Museum Ireland, Vol. 27. Widdis, B. (Ed.). Irish Museums Association, Dublin (2021)

Page 120

MUSEUM IRELAND 2020

Review: Books

and even for the cursing of one’s enemies. Many The Early Medieval Hand-Bells of

are associated with saints, were revered as relics,

Ireland and Britain

and were handed down to us under the protection

Bourke, Cormac

of hereditary keepers, while others were lost

National Museum of Ireland / Wordwell. 2020

or buried and were recovered in modern times. While the humble hand-bell might not have the

Griffin Murray

‘wow’ factor that their later shrines certainly have (which are also detailed in the book), the social

This book is a major achievement and an incredibly

and religious history of these objects is one of the

valuable resource for anyone with an interest in

richest you will encounter.

Ireland’s past. It is Cormac Bourke’s magnum opus, and both the author and the publishers, the

Bourke’s classification of hand-bells, first

National Museum of Ireland in association with

advanced by him in 1980, remains sound,

Wordwell, are to be congratulated on its release.

consisting principally of bronze-coated iron bells

I am especially delighted to see this book being

(Class 1) and bronze bells (Class 2). Bells in his

published by the National Museum of Ireland,

further classes (3 – 6) are less numerous and,

which, given that most of the surviving bells

dated to the eleventh and twelfth centuries, are

featured are within its collections, demonstrates

later. The catalogue contains 161 extant bells,

a deep commitment to supporting and making

to which the author adds another 138 records of

publicly accessible high quality research on its

bells that are now lost. Given the number of both

holdings.

surviving and recorded hand-bells from Ireland, and their wide distribution, they must have been

The hand-bell’s origin appears to lie in Roman

ubiquitous in the period before AD 900. Their

Britain and, as with other aspects of Irish

creation nonetheless required material wealth and

Christianity that have similar origins, the Irish

expertise; these were expensive objects that were

took the idea and ran with it. Irish bells can also

made to last.

be found today in the Ulster Museum, British Museum, National Museum of Scotland, Armagh

At over 700 pages, this book is quite a tome

Robinson Library, the Hunt Museum, and in a

and consists of two interrelated parts, the first

scattering of other museums, institutions, and

comprising discussion chapters and the second,

churches. However, this is also an international

and larger, a catalogue of bells. Bourke details

book and, in keeping with the history of Irish

the manufacture, dating, and use of hand-bells

Christianity in this period, the tradition of hand-

with great skill and, while this is principally

bells extended to Scotland, Wales, England and

an archaeological study, makes extensive and

Brittany.

insightful use of historical sources throughout. While the main discussion is contained in the

Sound is something that we often do not consider

chapters, a great deal of information can be mined

when thinking about the distant past, but

from the catalogue itself, and the author always

the ringing of a bell, used in timekeeping, for

goes the extra mile in his efforts to hunt down the

celebrations, and in times of danger, remains a

history of a bell. I was struck for example by the

powerful sound to this day. As discussed in this

story of Christopher Fagan, who in the summer of

book, these bells were used in similar ways: to

1881, while searching for eels on Castle Island in

mark time during the monastic day, to enhance

Lough Lene in County Westmeath, lifted a stone

the celebration of the mass, but also, in funerals,

and discovered one of the most impressive Class 2

119


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