The John Leech Collection

The John Leech Collection Auction 6:30pm Wednesday 27th February 2013

CONDITIONS OF SALE The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final.

The auctioneer has the right (i) to refuse any bid; (ii) to advance the bidding at his absolute discretion; (iii) to place a reserve on any lot; (iv) to place a bid or bids on behalf of the seller; (v) to withdraw any lot from sale; (vi) to require a successful bidder to pay forthwith the whole or any part of the

purchase price.

The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same.

From the time of lot being sold, such lot will be the responsibility of the buyer.

Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged.

All intending buyers are required to register for a bidding number prior to auction commencing.

Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre.

Each lot shall be paid for and removed at the buyers expense by no later than 4pm Friday 1st March 2013 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer.

No lot may be collected or paid for whilst auction is in progress.

SUBJECT BIDS When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.

ESTIMATES Estimates are provided for each entry and act as a guide only. They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include our buyers premium.

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Absentee bids can also be left via our website to registered members. International Art Centre website www.fineartauction.co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid. Our staff will gladly supply you with a condition report on any lot.

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EXPORTING As a general rule, anyone exporting New Zealand works over 60 years of age should apply for an export certificate from the Ministry for Culture and Heritage to avoid issues with customs.

This does not apply to non New Zealand works. For full details visit www.mch.govt.nz FREIGHT & PACKING International Art Centre will gladly arrange in house or professional packing and international, national or local freight at cost. Please arrange insurance on your items prior to them leaving our premises. In some cases, we may be able to arrange delivery ourselves within the Auckland area.

OTHER ENQUIRIES +64 9 379 4010 Toll Free 0800 800 322 info@fineartauction.co.nz www.fineartauction.co.nz BUYERS PREMIUM 15% Buyers premium plus GST on premium applies to all lots. Total buyers premium is 17.25% including GST

272 PARNELL ROAD AUCKLAND NEW ZEALAND TEL +64 9 379 4010 FAX +64 9 307 3421

272 Parnell Road Auckland, New Zealand PO Box 37 344 Parnell 1151 Tel +64 9 379 4010 www.fineartauction.co.nz Directors Grahame Chote, Richard Thomson & Frances Davies

272 Parnell Road Auckland New Zealand Tel +64 9 379 4010 www.fineartauction.co.nz T H E O N L Y A U C T I O N E E R S O F P I C T U R E S E X C L U S I V E L Y 2

John Leech Collection 6:30pm Wednesday 27 February 2013

John Leech Gallery Collection 6:30pm Wednesday 27 February 2013 Auction Venue Scarborough Gallery, International Art Centre Lower Ground Level 272 Parnell Road, Auckland

Viewing Times Friday

22 February

9:00am - 5:00pm

Sunday

24 February

11:00am - 4:00pm

Monday

25 February

9:00am - 5:30pm

Tuesday

26 February

9:00am - 5:30pm

Wednesday

27 February

9:00am - 1:00pm - Auction 6:30pm

Other times by appointment

Absentee Bids Absentee Bidding Form - Page 84 Fax to (09) 307 3421 Send bidding instructions info@fineartauction.co.nz or bid via website www.fineartauction.co.nz

Illustrated previous page:

Lot 88

Illustrated front cover:

Lot 60

Illustrated back cover:

Lot 25

Illustrated inside back cover:

Lot 27

2012 - Experience Equals Results

2012 was another great year for International Art Centre and the New Zealand art market as a whole.

Numerous record prices and positive results were achieved at both our Important, Early & Rare and Contemporary & Collectable Art auctions. Demand for rare 19th & 20th Century paintings of quality is the strongest seen in decades.

Consistency, exceptional catalogues, experience and integrity sets us aside as New Zealand’s only auctioneers specialising solely in art.

We look forward to welcoming our clients, friends and artists to the auctions and exhibitions planned throughout the year and wish everyone a successful 2013.

272 Parnell Road Auckland New Zealand Tel +64 9 379 4010 www.fineartauction.co.nz THE ONLY AUCTIONEERS OF PICTURES EXCLUSIVELY

John Leech Gallery Collection - 27 February 2013

The opening of John Leech Gallery in 1855 was heralded by the following announcement in Auckland’s Southern Cross newspaper: John Leech respectfully announces to the inhabitants of Auckland, that he has commenced business in High Street, opposite the Wesleyan Chapel as carver, gilder, picture framer and looking glass manufacturer. Having had considerable experience in the above-named branches, he is quite confident of giving the most perfect satisfaction to those who might favour him with an order.

John Leech had emigrated to Auckland from Manchester via Sydney. In 1866 he moved his business to Shortland Street, then considered to be the finest of locations. It was here that artists such as Charles Goldie, Gustavus von Tempsky, Alfred Sharpe and J.B.C. Hoyte met and displayed their work. John Leech Gallery operated from these premises until 1963.

Following its founder's death in 1879, the venture continued to flourish under the management of John’s son Harold. It was during his lifetime that the honour of using a royal crest was granted. Harold Leech died in 1945 and the following year Allan Swinton, Gilbert Meadows and Howard Newcomb purchased the gallery.

Allan Swinton gained sole ownership in 1959. In 1963 the gallery moved to Lorne Street where Swinton created a specialist framing division and exhibition gallery. Under Allan Swinton's committed management the firm prospered. Another move, this time to Albert Street took place in 1973. The original building was demolished to make way for Lorne Towers.

In 1974 Allan Swinton sold his gallery to a collector of maps and three years later it was purchased by Bev and Murray Gow and Bill Hart. In 1980 Murray Gow purchased the Dunham Gallery, Remuera re-naming it John Leech Gallery, Remuera. The city branch of John Leech Gallery operated until 1986 when the building was purchased by Chase Corporation. The gallery relocated to expanded Remuera premises.

In 2002, under the highly successful partnership of John Gow and Gary Langsford, John Leech Gallery returned to Auckland City and its well-known Kitchener Street location, directly opposite Auckland Art Gallery. Over a decade later, having served as the venue for many of this country's most important exhibitions, John Leech Gallery has been renamed Gow Langsford Gallery, and now occupies two central Auckland sites.

A Director's decision to re brand and focus on International and Contemporary New Zealand art, affords a unique opportunity to acquire works from the collection of Auckland's historic John Leech Gallery.

1

TONY LANE Leg with Representations of Infinity Shagmetal and oil on gesso panel 183.5 x 29.5 Signed, inscribed & dated 1989 verso 3,000 - 5,000

2

FREDA SIMMONDS Torea - Pied Oyster Catcher Oil on board 160 x 60 Signed & dated 1968 800 - 1,200 2

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PARA MATCHITT Te Kooti Series (3) Three screenprints, edition of 12 34 x 32.5 Signed, inscribed & dated 1967 800 - 1,200

4 ROBERT JESSON Char

Oil on canvas 137.5 x 127.5

Signed

600 - 1,000

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8

John Leech Collection 6:30pm Wednesday 27 February 2013

5

SIMON KAAN Untitled - From Workers Bed Series Oil on two wooden panels 176 x 188 Signed & dated 2004 - 05 8,000 - 12,000

Exhibited: Oil on Workers’ Beds, Webb’s 2006

Our thanks to Simon Kaan for his assistance in cataloguing this work

This work was completed whilst the artist was on his Creative New Zealand funded residency in Beijing.

