The city of three objects

Page 1


The city of three objects

Design Research Project @ ioud/20

CREDITS:

Peter Trummer with Zeynep Cinar and Cynthia Sanchez Morales

AND:

Birlmair Marco

Eberharter Janna

Feichtner Michael Hubert

Fröwis Alexandra

Geiser Michaela

Hamberger Caspar

Hamberger Zeno Maria

Kasem Abdul Rahim

Kreuzsaler Daniel Josef

Langer Tobias

Lechner Paul

Oppitz Maximilian Veit

Öztürk Ali

Pinggera Hannah

Rammler Stefanie

Thorn Charlotte

Zanarini Luca

the formal racing of the city as a figure/ground diagram like Rowe or as a semiological phenomenon like Scott. Brown and Venturi did this in Las Vegas, he used the idea of ecology, as used in biology. As defined by

describes the scientific study of the relations that living organisms have concerning each other and their natural environment. What he did, is not just to describe the ecologies. He wanted to know what they produce. As a modernist, he was interested in the new life or new life forms that emerge when two entities, two different kinds of objects: ´the natural environment: the beaches, its hills, its plane topography between them and the technical objects, like the car, the fiberglass, and the new film industry. Let’s take the example of his first ecology Surfurbia, for example, It is this rise of new urban beach culture that came to life when the technological material properties of fiberglass met the wave of the LA beaches and produced the surfboards or thought about new fantasies on the foothill, which due to its edge between the hills and the Plains of ID produces the Hollywood boulevard which all its Theaters, Bowls and Studios through the technological innovation of a new medium: the film.

Reading Banham’s approach from a more object-oriented viewpoint, we could argue that Los Angeles is the outcome of the fusion of the qualities of two kinds of objects, a natural one and a technological one, one describing what is given to us, one describes what we produced out of it.

Towards an object-oriented pedagogy of design

The presented projects within this book attempt to develop, based on the thesis of Graham Harman’s Object Oriented ontology (OOO)3 and the work of Gilbert Simondon On the Mode of Existence of Technical Objects4 and a new form of design methodology.

To summarise what such a methodology could mean or how it works can be best described by my reading on the emergence of Los Angeles shopping malls. As many might know, it was the Austrian Architect Victor Gruen, a born Viennese who needed to escape from Nazi Austria, who invented the first shopping mall. When we try to understand how this new kind of building might have come into existence without just being an idea of an Architect, we might see that what happens is nothing else as the exchange or fusion of qualities of one object with the qualities of another. The first quality of the shopping is the convergence of an urban piazza, or middle-aged marketplace, with the interiority of a huge climatized shed.

As Viktor Gruen described it once, he wanted to reproduce the second district, I guess his memories of the Karmeliterplatz, into the non-historical context of LA. But for this new interiority to work within an urban landscape of no density, other qualities of two objects had to converge as well:

the streets of cities and the roofs of buildings. What we can find in the first shopping mall is the fusion of the roads of LA with the roof of a building, to produce a new urban ground on the top of the building to host a car park. What can be learned from the described examples is that in opposition to classic Gestalt pedagogies, whereby architects would start with abstract geometrical figuration (just remember the oval circular drawings of baroque churches or the formal composition of the Bauhaus) the design research studio explores the exchange of qualities of various objects and fuse them with the qualities of another to form a new kind of urban artifacts.

In the presented studio three kinds of Los Angeles objects are converged and an infrastructural object: the carpark. To be looked for in this studio are the kind of LA’s that are embedded within these 3 Objects Los Angeles is made of its public containers, its utilitarian infrastructures, and its natural sublime.

Peter Trummer

Innsbruck 2018

1.) Reyner Banham, Los Angeles-The Architecture of Four Ecologies, London: Allen Lane, The Penguin Press, 1971.

2.) Reyner Banham, Los Angeles-The Architecture of Four Ecologies, London: Allen Lane, The Penguin Press, 1971, p.23.

3.) Harman, Graham. Object-Oriented Ontology. A New Theory of Everything. Pelican Books. New York: Penguin Random House, 2018.

