Jaamzin Creative May 2018

Page 28

In the Colours Of Unity series I use strong colour

This period is the most intense where I can

and value contrast. The canvas is framed by a

sometimes paint over days or weeks without

transparent coloured acrylic sheet that matches

much need for breaks. I find it difficult to break

the colour of the glasses on the face of the

away and do little else.

character in the painting creating an illusion of the light, cast by the frame on the wall, is also making the glasses cast a similar coloured shadow on the face.

What’s next for Lakshmi? I’m currently working on a series of paintings

Which are your favourite states of making art? What do you mean by meditative when you say, “Making the artwork is meditative?” How exactly did you feel during that process?

which dwell on inner emotions – the

The actual painting process is the most fun. I

more complex behavioural patterns..

smokescreen we create for ourselves. There is an inner self waiting to be unleashed but always hidden behind the mask we create for ourselves which reflects emotions and reactions expected of us by the outside world. Lost to the adult is the innocence of childhood where every thought and need is openly expressed as we are forced by experience to analyse and resort to

develop a deep personal connection to my work. For me, it is vital to paint and once the process starts I listen to classical music which allows me to channel my inner self on the canvas.

JAAMZIN CREATIVE | 27


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