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JEFFREY HARRIS 3 Figures Oil on board 39.5 x 52.5 Signed, inscribed & dated June 1972 verso 1500 - 2,500

8

DICK FRIZZELL Fresh Cucumber Trouble Peppers Acrylic on paper 20.5 x 14 Signed, inscribed & dated 1/4/2003 800 - 1,200

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6

RALPH HOTERE Untitled Woman Gouache on paper 36.5 x 26.5 Signed 4,000 - 6,000

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John Leech Collection 6:30pm Wednesday 27 February 2013

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JEFFREY HARRIS Study from an Italian Master Oil on board 42 x 60 3,000 - 5,000

Provenance:

Ex Fomison Estate - includes Tony Fomison’s signature

affixed verso together with Tony Fomison Estate stamp

Rotorua Art Gallery Loan Collection, label affixed verso

10

MICHAEL SMITHER Back Beach, New Plymouth Oil on board 40.5 x 30.3 5,000 - 7,000

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12 14

11 ALLEN MADDOX Untitled

Oil on plywood door from artist’s

Ponsonby flat 205 x 83

2,000 - 4,000

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John Leech Collection 6:30pm Wednesday 27 February 2013

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12

RICHARD KILLEEN The Monkey’s Revenge Acrylic on paper 38 x 57.5 Signed & dated 18 December 1986 2,000 - 3,000

14

JEFFREY HARRIS Untitled (Hell / Heaven) Pencil on paper 17 x 25 Signed & dated 1980 400 - 600

16 ALLEN MADDOX Untitled

Mixed media on paper 38 x 28.5

2,500 - 3,500

13

DICK FRIZZELL Flying Oaf Gouache on paper 18.5 x 18.5 Signed, inscribed & dated 10/5/2002 1,500 - 2,500

15

ROBERT ELLIS Natura Morta 5 Hepetema Mixed media on paper 38 x 28.5 Signed, inscribed & dated 1993 800 - 1,200

17 TREVOR MOFFITT Skinning

Oil on board 52 x 52

Signed & dated 1980. Inscribed verso

6,000 - 9,000

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John Leech Collection 6:30pm Wednesday 27 February 2013

DICK FRIZZELL Self Portrait Oil on board 178 x 90 Signed & dated 27/1/1987 10,000 - 15,000

19

ALLEN MADDOX Untitled 1989 Oil on hessian 57 x 70 6,000 - 8,000

20

ROBERT ELLIS Motorway Journey Oil on board 89.5 x 89.5 Signed & dated 1970 8,000 - 12,000

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COLIN MCCAHON Three 1958 Brush and ink on paper 63.2 x 50.6 Signed & dated 1958 40,000 - 60,000

Provenance:

From the Numerals One to Ten series

Colin McCahon online catalogue reference

number cm001511

mccahon.co.nz

21

Exhibited: Paintings by Colin McCahon, November 1958 - August 1959, Gallery 91, 6-18 October 1959 cat. no. 5

Reference Lots 21 & 22: Of the ten works in this series Two is in the collection of the New Dowse, Lower Hutt and Six is in the collection of Auckland Art Gallery, Toi o Tamaki. Ten is whereabouts unknown and the remaining works One, Five, Seven, Eight and Nine are in a private collection.

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COLIN MCCAHON Four 1958 Brush and ink on paper 62.5 x 46.5 Signed & dated 1958 40,000 - 60,000

Provenance:

From the Numerals One to Ten series

Colin McCahon online catalogue reference

number cm001329

mccahon.co.nz

Exhibited: Paintings by Colin McCahon, November 1958 - August 1959, Gallery 91, 6-18 October 1959

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John Leech Collection 6:30pm Wednesday 27 February 2013

23

LOUISE HENDERSON Untitled (Green and White Abstract) Acrylic on canvas 99 x 63.5 Signed & dated 1979 2,000 - 3,000

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JANE EVANS In the Garden Watercolour 58 x 76 Signed 4,000 - 6,000

25

MICHAEL SMITHER Boats, Okahu Bay Oil on board 120 x 178 Signed & dated 1998 20,000 - 30,000

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27 GORDON WALTERS Airborne

Gouache on paper 23 x 30

Signed & inscribed

25,000 - 35,000

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RICHARD KILLEEN Time to Change Male Institutionalised War Acrylic, ink and collage on paper 76 x 58 Signed, inscribed & dated 16/6/1986 5,000 - 7,000

John Leech Collection 6:30pm Wednesday 27 February 2013

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John Leech Collection 6:30pm Wednesday 27 February 2013

28

OWEN MERTON Outskirts of the Town, Bonsada Watercolour 36 x 49 Signed & dated 1923 1,500 - 2,500

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OWEN MERTON Sea and Countryside Watercolour 37 x 46 Signed & dated 1925 1,500 - 2,500

30

PATRICK HAYMAN Southern Cross 1st Flight to New Zealand from Australia Oil on board 42.5 x 63.5 Signed & inscribed 2,000 - 4,000

31

RAYMOND MCINTYRE Figures with Umbrella, London Oil on board 33.5 x 25 Signed 35,000 - 45,000

Figures with Umbrella, London c.1915 is a quintessential Mclntyre streetscape. While the brush work is fluid, the composition is refined and stylised, and a delicate precision lends Figures with Umbrella, London a quiet confidence.

Like many successful painters of his age, Raymond Mclntyre left New Zealand as a young adult and made Europe his home.

From 1909 to his death in 1933 he lived in London, where he was actively engaged with the contemporary trends in European Art which he had found inaccessible from New Zealand. In London he began a period of intensive study and painting and exhibited frequently over the next decade, particularly at the Goupil Gallery Salon, London’s leading international gallery at the time. His work was accepted into the prestigious Royal Academy of Arts in 1924 and he ceased to exhibit his work publicly in 1926.

The two figures in the foreground are constructed in careful greys and although they are the subject of this work, McIntyre’s primary concern is in the design and formal relationship within the image. Subtle tonal contrasts and exquisite brushwork create a deeply elegant work.

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Reference: Arrangement of Jugs (1938) is a lively and buoyant still life by renowned painter Frances Hodgkins. The edition of lithographs is Hodgkins’ only surviving print and was commissioned in 1936 by the London-based publisher Contemporary Lithographs Ltd as part of a venture to supply a wider audience with quality and affordable original works of art.

Arrangement of Jugs is from the suite of fifteen prints by different artists launched in 1938, one of which was purchased by the British Museum.

Although she had not worked with lithography before Hodgkins was praised at the time for her fresh and innovative use of the medium and she herself ‘found it interesting and remunerative as a sideline to other works’.