4.) Simondon, Gilbert. On the Mode of Existence of Technical Objects. Translated by Cecile Malaspina and John Rogove. (Originally published 1958). Minneapolis: Univocal Publishing, 2017.

Works

TITEL

Geiser Michaela | Rammler Stefanie

TITEL

Oppitz Maximilian| Hamberger Zeno| Hamberger Caspar

TITEL

Birlmair Marco | Feichtner Michael Hubert

TITEL

Langer Tobias | Lechner Paul

TITEL

Eberharter Janna |Kreuzsaler Daniel Josef

TITEL

Fröwis Alexandra | Pinggera Hannah

TITEL

Zanarini Luca | Thorn Charlotte

TITEL

Öztürk Ali | Kasem Abdul Rahim

TITEL
Geiser Michaela | Rammler Stefanie

perspective

TITEL
Geiser Michaela | Rammler Stefanie
TITEL
Geiser Michaela | Rammler Stefanie
TITEL
Geiser Michaela | Rammler Stefanie
TITEL
Oppitz Maximilian| Hamberger Zeno| Hamberger Caspar

top view

TITEL
Oppitz Maximilian| Hamberger Zeno| Hamberger Caspar
TITEL
Oppitz Maximilian| Hamberger Zeno| Hamberger Caspar
TITEL
Geiser Michaela | Rammler Stefanie Oppitz Maximilian| Hamberger Zeno| Hamberger Caspar
TITEL
Birlmair Marco | Feichtner Michael Hubert
TITEL
Birlmair Marco | Feichtner Michael Hubert
TITEL
Birlmair Marco | Feichtner Michael Hubert

close up

TITEL
Birlmair Marco | Feichtner Michael Hubert
TITEL
Langer Tobias | Lechner Paul
TITEL
Langer Tobias | Lechner Paul

perspective

TITEL
Langer Tobias | Lechner Paul
TITEL
Langer Tobias | Lechner Paul

to topp: :

mi middddllee:

b boottttoomm:

s suubbuurb rb

m miiddrrisise

h hiigghhrriisse e

AN ANALALYSYSIS IS T Tokokyo yo
TITEL
Eberharter Janna |Kreuzsaler Daniel Josef
TITEL
Eberharter Janna |Kreuzsaler Daniel Josef
TITEL
Eberharter Janna |Kreuzsaler Daniel Josef
TITEL
Eberharter Janna |Kreuzsaler Daniel Josef
TITEL
Fröwis Alexandra | Pinggera Hannah

top view

TITEL
Fröwis Alexandra | Pinggera Hannah

perspective

TITEL
Fröwis Alexandra | Pinggera Hannah
close up
TITEL
Fröwis Alexandra | Pinggera Hannah

to topp:

m miiddddlee:

b boottttoomm:

su subbuurb rb

m miidrdrisise

hi highghririse se

AN ANALALYSYSIS IS T Tokokyo yo
AN ANALALYSYSIS IS T Tokokyo yo
TITEL
Zanarini Luca | Thorn Charlotte

top view

TITEL
Zanarini Luca | Thorn Charlotte
TITEL
Zanarini Luca | Thorn Charlotte

ummerwithCynthiaSanchezMoralesandZeynepCinar

TITEL
Zanarini Luca | Thorn Charlotte
TITEL
Zanarini Luca | Thorn Charlotte
TITEL
Öztürk Ali | Kasem Abdul Rahim
TITEL
Öztürk Ali | Kasem Abdul Rahim

perspective

TITEL
Öztürk Ali | Kasem Abdul Rahim
TITEL
Öztürk Ali | Kasem Abdul Rahim

close up

TITEL
Öztürk Ali | Kasem Abdul Rahim

–IOUD, University of Innsbruck.

IMPRESSUM 20

IOUD

Institute of Urban Design / Universtität Innsbruck

Univ.-Prof. Peter Trummer

Technikerstraße 21c

6020 Innsbruck AUSTRIA

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