2024 ASID Portfolio Competition

Page 1

interior architecture & design

HELLO ISABEL

My name is Isabel Provisor Lemery, and I am a fourth-year student at the University of Arkansas pursuing a bachelor’s degree in Interior Architecture. Coming from a Mexican American household, have always been taught the value of hard work, perseverance, and dedication. These core values have been instrumental in shaping who am as a person and how I approach my work. My upbringing has taught me to be resourceful, creative, and to always find a way to overcome obstacles.

Growing up in a Mexican American household, I was exposed to a rich culture of vibrant colors, intricate patterns, and bold textures. From the colorful papel picado decorations during festivals to the ornate embroidery on traditional dresses, art was always present in my daily life. My family and community instilled in me a deep appreciation for art, and this has heavily influenced my passion for design and, specifically, interior design. My cultural

background has inspired me to create inclusive and visually stimulating spaces, and my resourcefulness and creativity have helped me overcome complex design challenges.

I grew up in the city of Austin, Texas a place

I call home. From a young age, I have always loved expressing my creativity, whether it be through painting, drawing, dancing, or photography. have always been drawn to art, and this passion has grown into a love for interior architecture. From then to now I love walking around neighborhoods and cities admiring the architecture that surrounded me. This fascination with the built environment along which my desire for creative expression led me to pursue interior architecture.

Through my time at the University of Arkansas, I had the opportunity to study abroad in Rome, Italy. I was fascinated by the differences in architecture and how culture can have such

a large impact on the built environment. My experiences studying abroad in Rome and being exposed to different cultures have given me a broader perspective on design and helped me develop a more nuanced approach to interior design. am now better equipped to create spaces that are inclusive, accessible, and reflective of the diverse backgrounds and cultures of the people who will be using them.

My ultimate goal as a designer is to make a positive impact on people’s lives. believe that design has the power to improve our well-being, and am committed to creating spaces that are accessible, functional, and beautiful. I believe that my cultural background has equipped me with the ability to think outside the box and come up with innovative design solutions that can also be colorful. believe that design should be inclusive, and everyone should be able to enjoy beautiful and functional spaces, regardless of their social or economic status.

PROVISOR LEMERY EDUCATION

isabelprovisor711@gmail.com

(512) 621 - 8947

isabelprovisorlemery

Fayetteville, Arkansas

AWARDS & RECOGNITION WORK EXPERIENCE

Design Internship

Corgan | Austin, Texas

Worked on the SD, DD, & CD phases of various projects

Created presentations for SD & DD phases that would be presented to clients

Contributed to the selection of finishes, fixtures, and architectural elements

Collaborated effectively within a team and worked closely with Project Specialist and Project Managers

Teaching Assistant

University of Arkansas | Fayetteville, Arkansas

Assisting 80+ students in their second year design studio course.

University of Arkansas

Fay Jones School of Architecture & Design

Bachelor of Interior

Architecture & Design

Honors

Expected Graduation - May 2024

University of Arkansas

Rome Center

Study Abroad:

Interior Design Program

Summer of 2022

Answered questions and assisted in helping students with rhino, adobe suite, and drawings

Admissions Photography Assistant

University of Arkansas Fayetteville, Arkansas

Taking photos of events, sports, and campus activities to advertise the University to future students

Editing and tagging photos using Camera Raw and Adobe Suite

Art and Crafts Coordinator

YMCA Camp Twin Lakes Cedar Park, Texas

Creating weekly lesson plans to lead different projects to the campers and ordered supplies for the projects

Teaching campers between the ages of 4 and 13, an average of 21 groups with 20 campers per group per week

May- August 2023

2024 Metropolis Future 100

Recognized by Metropolis Magazine as one of the top 100 graduating students

ASID Portfolio Semi-Finalist

Selected as a semi-finalist upon review of

Steelcase Next Competition

1 of 2 studio finalist out of a class of 56.

Harrison French & Associates

AugustDecember 2023

August 2021Present

Designing with Technology Scholarship

Offered to one interior architecture student, required portfolio for consideration.

Interior Design Foundation Scholarship

Based on academic performance and need.

Sophomore Advantage Scholarship

Contingent upon the maintenance of full-time enrollment and good academic standing.

Honors College Study Abroad Grant

May- August 2021

Supports Honors College students to study abroad.