(Kapiti Treasures, Janet Bayley (Edt.l, Mahara Gallery, 2010, p. 36) Moving increasingly away from traditional modes of representation in her works, some objects in Arrangement of Jugs are pared back to their most essential formal elements or depicted through abstract bodies of colour. Essentially disregarding any hierarchy within the objects Hodgkins has employed several perspectives within a single composition giving the effect that some objects appear to float freely in space. The ethereal quality of the abstract forms combined with the objects depicted more literally adds dynamism and vivacity to the work.

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LOUISE HENDERSON Hour Series Oil on canvas 50.5 x 73 Signed 3,000 - 5,000

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FRANCES HODGKINS Arrangement of Jugs, 1938 Lithograph on paper, 46 x 61 Signed Inscribed lower left: Published by Contemporary Lithographs Ltd, London 12,000 - 15,000

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John Leech Collection 6:30pm Wednesday 27 February 2013

The simplified outlines of objects and bold areas of colour in Arrangement of Jugs are typical of Hodgkins’ approach to colour and form in the mid to late 1930s and relate strongly to two known watercolours of almost identical titles, Still Life (c.1937) and Arrangement of Jugs (c.1937) suggesting that they may have been working drawings for the lithographs.

Illustrated: Frances Hodgkins: Kapiti Treasures, Janet Bayley (Edt.), Mahara Gallery, 2010. p. 33 Frances Hodgkins: Paintings and Drawings, lain Buchanan, Elizabeth Eastmond and Michael Dunn, Auckland University Press, 1994. p.151 Portrait of Frances Hodgkins, E.H McCormick, Auckland University Press and Oxford University Press, 1981. p.123

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John Leech Collection 6:30pm Wednesday 27 February 2013

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JOHN WEEKS Water Carriers c. 1927 Watercolour 48 x 28.2 2,000 - 3,000

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PATRICK HAYMAN Still Life (Organic) Oil on canvas board 52 x 60 Signed verso 2,000 - 4,000

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PAT HANLY Field Yellow Mixed media on paper 63 x 64 Sigend & dated 1983 14,000 - 18,000

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PATRICIA FRANCE Flowers in a Black Pot Oil on board 37.5 x 32.5 Signed & dated 1987 800 - 1,500

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GABRIELLE HOPE Dancing Nudes Ink drawing 74 x .49.5 Signed & dated 1958 800 - 1,200

38 LOUISE HENDERSON Untitled

Pastel on paper 44 x 55

Signed

800 - 1,200

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HENRYK SZYDLOWSKI Fish on a Platter Oil on canvas 91 x 82 Signed & dated 1980 800 - 1,200

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John Leech Collection 6:30pm Wednesday 27 February 2013

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CHRISTINA CONRAD Krishna’s Birthday Oil on Board 195 x 96 Signed & dated 1984 3,000 - 5,000

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PETER MCINTYRE Asian Woman in Coolie Hat Oil on canvas 70 x 54 5,000 - 8,000 42

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IVY M COPELAND Still Life Oil on board 60 x 45 Signed & dated 1953 800 - 1,500

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CHRISTOPHER PERKINS Still Life, Flowers in Vase Oil on board 60 x 50 Signed 2,000 - 4,000

John Leech Collection 6:30pm Wednesday 27 February 2013

45 PETER MCINTYRE

Homestead Makariki Valley near Wanganui

Watercolour 39.5 x 52

Signed

4,000 - 6,000

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JOHN GIBB Canterbury Mill Oil on canvas 50 x 74 Signed & dated 1892 8,000 - 12,000

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COLONEL ROBERT HENRY WYNYARD Paihia looking across to Kororareka (Russell) Watercolour 17.5 x 21.5 Inscribed Paihia looking across to Kororareka 8,000 - 12,000

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COLONEL ROBERT HENRY WYNYARD Littleton (Lyttelton) Pencil on paper 15.5 x 21.2 1,000 - 1,500

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COLONEL ROBERT HENRY WYNYARD Untitled (House with Bush Surround ) - Possibly Treaty House Pencil on paper 16.5 x 21 1,000 - 1,500

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John Leech Collection 6:30pm Wednesday 27 February 2013

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COMMANDER RICHARD ALDWORTH OLIVER Emily, A Maori Girl, Nauranga, A Maori Village Near Wellington, January 1851 Watercolour & pencil on paper 30 x 22 Inscribed 3,000 - 5,000

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COMMANDER RICHARD ALDWORTH OLIVER Maori Girls, Auckland Watercolour 37 x 26 Inscribed Maori Girls, Auckland NZ verso 5,000 - 8,000

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COMMANDER RICHARD ALDWORTH OLIVER Wangaru-ru, East Coast, Monk Island Watercolour 36.5 x 25 4,000 - 6,000

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Recent research suggests this is Alfred Sharpe’s interpretation of the dramatic scene in Antarctic waters on 6 February 1838. The two ships depicted are the French corvettes l’Astrolabe et la Zélée. The Astrolabe is shown packed in by ice but the Zélée is also trapped. Zélée is shown about mid-right. The expedition was under the command of Dumont d’Urville a talented French mariner who had visited New Zealand twice before and he was about to make his third visit. He was a daring commander and is known for his skill in taking the Astrolabe through French Pass, NZ, in an earlier Pacific voyage. Very briefly the background to the voyage was that in 1836 Dumont d’Urville presented a proposal to the French authorities suggesting an expedition to the Pacific. King (or Emperor) Louis-Philippe was very interested in the idea and suggested the addition of a probe into Antarctic waters.

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ALFRED SHARPE Nipped Between Icebergs Watercolour 59 x 97 Signed, inscribed & dated 1898 40,000 - 60,000

THOMAS WILLIAM DOWNES Drawing for Old Wanganui Pah after Gillfillan Pen and wash on paper 26.5 x 43 Inscribed & dated 1915 verso 800 - 1,200

After a long voyage, on February 2, 1838, the ships were sailing southwards in search of Antarctica. Within 48 hours they came upon an ice field. D’Urville followed it westwards and entered an inlet in the ice with Jacquinot, on the Zélée close behind. It was an unwise plan as during the night the ice cracked and crunched and by morning the channel had closed behind the ships. Men climbed down onto the ice to tie ropes to the floes; those who remained on board hauled on them to move painfully forward, while others tried to push the ice aside with picks, pincers and pickaxes. It took five days to break free from the ice. During the process a number of the crew suffered from frostbite, including all three surgeons. Eventually they landed on Weddell Island.

Dumont d’Urville spent eight more months exploring southern waters. He then headed for Hobart and then sailed on to New Zealand; after anchoring for a few days at the Auckland Islands, he sailed north off the east coast of New Zealand. November 6, 1840, the two ships entered the harbour at Toulon. They had been away three years and two months. A decade later an official account of the voyage was published showing two similar works.

