The technical aspects of the encaustic process can take years to master. I learned the process by reading books, watching videos, and meeting and speaking with other encaustic artists while participating in various art shows. I began taking lessons, and attended an encaustic conference, complete with various workshops with fellow encaustic artists from all over the world. I felt more proficient in my technique around 2010, however I continue to learn and pick up new techniques every year.
I suppose they also serve as a beckon or a messenger, to remind me of my drive for improvement, meditation, and for self-reflection. In addition, I feel trees are instrumental as “check-ins” to our current state of mind, much like a Rorschach test. I come from a family that has more of a Protestant background, yet I am more spiritual than religious (in a “striving for self-actualization” sort of way). In my ‘Devout’ series, Jesus and angels take the front seat in work that explore themes of hope, thoughtfulness, mourning, and introspection. I am not quite sure why I’m attracted to religious (specifically Catholic) icons and churches. Many years ago (before working in encaustic) a fortune-teller at a Renaissance faire said I was a monk in a previous life and that I tended bees...seriously. Perhaps it’s a desire for faith, or redemption from both internal and external conflicts.
ABOVE LEFT: Core Essence © Nicole Fournier ABOVE: Meritorious © Nicole Fournier
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