SKILLS INVOLVEMENT

Encouraging campers to be creative and explore different artistic projects and mediums

ASID

Student Chapter Member

Tau Sigma Delta

Scholastic Honor Society in Architecture

January 2024

March 2023

December 2022

August 2022May 2023

August 2022May 2023

August 2021May 2022

May-June 2022

Modeling

Revit, Rhino, 3D Printing, Laser Lab Fabrication

Graphic

Enscape, Photoshop, Illustrator, InDesign, Lightroom

DV3X2 Internship Program

AIA Austin Austin, Texas

Visited three different interior design and architecture firms

Shadowed and visited 3 firms and did site visits

Language

July 2018

English- Fluent, Spanish- Fluent/Native

Other

Conceptboard, Microsoft Office, Painting, Hand-Sketching, Construction Documents

01 Fall 2022 Studio V NEXT Steelcase Competition Sept - Dec 2022 NEXT OFFICE 02 Fall 2023 Advanced Studio September - December 2022 FLOR RETAIL 03 Spring 2023 Studio VI March - April 2023 LIBRARY OF TOOLS 04 Fall 2021 Studio III October - November 2023 CELESTIAL GALLERY CONTENTS TABLE OF

NEXT OFFICE

Research & Development Hub

Fall 2022 Studio V

NEXT Steelcase Competition

September - December 2022

NEXT Home Robotics is a leading global consumer robot company, that works to create electronics and appliances designed with their consumers in mind. Their purpose is to improve everyday life by creating robots and smart home devices that make homes easier to maintain and healthier places to live. Next Home is based in Providence, Rhode Island, and is investing in a new Research and Development Hub is in the Seaport District of South Boston.

The office needs to be able to accommodate 42 Next employees, as well as visitors, and have the capacity to hold events and large meetings with clients, etc. Those working remotely should be able to easily join team meetings virtually throughout the day. Seating should be available at all times or can be easily accessible in any area. Employees should be able to easily connect with their teammates that are located in Providence. The space should reflect the overall company brand and culture and draw inspiration from the local area and region. CUSTOM

PHONE

OFFICE

RESOURCE CENTER

MAIL CENTER

PROJECT ROOM

DESIGN

RETAIL MOCK UP

DESIGN

PHONE ROOM

PRODUCT

DEDICATED

PRODUCT MANAGEMENT WORKSTATIONS

DEVELOPMENT

ENGINEERING WORKSTATIONS

ADA PHONE ROOM

YOGA/PRAYER ROOM

BREAKOUT SPACE

ADDITIONAL SEATING

01
LIGHT SKETCH
SPACE SKETCH
BREAKOUT
ROOM SKETCH WORK STATION PERSPECTIVE
DEDICATED VR ROOM INCLUSIVE DESIGN LAB
HOME OFFICE LAB
ENTERTAINMENT
LOUNGE
MOTHER’S ROOM
TEAM WORKSTATIONS
DIRECTOR PRIVATE OFFICE
INCLUSION DIRECTOR
TEAM SPACE
DIRECTOR PRIVATE OFFICE
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. FLOOR PLAN REFLECTED CEILING PLAN LARGE MEETING ROOM INCLUSIVE DESIGN LAB DEDICATED TEAM SPACE PROJECT ROOM

RECEPTION PERSPECTIVE

The reception immediately greets guests and employees as they enter the office and is located at the main entry point adjacent to the elevators.

The reception features a s desk that offers two heights and a 9” toe kick to allow for more accessibility.

The reception area represents the brand identity and overall concept within its design.

The space has built-in benches with movable tables to allow for guests to sit as they wait.

The reception also keeps the office secure as it provides a check in area for guests to limit the exposure of confidential PERFORATED METAL

HOME OFFICE LAB INCLUSIVE DESIGN LAB WELLNESS
LARGE MEETING
WORK
PROJECT
ENGINEERING
OFFICE ENTERTAINMENT LOUNGE 3’ 6’ 12’ 0’ SECTION BUBBLE
ZONING
SUN STUDY DIAGRAM
EAST ELEVATION RECEPTION WEST
ROOM
ROOM
CAFE
ROOM PROJECT ROOM DESIGN TEAM WORKSTATIONS PRODUCT STORAGE RECEPTION MOTHER’S ROOM DEDICATED TEAM SPACE DEDICATED TEAM SPACE ADA PHONE YOGA/ PRAYER PRIVATE OFFICE PROJECT MANAGEMENT WORKSTATIONS DEDICATED TEAM SPACE
WORKSTATIONS
DIAGRAM CIRCULATION DIAGRAM
DIAGRAM
AXONOMETRIC RECEPTION
ELEVATION RECEPTION RCP
COPPER METAL LED LOGO SIGN SHAW CONTRACT CARPET TILE: STEELCASE HEALTH EMBOLD: CIRCULAR TABLE
COBI 434 SERIES CHAIR
WHITE OAK WOOD DESIGNTEX EVERYWHERE TEXTURE
STEELCASE

WORK CAFE PERSPECTIVE

WORK CAFE AXON

DARK BLUE PAINT

TEXTURE ORANGE

ORANGE

ACRYLIC SHAW CONTRACT VITALITY TONES

FLOORING: AMP UP

The work cafe has a level change to create a more impactful sense of change in space as it is not an enclosed space.

