and intimate participator, so they observe themselves as a distorted reflection. There is an intention with this work to question the way we perceive ourselves in the world, in this case, my world of the toy, around them.

Michael Doolan 2013

Michael Doolan (Black) Grumpy 2013 ceramic & auto enamel 42 x 45 x 30cm $7,800

Michael Doolan Flower 2013 ceramic & auto enamel 31 x 25 x 24cm $5,700

Michael Doolan Caution and Reassurance: Prince!s Castle 2012 ceramic, wood, polymer & auto enamel 34 x 40 x 25cm $5,800

Michael Doolan Caution and Reassurance: Snow White and Tree 2013 ceramic, wood & auto enamel 56 x 40 x 25cm $5,800

Michael Doolan Caution and Reassurance: Poison Apple 2013 ceramic, wood & auto enamel 23 x 40 x 25cm $5,800

Michael Doolan (Black) Bashful 2013 ceramic, polymer & auto enamel 28 x 20 x 18cm $5,700

Michael Doolan (Purple) Happy 2013 ceramic & auto enamel 47 x 55 x 27cm $7,800

Michael Doolan Caution and Reassurance: Poison Apple 2013 ceramic, wood & auto enamel 23 x 40 x 25cm $5,800

MICHAEL DOOLAN Born Melbourne, Victoria Education 2005-13

PhD Monash University, Victoria, Australia

2001

M.A (By Research) Monash University, Victoria, Australia

1981

B.A Monash University, Victoria, Australia

Professional Experience 2010-13

Lecturer, Sydney College of the Arts, The University Of Sydney, NSW

1998-07

Lecturer, Department of Fine Arts, Monash University, Victoria

1992-93

Lecturer, Department of Applied Arts, Monash University, Victoria

Selected Solo Exhibitions 2013

Between Wishes and Fears: A Studio Investigation of the Fairy Tale, MADA Gallery Monash University, Victoria

2012

Between Wishes and Fears: Jan Manton Art, Brisbane, QLD

2011

Cautionary Tales: Karen Woodbury Gallery, Melbourne, Victoria

2010

Once Upon A Time: Federation Square, Melbourne, Victoria

2008

For Ever For Now: Depot Gallery, Sydney, NSW

2007

For Now and For Ever: Karen Woodbury Gallery, Melbourne, Victoria

2005

Boo Who? Karen Woodbury Gallery, Melbourne, Victoria

2004

Never Ever Land: Academy Gallery, University Of Tasmania, Launceston, Tasmania

2003

Good as Gold: Brisbane City Gallery, Queensland

2001

The Good the Bad and the Cuddly: Faculty Gallery, Monash University Caulfield, Victoria

2000

SHELF: Craft Victoria, Fitzroy, Victoria

1998

Pharaohs’ Prescription: Lauraine Diggins Fine Art, Melbourne, Victoria

Selected Group Exhibitions 2013

City Of Hobart Art Prize: Tasmanian Museum and Art Gallery, Hobart, Tasmania

2012

Jakarta Contemporary Ceramics Biennale: North Space Gallery, Jakarta, Indonesia Smash Hits: Shepparton Art Museum, Shepparton, Victoria Silver: Wangaratta Art Gallery, Wangaratta, Victoria

2011

Deakin University Small Sculpture Award: Deakin University, Melbourne, Victoria Art for Science: Moss Green Gallery, Melbourne, Victoria National Artists’ Self-Portrait Prize: University of Queensland Art Museum, QLD 25 Years- An Unfolding Journey: Bett Gallery, Hobart, Tasmania Our House: Sydney College of the Arts, University Of Sydney, NSW

Light Moves: Jan Manton Art, Brisbane, Queensland Think Tank- the Visual Diary/Artist’s Book: Academy Gallery, University of Tasmania, Launceston, Tasmania 2010

You’re Move: Australian Artists Play Chess, Bendigo Art Gallery, Vic; University of Queensland Art Museum, Brisbane, Qld; McClelland Gallery and Sculpture Park, Langwarrin, Vic; Samstag Museum, Adelaide, S.A. Melbourne Contemporary Art Fair: Melbourne, Victoria Hobart Art Prize: Tasmania Museum and Art Gallery, Hobart, Tasmania ZEN to KAWAII: THE JAPANESE AFFECT. Queensland University of Technology Museum, Brisbane, QLD KORERO, Taiwan International Ceramics Biennale, Yingge Museum, Taipei New Acquisitions: Tasmanian Museum and Art Gallery, Hobart, Tasmania CLASH, Newcastle Region Art Gallery, Newcastle, N.S.W.