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John Leech Collection 6:30pm Wednesday 27 February 2013

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JOHN BARR CLARKE HOYTE Early Auckland Cottage, possibly Onehunga with St Peters Anglican Church behind Watercolour 22.5 x 37 Signed 10,000 - 15,000

John Leech Collection 6:30pm Wednesday 27 February 2013

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ALFRED SHARPE Cox’s Creek, Westend Road, Westmere Watercolour 45 x 63 Signed & dated 1887 24,000 - 28,000

Provenance:

Ex Collection of Sir James & Lady Fletcher

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John Leech Collection 6:30pm Wednesday 27 February 2013

57

ARTIST UNKNOWN Lake Wakatipu Oil on shell 12.5 x 9 700 - 1,000

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ARTIST UNKNOWN Lake Te Anau Oil on shell 12.5 x 9 Signed M J lower right 700 - 1,000

59

JOHN WEEKS Composition with Crucifixion Tempera on paper 53.5 x 42 4,000 - 6,000

60

JOSEPH GAUT Maori Girl Oil on canvas 55 x 40 Signed & dated 1888 12,000 - 18,000

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THEO SCHOON Mud Pool with Face, 1965 Black and white photograph 20 x 15 800 - 1,200

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THEO SCHOON Three Gourds with Handles Coloured pencil and ink on paper 30 x 21 Signed & dated 1962 800 - 1,200

John Leech Collection 6:30pm Wednesday 27 February 2013

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THEO SCHOON Gourds on a Stand with Branch Coloured pencil and ink on paper 30 x 21 Signed & dated 1963 800 - 1,200

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JOHN KINDER Mt Eden and the Stockade Pen and wash 22 x 34.5 Inscribed & dated 1858 3,000 - 5,000

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John Leech Collection 6:30pm Wednesday 27 February 2013

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FRANCIS MCCRACKEN Spanish Village Pastel in paper 36.5 x 52 Signed 500 - 1,000

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FRANCIS MCCRACKEN Puente Bridge, San Martin, Toledo Pastel on paper 37 x 52 Signed, inscribed & dated 1933 500 - 1,000

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FRANCIS MCCRACKEN Gossip, St Monance Ink & pencil on paper 15 x 20 400 - 600

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FRANCIS MCCRACKEN Self Portrait Oil on board 75 x 51 Signed 2,000 - 4,000

69 FRANCIS MCCRACKEN Connie

Oil on canvas 91 x 70

Signed & inscribed on

stretcher verso

2,000 - 4,000

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71 GEORGE O’BRIEN

Untitled - Coastal Scene

Watercolour

29 x 50

Signed

& dated 1880

800 - 1,200

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John Leech Collection 6:30pm Wednesday 27 February 2013

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GEORGE O’BRIEN Attributed Two Miles Below the Junction of Port Chalmers and Waikouaiti Roads Watercolour 13.5 x 17.5 Signed and inscribed on original backing board affixed verso 1,000 - 2,000

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ARTIST UNKNOWN Maori Fort with Figures Watercolour 13.5 x 17.5 800 - 1,200

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COMMANDER GEORGE HORNBROOK Ships of the Line Ink on paper 14 x 18 Inscribed 800 - 1,200

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ROBERT HARVEY The Sounds, New Zealand Watercolour 17.5 x 26 Inscribed on label affixed verso 800 - 1,200

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ROBERT HARVEY Mount Cook, New Zealand Watercolour 24 x 17.5 Inscribed on label affixed verso 800 - 1,200

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ROBERT HARVEY Manly Beach, Sydney Watercolour 17 x 25.5 Inscribed on label affixed verso 800 - 1,200

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ROBERT HARVEY Otira Gorge, New Zealand Watercolour 22.5 x 16.5 Inscribed on label affixed verso 800 - 1,200

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John Leech Collection 6:30pm Wednesday 27 February 2013

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GEORGE O’BRIEN River Leith, Otago, circa 1870 Monochrome watercolour 22 x 26 Signed 8,000 - 12,000

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19TH CENTURY ARTIST UNKNOWN View from Lawn, Mission House Island Pencil on paper 21 x 30.5 Inscribed 800 - 1,200

ROBERT HARVEY Sophie Maori Guide Watercolour 22.5 x 17 Inscribed on image and inscribed on label affixed verso 800 - 1,200

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19TH CENTURY ARTIST UNKNOWN Wellesley Street looking towards Freemans Bay, circa 1860 together with another early Auckland sketch Pencil on three sheets of paper 14 x 26 Inscribed. Unframed 800 - 1,200 81 82 d

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19TH CENTURY ARTIST UNKNOWN A selection of seven drawings on paper featuring various colonial subjects Pencil on paper various sizes approximately 17 x 31. Unframed One dated 1860 All inscribed 800 - 1,200

82 a

82 e

Inscriptions read: (a) St George’s Bay, Parnell, Auckland Ship Evening Star

(b) St Stephens, Parnell with minor study of buildings verso (c) Bush Section, Otago, NZ

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82 f

82 c

82 g

(d) Okoaro New Plymouth NZ - studies verso (e) Te Karaka Church 1860 Auckland G. Urquhart (f) Cottage of a small farmer, New Plymouth NZ with further study verso (g) Karaka Church - three building studies verso View larger images at www.fineartauction.co.nz

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FRANCES IRWIN HUNT Lady with Beret Oil on board 43.5 x 35 400 - 600

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DORIS LUSK Portrait of Tony Fomison Charcoal on paper 50 x 35.5 Signed & dated 1971 1,500 - 2,500

John Leech Collection 6:30pm Wednesday 27 February 2013

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ROBERT NETTLETON FIELD Portrait of Ada Ryan Oil on board 39 x 33.5 800 - 1,200

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CHRISTOPHER PERKINS Portrait of a Man Charcoal on paper 46.5 x 37 Signed & dated 11/9/62 800 - 1,200

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JOSIAH MARTIN Auckland Free Library and Art Gallery Opened March 26, 1887 Photograph 14.5 x 20 Inscribed 800 - 1,200

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L P ANDREWS Petrus van der Velden Photograph 18.7 x 13.8 Signed 400 - 600 89

CHARLES HEAPHY The Level Country At The South End, Looking North of Blind Bay Lithograph 24 x 87.5 Signed 800 - 1,200

Includes inscriptions left to right the following place names: Driving Cattle with his Stock-whip; Astrolabe Road, Adele Island, Mouth of Motucka River; Cabbage Tree, Tree-Fern, ; Stephens Island; D’Urville Island, French Pass Mouth of Moutere River, Croisilles Harbour

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John Leech Collection 6:30pm Wednesday 27 February 2013

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CHRISTOPHER WOOD Seated Nude, 1930 Pencil on paper 30 x 20.5 Signed verso 200 - 400

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ELLEN VON MEYERN Day Dreams Oil on board 30 x 22 Signed & dated 1908 800 - 1,200

R J DOWNIE Waitemata from Shelly Beach, Auckland 1910 Watercolour 14.5 x 22.5 400 - 600