The work cafe has a kitchen that offers a full fridge, ADA sink, microwave oven, and coffee machine as well as space for a sparkling water bar and healthy snacks, that employees and guests can use.

The kitchen area is offered more visual privacy with screens on either side that still allows for natural light to pass through the space. he cafe also has built-in seating and four different seating types.

There is a ADA accessible ramp that allows for inclusion of everyones needs as well as allowing for robots to travel to the higher level.

STEELCASE COALESSE

LESS THAN FIVE CHAIR

STEELCASE CAMPFIRE TURNSTONE LOUNGE

STEELCASE VICCARBE ASPA ROUND TABLE

The retail mock-up shows how the products will be displayed in retail stores and tests display options and technology.

This space is can be visually private with a curtain that can be closed or open when being used and tested. The space is not open to guests unless specified.

The retail mock-up has brand representation throughout with the use of signage, colors, and materials that can also be seen throughout the office.

There is integrated technology that allows for people to test and view in depth details about each product, with an interactive features allowing for consumers too interact with NEXT smart home products.

WORK CAFE NORTH ELEVATION WORK CAFE SOUTH ELEVATION
PERFORATED METAL WHITE OAK WOOD DESIGNTEX EVERYWHERE
RETAIL MOCK-UP NORTH ELEVATION RETAIL MOCK-UP SOUTH ELEVATION
SOLA FELT: STEEL BLUE COPPER METAL
WOOD
GRADIENT PAINT
TONES
UP
RETAIL MOCK-UP AXON PRODUCT DESIGN
3FORM
WHITE OAK
YELLOW
PERFORATED METAL SHAW CONTRACT VITALITY
FLOORING: AMP
RETAIL MOCK-UP PERSPECTIVE

02

FLOR DESIGNS

Retail and Studio

Fall 2023 Advanced Studio

October - December 2023

Media: Revit, Enscape, Adobe

The Mexican American client is an artist and fashion design with a specialty in embroidery. With a mission to educate and elevate cultural awareness, the design narrative draws from the wealth of Mexican traditions.

The retail display, strategically adorned with neutral materials, serves as a canvas allowing the client’s designs to emerge as focal points. This intentional neutrality echoes the designer’s embroidery base, emphasizing floral designs and colors. Strategic pockets of vibrant hues at the entrance, bathrooms, and dressing rooms add visual intrigue, creating dynamic focal points. The ceilings adorned with curvilinear shapes, mirroring nature, invites visitors to immerse themselves in a space that seamlessly blends organic and natural elements with artistic and cultural expression.

The floor plan itself becomes a canvas of stitching, employing diagonals to guide visitors through the space. This dynamic arrangement not only mimics the art of embroidery but also creates an engaging journey, inviting exploration and discovery. The overall design is a harmonious fusion of tradition and modernity, while captivating the beauty of floral inspiration.

ENTRY

RETAIL DISPLAY SKETCH

WORK STATION SKETCH

RETAIL DISPLAY SKETCH

SITE & BUILDING ANALYSIS

TRANSPORTATION

3 nearby bus stops (1 min walk)

4 minute walk to Metro (5 Av)

6 minute walk Metro (42st Bryant Pkwy)

SUN PATH ACCESS

5 min walk to Grand Central Terminal

16 miles to JFK International Airport

9 miles to LaGuardia Airport

CLIENT & USER ANALYSIS

The Client is a Mexican American who grew up going back and forth between the United States and Mexico allowing for the immersion of both cultures. The client grew up going to school in Mexico but attended a University in States where she studied Art and Fashion. While growing up the Client participated in ballet folkloric

which is traditional Mexican dance, where the women wear beautiful embroidered skirts. This ultimately led to her fascination with fashion and embroidery. The client’s goal through design is to bring more education and awareness to Mexican American culture by teaching others about traditional Mexican art and design.