2009

Art For Science, Nellie Castan Gallery, Melbourne, Victoria Deakin Contemporary Small Sculpture Award, Deakin University, Victoria Hobart Art Prize: Tasmanian Museum and Art Gallery, Hobart, Tasmania Figuration: Jam Factory, Adelaide, South Australia Trouble in Toyland: Counihan Gallery, Brunswick, Victoria, Australia

2008

Conversations: Bett Gallery: Hobart, Tasmania, Australia Trajectory of Memories: Museum and Art Gallery of the Northern Territory, Australia Bright and Shiny: Ipswich Art Gallery, Ipswich, Queensland, Victoria Select Gallery Artists: Karen Woodbury Gallery, Melbourne, Victoria Surface (Detail): Newcastle Region Art Gallery, Newcastle, N.S.W.

2007

PLAYTIME: Amusing Melbourne through the ages, City Museum, Melbourne, Victoria McClelland Sculpture Survey: McClelland Gallery and Sculpture Park, Langwarrin, Victoria Art for Science: Nellie Castan Gallery, Melbourne, Victoria Making and Meaning: Object Gallery, Sydney, NSW. BLAST! The influence of Manga and contemporary Japanese culture on Australian artists: Redcliffe City Art Gallery, Logan Art Gallery, Queensland Snap Freeze: Still Life Now. TarraWarra Museum of Art, Victoria

2006

Strange Cargo: Contemporary art as a state of encounter.

Newcastle Region Gallery, Tweed River Regional Gallery, Ipswich Art Gallery, Broken Hill City Art Gallery, Orange Regional Gallery, Bendigo Art Gallery, Wagga Wagga Art Gallery.

Melbourne Contemporary Art Fair, Melbourne, Victoria Sidney Myer International Ceramics Award, Shepparton Art Gallery,Victoria

2005

Hobart Art Prize, Museum and Art Gallery of Tasmania, Hobart, Tasmania Trans Ceramic Art, 3rd World International Ceramics Biennale, Seoul, South Korea.

You’re So Vain, Karen Woodbury Gallery, Melbourne, Victoria

2004

Boogie Jive and Bop, Plimsoll Gallery, University of Tasmania, Hobart, Tasmania

2003

Hypercrafting, Faculty Gallery, Monash University, Caulfield, Victoria, Australia.

Gold Coast International Ceramics Award, Gold Coast City Art Gallery, Brisbane, Queensland

2001

Friend of the Family, Discreet Projects, Arts Victoria, Melbourne, Victoria

2000

The Good the Bad and the Cuddly, Faculty Gallery, Monash University Caulfield, Victoria

1999

Contemporary Australian Craft, Powerhouse Museum, Sydney, NSW. Hokkaido Museum of Modern Art, JapanTakaoka Art Museum, Japan Museum of Modern Art, Shiga, Otsu, Japan Space & Time, Faculty Gallery, Monash University – Caulfield, Victoria

1998

Sidney Myer International Ceramic Award, Winner of Premier Award, Shepparton Art Gallery, Victoria IMPACT: Art for a World Identity, Monash University Museum of Art- Clayton, Victoria

1997

Auto Art, National Gallery of Victoria, Melbourne, Victoria Sidney Myer Fund, International Ceramic Award, Shepparton Art Gallery, Victoria

1996

Artists at Ord Minet: Lauraine Diggins Fine Art, Melbourne, Victoria BOX: Next Wave Festival, Craft Victoria Gallery, Melbourne, Victoria National Craft Acquisition Award, Museum and Art Gallery of Northern Territory

1995

Delinquent Angel: Australian Contemporary Ceramics. Museum of International Ceramics, Faenza, Italy, touring Japan, Singapore and Australia 4th International Ceramics Competition, Mino, Japan The Object Sublime, Lauraine Diggins Fine Art, Melbourne, Victoria Sidney Myer Fund Australia Day Award, Shepparton Art Gallery, Victoria

Awards and Grants 2009

Connections Residency, Australia Council for the Arts.

City of Manningham Contemporary Ceramics Award.

2005

Arts Development Grant, Australia Council for the Arts

2002

London Studio Residency, Australia Council for the Arts

1998

Sidney Myer International Ceramics Award. (premier award)

1995

14th International Biennale, Ceramique d’Art, (gold medal) Vallauris, France.

Sidney Myer Fund Australia Day Award.

Collections Queensland University of Technology.

Beson Foundation.

Deakin University, Victoria.

Artbank.

Ipswich Art Gallery, Ipswich, Queensland.

Shepparton Art Gallery, Shepparton, Victoria.

Chateau Museum, Vallauris, France.

Shepparton Art Gallery, Shepparton, Victoria.

Gold Coast City Gallery, Gold Coast, Queensland.

Newcastle Region Gallery, New South Wales.