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WILLIAM MENZIES GIBB Canterbury River Scene Watercolour 24 x 35.5 Signed 400 - 700

94 THOMAS DERBY RYAN Awhinga

Watercolour 16 x 15

Inscribed

300 - 500

95 KENNETT WATKINS

Hauraki Gulf Scene

Watercolour 32 x 26

Signed & dated August 1878

200 - 400

96 AFTER GOTTFRIED LINDAUER

Anna Rupene and Child

Oil on canvas 75 x 60

3,000 - 5,000 97

ARTIST UNKNOWN Still Life with Maori Objects Watercolour 45.5 x 58.5 1,000 - 2,000

53

100 one of a pair

98

99

98

FRANCES DOLINA ELLIS The Pearl Diver Oil on canvas 40 x 33 400 - 600

99

100

54

101

TREVOR LLOYD Lizard Skin (Maori Chief ) Etching 27.5 x 19.5 Signed 500 - 800

104

FRANCES DOLINA ELLIS Study of an Old Woman Knitting Charcoal on paper 74 x 47 Signed 600 - 800

DENNIS KNIGHT TURNER Untitled Motifs Mixed media on paper 34 x 25 Signed 600 - 800

102

THEO SCHOON Boiling Mud, 1967 Colour photo 45.5 x 45.5 500 - 800

105

THEO SCHOON Robley photo Ink and printed photo 31 x 29 Signed 300 - 500

THEO SCHOON Untitled - A Pair of studies Pencil on paper 18 x 15 800 - 1,200

103

THEO SCHOON Untitled (Koru Design) Pencil on paper 46.8 x 75 400 - 800

106

IVY COPELAND Maori Boy Watercolour 34.5 x 27 Signed 200 - 400

John Leech Collection 6:30pm Wednesday 27 February 2013

103

105 101

102

104

106

55

107

108

56

John Leech Collection 6:30pm Wednesday 27 February 2013

107

A L TREADWELL Three Kings, Auckland Oil on pinex board 52 x 104.5 Signed 1,000 - 1,500

108

WILLIAM GREEN Stewart Island Oil on canvas 49.5 x 90 Signed & dated 1899 1,500 - 2,500

109

SAM STUART ATTRIBUTED St Johns College, Auckland Monochrome oil on board 26.5 x 46.3 800 - 1,200

110

J PARSONS Waikato River Oil on board 54 x 68 Signed 400 - 600

111

S NATOCK Melbourne Cup, Fly Teal Direct, 1959 Original poster 85 x 62 Inscribed 1,000 - 2,000

112

H PROST Force, Energie par les produits Lavocat, aliments irradiĂŠs Stone lithographic poster 92 x 69 Printed Foet, Lyon circa 1930 Signed & inscribed 800 - 1,200

113

C M HOISTON Portrait of Archibald Fisher Oil on canvas 59.5 x 39 Signed & inscribed verso 800 - 1,200

110

109

111

112

113

57

116

114

114

J DELBALAT Baie Wangaroa (Whangaroa Harbour Northland) Engraving on paper 63 x 47 Inscribed & dated 1868 800 - 1,200

117

115 VICTOR CHARLES LOTTIN

De la Noivell Zelande (Northland)

Lithograph 31 x 47

800 - 1,200 116

VICTOR CHARLES LOTTIN Del la Baie Shouraki, March 1827 (Hauraki Gulf) Lithograph 61.5 x 92.5 800 - 1,200

117 ARTIST UNKNOWN

Sketch of Maori Fortification, Rangiriri

Lithograph 58.4 x 44.5

500 - 1,000 115

58

John Leech Collection 6:30pm Wednesday 27 February 2013

118

118

AMBROISE TARDIEU Plan de la Riviere Shooukianga Lithograph 61.5 x 92.5 800 - 1,200

119

ELLA SPICER Supreme Court, Auckland Watercolour 25 x 31 Signed & dated 1925. Inscribed verso 600 - 900

120

CHARLES FREDERICK GOLDIE A Good Joke Chromolithograph print 38.5 x 31.5 Machine signed, inscribed & dated 1905 800 - 1,200

121

F W GREGORY Grafton Bridge, Auckland Watercolour 32 x 49 Signed & inscribed 800 - 1,200

122

KITTY AIRINI VANE Sandy Bay, Matapouri Gouache on paper 36 x 48 Signed & dated 1946 500 - 800

123

KITTY AIRINI VANE Southern Alps Gouache on paper 37 x 53.5 Signed & dated 1937 400 - 800

121 119

122

120

123

59

124

124

ROBERT F WAY Wahine & Child Etching edition of 50 22 x 14 Signed & inscribed 300 - 500

125

LOUIS-AUGUSTE DE SAINSON Rangui Ngapuhi Chief - from Voyage de la Astrolabe 1826-1829 Plate 71 Lithograph 47 x 32 Dated 1833 1,000 - 1,500

126

LOUIS-AUGUSTE DE SAINSON Natai Ngapuhi Chief - - from Voyage de la Astrolabe 1826-1829 Plate 63 Lithograph 47 x 32 Dated 1833 1,000 - 1,500

60

126

125

127

J ALPHONSE PELLION Etudes de Tatouages, Nouvelle Zelande, circa 1820 Engraving 23.9 x 32.2 Inscribed 800 - 1,200

128

LEJEUNE and ANTOINE CHAZAL Cascade de Fanafaoua pres du Village de Kidikidi c1822-25 from L.I. Duper rey’s Voyaga autour du Monde Hand coloured aquatint 24.5 x 33 Signed 400 - 600

129

John Leech Collection 6:30pm Wednesday 27 February 2013

THOMAS DERBY RYAN Figurehead of Small War Canoe, Lake Rotorua Watercolour 22 x 28.5 Inscribed 400 - 700

130

DR RENZO PADOVAN Pa Taka Storage House Etching 30 x 23 Signed & dated 1955 400 - 600

131

DR RENZO PADOVAN Maori Carving Etching 30 x 23 Signed & dated 1955 400 - 600

132

DR RENZO PADOVAN Meeting House Interior looking out at Pataka Lithograph 31 x 21 Signed & dated 1956 400 - 600

127

130

128

131

129

132

138

133

138 135 134

136

137

138

133

GEORGE FRENCH ANGUS Te Werowero, or Potatau the principal chief of all Waikato.

Te Waru, principal chief of the Nga Ti Apakura tribe. Te Pakaru, principal chief of the Nga Ti Maniapoto tribe.

