Jack Li Portfolio (December 2022)

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JACK LI Bachelor of Architecture ‘23 Architecture + Design Portfolio
Spinning Spider Machine Advanced Studio / Fall 2021 Repairing Obsolesence Advanced Studio / Spring 2021 Modulation: Land and Water Competition Entry / Winter 2021 Container of the Arts Advanced Studio / Fall 2022 4-11 28-35 18-27 12-19

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Ankara, Turkey

Fall 2021

Studio Exploration

Professor Ahu Aydogan

Collaboration with Chris Horng (B.Arch 2023)

spinning spider machine

The exploration focuses on designing building-integrated shading elements in the double skin facade of an existing building in Ankara, Turkey. This specific exploration explores the effects of spinning the spiders, bridging off of a NASA study in 2008. Spiders were exposed to zero gravity in space, creating webs more symmetrical compared to those on Earth. This project asks the question: what happens when spiders are subjected to

a constant spinning motion, disorienting their sense of gravity to create new web types that can be architecturalized. The goal of the project is to decrease the energy consumption of the building by creating shading elements to minimize solar radiation. Live spiders are incorporated into the facade in the concept of a living lab, curating their movement and how they weave webs to suggest a new environmentally friendly building material.

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5

Concept: Can live spiders be used to develop a shading system?

Spider webs are used to design a building-integrated shading element, with prefabricated box window double skin facades. The intervention decreases overall energy consumption and glare.

Strategy: According to NASA in 2008, spiders in zero gravity create symmetrical and even web thicknesses. Through various iterations, subjecting the spiders to constant rotation, different materials, and specific forms, we are able to curate the web forms produced.

rotation: weaving the double skin
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Panel Type A corresponds to panels with operable windows to allow for maintenance of living spiders as well as being in line with the open space gradient in the office.

Panel Type B corresponds to regular panels (without operable windows or spiders) that are in line with the workspace gradient in the office.

rotation: weaving the double skin
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open space gradient workspace gradient focus area
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rotation: weaving the double skin rotation: weaving the double skin
rotation: weaving the double skin 9
rotation: weaving the double skin 10 Summer Facade Condition Spring/Fall Facade Condition
rotation: weaving the double skin 11 Winter Facade Condition A Winter Facade Condition B

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Rosario, Argentina

Fall 2022

Advanced Studio

Professor Fabian Llonch

Collaboration with Justin Ryshkewitch (B. Arch 2023)

container of the arts

How can shipping containers be used as housing?

The shipping container housing on top is used as a reflection of Rosario being the largest exporter of goods in Argentina and the natural looking topography of the artist spaces on the bottom reflects the agricultural identity of the city and surrounding area. Interweaving spaces through views and circulation dissipates the boundary between working and living.

The building interweaves those spaces through circulation and connects views down into work spaces from the living spaces. The whole building is then connected by the inward facing view of the amphitheater in the center of the building. This acts as a space for everyone to connect and enjoy in something that everyone in the building lives and works there for, art.

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13 Site - Shipping Yard Relationship
Views on all four sides

Concept: The project proposes two different topographical forms; one of the containers and one of the more natural seeming topography. These two topographies help to reflect the identity of Rosario as a port city in Argentina while providing housing to work around the shantytowns.

Strategy: Hosting inhabitation through shipping container above the public cafes and galleries below allow the artistry in Rosario to thrive. Slightly offset from one another, the containers allow conversations to foster between the inhabitants, preserving views and fostering culture.

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SITE SECTION 8' 8' 304' 304' 0' 5' 25' 50' 100' LEVEL TWO FLOOR PLAN 0' 5' 25' 50' 100' 0' 5' 25' 50' 100' 16 container of the arts
8' 8' 304' 304' 0' 5' 25' 50' 100' LEVEL SIX FLOOR PLAN 17 container of the arts

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Loano, Italy

Winter 2021

Competition Entry

Honorable Mention

Collaboration with Jisu Yang (B.Arch 2021)

Kyumin Ko (B.Arch 2022)

Cheolhyung Park (B.Arch 2021)

Hongin Kim (B.Arch 2021)

modulation: land and water

The harbor is a device that bridges the gap between water, land, and culture. As Loano Harbor faces the problem of fragmentation, the project proposes a solution through a system of modules that bridge the existing gaps. Through the design of landscape and architecture, the modules create a bridge between land and water, building to building, and past to present.

The harbor is a device that bridges the gap between water, land, and culture. As Loano Harbor faces the problem of fragmentation, the project proposes a solution through a system of modules that bridge the existing gaps. Through the design of landscape and architecture, the modules create a bridge between land and water, building to building, and past to present.

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Concept: Prefabricated concrete modules range in scale from furniture to stairs, walls, facades, rooms, and a forest. The harbor exists as a culmination of a system that forms the whole to reunite the scattered programs.

Strategy: The system for creating the modules ranges among height (h), thickness (x), length (y), and radius (r). Through creating variations within these parameters, the modules form three different architectural conditions.

Type Y: Structural support and Columns

Type T: Shading devices for Exterior Spaces

Type R: Dividing Walls

22 Modulation: Land and Water
Modulation: Land and Water 23
Modulation: Land and Water 24
Modulation: Land and Water 25
26 Modulation: Land and Water
Modulation: Land and Water 27

What does it really mean to be broken?

New York Spring 2022 Studio Exploration Professor Eliana Dotan
with Justin Ryshkewitch (B.Arch 2023)
repairing obsolescence 04 Kingston,
Collaboration
at an abandoned office building through the lens of kintsugi, the project
that the building is never broken.
is suspended in an eternal state of repair visually while
the program to repair phones
to
them
in to consumerism. 28
Looking
proposes
It
hosting
and educate the users how
repair
without giving

Concept: The site presents weak thermal insulation, an abandoned office building, but maintains a structure which still holds up the building. Is it broken only because it is abandoned?

Strategy: Honoring the idea of repair, the project comes back into relevance with permanent scaffolding for both structural and spatial means. A new thermal envelope is proposed and spaces are reactivated through new mezzanine levels, invoking life back into the abandoned building.

repairing obsolescence
Existing Conditions Selective Removal of Floor Plates and Walls Existing Structure Introduction of Exterior Scaffolding Existing and New Stairs Extended Paving
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7.5’ Floor Height Spaces:

Storage

Individual Phone Repair

Individual Learning

15’ Floor Height Spaces:

Storage

Individual Phone Repair

Collaborative Phone Repair

Retail Offices Above

22.5’ Floor Height Spaces: Collaborative Phone Repair Classrooms

Full Height Spaces:

Lecture Hall

Main Corridor

repairing obsolescence 31
2' 6' 10' 15' ~12' typ.
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First Floor Plan repairing obsolescence
Double Skin Facade added through Exterior Scaffolding Existing vs New Thermal Envelope

Exterior Insulation added to Existing Structure

2' 6' 7' 10' 5' 15' 4" 2' 6' 7' 10' 5' 15' 4"
33 repairing obsolescence
34 repairing obsolescence
35 repairing obsolescence

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