City Of Manningham, Victoria.

Tasmanian Museum and Art Gallery.

McClelland Gallery and Sculpture Park, Victoria Bibliography 2013

R. Fitzgibbon, City Of Hobart Art Prize 2013, Ex Cat, July.

2012

T. Snell, J. Harvey, D. Panton et al Time and Vision, Acme Studios, London, U.K. M. Caro, J. Harvey and D. Panton, 25 Years- Hosting International Artists’ Residencies in London, Acme Studios, ArtQuarters Press.

L. Fichner-Rathus, Understanding Art. (10th Edition) Clarke Baxter, Wadsworth Cengage Learning, Boston, U.S.A.

2011

M. Spencer, Play it again, SAM: The Art Of Chess & Your Move. Art Monthly, Issue #246, December.

K. McKenna, Exhibition: The Courier-Mail, April 27.

2010

L. Martin-Chew, Zen To Kawaii: The Japanese Effect. Artlines, Dec, Jan, Feb. F. Do Campo, Artnotes Tasmania. Art Monthly, Issue #236, December.

G. Hickey, Impressions of Japan. Art Monthly, Issue #236, December.

R. Nelson, Artists Game to Get On Board. The Age, November 10.

M. Backhouse, Your Move. Art Guide, November/ December.

A. Wilson, Artist’s on Board with Piecework. The Australian, October 28 T. Curtin, K.Quinlan Your Move: Australian Artists Play Chess, Ex Cat, Oct. V. Van Ooyen, ZEN to KAWAII; THE JAPANESE AFFECT. Ed Resource.

I. Walton, Fractured Fairy Tales, C.R, Sept/Oct. R. Scanlon, Art Notes: Art Monthly, #232, August.

M.Elliot, S.Chiang, L.Ching, Korero: Taiwan International Ceramics Biennale, Ex Cat, August.

The Age: (Melbourne) Magazine, August: Issue #70 August.

E.Colless, J.Stuart, HOBART ART PRIZE: Ex Cat, July.

A. Fielding, Conversations: C.R. # 243, May/June.

U. Rey, ART: THE HERALD, February 20.

2009

A. Kenny, Crackle: Contemporary Art from the Middle of Nowhere, Art and Australia, vol47 #2, Summer.

P. Anderson, Editors Choice: Australian Art Review, August/October.

J. Kang, Clay In Art, International: Clayart International, Nea Smyrni, Greece.

K. Hill, Qantas: The Australian Way, Gallery Slaves, July.

M. Kunda, Hobart Art Prize, Ex Cat, July.

S. Bowers, Figuration: Ex Cat, May. C. Armstrong, The Warsons: ART WORLD, Issue#7, Feb/ March.

E. Bartlam, Trouble in Toyland: Ex Cat, January.

S. Koop, CRACKLE: Contemporary Art from the Middle Of Nowhere, Institute of Modern Art Publishing, Brisbane, QLD, Australia.

2008

M. Gates, Trajectory of Memories, Object, issue#57, December.

A. Groom, For Ever For Now, TWOTHOUSAND, issue#162, November 13 M. Merten, Bazaar Culture, Harpers Bazaar, Dec. J. Hampson, Remembrance of things past, Jakarta Post, September 14.

S. Dartanto, A. Grey, Trajectory of Memories: Ex Cat, July.

H. West, Trajectory of Memories, Art Monthly, issue#211, July.

P. Finnigan, Surface (Detail) Ex Cat, Febuary.

M. Backhouse, Art around the galleries, The Age, A2, Feb 2.

2007

A. Stephens, All the fun of the fair, The Age, A2, Dec 9.

E. Howes, Making and Meaning: Object, issue#54, Dec/Jan. J. Cooper, S. Gregg, PLAYTIME: Amusing Melbourne through the ages, Ex Cat, November.

R. Lindsay, P. Tealle, The McClelland Sculpture Survey & Award 2007, Ex Cat, November.

Art, Michael Doolan: for now and for ever, The Age,October 6.

R. Nelson, Play on death still shines with fun, The Age, October 3.

S. Knezic, Snap Freeze: Artlink, vol 27 #3, September.

F. Johnson, SIGHTLINES: Happy Ever After, The Age, September 21.

L. Slade, For Now And For Ever: Ex Cat,September.

Events, Monument, Issue#80, September/October M. Backhouse, Galleries, The Age Melbourne Magazine, Issue#35, August.

Cover Illustration, Object, Issue 53, Aug/Nov B. Parkes Making and Meaning: Ex Cat, B. Adlington, BLAST! The influence of Manga and contemporary Japanese culture on Australian artists: Ex Cat, June.