BUILDING STRUCTURE

SHOPPERS

DESIGNERS BUSINESS SALES

NYC DEMOGRAPHICS

MID-TOWN DEMOGRAPHICS

NYC LATINX

PERSPECTIVE
STUDENTS TOURISTS
FAMILIES
DEMOGRAPHICS
LAY CLIENT FLAT
VISITOR FLAT
LAY
530 5th Ave, New York,

FIRST FLOOR RETAIL AXON DRESSING ROOM AXON

FIRST FLOOR PLAN 1 2

STREET APPEAL & USER ENGAGEMENT

The first floor aims to attract people from the street level by providing a Mexican bakery, flower stand, & exhibition. This will allow for user engagement and influence more visitors and shoppers to enter, explore, and learn while in the space.

RETAIL DISPLAY & CONSIDERATION

The second floor will have retail display & storage, dressing rooms, and client meeting space. The neutral base will allow for items from the collection to pop. This will also imitate the blank canvas that clothes have for the vibrant colors of stitching to create patterns.

SECOND FLOOR PLAN

OPEN STUDIO AXON

THIRD FLOOR PLAN 3

TEACHING & CULTURAL AWARENESS

The third floor with aim to provide a studio space for designers to work, learn, and create There will also be a classroom/ flex-room intended for students and classes to be held that will teach about Mexican culture as well as embroidery.

ITEMS SOLD ON SECOND FLOOR

PRIMARY LOGO AND PATTERN

ADVERTISEMENT IMAGERY

SECONDARY LOGO

ADVERTISEMENT IMAGERY

SECONDARY LOGO

BRAND COLORS

ITEMS SOLD ON FIRST FLOOR

THIRD FLOOR

In contrast, the third floor is designated as private domain, housing the studio and office spaces. Accessible by appointment, this floor offers a more exclusive experience, ensuring a dedicated and personalized interaction for those seeking a deeper engagement with the studio. This intentional division between public and private spaces contributes to a well-balanced and tailored experience.

FIRST & SECOND FLOOR

The first two floors are designed with a focus on public engagement. Housing diverse elements such as the collection, exhibition, flower stand, and bakery, these floors are strategically crafted to attract customers and enhance user engagement. The thoughtful integration of these elements creates a dynamic and inviting space, fostering sense of discovery and interaction, contributing to an enriched overall experience.

MATERIAL SELECTION

Materials play a pivotal role in capturing the essence of Mexican heritage within a contemporary framework. Chukum, a natural resin from the Yucatan, imparts warmth and tradition, harmonizing with the natural charm of wood alongside the solid presence of brick and concrete. These carefully chosen elements set the stage for a design that transcends time and

BUILDING AXONOMETRIC

MODEL INSPIRED BY FASHION

The physical model draws inspiration from two designs in Iris Van Herpen’s Earthrise Collection. By incorporating the form and seamlessly integrating movement, it opens up a realm of adaptability. Crafted from chipboard and connected with rivets, the model offers the unique feature of being either open or enclosed. Thoughtful cutouts and diverse layering sizes enhance appeal but also play with light and shadow in captivating ways, elevating the overall sensory experience.

DETAIL DRAWING & DESIGN APPLICATION

Drawing inspiration from the initial model, the design application unfolds as an adaptable partition system seamlessly integrated into a client meeting space within a retail environment. By incorporating shapes and systems derived from the original model, this innovative solution enhances functionality and adds to the retail experience.

PARTITION ADAPTABILITY

The track system ensures adaptability within the space. When the client meeting area is not in use, these partitions can be opened up, transforming the environment into an inviting lounge space for customers. This seamless transition not only maximizes flexibility but also enhances the overall versatility of the retail setting.

CLIENT MEETING PERSPECTIVE FASHION INSPIRATION COLLAGE FASHION INSPIRATION COLLAGE APPLICATION COLLAGE LASER CUT PIECES MODEL AXON MODEL PERSPECTIVE TRANSLUCENT FABRIC PAINTED CNC MILLED WOOD SUSPENDED CEILING TRACK SUSPENDED SUPPORT FOR TRACK SYSTEM CEILING 10' 19' 10" 25' 8" METAL BEAM CEILING TRACK FLOOR TRACK 1/2" 1'-0" Detail Drawing 3/8" 1'-0" Detail Drawing 3/8" 1'-0" Detail Drawng CEILING TRACK FLOOR TRACK 3/16" 1'-0" 4 Level Callout 3/4" 1'-0" Detail Drawing BEAM TO TRACK PLAN
ELEVATION FIRST FLOOR RETAIL PERSPECTIVE SECOND FLOOR RETAIL PERSPECTIVE BAKERY PERSPECTIVE SECOND FLOOR RETAIL PERSPECTIVE CROSS SECTION TRANSVERSE SECTION STUDIO PERSPECTIVE

03

LIBRARY

Spring 2023 Studio VI

March - April 2023

Media: Revit, Enscape, Adobe Fayetteville’s Library of Tools

The Library of Tools is centered around the idea of community building and empowerment. As a space dedicated to lending tools and equipment, the library of tools should be an inclusive and supportive environment that encourages community members to come together, share resources, and build connections within the community of Fayetteville, Arkansas.