From New Zealanders Illustrated, plate 44, 1847 Coloured lithograph 98 x 61.5 Inscribed - The signatures of both Te Waru and Te Pakaru are included under their portraits 800 - 1,200

134

GEORGE FRENCH ANGUS Horomona Maruhau, or Blind Solomon Hand coloured lithograph 800 - 1,200

135

ALPHONSE CHARLES MASSON Funérailles d’un Chef, Nouvelle Zélande Engraving 16.4 x 25.8 Signed & inscribed 400 - 600

136

DAY & SON New Plymouth Lithograph on paper 26 x 34 100 - 150

137

LOUIS LE BRETON Cases de Naturels Lithograph from Atlas Pittoresque 23 x 33 Inscribed 200 - 400

138

JOSEPH JENNER MERRETT Rua Pahu and Tongariro , Mount Egmont from Near the Waimate Pah, Taranake, View of Taupo from Te Rapa (3) 3 L Haghe lithographs 12 x 19 Inscribed 500 - 1,000

139

139

JOSEPH GAUT Portrait of a Maori (Man) Hawkes Bay, 1885 Oil on canvas 49.5 x 39.6 2,000 -3,000

140

140

MARCUS KING Maori Art New Zealand Framed travel poster for National Publicity Studios Silkscreen print 98 x 61.5 Inscribed 800 - 1,200

63

141

144

64

142

144

John Leech Collection 6:30pm Wednesday 27 February 2013

143

141

CHARLES HEAPHY View of Nelson Haven, in Tasman’s Gulf, New Zealand; including a part of the site of the intended Town of Nelson, 1841 Lithograph 42.5 x 54.5 Inscribed 700 - 1,000

142

CHARLES HEAPHY Part of Lambton Harbour, in Port Nicholson, New Zealand, Comprehending about one third of the water frontage of the town of Wellington.

Lithograph 42.5 x 54.5 Inscribed 700 - 1,000

143

CHARLES HEAPHY View of a Part of the Town of Wellington New Zealand Looking Towards the South East Comprising About one third of the Water Frontage., 1841 Lithograph 42.5 x 54.5 Inscribed 700 - 1,000

146

146

GIUSEPPE ANTONIO CASTELLI Untitled (Maori Utensils) Aquatint 80 x 26 Signed 400 - 600 147

145

144

A PAIR OF EARLY BOTANICAL STUDIES FROM COOKS VOYAGE Botanical Studies - A Pair Engravings 50 x 35 800 - 1,200

145

CHARLES DECIMUS BARRAUD Interior of Rangiatea Church Lithograph 29.5 x 18 800 - 1,200

147

MAJOR GENERAL HORATIO GORDON ROBLEY Sketch of Hone Heke’s Tiki & a further sketch verso Ink on paper 23.5 x 20 Signed & inscribed Exact size as the Tiki given to Sir G Grey by Hone Heke 1847 300 - 500

148

MAJOR GENERAL HORATIO GORDON ROBLEY Sketches of Huia Box Carvings & a further sketch verso Ink on paper 23 x 22 Signed & inscribed Exact size of curious carvings on a Huia box in Rev Volkner Collection, 1865, he was murdered at Opotoki 300 - 500

148

65

149

A COMPLETE BOXED SET OF THE JOHN LEECH 150TH ANNIVERSARY PRINTS Six screen prints and Three lithographs, unframed Edition of 75, 50 x 70 All signed & inscribed 3,000 - 5,000

Michael Smither Motumahanga, Screenprint Don Binney Kotuku Puketotara, Lithograph Justin Boroughs Boatsheds Orakei, Screenprint Dick Frizzell Memorandum, Lithograph Michael Hight Kyeburn, Screenprint John Walsh We go right there Tonto, Lithograph Peter Siddell Trellis, Screenprint Grahame Sydney Fog at Ranfurley, Lithograph Sofia Tekela-Smith Savage Island Man, Screenprint

66

John Leech Collection 6:30pm Wednesday 27 February 2013

150 151

150

150

150

150

150

EARLY NZ PRINTS Various sizes & subjects - unframed Two from the Novara Expedition Tarawera, thermal / coastal scenes As illustrated 500 - 1,000

151

ARTIST UNKNOWN The Latest Scandal !

A D Willis Lithograph printer, Wanganui, unframed 42 x 61 Inscribed 300 - 500

152

KENNETT WATKINS Portrait of a Young Boy Death of Major Von Tempsky at Te-Ngutu-o-te-Manu, New Zealand, 7th September, 1868 A D Willis Lithograph printer, Wanganui, unframed 42 x 61 300 - 500

152

67

153

WILLIAM MASON Still Life of Fish and Wine Oil on canvas 66 x 86.5 Signed & dated 1954 2,000 - 4,000

157

DENNIS KNIGHT TURNER Memories of New Zealand Watercolour 32 x 46 Signed & dated 1973 800 - 1,200

154

DENNIS KNIGHT TURNER Still Life with Ginger Jar Oil on board 44 x 61 Signed 800 - 1,200

158

BEATRICE M WHITE Portrait of a Young Boy Pastel on paper 49 x 36 Signed & dated 1953 300 - 500

Provenance:

Exhibited:

Here Here Here 1943 - 1993 159

Sarjeant Gallery Touring Exhibition

Label affixed verso

153

154

68

John Leech Collection 6:30pm Wednesday 27 February 2013

155

HELEN STEWART Church Interior Oil on board 81 x 65 Signed 800 - 1,200

156

ELLA SPICER Market Day Watercolour 26 x 33 Signed 600 - 800

160

DENNIS KNIGHT TURNER The Punga Oil on Board 60 x 45 Signed & dated 1960 800 - 1,200

HENRYK SZYDLOWSKI Untitled Landscape Oil on canvas 91 x 82.5 Signed & dated 1984 800 - 1,200

157

155

156

159

158

160

69

163

161

162

161

WILLIAM JAMES REED Portrait of a Maori Woman Oil on board 30 x 24 Signed 800 - 1,200

162

IDA G EISE Street in Madrid Oil on board 41 x 33.5 Signed & dated 1963 500 - 1,000

163 EDWARD NOEL BARRAUD Hobart

Watercolour 23 x 33

Signed & dated 1905

400 - 600

70

164

ERNEST D STOCKS Port Nicholson from the Botanical Gardens, Wellington Watercolour 24.5 x 34.5 Signed, inscribed & dated 1906 200 - 400

165

JOHN WEEKS Moonlit Landscape Watercolour 46 x 58.5 Signed 1,500 - 2,500

John Leech Collection 6:30pm Wednesday 27 February 2013

164

166

HARRY LINLEY RICHARDSON House and Garden Oil on board 39.5 x 49.5 Signed 1,000 - 1,500

167

ARTIST UNKNOWN North Head, Auckland Harbour, c. 1920 Oil on board 54.8 x 25.2 Inscribed 600 - 1,000

165

166

167

71

168

72

John Leech Collection 6:30pm Wednesday 27 February 2013

168

H HILL Memorial of Rugby School Lithograph 66.5 x 48 100 - 200

169

GUSTAF DILLBERG Pink Terraces Ink on paper 12 x 19 Signed & dated 1886. Signed, inscribed & dated on original artist’s label affixed verso 200 - 500

170

HARRY LINLEY RICHARDSON The Mother Kissed the Baby Watercolour 35 x 23.5 Signed. Inscription verso 500 - 800