J. Blyth, M. Palmer, Snap Freeze: Still Life Now. Ex Cat, June.

M. Backhouse, In galleries it’s show time, The Age, January 20.

L. Slade, N.Mitzevich, R. Woodrow. Strange Cargo: Contemporary art as state of encounter. Ex Cat,

2006

S. Koop, Michael Doolan: Object, issue #51, Dec/Mar. M. Matsushima, Karen Woodbury Gallery, Ex Cat, August.

Melbourne Contemporary Art Fair, Ex Cat, August.

N. Dueble, The Hottest State. Queensland Architecture, Winter.

T. Wellesey, Inner Child. Abode, Issue #5, May/June.

E. Colless, Karen Woodbury: Seriously risky, Australian Art Collector, Issue #36, April/June M. Veitch, Sunday Arts: Show and Tell, ABC, T.V. March, 26 L. Willis, A. Takamori, J. Mansfield, Sidney Myer Fund International Ceramics Award, Ex Cat, February.

A. Kiely, Generation Next. Belle, February/March.

2005 R. Nelson, Alien in Categorisation. The Age, December 2 M. Backhouse, Child’s Play. The Age, Nov T. Virgiotis, Toying With Form. The Age, November 16 Boo Who? S. Koop, Ex Cat, Nov. S. Flint, Michael Doolan: Boo Who? Vogue Living Australia, Nov/Dec J. Mcintyre, Iconic images inspiration for Doolan. The Examiner, July 16 M. Stevenson, Daughter’s borrowed toys inspire giant-sized art.

The Examiner, July 2 M. Bywaters, Never Everland. Ex Cat, July P. Timms, Hobart Art Prize, Ex Cat, June J. Kang, L S Kyung, Trans-Ceramic-Art, World Contemporary Ceramics.

Ex Cat, International Ceramics Biennale, Korea, April B. Downes, Never EverLand, Object, April, Issue# 46 B. Wallace, Monash Ceramist in Korea. Art Monthly, May, Issue# 179 A. Crawford, You’re So Vain – Five contemporary sculptors, The Sunday Age, April 3 Cover Illustration, Art Monthly, April, Issue #178 N. Cass,You’re So Vain, Art Monthly, April, Issue #178 B. Wallace, Korea ceramics a vehicle of culture. Art Monthly, April, Issue #178 M. Backhouse, It’s not what you think. The Age, April 2 L Bellamy, Figures of fun tell a toy story, The Age, April 2 J Kahn, You’re So Vain. Ex Cat, March.

2004

T. Davies, Whistling up a Trojan horse. Ceramics Technical, Issue #19 B. Downes, Boogie, Jive and Bop. Artlink, Volume 24 #2

2003

J. McIntyre, Cutting edge of bop. The Examiner, Sept 27 R. Nelson, Hyperlaughing. Ceramics Art and Perception, Issue #53 D. Melor (ed), Boogie, Jive and Bop, Ex Cat, September R. Nelson, C. Headley, Hypercrafting Ex Cat, April B. Stocks, Good as Gold, Ex Cat, January B Hatton, Faenza 2003, Object, #40

2001

M. Bywaters (ed), Discreet Projects, Ex Cat, December.

2000

MA Thesis, The Good the Bad and the Cuddly (15,000 words) B. Stocks, The Good the Bad and the Cuddly. Ex Cat, May A. Thorpe, Shaped by a Moral Imperative. The Australian, June 14 C. Critchly, Toying with Adults, Herald Sun, June 16 S. Koop, Michael Doolan. Art & Text, #70 August/October B. Stocks, The Good the Bad and the Cuddly, Australian Journal of Ceramics, Vol 39.

S. Morris, Toys R Suss, Black and White, #45, September I. Were (ed), The Good the Bad and the Cuddly, Object, #3 P. Rojas, La Ceramica Contemporanea En Australia, Conbaro, #3

1999

R. Nelson, Space & Time, Ex Cat J. Pascoe, Images and Imagination. Contact, Spring G. Cochrane, Contemporary Australian Craft, Ex Cat, April J. Lawry, Ceramics At Shepparton, Ceramics Art & Perception, #35, March

1998

R. Reason, The Sitcom? Australian Journal of Ceramics, Vol 37, No 1 J. Pascoe, Keramik Australian, Neue Keramik, Sept/Oct M. Bywaters (ed), Impact: Art for a World Identity, Ex Cat, December B. Emmerichs, L. Willis, Sidney Myer International Ceramics Award, Ex Cat I .Were (ed), International Ceramics Award, Object, #1 P. Timms, Post Sitcom. Art Monthly, #107, March A. Clabburn, A World of Cultured Clay The Age, January 28

1997

J. Pascoe, Delinquent Angel, Kunsthandwek and Design, January