The design concept is inspired by the weaving and interlocking of materials, reflecting the idea of connecting and interweaving the community. The space will be designed with a combination of natural and industrial materials, creating a sense of warmth and accessibility while maintaining the history of the existing building and surrounding area. Weaving also has cultural significance in the history of the Native American tribes who once inhabited the region, including the Osage and the Cherokee. These tribes used weaving techniques to create baskets, clothing, and other items that were integral to their daily lives. Native Americans also built some of the first tools to exist which will be celebrated in the library’s archive.

Overall, the library of tools will serve as a hub for community building and empowerment, providing a space for residents to come together, learn new skills, and build connections that strengthen the fabric of the community.

STREET ENTRANCE PERSPECTIVE CHECK IN + OUT SIDE ENTRANCE PERSPECTIVE----OUTDOOR LEARNING PERSPECTIVE CHECK IN + OUT ELEVATION CONCEPTUAL DIAGRAM SURROUNDING SITE PLAN SITE PLAN
CASEWORK SKETCH COLLECTION SKETCH HELP DESK SKETCH

COLLECTION PERSPECTIVE

WORKSHOP PERSPECTIVE

CAFE PERSPECTIVE

PROGRAM BREAKDOWN

ZONING DIAGRAM

The first floor remains to be primarily public to attract visitors and provide services. The center of the building provides both vertical and horizontal circulation. While the collection and learning spaces reside on the perimeter. The openness of the space allows for visual transparency and curiosity.

MATERIAL SELECTION

Textiles infuse vibrant colors, while wood accents convey a sense of craftsmanship with elements being built with the tools the library holds. Carpet tiles and acoustic felt absorb sound. Iron and steel accents add the industrial history of the existing building.

RENDERED WEST SECTION

FIRST FLOOR PLAN
FLOOR PLAN
SECOND
THIRD FLOOR PLAN
BUILDING AXONOMETRIC
LEARNING BOOTH ELEVATION HELP DESK ELEVATION
CENTRAL OPENING PERSPECTIVE

CELESTIAL GALLERY

Fall 2021 Studio IIV

October - December 2021

Media: Rhino, Enscape, Adobe Adaptive Reuse Art Gallery

This Gallery is was constructed by adjoining two existing buildings on the edge of the Soulard District in St Louis, MO. The buildings chosen are of a brick construction making up approximately 9,000 sf. The gallery features artists that focus in abstract sculptures and paintings with many being inspired by the natural world.

The white curvatures juxtapose the existing brick to create a contrast between the new and old which mimics the industrial area in which the gallery stands. The many curves presented in the building allow for a contrast between the linear nature of the existing building. This dynamic gives opportunity for thresholds and lowered ceiling height. The gallery features both and interior and exterior bar and gathering space allowing for events, receptions, and lectures.

The wood brings warmth to the space, while the white creates a blank canvas for the art to be showcased on. The blue steel and brick allows for color to be incorporated while creating a calm environment. This gallery creates a fun interior experience that will attract guests as much as the art that is withheld inside.

04
RECEPTION SKETCH SCULPTURE DISPLAY SKETCH LARGE GALLERY SKETCH LARGE GALLERY PERSPECTIVE FIRST FLOOR PLAN SECOND FLOOR PLAN FIRST FLOOR RCP SECOND FLOOR RCP

SECOND FLOOR GALLERY PERSPECTIVE

C

A. EXTERIOR BUILDING

B. EXISITNG FIRST FLOOR

C. EXISTING SECOND FLOOR

D. ADDED WALLS AND STAIRS

E. CURVATURE INSERTIONS

F. BEAMS

G. CEILING

H. ROOF

A EXPLODED AXONOMETRIC

SECTION A
SECTION B
GALLERY PERSPECTIVE SECTION PERSPECTIVE
FLOOR BAR PERSPECTIVE PHYSICAL MATERIAL BOARD
SECONDARY
SECOND
THANK YOU THANK YOU isabelprovisor711@gmail.com (512) 621 - 8947 Austin, TX | Fayetteville, AR /isabelprovisorlemery
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