171

BARRY LETT COLIN MCCAHON INVITATION Barry Lett Galleries invitation to Colin McCahon exhibition with pen drawings of exhibition by an unknown hand, 1968 Ink on printed brochure 19.5 x 31.5 Inscribed Working Drawings for No. 3, 4 & 5 ‘Visible Mysteries’ 1968 300 - 600

172

IVY M COPELAND Rural Scene Watercolour 23 x 33.5 Signed & dated 1930 400 - 600

173

RUSSELL CLARK Sculptural Drawing Watercolour 27.5 x 16 Ex R P Archer Collection, former widow of R Clark - from label verso 200 - 400

174 LOUISE HENDERSON Untitled

Watercolour 41 x 61

Signed

500 - 1,000

169

171 front

171 verso 173

170

172 174

73

177 175 176

175 PETER SIDDELL Window

Silkscreen print, edition of 150

70 x 44.5

Signed, inscribed & dated 1982

700 - 1,100 176

74

GRETCHEN ALBRECHT International Women’s Year 1975 Silkscreen print, edition of 100 88.5 x 61 Inscribed For Una 500 - 1,000

177 PETER SIDDELL Trellis

Screenprint, edition of 75 70 x 50

Signed, inscribed & dated 2005

500 - 1,000

179 SINA WOOLLCOTT Untitled

Watercolour 47.2 x 64.6

Signed & dated 1963

400 - 600

178

180

SINA WOOLLCOTT Rise, Taupo Watercolour 47.2 x 64.6 Signed & dated 1963 400 - 600

John Leech Collection 6:30pm Wednesday 27 February 2013

SINA WOOLLCOTT Untitled ( 3 Native Women) Watercolour 47.2 x 64.6 Signed 400 - 600

178

180 182

179

181

183

181

SINA WOOLLCOTT Te Whare Watercolour 47.2 x 64.6 Signed 400 - 600

183

IVY M COPELAND Village Scene with Boy and Dog Watercolour 22.5 x 31 Signed 400 - 700

182

FRANCES DOLINA ELLIS Wellington Boatsheds Watercolour 30 x 38 Signed 300 - 500

184

GEOFFREY E FAIRBURN Untitled Landscape Watercolour 27 x 35 Signed 200 - 400 184

75

185

186

185

CYRIL WHITEOAK Melanesia House, Mission Bay Watercolour 30.5 x 47 Signed & dated 1961 500 - 1,000

186

ELISE MOURANT Apricots in a Basket Pastel on paper 47 x 62.5 Signed 600 - 900

187

WILLIAM ALLEN BOLLARD Mt Elie de Beaumount Oil on canvas 34 x 24 Signed 300 - 600

188 AUBREY DE LISE

Reflections in No 1 Queen Street

Watercolour 34 x 24.5

Signed & dated 1989

100 - 300 189

190

191

187

76

192

JOHN STEWART CLARK Portrait of a Young Girl Watercolour 9 x 7 Inscribed verso 400 - 600

188

193

189

LOUISE HENDERSON Head Study Pencil on paper 20 x 15 Signed 150 - 300

194 A FINNELL

Partington’s Mill GEORGE CHANCE

Watercolour 43 x 31.5 Near Queenstown, Wakatipu Signed Gelatin silver print 20 x 25.5 400 - 600 Signed & inscribed with Geo Chance label affixed verso 195 VIDA STEINERT 200 - 400

Tree Study

Watercolour 44 x 39 E MERVYN TAYLOR NZ Weta

Signed Linocut 11 x 7.5

300 - 600 Signed 200 - 400 196 THOMAS STEWART MONKHOUSE A J INGLIS

Milligans Reef, 1865 Late Afternoon, Puhoi

Watercolour and Oil on card 29.5 x 42

gouache on paper 23 x 30 Signed

300 - 600 200 - 400

John Leech Collection 6:30pm Wednesday 27 February 2013

197 ANTHONY STONES Smoko

Watercolour 29 x 24

Signed & dated 1967

200 - 500 198 E GAFF Taroona

Acrylic on paper 24.5 x 35

Signed & dated 1947

100 - 200 199

M J GEARY (British 20th Century) The Beach c. 1950 Oil on canvas 29.5 x 34 Signed 800 - 1,200

200

A J INGLIS From Golden Spur Oil on board 61 x 51 Signed 200 - 400

198 190

195

193

199 196

191

192

194

197

200

77

201

Provenance: Peter McLeavey Gallery 2000 Receipt affixed verso

201 TOSS WOOLLASTON Mapua

Pencil on paper 20 x 12.5

Signed, inscribed & dated 1942

300 - 600

209 ALVAR

Woman Playing Violin

Lithograph 48.5 x 39.5

Signed

100 - 200

202 MICHAEL SMITHER Thomas

Silkscreen print, edition of 20

58.5 x 50.5

Signed, inscribed & dated 1968

500 - 800

210

JULIAN HOOPER Foliage & Garden Pastel on paper 47 x 62.5 Signed & dated 1987 100 - 300

211

ALISON PICKMERE Still Life with Teapot and Flowers Oil on board 38.5 x 58 Signed 200 - 400

203

ARTIST UNKNOWN European City and River Watercolour 27.5 x 37.5 Signed & dated 1926 200 - 400

204

BEN WOOLCOMBE Ostend, Waiheke Island & Apricot Trees, San Felice, Italy (A pair) Watercolour 34.5 x 54 Signed & dated 1985 & 1987 150 - 250

205

RUDI GOPAS Decaying Foundation Charcoal 31 x 39 Signed & dated 1961 300 - 500

206

ILENE ROSA STICHBURY Princess Wharf Oil on canvas 30 x 45 300 - 600

207 ARTIST UNKNOWN Untitled

Acrylic & pastel on paper 29 x 48

150 - 250 208

ANA GEDSON Kete (1), 2002 Fibre 10 x 9 100 - 200

202

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John Leech Collection 6:30pm Wednesday 27 February 2013

212 MARY FOREMAN Lilies

Acrylic on board 58.7 x 44.5

Signed

800 - 1,200 213

BRUCE TRELOAR Girl in Lagoon Gouache on fabriano paper 30 x 41 Signed & dated 1989 300 - 500

214 KEITH PATTERSON Untitled

Oil on board 53 x 55

Signed & dated 1949

100 - 200 215

PETER O’HAGAN Still Life Watercolour 41.5 x 36.5 Signed 100 - 300

Thank you - End of Sale

Next auction 26th March Important, Early & Rare

207 203

210

213

204

208

211 214

205

206

209

212

215

RICHARD KILLEEN

GORDON WALTERS

Reap What You Sow

ROBIN WHITE

Rauponga

Screenprint, Ed. of 50, 74 x 52cm

Florence and Harbour Cone

Screenprint Ed. of 50, 56.5 x 76.5cm

Screenprint Ed. of 40, 62.5 x 41.8cm

Contemporary & Collectable Art Auction *April 2013 Entries Now Invited Contact Luke Davies +64 9 3794010 Email info@internationalartcentre.co.nz Toll Free 0800 800 322 * Exact date subject to confirmation

THE ONLY AUCTIONEERS OF PICTURES EXCLUSIVELY

272 Parnell Road Auckland New Zealand Tel +64 9 379 4010 www.fineartauction.co.nz

Important, Early & Rare 6:30pm Tuesday 26th March 2013 Entries Now Invited Contact Richard Thomson +64 9 3794010 / Mob 0274 751071 Email richard@artcntr.co.nz Toll free 0800 800 322

JOHN GULLY Mt Cook and Lake Pukaki Watercolour 73 x 130cm Est. $50,000 - 70,000

272 Parnell Road Auckland New Zealand Tel +64 9 379 4010 www.fineartauction.co.nz THE ONLY AUCTIONEERS OF PICTURES EXCLUSIVELY

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82

John Leech Collection 6:30pm Wednesday 27 February 2013

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THE ONLY AUCTIONEERS OF PICTURES EXCLUSIVELY

Absentee Bid Form John Leech Collection Auction 6:30pm Wednesday 27 February 2013 Please bid on my behalf for the following lots up to the price recorded below. Bids are to be executed as cheaply as is permitted by other bids or reserves, if any, and subject to conditions of sale printed in this catalogue.

Registration Bidding Number Name Address Mob

Telephone Home Lot Number

Email

Artist and Title

Signature........................................................

Bid $NZ (excl. premium)

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/ 2013

International Art Centre offers this service to clients unable to attend sale.

84

John Leech Collection 6:30pm Wednesday 27 February 2013

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International Art Centre is not responsible for error or failure to execute bids.

Fax +64 9 307 3421 or post to PO Box 37344 Parnell, Auckland 1151 before 3pm 27 February

Index ALVAR................................................209 AIRINI VANE, K..........................122, 123 ALBRECHT, G....................................176 ALDWORTH OLIVER, C R.......50, 51, 52 ANDREWS, L P....................................89 ANGUS, G F...............................133, 134 ANTOINE, C L....................................128 BARRAUD, C D..................................145 BARRAUD, E N..................................163 BOLLARD, W A..................................187 CASTELLI, G A...................................146 CHANCE, G........................................190 CLARK, J S........................................189 CLARK, R...........................................173 COLIN, M I B L...................................171 CONRAD, C.........................................41 COOKS VOYAGE...............................144 COPELAND IVY M.......43, 106, 172, 183 Day & S..............................................136 DE LISE, A..........................................188 De Sainson, L-A......................125, 126 DELBALAT, J...................................... 114 DILLBERG, G.....................................169 DOWNES, T W.....................................53 DOWNIE, R J.......................................91 EISE, IDA G........................................162 ELLIS, F D....................................98, 104 ELLIS, R...............................................14 ELLIS, F D..........................................182 ELLIS, R...............................................20 EVANS, J..............................................24 FAIRBURN, G E.................................184 FIELD ROBERT, N...............................85 FINNELL, A.........................................194 FOREMAN, M.....................................212

FRANCE, P..........................................37 FRIZZELL, D................................8 13 18 GAFF, E..............................................198 GAUT, J.........................................60 139 GEARY, M J........................................199 GEDSON, A........................................208 GIBB, J.................................................46 GOLDIE, C F......................................120 Gopas, R..........................................205 GREENE, W.......................................108 GREGORY, F W.................................121 HANLY,P...............................................36 HARRIS, J......................................7 9 14 HARVEY, R............74, 75, 76, 77, 80, 90, HAYMAN, P....................................30, 35 HEAPHY, C...................87, 141, 142, 143 HENDERSON, L.......23, 32, 38, 174, 193 HILL, H...............................................168 HODGKINS,F.......................................33 HOISTON, C M................................... 113 HOOPER, J........................................210 HOPE,G...............................................39 HORNBROOK, C G..............................73 HOTERE, R............................................6 HOYTE, J B C......................................55 HUNT, F I..............................................83 INGLIS,A J..................................192, 200 JESSON, R............................................4 KAAN, S.................................................5 KILLEEN, R....................................12, 26 KINDER, J............................................64 KING, M..............................................140 LANE, T..................................................1 LE BRETON, L...................................137 LINDAUER, A G...................................96

LLOYD, T............................................101 LOTTIN, V C.............................. 115, 116 LUSK, D...............................................84 MADDOX, A.............................. 11, 16, 19 MARTIN, J............................................88 MASON, W.........................................153 MASSON, A C....................................135 MATCHITT, P..........................................3 MCCAHON, C................................21, 22 MCCRACKEN, F..........65, 66, 67, 68, 69 MCINTYRE, R......................................31 MCINTYRE, P................................42, 45 MENZIES-GIBB, W..............................93 MERRETT, J J....................................138 MERTON, O...................................28, 29 MOFFITT, T..........................................17 MONKHOUSE, T S............................196 MOURANT, E.....................................186 NATOCK S......................................... 111 O’BRIEN G.....................................71, 78 O’BRIEN A G........................................70 O’HAGAN, P.......................................215 PADOVAN, DR R................130, 131, 132 PARSONS, J...................................... 110 PATTERSON, K..................................214 PELLION J, A.....................................127 PERKINS, C...................................44, 86 PICKMERE, A..................................... 211 PROST, H........................................... 112 REED, W J.........................................161 RICHARDSON, H L . .................166, 170 ROBLEY, M G H G.....................147, 148 RYAN, T D....................................94, 129 SCHOON, THEO.............61, 62, 63, 100, ...........................................102, 103, 105

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John Leech Collection 6:30pm Wednesday 27 February 2013

JOHN LEECH PRINTS.......................149 SHARPE, A.....................................54, 56 SIDDELL, P................................175, 177 SIMMONDS, F........................................2 SMITHER, M..........................10, 25, 202 SPICER, E.................................. 119, 156 STEINERT, V......................................195 STEWART, H......................................155 STICHBURY, I R.................................206 STOCKS, E D.....................................164 STONES, A.........................................197 STUART (ATTRIBUTED) S................109 SZYDLOWSKI, H.........................40, 160 TARDIEU, A........................................ 118 TAYLOR E M......................................191 TREADWELL A L................................107 TRELOAR B.......................................213 TURNER, D K...............99, 154, 157, 159 UNKNOWN ARTIST....57, 58, 72, 79, 81, ....... 82, 97, 117, 150, 151, 167, 203, 207 VON MEYERN,E..................................92 WALTERS, G........................................27 WATKINS, K.................................95, 152 WAY, R F............................................124 WEEKS, J...............................34, 59, 165 WHITE, B M........................................158 WHITEOAK, C....................................185 WOOD, C.............................................90 WOOLCOMBE, B...............................204 WOOLLASTON, T..............................201 WOOLLCOTT, S.........178, 179, 180, 181 WYNYARD, C R H....................47, 48, 49

89 (detail)

272 Parnell Road Auckland, New Zealand PO Box 37 344 Parnell 1151 Tel +64 9 379 4010 www.fineartauction.co.nz